Here is a look at the life of Oprah Winfrey, who hosted the award-winning “The Oprah Winfrey Show.”
Birth date: January 29, 1954
Birth place: Kosciusko, Mississippi
Birth name: Oprah Gail Winfrey
Father: Vernon Winfrey, a barber
Mother: Vernita Lee, a maid (parents never married)
Education: Tennessee State University, B.A., Speech and Performing Arts, 1976
At age 19, while still a sophomore in college, becomes the youngest and first African-American anchor for WTVF-TV in Nashville.
Winfrey’s first name is spelled Orpah on her birth certificate but there was confusion over how to pronounce the name, so the spelling was changed to Oprah. In an interview with the Academy of Achievement, Winfrey explained that her aunt chose the name Orpah as a bible reference. Winfrey said that she’s happy the spelling got switched to Oprah because backwards it spells Harpo.
Stedman Graham has been her companion for more than 30 years.
Together, Winfrey and “The Oprah Winfrey Show” received a total of 16 Daytime Emmy Awards for “Outstanding Talk Show Host” and ” Outstanding Talk Show,” and one for her work as supervising producer of the “ABC Afterschool Special: Shades of a Single Protein.” Winfrey was also presented with two honorary awards.
After removing her name from competition in the Daytime Emmy Awards in 2000, “The Oprah Winfrey Show” won Emmy awards in the technical categories only.
Winfrey has been involved in various projects that have garnered many Primetime Emmy Award nominations, she has won one, and was also presented with an honorary award.
Two Academy Award nominations. Received one honorary award.
1976 – Becomes a news co-anchor at WJZ-TV in Baltimore.
January 1984 – Becomes the anchor of “A.M. Chicago,” which airs opposite Phil Donahue.
September 1985 – The show is renamed “The Oprah Winfrey Show.”
1985-2011 – Host of “The Oprah Winfrey Show,” the highest-rated talk show in history.
1985 – Makes her film debut in “The Color Purple,” for which she is nominated for a Best Supporting Actress Oscar.
November 8, 1986 – “The Oprah Winfrey Show” goes into national syndication.
1987, 1988, 1989, 1991-1992, 1994-1996 and 1997 – Wins the Daytime Emmy Award for Best Talk Show for “The Oprah Winfrey Show.”
1987, 1991, 1992, 1993, 1994, 1995 and 1998 – Wins the Daytime Emmy Award for Best Talk Show Host for “The Oprah Winfrey Show.”
1988 – Forms her own production company, Harpo Inc.
December 20, 1993 –President Bill Clinton honors Oprah by signing into law the “Oprah Bill,” following her 1991 testimony before the Senate Judiciary Committee advocating for a national database to search for child abusers. This bill, officially called the National Child Protection Act, creates a national criminal history background check system.
1993 – Wins the Daytime Emmy Award for Outstanding Children’s Special, “ABC Afterschool Special: Shades of a Single Protein.” Oprah is also inducted into the Television Academy Hall of Fame.
1996 – Starts “Oprah’s Book Club” on her show. The book club becomes very influential in the publishing world as selected books rise to the top of bestseller lists.
1997 – Starts Oprah’s Angel Network, a charitable foundation.
1998 – Winfrey is presented with a Lifetime Achievement Award at the Daytime Emmy Awards.
1999 – Withdraws her name for consideration in the Daytime Emmy Awards.
2000 – Wins the Primetime Emmy Award for Outstanding Made for Television Movie for “Oprah Winfrey Presents: Tuesdays with Morrie.”
April 2000 – Launches “O, The Oprah Magazine,” and the Oxygen Network.
2002 – Accepts the Bob Hope Humanitarian Award from the National Academy of Television Arts and Sciences.
February 2003 – Becomes the first African-American woman on Forbes magazine’s “World’s Richest People” list, with a net worth of about $1 billion.
September 13, 2004 – Begins a new season of her talk show by giving each member of the audience a brand-new car.
September 26, 2005 – Winfrey announces that she is investing more than $1 million to bring the musical “The Color Purple” to Broadway in December 2005.
September 25, 2006-January 1, 2015 – Oprah and Friends (renamed Oprah Radio) airs on SiriusXM Radio.
January 2, 2007 – The Oprah Winfrey Leadership Academy for Girls opens in Henley-on-Klip, South Africa. The school houses 152 girls from deprived backgrounds and provides them with an education. Winfrey has reportedly spent $40 million opening the school.
September 8, 2007 – Hosts a fundraiser for presidential hopeful Barack Obama at her California home.
October 2007 – NBC buys the Oxygen Network for $925 million.
January 15, 2008 – Winfrey and Discovery Communications announce that beginning in 2009 the Discovery Health Channel will be renamed OWN: The Oprah Winfrey Network.
November 20, 2009 – Announces on her show that she will discontinue her talk show in 2011. She will then move to California and launch OWN.
December 5, 2010 – Winfrey is honored at the Kennedy Center as part of the 33rd annual Kennedy Center Honors gala.
January 1, 2011 – OWN: The Oprah Winfrey Network debuts.
November 12, 2011 – Winfrey receives an honorary Oscar, the Jean Hersholt Humanitarian Award, from the Academy of Motion Picture Arts and Sciences.
January 1, 2012 – Winfrey’s new show, “Oprah’s Next Chapter,” debuts on the OWN network.
November 20, 2013 – Is awarded the Presidential Medal of Freedom by President Obama.
October 19, 2015 – Winfrey and Weight Watchers announce a partnership in which Winfrey is buying a 10% stake in the company and taking a seat on its board of directors.
June 12, 2016 – Wins a Tony Award for Best Revival of a Musical for “The Color Purple.”
January 3, 2017 – Releases a cookbook, “Food, Health, and Happiness: 115 On-Point Recipes for Great Meals and a Better Life.”
January 7, 2018 – Winfrey receives the 2018 Golden Globes’ Cecil B. DeMille Award, which is given “to a talented individual for outstanding contributions to the world of entertainment.”
October 7, 2019 – While at Morehouse College celebrating its 30th anniversary, Winfrey announces a $13 million donation to its scholarship fund. This brings her total donation to $25 million. It is the largest endowment in the college’s history, according to the school.
January 10, 2020 – Withdraws as executive producer of a documentary expose concerning allegations of sexual misconduct against Russell Simmons. “On the Record” was being produced for air on the Apple TV streaming platform as part of Winfrey’s multi-year content partnership with the company.
December 13, 2023 – A painting honoring Winfrey is unveiled at Smithsonian’s National Portrait Gallery.
February 28, 2024 –It is announced that Oprah is leaving the board of WeightWatchers, ending a nearly decade-long stint as director of the company. Winfrey will also be giving away her stake in the company, donating all of her stock to the National Museum of African American History and Culture.
Oprah Winfrey said she’s stepping down from her role at WeightWatchers after serving on its board of directors for nine years. She also pledged to donate her financial stake in the weight-loss company to the National Museum of African American History and Culture.
Winfrey’s announcement, issued late Wednesday, sent shares of WeightWatchers into a tailspin. In premarket trading, shares plunged 25%.
Winfrey joining WeightWatchers in 2015 gave the weight-loss company a high-profile boost, with its shares more than doubling soon after the deal was announced. But in recent years, WeightWatchers and other diet companies have struggled amid a shift toward so-called GLP-1 drugs like Ozempic, which rely on hormones to control appetite and have helped people shed extra pounds.
The media star’s decision comes after she disclosed last year that she relies on these drugs to maintain her weight. Winfrey told People magazine in December that she “released my own shame about it” and went to a doctor to get a prescription, although she didn’t disclose the name of the medication she relies on. Winfrey added, “I now use it as I feel I need it, as a tool to manage not yo-yoing.”
WeightWatchers, officially named WW International, last year moved into the prescription weight-loss drug business by purchasing Sequence, a telehealth provider that offers users access to GLP-1 drugs. It also debuted WeightWatchers GLP-1, a subscription program for people using that class of drugs.
In her statement, Winfrey said she will continue “to advise and collaborate with WeightWatchers and CEO Sima Sistani in elevating the conversation around recognizing obesity as a chronic condition, working to reduce stigma and advocating for health equity.”
Winfrey said she’s donating her shares in WeightWatchers to the National Museum of African American History and Culture, a Smithsonian institution in Washington, D.C., as she’s been a long-time supporter of the organization.
In the statement, WeightWatchers said Winfrey’s decision to donate her shares is partly “to eliminate any perceived conflict of interest around her taking weight loss medications.”
Aimee Picchi is the associate managing editor for CBS MoneyWatch, where she covers business and personal finance. She previously worked at Bloomberg News and has written for national news outlets including USA Today and Consumer Reports.
Thanks for reading CBS NEWS.
Create your free account or log in for more features.
“””CBS Mornings”” exclusively reveals Oprah Winfrey’s latest book club selection: “”The Many Lives of Mama Love,”” the powerful memoir by Lara Love Hardin. The author talks to David Begnaud in her Northern California home about her journey through addiction, legal battles and redemption.”
Be the first to know
Get browser notifications for breaking news, live events, and exclusive reporting.
It was an era-defining moment when departing Vogue UK editor Edward Enninful gathered together 40 of the most famous faces to have graced the cover of his magazine for a farewell group shot.
Famous faces on the March 2024 issue include veterans Oprah Winfrey and Jane Fonda, supermodels Cindy Crawford, Naomi Campbell, Christy Turlington, Kate Moss and Linda Evangelista, actresses Jodie Comer, Anya Taylor-Joy and tennis star Serena Williams.
One star noticeable by her absence was Nicole Kidman, who – it transpires – was unable to attend because the end of the writers’ strike meant she had to return to filming duty on her next project, Birthday Girl.
Questions were also raised over the absence of Meghan Markle, who joined forces with Enninful back in September 2019 to guest-edit an issue of the magazine. The reason given was that only those stars who have previously been on the cover were included.
One insider told the Daily Mail the logistics involved in bringing together such a celebrated flock were similar to “almost as much planning as D-Day.” Miley Cyrus was one famous face who went the extra mile to be involved, flying 5,000 miles by private jet to New York, to have her photograph taken for 15 minutes.
Enninful was appointed editor-in-chief of British Vogue in 2017 but stepped down after a short tenure in 2023. He is quoted in the Daily Mail reflecting: “I never expected all 40 to turn up.”
Social media is buzzing over Mo’Nique laying the sweet baby smackdown on Oprah, Tyler Perry, Kevin Hart, Tiffany Haddish, D.L. Hughley, and, at one point, Skip Bayless on the latest thoroughly entertaining episode of Shannon Sharpe‘s Club Shay Shay podcast.
As previously reported, Mo’Nique claimed that her pay disparity grievances have been downplayed because she’s a “fat Black woman” while Taraji P. Henson’s similar comments were praised, but she said a wholeeeee lot more during the internet-shattering sitdown.
Check out the full 3-hour episode below:
Catching the brunt of Mo’Nique’s wrath was Tiffany Haddish for comments she made about her husband Sidney Hicks, who is also her manager.
Mo’nique fried up Tiffany Haddish so damn bad on #ClubShayShay with Shannon Sharpe that I had to put the Ether beat on it 🔥
Back in 2018, Haddish discussed Mo’Nique with GQ magazine amid the comedienne’s then-call for a Netflix boycott, saying:
“My business run different than her business. I don’t live her life. I don’t have that husband of hers. I’m looking at how [Netflix has] opened up so many opportunities for black females and comedy. When my people are dying, that’s when you gonna catch me protesting. I’m not gonna protest because somebody got offered not the amount of money they wanted to get offered.
In the now-viral moment, Mo’Nique flamebroiled Haddish, referencing the “Girls Trip” star’s DUI arrests and previous lawsuit alleging sexual battery, sexual harassment, and sexual abuse of a minor.
“When I saw that, it’s like, Tiffany, if you had a husband like mine, you may not have two DUIs,” said Mo’Nique on Club Shay Shay. “If you had a husband like mine, you may not be caught up in what looks like you could have been grooming a child.”
he said, ‘I can see the pain in you, and I can hear it,’” said continued. “‘And I want to let you know that I would never do nothing to hurt you.’ But the conversation kept going on, only for Tyler Perry to admit he did start a rumor that I was difficult to work with. He lied.”
You can read about the rest of Mo’Nique’s fired shots on Club Shay Shayhere.
Are you Team Mo’Nique or do you think she went too far? Who would you want to see on Club Shay Shay next? Tell us down below and peep the funniest (and messiest) moments from the interview on the flip.
Meghan and Harry sat down for a ‘nothing off limits’ interview with Oprah WinfreyCredit: CBS
OPRAH: We can’t hug, everybody is double- masked and has face shields. You look lovely. Do you know if you’re having a boy or a girl?
Meghan: We do this time. I’ll wait for my husband to join us and we can share that with you.
Oprah: That would be really great. Before we get into to it, I just want to make clear to everybody that, even though we’re neighbours, I’m down the road, you’re up the road, we’re using a friend’s place. There has not been an agreement, you don’t know what I’m going to ask, there is no subject that’s off limits and you are not getting paid for this interview.
Meghan: All of that’s correct.
Oprah: I remember sitting in the chapel — thanks for inviting me, by the way. I so recall this sense of magic. I never experienced anything like it. When you came through that door, you seemed like you were floating down the aisle. Were you even inside your body at that time?
Meghan: I’ve thought about this a lot. It was like having an out-of- body experience I was very present for. The night before, I slept through the night entirely, which is a bit of a miracle, and then woke up and started listening to Going To The Chapel, to make it fun and light and remind ourselves this was our day. We were both aware in advance of that this wasn’t our day, this was the day planned for the world.
24
The two-hour chat saw them lift the lid on the Royal Family and MegxitCredit: CBS
Oprah: Everybody who gets married knows you’re really marrying the family. But you weren’t just marrying a family, you were marrying a 1,200-year-old institution, you’re marrying the monarchy. What did you think it was going to be like?
Meghan: I would say I went into it naively because I didn’t grow up knowing much about the Royal Family. It wasn’t part of something that was part of conversation at home. It wasn’t something that we followed. My mum even said to me a couple of months ago, ‘Did Diana ever do an interview?’ Now I can say. ‘Yes, a very famous one’, but my mum doesn’t know that.
Oprah: But you were aware of the royals and, if you were going to marry into the royals, you’d do research about what that would mean?
Meghan: I didn’t do any research about what that would mean.
Oprah: You didn’t do any research?
Your Prince Harry and Meghan Markle questions answered
Meghan: No. I didn’t feel any need to, because everything I needed to know he was sharing with me. Everything we thought I needed to know, he was telling me.
Oprah: So, you didn’t have a conversation with yourself, or talk to your friends about what it would be like to marry a prince, who is Harry, who you had fallen in love with . . . you didn’t give it a lot of thought?
Meghan: No. We thought a lot about what we thought it might be. I didn’t fully understand what the job was: What does it mean to be a working royal? What do you do? What does that mean? He and I were very aligned on our cause- driven work, that was part of our initial connection. But there was no way to understand what the day-to- day was going to be like, and it’s so different because I didn’t romanticise any element of it. But I think, as Americans especially, what you do know about the royals is what you read in fairytales, and you think is what you know about the royals. It’s easy to have an image that is so far from reality, and that’s what was so tricky over those past few years, when the perception and the reality are two different things and you’re being judged on the perception but you’re living the reality of it. There’s a complete misalignment and there’s no way to explain that to people.
Oprah: With every family things get serious when you’re brought in to meet the grandmother or the mother. The grandmother is the matriarch and, in your situation it’s the Queen.
24
Oprah promised the Sussexes had no prior knowledge of what they would be askedCredit: ITV
Meghan: She was one of the first people I met. The real Queen.
Oprah: What was that like? Were you worried about making the right impression?
Meghan: There wasn’t a huge formality the first time I met Her Majesty The Queen. We were going for lunch at Royal Lodge, which is where some other members of the family live, specifically Andrew and Fergie, and Eugenie and Beatrice would spend a lot of time there. Eugenie and I had known each other before I knew Harry, so that was comfortable and it turned out the Queen was finishing a church service in Windsor and so she was going to be at the house. Harry and I were in the car and he says, ‘OK, well my grandmother is there, you’re going to meet her’. (I said) ‘OK, great’. I loved my grandmother, I used to take care of my grandmother. (He said) ‘Do you know how to curtsey?’ ‘What?’ ‘Do you know how to curtsey?’ I thought genuinely that’s what happens outside, that was part of the fanfare. I didn’t think that’s what happens inside. I go, ‘But it’s your grandmother’. He goes, ‘It’s the Queen!’
Oprah: Wow!
Meghan: And that was really the first moment the penny dropped?
Oprah: Did you Google how to curtsey?
Meghan: No, we were in the car. Deeply, to show respect, I learned it very quickly right in front of the house. We practised and walked in.
Oprah: Harry practised?
