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  • KEY Is Keeping It Real on His 1st US Solo Tour KEYLAND: Uncanny Valley

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    KEY is on the hunt for good memories. The K-pop singer is having the time of his life on the US leg of his KEYLAND: Uncanny Valley world tour and wants fans to indulge in the same irresistible feeling.

    KEYLAND: Uncanny Valley marks KEY’s first time trekking solo across the states, coming off the heels of the release of his third solo album, HUNTER. As a household name in South Korea’s entertainment industry, he’s mastered the art of being an icon with his witty banter and, of course, as the all-rounder in the legendary group SHINee. It’s only been a few dates into this tour, and he’s already hit the ground running with exquisite performances, viral posts with Wicked‘s Cynthia Erivo, and unforgettable interactions with his fans, lovingly dubbed Lil’ Freaks.

    Related: RIIZE’s Members Share Their Favorite Memories From the RIIZING Loud Tour

    Below, we chatted with him about the tour so far, his backstage rituals, and what he hopes his fans take away from his performances.

    KEYLAND _ Uncanny Valley in Los Angeles at Orpheum Theatre. SM Entertainment

    Kicking off your first solo US tour, is there anything you’re looking forward to?

    I’ve been dreaming about doing a solo US tour forever, so honestly, I’m excited about everything! I love exploring new cities, and digging for local vintage pieces you can only find in each place. But more than anything, the idea of fans coming out to see my stage in person… that’s what really makes my heart race.

    Backstage glam items. SM Entertainment

    KCON served as a precursor to you announcing your US leg of the tour. What was the energy like before and after you finally released the news? 

    Before KCON, it felt like I was holding onto this fun little secret, so I was a bit nervous and quietly waiting for the right moment. But the second the announcement dropped, fans reacted so quickly and with so much excitement that it instantly lifted my energy. That was when everything really started to feel real.

    Customized in-ear headphone with HUNTER album logo. SM Entertainment

    You teased a little bit of backstage fun and prep on your Instagram. What is it like curating the stages, makeup, and overall look of the show? 

    With solo stages, I get to bring my ideas to life down to the smallest details, and I really love that process. From the colors and textures to the lighting, shaping the look and feel of the show takes time, but it’s rewarding because that’s where my identity and style really come through. Even with makeup, I’m trying small variations depending on the vibe of each tour stop.

    Customized show outfits. SM Entertainment

    Any fun backstage stories?

    Backstage is a total whirlwind, to be honest. This show takes so much to put together—hair, makeup, outfits—so everyone is moving nonstop. It gets chaotic, but in a way that’s fun and keeps the energy really high.

    KEY at LA show in his BOK-SILLee look. SM Entertainment

    Do you have any pre-performance rituals?

    I always do a team huddle with the entire concert crew before going on stage. And a cup of tea is a must.

    KEY on stage at his first US stop in LA. SM Entertainment

    What do you find as your strength when performing solo vs. a group?

    As SHINee, our strength is definitely our teamwork and the way we naturally complement one another. When I am on my own, I try to express my personal taste and ideas more openly and directly. I pay close attention to the details so everything comes across the way I envision it, and I think that is one of my strengths as a solo artist. I also get to guide the entire mood of the stage, which is something I really enjoy.

    KEY at LA Soundcheck. SM Entertainment

    What song/stage are you excited to perform the most?

    We rearranged the setlist and added a few new songs to fit the US vibe. I’m really excited to finally perform those on stage.

    KEY on stage in his armored corset outfit. SM Entertainment

    What song/stage do you consider the most challenging to perform?

    High-energy songs like “Gasoline” are definitely the toughest. The choreography is demanding, and performing it solo means I have to keep that power going the whole time. It really pushes me, but it also makes the performance feel so satisfying and rewarding.

    Surprise fanlight lantern event by fans. SM Entertainment

    Do you have a particular fan memory from the tour that sticks to you the most?

    There are moments when fans move in perfect sync with me, and those always stick with me. Even when I’m just saying a few words in English, they laugh and react right on cue, which is surprising and really touching. And in some cities, the whole crowd moved together so naturally that it felt like they had their own concept for the night. Moments like that stay with me long after the show.  

