Last year, a new horror franchise took flight with Pooh: Blood & Honey. With the iconic bear now in the public domain, the film turned Winnie and Piglet into a pair of grim slasher villains carving up a post-grad Christopher Robin and several university students. It went over about as well as expected, but did well enough financially to kick off both its own sequel and a larger universe—sorry, Poohniverse—for more public domain characters to get a horror treatment.
Spoilers of the Week: July 22nd
Blood & Honey 2already dropped this year, so now we’re getting our first look at the whole “expanded universe” part of the thing. Per Variety, classic characters Pinocchio and Peter Pan are set to headline their own individual films, both of which are currently being sold at Cannes. Pinocchio: Unstrungtakes the boy puppet will be welcomed into the Poohniverse “with a bang,” said director Rhys Frake-Waterfield, who also helmed the two Pooh movies. The film’s being pitched as a subversion of Carlo Collodi’s classic 1883 book, and one that’ll rely more on practical gore—one scene, according to Variety, will see the title character wear the skin of one of his victims to “feel like a real boy.”
Meanwhile, Peter Pan’s Neverland Nightmareputs Martin Portlock (Scream of the Wolf) in the title role, who’s gone and kidnapped Michael (Peter DeSouza-Feighoney), the younger brother of Wendy Darling (Megan Placito). She endeavors to save him with Tinkerbell’s (Kit Green) help, who in this universe is a heroin junkie convinced that it’s actually pixie dust. Once you’re done rolling your eyeballs, the cast is further filled by Charity Kase as Captain Hook, and the likes of Kierston Wareing, Nicholas Woodeson, Olumide Olorunfemi, and Teresa Banham in currently undisclosed roles.
Like the Marvel movies this is trying to emulate, Peter and Pin are getting solo movies to prepare them for a bigger future in the so-called Twisted Childhood Universe. Both characters will converge with Pooh and Piglet in Poohniverse: Monsters Assemble in 2025, which’ll also introduce the likes of Sleeping Beauty and the Mad Hatter. The TCU aims to keep on keeping on after the crossover, because a third Blood & Honey is locked in for 2026, while solo movies for Sleeping Beauty and Snow White are also said to be in the works. Yay?
At time of writing, Peter Pan’s Neverland Nightmare is set to release later this year after production wraps, while Pinocchio: Unstrung will release in 2025 ahead of Monsters Assemble.
Orlando Ballet spills the beans on their 2024-2025 season
Orlando Ballet announced the lineup for their 2024/2025 season Wednesday, and it’s chock full of crowd-pleasers.
The season, running from Oct. 17 through May 4, 2025, kicks off this autumn with Romeo & Juliet, from there segueing into holiday tradition The Nutcracker and then Peter Pan in early 2025.
Here’s the full rundown: Romeo & Juliet: Oct, 17-20 The Nutcracker: Dec. 6-22 Peter Pan: Feb. 20-23, 2025 Balanchine, Graham, Pires: (as in George, Martha and Alysa) March 27-30, 2025 Giselle: May 1-4, 2025
The Ballet’s behind-the-curtain series, Uncorked, happens three times in the midst of this season: Sept. 26, Nov. 7 and Jan. 23, 2025.
Single tickets for these productions go on sale Tuesday, May 28, through Orlando Ballet.
Additionally, Casanova, the final act of the 2023-2024 season,runs May 16-19 at Steinmetz Hall at the Dr. Phillips Center. It’s an 18+ production. (Spicy!)
Wish, the 62nd film released by Walt Disney Animation Studios, is a bad movie. The film is meant to celebrate the studio’s 100th anniversary, but instead, its incoherent story and reliance on millennial cliches for cheap jokes come off like it was fed into an AI generator and spat out onto the big screen. And the music, always a staple in Disney films, has some really lovely parts that are sadly weighed down by terrible lyrics.
The Most Sought After Elden Ring Sword Has A Storied History
Overall, Wish is a hot mess, but for Kingdom Hearts fans, its core premise could have significant implications for Square Enix’s Disney and Final Fantasy crossover—that is, if Tetsuya Nomura and friends decide to incorporate it into future Kingdom Hearts games.
What is Wish about?
Wish is set in the kingdom of Rosas, where King Magnifico, a sorcerer with the power to grant wishes given to him by the common folk, hoards wishes as magical orbs and refuses to grant ones he doesn’t believe will be good for the kingdom. When a citizen turns 18, they give Magnifico their wish for “safekeeping” in his study until the day he decides to grant it. While he might believe himself righteous, as protagonist Asha points out, Magnifico has created a system in which he controls the fate of everyone in Rosas, rendering the townsfolk hopeless as they wait for their wishes to be granted. As the film progresses, the king’s true nature as an egomaniacal bastard becomes apparent and Asha leads a rebellion against his tyranny.