Meghan: Yeah, and Fergie ran out and said, ‘Are you ready? Do you know how to curtsey? Oh, my goodness, you guys’. I practised very quickly and went in, and apparently, I did a very deep curtsey, and we just sat there and we chatted and it was lovely and easy and I think, thank God, I hadn’t known a lot about the family. Thank God, I hadn’t researched. I would have been so in my head about all of it.
Oprah: (What) you’re sharing with us is that you were no more nervous as a regular person who goes to meet somebody’s grandmother.
Meghan: I had confused the idea. I grew up in LA, you see celebrities all the time. This is not the same but it’s very easy, especially as an American, to go, ‘These are famous people’. This is a completely different ball game.
(Cut to them and Oprah at their house)
Oprah: What are you feeling here (their home)? What’s the word?
Meghan: Peace.
Oprah: Peace?
Meghan: Yeah.
(Oprah narrates) The day after our interview, I stopped over to Harry and Meghan’s new home.
24
Meghan said her 2018 royal wedding ‘wasn’t our day, this was the day planned for the world’Credit: Getty
Meghan: Hi, Guy (dog).
Oprah: Hi, Guy.
Meghan: Yeah, Guy’s been — Guy’s been through everything with me.
Oprah: Yeah, from the beginning, from the very first date, yeah?
Meghan: If Guy, I mean, I had him in Canada. I got him from a kill shelter in Kentucky.
Oprah: Yeah?
(In Harry and Meghan’s hen coop)
Meghan: Hi, girls!
(Oprah narrates) We put on wellies to feed the hens Meghan and Harry recently rescued from a factory farm. ‘I love your little designer house here. Archie’s chick inn. Oh, how cute is that.’
Harry: She’s always wanted chickens.
Meghan: Well, you know, I just love rescuing.
Oprah: So, this is a part of your new life? What are you most excited about?
Meghan: Whoop! You’re OK . . .
Oprah: What are you most excited about in the new life? What are you most excited about? Here, chick, chick, chick, chick.
Meghan: I think just being able to live authentically.
Oprah: Mm-hmm.
Meghan: Right? Like this kind of stuff. It’s so, it’s so basic, but it’s really fulfilling. Just getting back down to basics. I was thinking about it — even at our wedding, you know, three days before our wedding, we got married . . .
Oprah: Ah!
Meghan: No one knows that. But we called the Archbishop, and we just said, ‘Look, this thing, this spectacle is for the world, but we want our union between us’. So, like, the vows that we have framed in our room are just the two of us in our backyard with the Archbishop of Canterbury, and that was the piece that . . .
Harry: Just the three of us.
Oprah: Really?
Harry: Just the three of us.
Meghan: Just the three of us.
(Back to Oprah)
Oprah: You know, the wedding was the most perfect picture, you know, anybody’s ever seen. But through that picture that we were all seeing, behind the scenes, obviously, there was a lot of drama going on. And soon after your marriage, the tabloids started offering stories that painted a not-so-flattering picture of you in your new world. There were rumours about you being ‘Hurricane Meghan’.
Meghan: I hadn’t heard that.
24
She said she didn’t research the Royal Family before she married HarryCredit: AFP and licensors
Oprah: OK.
Oprah: So, there were rumours about you being Hurricane Meghan, for the departure of several high-profile palace staff members. And there was also a story — did you hear this one? — about you making Kate Middleton cry?
Meghan: This I heard about.
Oprah: You heard about that. OK.
Meghan: This was . . . that was . . . that was a turning point.
Oprah: That was a turning point?
Meghan: Yeah.
Kate made me cry days before wedding, but I got blamed… that was hard.
(Oprah narrates) Six months after Harry and Meghan’s wedding, headlines began to swirl about a rift between Meghan and her sister-in-law, the Duchess of Cambridge, Kate Middleton. It was reported that Meghan had left Kate “in tears” over the bride-to-be’s “strict demands” over flower-girl dresses.
Meghan: The narrative with Kate — which didn’t happen — was really, really difficult and something that . . . I think that’s when everything changed, really.
Oprah: You say the narrative with Kate, it didn’t happen. So, specifically, did you make Kate cry?
Meghan: No.
Oprah: So, where did that come from?
Meghan: (Sighs)
Oprah: Was there a situation where she might have cried? Or she could have cried?
Meghan: No, no. The reverse happened. And I don’t say that to be disparaging to anyone, because it was a really hard week of the wedding. And she was upset about something, but she owned it, and she apologised. And she brought me flowers and a note, apologising. And she did what I would do if I knew that I hurt someone, right, to just take accountability for it. What was shocking was . . . what was that, six, seven months after our wedding?
Oprah: Mm-hmm.
Meghan: That the reverse of that would be out in the world.
Oprah: The story came out six, seven months after it actually happened?
Meghan: Yeah.
Oprah: So, when you say . . .
Meghan: I would have never wanted that to come out about her ever, even though it had happened. I protected that from ever being out in the world.
Oprah: So, when you say the reverse happened, explain to us what you mean by that.
Meghan: A few days before the wedding, she was upset about something pertaining — yes, the issue was correct — about flower-girl dresses, and it made me cry, and it really hurt my feelings. And I thought, in the context of everything else that was going on in those days leading to the wedding, that it didn’t make sense to not be just doing whatever everyone else was doing, which was trying to be supportive, knowing what was going on with my dad and whatnot.
Oprah: This was a really big story at the time, that you made Kate cry. Now you’re saying you didn’t make Kate cry, Kate made you cry. So, we all want to know, what would make you cry? What . . . what were you going through? You were going through all of the anxiety that brides go through putting their wedding together and going through all of the issues with your father: Was he coming? Was he not coming?
Meghan: Mmm.
Oprah: And there was a confrontation over the . . . the dresses?
Meghan: It wasn’t a confrontation, and I actually don’t think it’s fair to her to get into the details of that, because she apologised.
Oprah: OK.
Meghan: And I’ve forgiven her.
Oprah: Mm-hmm.
Meghan: What was hard to get over was being blamed for something that not only I didn’t do but that happened to me. And the people who were part of our wedding going to our comms team and saying, ‘I know this didn’t happen.’ I don’t have to tell them what actually happened.
Oprah: OK.
Meghan: But I can at least go on the record and say she didn’t make her cry. And they were all told the same . . .
Oprah: So, all the time the stories were out that you had made Kate cry . . . you knew all along, and people around you knew that that wasn’t true?
Meghan: Everyone in the institution knew it wasn’t true.
Oprah: So, why didn’t somebody just say that?
Meghan: That’s a good question.
Oprah: Hmm.
Meghan: I’m not sharing that piece about Kate in any way to be disparaging to her. I think it’s really important for people to understand the truth.
Oprah: Mm-hmm.
Meghan: But also I think, a lot of it, that was fed into by the media. And I would hope that she would have wanted that corrected, and maybe in the same way that the Palace wouldn’t let anybody else.
Oprah: Yeah.
Meghan: Negate it, they wouldn’t let her, because she’s a good person. And I think so much of what I have seen play out is this idea of polarity, where if you love me, you don’t have to hate her. And if you love her, you don’t need to hate me.
Oprah: Mm-hmm. You know, there were several stories that compared headlines written about you to those written about Kate.
24
Meghan said the Queen was one of the first people she metCredit: Getty
Meghan: Mmm.
Oprah: Since you don’t read things, let me tell you what was said.
Meghan: OK.
Oprah: There were stories where Kate was being praised for holding her baby bump.
Meghan: Oh, gosh, have I done it since we’ve been sitting down?
Oprah: Yes, you’ve been doing it the whole time.
Meghan: Probably. OK.
Oprah: Kate was praised for cradling her baby bump, and the headline about you doing the same thing said, ‘Meghan can’t keep hands off her baby bump for pride or vanity’.
Meghan: What does it have to do with pride or vanity?
Oprah: Well, I’m just — I’m just telling you about the stories, OK?
Meghan: OK, I hear you.
Oprah: Then there was a whole online piece about this: ‘Kate eating avocados to help with morning sickness’.
Meghan: (Laughs) I heard — OK, I heard about the avocado one.
Oprah: But you were eating avocados . . .
Meghan: And fuelling murder, apparently.
Oprah: Wolfing down a fruit linked to water shortages, illegal deforestation and environmental devastation. There was, seems . . . there seems to be . . . there was a . . .
Meghan: That’s a really loaded piece of toast. (Laughter) I mean . . . you have to laugh at a certain point, because it’s just ridiculous.
Oprah: That’s good: ‘That’s a loaded piece of toast.’ It’s about deforestation and . . .
Meghan: Oh, man!
Oprah: Oh, wow! So, do you think there was a standard for Kate in general and a separate one for you? And if so, why?
Meghan: I don’t know why. I can see now what layers were at play. Oprah: Mm-hmm.
Meghan: And, again, they really seemed to want a narrative of a hero and a villain.
Oprah: Yeah. You came in as the first mixed-race person to marry into the family, and did that concern you in being able to fit in?
Meghan: Mmm.
Oprah: And did that concern you in being able to fit in? Did you think about that at all?
Meghan: I thought about it because they made me think about it.
Oprah: Mm-hmm.
Meghan: Right? But at the same time now, upon reflection, thank God all of those things were true. Thank God I had that life experience. Thank god I had known the value of working. My first job was when I was 13, at a frozen yoghurt shop called Humphrey Yogart.
Oprah: Mm-hmm.
24
Meghan revealed Kate Middleton made her cry days before her weddingCredit: AP:Associated Press
Meghan: I’ve always worked. I’ve always valued independence. I’ve always been outspoken, especially about women’s rights. I mean, that’s the sad irony of the last four years . . . is I’ve advocated for so long for women to use their voice, and then I was silent.
Oprah: Were you silent? Or were you silenced?
Meghan: The latter.
Oprah: So, how does that work? Were you told by the comms people, or the, I don’t know, the institution? Were you told to keep silent? How were you told to handle tabloids or gossip? Were you . . . were you told to say nothing?
Meghan: Everyone from . . . everyone in my world was given very clear directive, from the moment the world knew Harry and I were dating, to always say, ‘No comment’. That’s my friends, my mom and dad.
Oprah: Mm-hmm.
Meghan: And we did.
Oprah: Mm-hmm.
Meghan: I did anything they told me to do — of course I did, because it was also through the lens of, ‘And we’ll protect you’. So, even as things started to roll out in the media that I didn’t see — but my friends would call me and say, ‘Meg, this is really bad’ — because I didn’t see it, I’d go, ‘Don’t worry. I’m being protected’.
Oprah: Mmm.
Meghan: I believed that. And I think that was . . . that was really hard to reconcile because it was only . . . it was only once we were married and everything started to really worsen that I came to under-stand that not only was I not being protected, but they were willing to lie to protect other members of the family but they weren’t willing to tell the truth to protect me and my husband.
Oprah: So, are you saying you did not feel supported by the powers that be, be that The Firm, the monar-chy, all of them?
Meghan: It’s hard for people to distinguish the two because there’s . . . it’s a family business, right?
Oprah: Mm-hmm.
Meghan: So, there’s the family, and then there’s the people that are running the institution. Those are two separate things. And it’s important to be able to compartmentalise that, because the Queen, for example, has always been wonderful to me. I mean, we had one of our first joint engagements together. She asked me to join her, and I . . .
Oprah: Was this on the train?
Meghan: Yeah, on the train.
Oprah: Yeah.
Meghan: We had breakfast together that morning, and she’d given me a beautiful gift, and I just really loved being in her company. And I remember we were in the car . . .
Oprah: Can you share what the gift was? Or . . .
Meghan: Yes. She gave me beautiful pearl earrings and a matching necklace. And we were in the car going between engagements, and she has a blanket that sits across her knees for warmth. And it was chilly, and she was like, ‘Meghan, come on’ and put it over my knees as well.
Oprah: Oh, nice.
Meghan: Right. Just moments of . . . and it made me think of my grand-mother, where she’s always been warm and inviting and . . . and really welcoming.
Oprah: So, OK, so she made you feel welcomed?
Meghan: Yes.
Oprah: Did you feel welcomed by everyone? It seemed like you and Kate . . . at the Wimbledon game where you were going to watch a friend play tennis . . .
Meghan: (Laughs)
24
Meghan, pictured while pregnant in March 2019, said she was silenced when she started dating HarryCredit: Splash News
Oprah: Was it what it looked like? You are two sisters-in-law out there in the world, getting to know each other. Was she helping you, embracing you into the family, helping you adjust?
Meghan: I think everyone welcomed me.
Oprah: Mm-hmm.
Meghan: And, yeah, when you say, ‘Was it what it looked like?’, my under-standing and my experience of the past four years is it’s nothing like what it looks like. It’s nothing like what it looks like. And I . . . and I remember so often people within The Firm would say, ‘Well, you can’t do this because it’ll look like that. You can’t’. So, even, ‘Can I go and have lunch with my friends?’ ‘No, no, no, you’re oversaturated, you’re every-where, it would be best for you to not go out to lunch with your friends’. I go, ‘Well, I haven’t . . . I haven’t left the house in months’.
I mean, there was a day that one of the members of the family, she came over, and she said, ‘Why don’t you just lay low for a little while, because you are everywhere right now’. And I said, ‘I’ve left the house twice in four months. I’m everywhere, but I am nowhere’. And from that standpoint, I continued to say to people, ‘I know there’s an obsession with how things look, but has anyone talked about how it feels? Because right now, I could not feel lonelier’.
Oprah: Hmm. You were feeling lonely, even though your prince . . . you’re in love, you’re with him.
Meghan: I’m not lonely . . . I wasn’t lonely with him.
Oprah: Yeah.
Meghan: There were moments that he had to work or he had to go away, there’s moments in the middle of the night. And so, there was very little that I was allowed to do.
Oprah: Mm-hmm.
Meghan: And so, yeah, of course that breeds loneliness when you’ve come from such a full life or when you’ve come from freedom. I think the easiest way that now people can understand it is what we’ve all gone through in lockdown.
Oprah: Yeah, well, everybody can certainly relate now.
(Cuts to footage of interview with ITV’s Tom Bradby in South Africa in October, 2019)
Meghan: . . . asked if I’m OK, but it’s a very real thing to be going through behind the scenes.
Bradby: And the answer is, would it be fair to say, ‘Not really OK’, as in it’s really been a struggle?
Meghan: Yes.
(Back to Oprah)
Oprah: Well, I would have to say, in South Africa, when the reporter stopped and asked, ‘Are you OK . . ?’
Meghan: Mmm.
Oprah: And, whooo, we all felt that. Why did that question strike such a nerve? What was going on with you, internally at that time?
Meghan: That was the last day of the tour. You know, those tours are . . . I’m sure they have beautiful pictures and it looks vibrant, and all of that is true. It’s also really exhausting. So, I was fried, and I think it just hit me so hard because we were making it look like every-thing was fine. I can understand why people were really surprised to see that there was pain there.
24
She said she was told she would be protected from the mediaCredit: Reuters
Oprah: Mm-hmm.
Meghan: Because we were doing our job. Our job was to be on and to smile. And so, when he asked me that, I guess I had felt that it had never occurred to anyone that I, that I wasn’t OK, and that I had really been suffering. And I had known for a long time and had been asking the institution for help for quite a long time.
Oprah: Help for what?
Meghan: After we had gotten back from our Australia tour — which was about a year before that — and we talked about when things really started to turn, when I knew we weren’t being protected. And it was during that part of my pregnancy, especially, that I started to understand what our continued reality was going to look like.
Oprah: What kind of protection did you want that you feel you didn’t receive?
Meghan: I mean, they would go on the record and negate the most ridiculous story for anyone, right? I’m talking about things that are super-artificial and inconsequential. But the narrative about, you know, making Kate cry, I think was the beginning of a real character assassination. And they knew it wasn’t true. And I thought, well, if they’re not going to kill things like that, then what are we going to do?
It had never occurred to anyone that I wasn’t OK…I was really suffering, and asked for help.
Meghan: Separate from that, and what was happening behind closed doors was, you know, we knew I was pregnant. We now know it’s Archie, and it was a boy. We didn’t know any of that at the time. We can just talk about it as Archie now. And that was when they were saying they didn’t want him to be a prince or a princess — not knowing what the gender would be, which would be different from protocol — and that he wasn’t going to receive security.
Oprah: What?
Meghan: It was really hard.
Oprah: What do you mean?
Meghan: He wasn’t going to receive security. This went on for the last few months of our pregnancy, where I’m going, ‘Hold on a second’.
Oprah: That your son — and Harry, Prince Harry’s son was not going to receive security?
Meghan: That’s right, I know.
Oprah: How . . . but how does that work?
Meghan: How does that work? It’s like, ‘No, no, no. Look, because if he’s not going to be a prince, it’s like, OK, well, he needs to be safe, so we’re not saying don’t make him a prince or a princess — whatever it’s going to be . . . ‘But if you’re saying the title is what’s going to affect their protec-tion, we haven’t created this monster machine around us in terms of clickbait and tabloid fodder. You’ve allowed that to happen, which means our son needs to be safe’.
Oprah: So, how do they explain to you that your son, the grandson, the great-grandson of the Queen . . .
