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  • Oscars: Academy Reveals Full Lists of Qualifying Documentary, International and Animated Features

    A total of 201 documentary features, 86 international features and 35 animated features are eligible for Oscar recognition this season in the best documentary feature, best international feature and best animated feature categories, respectively, the Academy of Motion Picture Arts and Sciences announced on Friday.

    The only time more documentaries were deemed eligible — 238 — was the year in which the pandemic led to an extension of the period of eligibility from 12 to 14 months (Jan. 1, 2020 to Feb. 28, 2021) and docs that did not play in theaters were considered.

    This year’s list of eligible documentary features includes titles that have dominated at the doc community’s precursor awards, including Netflix’s The Perfect Neighbor and Apocalypse in the Tropics, Apple’s Come See Me in the Good Light and Neon’s Orwell: 2+2=5. It also includes two acclaimed films made by celebrities about their famous parents, HBO’s My Mom Jayne and Apple’s Stiller & Meara: Nothing Is Lost, which were directed by Mariska Hargitay and Ben Stiller, respectively. And there are several titles related to recent turmoil in the Middle East, including Hemdale/Metallux’s Torn: The Israel-Palestine Poster War on New York City Streets and the self-distributed Coexistence, My Ass!, Holding Liat and Put Your Soul on Your Hand and Walk.

    The most glaring omission from the list: The Eyes of Ghana, a documentary directed by the two-time Oscar-winning documentarian Ben Proudfoot, which is still seeking distribution. The Hollywood Reporter has confirmed that a late decision was made to hold the film for next awards season. Other high-profile docs that were expected to be on the list but are not, either because they were not submitted or because they failed to meet the eligibility requirements, include A24’s Marc by Sofia, Oscar winner Sofia Coppola’s portrait of Marc Jacobs, and Oscar winner Questlove’s Hulu film Sly Lives! (aka the Burden of Black Genius).

    The list of eligible international features includes five widely lauded films that are being distributed in the U.S. by Parasite backer Neon and could conceivably all earn nominations: Norway’s Sentimental Value, Brazil’s The Secret Agent, South Korea’s No Other Choice, Spain’s Sirāt and France’s It Was Just an Accident. It Was Just an Accident, which won the Cannes Film Festival’s Palme d’Or, was directed by Jafar Panahi, a filmmaker from Iran but does not reflect well on the country; as a result, Iran submitted the much lower-profile Cause of Death: Unknown, while France submitted It Was Just an Accident, on the basis that much of the film’s financing was French.

    Other countries that made interesting submissions include Japan (GKIDS’ Kokuho, a film about Kabuki performers, which is now the highest-grossing non-animated film in that country’s history); Iraq (Sony Classics’ The President’s Cake won two prizes at Cannes); Belgium (Music Box’s Young Mothers could bring the brothers Jean-Pierre Dardenne and Luc Dardenne the first Oscar noms of their distinguished careers); and Taiwan (Netflix’s Left-Handed Girl, which was co-written by Anora Oscar winner Sean Baker).

    Meanwhile, at least three countries submitted acclaimed documentaries for best international feature consideration: Ukraine (PBS’ 2000 Meters to Andriivka, a doc about a Ukrainian platoon’s fight to retake a city from Russian invaders, which was directed by Mstyslav Chernov, who won the best doc feature Oscar two years ago); North Macdeonia (Nat Geo’s The Tale of Silyan, from Tamara Kotevska, whose 2019 film Honeyland was nominated for best international feature and doc feature Oscars); and Denmark (Mr. Nobody Against, a film about Vladimir Putin’s propaganda efforts, which is still seeking U.S. distribution).

    And the list of animated features includes giant blockbusters like Crunchyroll’s Demon Slayer: Kimetsu no Yaiba Infinity Castle, which is now the highest-grossing Japanese film of all time and the highest-grossing international film in the U.S. of all time, as well as the fifth-highest-grossing film of 2025; streaming hits like Netflix’s KPop Demon Hunters, which is now that streamer’s most watched film ever; acclaimed indies like Neon’s Arco, a French-language critics’ darling that counts Natalie Portman among its producers; and highly-anticipated forthcoming titles like Disney’s Zootopia 2.

    Among the animated films that were expected to contend but are not on the list of eligible titles, either because they were not submitted or because they failed to meet the eligibility requirements, are A24’s Ne Zha 2, Sony’s Paddington in Peru and Paramount’s Smurfs.

