Hosted at the historic Chateau Marmont, the opulent cocktail party unfolded across the hotel’s cozy living room and lavish outdoor terrace, where about 180 guests from the network sipped on cocktails and nibbled on lobster rolls, wagyu sliders and fries. The Bear’sEbon Moss-Bachrach was the first guest to arrive with his wife, photographer Yelena Yemchuk. Last year, Moss-Bachrach won his second consecutive Emmy for best supporting actor in a comedy series for playing Richie, an abrasive friend of Carmy (Jeremy Allen White) who finds redemption after a period of personal loss and struggle. His winning streak at the Emmys may not have come to an end yet: Moss-Bachrach is nominated once again in the same category at Sunday’s ceremony, and is a top contender to win a third time.
“I never really dreamed or thought about winning awards. I was just trying to get jobs to pay my bills,” said Moss-Bachrach while taking a quick breather from mingling. “I feel very gratified that something I care so deeply about has been accepted and lauded by my community and the world. It feels really great. I know I’m lucky.”
Carmen Christopher, Enrico Colantoni, Brian Jordan Alvarez, Stephanie Koenig, and Sean Patton.
Photograph by Nick Riley Bentham.
Moss-Bachrach set the party’s lively tone, making the rounds and socializing with nearly everyone. He caught up with his Bear costars Abby Elliott, Lionel Boyce, Edwin Lee Gibson, Matty Matheson, and Molly Gordon, as well as his Brooklyn neighbors Keri Russell and Matthew Rhys (who famously fell in love while starring on FX’s The Americans). At one point, Moss-Bachrach even exchanged phone numbers with Jenny Slate, a nominee for her work in Dying For Sex. Later in the evening, he connected with Michael Chiklis, the 2002 best actor Emmy winner for the FX police drama series The Shield. The two laughed as a guest noted that had played The Thing in different versions of the Fantastic Four franchise.
The Academy Museum Gala’s homage to three Hollywood icons brought the best of cinema and fashion to the red carpet in Los Angeles on Saturday night. Now in its fourth year, the fundraiser–co-chaired in part by Salma Hayek Pinault, Nicole Kidman, Eva Longoria, and Tyler Perry–raised over $11 million for the Academy Museum of Motion Pictures to support its filmmaking exhibitions and local community initiatives.
Honoring Rita Moreno, Paul Mescal, and Quentin Tarantino for their contributions to film, the gala’s highly coveted guestlist included Amy Adams, Kylie Jenner and Netflix chief Ted Sarandos.
Longoria kicked off the evening’s programming, introducing Director and President of the Academy Museum, Amy Homma, who welcomed the guests and introduced the first presenter of the night, three-time Oscar-winning director Steven Spielberg who presented the Icon Award to EGOT legend Moreno.
After the dinner service, Colman Domingo returned guests to their seats by introducing the next presenter, four-time Oscar-nominee Saoirse Ronan, who presented friend and recent co-star, Oscar-nominated actor Mescal with the Vantage Award.
The Luminary Award was presented to Tarentino by Pulp Fiction star John Travolta. During his acceptance speech, Tarantino announced the donation of his first handwritten draft of the script, which won an Oscar in 1995 for best original screenplay, to the museum.
Before the night was over, Ariana Grande closed out the evening with a heartfelt introduction to co-star Cynthia Erivo, who treated guests to a surprise musical performance, singing “I’m Here” from The Color Purple, Diana Ross’s “Home” from The Wiz (1978)” “Somewhere Over The Rainbow” from The Wizard of Oz (1939), and Prince’s “Purple Rain.” After every song, Grande stood up to cheer her fellow co-star in the upcoming Wicked musical.
There were so many stars and notable guests, it was a challenge to keep anyone in their seats. From Pamela Anderson to Demi Moore to the cast of Emilia Pérez, everyone mingled between tables to catch up after a busy fall festival season. At the end of the night, guests made their way downstairs to their cars and limos, excited to be a part of a night that celebrates cinema. The gala was presented in partnership with Rolex.
