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  • ‘One Lil Fight’ Finale: Trailer For ‘Bel-Air’s’ Fourth & Final Season Teases Banks Family Fracas Alongside Tyra Banks, Janet Hubert & Snoop Dogg Cameos

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    Source: Courtesy / Peacock

    The official trailer for the fourth and final season of Bel-Air has just dropped, and Peacock has confirmed that the series will wrap with eight episodes, premiering on November 24, 2025. Fans have followed this reimagined Fresh Prince journey from Philly to the hills of Bel-Air, and now it all comes down to senior year: drama, growth, and a whole lot of emotions included. According to Peacock’s press release, Will is entering his last year of high school, trying to balance excitement with the pressure that has been building around him since he first arrived in Los Angeles. Carlton, meanwhile, is still rebuilding after his struggles, with the network teasing that some major decisions could determine his entire future. The Banks household will also see a shake-up, with hints of a “power shift” between Uncle Phil and Geoffrey that could test loyalty and trust in ways we haven’t seen before.

    Season 3 set the stage for all of this. We watched Will hustle his way through summer, navigating new spaces and expectations while trying to define who he really wants to be. Carlton spent the season fighting to regain his footing while confronting the fallout from his addiction; Hilary focused on love, career, and the complicated emotional history with Jazz; and Uncle Phil and Aunt Viv faced real questions about the direction their marriage and family were headed next. Things came to a head in the finale with a series of bombshells, including Viv’s pregnancy reveal, Hilary and Lamarcus’ wedding tensions, and the most dramatic twist of all…Will being kidnapped by people tied to Geoffrey’s London past.

    Season 4 will pick up right where that intensity left off. Will enters senior year with his closest relationships being tested and a real sense of “Who am I going to be in the world?” hanging over him. Carlton’s redemption arc gets even more serious as he’s forced to confront the consequences of his choices head-on. Aunt Viv prepares for motherhood again while balancing her personal dreams. Phil and Geoffrey’s dynamic shifts into uncertain territory, setting up what could be one of the most emotional and explosive arcs in the series. And yes, expect some big guest moments along the way, including a cameo from Snoop Dogg, adding extra star power as the show heads towards its finale.

    With only eight episodes to go, Bel-Air is stepping into its final run with purpose. Instead of dragging things out, the series is closing on its own terms, making room for character payoffs, tough conversations, and emotional wins as everyone’s story reaches a turning point. It’s the end of the road for this version of the Banks family, and the final season promises to blend heartfelt moments, cultural impact, character growth, and the kind of drama fans have come to expect. If nothing else, it’s clear Bel-Air plans to go out with meaning and momentum, leaving us with closure, surprises, and a last look at how far these characters have come. Check out Season 4’s official trailer and some first-look images from the season below. Share your thoughts in the comment section.

    RELATED: Fresh Swamp Princess Of Bel-Air? Doechii Joins Will Smith and Tatyana Ali For Viral ‘Anxiety’ Dance Break

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    Davonta Herring

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  • Peacock Schedule October 27-November 2, 2025: New TV Shows & Movies Being Added

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    Peacock’s new TV and movie releases for October 27-November 2, 2025, include Jurassic World Rebirth and the regular and extended cuts of The Fall Guy.

    Thursday, October 30, 2025, brings Jurassic World Rebirth, as well as the regular and extended versions of The Fall Guy, to Peacock.

    Jurassic World Rebirth is an action-adventure sci-fi film. Taking place five years after the events of Jurassic World Dominion, the film follows Zora Bennett (Scarlett Johansson), a covert operations expert assigned to lead a team of skilled individuals in securing genetic material from the world’s three largest dinosaurs.

    However, the team’s mission becomes a lot more complicated than expected when they cross paths with a family on a boating expedition. They then get stranded on an island, where they uncover a shocking truth hidden from the world for many years.

    Meanwhile, The Fall Guy is an action comedy movie featuring Ryan Gosling and Emily Blunt. It follows a former Hollywood stunt performer, who, after abandoning his career following a near-fatal on-set accident, returns to his old life to track down a missing movie star and win back his ex-girlfriend’s love. Along the way, he solves a conspiracy connected to the movie star’s disappearance.

    Also releasing on Peacock this week is Champions. Directed by Bobby Farrelly from a screenplay written by Mark Rizzo, it is a remake of the 2018 Spanish film of the same name. The sports comedy follows a hotheaded minor league basketball coach who gets arrested and forced into community service. Subsequently, he finds himself training a Special Olympics team — whose members have a wide range of disabilities.

    New Peacock releases for October 27-November 2, 2025

    Below are all the new TV shows and movies being added to Peacock from October 27-November 2, 2025.

    Tuesday, October 28, 2025

    • Champions 
    • Charmed by the Devil, All Episodes (Oxygen) 

    Thursday, October 30, 2025

    • The Fall Guy
    • The Fall Guy: Extended
    • Jurassic World Rebirth
    • Touch

    Friday, October 31, 2025

    • The Real Housewives of Orange County After Show, Season 1 – Finale (Bravo Digital) 

    NOTE: November 1-2’s schedule is unavailable as of writing.

    For more Peacock content, check out the teaser trailer for The Copenhagen Test, starring Simu Liu and Melissa Barrera. Also, here’s the trailer for Sarah Snook and Dakota Fanning’s All Her Fault.

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    Abdul Azim Naushad

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  • Your Favorite Streaming Service Is Only Getting More Expensive

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    Four of the biggest have doubled in price since launching.
    Graphic: Vulture

    This post was originally published September 8, 2025, and has been updated to add new price increases to Disney+ and Hulu as well as HBO Max.

    If there’s one thing streaming services love more than a rebrand or a bundle, it’s a price hike. Over the past few months, Disney+, Hulu, Peacock, Apple TV+, HBO Max, and even humble BritBox have raised their subscription rates. Asking customers to shell out more each month has been a part of the streaming business going back to the early days of Netflix, when it incrementally increased prices on certain tiers on an almost annual basis, and since more services began popping up to compete with the service in the past five or six years, they’ve been predictable additions to your streaming bills, some notable exceptions aside.

    To illustrate their ubiquity, we’ve rounded up as many as we could below — focusing on the major streamers’ so-called “standard” paid monthly subscriptions with and without ads. For ease of comparison, we omitted bundles and tiers like Netflix “Premium” and Hulu + Live TV, as well as any services which haven’t been around for at least two years or haven’t had some sort of price increase. We’ll update this story with more services, too — and with the inevitable new price hikes when they roll out in a quarter or two.

    A few insights we noticed as we browsed the numbers:

    ➼ The prices for plans at Netflix, Disney+, Apple TV+, and Peacock have more than doubled since their respective launches.
    ➼ Hulu’s ad-supported rate actually dropped at one point — very much an anomaly.
    ➼ Since launching in 2019, The Criterion Channel has never raised its prices.

    Current monthly rates labeled in blue.

    2011: Launched at $8
    2014: $9
    2015: $10
    2017: $11
    2019: $13
    2020: $14
    2022: $15.50
    2025: $18

    2022: Launched at $7
    2025: $8

    Since launch, Netflix has dramatically expanded its original and licensed programming, expanded to new global markets, and introduced live sports and video games to their service, so beyond inflation, it’s had overhead to account for over the years. Users may wonder why the ad-supported price introduced in 2022 was lower than what ad-free users were paying for Netflix in 2011; that’s because Netflix reasoned that it could make more revenue per user on the ad-supported plan even if it was less than half the cost of the standard ad-free plan, and priced it accordingly. Plus, as it also started cracking down on password sharing, it wanted to make sure folks unwilling to finally pay for their own full-price account had an affordable alternative to consider before walking away completely.

    2015: Launched at $12
    2021: $13
    2022: $15
    2023: $18
    2024: $19

    2010: Launched at $8
    2019: $6
    2021: $7
    2023: $8
    • 2024: $10
    • 2025: $12

    Hulu’s 2019 adjustment to its ad-supported plan was a rare price drop — at the time a hedge against users rebelling that the cost of its live TV service would be going up. More recently, the $4 hike between 2022 and 2024 has been designed to prompt users to switch to the Disney Bundle, which offers both Hulu and Disney+ at a deep discount.

    2019: Launched at $7
    2021: $8
    2022: $11
    2023: $14
    2024: $16
    2025: $19

    2022: Launched at $8
    • 2024: $10
    • 2025: $12

    Like other services that launched the heyday of the early streaming wars, Disney+ was priced to move — a bet that $7 per month was a nice carrot for families and older fans of Star Wars and Marvel alike. Five years, one pandemic, a long Hollywood strike season, and two Bobs later, that $7 looks quaint by comparison. As for the relatively huge hikes to the cost of the ad-free plan, chalk that up to a the same thinking about the aforementioned Disney bundle, plus the industry-wide push to get people to watch ads again.