But what does this have to do with Kingdom Hearts? As Asha learns more about the wishes in Magnifico’s clutches, it becomes clear that some of these wishes have to do with events that lead into various Disney movies. One Rosas civilian wants to fly, wears a green tunic, and is named Peter like Peter Pan. Valentino, Asha’s pet goat who gains the ability to speak because of magical shenanigans, wishes for a place where all mammals live equally, referencing the idyllic vision of 2016’s Zootopia. Asha herself becomes a Fairy Godmother and dons a cloak similar to the character from Cinderella.
Disney
There are other references, like Asha’s group of friends all dressing and acting similarly to the seven dwarves from Snow White. And when Magnifico is defeated, he’s trapped in a mirror, basically becoming the Magic Mirror from the same movie. There’s even a split-second frame in which his face is outlined to look like the mask that inhabits the mirror in the 1937 film.
What does Wish mean for Kingdom Hearts’ Disney universe?
All of this (and the 90 minutes of other Disney movie references) is part of the purpose of Wish—to celebrate Disney’s history—but there’s a larger implication here: Rosas is the center of a connected Disney universe. According to co-directors Chris Buck and Fawn Veerasunthorn, as well as co-writer Jennifer Lee, Wish isn’t hardwired as a multiverse launch pad, but it does imply characters like Peter Pan, places like Zootopia, and songs like “When You Wish Upon A Star” are the dreams of the citizens of Rosas. Prior to this, Disney has featured the occasional crossover detail before, like Frozen featuring characters from Tangled in a crowd shot, which Disney has mostly acknowledged as cute nods. But Wish makes an entire plot point out of Disney’s most beloved characters and worlds having an inception within its kingdom.
This raises questions as to how that world would function in a potential Kingdom Hearts’ crossover. Will Kingdom Hearts play with the abstract ideas Wish hints at? In Square Enix’s RPG series, protagonist Sora and his friends Donald and Goofy travel to various Disney worlds on a spaceship. But before these worlds were separated, they originated from Scala ad Caelum, which featured heavily in Kingdom Hearts Union χ and in the final section of Kingdom Hearts III.
Image: Square Enix / Kingdom Hearts wiki
Incorporating Wish and Rosas into Kingdom Hearts’ world would require a great deal of retconning, as Square Enix has already been building out its own connected lore for 20 years. It’s unclear if it will even have to reckon with it anytime soon given Kingdom Hearts IV has been in development concurrently alongside the movie, and Disney began work on Wish in 2018, a year before Kingdom Hearts III launched. While we don’t know what Disney worlds will appear in the next game, we can reasonably assume Disney and Square have been talking about Kingdom Hearts IV while Wish was in production.
Kingdom Hearts has released plenty of prequels and midquels in between its numbered entries that help recontextualize story beats or fill in gaps, but Scala ad Caelum’s place as the root of Kingdom Hearts’ Disney crossover is pretty well-established. So it might just be easier for Square Enix to ignore Rosas and Wish’s Disney cinematic universe entirely. However, the series is no stranger to tweaking characters, worlds, and relationships to fit its own narrative. On top of weaving the existence of the shadow-like enemy Heartless into Disney movie plots, Kingdom Hearts has continued to fold new movies into its storytelling.
The first game made the Seven Princesses of Heart (which included Alice, Snow White, Jasmine, Belle, Cinderella, and Aurora) into a unified, magical force that affected the entire known Kingdom Hearts universe. Kingdom Hearts III made sure to add newcomers Rapunzel, Anna, and Elsa as part of the New Seven Hearts meant to take up the mantle. So Rosas could realistically be molded to fit the needs of a new story arc—perhaps it could be the origin point of the new worlds Sora will explore in Kingdom Hearts IV, further explaining the expanding lore without stepping on the toes of the story the series told before.
Image: Disney
Wish attempts what Kingdom Hearts pulled off over 20 years ago
Kingdom Hearts’ interconnected Disney universe was a pretty novel idea back in 2002 when the first game was released. But nowadays, crossovers are so common they’re having diminishing returns. Take a look at recent Marvel Cinematic Universe box office numbers and you’ll see people are less infatuated with the concept of everything they watch and play weaving into one another. A shared Disney universe is a core theme in newer games like Disney Dreamlight Valleyand Disney Mirrorverse, but Kingdom Hearts is one of the few examples where those worlds feel cleverly woven into each other, rather than thrown together in a disconnected pocket dimension. Now that Wish is at least toying with the idea of Rosas as the source of characters and ideas seen in previous Disney films, Kingdom Hearts is in an interesting position. It has to either reckon with one of the movies it may feature eating its lunch—albeit with its hands instead of a perfectly good fork and knife and just generally making a mess of the table—or find a way to wiggle out of the bind it’s put the series in.
I do wonder if, given Wish’s middling reception and box office performance, Square Enix might opt not to touch the movie or its characters at all, as it would complicate things in ways that are probably not worth the trouble. But Kingdom Hearts has put some mid-ass Disney movies in its games in one way or another, so who knows? Yes, I’m looking at you, Chicken Little. In the meantime, let’s hope whatever Disney is cooking for 2024 doesn’t read like it was written by ChatGPT.