    KEY singing his last song Lavender Love with fans. SM Entertainmnet

    Is there anything you want fans to take away from your tour and performance?

    I want fans to feel the heart behind what I do—just how sincerely I approach every song and every performance. And I hope this show can be a small source of comfort or inspiration for them. If the time and energy I put into this tour becomes strength for someone, even for a moment, that means everything to me.

    Key Keyland: Uncanny Valley Tour Dates

    Dec. 3 – Los Angeles, Orpheum Theatre
    Dec. 5 – Oakland, Calif., Paramount Theatre
    Dec. 8 – Dallas/Ft. Worth, Texas, Will Rogers Auditorium
    Dec. 10 – Brooklyn, Kings Theatre
    Dec. 13 – Chicago, Riviera Theatre
    Dec. 15 – Seattle, Moore Theatre

                       

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    Lea Veloso

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  • It’s True — No One Does It Better Than WONHO

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    It’s not so often that you see a K-pop idol dancing on your office terrace. On a breezy, overcast, autumnal afternoon in Midtown, Manhattan, WONHO films a video where he effortlessly shows off his moves with a stunning view of the Empire State Building in the background. 

    Just the day before, WONHO stood atop the New York City landmark as one of his promotional activities in honor of his first full-length album, Syndrome. It was a jam-packed schedule with press and special fansigns, but the 32-year-old artist takes it in stride. “I’ve been here often, and it’s pretty familiar to me,” WONHO says. “But this time I got to do many new things, so it felt very special.”  

    It’s only been a couple of days after the release of Syndrome when WONHO lands in the U.S. During his spare time, he reflected on the hard work put into this album. “Overall musically, I really wanted to make an album that was of high quality,” WONHO reminisces. “I feel like I made an album that’s very easy and good to listen to, and I saw fan reactions that said that it was, even without a full performance or a video for all the songs.”

    The lead single from the album “if you wanna” did have one of those alluring visual accompaniments, and the hypnotic choreography immediately went viral upon release. A sexy ’90s-inspired hook lures you in when WONHO uses his lower register to rap a swirl of lyrics that indulge in deep desires, intimacy, and luxury. Cue WONHO’s silky vocals in the chorus that flow side to side like the dancers’ arms in choreography. 

    It’s a memorable impression as an introduction to the album. To make the album appeal to audiences everywhere, Syndrome is almost entirely sung and rapped in English. When recording, it was sometimes difficult for WONHO to articulate, but he was always determined to get it right. “Just working on getting the pronunciation right and also just the process of recording all 10 songs was pretty long,” he acknowledged. In the end, the fruits of his labor were bountiful. 

    With every music project, WONHO’s creative process lies within a certain theme, and for Syndrome, it was the complex feeling of love. To anyone, love doesn’t pin itself down to only one meaning. “Before, my idea of love was more focused on just the happiness of the relationship between two people,” WONHO says. “But I think through this process, I was able to learn that there are many different types of love and there are many genres that I can show that with.” 

    Though exploring genres could be an exhausting journey and could be tripped up easily, WONHO put immense thought into deciding how the tracklist flowed for the right sound and vibe. “Scissors” delves into the timid heartbreak and betrayal of a loved one with steady beats in the chorus, and it immediately launches into “At the Time,” where the vocalist roars about the good times with a former flame with a country twang. Other standouts include the heartwrenching serenade of “Beautiful” and “DND,” which is teeming with rich R&B vocal runs. 

    Rounding out the album is “Better Than Me,” which is a song that could be plucked out of an NSYNC* discography (“Good Liar” does have a nod to “Bye Bye Bye” in the background vocals), but WONHO makes the declaration loud and clear: “No one does it better than me.” 

    After an intensely busy year of recording, WONHO feels like the album is complete as it is, and that he made it well in the direction he wanted. ”I do feel like a certain weight has been lifted after releasing this album,” he says. “I did feel some pressure because I wanted to really hurry and release this album for my fans who have been waiting for a long time, but the preparation process was pretty long. At first, I worried that my fans wouldn’t like it. But, I think looking back now, I wasn’t that worried because I believed that they would like it and I trusted myself.”