    2020: Launched at $15
    2023: $16
    2024: $17
    • 2025: $18.50

    2021: Launched at $10
    • 2025: $11

    HBO Max/Max/HBO Max’s pricing has gone up incrementally compared to its competitors in part because started out a higher price point than any other post-Netflix streamer, thanks to the HBO of it all. But in that same time, Warner Bros. Discovery and CEO David Zaslav have become known for axing content across the service, from classic HBO shows to Sesame Street. Will the departure of Discovery content (once WBD’s breakup and/or sale is finalized) drop the price? Don’t hold your breath.

    2016: Launched at $9
    2024: $12

    2024: Launched at $9

    Prime Video doesn’t call its “ad-free” option here another stand-alone plan, but customers can pay an additional $3 per month to remove ads. Otherwise, strikingly, Prime Video’s rate remained the same until it began rolling ads onto its platform. Of course, many folks haven’t even clocked how stable the base rate for Prime Video has remained because the most common way they get Prime Video is through Amazon’s much broader (and somewhat pricier) Prime subscription service, which offers everything from “free” package delivery to discounts on gasoline.

    2021: Launched at $10
    2023: $12
    2024: $13

    2021: Launched at $5
    2023: $6
    2023: $8

    With its 2023 hike, Paramount+ also added Showtime to its ad-free plan and did away with Showtime’s standalone streaming service. On the bright side, it hasn’t added a special surcharge for Taylor Sheridan series — yet.

    2020: Launched at $10
    2023: $12
    2024: $14
    • 2025: $17

    2021: Launched at $5
    2023: $6
    2024: $8
    • 2025: $11

    At one point, Peacock was literally giving itself away for free — sort of, anyway. That’s no longer the case of course, but it’s another streamer, like Disney+ and Apple TV+, that learned from the Covid era that it couldn’t underprice its offerings forever. What’s more: The NBA is coming to Peacock, wrested away from David Zaslav in the last rights negotiation for an annual bill of $2.45 billion. Now both of Peacock’s standard plans cost more than Netflix’s. Plus, John Tesh wasn’t going to let NBC and Peacock use “Roundball Rock” for free. Somebody had to pay up.

    2019: Launched at $5
    2022: $7
    2023: $10
    • 2025: $13

    A service without a robust licensed library that focuses mostly on originals would not have been appealing for $13 a month in 2019, but to be honest, it’s not too shabby in 2025. Apple has established itself with enough hits like Severance and The Morning Show and Ted Lasso to make the price point work, and even feel like a modest value compared to other major players like HBO Max or Peacock.

    2020: Launched at $9
    • 2024: $10

    2023: Launched at $5
    • 2024: $7

    You’re not just getting AMC’s programs and live feed with this service; the streamer also bundles in content from horror-rific Shudder plus indie movies from Sundance and IFC, along with a sample of stuff from sister streamer Acorn TV (see below.) If the ad-free tier still seems a bit expensive, that’s in part because cable operators would freak if AMC offered it too cheaply.

    Current monthly rates labeled in blue.

    2016: Launched at $6
    2023: $7

    2017: Launched at $7
    2019: $8

    2019: Launched at $10
    2024: $11

    2023: Launched at $6

    2017: Launched at $7
    2023: $9
    2025: $11

    2023: Launched at $6
    2024: $7

    2022: Launched at $9
    2023: $10
    2024: $11

    2013: Launched at $5
    2022: $7
    2025: $9


    See All



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    Eric Vilas-Boas,Josef Adalian

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  • Amex Platinum Cardholders Can Now Get Free Apple TV Thanks to New Peacock Bundle

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    Amex Platinum Cardholders Can Now Get Free Apple TV 

    Apple and NBCUniversal have launched a new Apple TV and Peacock Bundle. The first-of-its-kind bundle offers the services’ complementary array of award-winning originals, marquee live events and sports, beloved franchises, and blockbuster movies, including Ted Lasso, Severance, The Paper, The Traitors, How to Train Your Dragon, the NBA (tipping off October 21 on Peacock), F1 The Movie (coming later this year), and much more, all through one convenient monthly subscription.

    Customers in the U.S. can save over 30 percent by subscribing to the Apple TV and Peacock Premium bundle for $14.99 per month, or Apple TV and Peacock Premium Plus for $19.99 per month, through either app or website.

    Many readers will benefit from purchasing this bundle through Peacock, as that should trigger the recently enhanced Entertainment Credit on the Amex Platinum Card. Those cardholders get up to $25 back in statement credits each month on eligible purchases on one or more of the following: Disney+, a Disney+ bundle, ESPN+, Hulu, The New York Times, Paramount+, Peacock, The Wall Street Journal, YouTube Premium, and YouTube TV.

    You can see more details about this new bundle here.

    It’s also worth noting that if you don’t care about Apple TV, then you can get Peacock for free through Walmart+. That’s a free membership for Amex Platinum cardholders, which would then let you use the $25 monthly credit for another service.

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    DDG

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  • The new Apple TV and Peacock streaming bundle is officially available

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    There’s yet another streaming bundle in town, and it will be ideal for fans of Ted Lasso and The Office. Apple and Peacock have teamed up to provide both of their streaming services together in a bundle starting at $15 per month. The new Apple TV + Peacock bundle is officially available now for $15 monthly for the ad-supported tier.

    This is a mighty fine deal, given that Apple TV recently changed both its name and price. The platform costs $13 per month now on its own. Peacock starts at $11 per month. In other words, this is a discount of around $9 each month. In this economy, we’ll take any savings we can get.

    As mentioned previously, the only caveat is that the base tier includes ads. The subscription shoots up to $20 per month for an ad-free version. However, a standalone subscription to ad-free Peacock is $17 on its own. Additionally, Apple One subscribers will get a 35 percent discount on Peacock Premium Plus plans. It’s always nice when two lonely corporations find friendship, isn’t it?

    For the uninitiated, Apple TV is the company’s big-wig streaming platform. It’s primarily known for sci-fi like Severance, For All Mankind and the upcoming Pluribus. The platform is also host to plenty of comedy, like The Studio, Shrinking and Ted Lasso.

    Peacock is NBC’s streaming service. It streams old-school network programming like The Office, Grimm and Superstore. The service features a stable of original programming like Poker Face, Twisted Metal and the underrated Mrs. Davis. The platform also recently premiered a little show called The Paper, which is a spinoff of The Office. Against all odds, this is actually a great little sitcom and a worthy successor to the original.

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    Lawrence Bonk

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  • Apple TV and Peacock team up on a bundle that costs $15 per month

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    There’s a new streaming bundle in town. Apple TV and Peacock are teaming up that starts at $15 per month. This will allow access to all original programming from both platforms, in addition to Peacock’s stable of network and cable shows.

    This is a mighty fine deal, given that Apple TV recently changed both its and . The platform costs $13 per month now on its own. Peacock starts at $11 per month. In other words, this is a discount of around $9 each month. In this economy, we’ll take any savings we can get.

    There’s one caveat here. The $15 price tag is for Peacock with ads. The subscription shoots up to $20 per month for an ad-free version. However, a standalone subscription to ad-free Peacock is $17 on its own. This bundle becomes available on October 20. Additionally, Apple One subscribers will get a 35 percent discount on Peacock Premium Plus plans. It’s always nice when two lonely corporations find friendship, isn’t it?

    For the uninitiated, Apple TV is the company’s big-wig streaming platform. It’s primarily known for sci-fi like Severance, For All Mankind and the upcoming Pluribus. The platform is also host to plenty of comedy, like The Studio, Shrinking and Ted Lasso.

    Peacock is NBC’s streaming service. It streams old-school network programming like The Office, Grimm and Superstore. The service features a stable of original programming like Poker Face, Twisted Metal and the . The platform also recently premiered a little show called The Paper, which is a spinoff of The Office. Against all odds, this is actually a great little sitcom and a worthy successor to the original.

