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Tag: Persepolis

  • The 10 Most Beautifully Illustrated Graphic Novels

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    Looking at pretty pictures may perhaps be the oldest human pastime – we’ve been doing it since prehistory! Ever since primitive humans stepped out of their caves and sighed at the beauty of the natural world, they attempted to replicate it on cave walls, preserving their fire-discovering, wheel-inventing stories for future generations. Thousands of years later, the graphic novelists took up the torch to do the exact same thing – like Michelangelo! The Sistine Chapel really is just a graphic novel adaptation of the Bible, after all. While watching humanity’s drama with God play out on the ceiling is certainly worth the trip, this list is for those who want to drink in stunning artwork without traveling to the Vatican. For all the homebodies, are the 10 most beautifully illustrated graphic novels of all time.

    Blacksad

    Cover art for "Blacksad"
    (Dark Horse Originals)

    When Juan Díaz Canales and Juanjo Guarnido created Blacksad, they reminded us of something that humanity has known for thousands of years: cats are beautiful. Aesthetically appreciated as far back as ancient Egypt, cats are given a modern makeover in this Neo-noire masterpiece. This is the story of John Blacksad – a hardboiled private investigator who also happens to be a kitty. A feline lone wolf, Blacksad operates independently from the foxes and bloodhounds of the local police department, preferring to stalk his way into the city’s reptilian criminal underbelly on his own. A gritty pastiche of mid-century America, Blacksad’s art style feels like if you took Edward Hopper’s famous Nighthawks painting and turned everyone in it into an animal. Moody, dramatic, lonely, and furry.

    Blue Is The Warmest Color

    Cover art for "Blue Is The Warmest Color"
    (Arsenal Pulp Press)

    Reading Jul Maroh’s Blue Is The Warmest Color feels like getting slapped in the face by an angel – divinely beautiful and searingly painful. It’s the story of a tragic love affair between two young French women, beginning with incendiary passion and ending in brutal heartbreak. The watercolor art style feels like if you mixed regular paint with human tears – the tears that you’re certain to cry as you turn through its pages. The novel’s use of light is especially poignant, everything has a soft and blurry glow to it, making you feel like you’re looking at a world seen by someone ever on the verge of weeping. With the way things go in this novel, that pretty much describes the emotional state of these characters at every second of every day. Looking at the one we love has a way of making us all misty eyed – if that person goes away, bring on the waterworks.

    Daytripper

    Cover art for "Daytripper"
    (Vertigo)

    Daytripper by Fábio Moon and Gabriel Bá is ten days in the life of obituary writer Brás de Oliva Domingos, each of which results in his death. Separated into ten vignettes, the story follows Brás at pivotal moments of his life – first love, new parenthood, old age – before exploring how any of those moments could have been his last. After kicking the bucket at the end of each of these days, and the story continues on as if he hadn’t – a literary device intended to remind the audience of the fragility of our lives. The art style of the comic is equally delicate, soft colors and softer lines mix together to create a fuzzy and kaleidoscopic portrait of life – a life that could be snuffed out at any moment. Like Blue Is The Warmest Color, the blurry pages of this graphic novel are sure to be further smudged with your tears.

    The Incal

    Cover art for "The Incal"
    (Humanoids)

    A seminal work of sci-fi, The Incal by avant-garde film director Alejandro Jodorowsky is essentially Star Wars on acid. It’s the story of John Difool, a detective who comes into possession of a mysterious extraterrestrial artifact called the Luminous Incal – a crystal coveted by just about every faction in the galaxy. John navigates a labyrinthian world drawn by Jean Giraud, a groundbreaking illustrator more famously known by his pseudonym Mœbius. Depicting soft sci-fi worlds with Salvador Dali-esque surrealism, Giraud creates a dreamlike landscapes where technology and fantasy meet. This graphic novel sits somewhere between space opera and acid western, with a little bit of Dune thrown into the recipe for added spice – see what I did there?

    Berserk

    Cover art for "Berserk"
    (Dark Horse Manga)

    While “beautiful” isn’t the first word that many would use to describe the dark fantasy nightmare-verse that is Kentaro Miura’s Berserk, the late, great mangaka’s art style is nothing short of arresting. No doubt drawing inspiration from the biological horror of H.R. Giger, Miura paints the picture of a demon-haunted world that would terrify the devil himself. With his images of beautifully composed brutality, Miura was able create what is arguably the finest work of dark fantasy ever penned. It’s the story of Guts, a linebacker sized mercenary with a sedan-sized sword, cutting his way through demonic hordes in order to take revenge against a former comrade turned dark divinity. It’s somber, thrilling and tragic – blood drenched, rainswept portrait of a lone warrior who refuses to give in, despite overwhelmingly grim odds.