    WONHO was set to perform the album on his Stay Awake tour in the U.S. in mid-November, but operational issues and unforeseen issues caused by the promoter caused the leg to be canceled. He’s been relishing time meeting up with his fans, WENEES, during hello82 fan signs in New York and LA. “ In the future, I want to do as much as I can to meet WENEEs more often,” he muses. “And after I met them at the fan signs, I’ve been really thinking and planning ways in which I can do that.” 

    Even though WENEEs will have to wait to see WONHO live again, the singer never misses an opportunity to keep in touch with his fans while showing off his true, authentic, silly self—whether it’s posting thirst-trap-like or adorable photos on Bubble, or even cosplaying as a scarily accurate Abby Saja from the wildly popular Kpop Demon Hunters.   

    Fans continuously see WONHO as a source of inspiration, and it’s a reciprocal relationship. He shifts his 2026 goals quite clearly: “I used to really rely a lot on visuals or the performance aspect part, but then I think more and more — I want to become a singer who is able to touch my fans with just the music and really reach them through my songs.”

    With WONHO, he feels on top of the world with WENEEs, no matter what walk of life they come from. “In my eyes, everyone is the same fan to me and has the same thoughts,” he says while grinning. “I feel like all my fans look very cute.”

    This interview has been edited and condensed for clarity.

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    Lea Veloso

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  • Home Is Where mikah’s Heart Is

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    Ask anyone what “home” means to them, and surely, you’ll get different answers. Ask anyone what “homesick” means to them, and you’ll experience the familiar feeling of secondhand longing and fondness. For mikah, he’s an expert in dwelling on those feelings, and now he’s ready to release his Homesick trilogy for the world to hear.

    “I want to write music that doesn’t just connect to me,” the 26-year-old artist says over Zoom. “Not just like writing for myself as a journal and a diary, but also to help other people cope with something and help them.” 

    Born Mika Hashizume, to a Japanese mother and German father, mikah had no problem fitting in his hometown of Honolulu. The Hawaiian island is a melting pot of people who grew up with diverse cultural experiences, and a hub for first-gen immigrants. Once he moved to Japan and subsequently China, the search for home became an aching feeling that he couldn’t break free from. 

    Related: UMI Is the Master Storyteller We’ve Been Waiting for

    mikah remembers the day he left home with crystal clear precision. His family and many of his closest friends gathered and bid him a heartfelt goodbye at the airport when he was 16 years old. “It made me really sad to see what I was leaving behind at that point,” the singer recalled. “It hit so much harder.” 

    Mikah
    Photography – Pierre Boissel & Mathias Ponard Art Direction – Lara Damiens

    From there, he pursued his dreams–becoming the leader of the Japanese-American boy group Intersection and participating in the Chinese survival show Chuang 2021, where his cover of “So Sick” by Ne-Yo became ultra viral in Asia. His efforts culminated in his debut in the 11-member group INTO1. Both groups disbanded after their contracts ended, but mikah’s relentless drive for creativity had just begun.

    Related: Audrey Nuna Is an Unstoppable Force

    “Since I moved to areas and countries where I was pretty much like a foreigner or an outsider, I do think that that added to the concept of homesickness,” he reflects. “I’ve always felt like after I moved and left Hawaii, I’ve been kind of like an outsider, where I had to accept that and try to prove myself to be not an outsider.”

    After two years of solo fanmeets, singles, and fashion shows, mikah is ready to present these complicated feelings in his mellow and introspective music. It all started when he was recording the trilogy in Los Angeles with his producing team. The Southern California city serves as an inspirational haven for him. He says it’s a place that makes him detach from his current life and forces him to “dig deeper into my subconscious and my own self that I don’t really get to be in touch with a lot.”