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    Lawrence Bonk

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  • New on Netflix: Season 3 of ‘The Diplomat’ roars back onto screens Thursday

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    Premieres Wednesday:

    Inside Furioza — The sequel to the 2021 crime drama Furioza has a new kingpin taking hold of the Polish underworld, with plans to extend its reach into other countries. At press time, a confused Stephen Miller had ordered the arrest of Doda. (Netflix)

    Loot — Molly and Arthur are stranded on a desert island at the top of the long-awaited Season 3, which is finally hitting screens after a hiatus of nearly a year and a half. See, for a while there, it looked as if star Maya Rudolph was going to be busy playing Kamala Harris. Isn’t it great when we can be two previews into one of these things and you already want to put the gun in your mouth? (Apple TV)

    Murdaugh: Death in the Family — Jason Clarke plays Alex Murdaugh, the “it” killer of 2023, in a drama series that was announced two months before he even went to trial. What were they going to do if he was acquitted, retcon him as a K-pop demon hunter? (Hulu)

    No One Saw Us Leave — The Mexico of the 1960s is the setting for a reality-based drama in which a couple’s divorce becomes needlessly complicated when the husband kidnaps the daughter. That’s a niche market for the lawyers all right, but I understand their billboards are the s***. (Netflix) 

    Six Kings Slam 2025 — Plant yourself in front of the screen for three days of men’s tennis from Riyadh, but think very carefully: Do you really want to spend that much time in a country even Shane Gillis wouldn’t visit? (Netflix)

    Premieres Thursday:

    Devil in Disguise: John Wayne Gacy — The humane approach is the modus operandi of an eight-episode dramatization that’s so determined to avoid exploitation it doesn’t reenact a single one of the infamous Gacy’s murders — or even show his victims interacting with him in any way whatsoever. As Derek Smalls would say, that’s a cozy 10 minutes. (Peacock)

    The Diplomat — As Season 3 commences, the sudden death of the American president elevates a psychopathic vice president into the top job. Listen, we’d take it. (Netflix)

    Romantics Anonymous — A chocolatier who has trouble making eye contact falls in love with a customer who doesn’t like touching people. Which explains why their meet cute is her throwing a bag of truffles at his head and missing by a mile. (Netflix)

    Starting 5 — The quintet of NBA greats profiled in Season 2 includes James Harden, No. 1 point guard for the Los Angeles Clippers. Or as I knew him until five minutes ago, that guy whose side eye I use to respond to every one of James Woods’ tweets. (Netflix)

    “The Perfect Neighbor” on Netflix Credit: courtesy Netflix

    Premieres Friday:

    27 Nights — The life of Argentinian artist and writer Natalia Kohen inspired this probing drama about a woman whose daughters have her committed, even though what looks like mental illness on her part might simply be eccentricity. It’s more complicated than it seems, because she was born four decades too early for the Tylenol defense. (Netflix)

    Good News — A black-comic take on the 1970 hijacking of a Japanese commercial flight, with the authorities exploring a bunch of zany strategies to restore order. Bright idea No. 1 is having Johnny in the control tower just unplug everything. (Netflix)

    Hollywood Hustler: Glitz, Glam, Scam — Former friends and even his ex-wife explain how they were taken in by Zach Horwitz, a struggling actor who fraudulently claimed to hold the foreign distribution rights to various big Hollywood films. Investors were seduced by fake contracts with Netflix and HBO — documents that were later ruled phonies because they didn’t include a single notification of coming subscription hikes. (Prime Video)

    Mr. Scorsese — Fellow filmmaker Rebecca Miller salutes the great Martin Scorsese with a five-part documentary that chronicles the great man’s life and work. Follow his entire creative evolution, from his early days as a student filmmaker at NYU to his later years as Kevin Feige’s No. 1 troll. Cinema! (Apple TV)

    The Perfect Neighbor — Bodycam footage is used almost exclusively to document the racial tensions that culminated in a 2023 shooting in Ocala. Or you could just plug your Nextdoor feed into Google Photos and hit “animate.” (Netflix)

    She Walks in Darkness — A Spanish secret agent risks her life to spend years undercover with the terrorist group known as ETA. But how dangerous can they be if they’re never totally sure when they’re going to get anywhere? (Netflix)

    The Thaw Season 3 — The six-episode third season of the Polish crime drama has widowed detective Katarzyna Zawieja (Katarzyna Wajda) investigating a drug ring run entirely by teenagers. Well, it’s a better return than they used to get from delivering Gritski, Poland’s family newspaper. (HBO Max)

    Turn of the Tide Season 2 — Eduardo returns to his Azores neighborhood three months after the events of Season 1, to find the local drug trade controlled by a new and intimidating enemy. Careful, Eduardo! Those Polish teenagers will f*** you up! (Netflix)

    Turn of the Tide: The Surreal Story of Rabo de Peixe — Learn the true story behind today’s returning crime drama in an accompanying documentary that shows how a humble fisherman’s life was turned upside down by the washing ashore of a massive shipment of cocaine. For one thing, he sure could gut those fish faster! (Netflix)

    The Twits — This animated adaptation of Roald Dahl’s book about “the meanest, smelliest, nastiest people in the world” features new songs by David Byrne. “No comment,” say Tina Weymouth, Chris Frantz and Jerry Harrison. (Netflix)

    Premieres Sunday:

    Fangoria Chainsaw Awards — Presenters in the 27th annual tribute to the best in horror cinema will include Ryan Coogler and GWAR. Expect the state of the art in bloody decapitations. And I’m sure GWAR have something fun planned as well. (Shudder)

    Premieres Tuesday:

    Who Killed the Montreal Expos? — Two decades later, Canada is still wondering how it lost its first MLB team to Washington, D.C. Which only goes to show that country is ahead of us in everything, because America is currently wondering how it lost everything to Washington, D.C. (Netflix)


    Orlando’s daily dose of what matters. Subscribe to The Daily Weekly.


    Plus everything else debuting on Netflix, HBO Max, Peacock and the rest

    Plus everything else debuting this week on Prime Video, Shudder, AMC+ and the rest

    Plus: Jessica Chastain in ‘The Savant,’ Brett Goldstein in ‘All of You’ and everything else premiering on streaming



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  • Simu Liu & Melissa Barrera Star in The Copenhagen Test Teaser Trailer

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    Peacock released the first teaser trailer for The Copenhagen Test during the show’s New York Comic Con panel, revealing the first look at the upcoming espionage thriller series starring Simu Liu and Melissa Barrera. It will premiere on December 27, 2025, only on Peacock.

    “This espionage thriller series follows first-generation Chinese-American intelligence analyst Alexander Hale (Simu Liu), who realizes his brain has been hacked, giving the perpetrators access to everything he sees and hears,” reads the show’s official synopsis. “Caught between his shadowy agency and the unknown hackers, he must maintain a performance 24/7 to flush out who’s responsible and prove where his allegiance lies.”

    Check out The Copenhagen Test teaser trailer below (watch other trailers):

    What happens in The Copenhagen Test teaser trailer?

    The trailer details the story of Alexander Hale (Liu), an intelligence analyst who doesn’t know whom he can trust anymore. The trailer doesn’t show off too much, but it does tease some fight scenes involving both Liu and Barrera, as well as a possible romantic connection between the two.

    The Copenhagen Test was created by co-showrunner and writer Thomas Brandon (Legacies). Jennifer Yale (See, Outlander) also serves as co-showrunner and writer on the project. Alongside Liu and Barrera, series regulars on The Copenhagen Test include Sinclair Daniel, Brian D’Arcy James, Mark O’Brien, and Kathleen Chalfant.

    Liu, Brandon, and Yale serve as executive producers on the show, alongside James Wan and Rob Hackett for Atomic Monster, and Mark Winemaker and Jet Wilkinson, the latter of whom also directs the first two episodes of the show.

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  • Peacock Schedule September 22-28, 2025: New TV Shows & Movies Being Added

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    Peacock’s new TV and movie releases for September 22-28, 2025, include Brilliant Minds Season 2, Law & Order Season 25, and M3GAN 2.0.

    Brilliant Minds Season 2 comes to Peacock on September 23, 2025, one day after its NBC premiere. This medical drama stars Zachary Quinto as Dr. Oliver Wolf, an eccentric yet gifted neurologist suffering from face blindness. Wolf, whose unique condition gives him special insight into his patients, solves various complex cases with the help of several young interns. Supporting cast members include Tamberla Perry, Ashleigh LaThrop, Alex MacNicoll, and Aury Krebs, among others.

    Law & Order returns with a new batch of cases via Season 25, which premieres on September 26. Reid Scott, Maura Tierney, Tony Goldwyn, Hugh Dancy, and Odelya Halevi will star in the upcoming season.

    Also dropping on September 26 is M3GAN 2.0, the sequel to 2022’s hit sci-fi horror M3GAN. In the film, the technology serving as the basis for the eponymous protagonist’s operation is stolen by a powerful defense contracting company, who use it to create a military-grade weapon, Amelia. As a result, Gemma, M3GAN’s creator, who shut her down in the previous film, resurrects her to take down Amelia.

