Tag: play

Annual Survey Highlights Educators’ Embrace of ST Math, Created by MIND Education
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IRVINE, Calif. — MIND Education, an organization dedicated to ensuring that all students are mathematically equipped to solve the world’s most challenging problems, today released the results of its annual ST Math Teacher Survey, conducted by MIND Research Institute, its social impact organization specializing in education and neuroscience research.

Each spring, MIND sends out an annual survey to educators who use ST Math, a program created by MIND Education, to find out how the tool is delivering value, to guide future research and development, and to benchmark the understandings and beliefs of the teachers they serve. ST Math’s evidence-based approach uses visual, interactive play-based learning through problem-solving to deepen students’ understanding of foundational mathematical concepts.

This year’s survey found that ST Math stands out to teachers for its ability to achieve what traditional, language-heavy math instruction cannot. It reaches all types of students, engages them deeply in math lessons they genuinely enjoy, and motivates them to persist, succeed, and grow in confidence, all while enhancing their understanding of mathematics and improving their academic scores.

This year, 5,400 educators from across the U.S. responded to the survey, and the overwhelming majority of them cited the positive impact ST Math has on their students. Some highlights include:
- 85.8% of respondents agreed or strongly agreed that ST Math increases their students’ engagement in math learning;
- 81.2% agreed or strongly agreed that ST Math deepens their students’ understanding about how math works;
- 80.8% said they agreed or strongly agreed that ST Math helps their students of diverse backgrounds and abilities improve their math understanding;
- 81.9% agreed or strongly agreed that ST Math improves their students’ attitudes about math and math learning; and
- 81.1% said they agreed or strongly agreed that ST Math improves their students’ confidence in their mathematical abilities.
“I’m very pleased to share our annual spring survey’s results back to teachers and the market for the first time,” said Andrew Coulson, chief data science officer for MIND Research. “Getting a feel for where the vast majority of their fellow teachers are seeing value, validates the confidence of our experienced users. The most satisfactory finding to me in 2024 is the overwhelming agreement that ST Math is helping students of diverse backgrounds and abilities. Our non-conventional approach is designed for every human brain and how it learns. All brains, full stop. It’s very gratifying to see this ST Math value earn the second highest ‘strongly agree’ response, after our hallmark student engagement!”

For more information, please visit STMath.com.

About MIND Education

MIND Education engages, motivates, and challenges students towards mathematical success through its mission to mathematically equip all students to solve the world’s most challenging problems. MIND is the creator of ST Math, a pre-K–8 visual instructional program that leverages the brain’s innate spatial-temporal reasoning ability to solve mathematical problems; and InsightMath, a neuroscience-based K-6 curriculum that transforms student learning by teaching math the way every brain learns so all students are equipped to succeed. During the 2022-23 school year, MIND Education and ST Math reached more than 2.28 million students and 115,000 educators across the country. Visit mindeducation.org

eSchool Media staff cover education technology in all its aspects–from legislation and litigation, to best practices, to lessons learned and new products. First published in March of 1998 as a monthly print and digital newspaper, eSchool Media provides the news and information necessary to help K-20 decision-makers successfully use technology and innovation to transform schools and colleges and achieve their educational goals.

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July 5, 2024
PLAY Giveaway for One Year of Free Flights, Plus 25% Discount for Everyone Else

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PLAY Giveaway for One Year of Free Flights

PLAY, an an Icelandic low-cost airline that flies between the United States and Europe, has launched a giveaway that will give one lucky winner free flights for one year. Additionally, the airline is offering a 25% discount on flights to 10 destinations.

One Year of Free Flights

Now through May 12 at 11:59 p.m. ET, you can enter to win free PLAY flights for a whole year. The offer applies to flights from Boston, New York, and D.C. to more than 40 destinations served by PLAY.

In order to participate, just head over to https://www.flyplay.com/en-us/tourist-for-a-year-giveaway. You then need to sign up for the newsletter to automatically enter a draw for a chance to win free flights.

The lucky winner will be selected randomly and announced on May 16, 2024. PLAY will notify the winner of the giveaway via email.

25% Discount

PLAY is also offering a 25% flight discount which runs now through May 15 at 11:59 p.m. ET.

The booking periods for discounted flights from New York Stewart International Airport are June through December 2024 or July through December 2024 for flights from Boston Logan International Airport, Baltimore/Washington International Thurgood Marshall Airport, and Washington Dulles International Airport. Thanksgiving is excluded.

The 25% discount applies to the base fare only, not taxes, fees, additional services or carrier charges. You can check out more details at https://www.flyplay.com/en-us/tourist-for-a-year-giveaway.

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May 11, 2024
Opportunity for female directors at 2024 Tony Award nominations