    The documentary feature and international feature categories are winnowed down to shortlists before nominations, while the animated feature category goes straight to nominations. Shortlist voting will span Dec. 8-12, 2025, and the announcement of the shortlists will come on Dec. 16. Nominations voting in all categories will span Jan. 12-16, 2026, and the announcement of the nominations will come on Jan. 22, 2026.

    A full list of eligible animated, documentary and international features follows.

    Eligible animated features

    Thirty-five features are eligible for consideration in the Animated Feature Film category for the 98th Academy Awards. Some of the films have not yet had their required qualifying release and must fulfill that requirement and comply with all the category’s other qualifying rules to advance in the voting process.

    To determine the five nominees, members of the Animation Branch are automatically eligible to vote in the category. Academy members outside of the Animation Branch are invited to opt in to participate and must meet a minimum viewing requirement to be eligible to vote in the category. Films submitted in the Animated Feature Film category may also qualify for Academy Awards in other categories, including Best Picture. Animated features that have been submitted in the International Feature Film category as their country’s official selection are also eligible in the category.

    “All Operators Are Currently Unavailable”

    “Arco”

    “The Bad Guys 2”

    “Black Butterflies”

    “Boys Go to Jupiter”

    “Chainsaw Man – The Movie: Reze Arc”

    “ChaO”

    “Colorful Stage! The Movie: A Miku Who Can’t Sing”

    “David”

    “Demon Slayer: Kimetsu no Yaiba Infinity Castle”

    “Dog Man”

    “Dog of God”

    “Dragon Heart – Adventures Beyond This World”

    “Elio”

    “Endless Cookie”

    “Fixed”

    “Gabby’s Dollhouse: The Movie”

    “In Your Dreams”

    “KPop Demon Hunters”

    “The Legend of Hei 2”

    “Light of the World”

    “Little Amélie or the Character of Rain”

    “Lost in Starlight”

    “A Magnificent Life”

    “Mahavatar Narsimha”

    “Night of the Zoopocalypse”

    “Olivia & las Nubes”

    “100 Meters”

    “Out of the Nest”

    “Scarlet””Slide”

    “The SpongeBob Movie: Search for SquarePants”

    “Stitch Head”

    “The Twits”

    “Zootopia 2”

    Eligible documentary features

    Two hundred one features are eligible for consideration in the documentary feature film category for the 98th Academy Awards. Some of the films have not yet had their required qualifying release and must fulfill that requirement and comply with all the category’s other qualifying rules to advance in the voting process.

    Documentary features that have won a qualifying film festival award or have been submitted in the international feature film category as their country’s official selection are also eligible in the category. Films submitted in the documentary feature film category may also qualify for Academy Awards in other categories, including best picture. Members of the documentary branch vote to determine the shortlist and the nominees. The shortlist of 15 films will be announced on Tuesday, Dec. 16, 2025.

    “Abby’s List, A Dogumentary”

    “Ada – My Mother the Architect”

    “Afternoons of Solitude”

    “The Age of Disclosure”

    “Ai Weiwei’s Turandot”

    “The Alabama Solution”

    “All God’s Children”

    “The Altar Boy, the Priest and the Gardener”

    “Always”

    “Amakki”

    “American Sons”

    “Among Neighbors”

    “animal.”

    “Antidote”

    “Apocalypse in the Tropics”

    “Architecton”

    “Are We Good?”

    “Art for Everybody”

    “Art Spiegelman: Disaster Is My Muse”

    “The Art Whisperer”

    “Artfully United”

    “Assembly”

    “BTS ARMY: Forever We Are Young”

    “Becoming Led Zeppelin”

    “Being Eddie”

    “Below the Clouds”

    “Benita”

    “Between the Mountain and the Sky”

    “Beyond the Gaze: Jule Campbell’s Swimsuit Issue”

    “Billy Idol Should Be Dead””BLKNWS: Terms & Conditions”

    “Blum: Masters of Their Own Destiny”

    “Bodyguard of Lies”

    “Brothers after War”

    “Can’t Look Away: The Case against Social Media”

    “Caterpillar”

    “Champions of the Golden Valley”

    “Checkpoint Zoo”

    “Cheech & Chong’s Last Movie”

    “Child of Dust”

    “Chronicles of Disney”

    “Coexistence, My Ass!”

    “Come See Me in the Good Light”

    “Complicated”

    “Cover-Up”

    “Cracking the Code: Phil Sharp and the Biotech Revolution”

    “Cutting through Rocks”

    “Dalit Subbaiah”

    “The Dating Game”

    “Deaf President Now!”