    Also releasing on Peacock this week is Knock at the Cabin. This gripping apocalyptic psychological horror from M. Night Shyamalan follows a young girl and her two fathers, held hostage at their own home by four mysterious strangers. The strangers demand that the trio make a difficult choice to avert a looming apocalypse.

    New Peacock releases for September 22-28, 2025

    Peacock is adding the following movies and TV shows from September 22-28, 2025.

    Monday, September 22, 2025

    • Jenna & Friends, Season 2 – Premiere (NBC) 

    Tuesday, September 23, 2025

    • Brilliant Minds, Season 2 – Premiere (NBC) 
    • Late Night with Seth Meyers, Season 13 – Premiere (NBC) 
    • The Tonight Show Starring Jimmy Fallon, Season 13 – Premiere (NBC) 
    • The Voice, Season 28 – Premiere (NBC) 

    Wednesday, September 24, 2025

    Thursday, September 25, 2025

    • America’s Got Talent, Season 20 – Finale (NBC) 

    Friday, September 26, 2025

    • Law & Order, Season 25 – Premiere (NBC) 
    • Law & Order: SVU, Season 27 – Premiere (NBC) 
    • The Real Housewives of Miami After Show, Season 1 – Finale (Bravo Digital) 
    • M3GAN 2.0

    For more Peacock content, learn when Downton Abbey 3 could be coming to the streamer and other digital platforms. Also, here’s how much Timothee Chalamet will be paid for his upcoming heist movie.

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  • What to watch: Robin Wright ups the crazy in ‘The Girlfriend’; Brazil and France get ‘Love Island’ franchises

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    “The Girlfriend” premieres on Prime Video Wednesday Credit: Christopher Raphael/Courtesy of Amazon Studios

    Premieres Wednesday:

    AKA Charlie Sheen — Now that Bookie has been canceled, Mr. Winning has to fall back on a docuseries that chronicles his amazing career and extensively reported personal troubles. Listen, Charlie, we’ve moved on. Unless you’re planning on hang-gliding into the Taylor/Travis wedding, we’re just not interested anymore. (Netflix) 

    The Dead Girls — Learn the shocking story of Mexico’s Baladro Sisters, whose day job running a successful bordello was a front for their nefarious activities as serial killers. Ah, Mexico: where running a cathouse qualifies as a respectable cover. (Netflix) 

    The Girlfriend — The potential for psychodrama is off the charts when an upscale mom (Robin Wright) meets her son’s new squeeze (Olivia Cooke) and decides the girl might not be on the up-and-up. Yeah, that’s what they thought about Michelle Carter, but what a catch she turned out to be. (Prime Video) 

    Love Is Blind Brazil — Season 5 features contestants who are all over 50 years old. Even more amazing, none of them is in prison for trying to overturn a free and fair election. (Netflix) 

    Love Is Blind France — Meanwhile, the land of baguettes and ennui becomes the 11th territory to get its own Love Is Blind franchise. Like the flagship American version, it’s hosted by a real-life celebrity couple — in this case, judo champion Teddy Riner and his wife, Luthna Plocus, a … a … well, someone who appears to be Teddy Riner’s wife. Gotta love that European progressivism! (Netflix) 

    Tempest — The safety of the Korean peninsula depends upon an alliance between a South Korean diplomat and a special agent of indeterminate national origin. Given that the character’s name is Baek San-ho and he’s portrayed by Gang Dong-won, I think we can rule out Dutch. (Hulu) 

    Carla Sehn as Amanda in “Diary of a Ditched Girl” Credit: Carolina Romare/Courtesy of Netflix

    Premieres Thursday:

    Diary of a Ditched Girl — Can a Swedish woman finally find true romance, despite having been dumped by half the population of Malmö? I know that sounds bad, but you need to understand that Malmö is only the third-largest city in that country. Heck, they don’t even have room to house everybody in Ghost. (Netflix) 

    Dylan’s Playtime Adventures Season 1C — New installments further the stripy animated dog’s habit of pursuing a new career in every episode. Just remember you let your kids grow up on this when you one day want to lambaste them for their lack of focus. (HBO Max) 

    Kontrabida Academy — A Filipina restaurant worker embarks on a journey of self-actualization when she receives lessons in assertiveness from some of TV’s top villains. See, I knew Jim Cramer could find a good side hustle if he really applied himself. (Netflix) 

    Tyler Perry’s Beauty in Black — As Season 2 commences, former stripper Kimmie has assumed control of Bellarie Cosmetics — which is going to require a lot of adjustment on the part of the Bellarie family, who naturally assumed they had dibs based on name alone. Honestly, that’s nothing compared to the catfight Bob and Frisch are having over Big Boy. (Netflix) 

    Wolf King — Season 2 is the swan song for Drew, whose responsibilities as the last king of the werewolves include picking a suitable queen. I’d say the hardest part is getting the friendship bracelet to her before the show, but it would just look like I have Tay-Tay on the brain. (Netflix) 

    Premieres Friday:

    Beauty and the Bester — Explore the twisted relationship between South African rapist-murderer Thabo Bester and celebrity doctor Nandipha Magudumana, who’s accused of helping him escape from prison. Gosh, so much romance this week. And to think Half-Valentine’s Day was last month. (Netflix) 

    Maledictions — An Argentinian politician is determined to find his missing daughter, even if it means exposing some dark secrets that could end his career. And if that doesn’t impress you, Ted Cruz’s kids are lucky he even tells them when he’s going on vacation. (Netflix) 

    Ratu Ratu Queens: The Series — Four Indonesian women make a new life for themselves as New Yorkers in a series that’s a prequel to the 2021 film Ali & Ratu Ratu Queens. What do you mean you don’t remember it? Girl, you’re such a Chinta! (Netflix) 

    The Wrong Paris — Miranda Cosgrove plays a contestant on a dating show who thought she was being sent to Paris, France, but ended up in Paris, Texas, instead. As a consolation prize, she may get swept off her feet by a charismatic cowboy anyway. Silly Miranda! That isn’t a cowboy. That’s Wim Wenders! (Netflix) 

    You and Everything Else — Female bonding is the leitmotif of a K-drama that charts the ups and downs of a best friendship over the decades. The final challenge is when one of the women has to be present for the other on her deathbed. That’s commitment all right, but it has its perks if you’ve had your eyes on a silverware setting. (Netflix) 

    Premieres Saturday:

    Canelo Álvarez vs. Terence Crawford — This battle for the super middleweight belt pits reigning champion Alvarez against the upwardly mobile Crawford, a former welterweight who put on enough pounds last year to land himself in an entirely new classification. Wow, you too, huh? (Netflix) 

    Premieres Monday:

    Futurama — Unlike seasons 11 and 12, which followed a release schedule of one episode per week, Season 13 of Matt Groening’s beloved 31st-century comedy is dumping all of its content at once, in one fell swoop. Sounds like somebody’s heard something about the future we’d rather not know about. (Hulu) 

    Premieres Tuesday:

    Love Island Games — Season 2 sees Maya Jama being replaced as host by Ariana Madix, who’s now doing double duty as the presenting face of Love Island USA. Next up: a Kennedy Center honor! (Peacock) 

    Rebel Royals: An Unlikely Love Story — And to wrap up a week of upside-down courtships, here’s a juicy inquest into the controversial marriage of Norwegian princess Märtha Louise and African American shaman/con artist Durek Verrett — who, among his other questionable statements, has claimed he can rid women’s vaginas of evil spirits. Seriously, and Meghan Markle thinks we want to watch her bake bread.  (Netflix) 


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  • Walmart+ Membership Now Gives Choice of Peacock Or Paramount+ – Doctor Of Credit

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    For a while, Walmart+ members have been enjoying a free Paramount+ subscription. Walmart announced that beginning on 9/15/25, members will be able to choose between the ad-supported plans of Peacock and Paramount+ at no additional cost.

    This is a cool benefit of Walmart+ and the flexibility to now choose Peacock gives it more value. 

    Hat tip to reader Mike

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    Chuck

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  • Walmart+ Now Lets You Choose Between Free Peacock and Paramount+

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    Walmart+ Adds Peacock as Free Streaming Option

    Walmart+ Adds Peacock as Free Streaming Option

    Walmart+ has announced an improvement to the entertainment experience by introducing Peacock as an option besides longtime partner Paramount+.

    Beginning on Sept. 15, Walmart+ members will be able to choose between the ad-supported plans of Peacock and Paramount+ at no additional cost.