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After a final, frantic push to open the last raft of Broadway shows before the eligibility window closed, the final list of almost 40 plays and musicals vying for Tony Award nominations this year are ready and hoping for their closeups.Jesse Tyler Ferguson and Renée Elise Goldsberry will announce nominees for the 26 competitive Tony Awards on Tuesday morning, the result of voting by the 60 members of the nominating committee.Video above: Actors from ‘The Lion King’ share their experiences of being on a Broadway stageThe spring barrage — 14 shows opened in an 11-day span this year — is not unusual these days as producers hope their work will be fresh in the mind of voters ahead of the Tony Awards ceremony on June 16. But no clear single musical juggernaut has emerged, like the megahit “Hamilton” in 2016 or a critical darling like last year’s “Kimberly Akimbo.”One possible change this year indicates women may be poised to outnumber the men for the first time in directing nominations. Nearly half of the 21 musicals — new and revivals — that opened this season were helmed by a woman or featured a team of co-directors where at least one was a woman. Five out of the season’s 16 new plays and play revivals were also staged by women.The 2022 Tony Awards currently holds the record for most female directing nominees, with four total across the two races. Only 10 women have gone on to win the directing crown.The eligible shows this season include reworking of existing movies or books — “The Outsiders,” “The Great Gatsby,” “The Notebook,” “Back to the Future” and “Water for Elephants” — and new works transferring over to Broadway, like the suffrage play “Suffs,” the dance-heavy Sufjan Stevens-scored “Illinoise,” the rock band imploding “Stereophonic” and “Hell’s Kitchen,” loosely based on Alicia Keys’ life.There are some coincidences, like that Huey Lewis & The News songs are heard at both his jukebox show “The Heart of Rock and Roll” and an unconnected musical of “Back to the Future.” Rachel McAdams, who made a breakthrough in the film version of “The Notebook,” is competing against the musical version of that movie a few blocks away in the play “Mary Jane.” Plus, “The Wiz” and “Wicked” now share Broadway, and Nazis are in both “Cabaret” and a musical about artist Tamara de Lempicka.This season attracted plenty of big stars to Broadway in addition to McAdams, like Jessica Lange and Jim Parsons in “Mother Play,” Steve Carell in a revival of “Uncle Vanya,” Eddie Redmayne in a new “Cabaret,” Liev Schreiber in “Doubt,” “Succession” star Jeremy Strong in a revival of “An Enemy of the People” and Sarah Paulson in the play “Appropriate.”There were some firsts this season, including “Here Lies Love” with Broadway’s first all-Filipino cast, as well as mostly Filipino producers, including singer H.E.R., comedian Jo Koy and Black Eyed Peas’ Apl.de.Ap. And seven openly autistic actors starred in “How to Dance in Ohio,” a first for Broadway.Big musical revival splashes were made by “Monty Python’s Spamalot,” “The Wiz,” “The Who’s Tommy,” Stephen Sondheim’s “Merrily We Roll Along” and the fourth revival of “Cabaret.” Academy Award winner and Tony Award-nominee Ariana DeBose, who hosted both the 2023 and 2022 ceremonies, will be back this year and will produce and choreograph the opening number.This year’s location — the David H. Koch Theater — is the home of New York City Ballet and in the same sprawling building complex as Lincoln Square Theater, which houses the Broadway venue Beaumont Theater.Like last year, the three-hour main telecast will air on CBS and stream on Paramount+ from 8 p.m.-11 p.m. EDT/5 p.m.-8 p.m. PDT with a pre-show on Pluto TV, and some Tony Awards handed out there on June 16.This season’s Broadway numbers — about $1.4 billion in grosses and 11.1 million tickets — is running slightly less than the 2022-23 season, off about 4% in grosses and down 1% in tickets.

NEW YORK —

After a final, frantic push to open the last raft of Broadway shows before the eligibility window closed, the final list of almost 40 plays and musicals vying for Tony Award nominations this year are ready and hoping for their closeups.

Jesse Tyler Ferguson and Renée Elise Goldsberry will announce nominees for the 26 competitive Tony Awards on Tuesday morning, the result of voting by the 60 members of the nominating committee.

Video above: Actors from ‘The Lion King’ share their experiences of being on a Broadway stage

The spring barrage — 14 shows opened in an 11-day span this year — is not unusual these days as producers hope their work will be fresh in the mind of voters ahead of the Tony Awards ceremony on June 16. But no clear single musical juggernaut has emerged, like the megahit “Hamilton” in 2016 or a critical darling like last year’s “Kimberly Akimbo.”

One possible change this year indicates women may be poised to outnumber the men for the first time in directing nominations. Nearly half of the 21 musicals — new and revivals — that opened this season were helmed by a woman or featured a team of co-directors where at least one was a woman. Five out of the season’s 16 new plays and play revivals were also staged by women.

The 2022 Tony Awards currently holds the record for most female directing nominees, with four total across the two races. Only 10 women have gone on to win the directing crown.

The eligible shows this season include reworking of existing movies or books — “The Outsiders,” “The Great Gatsby,” “The Notebook,” “Back to the Future” and “Water for Elephants” — and new works transferring over to Broadway, like the suffrage play “Suffs,” the dance-heavy Sufjan Stevens-scored “Illinoise,” the rock band imploding “Stereophonic” and “Hell’s Kitchen,” loosely based on Alicia Keys’ life.

There are some coincidences, like that Huey Lewis & The News songs are heard at both his jukebox show “The Heart of Rock and Roll” and an unconnected musical of “Back to the Future.” Rachel McAdams, who made a breakthrough in the film version of “The Notebook,” is competing against the musical version of that movie a few blocks away in the play “Mary Jane.” Plus, “The Wiz” and “Wicked” now share Broadway, and Nazis are in both “Cabaret” and a musical about artist Tamara de Lempicka.

This season attracted plenty of big stars to Broadway in addition to McAdams, like Jessica Lange and Jim Parsons in “Mother Play,” Steve Carell in a revival of “Uncle Vanya,” Eddie Redmayne in a new “Cabaret,” Liev Schreiber in “Doubt,” “Succession” star Jeremy Strong in a revival of “An Enemy of the People” and Sarah Paulson in the play “Appropriate.”

There were some firsts this season, including “Here Lies Love” with Broadway’s first all-Filipino cast, as well as mostly Filipino producers, including singer H.E.R., comedian Jo Koy and Black Eyed Peas’ Apl.de.Ap. And seven openly autistic actors starred in “How to Dance in Ohio,” a first for Broadway.

Big musical revival splashes were made by “Monty Python’s Spamalot,” “The Wiz,” “The Who’s Tommy,” Stephen Sondheim’s “Merrily We Roll Along” and the fourth revival of “Cabaret.”

Academy Award winner and Tony Award-nominee Ariana DeBose, who hosted both the 2023 and 2022 ceremonies, will be back this year and will produce and choreograph the opening number.

This year’s location — the David H. Koch Theater — is the home of New York City Ballet and in the same sprawling building complex as Lincoln Square Theater, which houses the Broadway venue Beaumont Theater.

Like last year, the three-hour main telecast will air on CBS and stream on Paramount+ from 8 p.m.-11 p.m. EDT/5 p.m.-8 p.m. PDT with a pre-show on Pluto TV, and some Tony Awards handed out there on June 16.

This season’s Broadway numbers — about $1.4 billion in grosses and 11.1 million tickets — is running slightly less than the 2022-23 season, off about 4% in grosses and down 1% in tickets.

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April 29, 2024
Love is in the Alley’s Charming Production of Brontë Classic Jane Eyre

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“Dear Reader…”

If you would, allow me but a moment to…Okay, that’s as far as that intro’s going to go. But please do allow me to tell you about Elizabeth Williamson’s adaptation of Charlotte Brontë’s classic novel Jane Eyre, now playing at the Alley Theatre.

The novel, about the life and times of a young orphan girl, was published under Brontë’s pen name Currer Bell in October 1847, and has since gone on to become a staple of gothic fiction, required reading for lovers of romance, and a stalwart of AP English syllabi.