    “Democracy Noir”

    “Diane Warren: Relentless”

    “Dog Warriors”

    “Drop Dead City”

    “The Duel We Missed”

    “El Canto de las Manos”

    “Elie Wiesel: Soul on Fire”

    “The Encampments”

    “Endless Cookie”

    “Europe’s New Faces”

    “Facing War”

    “Fatherless No More”

    “Fiume o Morte!”

    “Folktales”

    “Food Delivery: Fresh from the West Philippine Sea”

    “For the Living”

    “14 Short Films about Opera”

    “From Island to Island”

    “Ghost Boy”

    “Girl Climber”

    “Go to the People”

    “Goodbye Horses: The Many Lives of Q Lazzarus””Grand Theft Hamlet”

    “Heaven. Poste Restente”

    “Heightened Scrutiny”

    “Holding Liat”

    “I Know Catherine, the Log Lady”

    “I, Poppy”

    “I Was Born This Way”

    “If You Tell Anyone”

    “I’m Not Everything I Want to Be”

    “I’m Only Blind”

    “Imago”

    “In Limbo”

    “In Waves and War”

    “In Whose Name?”

    “Israel Palestine on Swedish TV 1958 -1989”

    “It’s Never Over, Jeff Buckley”

    “Janis Ian: Breaking Silence”

    “The King of Color”

    “The Last Class”

    “The Last Holocaust Secret”

    “The Last Philadelphia”

    “The Last Twins”

    “Li Cham (I Died)”

    “The Librarians”

    “Life After”

    “Lilith Fair: Building a Mystery – The Untold Story”

    “Liza: A Truly Terrific Absolutely True Story”

    “Love+War”

    “Mahamantra – The Great Chant”

    “The Man Who Saves the World?”

    “A Man with Sole: The Impact of Kenneth Cole”

    “Marlee Matlin: Not Alone Anymore”

    “Meanwhile”

    “Men of War”

    “Mighty Indeed”

    “Mr. Nobody against Putin”

    “Mistress Dispeller”

    “Monk in Pieces”

    “My Armenian Phantoms”

    “My Mom Jayne: A Film by Mariska Hargitay”

    “My Undesirable Friends: Part I – Last Air in Moscow”

    “Natchez””The New Yorker at 100”

    “Night in West Texas”

    “1985: Heroes among Ruins – The Triumph of the People”

    “Norita”

    “Of Mud and Blood”

    “One to One: John and Yoko”

    “Orwell 2+2=5”

    “Our Time Will Come”

    “Out of Plain Sight”

    “Paint Me a Road Out of Here”

    “Paparazzi”

    “The Parish of Bishop John”

    “Pavements”

    “The Perfect Neighbor”

    “The Pool”

    “Predators”

    “Prime Minister”

    “The Prince of Nanawa”

    “Put Your Soul on Your Hand and Walk”

    “Rebel with a Clause”

    “Remaining Native”

    “Riefenstahl”

    “Rise Up! 14 Short Films about Alliance for Positive Change”

    “River of Grass”

    “The Road between Us: The Ultimate Rescue”

    “The Rose: Come Back to Me”

    “Row of Life”

    “Sanatorium”

    “A Savage Art”

    “Schindler Space Architect”

    “Secret Mall Apartment”

    “Seeds”

    “Selena y Los Dinos”

    “Sensory Overload”

    “76 Days Adrift”

    “Shari & Lamb Chop”

    “The Shepherd and the Bear”

    “Shoot the People”

    “Shuffle”

    “The Six Billion Dollar Man”

    “67 Bombs to Enid”

    “Slumlord Millionaire””Songs from the Hole”

    “Soul of a Nation”

    “Speak.”

    “Stans”

    “Steve Schapiro: Being Everywhere”

    “Stiller & Meara: Nothing Is Lost”

    “Stop the Insanity: Finding Susan Powter”

    “Story of My Village”

    “Strange Journey: The Story of Rocky Horror”

    “The Stringer”

    “Suburban Fury”

    “Sudan, Remember Us”

    “Supercar Saints”

    “Swamp Dogg Gets His Pool Painted”

    “The Tale of Silyan”

    “Thank You Very Much”

    “There Was, There Was Not”

    “Third Act”

    “This Ordinary Thing”

    “Through the Fire (The Eaton Fire: The Aftermath)”

    “Torn: The Israel -Palestine Poster War on New York City Streets”

    “Trade Secret”

    “Trains”

    “Twin Towers: Legacy”

    “2000 Meters to Andriivka”

    “Unbanked”

    “UnBroken”

    “Under the Flags, the Sun”

    “Unseen Innocence”

    “Viktor”

    “Viva Verdi!”