    Since its launch in 2020 with three core benefits, Walmart+ has rapidly expanded, offering free same day delivery on grocery and Rx, free shipping with no order minimum, gas discounts, and 5% unlimited cashback through the newly announced OnePay CashRewards Credit Card.

    With this enhanced benefit, members can access an array of premium entertainment. They’ll have the freedom to choose between Paramount+ Essential, featuring a vast selection of championship sports, iconic franchises, popular movies and hit original series such as NCIS: Tony & Ziva (premiering Sept. 4), Star Trek: Strange New Worlds, Landman and Tulsa King, or Peacock Premium, known for live sports, blockbuster films, reality TV favorites, next-day access to NBC and Bravo programming, and Spanish language content such as the Telemundo Hub.

    To make the offering even more flexible, members can switch between the two services every 90 days.

    As a reminder, Walmart+ is complimentary for Amex Platinum cardholders. If you want both Peacock and Paramount+ for free, you can choose Paramount+ through Walmart+ and then use your Amex Platinum card’s entertainment credit for Peacock. But you can also get Peacock for free through Instacart+ which is a benefit on several Chase credit cards.

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    DDG

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  • 10 Horror Sequels to Watch on Peacock

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    Horror is a staple on nearly every streaming service, but what if you’ve seen all the important classics and are looking to venture a little further afield? One way to keep mainlining your favorite villains and settings is to dive into sequel territory. Not all horror sequels are created equal, but for every misguided cash grab, there’s a cult classic waiting to be rediscovered. Head to Peacock, home of next year’s Crystal Lake prequel series, to check out these 10 horror sequels.

    Halloween II

    We’ve had Halloween II on the brain thanks to the upcoming Strangers: Chapter 2, which imperils the Final Girl anew as she’s trying to recover from the first film’s horrific attack. That’s not unlike Laurie Strode’s ordeal in 1981’s Halloween II, which shows us what happens once she checks into Haddonfield’s local hospital—a facility with a horny staff and not many existing patients, where Michael Myers easily tracks down that troublesome babysitter and continues his stalking rampage. Watch on Peacock.

    Halloween III: Season of the Witch

    The only film in the Halloween series not to feature Michael Myers as the killer—he does get a blink-and-you’ll-miss-it cameo, though—Halloween III is a wonderfully bonkers tale involving a witchy plot to massacre scores of children using cursed Halloween masks powered by Stonehenge-adjacent witchcraft and activated by an irritatingly catchy commercial jingle. It also features one of the least likely horror-movie heroes ever, as well as one of the booziest. Watch on Peacock.

    The Exorcist III

    The first Exorcist is an influential masterpiece. The second Exorcist teeters between “so bad it’s good” and “no, seriously, what were they thinking?” But The Exorcist III, written and directed by Exorcist book author William Peter Blatty (and, as pop culture will have us believe, beloved by Jeffrey Dahmer), is a deeply distressing tale that both picks up the threads of William Friedkin’s original film and creates its own specific nightmare. It also has one of the greatest jump scares in cinematic history, so searing that even if you know it’s coming, you’ll still flinch. Watch on Peacock.

    Day of the Dead

    Make sure you click on the 1985 version from George A. Romero; Peacock also has the forgettable 2008 remake. Zombies are still roaming the earth in this third entry in Romero’s classic trilogy, but in this military-focused entry, you can definitely see why it’s time for humankind to consider bowing out. Wonderful gore further elevates the story, as does the endearing undead dude Bub, an eternal fan favorite. Watch on Peacock.

    Terrifier 2 and 3

    The saga of Sienna the warrior angel versus the maniacal Art the Clown takes shape in Damien Leone’s second and third Terrifier movies, which back-to-back equal some four and a half hours of circus-tinged mayhem and cruel brutality. The kill scenes are always the main attraction, but part three in particular introduces some intriguing Art lore that Leone has said he’ll further explore in the upcoming fourth film. Watch on Peacock: Terrifier 2 and Terrifier 3.

    Son of Frankenstein

    Most horror fans have watched the classic Frankenstein and Bride of Frankenstein. But as we await Guillermo del Toro’s fresh take on Mary Shelley’s literary creation, why not watch the third film in that original series? Released in 1939, Son of Frankenstein stars Boris Karloff as the revived Monster, Bela Lugosi as the diabolical Ygor, and Basil Rathbone as Baron Wolf von Frankenstein. As the title suggests, he’s Henry Frankenstein’s son, and he ill-advisedly decides it’s his job to restore the family reputation. Watch on Peacock.

    Child’s Play 2

    Chucky may have been burned to a crisp at the end of 1988’s Child’s Play, but you can’t keep a killer doll down—especially one hellbent on claiming a human body by any means necessary. The sequel brings back kid actor Alex Vincent as Andy Barclay, giving him a tough foster sister (Christine Elise) and cementing one of horror’s best sibling duos. It also takes on the corporate jerks behind the Good Guy doll line, which gives the film reason to skewer big business and build to an inspired climax in a Chucky-filled toy factory. Watch on Peacock.

    Amityville II: The Possession

    There are now over 50 movies purporting to be part of the Amityville film series, including several parodies and in-name-only entries. But back in 1982, just a few years after The Amityville Horror “true story” book, Amityville II did its best to continue the success of the first film by offering a prequel of sorts to its events. While the famous haunting was later debunked as a hoax, there was a real-life tragedy behind the ghost story, and Amityville II digs into the family massacre—with the expected sensational supernatural twist, of course.  Watch on Peacock.

    Phantasm: Ravager

    The final Phantasm film was released in 2016 and reunited original stars A. Michael Baldwin (Mike Pearson), Reggie Bannister (Reggie), and Angus Scrimm (the Tall Man)—the latter sadly passing away before the film hit theaters. While the original Phantasm will always be the best entry, not to mention one of the purely weirdest horror movies ever made, this farewell entry offers a blend of “one last time” nostalgia as well as its own extremely freaky dream-world adventures. Watch on Peacock.

    Scream 4

    Wes Craven’s Scream 4 is sort of the odd man out of his Scream series. It was released in 2011, 11 years after Scream 3 and 11 years before the series’ revival with Scream in 2022. It follows Sidney Prescott, self-help author, as she returns to Woodsboro, where Ghostface launches a fresh series of attacks, with Sidney’s teenage cousin at the center. Scream 4 is not unaware of its odd place in the continuity, poking fun at excessive sequels with glimpses of the in-universe Stab series having reached parts six and seven—and it’s well worthy of rediscovery. Watch on Peacock.

    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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    Cheryl Eddy

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  • Pinky Cole Foundation hosts annual Community Giveback on Edgewood Ave.

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    The Pinky Cole Foundation hosted its annual “Community Giveback” event inside the flagship Slutty Vegan location on Edgewood Avenue on Friday, August 29, 2025. Photo by Donnell Suggs/The Atlanta Voice

    Pinky Cole, the founder, owner, and operator of the Slutty Vegan franchise, hugged one woman, then hugged another, and shook the hand of yet another. Cole stood in the dining room of the restaurant’s flagship store on Edgewood Avenue on Friday, Aug. 28, at the start of the annual Community Giveback event. Community members were given toiletries such as toilet paper, feminine hygiene products, canned goods, oatmeal, toothbrushes, and toothpaste.

    Real Housewives of Atlanta cast member Cynthia Bailey (rear, center) helped out at the annual “Community Giveback” event in Atlanta on Friday, August 29, 2025. Photo by Donnell Suggs/The Atlanta Voice

    Cole told The Atlanta Voice that the Pinky Cole Foundation enjoys giving back to the people who have supported her businesses over the years. 

    The community giveback event occurred tonight from 3-7 p.m. or until supplies lasted. Boxes full of supplies ready to be distributed. Cole has been engulfed in news pertaining to her business dealings recently, but on Friday afternoon, she was dealing with the people.

    “I just want to show the community all the ways I say thanks to them,” she said. “I want them to know that y’all show up for me and I’ll show up for y’all.” 

    Photo by Donnell Suggs/The Atlanta Voice

    Live music was being played by DJay Amazin inside the Edgewood Slutty Vegan location, which was still open for business at the start of the event. Camera crews were making their way around the location, filming an episode of The Real Housewives of Atlanta. One of the longtime cast members of the show, Cynthia Bailey,  could be seen helping out at a table, while a more recent addition to the cast, Kelli Ferrell, was at another table helping fill Slutty Vegan brown paper bags with giveaway goods. 

    Cole and her staff served hundreds of people. 