Williamson’s adaptation opens with an 18-year-old Jane Eyre about to depart Lowood School, her home of the last eight years – six as a pupil and two as a teacher – to begin a new job, that of governess at Thornfield Hall. We quickly learn that, for Jane, Lowood School was a “grim, cruel place,” and that she has no friends or family to speak of. With this in mind, it’s easy to understand Jane when she declares, “I wanted change” – even if that change meant an unknown future at a secluded countryside estate.

Upon arriving at Thornfield, Jane learns from the housekeeper, Mrs. Fairfax, that her charge is Adèle, the young, French-speaking ward of the estate’s absentee owner, Mr. Edward Rochester. Jane spends three seemingly uneventful months settling into life at Thornfield – uneventful aside from the mysterious, cackling laugh that sometimes echoes from the house’s third story – when Mr. Rochester returns. Though their introduction has all the elements of a meet-cute, Jane describes it as “an incident of no moment, no romance, no interest,” saying only that “it marked with change one single hour of a monotonous life.”

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Melissa Molano as Jane Eyre and Ana Miramontes as Young Jane in Alley Theatre’s production of Jane Eyre.

Photo by Lynn Lane

But trust, dear reader, that’s not the end of it. Mr. Rochester appears quite taken with Jane, and she with him and, well, is it really a spoiler to say that Mr. Rochester and Jane are endgame?

Anyway, in short order, Jane saves Mr. Rochester from a fire; Mr. Rochester abruptly leaves and returns with a group of strangers, one of which may soon be his fiancée; Jane is summoned to the bedside of her dying aunt (the very person who sent Jane to Lowood instead of honoring the promise she made to Jane’s uncle to raise her as her own child); and an unexpected visitor arrives from Jamaica and leaves Thornfield mysteriously bitten and bloodied. And that’s just the first act.

Williamson’s play is unfailingly faithful to its source material while being downright breezy in comparison to the 466-page brick that is Brontë’s novel (that’s 466 pages in my 1993 Barnes & Noble hardcover though, of course, copies may vary). The tightness of the script, a delightfully successful distillation of Jane Eyre to its mostly romantic and occasionally spooky core, is a slap of wrongness to the face of anyone who thinks a work of 19th-century Victorian-era literature wouldn’t make for non-stop action or appease a 21st-century attention span. Director Eleanor Holdridge helms the pleasingly dynamic production with ease. Special credit, too, to Williamson, as well as Holdridge and a superbly talented cast, for mining possibly every moment of humor from the story for our viewing pleasure.

click to enlarge

Melissa Molano as Jane Eyre in Alley Theatre’s production of Jane Eyre.

Photo by Lynn Lane

Melissa Molano plays our heroine with delicate care and a firm hand, handling every Janian line with an endearing honesty and earnest sincerity. Though Jane begins the story with no family or friends, the audience serves as something of a surrogate companion, as Jane monologues to the audience. Not only does it stay true to the intimacy of the novel’s first-person narration, it allows Molano’s Jane to become a dear friend almost immediately. It is, however, during the explosion of emotion in the second act, Jane’s moonlight mutiny, that Molano most has the audience in the palm of her hand.

Jane Eyre is a romance, and Molano’s chemistry with Chris Hutchison’s gruff Mr. Rochester is captivating. Hutchison manages to deliver each of Mr. Rochester’s blunt and smart-ass comments with a charm that allows you to appreciate their developing relationship without pause.

Aside from Molano and Hutchison, every actor plays two or more roles, slipping in and out of them with chameleon-like ease: There’s Susan Koozin, who goes from kindly housekeeper to attic-bound madwoman with a zombie-like countenance, and the childlike turn Ana Miramontes takes playing two couldn’t-be-more-different young ladies, the excitable Adèle and the beleaguered young Jane. Melissa Pritchett’s dour Grace Poole, which contrasts with the seemingly well-meaning but stifled Bessie.

Then there’s Joy Yvonne Jones, who earns laughs as the shade-throwing Blanche Ingram just as easily as she does with a single “uh uh” uttered as servant Leah. Todd Waite stealing focus, albeit briefly, as John, Colonel Dent and Mr. Wood, and Gabriel Regojo’s rigid St. John Rivers, though he stands out even more as Jane’s bratty cousin John Reed.

Finally, nothing says both Gothic and an English countryside setting like a stormy night – complete with the sound of pelting rain, blinding white flashes of lightning and loud cracks of thunder – which is exactly what audiences walk into when they take their seats in the Hubbard Theatre. The stage is mostly bare, shrouded in shadows with a single, flickering oil lamp set on a desk, but scenic designer John Coyne quickly proves its dexterity. Valérie Thérèse Bart’s serviceable costumes, Alberto Segarra’s moody lighting and Melanie Chen Cole’s rich sound designs, which range from string heavy instrumentals that set the (metaphorical) stage to one particular cacophonous moment that elicits very real chills.

The point, dear reader, is that Williamson and the Alley have mounted a Jane Eyre production that is very nearly perfect, so much so that you won’t need the threat of failing English class to stay awake through it. Instead, the show comes and goes in a most pleasing blink of an eye, something anyone can appreciate, but especially anyone who’s sat down by desire or coercion to read the 466-page book.

Performances continue at 7:30 p.m. Tuesday through Thursday and Sunday, 8 p.m. Friday and Saturday, and 2 p.m. Saturday and Sunday, through May 5 at Alley Theatre, 615 Texas. For more information, call 713-220-5700 or visit alleytheatre.org. $29-$81.

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Natalie de la Garza

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April 22, 2024
These Custom Toys Are More Art Than Action Figure

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Human instinct dictates that when we see a toy, we want to open it. It’s why old toys that are still in their box are so valuable. Everyone who bought them as a child opened and played with them, making ones still in the package much rarer. But what if there were toys that went against that instinct? Toys not meant to be played with. Toys meant to be displayed where the packaging is as much of the experience as the figure itself, if not more so?

That’s exactly the type of toys artist Adam Perocchi makes. A New England resident and native, under the name “Readful Things” Perocchi makes art in the shape of a toy, package and all. It’s a way for him to explore a love of pop culture, as well as sculpting and painting. “I’ve been painting/drawing since I was a kid [and] I got into sculpting about eight years ago,” Perocchi told io9. “I wanted a way to combine my sculpts with my artwork, so I thought carded action figures would be a good way to marry the two things.” Which he now does almost daily, working on five or six pieces simultaneously, sculpting a figure as well as doing the artwork for the package.