Luke Castellan is cruising for a bruising in Percy Jackson and the Olympians season 2. The upcoming season, which is about a week into production, will premiere on Disney+ in 2025. At D23 Expo, the cast and crew teased what could be coming. “I think we’re just to the point of getting over how tall everyone has gotten,” EP Craig Silverstein said. Based on book 2 of Rick Riordan’s series, The Sea of Monsters, this new saga will introduce Percy’s half brother, Tyson. “I’m looking forward to my two beautiful sons meeting each other, said Toby Stephens, who plays Aquadaddy Poseidon. Daniel Diemer, the actor playing Tyson in the show, took the stage and hugged his bro Walker Scobell. Diemer said he was a “huge fan” of the books. “Like ‘waiting for the books to be written’ fan.” Diemer is slightly older than the rest of his castmates, which means he probably has more vivid memories (nightmares?) of the Logan Lerman movies.
Still unknown: how the show will handle the death of Lance Reddick, who played Zeus. In February, the showrunners said they were still “in a little bit of denial” about having to recast or change the story. “He was a such an exceptional colleague and friend,” executive producer Dan Shotz said. “We miss him terribly. Every time I get to see him on screen it just makes me feel so proud that he was a part of this, and it meant so much to him to be a part of this.”
As they’re getting ready for the final match in Challengers, Zendaya’s Tashi Donaldson questions asks her husband, Art Donaldson (Mike Faist), if he wants to just be rich or if he actually wants to be a tennis champion. Mid-argument, their young daughter Lily cuts the tension by asking if she could watch … Spider-Man: Into the Spider-verse instead of more tennis. At the Los Angeles premiere, Zendaya gave a little insight on how the reference made it into the final cut; after all, she is one of the film’s producers. “What’s funny is that I think it might have been something else, but that’s what we could get cleared,” she said with a wink. “It’s a fun little callout.” The “callout” is, of course, referring to her role as MJ in MCU’s Spider-Man alongside her real-life boyfriend, Tom Holland. While she doesn’t appear in the animated Spider-Verse films yet, she and Mr. Spidey both have expressed interest in joining the next movie. For now, it’s just a fun little Easter egg that is sure to get a couple chuckles, even if a proper Spider-Man: Homecoming mention didn’t make it into the final cut.
Fresh off of winning three Golden Globes, the cast and creators of The Bear were front and center at the annual FX and Vanity Fair Emmy party. The event, held Saturday night, celebrated the network’s nominees and acclaimed shows ahead of Monday’s 75th annual Primetime Emmy Awards ceremony—a show that was originally scheduled for last fall, but postponed due to the actors and writers strikes. The Bear is heading to television’s biggest night with 13 nominations, including outstanding comedy series, writing, directing, and numerous acting nods for its first season.
Jeremy Allen White arrived at the celebration, held at the historic Sunset Tower Hotel in West Hollywood, with his mother, Eloise, a former theater actor. “It’s really nice and it’s the best” to share all of his success with his mom, White said. She traveled from New York to LA to be with her son for his very first Emmys.
“My folks were both actors when they were young. I’ve been at this for a long time, since I was 14 years old, and they have always supported me,” he continued. “That’s a crazy thing, to support your kid when he’s 14 and says ‘I want to be an actor.’ But, they’ve supported me ever since, and it feels really special to have her here tonight and go through all of this with me.”
White is the favorite to win the Emmy for lead actor in a comedy series. As Carmen “Carmy” Berzatto, a Michelin-starred chef forced to return home following the unexpected death of his brother, White delivers an intense portrayal of grief, family trauma, and the extreme challenges of running a restaurant.
“I’m so lucky to play Carmy. He’s a character that I admire. I admire his focus, his work ethic, his determination,” said White, who collected his second Golden Globe for best comedy actor last week. “Those are all things I feel like I can have more space for in my own life.”
Newly minted Golden Globe winner Ayo Edebiri made a grand entrance at the cocktail party dressed in a chic, voluminous pink gown. Immediately upon her arrival, she was greeted by Bob Odenkirk, who guest starred as Uncle Lee in the explosive Christmas episode that was featured in the second season of The Bear. Odenkirk, nominated for lead actor in a drama series for Better Call Saul, wished Edebiri good luck. She’s set to attend her first Emmy ceremony, competing in the supporting actress in a comedy series category for her turn as sous chef Sydney Adamu.