    “This is important because Slutty Vegan is rooted in the community,” Cole said. “The community always comes first.”

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    Donnell Suggs

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  • A Timeline of Chelley, Huda, and Olandria’s ‘Sisterhood’

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    The girls are fighting.
    Photo-Illustration: Vulture; Photos: Peacock

    Huda Mustafa, Chelley Bissainthe, and Olandria Carthen were the OG girls of Love Island USA. They entered the Villa as strangers and left as friends. Right? Right?! Unfortunately, this is Love Island and not Friendship Island. Throughout their time on season seven of Peacock’s dating show, the women called each other sisters even when they weren’t seeing eye to eye. They got through Huda’s breakup with Jeremiah Brown, but Casa Amor changed everything when Huda and Chelley became interested in Chris Seeley — who could be playing ball overseas right now. Outside of the Villa, fans on either side were picking apart their friendship. Chelley fans claimed Huda was playing the victim throughout the show, while members of the Huda HQ called Chelley a mean girl, claiming she, Cierra, and Olandria were bullying Huda, causing her to act out. The stan fighting quickly turned ugly; a fan posted a racist meme of Huda as the police officer who murdered George Floyd, with Olandria’s face pasted on Floyd’s. How did a show about making out make fans so hateful?

    At the reunion on August 25, the three women will have to address it all, watch the moments that had viewers starting fights online, and finally come to a consensus about what happened between Ace and Huda during the Heart Rate Challenge. Below, follow Huda, Chelley, and Olandria’s on their journey from sisters to frenemies to gossip-podcast guests.

    June 3, Episode One: Huda makes a bold entrance during their first challenge on the show; despite being paired up with Chelley, she kissed Ace. However, her attraction was not unrequited. Ace kisses Huda back in a later challenge, in addition to Chelley. (Olandria kisses ol’ boy too, but it doesn’t go anywhere.)

    June 4, Episode Two: Every man is open to recoupling with Cierra except Jeremiah. Huda is kind of living for the fact that her man stayed by her side. “Y’all deserve some real men,” she exclaims, pointing to Chelley and Olandria, who sit alone at the firepit. It’s clear neither woman is happy that their partner stood up. Girl, you don’t have to play that,” Olandria replies before telling her they’ll have a “nice little chat later.”

    June 5, Episode 3: Huda tearfully tells Chelley she thought Olandria’s comment was “rude,” and Chelley gives her a hug. They’re probably still jet-lagged after all, miscommunications happen among strangers. From Olandria’s point of view, she meant she would chitchat with the women about the boys’ behavior, not reprimand her. Olandria clears this up with her, and the sisters reconcile.

    June 6, Episode 4: Huda is visibly upset that new bombshell Amaya “Papaya” Espinal picks Jeremiah as her home run during a challenge, calling it the “dumbest shit she could’ve ever done.” Olandria reminds her it’s “just a game.” Again, it’s only the fourth episode. Huda panics to Chelley, and who comforts her as well, despite feeling a little annoyed as Jeremiah has made it clear he’s committed to Huda.

    June 9, Episode 7: Huda tells the others she’s discussed moving in with Jeremiah. Olandria is clear to the camera that she’s willing to “feed into” Huda’s “delusions” about Jeremiah, even if she normally wouldn’t with her friends outside the Villa. Which is arguably the most “true friend” thing you could do for another Islander. “If this is what my girl wants, I’m not finna be the sour apple of the bunch going ‘No girl you need to snap out of it,’” she tells the confessional. “At this point and time, she just needs support, and I can be that support system even if I don’t really support your decision.”

    June 15, Episode 12: Jeremiah picks Olandria to make out behind a door in a challenge. Huda can’t resist sneaking a peek, sees them kissing “for real, for real,” and pops off, beginning the end of her relationship with him.

    June 23, Episode 19:  Bye Jeremiah! The girls head to Casa Amor where Chris, a basketball player overseas, and Chelley hit it off.

    June 24, Episode 20: Olandria is dumped from Casa Amor. Huda cries like someone died.

    June 26, Episode 21: Chris charms Chelley with some flowers. JD, Huda’s current match, calls Huda “too dominant” during a challenge, giving her the ick. She out-alphas him and breaks it off.

    June 29, Episode 24: Back in the villa, Chelley is still trying to choose between Ace and Chris. However, the heart rate challenge quickly sobers her up, when Huda takes it “too far” dancing on him. Her twerking is called “so disrespectful.” As the professional (TikTok) dancer tries to get himself out of trouble, even his buddies Nic and Pepe refuse to back him up, both saying it “looked a little more than just a challenge.” Chelley herself found it hypocritical since Huda saw red when a new bombshell picked Jeremiah for a challenge.

    June 30, Episode 25: It’s not going to be so easy for them to make up. Chelley tables their conversation for another day. Adding syrup to the fire, Chris makes both women pancakes the next morning, but Chelley gets an extra pancake and a flower. Is it because he feels bad about what happened the night before? Or he’s still trying to charm Chelley? Either way, Huda can only focus on the differences between their meals. At the end of the day, it is Huda getting a sweet treat after all when she and Chris kiss in the speakeasy.

    July 1, Episode 26: Oh no, it gets worse! Huda and Chelley are still mad at each other and now it’s everyone’s problem, as evidenced by their “Standing on Business” callouts. They go back and forth, finally saying what they said to the other Islanders to each other’s faces. Then, Chelley accuses Huda of not being a girl’s girl, the biggest insult on the Island. Olandria backs it up by revealing to the firepit that Huda and Chris kissed.

    July 3, Episode 27: Hurricane Huda is now a party of one. Olandria apologizes for making Huda feel isolated during the challenge. Finally, Huda and Chelley talk it over and all three ultimately exit the show as friends.

    July 9: BuzzFeed posts a visual on Instagram showing what it would serve each Islander for breakfast if they were coupled up. For Chelley, BuzzFeed gave her a “knuckle sandwich.” BuzzFeed deletes the post and makes an attempt at an apology that gets deleted quickly. Team Chelley called the post “disturbing, disgusting, and unacceptable.” They continued, “It is the harsh reality that implicit biases can be rooted in anti-blackness, misogyny, prejudice, violence, etc.”

    July 11: Chelley, the first to be dumped, stands by the fact that “Lines were definitely crossed” during the Heart Rate Challenge, in an interview with Vulture, but says she and Huda are cool. “That’s something we were able to talk about and resolve and understand each other on,” she says.

    July 12: In a post-elimination video on Love Island socials, Huda tells Chelley she made her a better person.

    July 16: Huda feels like she was “bullied” a lot in the villa, she tells  Entertainment Tonight.

    July 16: Huda dives deeper into her love triangle with Chelley and Chris with Alex Cooper on Call Her Daddy. She explains again how she “brought back Chris” for both her and Chelley to explore their connection with him. So, why was there a miscommunication? “Beats me … Everybody kept talking about me, but no one was talking to me,” Huda explains. “No one gave a fuck about my opinion … I felt like I had no one.” She also addresses the rumor that she “sat on Ace’s face” during the Heart Rate Challenge: “My butt was on his stomach area and I was twerking. It was like two seconds too. No, I did not put my ass on Ace’s face!”

    July 17: Huda addresses her friendship with Olandria and Chelley in an interview with Blavity and criticizes her fans who are bullying them online, clarifying to everyone that she’s not “hating” on either woman. “I think that everyone is entitled to their own opinion, but I think there are lines that are crossed,” she said, subtly addressing the racism that the two faced in wake of their feud. “And I don’t condone hate. I don’t condone bullying. I don’t condone any of that. I think people’s safeties are at risk.”

    Huda goes on to defend herself against the Heart Rate Challenge allegations. “So I’m doing this in a challenge, and it’s a problem. People are like, ‘Oh, you were kissing him for a crazy amount of time,’” she says. “People were kissing my man for a crazy amount of time, and I’m cheering them on. I was doing things that I did in other challenges.”

    July 17: Chelley asks her supporters to “continue to spread love and not hate” as she acknowledges the racism she’s received from viewers of the show. “To the people who used their platforms not just to recap a show but to speak truthfully about the deeper realities Black women face, your words meant everything,” she writes. “You reminded the world that we are layered, emotional, complex, worthy, and real. Thank you for holding the line of truth with me and for me in times where hate seemed stronger than usual.”

    July 17: Olandria opens up about  how “difficult” it’s been dealing with racism and microaggressions since being on the show, escalating to hateful messages comparing her to police brutality victims. “I heard it was even a meme of me being George Floyd and Huda being an officer,” she tells Variety.“That’s a very touchy topic for the Black community. It’s disgusting, to say the least. I don’t understand how you take a love show and make such a comment like that. I was even getting death threats. My family was getting death threats. It shouldn’t be like that at all.”