Perocchi covers all types of subjects, from classic pop culture to new favorites, or even sometimes things that are much more specific. “Occasionally I’ll do some current pop culture internet zeitgeist thingy (Pop Tart being cooked alive, Star Wars Cerveza Cristal, etc), and those will supersede everything else,” he said. In this slideshow, you’ll see a bit of all of it. We’ve hand-selected just a taste of Perocchi’s incredible work, running the gamut of genres, eras, and more. And to see even more, you can visit his Instagram where he showcases most of his work, or his official site, where he occasionally does art without the toy.

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Germain Lussier

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March 27, 2024
PLAY Offers 25% Discount on Flights to Popular European Destinations

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PLAY Offers 25% Discount on Flights to Europe

PLAY, a low-cost Icelandic airline operating flights between North America and Europe, announced a spring deal of 25% off flights to Iceland, Berlin, Dublin, Copenhagen, Amsterdam, Stockholm, Paris, and London. As Iceland and other European destinations welcome nicer weather, PLAY is giving travelers an opportunity to book getaways for next month through next year, now through March 26, 2024.

Plus, PLAY invites travelers to maximize the 25% off by extending their trip with a few days in Iceland – whether to experience spring in the “Land of Fire and Ice” or fall, when the Northern Lights begin. The airline’s new stayover option makes any trip even more exciting with the ability to stay up to 10 days in Iceland as an extended layover on the way to or from other European destinations.

In addition to Iceland, the deal includes fares to Berlin, Dublin, Copenhagen, Amsterdam, Stockholm, Paris, and London. Travelers can experience Berlin’s rich history, spend a summer afternoon indulging at the Guiness Storehouse in Dublin, or enjoy a ride on the London Eye to take in breathtaking views in the fall. And, with a stayover in Iceland at no extra cost, travelers can visit the country to relax after a busy trip exploring Europe with spa days, nature exploration, and incredible dining experiences, visiting two destinations for the price of one.

PLAY’s spring deal includes the airline’s Basic Bundle, which only includes a small personal item. The deal runs today through March 26, 2024 at 11:59 p.m. Eastern Time. It’s valid for one-way flights on roundtrip bookings to Iceland, Berlin, Dublin, Copenhagen, Amsterdam, Stockholm, Paris, and London between April and May 2024, August and November 2024, and January and February 2025. Price is inclusive of all mandatory taxes, fees, and carrier charges. Restrictions and baggage fees apply, additional details of this promotion are available at www.flyplay.com/terms-for-advertised-fares.

Learn more about PLAY or book a flight here.

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March 22, 2024
‘Bee invasion’: Swarm halts a quarterfinal tennis match at Indian Wells

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Game, set, match, bees.

Tennis fans did not love-love the bee-zarre turn at Indian Wells on Thursday when a swarm of bees disrupted a quarterfinal match of the BNP Paribas Open.

Umpire Mohamed Lahyani said play would be halted due to “bee invasion” at Stadium 1, after which video showed him being stung. He then fled for the locker room, according to Tennis Majors, as did Spanish pro tennis player Carlos Alcaraz and his German opponent, Alexander Zverev.

“First time for everything,” the announcer could be heard saying.

The bees were thick on the court as Alcaraz dashed about, trying not to get stung, and they collected on the spider cam, a camera suspended by cables.

The insects claimed victory, at least temporarily.

Alcaraz, the BNP Paribas Open defending champion, was playing against Zverev, who defeated Alcaraz in their last match at the Australian Open.

Alcaraz won 6-3 against Fabian Marozsan Tuesday to advance to the quarterfinals of the BNP Paribas Open.

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March 14, 2024
Dragon’s Dogma 2’s New Class Is A Twirling Death Machine

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March 9, 2024
How to play Last Epoch in offline mode

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Last Epoch’s offline mode is an awesome option if you’re sick of fighting with the game’s servers. However, the offline mode does create some additional issues for you depending on how you want to play the game.

In this Last Epoch guide, we’ll walk you through what offline mode is and tell you how to play offline.

What is offline mode in Last Epoch?

Image: Eleventh Hour Games

Offline mode in Last Epoch is exactly what it sounds like: It allows you to play the game without needing to connect to the servers. This is awesome when the game’s servers are experiencing instability (as has been common in the immediate wake of its late February 1.0 release). It’s also a useful tool if you find yourself without internet access for a long period of time.

However, offline mode does limit you in some very serious ways. Most notably, offline mode is a permanent decision you make at character creation. You can’t toggle a character online or offline — an offline character is offline forever. That means you can never use that character to play in groups with others.

How to play Last Epoch offline

Image: Eleventh Hour Games

In terms of activating offline mode, you have two options.

First you can launch the game in offline mode. This is an option you can select when you press “play” on Steam. Playing offline this way means you can bypass the login at the beginning, but you won’t be able to toggle between the two modes without relaunching the game.

The other option is a little more convenient, but requires an internet connection when you first boot up the game. In the character select screen, you’ll see an offline toggle at the top left part of the screen. Simply toggle that switch to “offline” and you’ll see your list of offline characters. If you turn on offline mode this way, you can still use the chat feature in-game to talk to friends — assuming you maintain an internet connection.

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February 26, 2024
PLAY Offers Free Stopovers in Iceland and One-Way Fares from $99

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PLAY Offers Free Stopovers in Iceland

PLAY, a low-cost Icelandic airline which operates flights between North America and Europe, today announced stopovers in Iceland at no extra cost. This enables travelers to visit two countries in one trip.

This new feature gives passengers the option to turn their layover into a stayover in Iceland, on their way to or from more than 30 European destinations, including Barcelona, Split and more. Travelers can book a first stopover trip or romantic getaway for Valentine’s Day starting today with $99 flights to Iceland or $129 flights to one of nine European destinations.

PLAY’s stopovers will enable passengers to stay an extra few days (up to 10!) in Iceland to experience the island’s unique cuisine, experiences, natural wonders, hot springs, and more. You can add a stopover on either leg of their trip, or both the departing and returning flights. The bonus trip experience can be added to any PLAY flight, as all connect through Iceland. And the longer stopovers increase American travelers’ access to key vacation destinations such as Barcelona, Alicante, and more, which were previously not possible due to route schedules.

One-Way Fares to Europe from $99

To spark the first stopover trips, PLAY is offering low fares on flights to Iceland and nine European destinations February 1 through February 6. That includes flights to Iceland for $99 and $129 flights to London, Paris, Amsterdam, Copenhagen, Berlin, Dublin, Stockholm, Frankfurt, or Hamburg. The deal is valid for one-way flights on roundtrip bookings with the Basic Bundle. Flights must be between February – May 2024 or September – December 2024.