Meghan: Mm-hmm.
24
Meg shocked the world when she admitted she was struggling in an interview with ITV’s Tom BradbyCredit: ITV
Oprah: . . . is not going to have . . . he wasn’t going to be a prince? How did they tell you that? And what reasons did they give? And then say, ‘And so, therefore, you’re not . . . you don’t need protection’.
Meghan: There’s no explanation.
Oprah: Hmm.
Meghan: There’s no version. I mean, that’s the other piece of that . . .
Oprah: Who tells you that?
Meghan: I heard a lot of it through Harry and then other parts of it through conversations with . . .
Oprah: Mm-hmm.
Meghan: . . . family members. And it was a decision that they felt was appropriate. And I thought, well . . .
Oprah: Was the title . . . was him being called a prince, Archie being called a prince, was that important to you?
Meghan: If it meant he was going to be safe, then, of course. All the grandeur surrounding this stuff is an attachment that I don’t personally have, right? I’ve been a waitress, an actress, a princess, a duchess. I’ve always just still been Meghan, right? So, for me, I’m clear on who I am, independent of all that stuff. And the most important title I will ever have is Mom. I know that.
Meghan: But the idea of our son not being safe, and also the idea of the first member of colour in this family not being titled in the same way that other grandchildren would be . . . You know, the other piece of that conversation is, there’s a convention — I forget if it was George V or George VI convention — that when you’re the grandchild of the monarch, so when Harry’s dad becomes king, automatically Archie and our next baby would become prince or princess, or whatever they were going to be.
Oprah: So, for you, it’s about protection and safety, not so much as what the . . . what the title means to the world.
Meghan: That’s a huge piece of it, but, I mean, but . . .
Oprah: . . . and that having the title gives you the safety and protection?
Meghan: Yeah, but also it’s not their right to take it away.
Oprah: Yeah.
Meghan: Right? And so, I think even with that convention I’m talking about, while I was pregnant, they said they want to change the convention for Archie.
Oprah: Mmm.
Meghan: Well, why?
Oprah: Did you get an answer?
Meghan: No.
Oprah: You still don’t have an answer?
Meghan: No.
Oprah: You know, we had heard — the world, those of us out here reading the things or hearing the things — that it was you and Harry who didn’t want Archie to have a prince title. So, you’re telling me that is not true?
Meghan: No, and it’s not our decision to make, right?
Oprah: Mm-hmm.
Meghan: . . . even though I have a lot of clarity on what comes with the titles, good and bad — and from my experience, a lot of pain.
Oprah: Mm-hmm.
Meghan: I, again, wouldn’t wish pain on my child, but that is their birthright to then make a choice about.
Oprah: OK, so it feels to me like things started to change when you and Harry decided that you were not going to take the picture that had been a part of the tradition for years and . . .
Meghan: We weren’t asked to take a picture. That’s also part of the spin, that was really damaging. I thought, ‘Can you just tell them the truth? Can you say to the world you’re not giving him a title, and we want to keep him safe, and that if he’s not a prince, then it’s not part of the tradition? Just tell people, and then they’ll understand?’
Oprah: Mm-hmm.
Meghan: But they wouldn’t do that.
Oprah: But you were . . . you both, obviously, were aware that had been a part of the tradition? And there was a . . . was there a specific reason why you didn’t want to be a part of that tradition? I think many people interpreted that as you were both saying, ‘We’re going to do things our way. We’re going to do things a different way’.
Meghan: That’s not it at all. I mean, I think what was really hard . . . so, picture, now that you know what was going on behind the scenes, right? There was a lot of fear surrounding it. I was very scared of having to offer up our baby, knowing that they weren’t going to be kept safe.
24
She said ‘I was fried, and I think it just hit me because we were making it look like everything was fine’Credit: BackGrid
Oprah: You certainly must have had some conversations with Harry about it and have your own suspicions as to why they didn’t want to make Archie a prince. What are . . . what are those thoughts? Why do you think that is? Do you think it’s because of his race?
Meghan: (Sighs)
Oprah: And I know that’s a loaded question, but . . .
Meghan: But I can give you an honest answer. In those months when I was pregnant, all around this same time . . . so we have in tandem the conversation of ‘He won’t be given security, he’s not going to be given a title’ and also concerns and conversations about how dark his skin might be when he’s born.
Oprah: What?
Meghan: And . . .
Oprah: Who . . . who is having that conversation with you? What?
Meghan: So . . .
Oprah: There is a conversation . . . hold on. Hold up. Hold up. Stop right now.
Meghan: There were . . . there were several conversations about it.
Oprah: There’s a conversation with you . . ?
Meghan: With Harry.
Oprah: About how dark your baby is going to be?
Meghan: Potentially, and what that would mean or look like.
Oprah: Whoo. And you’re not going to tell me who had the conversation?
Meghan: I think that would be very damaging to them.
Oprah: OK. So, how . . . how does one have that meeting?
There were conversations …about no security, no title… and how dark his skin might be when he’s born.
Meghan: That was relayed to me from Harry. Those were conversations that family had with him. And I think . . .
Oprah: Whoa.
Meghan: It was really hard to be able to see those as compartmentalised conversations.
Oprah: Because they were concerned that if he were too brown, that that would be a problem? Are you saying that?
Meghan: I wasn’t able to follow up with why, but that — if that’s the assumption you’re making, I think that feels like a pretty safe one, which was really hard to understand, right? Especially when — look, I — the Commonwealth is a huge part of the monarchy, and I lived in Canada, which is a Commonwealth country, for seven years. But it wasn’t until Harry and I were together that we started to travel through the Commonwealth, I would say 60 per cent, 70 per cent of which is people of colour, right?
Oprah: Mm-hmm.
Meghan: And growing up as a woman of colour, as a little girl of colour, I know how important representation is. I know how you want to see someone who looks like you in certain positions.
Oprah: Obviously.
Meghan: Even Archie. Like, we read these books, and now he’s been — there’s one line in one that goes, ‘If you can see it, you can be it’. And he goes, ‘You can be it!’ And I think about that so often, especially in the context of these young girls, but even grown women and men who, when I would meet them in our time in the Commonwealth, how much it meant to them to be able to see someone who looks like them . . .
24
Meghan and Harry, who introduced Archie in May 2019, said there were concerns about how dark their baby’s skin would beCredit: AFP
Oprah: Mmm.
Meghan: . . . in this position. And I could never understand how it wouldn’t be seen as an added benefit . . .
Oprah: Mm-hmm.
Meghan: . . . and a reflection of the world today. At all times, but especially right now, to go — ‘how inclusive is that, that you can see someone who looks like you in this family, much less one who’s born into it?’
(Oprah narrates) When Meghan joined the Royal Family in 2018, she became the target of unrelenting, pervasive attacks. Racist abuse online aimed at Meghan Markle. There were undeniable racist overtones. This stands apart from the kind of coverage we’ve seen of any other royal.
There was constant criticism, blatant sexist and racist remarks by British tabloids and internet trolls. We have seen the racism towards her play out in real time. Referring to her as ‘straight outta Compton’. The daily onslaught of vitriol and condemnation from the UK Press became overwhelming and, in Meghan’s words, ‘almost unsurvivable’. (Back to Oprah)
Oprah: You’d said in a podcast that it became ‘almost unsurvivable’, and that struck me, because it sounds like you were in some kind of mental trouble. What was actually going on? ‘Almost unsurvivable’ sounds like there was a breaking point.
Meghan: Yeah, there was. I just didn’t see a solution. I would sit up at night, and I was just, like, I don’t understand how all of this is being churned out. And, again, I wasn’t seeing it, but it’s almost worse when you feel it through the expression of my mom or my friends, or them calling me crying, just, like, ‘Meg, they’re not protecting you’. And I realised that it was all happening just because I was breathing.
Oprah: Mmm.
Meghan: And, look, I was really ashamed to say it at the time and ashamed to have to admit it to Harry, especially, because I know how much loss he’s suffered. But I knew that if I didn’t say it, that I would do it. And I . . . I just didn’t . . . I just didn’t want to be alive any more. And that was a very clear and real and frightening constant thought. And I remember — I remember how he just cradled me. And I was — I went to the institution, and I said that I needed to go somewhere to get help. I said that, ‘I’ve never felt this way before, and I need to go somewhere’. And I was told that I couldn’t, that it wouldn’t be good for the institution. And I called . . .
Oprah: So the institution is never a person. Or is it a series of people?
Meghan: No, it’s a person.
Oprah: It’s a person.
Meghan: It’s several people. But I went to one of the most senior people just to . . . to get help. And that — you know, I share this, because there’s so many people who are afraid to voice that they need help. And I know, personally, how hard it is to not just voice it, but when you voice it, to be told no.
Oprah: Whoo.
Meghan: And so, I went to human resources, and I said, ‘I just really — I need help’. Because in my old job, there was a union, and they would protect me. And I remember this conversation like it was yesterday, because they said, ‘My heart goes out to you, because I see how bad it is, but there’s nothing we can do to protect you because you’re not a paid employee of the institution’.
Oprah: Mmm.
24
They refused to name who had ‘those conversations’Credit: PA:Press Association/PA Images
Meghan: This wasn’t a choice. This was emails and begging for help, saying very specifically, ‘I am concerned for my mental welfare’. And people going, ‘Oh, yes, yes, it’s disproportionately terrible what we see out there to anyone else’. But nothing was ever done, so we had to find a solution.
Oprah: Wow! ‘I don’t want to be alive any more,’ that’s . . .
Meghan: I thought it would have solved everything for everyone, right?
Oprah: So, were you thinking of harming yourself? Were you having suicidal thoughts?
Meghan: Yes. This was very, very clear.
Oprah: Wow.
Meghan: Very clear and very scary. And, you know, I didn’t know who to even turn to in that. And one of the people that I reached out to, who’s continued to be a friend and confidant, was one of my husband’s mom’s best friends, one of Diana’s best friends. Because it’s, like, who else could understand what’s . . .what it’s actually like on the inside?
Oprah: Did you ever think about going to a hospital? Or is that possible, that you can check yourself in some place?
Meghan: No, that’s what I was asking to do.
Oprah: Yeah.
Meghan: You can’t just do that. I couldn’t, you know, call an Uber to the palace.
Oprah: Yeah.
Meghan: You couldn’t just go. You couldn’t. I mean, you have to understand, as well, when I joined that family, that was the last time, until we came here, that I saw my passport, my driver’s licence, my keys. All that gets turned over. I didn’t see any of that any more.
Oprah: Well, the way you’re describing this, it . . . it’s like you were trapped and couldn’t get help, even though you’re on the verge of suicide. That’s what you are describing. That’s what I’m hearing.
Meghan: Yes.
Oprah: And that would be an accurate interpretation, yes?
Meghan: That’s the truth.
Oprah: That’s the truth.
Meghan: You know, and if you think about . . . it was one of the things that . . . it stills haunts me is this photograph that someone had sent me. We had to go to an official event. We had to go to this event at the Royal Albert Hall, and a friend said, ‘I know you don’t look at pictures, but, oh, my God, you guys look so great . . .’
Oprah: Yeah.
Meghan: . . . and sent it to me. And I zoomed in, and what I saw was the truth of what that moment was, because right before we had to leave for that, I had just had that conversation with Harry that morning, and it was the next day that I talked to the institution.
Oprah: You had the conversation ‘I don’t want to be alive any more’?
Meghan: Yeah.
Oprah: Whoo.
Meghan: No, and it was . . . it wasn’t even, ‘I don’t want to’.
Oprah: And then, you . . ?
Meghan: It was like, ‘These are the thoughts that I’m having in the middle of the night that are very clear . . .’
Oprah: Yes, clarification.
Meghan: ‘. . . and I’m scared, because this is very real. This isn’t some abstract idea. This is methodical, and this is not who I am’. But we had to go to this event, and I remember him saying, ‘I don’t think you can go’. And I said, ‘I can’t be left alone’.
Oprah: Because you were afraid of what you might do to yourself?
Meghan: And we went, and that . . .
Oprah: I’m so sorry to hear that.
Meghan: . . . and that picture, if you zoom in, what I see is how tightly his knuckles are gripped around mine. You can see the whites of our knuckles, because we are smiling and doing our job, but we’re both just trying to hold on. And every time that those lights went down in that Royal Box, I was just weeping, and he was gripping my hand.
24
Pregnant Meghan was pictured at the Albert Hall in 2019 on the day she said she felt like taking her lifeCredit: PA:Press Association
Oprah: Wow.
Meghan: And then, it was, ‘OK, intermission’s coming, the lights are about to come on, everyone’s looking at us again’, and you have to just be on again.
Oprah: Yeah.
Meghan: And that’s, I think, so important for people to remember is you have no idea what’s going on for someone behind closed doors. You have no idea. Even the people that smile the biggest smiles and shine the brightest lights, it seems, to have compassion for what’s actually potentially going on.
Oprah: I know. The public is looking at you. And to think that you, earlier in the day, had said to Harry that you didn’t want to be alive any more.
Meghan: Yeah. And just hours before, just sitting on the . . . the steps in our cottage . . .
Oprah: Mmm.
Meghan: . . . just sitting there and then going, ‘ok, well, go upstairs and put your make-up bag in your sink and try to pull yourself together’.
Oprah: Nobody should have to go through that.
Meghan: And, you know, Harry and I are working on this mental health series for Apple, and we — yes, so — we, we, we hear a lot of these stories. Nobody should have to go through that. It takes so much courage to admit that you need help.
Oprah: Mm-hmm.
Meghan: It takes so much courage to voice that. And as I said, I was ashamed. I’m supposed to be stronger than that.
Oprah: Mm-hmm.
Meghan: I don’t want to put more on my husband’s shoulders. He’s carrying the weight of the world. I don’t want to bring that to him. I bring solutions. To admit that you need help, to admit how dark of a place you’re in.
Oprah: You’ve said some pretty shocking things here, revealing . . .
Meghan: I wasn’t planning to say anything shocking.
Oprah: OK.
Meghan: I’m just telling you what’s happened.
Oprah: OK.
Meghan: I’m sorry if it’s shocked you! It’s been a lot.
Oprah: I’m a little shocked.
Meghan: It’s been a lot.
Oprah: How do you feel about the palace hearing you speak your truth today? Are you afraid of a backlash or their reaction?
Meghan: I mean, I think I’m not going to live my life in fear. You know, I think so much of it is said with an understanding of just truth.
Oprah: Mm-hmm.
Meghan: But I think, to answer your question, I don’t know how they could expect that after all of this time, we would still just be silent if there is an active role that The Firm is playing in perpetuating falsehoods about us.
Oprah: Mmm.
Meghan: That at a certain point, you’re going to go, ‘But, you guys, someone just tell the truth’. And if that comes with risk of losing things, I mean, I’ve lost . . . there’s a lot that’s been lost already.
Oprah: Mmm.
24
Now she is expecting her second child and says she knows life is worth living
Meghan: And I grieve a lot. I mean, I’ve lost my father. I lost a baby. I nearly lost my name. I mean, there’s the loss of identity. But I’m still standing, and my hope for people in the takeaway from this is to know that there’s another side.
Oprah: Mm-hmm.
Meghan: To know that life is worth living.
Oprah: OK. I’m so glad you see that now. We are going to take a break, y’all, and Harry’s going to join us.
Meghan: (Laughter)
(Ads and back to Oprah)
Oprah: So, hi.
Harry: Hello.
Oprah: Thanks for joining us.
Harry: Thanks for having me.
Oprah: You’ve been watching on the side, yeah?
Harry: Some of it.
Oprah: Yes. I want to say, first of all, let’s say congratulations . . .
Harry: Thank you.
Oprah: . . . for the new addition to your family. Meghan said she wanted to wait until you were here to tell us, is it a boy or is it a girl?
Meghan: You can tell her.
Harry: No, go for it.
Meghan: No, no.
Harry: It’s a girl.
Oprah: (Squeals)
Meghan: It’s a girl.
Harry: Yes!
Oprah: You’re going to have a daughter. Wow.
Meghan: It’s a girl.
Oprah: When you realised that and saw it on the ultrasound, what . . . what . . . what was your first thought?
Harry: Amazing. Just grateful, like any — to have any child, any one or any two would have been amazing. But to have a boy and then a girl, you know, what more can you ask for? But now, you know, now we — we’ve got our family. We’ve got, you know, the four of us and our two dogs, and it’s great.
Oprah: Done. Done? Two is it?
Harry: Done.
Meghan: Two is it.
Oprah: Two is it.
Meghan: Two is it.
Oprah: And when’s the baby due?
Meghan: In summertime.
Oprah: This summertime?
Meghan: Yeah.
Oprah: So, you all have been living in sunny California now for . . .
Meghan: Since March.
Oprah: Since March, OK.