    Monstress

    (Image Comics)

    Monstress by Marjorie Liu and Sana Takeda is a master class in art deco – a steampunk East Asian world rendered with turn of the century opulence. It’s the story of Maika Halfwolf, a teenage girl attempting to hide her identity as an Arcanic – arcane beings that are captured and consumed by the ruling sorcerer class for their magic. On her quest to avenge her dead mother, Maika is aided by a monster – a demonic being that resides in the stump where her left arm used to be. At its core, the art style of Monstress is a 1920’s interpretation of the biblically accurate angel – lots of wings and eyes, all laced in gold.

    Square Eyes

    Cover art for "Square Eyes"
    (Jonathan Cape)

    Square Eyes by Anna Mill and Luke Jones is a soft sci-fi that follows Fin, an engineer who recently revolutionized the society of the near future with a powerful program. Once seated at the top of the digital world, Fin suddenly finds herself completely disconnected from the virtual reality that binds humanity together. Unable to access the artificial network that augments her city, the amnesiac Fin attempts to solve why she’s been booted out. The art style of the novel is just as eerie and dreamy as its plot, drawn with soft pastel pinks and purples that wash the world in a sense of unreality. It’s a place where everyone is wearing rose-colored VR glasses, but no one can take them off. Beautiful and disorienting, like a meet cute with a hot hologram.

    Through The Woods

    Cover art for "Through The Woods"
    (Margaret K. McElderry Books)

    Through The Woods by Emily Carroll is a modern day collection of Grimm’s fairy tales, creepy enough to impress the screwed up Brothers Grimm themselves. Each of these five stories are rendered in shadowy black, bone white, and blood red, casting a lurid gleam over the already macabre tales. It feels like a folk horror picture book, something that the sorceresses of Robert Eggers’ The Witch would read aloud to the children they kidnap. The book features one of the author’s most famous works His Face All Red, which catapulted her to the heights of internet webcomic glory. It’s the story of a man who killed his brother, only for his deceased sibling to wander out of the woods a few days later totally unharmed. Did his brother pull a Lazarus? Or is it a doppelgänger that didn’t quite get all the details of the disguise right? You’ll have to read to find out.

    Sin City

    Cover art for "Sin City"
    (Dark Horse Books)

    Sin City by Frank Miller is the ultimate hardboiled detective comic, and so quintessentially representative of the author’s style that it borders on self parody. Frank Miller made a name for himself in the late 80’s with his grimdark reinterpretations of Batman, somber portrayals that created the dour image of the caped crusader we know today. Sin City is Batman level grit taken to the extreme, taking place in a black and white metropolis peppered with streaks of bloody red. It’s classic noire stuff, femme fatales, burned-out private eyes, ruthless mob bosses, all rendered with such extreme chiaroscuro that it puts the Renaissance masters to shame. It’s a monochromatically mad world.

    Persepolis

    Cover art for "Persepolis"
    (Pantheon)

    Persepolis is the graphic memoir of Marjane Satrapi, who came of age during one of the most tumultuous periods in Iran’s history. An adolescent during the Islamic Revolution, Marjane saw her formerly progressive society take a hard right turn towards theological conservatism. For Marjane and young women like her, this meant that the plethora of choices that they once had for their lives were suddenly limited – from what clothes they were allowed to wear to their career prospects. The novel is rendered in a somber monochrome that juxtaposes itself with Marjane’s colorful and outspoken personality. She’s a young woman who refuses to conform to an increasingly reactionary society, a world that views morality to be as black and white as the colors with which it’s illustrated. Hailed as one of the finest graphic novels ever written, Persepolis is a must read for anyone grappling with authority figures, which, now that I think about it, is perhaps every adolescent on the planet.

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    Image of Sarah Fimm

    Sarah Fimm

    Sarah Fimm (they/them) is actually nine choirs of biblically accurate angels crammed into one pair of $10 overalls. They have been writing articles for nerds on the internet for less than a year now. They really like anime. Like… REALLY like it. Like you know those annoying little kids that will only eat hotdogs and chicken fingers? They’re like that… but with anime. It’s starting to get sad.