Price is inclusive of all mandatory taxes, fees, and carrier charges. Restrictions and baggage fees apply, additional details of this promotion are available at http://www.flyplay.com/terms-for-advertised-fares.

Learn more about PLAY or book a flight here.

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February 1, 2024
Supermom In Training: 6 Ways to make snow play more fun

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We’ve got to live with the white stuff, so why not embrace it and make it as fun as possible? After all, it’s our safest play-place this winter. Check out these 6 ways to make snow play more fun.

Make shapes. Snow is super moldable, especially the wet, sticky stuff. Break out buckets and bowls, sand toys, tupperware, or lightweight metal baking pans. Fashion bricks or unique shapes for giant animals and snowmen. Even the dollar store has rectangular building moulds for snow as well as snowball makers.

Make it colourful. Spray bottles with coloured water can add whimsy and personality to any snow creation.

Make it glow. Nighttime snow play can be almost more fun than in the daytime, and since darkness creeps in earlier these days, this is totally doable. Glowsticks look super cool under the snow and make for a fun game of hide-and-go-seek.

Make a science lab. You can get as messy as you want since you’re outdoors! You could create a snow volcano: fill the top with baking soda and add some vinegar. Coloured water and alka-seltzer tablets are also fun.

Make something delicious. Outdoor snow cone stand? Frozen lemonade cafe? An iced coffee for the adults? What about your own sugar shack where you pour warm maple syrup on the snow for a gooey sweet treat? Let the snow be your sous chef.

Make it an ongoing project. Rome wasn’t built in a day and neither was your snow castle, or snow mechanic’s garage, or snow restaurant. Start a larger backyard snow-build that you can work on over the course of a few days.

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January 30, 2024
Low-Cost Carrier PLAY Offers 15% Discount for Travel to Europe
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PLAY Flash Sale, 15% Discount for Travel to Europe

PLAY, a low-cost Icelandic airline operating flights between North America and Europe, announced a flash deal of 15% off flights when using promo code BRAVE when booking.

Travelers who want to take advantage of this deal need to act fast and book their flights to Iceland, London, Copenhagen, Amsterdam, Paris, Berlin, Dublin, Stockholm, Frankfurt, Hamburg, and Brussels by January 24. The offer is valid for new online bookings for round-trip flights via Iceland (KEF) from Baltimore (BWI), Boston (BOS), New York (SWF) or Washington DC (IAD).

The offer applies to airfare (not taxes, fees, additional services and carrier charges).

Offer Details
- Promo code: Brave
- Flight period:
  
  January 18 – March 20, 2024
  
  April 4 – May 24, 2024
  
  September 5 – November 21, 2024
  
  December 1 – December 17, 2024
- Booking period: January 18 – January 24, 2024.
- OFFER LINK
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January 19, 2024
This Week In Local January 13, 2024

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January 13, 2024
In 2024, education will move to adopt AI—but slowly

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Key points:

In education, we tend to move pretty slowly when it comes to adopting new technology, and that pattern won’t change with artificial intelligence (AI). In the coming year, early adopters will continue to play with new AI tools to see how they can be used in education. They will have some amazing successes—and some failures—as they light the way forward and the rest of us endlessly discuss the potential uses and abuses of AI in our classrooms.

Here is a bit about why we’ll have to wrestle with AI, the barriers we will face in adopting it in the coming year, and a few resources to help educators begin exploring AI.

Why teachers need to catch up with students

Students are already introducing themselves to AI tools, so teachers need to help them discover all the ways these tools can benefit their learning in a safe and supportive manner.

Artificial intelligence tools also have great potential to automate a lot of the grunt work in teaching. I have colleagues who have used AI tools to create rubrics and to offer feedback on rubrics they’d already created. AI can be helpful in creating lesson plans, assessment tools, presentations, seating charts, or letters to your students’ families for back-to-school night. Putting AI to work on administrative tasks will free up their time to focus on supporting students.

Concerns over privacy and cheating

Right now, the biggest barrier to adopting AI tools is the fact that many schools simply can’t download or access them because of privacy concerns. In New York, where I work, Education Law 2-D places restrictions on schools’ ability to use software that takes personally identifiable information.

Here and in other states with similar laws, until AI tools that comply with such laws are more widely available, teachers may have to use their own AI tools on their own computers while they show students what they are doing. Some educational software is beginning to integrate AI tools for student use, like the Canva graphic design suite, and features like that might be another avenue for teachers to safely and legally support student practice with AI.

While it is important to safeguard personally identifiable student information, some bans on AI in the classroom have nothing to do with that and are more focused on AI as a poor academic source or as a means of cutting corners or outright cheating. These bans are similar to earlier bans on tools like Wikipedia, YouTube, or calculators.

Wikipedia may be a poor academic source itself because anyone can edit it, but it’s a great place for a student to go learn the basics about a subject, complete with a list of sources for further reading. YouTube may be the largest collection of how-to videos on the planet and, contrary to the insistence of every teacher in the 1980s, you do in fact carry a calculator in your pocket with you everywhere you go these days. Just as with AI, we’re not really afraid of the tools themselves, but what we imagine students will do with them. The answer, then, is not to ban the tools, but to teach students appropriate ways to use them.

Worries that students will cheat with AI don’t strike me as much different than worries that they would copy from the encyclopedia. Everyone is looking for the AI version of Turnitin, but the best way to prevent students from cheating with a tool is to introduce them to it. As soon as their teacher is using something, it won’t be cool anymore, so you’re already halfway there.

Give your students a short writing assignment and give ChatGPT the same one, then have your students compare them and talk about the differences. Ask if it really seems like an efficient way to get information, given that you have to read it, vet it, and revise anyway. Then talk about more legitimate ways you might use it. AI tools are great for creating a table of contents or an outline to help get ideas flowing. They can also provide helpful feedback and suggestions for revision. There are many different ways to bring AI tools into the writing process, and as long as students have plenty of discussion about the differences between writing something themselves and having the software do it, they are all potential learning opportunities.

Getting the conversation started

The best way for teachers to get started with AI is just to play around with it. I was a little nervous to jump in myself, but you can use it for low-stakes personal stuff at first if it makes you more comfortable. Ask it to give you a trip itinerary for a vacation you’re taking, or to plan a romantic dinner for an upcoming anniversary. If you’re really stumped, just ask an AI tool for a list of fun and useful ways to use AI, then give a couple of your favorites a shot.