(Oprah narrates) In late 2019, Prince Harry and Meghan left the UK And moved to Canada. The couple says they chose Canada, a commonwealth of Britain, with the intention of continuing to serve the Queen. After their move, Harry and Meghan say security normally provided by the Royal Family was cut off. By March 2020, just days before the Covid lockdown began, Meghan, Harry and Archie relocated to Los Angeles, where media mogul Tyler Perry offered them his home as a temporary refuge. He also provided security.
Three months later they bought their own home and settled in the Santa Barbara area. Last spring, the Duke and Duchess of Sussex created their own foundation and media content company called Archewell.
24
In late 2019 Harry and Meghan left the UK and moved to CanadaCredit: BackGrid
Oprah: And so you stayed at Tyler Perry’s house for several months.
Harry: Three months, I believe.
Meghan: Yeah, because we didn’t have a plan. We needed . . . we needed a house and he offered security as well, so it gave us breathing room to try to figure out what we are going to do.
Harry: The biggest concern was that while we were in Canada, in someone else’s house, I then got told at short notice security was going to be removed. By this point, courtesy of the Daily Mail, the world knew exact . . . our exact location. So suddenly it dawned on me, ‘Hang on a second. The borders could be closed. We’re going to have our security removed. Who knows how long lockdown’s going to be? The world knows where we are. It’s not safe. It’s not secure’.
Meghan: Well, and also . . .
Harry: We probably need to get out of here.
Oprah: So, what security did you have at the time that was going to be removed?
Harry: We had our UK security.
Oprah: So you got word from overseas?
Harry: Yeah.
Oprah: That ‘we’re taking away your security’. Why were they doing that?
Harry: Their justification is a change in status, of which I pushed back and said, ‘Well, is there a change of threat or risk?’ And after many weeks of waiting, eventually I got the confirmation that no, the risk and threat hasn’t changed but due to our change of status, (by) which we would no longer be official working members of the Royal Family, they’re obviously . . . what we proposed was sort of part-time, or at least as much as we could do without being fully consumed because of, I think, what most of you guys have covered already.
Meghan: We actually didn’t talk about that. It’s been so spun in the wrong direction, as though we quit, we walked away, we . . . all the conversations of the two years before we finally announced it.
(Oprah narrates) In January 2020, Prince Harry and Meghan announced they would step back as senior members of the Royal Family. The swiftness with which they’ve taken this decision, only 18 months after they got married, has taken everyone by surprise, from the Queen all the way down.
The bombshell news sparked a worldwide media frenzy dubbed ‘Megxit’ by the British Press. Many reporters and viral posts blamed Meghan for the decision. In an official statement, Queen Elizabeth said: ‘Although we would have preferred them to remain full-time working members of the Royal Family, we respect and understand their wish to live a more independent life as a family while remaining a valued part of my family.’ (Back to Oprah)
Oprah: OK, let me ask the question.
Meghan: Yeah?
Oprah: So, over a year ago, you shocked the world. You announced you were stepping back as senior members of the Royal Family. And then the media reported that you had ‘blindsided’ the Queen, your grandmother. So here’s a time to set the record straight. What was the tipping point that made you decide you had to leave?
Harry: Yeah, it was desperate. I went to all the places which I thought I should go to, to ask for help. We both did.
Meghan: Mm-hmm.
Harry: Separately and together.
Oprah: So you left because you were asking for help and couldn’t get it?
Harry: Yeah, basically. But we never left.
Meghan: We never left the family and we only wanted to have the same type of role that exists, right? There’s senior members of the family and then there are non-senior members. And we said, specifically, ‘We’re stepping back from senior roles to be just like several . . .’ I mean, I can think of so many right now who are all . . . they’re royal highnesses, prince or princess, duke or duchess . . . who earn a living, live on palace grounds, can support the Queen if and when called upon. So we weren’t reinventing the wheel here. We were saying, ‘OK, if this isn’t working for everyone, we’re in a lot of pain, you can’t provide us with the help we need, we can just take a step back. We can do it in a Commonwealth country’. We suggested New Zealand, South Africa . . .
Harry: Take a breath.
Meghan: Canada.
Oprah: Yeah. And you wanted to take a breath from what specifically? Let’s be clear.
24
By March 2020, just days before lockdown, the family had relocated to LACredit: The Mega Agency
Harry: From this . . . this constant barrage. My biggest concern was history repeating itself and I’ve said that before on numerous occasions, very publicly. And what I was seeing was history repeating itself. But more, perhaps. Or definitely far more dangerous because then you add race in and you add social media in. And when I’m talking about history repeating itself, I’m talking about my . . . my mother.
Harry: When you can see something happening in the same kind of way, anybody would ask for help, ask the system of which you are a part of — especially when you know there’s a relationship there — that they could help and share some truth or call . . . call the dogs off, whatever you want to call it. So to receive no help at all and to be told continuously, ‘This is how it is. This is just how it is. We’ve all been through it’ . . . and I think the biggest turning point for me was the . . . and it didn’t take very long. It was actually right at the beginning . . . was, OK, this union . . . us, me, being . . . having a girlfriend was going to be a thing. Of course it was. But I . . . I never expected, or I never thought . . .
Oprah: Because she was mixed race?
Harry: No, just . . . just the two of us to start with. I hadn’t really thought about the mixed-race piece because I thought, well . . . well, firstly, you know, I’ve spent many years doing the work and doing my own learning. But my upbringing in the system, of which I was brought up in and what I’ve been exposed to, it wasn’t . . . I wasn’t aware of it to start with. But, my god, it doesn’t take very long to suddenly become aware of it.
Oprah: Yeah, because you said you really weren’t aware of unconscious bias and all that that represents . . .
Harry: No.
Oprah: Until you met Meghan.
Harry: Yeah. You know, as sad as it is to say, it takes living in her shoes — in this instance, for a day, or those first eight days — to see where it was going to go and how far they were going to take it.
Oprah: And get away with it?
Harry: And get away with it and be so blatant about it. That’s the bit that shocked me. This is . . . we’re talking about the UK Press here, right? And this . . . the UK is my home. That is . . . that is where I was brought up. So yes, I’ve got my own relationship that goes back a long way with the media. I asked for calm from the British tabloids — once as a boyfriend, once as a husband and once as a father.
Oprah: So when I ask the question, ‘Why did you leave?’ the simplest answer is . . ?
Harry: Lack of support and lack of understanding.
Oprah: So, I want clarity. Was the move about getting away from the UK Press? Because the Press, as you know, is everywhere. Or was the move because you weren’t getting enough support from The Firm?
Harry: It was both.
Oprah: Both.
Harry: Yeah.
Oprah: Did you blindside the Queen?
Harry: No. I’ve never blindsided my grandmother. I have too much respect for her.
Oprah: So where did that story come from?
Harry: I hazard a guess that it probably could have come from within the institution.
Oprah: Mmm.
Meghan: So, I remember when you talked to her several times about this over . . .
Harry: Two years.
Meghan: Two years. But even the night before, days before, with the statement coming out, I remember that conversation.
Oprah: So, how do you know she wasn’t blindsided? Because the way it was presented through the Press is that suddenly you made this announcement. She didn’t know it was coming.
24
Harry insisted the Queen wasn’t blindsided by MegxitCredit: AFP or licensors
Harry: No, I . . . when we were in Canada, I had three conversations with my grandmother and two conversations with my father and — before he stopped taking my calls — and he said, ‘Can you put this all in writing what your plan is?’
Oprah: Your father asked you to put it in writing.
Prince Harry: Yeah. He asked me to put it in writing and I put all the specifics in there, even the fact that we were planning on putting the announcement out on January 7.
Oprah: So you just said that your dad stopped taking your calls. Why did he stop taking your calls?
Harry: Because I took matters in . . . by that point, I took matters into my own hands. It was like, ‘I need to do this for my family. This is not a surprise to anybody. It’s really sad that it’s gotten to this point but I’ve got to do something for my own mental health, my wife’s and for Archie’s as well’. Because I could see where this was headed.
Meghan: To have sat back and not said that for so long, it just feels really . . .
Oprah: To have been silenced all this time.
Meghan: Yeah.
Harry: Been three and a half, four years. Or longer, actually.
Meghan: We were saying . . . gosh, it must have been years ago we were sitting in Nottingham (Nottingham Cottage, where Harry lived as a bachelor and when first married) . . . I was sitting in Nottingham Cottage and The Little Mermaid came on. Now, who watches . . . who as an adult really watches The Little Mermaid? But it came on and I was like, ‘Well, I’m just here all the time, so I may as well watch this’. And I went, ‘Oh, my god! She falls in love with the prince and because of that, she has to lose her voice’.
Oprah: Mmm.
Meghan: But by the end, she gets her voice back.
Oprah: Gets her voice back.
Meghan: Yeah.
Oprah: And this is what happened here? You feel like you got your voice back?
Meghan: Yeah.
Oprah: So, you . . . you’re stepping back out of frustration and you just need to get out. And, you know, you heard Meghan share with us all . . .
Harry: Mm-hmm.
Oprah: The moment that she came to you, had the courage enough to say out loud . . .
Harry: Mm-hmm.
My father said: Can you put your plan in writing? Then he stopped taking my calls. I’d taken matters into my own hands.
Oprah: ‘I don’t want to live any more.’
Harry: Mm-hmm.
Oprah: And you didn’t know what to do?
Harry: I had no idea what to do. I wasn’t . . . I wasn’t prepared for that. I went . . . I went to a very dark place as well. But I . . . I wanted to be there for her and . . .
Meghan: Also, we didn’t leave right that minute, right?
Harry: I was terrified.
Meghan: We still . . . that’s almost a year after.
Oprah: So then did you tell other people in the family, ‘I have to get help for her. We need help for her’?
Harry: No. That’s just not a conversation that would be had.
Oprah: Why?
Harry: I guess I was ashamed of admitting it to them.
Oprah: Oh.
Harry: And I don’t know whether . . . I don’t know whether they’ve had the same . . . whether they’ve had the same feelings or thoughts. I have no idea. And it’s a very trapping environment that a lot of them are stuck in.
Oprah: You were ashamed of admitting that Meghan needed help?
Harry: Yeah.
Oprah: Mmm.
Harry: I didn’t have anyone to turn to.
Oprah: Mm-hmm.
Harry: You know, we’ve got some very close friends that . . . that have been with us through this whole process but for the family, they very much have this mentality of, ‘This is just how it is. This is how it’s meant to be. You can’t change it. We’ve all been through it’.
Oprah: ‘We’ve all been through the pressure. We’ve all been through being exploited’?
Harry: Yes. But what was different for me was the race element, because now it wasn’t just about her, but it is about what she represents. And therefore it wasn’t just affecting my wife. It was affecting so many other people as well. And that’s . . . that was the trigger for me to really engage in those conversations with Palace . . . senior Palace staff and with my family to say, ‘Guys, this is not going to end well’.
Oprah: And when you say ‘end well’, what did you mean?
24
He said he spoke to his father and grandmother multiple times before they broke the newsCredit: Getty
Harry: For anyone it’s not going to end well. Because the way that I saw it was there was a way of doing things but for us — for this union and the specifics around her race — there was an opportunity, many opportunities, for my family to show some public support.
Oprah: Mmm.
Harry: And I guess one of the most telling parts — and the saddest parts, I guess — was over 70 Members of Parliament, female Members of Parliament, both Conservative and Labour — came out and called out the . . . the colonial undertones of articles and headlines written about
Meghan. Yet no one from my family ever said anything over those three years. And that . . . that hurts. But I also am acutely aware of where my family stand and how scared they are of the tabloids turning on them.
Oprah: Turning on them for what? They’re the Royal Family.
Harry: Yes, but it’s . . . there is this invisible . . . what’s termed or referred to as the ‘invisible contract’ behind closed doors between the institution and the tabloids, the UK tabloids.
Oprah: How so?
Harry: Well, it is . . . to simplify it, it’s a case of if you . . . if you as a family member are willing to wine, dine and give full access to these reporters, then you will get better press.
Oprah: What do you care about better press if you’re royal?
Harry: I think everyone needs to have some compassion for . . . for them in that situation, right? There is a level of control by fear that has existed for generations. I mean, generations.
Oprah: But who’s controlling whom? It’s the institution. From our point of view, just the public. It’s . . .
Harry: Yeah but the institution survives based on that, on that perception. So actually, if you don’t . . .
Oprah: So you’re saying there’s this relationship that Meghan was speaking of . . . it’s like, symbiotic. One lives or thrives because the other exists.
Meghan: Mmm.
Oprah: That’s what you’re saying.
Harry: That’s the . . . that’s the idea.
Meghan: Well, see, I think there’s a reason that these tabloids have holiday parties at the Palace. They’re hosted by the Palace, the tabloids are. You know, there is a construct that’s at play there. And because from the beginning of our relationship, they were so attacking and inciting so much racism, really, it changed our . . . the risk level, because it went . . . it wasn’t just catty gossip. It was bringing out a part of people that was racist in how it was charged. And that changed the threat. That changed the level of death threats. That changed everything.
Oprah: So, tell me this: You said a moment ago, it hurts that your family has never acknowledged the role that racism played in here. Did you think she was well received in the beginning?
Harry: Yes. Far better than I expected. (Laughter) But, you know, my grandmother has been amazing throughout. You know, my father, my brother, Kate and . . . and all the rest of the family, they were, they were really welcoming. But it really changed after the Australia tour, after our South Pacific tour.
Meghan: That’s when we announced we were pregnant with Archie. That was our first tour.
Harry: But it was also . . . it was also the first time that the family got to see how incredible she is at the job. And that brought back memories.
Oprah: I’m thinking, because I watch The Crown OK? I watch The Crown. Do you all watch The Crown?
Meghan: (Laughs)
Harry:: I’ve watched some of it. You’ve watched some of it?
Meghan: I’ve watched some of it.
Oprah: But there’s this . . . I think it was the fourth season, actually, where there is an Australian tour. So, is that what you’re talking about? It brought back memories of that? The Australian tour.
24
Harry said he was ‘trapped within the system’ until he met MeghanCredit: Getty
Harry: Yeah.
Oprah: Where your father and your mother went there, and your mother was bedazzling. So, are you saying that there were hints of jealousy?
Harry: Look, I just wish that we would all learn from the past. But to see the . . . to see how effortless it was for Meghan to come into the family so quickly in Australia and across New Zealand, Fiji and Tonga, and just be able to connect with people in such a . . .
Oprah: But . . .
Harry: I know, I know, I know, I know. But it’s . . .
Oprah: Why, I mean, why wouldn’t everybody love that? Isn’t that what you want? You want her to come into the family and to, as the Queen said at one point, the way that Meghan had basically, not her words, been assimilated into the family.
Harry: Yeah, I think, you know, as we talked about, she was very much welcomed into the family, not just by the family, but by the world.
Oprah: Yeah.
Harry: Certainly by the Commonwealth. I mean, here you have one of the greatest assets to the Commonwealth that the family could have ever wished for.
Oprah: I just can’t . . . I’m kind of going back to this. So, then, you’re in Canada because you had stepped back. Your Firm says you’re no longer going to have protection. So, did you ask for that? Because did you want . . . were you trying to have it both ways? You wanted to step back but also keep your foot in royal business, it seems.
Harry: It’s interesting that you talk about it being, you know, ‘Have it both ways’ on the . . . on the security element. I never thought that I would have my security removed, because I was born into this position. I inherited the risk. So that was a shock to me. That was what completely changed the whole plan.
Oprah: So, that you as Prince Harry are going to have your security removed.
Meghan: Yeah. And I even . . . and I even wrote letters to his family saying, ‘Please, it’s very clear the protection of me or Archie is not a priority. I accept that. That is fine. Please keep my husband safe. I see the death threats. I see the racist propaganda. Please keep him safe. Please don’t pull his security and announce to the world when he and we are most vulnerable’. And they said it’s just not possible.
Oprah: Mm-hmm. I think what we really have got to clear up here is because one of the stories that continues to live, either through rumours or social media, out in the world, is that you, Meghan, are the one who manipulated, calculated, and are responsible for this Megxit.
Meghan: Oh, my gosh. It’s amazing how they can use Meg for everything.
Oprah: Yes. There are even stories that you knew all along that this was going to happen. You went through the whole process, and it was all intentional to build your brand.
Meghan: Can you imagine how little sense that makes? I left my career, my life. I left everything because I love him, right? And our plan was to do this for ever.
Harry: Yes.
Meghan: Our plan . . . for me, I mean, I wrote letters to his family when I got there, saying, ‘I am dedicated to this. I’m here for you. Use me as you’d like’. There was no guidance, as well, right? There were certain things that you couldn’t do. But, you know, unlike what you see in the movies, there’s no class on how to . . . how to speak, how to cross your legs, how to be royal. There’s none of that training. That might exist for other members of the family. That was not something that was offered to me.
Oprah: So, nobody tells you anything?
Meghan: No.
Oprah: Nobody prepares you?
Meghan: Nobody even . . .
Harry: There’s . . .