    “WTO/99”

    “Walk with Me”

    “Walls – Akinni Inuk”

    “We Were Here – The Untold History of Black Africans in Renaissance Europe”

    “Welded Together”

    “The White House Effect”

    “Who in the Hell Is Regina Jones?”

    “Wisdom of Happiness”

    “The Wolves Always Come at Night”

    “Worth the Fight”

    “Writing Hawa”

    Eligible international features

    Eighty-six countries or regions have submitted films that are eligible for consideration in the International Feature Film category for the 98th Academy Awards.

    An international feature film is defined as a feature-length motion picture (more than 40 minutes) produced outside the United States with a predominantly (more than 50 percent) non-English dialogue track.

    Academy members from all branches are invited to opt in to participate in the preliminary round of voting and must meet a minimum viewing requirement to be eligible to vote in the category. The shortlist of 15 films will be announced on Tuesday, Dec. 16, 2025.

    Albania, “Luna Park”

    Argentina, “Belén”

    Armenia, “My Armenian Phantoms”

    Australia, “The Wolves Always Come at Night”

    Austria, “Peacock”

    Azerbaijan, “Taghiyev: Oil”

    Bangladesh, “A House Named Shahana”

    Belgium, “Young Mothers”

    Bhutan, “I, the Song”

    Bolivia, “The Southern House”

    Bosnia and Herzegovina, “Blum: Masters of Their Own Destiny”

    Brazil, “The Secret Agent”

    Bulgaria, “Tarika”

    Canada, “The Things You Kill”

    Chile, “The Mysterious Gaze of the Flamingo”

    China, “Dead to Rights”

    Colombia, “A Poet”

    Costa Rica, “The Altar Boy, the Priest and the Gardener”

    Croatia, “Fiume o Morte!”

    Czech Republic, “I’m Not Everything I Want to Be”

    Denmark, “Mr. Nobody against Putin”

    Dominican Republic, “Pepe”

    Ecuador, “Chuzalongo”

    Egypt, “Happy Birthday”

    Estonia, “Rolling Papers”

    Finland, “100 Liters of Gold”

    France, “It Was Just an Accident”Georgia, “Panopticon”

    Germany, “Sound of Falling”

    Greece, “Arcadia”

    Greenland, “Walls – Akinni Inuk”

    Haiti, “Kidnapping Inc.”

    Hong Kong, “The Last Dance”

    Hungary, “Orphan”

    Iceland, “The Love That Remains”

    India, “Homebound”

    Indonesia, “Sore: A Wife from the Future”

    Iran, “Cause of Death: Unknown”

    Iraq, “The President’s Cake”

    Ireland, “Sanatorium”

    Israel, “The Sea”

    Italy, “Familia”

    Japan, “Kokuho”

    Jordan, “All That’s Left of You”

    Kyrgyzstan, “Black Red Yellow”

    Latvia, “Dog of God”

    Lebanon, “A Sad and Beautiful World”

    Lithuania, “The Southern Chronicles”

    Luxembourg, “Breathing Underwater”

    Madagascar, “Disco Afrika: A Malagasy Story”

    Malaysia, “Pavane for an Infant”

    Mexico, “We Shall Not Be Moved”

    Mongolia, “Silent City Driver”

    Montenegro, “The Tower of Strength”

    Morocco, “Calle Malaga”

    Nepal, “Anjila”

    Netherlands, “Reedland”

    North Macedonia, “The Tale of Silyan”

    Norway, “Sentimental Value”

    Palestine, “Palestine 36”

    Panama, “Beloved Tropic”

    Paraguay, “Under the Flags, the Sun”

    Peru, “Kinra”

    Philippines, “Magellan”

    Poland, “Franz”

    Portugal, “Banzo”

    Romania, “Traffic”

    Saudi Arabia, “Hijra”

    Serbia, “Sun Never Again”Singapore, “Stranger Eyes”

    Slovakia, “Father”

    Slovenia, “Little Trouble Girls”

    South Africa, “The Heart Is a Muscle”

    South Korea, “No Other Choice”

    Spain, “Sirât”

    Sweden, “Eagles of the Republic”

    Switzerland, “Late Shift”

    Taiwan, “Left -Handed Girl”

    Tunisia, “The Voice of Hind Rajab”

    Turkey, “One of Those Days When Hemme Dies”

    Uganda, “Kimote”