I would give administrators the same advice. Just jump in and start playing on your own time, then introduce a tool at a faculty meeting and have some fun. We all need to be on the same page and using the same language, so get some experience with AI tools until you know the meaning of phrases like “machine learning” and “generative model” inside and out before you come up with a plan to introduce these tools to students.

Once teachers do introduce AI tools to the classroom, it’s important to focus on process, not product. AI still gets facts wrong all the time. It hallucinates information that never existed. It can be prone to biases and discrimination, can’t understand emotions, and is incapable of creativity. Students will need digital citizenship skills—along with traditional soft skills like critical thinking—to critique the output of these systems. Rather than focusing on the product AI gives us, assignments related to these tools should focus on the process of vetting them. How do you check facts? How might the output of this tool be affected by the samples it was trained on?

Just getting a conversation about AI started in a professional learning community can go a long way toward getting good ideas out there. Pretty much any edtech organization these days offers resources to help teachers learn about AI as well. ISTE has several resources, including books, pamphlets, and a whole class. I participate in a podcast called AI Café, hosted by BAM Radio, where we’ve talked about a plethora of topics connected to AI in education. Even looking at your own state’s standards to see how AI is incorporated to them could be eye-opening.

If you haven’t already, don’t be afraid to get your toes wet in the new year. Artificial intelligence has the potential to change the world and, if we let it, to improve education. We just have to dive in and get ready to support our students.

Julianne Ross-Kleinmann, Instructional Data Analysis & Technology Specialist, Ulster County BOCES

Julianne Ross-Kleinmann is the instructional data analysis & technology specialist at Ulster County BOCES, as well as a doctoral student at Manhattanville College. She can be reached at jrosskleinmann@ulsterboces.org.

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Julianne Ross-Kleinmann, Instructional Data Analysis & Technology Specialist, Ulster County BOCES

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December 8, 2023
Do you need to play Persona 5 before Persona 5 Tactica?

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Persona 5 Tactica is the latest non-JRPG spinoff in Atlus’ celebrated JRPG series. Tactica is a tactics game that takes place in the same world as Persona 5 and includes the original game’s core group of heroes: the Phantom Thieves. As a spinoff, it’s natural to wonder: Do you need to play Persona 5 before Persona 5 Tactica?

With the Persona series being so story-focused, it’s a good question. In this Persona 5 Tactica guide, we hope to answer just that question, and will break down whether or not you need to play Person 5 — plus Persona 5 Royal and Persona 5 Strikers — before playing Persona 5 Tactica.

When does Persona 5 Tactica take place in the Persona timeline?

Persona 5 Tactica takes place after the establishment of the Phantom Thieves, the crew that Joker (the main character) puts together to change the hearts of baddies all over Japan in the main game.

Based on the dialogue at the start of the game, Tactica takes place before the third year students (Makoto and Haru) graduate, which is before the main storyline of Persona 5 wraps up. So, think of Tactica as a big side quest that takes place before the end of Persona 5.

Do you need to play Persona 5 before Persona 5 Tactica?

Images: Atlus

Yes, you should play (or have played) at least a few hours of Persona 5 before you play Tactica.

Because of where Tactica is set in the timeline, you’re going to be very confused If you didn’t play any Persona 5. The game’s opening assumes you already know who these characters are, what the “Metaverse” is, and why the cat (who isn’t actually a cat) is talking.

That said, you’ll really just be missing the context of the world and characters by skipping Persona 5 and diving right into Tactica. While the plot of Persona 5 Tactica involves the same characters, in the same world, it tells its own, contained story and you don’t need to understand the plot of Persona 5 to follow along.

If you love tactics games and are dying to check out Persona 5 Tactica, you’ll be totally fine to do so as long as you accept that you’ll probably be a little confused at the outset. Although, maybe this is just a great chance for you to go back and spend 100 hours in Persona 5, which is one of the best games of the last decade — even if you’re not usually a turn-based JRPG fan.

Do you need to play Persona 5 Royal before Persona 5 Tactica?

Image: Atlus

No, you don’t need to have played any of the Royal content in Persona 5 to understand Tactica.

Kasumi Yoshizawa, the new addition to the Phantom Thieves from Royal, is not part of your crew in Persona 5 Tactica.

So, even if you skipped the expansion for the original game, you’ll still have all the context you need to enjoy the story of Tactica.

Do you need to play Persona 5 Strikers before Persona 5 Tactica?

Image: Atlus/Omega Force/P Studio

No, you don’t need to have played any Strikers to understand Tactica.

Persona 5 Strikers is another Persona 5 spin off, and it replaces the classic turn-based combat with fast-paced, Musou game combat similar to the Dynasty Warriors franchise.

While Strikers relays a great Persona story — seriously, it’s essentially just a mini Persona game, but with slick action combat — the new characters and plot don’t carry over at all to Tactica. If you love Persona and love tactics but hate action games, you’re totally fine to jump into Tactica without touching Strikers.

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Ryan Gilliam

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November 16, 2023
Hades leads a major wave of game announcements from Netflix

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Netflix has been investing heavily into gaming over the past few years in its continued effort to become the Netflix of… well, everything. In addition to acquiring and building new game studios, nabbing big name talent, and moving into cloud gaming, the streamer is making a concerted effort to make the Netflix app a competitive destination for subscription-based mobile gaming. Though as of now, less than 1% of all Netflix users take advantage of the service.

That hasn’t slowed down Netflix’s determination in the space. During this year’s Geeked Week virtual event, the company announced a slew of new titles coming to the Netflix mobile app in 2024.

Along with major announcements and trailer premieres for several of its biggest upcoming series and movies like Avatar: The Last Airbender, Scott Pilgrim Takes Off, Stranger Things, and The Umbrella Academy, Netflix has also shined a spotlight on several of its biggest games coming to the Netflix mobile app, as well as recent releases like Oxenfree II: Lost Signals and Slayaway Camp 2: Netflix and Kill.

Here are the biggest game announcements and trailers from Netflix Geeked Week 2023.

Hades

If you’ve never played Supergiant’s peerless action roguelite before — or always wanted to play it on mobile — Netflix has you covered. An iOS version of Polygon’s 2020 game of the year is coming soon, exclusively to Netflix subscribers. Set in a gaudy, funny, sexy, and mysterious version of the Underworld of Greek myth, Hades follows Zagreus, prince of the Underworld, as he tries and tries and tries again (and again, and again) to escape his father’s domain. With near-infinite permutations of weapons, skills, and boons granted by your fellow gods, Hades never plays the same twice, and it will automatically be the best game in Netflix’s catalog when it arrives there.