Meghan: Sorry, but even down to, like, the National Anthem. No one thought to say, ‘Oh, you’re American. You’re not going to know that’. That’s me late at night, Googling how . . . what’s the National . . . I’ve got to learn this. I don’t want to embarrass them. I need to learn these 30 hymns for church. All of this is televised. We were doing the training behind the scenes, because I just wanted to make them proud.
Oprah: OK, but here’s the question: Do you think you would have left or ever stepped back were it not for Meghan?
Meghan: Hm.
Harry: No. The answer to your question is no.
Oprah: You would not have?
Harry: I wouldn’t have . . . I wouldn’t have been able to, because I myself was trapped as well. I didn’t see a way out.
Oprah: She felt trapped, you were trapped?
Harry: Yeah, I didn’t see a way out.
Oprah: But you’d this life, your whole life. This has been your life your whole life.
24
He claimed William and Charles are also trapped but ‘they don’t get to leave’Credit: Instagram
Harry: Yeah, but, you know, I was trapped, but I didn’t know I was trapped.
Oprah: Mmm.
Harry: But the moment that I met Meg, and then our worlds sort of collided in the most amazing of ways, and then to see how . . .
Oprah: Please explain how you, Prince Harry, raised in a palace and a life of privilege — literally, a Prince . . . how you were trapped.
Harry: Trapped within the system, like the rest of my family are. My father and my brother, they are trapped. They don’t get to leave. And I have huge compassion for that.
Oprah: Well, OK, so the impression of the world — maybe it’s a false impression — is that, for all these years before Meghan, you were living your life as a royal, Prince Harry . . . the beloved Prince Harry and that you were enjoying that life. We didn’t get the impression that you were feeling trapped in that life.
Harry: Enjoying the life because there were photographs of me smiling while I was shaking hands and meeting people? Like, I’m sure you guys have covered some of that. That’s . . . that’s a part of the job. That’s a part of the role. That’s what’s expected. No matter who you are in the family, no matter what’s going on in your personal life, no matter what’s just happened, if the bikes roll up and the car rolls up, you’ve got to get dressed, you got to get in there. You wipe your tears away, shake off whatever you’re thinking about and you got to be on your A-game.
Oprah: Mm-hmm. What would you think your mum would say about this stepping back, this decision to step back from the Royal Family? How would she feel about this moment?
Harry: I think she would feel very angry with how this has panned out, and very sad. But, ultimately, she’d . . . all she’d . . . all she’d ever want is for us to be happy.
Oprah: You wanted freedom from . . . from that life? You wanted freedom to make your own money. You wanted freedom to make deals with Netflix and Spotify. But you also wanted to serve the Queen?
Harry: Yeah, we didn’t want to . . . we didn’t want to give up, or we didn’t want to turn our backs on the associations and the people that we . . . that we’ve been supporting.
Meghan: But also, Oprah, it exists.
Harry: Yeah, it exists. But, also, the Netflix and the Spotify, they’re all . . . that was never part of the plan.
Meghan: Yeah.
Oprah: Because you didn’t have a plan?
Meghan: We didn’t have a plan.
Harry: We didn’t have a plan. That was suggested by somebody else by the point of where my family literally cut me off financially, and I had to afford . . . afford security for us.
Oprah: Wait. Hold . . . hold up. Wait a minute. Your family cut you off?
Harry: Yeah, in the first half, the first quarter of 2020. But I’ve got what my mum left me, and, without that, we would not have been able to do this.
Oprah: OK.
Harry: So, you know, touching back on what you asked me, what my mum would think of this, I think she saw it coming. And I certainly felt her presence throughout this whole process. And, you know, for me, I’m . . . I’m just really relieved and happy to be sitting here talking to you with my wife by my side. Because I can’t begin to imagine what it must have been like for her going through this process by herself all those years ago, because it’s been unbelievably tough for the two of us, but at least we had each other.
Oprah: What’s your relationship like now with your family?
Harry: I’ve spoken more to my grandmother in the last year than I have done for many, many years.
Oprah: Do you all have Zoom calls?
Harry: We did a couple of Zoom calls with Archie.
Meghan: Sometimes, yes, so they can see Archie.
Oprah: Yeah.
Harry: My grandmother and I have a really good relationship . . .
24
Harry said he thinks Diana would be angry ‘with how this has panned out’Credit: Getty
Oprah: Mm-hmm.
Harry: . . . And an understanding. And I have a deep respect for her. She’s my Colonel-In-Chief, right? She always will be.
Oprah: Your relationship with your father? Is he taking your calls now?
Harry: Yeah. Yeah, he is. There’s a lot to work through there, you know? I feel really let down, because he’s been through something similar. He knows what pain feels like, and this is . . . and Archie’s his grandson. And . . . but, at the same time, you know, I, of course I will always . . . I will always love him, but there’s a lot of hurt that’s happened. And . . . and I will continue to . . . to make it one of my priorities to try and heal that relationship. And, but they only know what they know, and that’s the thing. I’ve tried to . . .
Meghan: Or what they’re told.
Harry: Or what they’re told. And I’ve tried to educate them through the process that I have been educated.
Oprah: Because is it like being in a big royal bubble?
Harry: Yeah.
Oprah: Yeah. And your brother? Relationship? Much has been said about that.
Harry: Yeah, and much will continue to be said about that. You know, as I’ve said before, I love William to bits. He’s my brother. We’ve been through hell together. I mean, we have a shared experience. But we . . . you know, we’re on . . . we’re on different paths.
Oprah: Well, what is particularly striking is what Meghan shared with us earlier, is that no one wants to admit that there’s anything about race or that race has played a role in the trolling and the vitriol, and yet Meghan shared with us that there was a conversation with you about Archie’s skin tone.
Harry: Mm-hmm.
Oprah: What was that conversation?
Harry: That conversation I’m never going to share, but at the time . . . at the time, it was awkward. I was a bit shocked.
Oprah: Can you . . . can you tell us what the question was?
Harry: No. I don’t . . . I’m not comfortable with sharing that.
Oprah: OK.
Harry: But that was . . . that was right at the beginning, right?
Oprah: Like, what will the baby look like?
Harry: Yeah, what will the kids look like?
Oprah: What will the kids look like?
Harry: But that was right at the beginning, when she wasn’t going to get security, when members of my family were suggesting that she carries on acting, because there was not enough money to pay for her, and all this sort of stuff. Like, there was some real obvious signs before we even got married that this was going to be really hard.
Oprah: So, in conclusion, if you’d had the support, you’d still be there?
Harry: Without question.
Meghan: Yeah.
24
He said ‘I think she saw it coming, and I certainly felt her presence throughout this process’Credit: Getty
Harry: I’m sad that . . . that what’s happened has happened, but I know, and I’m comfortable in knowing, that we did everything that we could to make it work. And we did everything on the exit process the way that . . . the way that it should have been done.
Meghan: With as much respect.
Harry: With as much respect.
Meghan: And, oh, my God, we just did everything we could to . . . to protect them.
Oprah: So, what do you say to the people who say you came here, you made these multimillion-dollar deals and that you’re just money-grabbing royals?
Harry: First off, this was never the intention.
Oprah: Mm-hmm.
Meghan: Yeah.
Harry: And we’re certainly not complaining. We . . . our life is great now. We’ve got a beautiful house. We’ve got a beautiful . . . I’ve got a beautiful family. And the dogs . . . the dogs are really happy. But at the time, during Covid, the suggestion by a friend was, ‘What about streamers?’
Meghan: Yeah, we genuinely hadn’t thought about that before.
Harry: We hadn’t thought about it. So there were all sorts of different options. And, look, from my perspective, all I needed was enough money to be able to pay for security to keep my family safe.
Oprah: Mm. How will you use Archewell as a means of speaking to things that are important to you in the world?
Meghan: I think in creating . . . I mean, life is about storytelling, right? About the stories we tell ourselves, the stories we’re told, what we buy into. And . . . and for us to be able to have storytelling through a truthful lens, that hopefully is uplifting, is going to be great knowing how many people that can land with. And being able to give a voice to a lot of people that are under-represented and aren’t really heard.
Oprah: Any regrets?
Meghan: This morning, I woke up earlier than H and saw a note from someone on our team in the UK saying the Duke of Edinburgh had gone to the hospital.
Oprah: Yeah.
Meghan: But I just picked up the phone and I called the Queen just to check in.
Oprah: You check in?
Meghan: Just like, I would . . . you know . . . that’s what we do. It’s like, being able to default to not having to every moment go, ‘Is that appropriate?’
Oprah: Yeah.
Harry: For so many in my family, what they do is . . . there’s a level of control in it, right? Because they’re fearful of what the papers are going to say about them.
Oprah: Yeah.
Harry: Whereas with us, it was just, like, just be . . . just be yourself. Just be genuine. Just be authentic. Just go and do what it is. If you get it wrong, you get it wrong. If you get it right, you get it right.
(Oprah narrates) On February 19, 2021, Buckingham palace released a statement announcing it was agreed that Prince Harry and Meghan would not return as working members of the Royal Family. Harry and Meghan’s royal patronages and Prince Harry’s honorary military titles would be returned to the Queen. The Queen’s statement was released after our interview took place. (Back to Oprah)
Oprah: Your exit agreement with the Royal Family, it’s . . . that is coming up at the end of this month.
Harry: The decision is, I think. Yeah, I mean, the decision — what, as of last week, or whatever it was — is that they will be removing everything.
24
The Sussexes said they have no regrets about stepping backCredit: AFP or licensors
Oprah: Are you hurt by that decision?
Harry: I am hurt. But at the same time I completely respect my grandmother’s decision. I would still love for us to be able to continue to support those associations, albeit without the title or the role.
Oprah: Could you be as satisfied now, doing this through your own organisation, Archewell?
Meghan: Well, we . . . this is what we’re doing, right? We’re still doing it. We’re still going to always do the work. But I also think it’s important for you or everyone to know this decision that was made about patronages and all of that was before anyone knew that we were sitting down with you.
Harry: Yeah.
Meghan: I think that it’s . . . I can only imagine . . .
Oprah: I heard a story that you’re getting punished now. Those were being taken away because you did sit down with me.
Meghan: Yeah, but that was . . . those letters, those conversations, that was . . . that was finalised before anyone even knew that we were going to sit down. So that’s just not true.
Oprah: All right, tell me this. Harry, what delights you now in your everyday experience and the things that you actually cherish in your life here with Archie and Meghan?
Harry: This year has been crazy for everybody. But to have outdoor space where I can go for walks with Archie, and we can go for walks as a family and with the dogs, and we can go on hikes — we’ll go down to the beach, which is so close — all of these things are just . . . I guess, the highlight for me is sticking him on the back of the bicycle in his little baby seat and taking him on these bike rides, which is something I was never able to do when I was young. I can see him on the back and he’s got his arms out and he’s like, ‘Whoo!’ chatting, chatting, chatting, going, ‘Palm tree! House!’ and all this sort of stuff. And I do . . . I think to myself . . .
In some ways it’s just the beginning. Greater than any fairytale you’ve ever read…
Oprah: What’s his new favourite word? What’s his favourite word now?
Meghan: Oh my gosh, he’s on a roll. In the past couple weeks it has been hydrate, which is just hysterical.
Harry: But also, whenever everyone leaves the house, he’s like, ‘Drive safe’.
Meghan: ‘Drive safe’.
(Oprah laughs)
Harry: Which is really . . .
Meghan: He’s not even two yet!
Oprah: You said that your brother was trapped. You said that you love your brother and always will love your brother. You didn’t tell me what the relationship is now, though.
Harry: The relationship is space at the moment. And, you know, time heals all things, hopefully.
Oprah: Any regrets?
Harry: No. I mean . . . no, I think we’ve done . . . I’m really proud of us, you know? I’m so proud of . . . I’m so proud of my wife. Like, she safely delivered Archie during a period of time which was so cruel and so mean. And every single day, I was coming back from work, from London, I was coming back to my wife crying while breastfeeding Archie. That’s coming from someone who wasn’t reading anything. And as she touched on earlier, if she had read anything, she wouldn’t be here now. So we did what we had to do — and now we’ve got another little one on the way.
Meghan: I have one. My regret is believing them when they said I would be protected. I believed that. And I regret believing that because I think, ‘had I really seen that that wasn’t happening, I would have been able to do more’. But I think I wasn’t supposed to see it. I wasn’t supposed to know. And . . . and now, because we’re actually on the other side, we’ve actually not just survived but are thriving. You know, this . . . I mean, this is miracles. I . . . yeah, I think that all of those things that I was hoping for have happened . . . and this is in some ways just the beginning for us. You know, we’ve been through a lot. It’s felt like a lifetime. (Laughs.) A lifetime.
Oprah: So, your story with the prince does have a happy ending?
Meghan: It does.
Harry: Yeah.
Meghan: Yeah. (Laughs.) It really did.
Oprah: It has a happy ending because you made it so.
Meghan: Yeah, greater than any fairytale you’ve ever read.
Oprah: Greater than any fairytale.
Meghan: Yeah, yeah.
Oprah: What you’ve described here today — being trapped and not even being aware of it and all the things that had transpired, and then she comes into your life and then you’re doing therapy — do you think in some way she saved you?
Harry: Yeah. Without question. There was . . . there was a bigger purpose. There was other forces at play, I think, throughout this whole process. I’m the last person to think, ‘Ooh!’ You know? But it’s undeniable when these things have happened, where the overlap is. So yeah, she did. Without question she saved me.
Meghan: And I would . . . I would . . . I mean, I think that’s lovely. I would disagree. I think he saved all of us, right? He ultimately called it and was like, ‘We’ve got to find a way for us, for Archie’. And you made a decision that saved . . . certainly saved my life and saved all of us. But, you know, you need to want to be saved.
Oprah: Well, thank you for sharing your love story. We can’t wait for the big day some time this summer.
Meghan: Yes, indeed.
Oprah: Sometime this summer.
Meghan: Yeah.
Oprah: Thank you both for trusting me to share your story.
Meghan: Thank you for giving us the space to do it.
Harry: Yeah, thank you.
Oprah: This conversation doesn’t end here. There was so much more that we couldn’t fit into this special.
Body language expert reveals the hidden messages in Harry and Meghan’s Oprah interview
GOT a story? RING The Sun on 0207 782 4104 or WHATSAPP on 07423720250 or EMAIL exclusive@the-sun.co.uk
The former Fox News host Megyn Kelly spoke out this week to reveal what’s really wrong with Vice President Kamala Harris, saying that she talks to people “like they’re on the short bus.”
Kelly Eviscerates Harris
During Thursday’s episode of her eponymous SiriusXM talk show, Kelly played a clip from Harris’ appearance on “The View” earlier this week in which she said that she is “scared as heck” of Donald Trump being reelected.
“She thinks she’s Rush Limbaugh. She’s not. It’s so obvious,” Kelly said in response. “She tries to explain things to people all the time, as though she’s talking to a 2 year old. And look, I talk to my audience about complex things all the time, and I never assume anybody understands a complex thing. I always give a couple lines of explanation because people are living their lives and they’re not following politics day and night like I am. But I don’t treat them like they’re idiots.”
“I have a respect for my audience’s intelligence that they deserve because I talk to my audience,” Kelly continued. “They call in all the time on SiriusXM, they write in at MegynKelly.com. She talks to the people listening to her like she thinks they’re on the short bus. Forgive me, but she does.”
Not stopping there, Kelly went on to say that she feels “insulted” by the way that Harris speaks.
“All I feel is insulted. My intelligence is insulted. I’m bored by you. I’m offended by you,” Kelly said. “The thing is, it almost makes me think of Oprah. So Oprah actually was full of profundities when she did that show. But back in the day when I was young and in law school and you turn on ‘The Oprah Winfrey Show,’ you would hear something. She was the one we got the ‘aha moment’ from.”
“She would have this little catchphrase where you’re like, ‘Oh, yeah, that’s something to think about,’ and her team would set it to music and they’d slow down the interaction, and you’d be moved,” Kelly added. “You’d think, ‘Oh, I feel inspired.’ She thinks she’s Oprah. She thinks we’re going to add a little twinkly music. I’m going to say it like this, and even though it’s total inanity, it’s going to move people.”
Check out Kelly’s full comments on this in the video below.
This isn’t the first time that Kelly has blasted Harris publicly. In July of last year, she ripped Harris as a “moron” after saying that she gave her “the benefit of the doubt” at first.
“I did not think she was an idiot. I now think she’s a moron. She’s not that smart. Forgive me, I’m still one of those people who gets wooed by titles like, ‘She was the attorney general in state of California.’ You know, how dumb could she be? Like, dumb. The answer is very, very dumb,” Kelly said, according to OK! Magazine. “And I come to that conclusion just with my own eyes and ears from watching and listening to her. She cannot put two sentences together.”
“She’s just not a smart person, and it concerns me because that’s all we have in line at the Democratic side. And as [Donald] Trump’s numbers continue to go up and up and up – and I realize some of the polls are showing him beating Joe Biden now in a hypothetical matchup – he’s still very vulnerable,” she added. “He did not win in 2020 and it looks like it’s gonna be the same matchup, and honestly, Joe Biden’s knocking on the Grim Reaper’s door, and she could be the President of the United States in the next six years by default, if things go in a dark and upsetting way. I’m concerned.”