    Ukraine, “2000 Meters to Andriivka”

    United Kingdom, “My Father’s Shadow”

    Uruguay, “Don’t You Let Me Go”

    Venezuela, “Alí Primera”

    Vietnam, “Red Rain”

    Scott Feinberg

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  • Egypt’s Oscar Hopeful ‘Happy Birthday’ Follows an 8-Year-Old Maid Who Is a Class Act in a World of Classism

    This Oscar season, you may find yourself falling in love with an eight-year-old maid and celebrating Happy Birthday. That is the title of the coming-of-age drama film, directed and co-written by Sarah Goher in her feature directorial debut, which is Egypt’s submission for the best international feature category at the 2026 Oscars. Jamie Foxx is a producer on the movie, starring newcomer Doha Ramadan, Nelly Karim, Hanan Motawie, Sherif Salama, and Aly Sobhy.

    It was co-written by Goher’s life and creative partner, Mohamed Diab. The duo previously also worked together on the Marvel series Moon Knight, starring Oscar Isaac, as well as Diab’s Clash and Bus 671. Happy Birthday was produced by Ahmed El Desouky for SkyLimit Production.

    The film tells the story of Toha, the already-mentioned young maid, who works for an upper-class family and Cairo and is determined not to let anyone stop her from throwing a great birthday party for her friend, her employer’s daughter. In the process, Happy Birthday explores “issues of class, power, and belonging through the eyes of an innocent child,” as a preview for the movie on the website of the 29th edition of the Tallinn Black Nights Film Festival (PÖFF), where it starts screening on Saturday, notes.

    The movie premiered at the Tribeca Film Festival in June, where it won the awards for best international narrative feature and best screenplay in such a feature, along with the Nora Ephron Award.

    For Goher, the film came from personal experience. The Egyptian was born and raised in New York, but would spend summers with her grandmother in Cairo. “The only other kid my age in my grandma’s apartment was this little girl, and I thought she was extended family,” the filmmaker tells THR. “We would play, and she was the most fun thing for me whenever I’d go to Egypt. And then after a couple of summers, I realized she was my grandma’s maid.”

    The girl one summer was no longer there, and Goher later realized that noone was talking about this because having young maids was not legal but common. “Child labor is not allowed in Egypt, but there’s this gray area where families in Egypt, if not in this generation, in a previous generation have a child around them that was in this limbo,” Goher explains. “So that became the inspiration for this film.”

    She knew that casting the young lead was key. “I knew very well early on that I had to cast the girl right, or else the whole thing would fall apart, and I wanted a girl who understood the socio-economic world of the character,” Goher shares. She and the creative team used street casting, Facebook, TikTok and the like.

    ‘Happy Birthday’

    Courtesy of PÖFF

    In the end, she asked to meet 60 girls at the Cairo Opera House for about eight hours. “I wanted them all dressed the same so no one would know who was from the nice neighborhood and who was from the [poorer] neighborhood,” Goher recalls. “I had these girls dancing and singing, doing mirror exercises, breathing exercises, and improvisations around the film. And then, very quickly, when you have kids by themselves, away from their parents, and with other kids, they really open up in a way that you start to see a lot about them quickly.”

    Young Doha Ramadan stood out. “She’s such a confident and creative girl,” says Goher. “She would tell me these crazy stories about herself, her friends, and about things in her neighborhood, and these scary stories that they tell each other. And I realized that the kids who are really good actors are really good storytellers.”

    The two worked closely throughout the process. “I needed her to understand that this is fiction,” Goher explains. “And I wanted to have her input into her character, because I did not want to be projecting a story from my imagination about someone like her.”

    The filmmaker hopes that audiences will fall in love with the character of Toha just like some of her friends who are not into children did. “They don’t want kids, but they fell in love with Doha and Toha. Neither has any sense of self-pity,” Goher tells THR. “Toha doesn’t see the tragedy of her life. She just wants to live it like, and that’s something I think we all need to see.”

    The filmmaker didn’t want to wrap the film and send Ramadan back to her own life without paying back time and effort for all the young talent’s work on the movie, so she created an “enrichment program.” After all, Ramadan didn’t know how to read when they started filming, even though she memorized the entire script, including all the other actors’ lines. “As soon as we finished shooting the film, I got her a private tutor to teach her reading and writing,” Goher tells THR. “And I also enrolled her at the Opera House, which has a gifted youth center, so she’s been taking ballet there.”