Braid: Anniversary Edition

The long-awaited anniversary edition of Jonathan Blow’s time-bending puzzle platformer, which was first announced way back in 2020, is finally being released in April of next year. If that weren’t enough, it’s also coming to the Netflix mobile app!

The Anniversary Edition of the game comes with a suite of new features, including the ability to switch between the old and new graphics at will and 15 hours of developer commentary from Blow himself and Frank Cifaldi of the Video Game History Foundation.

Chicken Run: Eggstraction

Coming hot on the tail (feather) of the long-awaited sequel Chicken Run: Dawn of the Nugget, Aardman Animations has announced Chicken Run: Eggstraction — a top-down, real time stealth action game set shortly after the events of the film. You’ll hatch plans, assemble a crack team of chicken commandos, improvise gadgets, and sneak into farms as you liberate whole flocks of new recruits when the game is released in 2024.

Death’s Door

Death’s Door, the isometric action-adventure game from Acid Nerve and number seven on our list of the best games of 2021, is coming to the Netflix mobile app. As a sword-wielding crow, you traverse the afterlife collecting souls for the Reaping Commission Headquarters. Think a slightly easier take on Dark Souls — though not that much easier.

Katana Zero

The stylish, neo-noir action platformer Katana Zero is also headed to Netflix mobile. You play as a katana-wielding amnesiac assassin as you hack and slash your way through swaths of enemies, slow down time, and dodge deadly attack as you bob and weave your way through a dystopian neon-lit metropolis.

Money Heist

One of Netflix’s biggest international hits is its Spanish heist thriller, which now gets this interactive spinoff from the in-house studio Netflix Stories. Dialogue choices and hacking minigames abound when you join the original Money Heist crew in the theft that started it all — La Perla de Barcelona. Like all the games based on Netflix’s original shows and movies, the Money Heist game will remain exclusive to Netflix subscribers when it releases soon, alongside spinoff series Berlin.

Shadow and Bone: Enter the Fold

Fans of Shadow and Bone are still waiting on word of a possible third season of the fantasy mystery drama. But in the meantime, Netflix announced a new narrative roleplaying game set between the events of season 1 and 2, which is available to play now on the Netflix mobile app. Explore the world of Grishaverse as Alina, Jesper, Sturmhond, and General Kirigan as you traverse the war-torn land of Ravka, meet familiar faces, and make hard decisions in Shadow and Bone: Enter the Fold.

The Dragon Prince: Xadia

Due next year, The Dragon Prince: Xadia is a Diablo-style co-op action role-playing game with hack-and-slash combat and loot galore. It’s being made at Wonderstorm, the studio responsible for the animated fantasy series that’s one of the longest-running shows on Netflix (its sixth season debuts next year), so it should capture the show’s vibe perfectly. This one will be exclusive to Netflix on mobile at launch, but it’s getting a PC version too.

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Toussaint Egan

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November 11, 2023
Book Cheap Flights to Europe with $99 Flash Sale
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PLAY Winter Sale

Icelandic low-cost carrier PLAY has announced a new fare sale today with $99 flights, offering travelers an affordable vacation opportunity for the winter months. Whether for a holiday getaway, winter wellness trip, or spontaneous adventure to brighten the dark winter months, travelers can book flights to Iceland, Paris, Copenhagen, London, Dublin, Berlin, Athens, Frankfurt, and Amsterdam.

But you only have a few days to take advantage of this sale and book cheap flights to Europe. This deal is available for flights between November 2023 and March 2024. You also have to book by November 3, 2023.

There’s plenty to do in these popular European cities even in the winter. You can check out Christmas markets in Copenhagen, Amsterdam, or Dublin, celebrate New Year’s Eve in Paris or London or take a wellness trip to Iceland after the holidays.

With nine destinations to reach in the coming months at just $99, PLAY makes it possible for U.S. travelers to plan the trip of their dreams all while staying on budget. Tickets in this deal include PLAY’s Basic Bundle, a travel option with a small personal item included in the discounted fare. PLAY’s flash deal of $99 flights begins today through November 3, 2023 at 11:59 p.m. Eastern Time. It’s valid for one-way flights on roundtrip bookings to Iceland (KEF), Paris (CDG), Copenhagen (CPH), London (STN), Dublin (DUB), Berlin (BER), Athens (ATH), Frankfurt (FRA) and Amsterdam (AMS) from Washington DC (IAD), New York (SWF), Boston (BOS) or Baltimore (BWI) via Iceland (KEF).

Price is inclusive of all mandatory taxes, fees, and carrier charges. Restrictions and baggage fees apply, additional details of this promotion are available at www.flyplay.com/terms-for-advertised-fares.

Learn more about PLAY or book a flight here.

Promotion Dates
- Destinations: Copenhagen, London and Amsterdam
  
  Flight period: November 6 – November 20, 2023 & November 27 – December 11, 2023 & January 8 – March 18, 2024 – Mondays.
- Destination: Paris
  
  Flight period: November 6 – November 20, 2023 & November 27 – December 11, 2023 & January 8 – February 6 2024 & February 19 – March 18, 2024 – Mondays.
- Destination: Dublin
  
  Flight period: November 1 – November 15, 2023 & November 29 – December 13, 2023 & January 10 – March 13, 2024 – Wednesday.
- Destination: Berlin
  
  Flight period: November 5 – November 19, 2023 & December 3 – December 17, 2023 & January 7 – March 17, 2024 – Sundays.
- Destination: Frankfurt
  
  Flight period: January 10 – March 20, 2024 – Wednesdays.
- Destination: Athens
  
  Flight period: November 6 – December 18, 2023 – Mondays.
- Destination: Iceland
  
  Flight period: November 6 – November 20, 2023 & November 27 – December 11, 2023 & January 8 – March 18, 2024 – Mondays.
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DDG

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October 30, 2023
Purposeful play helps kids learn–here’s how to integrate it
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Key points:

Teachers agree that learning through play is a more effective way for students to learn compared to more traditional approaches

Students say their favorite times in the classroom are when they get to do hands-on activities and believe that play helps them learn

See related article: How to integrate a computer science curriculum into K-5 classrooms

For more news on teaching trends and curriculum, visit eSN’s Innovative Teaching page

A new survey of K-8 teachers and students from LEGO Education found that nearly all (98 percent) of students say purposeful play helps them learn and the majority (96 percent) of teachers believe it’s more effective than traditional methods like lectures or textbooks. On top of that, almost 80 percent of students want more playful learning experiences in the classroom.