Millions of Americans will agree with Kelly’s assessment of Harris, whose approval rating fell from 41.7 percent to 36.3 percent last year while her disapproval increased from 51.7 percent to 53.7 percent, according to analysis by polling website 538. Thomas Gift, who heads up the Centre on U.S. Politics at University College London, told Newsweek last month that Harris’ unpopularity “could end up being a difference-maker” in the 2024 presidential election.
“To realize just how unpopular Kamala Harris is, you have to keep in mind the historical significance of it all,” Gift said. “No one in her position has had this low of favorabilities in a first term since Dan Quayle. That’s saying something. So it’s no surprise, especially with Biden’s age, that Republicans keep hammering home a simple point: a vote for Biden is a vote for Harris.
“While it’s usually the top of the ticket that drives voting, and that will be true again in 2024, Harris’ abysmal popularity will matter on the margins,” he added. “And with next year’s election poised to be close, those margins could end up being a difference-maker.”
Megyn Kelly plays a compilation of how many times Kamala Harris has used ‘unburdened’ during a speech “She has no profundities to offer and it’s very clear to all of us, and she could be our next president” I cannot wait until America becomes unburdened from the Biden… pic.twitter.com/pvGetd6XJw
What do you think about Kelly’s comments on Harris? Let us know in the comments section.
Now is the time to support and share the sources you trust. The Political Insider ranks #3 on Feedspot’s “100 Best Political Blogs and Websites.”
An Ivy leaguer, proud conservative millennial, history lover, writer, and lifelong New Englander, James specializes in the intersection of… More about James Conrad
FREE NEWS ALERTS
Subscribe to receive the most important stories delivered straight to your inbox. Your subscription helps protect independent media.
By subscribing, you agree to receive emails from ThePoliticalInsider.com and that you’ve read and agree to our Privacy policy and to our terms and conditions.
Oprah says that there is no bad blood between her and The Color Purple actress Taraji P. Henson, who has over the last few weeks shared her poor experiences with things like pay and on-set accommodations on the film, as well as other projects.
Speaking to Entertainment Tonight, Winfrey addressed online speculation over Henson’s treatment on the film after the award-winning actress opened up about her pay equity struggles while on The Color Purple press tour. Winfrey, who is a producer on the film and appeared in the original 1985 non-musical version directed by Steven Spielberg, told the outlet she “heard I was trending yesterday” after more comments from Henson, this time in the New York Times about transportation to set and trailers while filming the movie.
“People are saying that I was not supporting Taraji. Taraji will tell you herself that I’ve been the greatest champion of this film. Championing not only the behind the scenes projection but also everything that everybody needed,” Winfrey said. “I’m not in charge of the budget because that’s Warner Bros., you know. That’s the way the studio system works.”
She continued: “We as producers, everybody gets their salary … negotiated by your team. And so, whenever I heard there was an issue or there was a problem — there was a problem with cars or the problem with their food — I would step in and do whatever I could to make it right. And I believe that she would even vouch for that and say that is true.”
In an interview that published last Friday, Henson — who plays Shug Avery in the Blitz Bazawule-directed movie musical — revealed she had “fought” and secured a number of things for herself and her fellow Black female co-stars during filming.
“They gave us rental cars, and I was like, ‘I can’t drive myself to set in Atlanta.’ This is insurance liability, it’s dangerous. Now they robbing people. What do I look like, taking myself to work by myself in a rental car?” she said. “So I was like, ‘Can I get a driver or security to take me?’ I’m not asking for the moon. They’re like, ‘Well, if we do it for you, we got to do it for everybody.’”
“Well, do it for everybody!” she added. “It’s stuff like that, stuff I shouldn’t have to fight for.”
Henson also continued to discuss her lack of pay, despite appearing in Oscar-winning movies and leading Empire, once a TV ratings Goliath. “I haven’t had a raise since [the 2018 film] Proud Mary, and I still didn’t get a raise. They don’t care, they’re always looking for a deal and trying to pay you the least amount. I remember on Empire, I was fighting over trailers,” she said.
At another point in the interview, Henson clarified that while on the Fox drama she was “fighting for trailers that wasn’t infested with bugs.” During a SAG-AFTRA Foundation interview, Henson revealed she had fired her previous team after they failed to capitalize on her success with Empire. “Where is my deal? Where’s my commercial? Cookie was at the top of the fashion game. Where is my endorsement? What did you have set up for after this?” she said. “That’s why you all haven’t seen me in so long. They had nothing set up.”
Back in December, a tearful Henson discussed the difficulty of spending years working in the industry and not seeing pay increases and treatment reflective of her experience and notability. “I’m just tired of working so hard, being gracious about what I do, getting paid a fraction of the cost. I’m tried of hearing my sisters say the same thing over and over. You get tired,” she said in during an appearance on Gayle King‘s Sirius XM radio show that went viral.
Part of the issue, Henson noted, is that when an actor is paid, they are not only paying themselves. “When you start working a lot, you know, you have a team. Big bills come with what we do. We don’t do this alone,” she explained. “There’s a whole entire team behind us. They have to get paid.”
Still, “it seems every time I do something and I break another glass ceiling, when it’s time to renegotiate, I’m at the bottom again like I never did what I just did, and I’m just tired.”
She previously told The Hollywood Reporter in a cover story for the now Golden Globe-nominated Color Purple that she’s “been fighting tooth and nail every project to get that same freaking [fee] quote. And it’s a slap in the face when people go, ‘Oh girl, you work all the time. You always working.’ Well, goddammit, I have to. It’s not because I wish I could do two movies a year and that’s that. I have to work because the math ain’t mathing. And I have bills.”
“My prayer is that I don’t want these Black girls to have the same fights that me and Viola [Davis], Octavia [Spencer], we out here thugging it out,” Henson added. “Otherwise, why am I doing this? For my own vanity? There’s no blessing in that. I’ve tried twice to walk away [from the business]. But I can’t, because if I do, how does that help the ones coming up behind me?”
While online critics have cast part of the blame for Henson’s challenges on Oprah, the actress took to Instagram during The Color Purple press tour to personally thank the producer and media mogul in a photo featuring them on the Empire State Building in New York. “Ms. OPRAH has been nothing less than a steady and solid beacon of light to ALL OF THE CAST of The Color Purple!!!” Henson wrote. “She told me personally to reach out to her for ANYTHING I needed, and I did! It took ONE CALL… ONE CONVERSATION… and ONE DECISION MAKING BLACK WOMAN to make me feel heard.”
As for Winfrey, she told Entertainment Tonight that she’s “all for everybody being the greatest and rising to meet the rising of their own life.”
“There was something online about us being separated at the top of the Empire State Building. On that particular day, we were so cold, so I don’t know what kind of body language people were talking about,” she added. “I was literally just trying to stay warm and that was the fourth thing we had done. There’s no validity to there being a thing between Taraji and I.”
Wonka is winning the long New Year’s weekend box office race as a tumultuous 2023 comes to a close.
The Warner Bros. origin pic — starring Timothée Chalamet as young candymaker Willy Wonka — is on course to gross $31.8 million for the four-day holiday weekend, putting its domestic tally at a sweet $142.5 million through Monday. And it wasn’t the only musical from Warners to hit the right note. The Color Purple, produced by Oprah and Steven Spielberg, has been doing better-than-expected business since opening on Dec. 25, and placed No. 4 on the New Year’s weekend chart with an estimated $17.7 million for the four days. The film’s estimated domestic tally through Monday is an impressive $50 million.
Two weeks ago, box office pundits weren’t sure whether domestic revenue could clear $9 billion after a brutal fall season. But thanks in particular to mid-range and smaller films that overperformed over Christmas, revenue was able to eke past $9 billion in a post-pandemic era first. That marks a 20 percent gain over 2022. The bummer: Revenue is still down 20 percent to 21 percent from 2019, the last year before the COVID-19 crisis.
Wonka, which launched in mid-December, emerged as this year’s Christmas box office winner when Warners’ very own Aquaman and the Lost Kingdom sunk in its box office debut over the Dec. 22-25 weekend and failed to recover in a meaningful way even though it stayed high up on the chart. The DC superhero sequel is looking at a No. 2 finish over New Year’s weekend with an estimated Friday-Monday gross of $26.3 million.
That would put Aquaman 2‘s domestic tally through Monday at a lackluster $84.7 million — compared to $215.4 million earned by the first Aquaman through New Year’s Day over the year-end holidays in 2018. Both films were directed by James Wan and star Jason Momoa in the titular role.
After a sluggish start over Christmas weekend, Illumination and Universal’s Migration held in steadily for an estimated domestic total of $59.4 million through New Year’s Day after placing No. 3 for the long weekend with a four-day gross of $22.3 million. Its domestic total is ahead of the $55 million earned over the 2022 year-end holidays by Puss in Boots: The Last Wish, which topped out with a strong $186.1 million domestically. Globally, Migration has earned $100 million (it’s been soft overseas).
The Color Purple, from Warners and Amblin, got off to a dazzling start Christmas Day with $18 million, the second-best opening ever for a film launching Dec. 25 and the best since 2009, not adjusted for inflation.
Wonka and The Color Purple appear to reverse the musical curse of recent times, and their success is good news for Paramount’s upcoming Mean Girls and Universal’s 2024 Christmas event pic Wicked.
The troubled rom-com genre also got a boost with Sony’s edgy holiday entry Anyone but You, which rounded out the top five with an estimated $11.5 million for the four days to push its domestic tally to $27.6 million.
MGM and Amazon’s George Clooney-directed The Boys in the Boat followed at No. 6 on the four-day holiday chart with $11 million for an estimated domestic total of $24.6 million through Monday.
A24’s wrestling dramaThe Iron Claw placed No. 7 with an estimated $6.9 million for the four days. The Zac Efron-led pic’s cume through Monday is a pleasing $18.2 million.
Neon’s Ferrari placed No. 8 over New Year’s weekend with an estimated $5.2 million for the four days for an early domestic tally of $12.1 million. Like The Color Purple and Boys in the Boat, Ferrari opened Christmas Day.
In Steven Spielberg’s 1985 feature adaptation of The Color Purple, the characters of Celie and Shug share a chaste kiss, but not much else hints at the love affair that was integral to author Alice Walker’s novel the movie was based on.
Walker is overjoyed that Shug and Celie’s relationship is finally depicted as she intended. “I really love it that [audiences] have to take away the reality that Shug and Celie become lovers, because I think that we have really needed help there. We really needed to see that love is love. You know, that people love whoever they love, and it is their right to do that,” she told The Hollywood Reporter in a recent interview.
Oprah Winfrey, a producer on the new film and an Oscar nominee for her role as Sofia in the 1985 movie, says just the brief kiss the two characters had in the first film was a lot for its time.
“God, there was so much talk about that kiss in 1985, and it wasn’t even a kiss in 1985. It was like a peck. It wasn’t even a peck, it was a p,” Winfrey joked in an interview with THR for a recent cover story on the film. “And we thought, certainly now you can express the nature of their relationship.”
Walker said the first film’s producers, Steven Spielberg and Quincy Jones, who also produced the new version, tried their best to depict the relationship honestly at a time when homophobia was even more prevalent than it is today.
“Bless Stephen and Quincy they tried their best; I mean they were so afraid because you know the homophobic culture,” she said.
Still, some things have not changed much. Henson expects that there will be some who won’t want to see the same-sex relationship depicted, and she’s already seen some comments on her own social media accounts about that.
“Now, some prude under my comment, somebody was like, ‘I sure hope they don’t explore that lesbian relationship.’ I was like, ‘Well baby, did you read the book?’ We didn’t invent this stuff. This is what she wrote. It is real,” she told THR.
Danielle Brooks, who plays Sofia, added that she thinks there need to be more depictions of same-sex relationships on screen, particularly for African Americans.
“People should see themselves, I think the Black community hides so much and is so ashamed of their sexuality and doesn’t allow people to be free and be who they are,” she said. “We need more stories of black women seeing themselves and loving on other Black women if that’s what they so choose to do. I think it’s a beautiful thing.”
The Color Purple opened to $18.1 million from 3,142 theaters on Monday, the second-best showing ever for a movie opening on Christmas Day and the best since 2009.
Meghan Markle has been known to pitch in to help her friends, but her latest surprise appearance takes her generosity to another level. Markle appeared in an Instagram video for adaptogenic beverage brand Clevr, playfully hustling through roles in packing and order fulfillment, keeping the website updated, and lending a hand to the operations team.
Instagram content
This content can also be viewed on the site it originates from.
“Damn, you’re keeping us BUSY right now!” the caption with the video reads. “Had to call in some reinforcements.”
The reinforcements being…Markle, it would appear. She lurks in the background of several shots in various disguises, packing boxes and tapping away at a computer, and walks through another frame wearing sunglasses and fistbumping a “co-worker” (fauxworker?) in the video. She may not actually be on the company’s day-to-day payroll, but she’s a noted fan and investor in the brand, which specializes in wellness-centric teas and superfood lattes.
Markle is pictured on the brand’s homepage, arm slung over co-founder Hannah Mendoza’s shoulders, alongside a testimonial attributed to “Meghan, Duchess of Sussex”: “One of my favorite ways to start and end each day.”
Oprah Winfrey has revealed that she has recently turned to a weight-loss medication after years of struggling with her weight.
In an interview with People magazine, the former talk show host recalled the public ridicule she endured for decades about her size and how she internalized the criticism.
“It was public sport to make fun of me for 25 years,” Winfrey told People.”I have been blamed and shamed, and I blamed and shamed myself.”
She mentioned a particularly harsh instance where a magazine cover dubbed her “Dumpy, Frumpy and Downright Lumpy.”
“I didn’t feel angry,” she told People. “I felt sad. I felt hurt. I swallowed the shame. I accepted that it was my fault.”
Winfrey’s weight fluctuation has been well documented, but things began to improve for her health during rehabilitation after a knee surgery in 2021.
She said she began hiking and focusing on her fitness, making strides.
“I felt stronger, more fit, and more alive than I’d felt in years,” she told People.
Winfrey said she recommended medications for weight loss for others for years but didn’t consider them for herself until she taped a panel conversation with weight loss experts and clinicians as part of “Oprah Daily’s Life You Want” series, which aired in September.
During the panel she said that the weight-loss drug Ozempic was “the easy way out,” but she said she had an epiphany as she spoke to the panelist.
“I had the biggest ‘aha’ along with many people in that audience,” Winfrey told People. “I realized I’d been blaming myself all these years for being overweight, and I have a predisposition that no amount of willpower is going to control.”
“Obesity is a disease. It’s not about willpower —it’s about the brain,” she added.
Winfrey said she changed her mindset about weight-loss medication and got a prescription; she does not name the medication in the interview.
However, Winfrey stressed that she has to work hard to maintain her weight loss, but she still sees the medication as a “gift.”
“The fact that there’s a medically approved prescription for managing weight and staying healthier, in my lifetime, feels like relief, like redemption, like a gift, and not something to hide behind and once again be ridiculed for. I’m done with the shaming from other people and particularly myself.”
Over the last year, there has been a high demand for semaglutide, the generic form of brand name drugs Ozempic, Wegovy and Rybelsus.
These drugs cause weight loss and have been known to be highly effective: One doctor told CBS News the drugs can help people lose about 15% of their body weight –considerably more than previous generations of weight loss drugs.
Semaglutide drugs work by imitating a gut hormone called GLP1, or glucagon-like peptide hormone, that “makes that gut hormone work better to enhance communication between the gut and the brain and make us feel fuller and also help with reducing appetite,” said Dr. Amanda Velazquez, who works at Cedars-Sinai Center for Weight Management and Metabolic Health in Los Angeles.
Ozempic and other drugs like it were originally developed to treat patients with diabetes as they produce insulin and lower blood sugar. They can produce serious side effects, and doctors warn that long-term impacts remain unknown.
Of all the emotions that The Color Purple evokes, joy is typically not among them.
After all, the movie based on Alice Walker’s Pulitzer Prize-winning novel centers on a Black woman who suffers unspeakable sexual and physical abuse from the men in her life, sees her children taken away from her at birth, lives during the punishing times of a post-slavery South and is belittled by the outside world as unworthy of love. While her journey, told through her letters to God, eventually arrives at an intersection of peace and forgiveness, joy is something that seems fleeting for much of Celie’s story.
The musical remake of the 1985 classic film, out Dec. 25, doesn’t change the narrative, but does filter it through a different lens — focusing on the moments that inspire Celie, the women in her life who lift her to that point and, more important, the healing that restores not only her humanity, but that of those around her.
Reflecting on the story, the three female stars — Fantasia Barrino, Danielle Brooks and Taraji P. Henson — speak in reverence of the original film and the book. Henson likens it to Shakespeare for the Black community, and Brooks says, “I’ve been describing it as our cinematic heirloom. And I just really truly feel that’s what it is. It’s the thing that you cherish the most that was passed on since 1985. You take care of it and you pass it on to the next.”