    Concludes the Happy Birthday director: “I wanted her to see herself as an artist, because in her socio- economic class, art is not something that’s a priority. I needed to give her an outlet that she could continue to follow. And I’m very grateful for her mother and her family, who have been completely supportive and cooperative throughout this entire process.”

    Georg Szalai

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  • Oscars: Tajikistan Picks ‘Black Rabbit, White Rabbit’ as Best Int’l Feature Submission

    Black Rabbit, White Rabbit, a mystery drama by Iranian filmmaker Shahram Mokri (Fish & Cat), has been selected to represent the country of Tajikistan in the best international feature film category at the Oscars.

    The news follows the film’s International Film Festival of India – Vision Asian Award honor at the Busan International Film Festival. The movie next screens at the BFI London Film Festival and Chicago International Film Festival.

    The film, a co-production between Tajikistan and the United Arab Emirates, was made with the support of Tajikfilm in Tajikistan and produced in Tajik and Persian. The cast includes a group of prominent Tajik actors, namely Babak Karimi, Hasti Mohammaï, Kibriyo Dilyobova, and Bezhan Davlyatov. Mokri wrote the screenplay with Nasim Ahmadpour. The producer is Negar Eskandarfar.

    “A suspicious film prop, a mysterious audition, a conspiratorial road incident and multiple rabbits are woven together in this bold and beguiling drama from Tajikistan,” reads a synopsis of the movie. “A film armorer suspects a fake firearm is real. An actor arrives on set demanding a role. A car crash victim fears her accident was deliberate. Three seemingly disparate stories weave into an enigmatic whole, with flowing, expertly choreographed takes, no small amount of droll humour and flashes of magic realism punctuating Iranian director Shahram Mokri’s playful, subtly provocative meta-mystery.”

    The DreamLab Films production is the fourth movie that Tajikistan has submitted for the international Oscar race. The Central Asian country has never been nominated.

    Black Rabbit, White Rabbit is Mokri’s fourth feature film. His feature debut Fish & Cat (2013) won a special award in the Orizzonti (Horizons) section at the Venice Film Festival. The director went on to direct Invasion (2017), which screened at the Berlin International Film Festival, followed by Careless Crime (2020), which screened at Venice and won the jury prize at the Chicago International Film Festival. 

    The 98th Oscars take place Sunday, March 15.

    Check out a trailer for Black Rabbit, White Rabbit below.

    Georg Szalai

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  • Oscars: Australia Picks ‘The Wolves Always Come at Night’ as International Feature Submission

    Australia has selected Gabrielle Brady’s Mongolian-language documentary The Wolves Always Come at Night as its submission for the best international feature category at the 2026 Academy Awards. Brady’s film will also run for consideration in the best documentary feature category.

    Blending documentary and fiction, the film tells the story of Mongolian herders Davaasuren Dagvasuren and Otgonzaya Dashzeveg who make the difficult decision to leave their homelands after the arrival of a powerful and destructive sandstorm, a situation made worse by the climate crisis.

    The Wolves Always Come premiered at the 2024 Toronto International Film Festival in the Platform Prize program, although there was drama at the festival after Davaasuren and Otgonzaya were denied visitor visas by the Canadian government. The film also screened in competition at the London Film Festival in 2024 and screened at Zurich Film Festival, IDFA, San Francisco International Film Festival, True/False and Sydney Film Festival.

    The Wolves Always Come at Night is the world’s first co-production between Germany, Australia and Mongolia. Executive producers include Oscar-winner Dan Cogan, Deanne Weir, Stefanie Plattner, Alexander Wadouh, and Emma Hindley. The film received principal production investment from Screen Australia and significant private investment from Weir Anderson Films, alongside Storming Donkey Productions. The Wolves Always Come at Night was also financed with support from BBC Storyville, SWR Arte, and Madman Films. Cinephil is repping for worldwide sales.

    Australia’s Oscar submissions are chosen by a committee of industry professionals selected by Screen Australia.

    Despite English being the de facto national language of Australia, the country has been consistently submitting films into the best international feature film (formerly the best foreign language film) category at the Oscars since 1996. As of 2025, sixteen Australian films have been submitted including Rolf de Heer and Peter Djigirr’s Yolngu Matha and Gunwinggu language film Ten Canoes (2006); Warwick Thornton’s Warlpiri language film Samson and Delilah (2009) which was shortlisted; Kim Mordaunt’s Lao language film The Rocket (2013); and Bentley Dean and Martin Butler’s Nauvhal language film Tanna (2016), which was awarded an official nomination.

    Abid Rahman

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