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Tag: Orlando metal

  • DeLand’s Kaupe deliver tricked-out and heavy new album, ‘Destroyer of Worlds’

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    Kaupe Credit: Payton Gamache

    There’s this idea the world has of Orlando as some sort of pixie-dusted utopia. That is, of course, elaborate bullshit. Those of us who live here know this. And those of us in the Orlando music underground know that it can actually be a dark, hard and heavy place. Death metal, black metal, metalcore, sludge, grind, gore — we’ve got it all in spades. 

    But at some point, all that intensity becomes white noise and the shock becomes schlock. Contrary to what Al Jourgensen said, Halloween cannot, and should not, be every day. And for all our extreme stripes, what we’re surprisingly lean on is good, straightforward heavy rock.

    One of the most notable local saviors of this concept is DeLand’s Kaupe, whose sound is like Maserati gone metal. Although their elements are culled from a decidedly progressive palette, their groove is unified and ever-forward like a perpetual motion machine. As a band that cites influences ranging from Meshuggah to Perturbator, the quartet of Brett Walker (guitar), Marc Larabel (drums), Pete Medrano (bass) and Patrick Ross (keys) cover a lot of stylisticbground. 

    On Destroyer of Worlds, their first new album in four years, Kaupe have taken their same signature template and tricked it out with some new, flashy components. Kaupe have always been a band predicated on dynamics, and their instru-metal locomotive steams onward here as a thundering ride of rock heft, widescreen melodies and soaring synths. This time, though, the previously all-instrumental band have added some noteworthy guest vocalists for the first time. And the payoff is immediate.

    On “Next Time Wear a Black Shirt,” the raging vocals of Matt Decker (Tangent, Ginkgo Balboa) join Kaupe’s thrash charge to give the album a hard metal jolt. “RMR-1029” features Scott Angelacos (Junior Bruce, Hollow Leg, Bloodlet), one of the greatest metal voices to ever emerge from Florida, along with sample artist Viewer Discretion (formerly of ACP Pro) to respectably enter Ministry-esque industrial-metal turf. 

    Destroyer of Worlds is still an undeniably Kaupe album in chassis and horsepower. But the very welcome new detailing adds poignancy and fury to their messages of technological cynicism. The album now streams everywhere and the big release show this weekend features Kaupe alongside a stocked local bill of Hutch, The Dark Arctic and Bunaand (8 p.m. Saturday, Nov.1, Will’s Pub, $15).



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    Bao Le-Huu
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  • Day of the Ghouls is a crash course in young Florida metal

    Day of the Ghouls is a crash course in young Florida metal

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    Photo by @cburns5150 courtesy Midnight Vice/Facebook

    Midnight Vice play Day of the Ghouls in Orlando

    Wonderfully pulpy and grisly Orlando-based metal-horror fanzine Ghouls and Metal has been going strong for about a year now, a ghastly hybrid of Famous Monsters and Metal Maniacs, covering the culty and creepy in both the music and cinematic worlds. Now the vile minds behind the mag are trying their hands at the gig-curating game. And excess is best with the “Day of Ghouls” metal showcase.

    Featuring Powerhouse, Midnight Vice, Collapsor, High Pressure, Toxic Intent, Social Division and Warsteel all taking over the S.P.O.T. on Colonial, this is a potent — and hearing-loss worthy — showcase of new Florida metal.

    8 p.m. Friday, July 5, The S.P.O.T., $15.


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    Matthew Moyer

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  • Orlando’s Bodybox headline a night of prime ‘trailer-park metal’ at the Social

    Orlando’s Bodybox headline a night of prime ‘trailer-park metal’ at the Social

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    Photo courtesy Foundation/TKX

    Bodybox play hometown show this weekend

    For those who like their headbanging scattered, smothered and covered, here’s a heaping sampler of trailer-park metal. That’s not me being condescending — just ask Orlando headliner Bodybox, whose frenzied, drug-obsessed death metal comes in titles like “Doublewide Stomp,” “Angeldust” and “Resin Scraper.”

    As for Virginia’s Restrictor Plate, well, let’s see: They’re a death-grind band named after a racecar part and their music is self-described as “NASCORE.” In the event those clues were too subtle for you, songs like “Slamtona” and “Earnhardt Stomp”should complete the picture.

    Finally, Florida’s Chain Gang specialize in the kind of tough-guy beatdown sound that’s custom-built for cage fighters to enter the ring. Oh yes, maximum ass will be kicked.

    6 p.m. Saturday, July 6, The Social, $15.

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    Bao Le-Huu

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