    July 17: Chelley and Olandria both reportedly unfollow Huda on Instagram. Huda unfollows back.

    July 22: Chelley agrees with Keke Palmer’s assumption that Huda, in the moment, was performing for herself and not thinking about how Chelley might feel seeing her dance on Ace. “Chelley had every right to be upset; Huda agreed … She was very apologetic,” Olandria adds. Chelley clarifies that she is “cool” with Huda and reminds the audience that there are no real prizes for challenges. So they took care of those plastic dolls for nothing?

    August 13: Andy Cohen teases Huda, Olandria, and Chelley’s segment on the reunion while having Olandria on as a guest on Watch What Happens Live. He finds it “interesting” to see her reunion with Huda and Chelley and even calls the extended version of the “Heart Rate” challenge “dramatic” — this is coming from the guy who’s been hosting Housewives reunions for decades.

    August 13: BuzzFeed publishes an article titled “What It Means to Protect Black Communities at Work, Even When Your Own Company Messes Up Like We Did,” in which it issues another apology and includes reactions from other Black employees.

    August 21: Just a few days before the reunion airs, Chelley and Olandria aren’t letting the mean-girl allegations from a certain castmate get to them. “To see our fellow Islanders playing into that narrative was hard,” Olandria tells Teen Vogue. “It’s like, you knew us, why would you get out and let America, let social media get to your head? A lot of them played into that mean-girl, bully narrative. I’m like, ‘Okay, this is not fair.’” The women weren’t naïve to how they are perceived as Black women on a reality show, especially when they would criticize Huda. “How dare you guys say something like that to us, but not to everyone who was having that mean-girl energy or mean-girl moments? It goes back to the whole, you have to act a certain type of way [as a Black woman] because the moment you act ‘out of character’ you’re done,” Chelley says. “We just spoke our truth and held people accountable for their actions.”

    August 21: It’s not looking good for Huda. The reunion trailer shows just how hurt Olandria and Chelley have been by Huda’s bullying allegations. “It’s like I’m seeing two different people,” Chelley exclaims, while Olandria tearfully adds, “That shit hurt, bro.” It might be the end of their friendship, for real this time.

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    Alejandra Gularte

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  • Yvonne Strahovski Explains the Season Finale of Teacup & If There’ll Be a Season 2

    Yvonne Strahovski Explains the Season Finale of Teacup & If There’ll Be a Season 2

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    Teacup’s Ending Explained By Yvonne Strahovski

























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  • Peacock Needs More Hits. Could Halloween Horror Boost Its Catalog?

    Peacock Needs More Hits. Could Halloween Horror Boost Its Catalog?

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    When Peacock became the streaming hub for the Tokyo Olympics in 2021, it didn’t quite go to plan, with users complaining about limited viewing options and a glitchy interface. It was, to quote NBCUniversal Media Group chairman Mark Lazarus, a “big digital middle finger,” as well as a microcosm of Peacock’s early days: a streamer that had yet to find its footing. Fast-forward to the summer of 2024, and Peacock’s coverage of the Paris Olympics was a rousing success on multiple fronts. For one, you could watch any event on the platform in addition to Gold Zone, which was basically the Olympian equivalent of NFL RedZone. More importantly, Peacock’s viewership rose by one-third in July, the highest growth for any streaming service that month. By any measure, Peacock delivered on the big stage.

    But while the streamer mastered its Olympics coverage, it’s not the kind of thing that’ll necessarily keep subscribers around for the long haul. (Some shrewd users might pay for Peacock for the duration of the Olympics, cancel it, and repeat the cycle in four years’ time.) Instead, what’ll really give Peacock a foothold in the Streaming Wars is a consistent stream (pun unintended) of must-watch programming. Depending on what you’re looking for, Peacock already has something to offer. On the sports front, NFL fans have access to Sunday Night Football, while soccer obsessives like myself get their Premier League fix on the platform. (Soon, Peacock will add NBA coverage to its sports catalog, which, unfortunately, comes at the expense of Inside the NBA, a show so sacred it should be protected in the Constitution.) There’s also plenty of reality TV to savor, from the Bravoverse to buzzy originals like The Traitors. But there’s one area where Peacock continues to flounder: scripted series.

    With the notable exception of Poker Face, the Peabody- and Emmy-nominated crime comedy from Rian Johnson, Peacock hasn’t created many scripted dramas capable of cutting through the noise. Some of its prestige efforts have simply been bad (Apples Never Fall), premiered at a time when subscribers’ attention was pulled elsewhere (Those About to Die coincided with the Paris Olympics), or, worse yet, were pretty good but never found a sizable audience (The Resort). It’s harder than ever for original shows to command attention when they aren’t available on Netflix or attached to big-name IP, so this isn’t a Peacock-specific problem. Still, it doesn’t bode well for future series, however good, if their popularity on the service feels so capped.

    Could capitalizing on spooky season change things for the better? From classic Universal monster movies—and their modern remakes—to Blumhouse hits like Get Out and M3GAN, NBCUniversal has long been a reliable home for horror. (Not to mention, there are enough horror fanatics out there to support a niche streamer catering to their interests, so demand for this stuff exists.) If the majority of Peacock’s prestige swings aren’t connecting with audiences, perhaps genre projects can move the needle.

    In the past two weeks, Peacock has put that theory to the test by premiering two high-profile horror series, Teacup and Hysteria!, which scratch a different itch within the genre. In the James Wan–produced Teacup, a ranch in rural Georgia becomes enveloped in a mysterious, invisible force field that traps its unlucky inhabitants, who soon realize they aren’t alone in the woods. No less an authority than Stephen King has praised Teacup as “all killer, no filler.” Meanwhile, Hysteria! takes place in small-town Michigan at the height of the ’80s satanic panic, as a high school heavy metal band exploits the cultural moment to rebrand and gain more followers—even if it puts a target on their back. (The series also boasts an ’80s horror icon in The Evil Dead’s Bruce Campbell, who plays the town’s police chief investigating a teenage boy’s disappearance.)

    Between the two shows, Teacup is the one that holds plenty of promise. The mystery-box component of having characters trapped by sinister forces is a compelling hook, but the key to Teacup’s longevity is whether the biggest questions surrounding the series will deliver satisfying answers. Without giving too much away, I actually think Teacup would generate more buzz if audiences knew more about what iconic horror properties the show was aping and how they fit into the larger story, which is largely absent from the marketing. Long story short: If the idea of John Carpenter’s The Thing taking place on a rural farm sounds intriguing, Teacup is well worth a watch. (As one would expect given the Carpenter comp, Teacup boasts some gnarly body horror for all you sickos out there.)

    Of course, The Thing is a tantalizing premise for single-location horror, but that makes it a better fit for a feature film rather than an eight-episode season of television. Teacup also has plenty of room for improvement, namely that its setup is far more interesting than any of the one-dimensional characters, who are mostly elevated by a talented ensemble that includes Yvonne Strahovski, Chaske Spencer, Scott Speedman, and Rob Morgan. The good news is that, should Teacup be renewed, its second season promises to have much bigger aspirations—expanding its scope to something more in the vein of Invasion of the Body Snatchers. But a series like Teacup needs an engaged audience to go along for the ride; a mystery box might not have a future if nobody wants to unpack it in the first place.

    Whereas Teacup’s biggest problem is that the show’s most marketable elements are withheld from viewers, Hysteria! fully embraces its similarities to the pop culture properties that inspired it. With an emphasis on punk teens and how a community views them while satanic panic is in the air, Hysteria! feels like Stranger Things’ Eddie Munson subplot stretched out to the length of a series, especially when it’s implied there’s a demonic presence making its way into the town. (That said, the sinister vibes are less Upside Down and more upside-down crosses.)

    Unfortunately, Hysteria! can’t quite decide what type of show it wants to be; story lines alternate between teens forming a satanic cult as a marketing stunt for their heavy metal band (fun!), a religious zealot dialing up paranoia among the locals (one-note and tiresome), and a mother (played by Julie Bowen) who fears something evil has rooted itself in her home (underdeveloped). For a horror series, Hysteria! also commits the cardinal sin of never being all that scary, even when characters are supposedly possessed or buried alive in a satanic ritual. It’s all a bit too unfocused—mildly creepy in one scene, mildly amusing in the next, always unsure of itself. As a result, Hysteria! is resigned to a fate that’s arguably worse than simply being bad: It’s forgettable.