“I’m just going to try my best to chill out. It’s all been a bit of a whirlwind, so I’m just going to try to chill as much as I can,” said Edebiri about her preparation for the Emmys on Monday. “For me, chilling out, I just do nothing—I just sort of sit. It’s the chill out vibe these days. Zone out and meditate.”
Edebiri is thrilled that her work on The Bear is being recognized. She enjoys playing a character that audiences can see themselves in—even if our families aren’t quite as dysfunctional or our workplaces are not as chaotic as those on the show. “She has a tricky and stressful time at work. It’s a very relatable feeling, and I think that’s why everybody can relate to her. We’ve all been in that situation. I have for sure,” said Edebiri. “I like that she’s complicated and she’s flawed. As an actor that’s just fun. You get to play in those spaces. No one wants to play anybody who’s perfect.”
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The majority of The Bear’s acclaimed ensemble cast, including Ebon Moss-Bachrach—nominated for supporting actor as Cousin Richie—Liza Colón-Zayas, Edwin Lee Gibson, Gillian Jacobs, Lionel Boyce, Oliver Platt—nominated for guest actor for playing Uncle Jimmy—Matty Matheson, Ricky Staffieri, and Abby Elliott, who earned a nomination at the Golden Globes for portraying Carmy’s sensible sister Natalie “Sugar” Berzatto, were spotted socializing at the soirée. “I really love the group of people that I’m with. They are unbelievably talented,” said Elliott. “You feel like you have to rise to the occasion when you’re with them because they set the bar so high.”
The boisterous party also attracted the FX network’s most buzzed-about stars, from Fargo’s Jon Hamm and Jeff Bridges, nominated for lead actor in a drama series for The Old Man, to TV veterans like Ed O’Neill—he stars in Clipped, the upcoming limited series about the downfall of Los Angeles Clippers owner Donald Sterling—and Danny DeVito from It’s Always Sunny in Philadelphia, one of the longest-running shows on television. Other guests in attendance included Jennifer Jason Leigh and her Fargo costar Richa Moorjani,Charlie Day, and three-time Emmy winner Claire Danes, nominated once again for her supporting role in the divorce drama Fleishman is in Trouble.
Witherspoon is the executive producer of the musical drama Daisy Jones & the Six, which earned three Golden Globe nominations—helping Amazon MGM Studios achieve a total of 16 Globe nominations, marking the studio’s biggest year ever. “Oh my gosh, I love everything about the show. From all the incredible performances, the original music, and the costumes,” said Witherspoon, who attended the party with her son, Deacon Phillippe. “I’m so excited because we just won two Emmys at the technical Emmys today. So it’s been an exciting night already, and I have high hopes for the rest of the nominations. I’m just really proud.”
Kathryn Newton and Sarayu BlueBy Roger Kisby.
Jeffrey Wright, a Golden Globe winner in 2004 and a nominee for his lead performance in American Fiction, was among the first guests to arrive at the cocktail party. He settled in a corner banquette near the bar and happily posed for photos. Another previous Globe winner in attendance was Pike, who was honored with a Golden Globe in 2020 for her work in the dark comedy I Care a Lot. This season, she received her fourth Globe nod for portraying a decadent, shallow mother in Emerald Fennell’s dark comedy Saltburn.
“I love that my character is quotable. Someone on my flight over, one of the flight attendants came up, and started quoting the lines, and that’s when you know you hit a zeitgeist,” said Pike, dressed elegantly in a ballerina-type frock for the party. “Truly, the whole movie, the way that it caught on, I think it captured a dark, vampiric imagination in all of us. Everyone is loving it and I love that.”
“You see that, right there,” Govan told me, directing my attention to the exposed steel beams that will one day house 150,000 works. “I promise, you’ll like it.”
Billy Farrell/BFA.com.