    To fully understand and grasp the topic, he wanted to connect with his collaborators on a familiar level. “I would also ask the other people in the room about their experiences, and if they understood homesickness,” he recalls. “I’ve talked about it in the past to a lot of people, and I knew this concept was something that more people could understand and connect with.”

    Mikah  Homesick
    Avex Music Creative Inc.

    mikah wanted to align his goals with reaching an inclusive audience. Moving isn’t just the act of physically moving somewhere, but also sitting in the unending angst of what’s going to happen next, and if you made the right decision. “I tried my best to write it openly and a bit more broadly, so that other people can listen to the songs and relate them to their own lives,” he says, whether it be moving for college or the next step in their career. 

    To mikah, homesickness doesn’t hold him back from anything. “It expands my horizons,” the singer reflects. “It teaches me more about myself, and it teaches me more about other people as well. And I think that through moving and traveling to all these different countries and meeting new people, I’m able to understand it all.”

    The first release in the Homesick trilogy, “Escape,” begins his long journey. It’s a clear representation of risking it all to pursue your dreams, but that lingering reluctance to leave the familiar. “ So what if I take thе leap / Might miss all my innocence / Tеrrified of something different / I’m at home sick and I’m sick of it.” The final line of the verse strikes a particular feeling for mikah, who loves wordplay and tries to incorporate it in his works. 

    To make it hit home a little harder, mikah wanted to pull back the curtains on his public persona in the visuals for the single. Lush greenery surrounds him and his childhood friends when they walk in a precise line and drive around with no care in the world. They laugh, share fond memories playing soccer and swimming, and for a second, you’re not sure what age they are. mikah described the importance of showing his hidden vulnerable side, especially as someone who’s been in front of the camera a lot. “I’m kind of playing this character that I’ve put up just for image,” he said. “I wanted to be a lot warmer and a lot more real. I wanted my actual friends to be in it, and to not look like a music video.”

    Gentle guitar strums introduce the second song, “In Between,” where mikah paints a specific picture in his head. “It’s just me and my suitcase passing through places / It’s starting to feel like an endless vacation,” he sings in the chorus. It’s a song that he constantly ponders upon in airplanes, as in the second verse, he wrestles with the idea of his friends’ aging and inevitably, the distance that grows. “I get further away from that past that I used to live in—the past that I always compare my current life to,” he says.

    Mikah
    Photography – Pierre Boissel & Mathias Ponard Art Direction – Lara Damiens

    Moving in this sense makes one feel more adrift, but the final song “Dream” gives home a solid and definite meaning. “Feels like I’m running in place / Dreaming feels like home,” he sings and soars in an epiphanic chorus. In the music video, he roams alone around the crowded streets of Tokyo and the famous crowded Shibuya crosswalk. There’s a moment of solitude, but it flashes back to those tender moments with his childhood friends and serves as a constant reminder that those memories are everlasting and always there.

    The singer-songwriter is currently settled in Shanghai, and though he’s busy making music or showing off trailblazing fashion at events like Vogue Forces of Fashion, he takes a lot of time to ground himself. “I think that through everywhere I’ve gone, I was able to find some way to make that area a home for me. Mainly that was through my friends that I had at those times,” he says. “Especially now, through my friends, my staff around me, even like the level of Chinese that I have right now, I feel like I’m able to actually be myself, which helped me feel like I’m more at home as well.” 

    It’s helped him prepare for an aspirational 2026 where he aims to become a mature, well-rounded artist and storyteller. Overall, he wants to link all his passions of music and fashion together and dive into more experimental and alternative genres (“A bit further from pop, like Mk.gee and Nami,” he says.) Of course, he wants to bring his fans along for the ride into the expansive horizon. “I also want to start to do more global things—to see my fans that are in different countries and to learn from more global experiences, whether that’s making music, traveling, performing there too.” 

    This interview has been edited and condensed for clarity.