    Forgettable isn’t what Peacock needs out of an original series, especially when almost every streamer on the market can boast some brand-defining hits. For some subscribers, Peacock is already filling a need, whether it’s through an impressive collection of reality TV or live sports offerings unique to its platform. (As long as NBCUniversal holds the rights to the Premier League, I’ll remain a loyal user.) But if Peacock is going to maintain a steady level of interest amid so many options, it can’t just rely on special events like the Olympics that come and go in a flash. Peacock is still making some headway in the Streaming Wars, but when it comes to scripted series, the service could stand to ruffle more feathers.

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    Miles Surrey

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  • Hysteria! Interview: Peacock’s Satanic Panic Pop-Horror Series

    Hysteria! Interview: Peacock’s Satanic Panic Pop-Horror Series

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    Satanic Panic is having a resurgence in pop culture (see: Eddie Munson in Stranger Things), but did it ever really leave? You can certainly feel its lingering effects whenever social media is weaponized to spread misinformation. Hysteria! creator Matthew Scott Kane aimed to infuse that spirit into his new Peacock series; it’s set in a small Michigan town circa 1989, as heavy metal-loving high school kids clash with their conservative parents. There’s also a supernatural mystery afoot, to the consternation of the local sheriff played by cult movie legend Bruce Campbell.

    Ahead of Hysteria!‘s arrival just in time for a spooky-season binge, io9 talked to Kane and his fellow writer and executive producer David A. Goodwin to learn more about the show’s origins, intentions, riff-tastic soundtrack, and more.

    Cheryl Eddy, io9: Satanic Panic “nostalgia” has popped up in recent years—it was a prominent theme on Stranger Things, and there was a documentary on its origins that came out last year, Satan Wants You. How does Hysteria! approach Satanic Panic in a way that brings something new to the conversation?

    Matthew Scott Kane: I can’t speak to the documentary that came out … I tried to avoid all Satanic Panic-related media for the last year or so just to stay focused on the one I have in front of me. But I think really what we’re doing is we’re trying to make connections between then and now. When I first wrote this script back in 2019, there were a lot of anxieties on my mind that I think a lot of other people were feeling as well. Unfortunately, I think they’re still feeling them today, which is that there are a lot of ways right now for the truth to get mangled and disseminated, and for that dissemination to completely change a lot of people’s view of reality and what the world is around them. 

    So I wanted to kind of take that outlook and perspective of what’s going on right now and in the last several years and apply it back to the Satanic Panic, when I felt like something very similar was happening. This is a time where some people genuinely believed that the Smurfs and He-Man and all sorts of cartoon characters were trying to lure your kids into some kind of secret Satanic underground. We did it this way because it’s a lot more fun to go back and look at this period and talk about heavy metal and John Hughes movies and Video Nasties and all that sort of stuff. But that to me is where I think we stand out from other stuff. 

    David A. Goodman: I think that the core of the show—I came to the show after Matt had written the pilot, and what I really connected to and I think [how] it connects to Satanic Panic is this universality of a parent’s fear of what their kid is up to. Is my teenager going out into the night and getting into trouble? And the answer is yes. The fear of those parents, and how it manifests, ends up being something that’s not just [happening] during the Satanic Panic. Every generation goes through some version of this. And the Satanic Panic—there’s a bit of nostalgia for the ‘80s, the pre-internet age and pre-cell phones, and yet the world was changing. It ends up being a great way to experience that, and also add this level of horror and crime procedural and comedy.

    © Peacock

    io9: You mentioned heavy metal. Hysteria! was clearly made by people with a love of metal. What are your backgrounds in that department? Also, did you set out with a list of songs you knew you wanted to include on the soundtrack?

    Kane: To answer your first question, what my background is with metal is being gifted a lot of ‘80s metal albums for Christmas over the course of my childhood. Iron Maiden and Metallica and all that kind of stuff was definitely something that was just sort of given to me from my dad and my brother as well—he was two years older than me, so he was always the one that was two steps ahead of me. I was in a band in high school, but it would be an embarrassment to call us metal. We weren’t even close. 

    Getting to the music for the show, we had an incredible music supervisor named Jen Malone, who did the songs for Wednesday as well as Euphoria, as well as a number of other huge things. And a lot of what you hear on the show, I’d say about 75% of the songs were in the script … the idea was “We want to set this scene to this song for a reason.” And then the other 25% was a collaboration of, “We’re not sure what this moment needs.” Jen has a much deeper wealth of knowledge than either David or myself in terms of the music side of it. She could come in and give us buckets and buckets of great options for things that we never would have found. 

    Goodman: I have no background in metal. I had never listened to it before starting to work on this show, although I was surprised to discover that I did like some metal songs. I didn’t even know that they were called metal. Matt gave me a real primer on what I needed to listen to, and I’ve grown to love it. It has so much depth. I think that’s the other piece of it that gets dismissed so easily as superficial and nasty and dangerous. There’s so much depth to the music, to the lyrics of these great bands who do this music. This has been an enormously expansive creative experience for me as I’ve been exposed to something that I had dismissed. So that’s been my experience on the show.

    Hysteria Bruce
    © Peacock

    io9: Bruce Campbell plays a character that feels both totally suited to him, but also different than anything we’ve seen him do before—the level-headed town sheriff trying to roll with all the crazy stuff going on around him. How much of the role was tailored to Bruce once he came aboard? And is he the reason the show is set in Michigan? 

    Kane: He’s not the reason the show is set in Michigan, but him being from Michigan helps the connection. So much of the crew and myself, I grew up in Southeast Michigan. I looked up to Bruce and Sam Raimi my entire high school career, and Bruce was sent the pilot script while we were casting. We had written the first four episodes or so, and we sent him the pilot script and he responded really well to it and signed on board. But then very, very quickly after Bruce signed on the writers’ strike hit, so we didn’t know how this role was going to fit Bruce. But miraculously—or it shouldn’t be miraculously, he’s an amazing actor—he came in and he hit it out of the park in the first four episodes. And then after that, it was really fun to write for Bruce Campbell now that we knew who we were writing for. It was a blast. He’s a legend for a reason. He came in and gave us a great performance. 

    Goodman: Both Matt and I are such huge fans of his. I didn’t even quite believe it when the news came in that he was going to be in the show. And [he was] just such a pleasure to work with, a pleasure to write for, and [he] created a part that has a lot of levels to it. Genre actors, they have to do two jobs. They have to create their characters and then make them believable in a world that bends reality. And that’s his resume. 

    Hysteria! arrives on Peacock October 18.

    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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    Cheryl Eddy

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  • Peacock’s New The Office Series Adds 4 New Cast Members

    Peacock’s New The Office Series Adds 4 New Cast Members

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    Peacock’s new The Office series has added four new cast members.

    In January 2024, it was announced that Greg Daniels was developing a follow-up series to The Office. The series isn’t described as a reboot or spin-off; rather, it’s a mockumentary show with a brand-new cast that is set within the same universe.

    The series is rumored to be titled The Paper, though this has not been officially confirmed at this time.

    Per Variety, Gbemisola Ikumelo (Black Ops, A League Of Their Own), Alex Edelman (Unfrosted), Tim Key (The End of the F***ing World), and Eric Rahill (Friendship) have all joined the cast as undisclosed characters. Ikumelo, Edelman, and Rahill will additionally serve as writers on the series.

    The series’ cast also includes Domhnall Gleeson, Sabrina Impacciatore, Melvin Gregg, Chelsea Frei, and Ramona Young.

    What else do we know about Peacock’s new The Office series?

    “The documentary crew that immortalized Dunder Mifflin’s Scranton branch is in search of a new subject when they discover a dying historic Midwestern newspaper and the publisher trying to revive it with volunteer reporters,” the synopsis reads.

    Daniels co-create the new series alongside Michael Koman. They also both serve as executive producers along with Ricky Gervais and Stephan Merchant, both of whom created the original British version of The Office. Howard Klein, Ben Silverman, and Banijay Americas also serve as executive producers. It is a production by Universal Television.

    “It’s been more than ten years since the final episode of The Office aired on NBC, and the acclaimed comedy series continues to gain popularity and build new generations of fans on Peacock,” NBCUniversal Entertainment president Lisa Katz previously said in a statement. “In partnership with Universal Television and led by the creative team of Greg Daniels and Michael Koman, this new series set in the universe of Dunder Mifflin introduces a new cast of characters in a fresh setting ripe for comedic storytelling: a daily newspaper.”

    A premiere date for the new Office series has not yet been announced.

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    Brandon Schreur

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