The building loomed over the cocktail hour, which was supposed to run from 6:00 to 6:30—mercifully the cocktails were flowing nearly two hours later, as the art world and the film world found their own cliques, mingling together occasionally. Both camps were quite heavily represented. Antwaun Sargent introduced me to Colman Domingo, before Domingo went to chat with Kirsten Dunst and Jesse Plemmons, and Sargent joined his boss, Larry Gagosian, to chat with novelist Emma Cline and the artist Austyn Weiner. “That’s Billie Eilish,” said Jordan Wolfson, affectless, as Eilish walked past. Keanu Reeves came in with the artist Alexandra Grant, and Jon Hamm was standing steps away from the artist Charles Gaines. At the bar toward the back, collector Peter Brant was chatting with the dealer Tony Shafrazi near reps from the David Kordansky Gallery and Hauser & Wirth CEO Ewan Venters.
After finally corralling everyone to their seats, Govan came on to thank some local politicians in attendance—“District two, we’re in district two now, where is Holly Mitchell, oh hi Holly!”—and alluded to recent global events, saying that “Los Angeles is such a diverse community that people crying out in pain everywhere in the world can be heard in LA.”
“The artists and their creativity help see our way forward,” he said.
Eva Longoria introduced Baca, this year’s honoree, who graciously accepted the standing ovation and said, “I’ve been painting over half my life in the LA River, telling the story of the people who disappeared from the river banks.”
And then the room hushed as Pitt took the podium and began a rousing speech in honor of Fincher, who directed the actor in Seven, Fight Club, and The Curious Case of Benjamin Button.
“Well, here’s something you never hear in a David Fincher screening: ‘That was fun. We should have brought the kids,’” he said, in his famously droll pitch. “Hi, my name is Brad Pitt, and I’m a survivor.”
Pitt, now with a shit-eating grin on his face, started offering up some of the things you hear the director say on a Fincher set.
First: “Let’s shoot this now before we all lose interest in living.”
And another: “Okay, we have the out-of-focus version. Now, let’s try it in focus.”
And last: “I want you guys to enjoy yourselves, but that’s what Saturdays and Sundays are for.”
“My life was forever altered one day in ’94 when I sat down for a coffee with David Fincher,” said Pitt. “Now, I don’t know if what we do really matters in the end. What I do think what matters is the people we hitch ourselves to and the indelible mark that they leave upon our very being.”
Fincher, a bit flustered, admitted that growing up, he always wanted to be a visual artist. And maybe he is—he conceded that a movie director might have to oversee hundreds of staff and scout places to shoot and use actors to embody their vision and hustle through meetings with backers to get funding… but artists have to do that, too, right?
“I’m pretty sure Cristo had a lot of weird meetings about locations and street closures and load times and refueling and linear acres of fabric, and somehow I always think of him as an artist,” he said.
In closing the speech, he looked to Baca and said “I’m grateful for my inclusion, and to see things standing next to Judy. I may even be mistaken for an artist.”
Shortly thereafter, Lenny Kravitz came out to rip through a smattering of hits that honestly sounded pretty amazing. Perhaps more amazingly, Lenny looks like he’s about 35 when in fact he’ll actually turn 60 next year—I know, shocking, I know. When he hung up his axe, Kravitz had officially marked the end of the LACMA Art+Film gala. Or so I thought—a short time later, I was at the Chateau Marmont, escorted up to the penthouse on the 6th floor, where Gucci was throwing a house-party-esque rager, complete with the stoner-perfect post-gala food provided by Jon & Vinny’s. Jon Shook and Vinny Dotolo, both big art collectors, were whipping up the ’za themselves, and upon seeing Jonas Wood and his wife Shio Kusaka enter the party, Shook and Vitolo whisked them into the kitchen to say hello.
De Sarno was holding court on the balcony snapping selfies with Kim Kardashian as the Sunset Strip loomed in the background. At a certain point, Kardashian went to talk to her old boss, Paris Hilton. (Do recall, Kim made an early foray into the pop culture consciousness playing Hilton’s intern on The Simple Life.) Kering CEO Francois Henri-Pinault was drinking a Stella Artois beside Emma Chamberlain, and Jeremy Renner, who’s made very few appearances since his life-threatening snowplow accident earlier this year, hung out by the elevator. And when the DJ dropped “Gimme Gimme Gimme” by ABBA, De Sarno jumped into the middle of a dancing scrum that included all the models, Eilish, and Julia Garner. One of the many Italians in the designer’s entourage yelled into my ears “Welcome to Gucci, baby!”