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    Lea Veloso

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  • A Timeline of Chelley, Huda, and Olandria’s ‘Sisterhood’

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    The girls are fighting.
    Photo-Illustration: Vulture; Photos: Peacock

    Huda Mustafa, Chelley Bissainthe, and Olandria Carthen were the OG girls of Love Island USA. They entered the Villa as strangers and left as friends. Right? Right?! Unfortunately, this is Love Island and not Friendship Island. Throughout their time on season seven of Peacock’s dating show, the women called each other sisters even when they weren’t seeing eye to eye. They got through Huda’s breakup with Jeremiah Brown, but Casa Amor changed everything when Huda and Chelley became interested in Chris Seeley — who could be playing ball overseas right now. Outside of the Villa, fans on either side were picking apart their friendship. Chelley fans claimed Huda was playing the victim throughout the show, while members of the Huda HQ called Chelley a mean girl, claiming she, Cierra, and Olandria were bullying Huda, causing her to act out. The stan fighting quickly turned ugly; a fan posted a racist meme of Huda as the police officer who murdered George Floyd, with Olandria’s face pasted on Floyd’s. How did a show about making out make fans so hateful?

    At the reunion on August 25, the three women will have to address it all, watch the moments that had viewers starting fights online, and finally come to a consensus about what happened between Ace and Huda during the Heart Rate Challenge. Below, follow Huda, Chelley, and Olandria’s on their journey from sisters to frenemies to gossip-podcast guests.

    June 3, Episode One: Huda makes a bold entrance during their first challenge on the show; despite being paired up with Chelley, she kissed Ace. However, her attraction was not unrequited. Ace kisses Huda back in a later challenge, in addition to Chelley. (Olandria kisses ol’ boy too, but it doesn’t go anywhere.)

    June 4, Episode Two: Every man is open to recoupling with Cierra except Jeremiah. Huda is kind of living for the fact that her man stayed by her side. “Y’all deserve some real men,” she exclaims, pointing to Chelley and Olandria, who sit alone at the firepit. It’s clear neither woman is happy that their partner stood up. Girl, you don’t have to play that,” Olandria replies before telling her they’ll have a “nice little chat later.”

    June 5, Episode 3: Huda tearfully tells Chelley she thought Olandria’s comment was “rude,” and Chelley gives her a hug. They’re probably still jet-lagged after all, miscommunications happen among strangers. From Olandria’s point of view, she meant she would chitchat with the women about the boys’ behavior, not reprimand her. Olandria clears this up with her, and the sisters reconcile.

    June 6, Episode 4: Huda is visibly upset that new bombshell Amaya “Papaya” Espinal picks Jeremiah as her home run during a challenge, calling it the “dumbest shit she could’ve ever done.” Olandria reminds her it’s “just a game.” Again, it’s only the fourth episode. Huda panics to Chelley, and who comforts her as well, despite feeling a little annoyed as Jeremiah has made it clear he’s committed to Huda.

    June 9, Episode 7: Huda tells the others she’s discussed moving in with Jeremiah. Olandria is clear to the camera that she’s willing to “feed into” Huda’s “delusions” about Jeremiah, even if she normally wouldn’t with her friends outside the Villa. Which is arguably the most “true friend” thing you could do for another Islander. “If this is what my girl wants, I’m not finna be the sour apple of the bunch going ‘No girl you need to snap out of it,’” she tells the confessional. “At this point and time, she just needs support, and I can be that support system even if I don’t really support your decision.”

    June 15, Episode 12: Jeremiah picks Olandria to make out behind a door in a challenge. Huda can’t resist sneaking a peek, sees them kissing “for real, for real,” and pops off, beginning the end of her relationship with him.

    June 23, Episode 19:  Bye Jeremiah! The girls head to Casa Amor where Chris, a basketball player overseas, and Chelley hit it off.

    June 24, Episode 20: Olandria is dumped from Casa Amor. Huda cries like someone died.

    June 26, Episode 21: Chris charms Chelley with some flowers. JD, Huda’s current match, calls Huda “too dominant” during a challenge, giving her the ick. She out-alphas him and breaks it off.