Fantasia Barrino, Oprah Winfrey, Taraji P. Henson and Danielle Brooks were photographed Dec. 3 at the Houdini Estate in Los Angeles.
Photographed By Danielle Levitt
Despite that reverence, Henson can also see some of its flaws. “The first movie missed culturally. We don’t wallow in the muck. We don’t stay stuck in our traumas. We laugh, we sing, we go to church, we dance, we celebrate, we fight for joy, we find joy, we keep it. That’s all we have,” Henson tells THR during a recent interview, with Barrino and Brooks sitting by her side. “We don’t have power. We are continuously oppressed, kept under a thumb. So what else can we do but laugh and celebrate life? We have to, otherwise we would die. So as soon as you see the first frame, you’re going to know that this movie is different. The coloring is different. It’s light, it’s bright, it’s vibrant. It’s us.”
“Vibrant” could also be used to describe the trio, whose strong bond was forged during filming nearly two years ago. They laugh, finish one another’s sentences and even shed tears. The Color Purple has served as a balm for the women, who have endured their own pain as Black actresses in a business where starring roles like this are still a rarity, and a struggle to attain. “It has been real with each other. I think that’s been the beauty of all of this, we don’t have to sugarcoat things with one another. We can have deep conversations about the hurt and pain we’ve been through in this industry,” Brooks says. “Me and the sisterhood is real,” adds Henson. “Everything I do, I’m doing so that I can pass the baton, because eventually the torch is being passed. I’m not going to do this forever. But for you coming up behind me, I just want you to have an easier road.”
When the SAG-Aftra strike dragged past Halloween into November, Oprah Winfrey started to get nervous. As a producer of the big-budget remake, she fretted about the possibility that her stars — including Colman Domingo, Corey Hawkins, Halle Bailey and Gabriella Wilson, better known as the Oscar-winning singer-songwriter H.E.R. — wouldn’t be able to promote the film. “One of the reasons why I was praying, praying, praying that the strike would be over is because I so wanted this experience, the experience that I had with The Color Purple in my life, to be shared by all of these women,” Winfrey tells The Hollywood Reporter, before tearing up. “I thought, ‘If the strike doesn’t end, they will never get to have that ride.’ And there’s nothing like that ride. There’s nothing like being out in the world, being able to talk about it and to share the beautiful energy of everything that Alice wanted when she wrote that story. It’s like every time we speak, we get to talk the ancestors up. And so there’s not a person on this film who doesn’t realize that the film is bigger than all of us.”
Winfrey talks about the divine in relation to her connection to The Color Purple frequently, describing it as life-changing on multiple fronts. When the book was first released and she read its first words — about a young girl who is raped by her stepfather and gives birth to their children — it mirrored her own life, having had a stillborn child as the result of a rape as a teen. A local talk show host in Chicago at the time, she heard the movie was being made and was determined to play any role in the production, assuming it would be a non-acting one, but producer Quincy Jones saw her on local television and sought her out to audition for Sofia.
From left: Taraji P. Henson, Fantasia Barrino and Danielle Brooks of the feature adaptation of the Broadway musical The Color Purple, which Henson likens to Shakespeare for the Black community.
Photographed By Danielle Levitt
Not everyone was as enthusiastic as Jones. Winfrey recalls reaching out to casting director Reuben Cannon after auditioning, with him curtly telling her that he was the one who would be doing the calling — if she even got the job. “He said, ‘You know who just left my office? Alfre Woodard. She’s a real actress. You have no experience.’ So I thought for sure I was not going to get it. And I went to this retreat to just regroup myself, to get over the fact that I wasn’t going to get it,” she recalls.
“I felt like, ‘God, why did you do this? Why did you let me get this close?’ I was running around the track at this health retreat, which they called a fat farm at the time, and praying and crying and singing ‘I Surrender All.’ And the moment that I felt like I released it, a woman comes running out and says, ‘There’s a phone call for you.’ ” It was Cannon. “He said, ‘Steven [Spielberg] wants to see you in his office tomorrow. I hear you’re at a fat farm and if you lose a pound, you lose the part.’ Wow. That’s a miracle.”
Winfrey’s depiction of Sofia, her first onscreen acting role, not only led to her first Oscar nomination, but also set her up for the one-name icon status that she is certain would not have happened had she not gotten the role. She credits visiting Spielberg’s Amblin Studios with giving her the realization that she could have her own studio, leading to the birth of Harpo Productions. Even controlling her own talk show came from her Color Purple experience: Her bosses made her forfeit three years’ vacation (yes, you read that right) in order to shoot the movie, and she vowed she would never be put in that position again, so she bought the rights to The Oprah Winfrey Show, which ran for 29 media-landscape-changing seasons.
The role also led to a decades-long connection to the material. Twenty years after the original movie, producer Scott Sanders devised a plan for a musical rendition for Broadway, which Winfrey was initially opposed to. She eventually became a believer, so much so that she ended up coming aboard as an executive producer of the Tony-winning production and its subsequent revival. But when Sanders suggested turning it into a film, that’s where Winfrey drew the line.
“For many years, I just thought, ‘Leave it alone,’ ” she says. “Maybe it was ego, that I just felt like we’ve already done it, and I don’t think you can do it any better and now it is actually a classic. How are you going to improve on that?”
Then the #MeToo movement happened. Suddenly, Winfrey could see a new reason to bring The Color Purple to a new audience. “[Sanders] started saying, ‘Don’t you feel that there’s something with the energy of what’s happening to women and this movement? Maybe it’s time to go to Steven again,’ ” she recalls. “So I called up Steven and he said yes.”
Says producer Winfrey, “There’s not a person on this film who doesn’t realize it’s bigger than all of us.” All were photographed Dec. 3 at the Houdini Estate in Los Angeles. Oprah Winfrey was styled by Annabelle Harron.
Photographed By Danielle Levitt
Spielberg, like Winfrey, had been opposed to a film adaptation of the musical adaptation of the original movie. But what Sanders was pitching, in his view, was so much more than a remake, or even what the musical had been — a version that, while hewing to the original story, reshapes its vision. “Obviously, Steven’s film lives in the culture and is a classic. No one would ever want to remake his movie,” Sanders says. But, with the help of screenwriter Marcus Gardley, a new vision emerged: What if the brutal abuse of Celie isn’t the core focus of the film, and instead it explores Celie’s imagination? An imagination that shows her hopes, dreams and her own agency?
That new vision was led in part by director Blitz Bazawule, who made his feature debut with The Burial of Kojo but perhaps is best known as the co-director of Beyoncé’s eye-popping Black Is King, a fantastical, visually stunning retelling of The Lion King.
“The biggest thing was, what can we say that hasn’t been said yet? That was, for me, the hardest part. I went back to Alice Walker’s book. This was on her first page, in the first line: ‘Dear God.’ That for me was, ‘All right, that’s the line.’ Anyone who can write letters to God must have an imagination,” Bazawule says. “And that imaginative plane became the place in which we were going to justify our reason for being.”
• • •
It’s that vision that lured Barrino to the project, after initially telling Sanders no. “When Blitz gave her an imagination, that for me was perfect,” says Barrino, who received raves when she stepped into the role of Celie on Broadway nearly 15 years ago. The experience remains a dark time in Barrino’s memory. The third-season American Idol champ was a platinum-selling star but had never performed such a grueling schedule of eight shows a week.
More critical, however, was her emotional state. Barrino, who gave birth to her first child as a teen, had gone through her own trauma that in some ways mirrored Celie’s. (I recall interviewing a subdued Barrino at the time, and she noted how the material was affecting her psyche: “I’m being told every day that I’m ugly. You can’t play the part if you don’t put yourself in her shoes and live her life. So I carry that stuff with me.”) Says Barrino today, “I probably would have continued to say no if [Bazawule] did not give her an imagination, because even though Celie went through so many traumatic things at a young, young age, even though her sister Nettie seemed to get the better end of things and Celie was handed the worst, in her imagination, she shows how she made it through all of that.”
While others had played Celie on Broadway, including Cynthia Erivo, and still others lobbied for the role, for Bazawule, Barrino was the only choice. “I was looking for someone who embodied the spirit and the soul of the character, and had the emotional depth to reach there. And also had a powerful voice,” Bazawule says. “It was very clear that Fantasia had a well and depth of experience, personal and emotional, and the ability to reach into it. It was more or less finding a kindred spirit and somebody who had a deep well, somebody who was going to interrogate the character deeply. Nobody could have done it better than Fantasia, certainly not in this iteration.”
Fantasia Barrino was styled by Daniel Hawkins.
Photographed By Danielle Levitt
Winfrey felt the same about Brooks, who was Tony-nominated and earned a Grammy for her turn as Sofia in the Broadway revival of The Color Purple in 2015. In a brilliant bit of viral movie marketing, Winfrey taped her call to Brooks — who burst into tears before the words could get out that she’d nabbed the role — and put it on social media. “Danielle, my God, I knew from day one,” Winfrey says. “I felt that one of the most fun moments was being able to call her, because I obviously had watched her on Broadway. There were other people, but she embodied it.”
It’s a character that had long taken up space in Brooks’ spirit. As a girl growing up in the South, when she first watched Winfrey as Sofia, it was one of the first times she saw a version of herself onscreen: a woman who was dark-skinned, full-figured, opinionated, fierce and living life as fully as she could. “It changed my life, watching her live in her power,” she recalls.
Brooks would go on to make acting her first love, attend Juilliard, make a dynamic debut as Taystee on Orange Is the New Black, and, in a divine full-circle moment, land the Sofia role on Broadway.
Yet when Brooks was told, despite all her Broadway accolades, that she’d need to audition like everyone else, her first thought was straight out of Sofia’s mouth: “Hell no.” Then, after thinking about how badly she wanted it, she swallowed her pride and was determined to do everything she needed to do to get the part. She had long interviews with Bazawule and sent a taped audition in which she sang, followed by … months of silence.
Discouraged but not defeated, she asked James Gunn, her director on the Peacemaker set, for his advice. “He was like, ‘Yes, you should definitely shoot your shot.’ I remember having this long conversation with him about faith and trust in the process. So I wrote a letter to say, ‘Hey, I love this part, and even if I’m not your Sofia, I wish this project well.’ I didn’t hear anything back, which was like, ‘OK, that’s part of trust in the process,’ ” she recalls.
Henson also found herself having to audition for the role of Shug Avery, even though Bazawule wanted her for the part — a bitter pill for the Oscar-nominated actress to swallow. For Henson, it felt like not only a slight, but emblematic of her years-long struggle to even remain at the level she’s attained. Despite her Oscar nomination for The Curious Case of Benjamin Button, her Emmy nominations for her role of Cookie on the blockbuster series Empire and her acclaimed turn in Hidden Figures, Henson says she — along with other Black actresses — remains stuck on a rung when it comes to the prestige and money afforded by Hollywood to others in similar positions. She points out that besides Halle Berry’s 2002 Oscar win for best actress in Monster’s Ball — Berry being the only Black woman to ever win the trophy — most Black women are nominated for supporting roles, even if they are leads. Henson’s lack of an Oscar nomination as lead actress for her starring role in Hidden Figures remains a particular sore point.
“I’ve been getting paid and I’ve been fighting tooth and nail every project to get that same freaking [fee] quote. And it’s a slap in the face when people go, ‘Oh girl, you work all the time. You always working.’ Well, goddammit, I have to. It’s not because I wish I could do two movies a year and that’s that. I have to work because the math ain’t mathing. And I have bills,” she vents, with some tears. “Listen, I’ve been doing this for two decades and sometimes I get tired of fighting because I know what I do is bigger than me. I know that the legacy I leave will affect somebody coming up behind me. My prayer is that I don’t want these Black girls to have the same fights that me and Viola [Davis], Octavia [Spencer], we out here thugging it out,” Henson says. “Otherwise, why am I doing this? For my own vanity? There’s no blessing in that. I’ve tried twice to walk away [from the business]. But I can’t, because if I do, how does that help the ones coming up behind me?”
“I’m not going to do this forever,” says Henson, “but for you coming up behind me, I just want you to have an easier road.” Taraji P. Henson was styled by Wayman + Micah.
Photographed By Danielle Levitt
Keeping that in mind, Henson approached her audition with ferocity. “With [Bazawule’s] coaching, I swallowed my ego and went in. I had the perfect dress on,” says Henson, setting the scene. “It was very of the period. It was frilly and it moved a lot and had hardware on it, so it had a shine, it was very Shug Avery. I had this stole that I wore and put flowers in my hair and put my hair up with the red lips and everything. And I walked into the room and Blitz was like, ‘Oh shit!’ ”
By the time the audition was over, she wasn’t certain that she had the role, but she’d given it all she had. “I know whatever I did, I left it in that room. That’s all you can do at the end of the day. And then I got a weird call from Tyler Perry, ‘Are you answering your phone?’ I said, ‘What are you talking about?’ He’s like, ‘Oprah’s trying to call you.’ So I’m rehearsing how I’m going to say hello. Do I say ‘Miss Oprah’? Do I go ‘Oprah’? And then she calls and she’s like, ‘It was unanimous.’ ”
Winfrey stresses that her initial hesitation with Henson had nothing to do with her acting chops, but the demanding singing required: “I mean, I loved Taraji and watched her on Empire and all the things, but none of us knew Taraji could sing. And yes, she can.”
Despite the iconic IP having resonated in three mediums, and Winfrey, Spielberg and Jones being behind the project, to some involved, it still had to endure the struggles of other Black productions, from fighting for the cast Bazawule wanted, to pushing to get more resources. Barrino mentions that there was a feeling of the cast wanting to overdeliver in support of their Black director: “It’s an all-Black cast and it’s a movie that is really deep. So for Blitz, we all would go hard even when we were tired, when we were upset.”
Winfrey acknowledges the pressure to ensure a hit: “To be completely honest about it, if you were doing this film for $30 or $40 million, the interest in the cast would be very different. Once the film moved to $90 to $100 million, then everybody wants us to bring Beyoncé,” she says. “‘Can you get Beyoncé or can you get Rihanna?’ So we’re sitting in a room saying, ‘Listen, we love Beyoncé. We love Rihanna, but there are other actors who can do this job.’ I do remember conversations about, ‘Y’all, Beyoncé is going to be busy this year.’ It wasn’t even a negotiation, because you’re not getting Beyoncé.”
Winfrey’s name may seem synonymous with unlimited resources, but she notes there were times when the producing trio had to go to Warners Bros. to request more money to get everything right. “I would have to say that [Warner Bros. co-chairs] Pam [Abdy] and Mike De Luca really got it from the first time they saw the film, and understood that they heard me and heard Steven and heard the team when we said, ‘This is the reason why this has to be done,’ ” she says. “You have to give us more money to do this because this is a cultural manifesto in a way for our community, and it deserves to have the support that’s needed to make it what it needs to be.”
• • •
There was also an understanding about who would be needed to helm the project. Even before Bazawule was in the running, they knew whoever was in charge of the film would have to be a person of color, the lack of which was problematic for the original. Winfrey recalls that the NAACP first demanded to see the script, and when refused, publicly came out against the film over concerns of negative depictions of Black men, with significant upset over Spielberg being the one bringing the messaging to the world. “At the time, I was just mad at the NAACP, ‘How dare you all try to spoil this moment for all of us who’ve worked so hard, especially Alice Walker,’ ” says Winfrey. “Our response was, ‘This is one story. It’s not the story of every Black man.’ I was upset that they were doing it, but I would not let it affect any of my joy of the experience of being a part of it. There was nothing you could say to me about The Color Purple because [of what] all that experience meant. It was life-altering, -enhancing, -expanding.”
Rebecca Walker, Alice Walker’s daughter and a producer on this film, was a 15-year-old gofer on the first, and recalls the vitriol that came before and after the original’s release, leading all the way to the movie’s 11 Oscar nominations — and its complete shutout in wins. “My mother really suffered,” says Walker. “She took all those criticisms very personally. She felt that she had done her best, not just by Celie and Shug, but by Mister and all the men in that book and all the men in her life.”
Photographed By Danielle Levitt
Alice Walker recalls leaving for Bali to reset, and says she never regretted the choice of Spielberg as director. “It just never occurred to me. It seems really absurd to [call someone] racist when someone says, ‘Oh, I’d love this and I will do everything I can to make it something you love, too.’ ”
Had it not been for Spielberg, Winfrey believes, the film would never have been made. She says Spielberg knew the optics around his helming the feature. “He took the heat for that, and it was scary for him. He said, when Quincy asked him to do it, ‘It should be a person of color.’ And Quincy said, ‘I’m here and it’s going to be you,’ ” Winfrey recalls. “I still think it is classic and extraordinary in terms of what Steven was able to do with that piece of work.”