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    Sarah Fimm

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  • The 10 Best Graphic Novel Memoirs

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    Looking for a cozy way to spend a Sunday afternoon? May direct your attention to: the graphic memoir. Need a good ugly cry to wring out your emotional knots? Once again, try the graphic memoir. Seeking a little perspective on your less than stellar childhood by looking for parallels in the lives of other unhappy adolescents? I say again, the graphic memoir is your answer. Whatever your reason for reading, odds are, the graphic memoir has you covered. If you’re looking for the most iconic of the comics, you’re in luck – these are the 10 best graphic memoirs ever penned.

    Gender Queer

    (Lion Forge Comics/Oni Press)

    Gender Queer is the adolescent account of Maia Kobabe, who uses e/em/eir pronouns. While the author originally wrote this graphic memoir to better explain to eir family what it’s like to be trans and asexual, the novel grew to become a coming of age touchstone for queer youth across America. It also became one of the most vocally criticized, and was the most banned book in the nation in 2021. While right wing pundits have tried to bury the novel, the controversy surrounding it only catapulted it further into the public eye. After all, who doesn’t love a good banned book? The novel follows Maia on eir coming out journey, covering everything from gender dysphoria, first relationships, to the author’s adolescent love of queer fan-fiction. A touching examination of the non-binary experience, Gender Queer should be required reading for LGBTQ+ youth and the allies who support them.

    Blankets

    Cover art for "Blankets"
    (Drawn and Quarterly)

    Reading Blankets by Craig Thompson is like getting kicked in the stomach by a unicorn – throughly majestic and excruciatingly painful. It’s the tender story of young Craig’s experiences in church camp, where, like many other young Christians, he had a life changing encounter with first love. The devout Craig crosses paths with Reina, a young fundamentalist wavering in her faith. Despite blissful beginnings, the young couple’s winter romance is frozen in its tracks by family pressures and faith crises, before finally shattering like an icicle dropped on the pavement. For the ex-faithful, it’s an especially painful read – a glimpse into a past where sexual longing and devotion to God were inseparably linked, and yet totally irreconcilable. Ouch.

    Spinning

    Cover art for "Spinning"
    (First Second Books)

    Spinning by Tillie Walden is the graphic account of the author’s young life as a figure skater – a sport she hated with every fiber of her adolescent soul. While Tillie once held onto Olympic dreams, the pressure of competition left a void inside of her that winning awards couldn’t fill. After realizing that she was gay, young Tillie was unable to square her budding sexual identity with the crushingly heteronormative culture of figure skating, and was forced to walk away. Spinning is a love letter to childhood overachievers everywhere, those cajoled into thinking that their value came from what they could accomplish opposed to who they are. It’s a cathartic read about self-acceptance at all costs. Even when it means disappointing others, it’s always worth it. Besides, being forced to smile as often as figure skaters are is truly exhausting for your face muscles – no kid should be forced to look that happy.

    Persepolis

    Cover art for "Persepolis"
    (Pantheon)

    Persepolis is the autobiography of Marjane Satrapi, a woman who came of age during the Islamic Revolution in Iran. While the nation embraced progressive reform in the latter half of the 20th century, a counter-revolution caused a massive shift towards theological conservatism. For a young woman like Marjane, this meant that she could no longer dress the way she wanted to, and her professional and personal choices were suddenly subject to strict limitations. Combined with its budding war with Iraq, the country that Marjane grew up in was suddenly plagued with strife – a strife that left its mark on Marjane’s still-developing sense of self. Drawn in somber black and white, this is one of the greatest graphic works ever penned – memoir or otherwise.

    Maus

    Cover art for "Maus"
    (Pantheon)

    The only graphic novel to ever win the Pulitzer Prize, Art Spiegelman’s Maus is often hailed as the single greatest work in the medium. It’s account of Art’s troubled relationship with his ailing father, a man who barely escaped the Holocaust. The novel depicts its characters as anthropomorphized animals, with Jews as mice and Nazis as cats, to create a striking visual metaphor to represent a people who were hunted and preyed upon. It’s a thoroughly powerful read about one of the most devastating atrocities in human history, and the trauma that was passed down upon the descendants of those who survived.