It was quite the welcome, but at a certain point, one has to leave Gucci, baby, as well. As the hour crept toward one in the morning, our intrepid host, DiCaprio, still in his Gucci tux, peeled off from Sotheby’s vice chairman Jackie Wachter and Wolfson and best friend Tobey Maguire to greet someone across the room. DiCaprio took Ceretti’s hand and walked toward the exit of the Chateau penthouse. It’s art, and film, and fashion, and Lenny Kravitz, and philanthropy, and Los Angeles, and museums, and celebrity, and…maybe…true love.
And that’s a wrap on this week’sTrue Colors! Like what you’re seeing? Hate what you’re reading? Have a tip? Drop me a line at nate_freeman@condenast.com.
Somewhere in the crush of revelers, actor, Beef hunk, and SZA music video starYoung Mazino slouched with the bashful air of a newly crowned internet boyfriend. “This is my first Fashion Week, but I’m starting to understand that it goes deeper than the threads,” Mazino told me. He saw the show too, of course. “Towards the end, when they had everybody intertwining and intercrossing, it gave me nostalgia back to when I lived in New York and I would be out on a lunch break or walking in Flatiron or something—that frenetic and yet peaceful energy.”
At the end of the room—past the beleaguered bartenders wiping their brows in their white epaulet-topped jackets, past some partiers being particularly cavalier about their auditory health, bobbing inches away from the speakers—I spotted the author Min Jin Lee holding court with Nam, Young, and some Samsung suits. I asked Lee, who was sporting a dress from Do’s eponymous label, what she thought of Vuong lending his prose and poetry to Helmut Lang. Do poetry and fashion mix?
“The literary world has always been disdainful of commerce, for good reason, and yet I also believe that it’s deeply anti-feminist to not respect fashion,” Lee mused. “I think what I find difficult is the expense and the cost that’s prohibitive. However, the wish and the aspiration—I admire it and don’t in any way put it down.”
As the night wore on, the question of Do’s attendance was raised. Might the notoriously private designer (not unlike Lang himself) prefer to skip the rager—or at least have the whole matter of a forthcoming Peter Do SS24 show in Paris to attend to? I ran into Vin Ho, one of the cofounders behind Do’s eponymous label, by the bar. Ho and Do had first met on Tumblr before launching the label with friends five years ago. So how did it feel to now watch his friend take on the big new job?
“You have to put on different hats—as a friend, I’m so happy that [he] has this opportunity to show his talent on the global scale,” Ho told me. “One thing that I do really admire about Peter is that he also has a really keen sense on the business.” Then Ho smiled cheekily. “Maybe not the best, because I don’t know why we need, like, four-ply silk instead of two-ply.”
Finally, just after midnight, fashion’s greatest hope himself walked in—or he tried to, at least. Do, still dressed in his black Helmut Lang lab coat and usual face mask, barely made it 10 feet into his own party before hesitating at the sight of the crowd. We ducked out near the coatroom to chat instead. What was his state of mind right then? “Sleepy,” the designer confessed, adding that he’d been awake for about three days straight and spent most of his show crying. “I feel like I’ve been sprinting for so long.” We spoke a bit about the collaboration with Vuong, which Do described as creating a “beautiful dialogue.” Back in the day, Lang famously collaborated with the artist Jenny Holzer, I noted. Was Vuong his Holzer? “I don’t want to compare him,” Do said of his friend, adding, “I love that in his writing, we are the heroes.”
Finally, I asked what Do’s mother—whom Do seated in the front row and hugged after taking his bow—thought of the show. The designer told me about the dress she’d been wearing, which was featured in the collection. “She said it’s one of the most beautiful things she’s ever worn,” Do told me, the pride in his voice unmistakable. There are some reviews that simply matter more.