When he took on The Color Purple, Spielberg was already an acclaimed blockbuster director. When Bazawule (also a musician who goes by the name Blitz the Ambassador) set out to direct the remake, he had directed only one feature, but Winfrey and Sanders were quickly convinced that the 40-year-old Ghanaian was the only choice at the helm. Sanders was worried that his lack of experience might impede a green light from Warner Bros. “These companies are mammoth and profit-driven and very often accused of not being friends of the creative process,” the producer says. “The final pitch, the final interview for Blitz to get approved and hired, we had a Zoom, and it was Blitz, Oprah, [former Warner Bros. execs] Toby Emmerich, Courtenay Valenti and me. Toby Emmerich did something that was so remarkable, gracious and atypical for what most people think about Hollywood executives. He looked at Blitz at the very top of the Zoom and said, ‘I know you think this is your final hurdle to get this job. But if Oprah and Steven and Scott and Quincy think you’re the director, then you’re the director. You’ve got the job. Just tell me the movie you want to make.’ ”
Working with a screenplay by Gardley, Bazawule made the movie his own by infusing it with “magical realism,” as Winfrey describes it. Going inside Celie’s imagination includes dreamy moments with Shug (whose romantic relationship is more fleshed out than the chaste kiss in the original), and song-and-dance numbers in which Celie allows herself to dream of a place away from the brutal world that Mister has created for her.
Then there’s the evolution of Mister, played by Domingo. In the original, with his villainous ways so expertly depicted by Danny Glover, the character’s redemption doesn’t come until near the end of the movie, as an old man finally having regrets about his conduct toward Celie. Like in the book and the musical version, this new Color Purple invests much more in his redemption arc — a change Alice Walker appreciates deeply, and something that Bazawule and Gardley added to the film. “I think it just felt really good to have a Black man directing — not just because he’s a Black man, but because he’s hugely talented — and also a Black young man to do the screenplay,” says Walker, “because I want people to see that we’re all trying to evolve in our relationships with each other. I hope that this evolution and this sense is helpful to people.”
Blitz Bazawule directs Henson and Barrino on set. Says Alice Walker, Pulitzer Prize-winning author of the original novel, “I think it just felt really good to have a Black man directing — not just because he’s a Black man but because he’s hugely talented.”
Courtesy of Warner Bros. Entertainment Inc.
There were other changes made to the new version. The violence against Celie is more inferred than shown, and the famous line Shug says to Celie when they first meet, “You sho’ is ugly!” is never uttered. “It didn’t work in mine because the levels and the investment in the narrative around sisterhood — there’s certain things you can’t come back from. Celie and Shug Avery’s relationship could not recover from that,” says Bazawule. “Within the vessel of The Color Purple lies an infinite world. And our job is to figure out what to harness for this audience. We were unafraid to go, ‘OK that’s not making it,’ and to also go, ‘That’s needed, but it’s not in here, we need to add that.’ My hope and prayer is that it is of deep benefit to the audience today, that they can see a reflection of themselves.”
Walker also hopes it will be the healing that she set out for the book to be when she first conceived it. “You know, you take it and then you take it like a medicine. And it doesn’t kill you. It might possibly help you grow and turn into something magical.”
In spite of all the protests that enveloped the movie decades ago, it has now become a part of American culture, particularly Black culture: The meme-fication of key moments are a measure of that; one little girl who went viral on a recent TikTok, in which she played all the roles from a scene, won Winfrey’s heart (and an invitation to the recent premiere).
If recent screenings are any indication, anticipation for the remake is palpable. Still, Winfrey is aware that the film’s success will be measured for future projects with a predominantly Black cast. It’s why she’s promoting the film so hard, and why her red carpet wardrobe has been transformed by the color purple at just about every public appearance. (This interview had Winfrey wearing the rare creamy silky suit, but later that night, as she was honored by the Academy Museum, she was all decked out in a purple glittery dress.) “Unfortunately, we’re still there. That’s why I’m literally on the streets handing out tickets, OK?” she says. “We are still in a place where the whole world doesn’t understand that we are such a vital part of the world, and that our stories deserve the highest of priorities — that this is how you help to make people throughout the world connect and relate to our culture. So yeah, it’s really important that this do well.”
This story appears in the Dec. 15 issue of The Hollywood Reporter magazine. Click here to subscribe.
Sunday nightHollywood’s A-List stepped out in their finest attire for the 3rd Annual Academy Museum Gala and we’re definitely picking favorites.
Source: Stefanie Keenan / Getty
In one of our favorite photos from the evening, which was held at the Academy Museum of Motion Pictures on December 03, 2023, Oprah Winfrey gathered Jon Batiste, Zoe Kravitz, Ava Duvernay, Eva Longoria, David Oyelowo, Gayle King and Lenny Kravitz for a group picture.
Source: Taylor Hill / Getty
Oprah was looking svelte in a purple sequined Dolce & Gabbana gown for the museum’s marquee annual fundraiser, which raises vital funds to support museum exhibitions, education initiatives, and public programming, including screenings, K-12 programs, and access initiatives in service of the general public.
Source: Taylor Hill / Getty
Winfrey was among the night’s honorees and the executive producer of The Color Purple was joined by most of the cast at the event, as well as director Blitz Bazawule.
Source: Frazer Harrison / Getty
Taraji P. Henson, who plays Shug Avery in the new iteration of TCP also wore the vibrant shade to the event.
Source: Rodin Eckenroth/GA / Getty
Henson’s cleavage baring gown is by Zuhair Murad. You likey?
Source: Emma McIntyre / Getty
Since we’re on the subject of purple, we also want you to see MJ Rodriguez in a stunning lavender Versace gown.
Hit the flip for more of our favorite looks from the night.
As POPSUGAR editors, we independently select and write about stuff we love and think you’ll like too. If you buy a product we have recommended, we may receive affiliate commission, which in turn supports our work.
A little digging for a Telfar bag online will usually leave you disappointed as they tend to sell out quickly (like, insanely quickly) after being restocked on the site. But as more celebrities have embraced the brand’s classic bag silhouettes, the more widely available they’ve become. This is, in part, thanks to none other than Oprah Winfrey herself, who recently included a dark purple Telfar bag in her 2023 Favorite Things List — and the same style is currently available on Amazon. As with most things that Oprah recommends, the accessory likely won’t be in stock for very long — but there is an option to get one quickly for Amazon Prime users.
Telfar bags were popularized in 2014 after being launched in small, medium, and large, and Liberian-American founder and designer Telfar Clemens stamped a democratic slogan on his luxury label: “Not for you, for everyone.” There is perhaps no better marketplace than Amazon to make the bags feel accessible. The nongendered brand got even more hype after Clemens was awarded the CFDA/Vogue Fashion Fund award in 2017, and celebrities began sporting the purses in all different colors.
Ahead, shop Oprah’s new favorite Telfar bag before it sells out on Amazon, and check back here — because we’ll let you know as soon as more styles get restocked.
Oprah Winfrey has selected “Let Us Descend” by author and MacArthur Fellow Jesmyn Ward as her newest book club pick. Winfrey announced her choice on “CBS Mornings” Tuesday, and said “Let Us Descend” will leave an impact.
Ward, noted for her poignant storytelling, holds the distinction of being the youngest recipient of the Library of Congress’s Prize for American Fiction. Her new work, “Let Us Descend,” is already garnering attention for its heart-rending narrative and depth of historical research.
“Let Us Descend,” published by Scribner — an imprint of Simon & Schuster which is a division of CBS News’ parent company Paramount Global— chronicles the trials of Annis, an enslaved teenager. The storyline details her grueling journey from a North Carolina plantation to her subsequent sale in New Orleans.
“We witness how both the mind and spirit are vital to her survival,” said Winfrey.
The novel opens powerfully with the line, “The first weapon I ever held was my mother’s hand.” Ward said the metaphor speaks to the protagonist’s protective relationship with her mother.
“Her mom is preparing her for life in that world generally and also I think life without her because her mother knows there’s always a danger that they would be separated,” Ward said.
Writing “Let Us Descend” was a personal journey for Ward, as she navigated the loss of her husband amid the COVID-19 pandemic.
“I was in the throes of fresh grief,” she said. “And so, I think that grief allowed me to better understand Annis and what she was going through and her journey to figure out what her new future, or what a new life without her mother and without these people that she loved and I think that sort of served as a model for me to begin to figure out what this new version of my life would look like.”
Read an excerpt below. Follow along with the reading schedule at OprahDaily.com.
The first weapon I ever held was my mother’s hand. I was a small child then, soft at the belly. On that night, my mother woke me and led me out to the Carolina woods, deep, deep into the murmuring trees, black with the sun’s leaving. The bones in her fingers: blades in sheaths, but I did not know this yet. We walked until we came to a small clearing around a lightning-burnt tree, far from my sire’s rambling cream house that sits beyond the rice fields.
Far from my sire, who is as white as my mother is dark. Far from this man who says he owns us, from this man who drives my mother to a black thread in the dim closeness of his kitchen, where she spends most of her waking hours working to feed him and his two paunchy, milk-sallow children. I was bird-boned, my head brushing my mother’s shoulder.
On that night long ago, my mother knelt in the fractured tree’s roots and dug out two long, thin limbs: one with a tip carved like a spear, the other wavy as a snake, clumsily hewn.
[[…]]
“Your fingers long.” My mother taps the center of my palm, and my fingers close fast.
“You practice with my staff, tonight.
“Here,” my mother says, digging out the weapon Mama Aza left her. She runs her grip down the long, thin limb, stained black and warm from the oil of her hands, and Mama Aza’s before. Mama Aza taught my mama to fight with it, determined to pass along this knowing taught to her by the sister-wives across the great ocean. Mama tosses the weapon to me and picks up her childhood staff, jagged as lightning. I sweat, fear spiking my armpits.
My heart thumps in my ears. Mama whips her spear, and we begin to spar: with every spin, every strike, every stab, my mother becomes more fire, less herself-more licking, liquid flame. I don’t like it, but then I don’t have time to like it, because I must parry, block, jab. The world turns to one whipping, one humming, and us spinning with it. When we return to the cabin, Nan and her two oldest children are asleep. Nan and her family share the cabin with us. Her youngest two are awake, and they cannot stop crying.
They hold each other in their blankets, breath hitching from sobbing, while their mother and siblings doze. Nan has always diverted her love for her four children. She throttles it to a trickle, to an occasional softness in her orders: be still, hush, don’t cry, and the rest of her care is all hard slaps and fists.
She won’t love what she can’t keep. My mother reaches out to me, and I grasp her hand as we tuck into our bedding. Mama has always been a woman who hides a tender heart: a woman who tells me stories in a leaf-rustling whisper, a woman who burns like a sulfur lantern as she leads me through the world’s darkness, a woman who gives me a gift when she unsheathes herself in teaching me to fight once a month.
# THE NEXT MORNING, MY mother wakes me before the sun; she smells like hay, magnolia, and fresh game meat from last night’s midnight sweat. I’m exhausted. I want to roll over in our blanket, yank it over my head and eat more sleep, but Mama runs a firm hand down my back.
“Annis, my girl. Wake up.”
I pull on my clothes, tuck my blouse into my skirt as we walk toward my sire’s house. Can’t help the sulkiness dogging my tucks, dragging my steps. My mother walks a little ahead, and I punch down my resentfulness. Mama is almost running: she has to get to the oven, needs to light and stoke the fire within it, heat it so that she can do the morning baking. I know she is ordered to the house just as much as I am, what with all I have to gather and deliver and clean for her, to aid her in this morning, but I am short-tempered and tired until my mother begins to limp, a little stitch in her walk. Last night pains her, too. I trot to her, slip my hand through the crook of her elbow, and rub her arm. Look on the soft down of her ear, her woven hair.
“Mama?” I say.
“Sometimes I want something sweet,” she breathes, tapping her fingers on mine.
“Don’t you?”
“Naw,” I say. “I want salt.”
“Mama Aza always said it wasn’t good to want sweets. I’d hunt them and eat so much my hands’d stain red and blue.” Mama sighs. “Now having a bit of sweet is all I can think about.”
My sire’s house hulks, its insides pinned by creaks. My mother bends to the stove. I gather wood and haul water and take both up the stairs, peeking into my sire’s daughters’ rooms. They are my half sisters; I have known this since my mother first taught me to fight, yet envy and distaste still burrow in me every morning when I tend to them. They sleep with their mouths open, pink scraped across their cheeks, their eyelids twitching like fish who swim in the shallows. Their red hair snarls in knotted threads. They will sleep until their father wakes them with knocks on their doors, far past the first blush of dawn. I tamp my feelings down, closing my Face. My sire is at his desk, in his dressing gown, writing. His room is stuffy with cold smoke and old sweat.
“Annis,” he says, nodding.
“Sir,” I say.
I expect his eyes to glaze over me as they do every morning, like water over a smooth stone. But his gaze snags on me, square, then trails me around his room as I fill his washbasin, gather his clothes, grip his chamber pot. He appraises me in the same way he studies his horses, his attention as sure and close as his touch on a long-maned neck, a muscled haunch, a bowed, saddle-worn back. I keep my eyes on my hands, and it’s only when I descend the stairs that I realize they are shaking, his mess sloshing in the pot.
I take care to hide from his gaze. It is something that I have always known how to do: I seal my mouth silent. As the day lengthens, I walk on tiptoe through the wide, dim halls of my sire’s house. I set buckets and basins down softly, ease the metal to the floor in a ring. I stand very still, just beyond the doorway of my pale sisters’ schoolroom, and listen to their tutor read to them beyond the door. The stories I hear are not my mother’s stories: there is a different ringing, a different singing to them that settles down into my chest and shivers there like a weapon vibrating in struck flesh. These girls, sallow sisters, read from the texts their tutor directs them to, ancient Greeks who write about animals and industry, wasps and bees, and I listen:
“Bees seem to take a pleasure in listening to a rattling noise; and consequently men say that they can muster them into a hive by rattling with crockery or stones.” The youngest sister’s voice falls to a mumble and rises. “They expel from the hive all idlers and unthrifts. As has been said, they differentiate their work; some make wax, some make honey, some make bee-bread, some shape and mold combs, some bring water to the cells and mingle it with the honey . . .” I breathe in the pine halls and repeat the most potent words: wax, honey, bee-bread, combs.
“Aristotle refers to the heads of the hives as kings,” the tutor says, “but scientists have found they are female: actually queens. In ancient Greece, Artemis’s priests were known as ‘king bees.’ Bees, too, were credited with giving the gift of prophecy to her brother Apollo.”
The tutor gives a dry laugh. “This is blasphemous superstition. However, Aristotle’s advice on those who labor and the fruits of that labor are sound: leave a hive with too much honey, and a beekeeper encourages laziness,” he says, his voice high and soft, nearly as soft as those of my unsure sisters. I know he is speaking about bees but not-that he is using the bees and the old Greek to speak on all of us who labor. I know he’s talking about my mother making biscuits and stews on the stove in the attached kitchen, about Cleo and her daughter Safi and me, who tidy rooms, beat dust from rags, wipe their floors until they gleam like burnished acorns.
I hurry downstairs to my mother, who reads me as quickly as the tutor reads his passages.
“You’ve been listening again?” she asks.
I nod.
“Have care,” she whispers, and then bangs her spoon on a black pot. The kitchen is thick with salt meat. “He wouldn’t take kindly to knowing.”
“I know,” I say. I want to tell her more. I want to tell her that I envy my sire’s twin daughters, their soft shoulders, their hair pale and thin as spider’s silk, their lessons, their linens, their cream-colored, paper-thin dresses. I want to tell her that when I listen at their doors, I am taking one thing for myself, one thing that none of them would give. I say the tutor’s words in my head again, trying not to feel guilty at my mother’s worried frown, the way her anxiety makes her stab her spoon into the pot. Wax, honey, bee-bread, combs. How to apologize for wanting some word, some story, some beautiful thing for my own?
“I’m sorry, Mama,” I say as I retreat outside to gather more wood.
A lone bee meanders through the kitchen garden: plump, black striped, beautiful. It lands on my shoulder, soft as a fingertip, and I wonder what message it brings, from what spirit worlds. They are queens, the tutor said. When the bee rises and disappears into a nodding yellow squash flower, wind beats through the trees, and I think for a moment I hear an echo drifting down through the branches: Queens.
Author, producer and former television host Oprah Winfrey and Harvard professor and author Arthur Brooks sit down with Norah O’Donnell to discuss their book “Build the Life You Want: The Art and Science of Getting Happier.” Then, Kelefah Sanneh learns about chef Mario Carbone’s Sunday sauce. “Here Comes the Sun” is a closer look at some of the people, places and things we bring you every week on “CBS Sunday Morning.”
Be the first to know
Get browser notifications for breaking news, live events, and exclusive reporting.
In this episode of Person to Person with Norah O’Donnell, O’Donnell speaks with Oprah Winfrey about life lessons, the road to happiness and the new book Winfrey co-authored, titled “Build the Life You Want: The Art and Science of Getting Happier.”
Be the first to know
Get browser notifications for breaking news, live events, and exclusive reporting.