    The Best We Could Do

    Cover art for "The Best We Could Do"
    (Abrams ComicArts)

    Thi Bui’s The Best We Could Do is the story of a family who fled the horrors of the Vietnam War, and struggled to adjust to their subsequent life in America. Beginning with an account of the author’s parents’ lives at the beginning of the conflict, the novel shows Thi Bui’s harrowing escape from fallen South Vietnam while she was still a child. While safe from the violence in the United States, the family found it difficult to fit in with the culture of the nation in 1970’s – a culture that was often unkind to outsiders. The novel highlights the weight of the sacrifices that Thi Bui’s parents made in order to give their child a brighter future, and the scars that were left on the family from the turmoil of the past.

    Stitches

    Cover art for "Stitches"
    (W.W. Norton)

    Stitches is the harrowing graphic memoir of David Small, whose adolescent life was forever altered in the span of a day. Prone to respiratory sickness as a child, David was subjected to radiation treatments from his radiologist father – during a time when the bodily effects of radiation were still poorly understood. After a growth appears on David’s neck, he’s sent in for a routine surgery, but awakens in horror to find that one of his vocal cords was removed as a complication. Rendered almost entirely mute, the adolescent David has to readjust to life – and bear the weight of his parents’ misplaced feelings of anger guilt. It’s the story of a precociously talented young child who discovers at a young age what every artists learns at some point in their career – that art has the power to heal seemingly un-healable wounds, and give voice to unspeakable pain.

    Fun Home

    Cover art for "Fun Home"
    (Mariner Books)

    Fun Home by Alison Bechdel is the graphic novel that inspired the Broadway hit musical – an account of one woman’s relationship to her estranged father. After Alison came out as a lesbian in college, her father Bruce came out of the closet as well. Not long after, Bruce passed away due to apparent suicide. Reeling from the tragedy, Alison is left to piece together the details of her father’s life – one he spent as a married English teacher and funeral director in rural Pennsylvania. Throughout his life, Bruce kept his family at arm’s length – an emotional distance that Alison later attributed to his inner turmoil surrounding his sexuality. As devastating as it is devastatingly funny, this tragicomedy explores the complicated emotions Alison feels towards her departed father – grief, confusion, and of course, love.

    They Called Us Enemy

    Cover art for George Takei
    (Top Shelf Productions)

    They Called Us Enemy by George Takei is the story of the Star Trek star’s traumatic youth, part of which was spent behind barbed wire in an American concentration camp. Victims of Japanese internment laws, Takei and a hundred thousand other U.S. citizens were imprisoned under a form of institutionalized racism, forced to live out years as prisoners of their own government. Throughout the novel, Takei sheds light on his family’s struggle to adjust to the harrowing circumstances – as well as his father’s unshakeable belief in the democracy that incarcerated their family. Though heartbreaking and harrowing, the novel is also a story of hope – the experience planted a seed in Takei that led him to become one of the most prominent Americans in the nation, the actor that multiple generations of sci-fi fans came to love.

    My Friend Dahmer

    Cover art for "My Friend Dahmer"
    (Abrams Books)

    My Friend Dahmer is an illustrated account of author Derf Backderf’s highschool friendship with a boy named Jeff – a boy who would grow up to become one of the most infamous serial killers in American history. While Jeffery Dahmer’s cannibalistic murders are famous, few know the history of the man responsible for the crimes. Before become a killer, Dahmer was a like many other high school outcasts – bullied by classmates, neglected by parents, a kid simply struggling to fit in. While the novel doesn’t absolve Dahmer for his crimes, it paints a sympathetic portrait of a young man attempting to reconcile with his dark urges – his binge drinking, his need for attention, and his fascination with roadkill. By bestowing humanity upon a man universally regarded as inhumane, Backderf gives a glimpse into a world where Dahmer’s reality could have been different. Had his caregivers been more attentive, had his classmates been kinder, had he been given an constructive outlet for his destructive impulses, teenage Jeffery Dahmer’s life been diverted from the dark future for which he is known.

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    Image of Sarah Fimm

    Sarah Fimm

    Sarah Fimm (they/them) is actually nine choirs of biblically accurate angels crammed into one pair of $10 overalls. They have been writing articles for nerds on the internet for less than a year now. They really like anime. Like… REALLY like it. Like you know those annoying little kids that will only eat hotdogs and chicken fingers? They’re like that… but with anime. It’s starting to get sad.

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    Sarah Fimm

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