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Teacher burnout is a real and growing challenge for US K–12 schools. Last year, school district leaders reported a 4 percent increase in teacher turnover according to a nationally representative survey from RAND.

Anthony Salcito, Chief Institution Business Officer at Nerdy, touches upon the impact of the pandemic on education, the role of teachers, the evolution and challenges of tutoring in the education landscape, and, of course, the potential of AI in education.

Tom Lamont is the painting and design technology instructor at Blackstone Valley Regional Vocational Technical High School (BVT), in Upton, Massachusetts. Mr. Lamont offers his vocational high school students a unique hands-on opportunity to learn about the design industry and to prepare for jobs in the workforce.

While some of the recent efforts focused on recruiting more teachers of color have paid off, keeping those teachers in our schools and classrooms is an urgent challenge.

You’ve heard all the news about kids using ChatGPT to cheat, but there’s another side to this story. Just as the internet revolutionized education, AI will be the next game-changer.

Education is changing because the world is changing. During the pandemic, teachers and students rapidly adopted new tools to pivot to remote and hybrid learning.

Now in his 10th year of teaching, John Arthur’s students have gained national recognition as champions for children and immigrants like them through music videos and other digital content they create and share across platforms.

I believe that the low supply of STEM professionals can be attributed to significant barriers to entry originating in educational settings–this is to no fault of teachers and administrators, but how the educational system is structured.

The benefits of STEM (science, technology, engineering and math) education are numerous, and one would be hard-pressed to find a school district that doesn’t have a project, initiative, class, or lesson with the acronym in its title.

Prior to the pandemic, reading achievement had been showing little to no growth. Scores have continued to decline, in part because of pandemic-related learning interruptions.

Tags benefits, classroom, Education, IT, k-8, kids, learning, lego education, play, students

Want to share a great resource? Let us know at submissions@eschoolmedia.com.
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Laura Ascione

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October 27, 2023
5 short horror games to play this Halloween season

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Halloween is nearly upon us, and what better way to prepare for the spookiest holiday of the year than to dive deep into the best stories the horror genre has to offer?

We’ve got you covered if you’re looking for the best horror movies or horror TV to watch on Netflix (or the best horror movies generally). But what about video games? 2023 has been a terrific year for horror games so far, from modern remakes of classics like Resident Evil 4 and Dead Space to new titles like The Outlast Trials, Dredge, Amnesia: The Bunker, and more.

We’ve pulled together a list of some of the best short horror games to play with only a few days left before Halloween. Whether you’re looking for a chilling psychological horror experience or frantic splatter-core nightmare, these are some of the best games to play this season.

Helltown

Developer: WildArts Studio
Average time to play: 1h 30m
Where to purchase: Steam, itch.io

If you like folk horror movies like The Wicker Man and Enys Men, you’ll love Helltown. Developed by Nicolas Lamarche and Gabriel Bolduc Dufour, Helltown follows the story of a postman assigned to deliver packages to a secluded rural neighborhood called Little Vale. After their first day on the job, things quicky take a sinister turn as disturbing visions manifest into an insidious plot rife with demonic cultists and unspeakable horrors. An open-world horror exploration game, Helltown offers multiple endings and collectibles and is the perfect game for those who enjoy sinking into the unknown.

No one lives under the lighthouse

Developer: Marevo Collective
Average time to play: 2h
Where to purchase: Steam

Fans of slow-burn psychological horror with oppressive atmospheres and an emphasis on strong sound design should definitely check out No one lives under the lighthouse. Much like Robert Eggers’ The Lighthouse, starring Willem Dafoe and Robert Pattinson, this game puts players in the role of a lighthouse keeper who assumes stewardship of a small island off the coast of the United States after the former keeper deserts their post. Unlike that aforementioned movie, you’re all alone; with no one else to keep you company as you tend the light of the tower and conduct chores around the island. Or are you?

That Which Gave Chase

Developer: Aslak Karlsen Hauglid
Average time to play: 1h
Where to purchase: Steam, itch.io

In this experimental first-person horror game, players assume the role of a sled dog musher hired by a mysterious scientist to safely escort him across the frozen plains of the arctic to a remote research facility. Along the way, the pair encounter increasingly strange and disturbing phenomenon that calls into question the scientist’s motivations, if not the entire expedition as a whole. Can the scientist be trusted, and what’s up with all these strange visions?

Mothered – A Role-Playing Horror Game

Developer: Enigma Studio
Average time to play: 2h
Where to purchase: Steam, itch.io

In this role-playing horror game (see the title?), you are Liana, a young girl recovering from a life-saving operation. Upon returning home, she awakes one morning expecting to meet her mother, only to instead be greeted by what appears to be a mannequin-like figure resembling her mother. What’s going on here? As the week wears on, Liana will have to unravel the mystery behind her peculiar situation before time runs out.

The second game from Jamie Gavin, a Galway-based game developer who works under the pseudonym “Enigma Studio ‘’ alongside composer Karl Barnes, Mothered is the middle entry in a loose trilogy of games set to conclude this year with November’s Echostasis. If you enjoyed this one, you should definitely check out Mothered: Home — the “DLC sequel” is even available to play for free via the Haunted PS1 “Spectral Mall” Demo Disc.

Stay Out of the House

Developer: Puppet Combo
Average time to play: 4h 30m
Where to purchase: Steam

Benedetto “Ben” Cocuzza is a game developer known for unique low-poly survival horror games inspired by ’80s VHS aesthetics and classic slasher horror movies. Taking cues from The Texas ChainSaw Massacre and The Hills Have Eyes, Stay Out of the House is a stealth game where players assume the role of a young woman kidnapped while on a road trip with her boyfriend across the border of Oklahoma. In order to escape, players will have to sneak their way through the maze-like interior of a masked madman’s dilapidated house without alerting either him or his deranged family members.

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Toussaint Egan

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October 21, 2023
cuddly certain encrusted

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“David Fielding” was only paid $150 to play Zordon in 1993’s Power Rangers. He shared that he only showed up to work one day at the Power Rangers recording set, and he was never called back, Zordon was in every episode of Power Rangers in 1993.

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July 18, 2023