    June 29, Episode 24: Back in the villa, Chelley is still trying to choose between Ace and Chris. However, the heart rate challenge quickly sobers her up, when Huda takes it “too far” dancing on him. Her twerking is called “so disrespectful.” As the professional (TikTok) dancer tries to get himself out of trouble, even his buddies Nic and Pepe refuse to back him up, both saying it “looked a little more than just a challenge.” Chelley herself found it hypocritical since Huda saw red when a new bombshell picked Jeremiah for a challenge.

    June 30, Episode 25: It’s not going to be so easy for them to make up. Chelley tables their conversation for another day. Adding syrup to the fire, Chris makes both women pancakes the next morning, but Chelley gets an extra pancake and a flower. Is it because he feels bad about what happened the night before? Or he’s still trying to charm Chelley? Either way, Huda can only focus on the differences between their meals. At the end of the day, it is Huda getting a sweet treat after all when she and Chris kiss in the speakeasy.

    July 1, Episode 26: Oh no, it gets worse! Huda and Chelley are still mad at each other and now it’s everyone’s problem, as evidenced by their “Standing on Business” callouts. They go back and forth, finally saying what they said to the other Islanders to each other’s faces. Then, Chelley accuses Huda of not being a girl’s girl, the biggest insult on the Island. Olandria backs it up by revealing to the firepit that Huda and Chris kissed.

    July 3, Episode 27: Hurricane Huda is now a party of one. Olandria apologizes for making Huda feel isolated during the challenge. Finally, Huda and Chelley talk it over and all three ultimately exit the show as friends.

    July 9: BuzzFeed posts a visual on Instagram showing what it would serve each Islander for breakfast if they were coupled up. For Chelley, BuzzFeed gave her a “knuckle sandwich.” BuzzFeed deletes the post and makes an attempt at an apology that gets deleted quickly. Team Chelley called the post “disturbing, disgusting, and unacceptable.” They continued, “It is the harsh reality that implicit biases can be rooted in anti-blackness, misogyny, prejudice, violence, etc.”

    July 11: Chelley, the first to be dumped, stands by the fact that “Lines were definitely crossed” during the Heart Rate Challenge, in an interview with Vulture, but says she and Huda are cool. “That’s something we were able to talk about and resolve and understand each other on,” she says.

    July 12: In a post-elimination video on Love Island socials, Huda tells Chelley she made her a better person.

    July 16: Huda feels like she was “bullied” a lot in the villa, she tells  Entertainment Tonight.

    July 16: Huda dives deeper into her love triangle with Chelley and Chris with Alex Cooper on Call Her Daddy. She explains again how she “brought back Chris” for both her and Chelley to explore their connection with him. So, why was there a miscommunication? “Beats me … Everybody kept talking about me, but no one was talking to me,” Huda explains. “No one gave a fuck about my opinion … I felt like I had no one.” She also addresses the rumor that she “sat on Ace’s face” during the Heart Rate Challenge: “My butt was on his stomach area and I was twerking. It was like two seconds too. No, I did not put my ass on Ace’s face!”

    July 17: Huda addresses her friendship with Olandria and Chelley in an interview with Blavity and criticizes her fans who are bullying them online, clarifying to everyone that she’s not “hating” on either woman. “I think that everyone is entitled to their own opinion, but I think there are lines that are crossed,” she said, subtly addressing the racism that the two faced in wake of their feud. “And I don’t condone hate. I don’t condone bullying. I don’t condone any of that. I think people’s safeties are at risk.”

    Huda goes on to defend herself against the Heart Rate Challenge allegations. “So I’m doing this in a challenge, and it’s a problem. People are like, ‘Oh, you were kissing him for a crazy amount of time,’” she says. “People were kissing my man for a crazy amount of time, and I’m cheering them on. I was doing things that I did in other challenges.”

    July 17: Chelley asks her supporters to “continue to spread love and not hate” as she acknowledges the racism she’s received from viewers of the show. “To the people who used their platforms not just to recap a show but to speak truthfully about the deeper realities Black women face, your words meant everything,” she writes. “You reminded the world that we are layered, emotional, complex, worthy, and real. Thank you for holding the line of truth with me and for me in times where hate seemed stronger than usual.”

    July 17: Olandria opens up about  how “difficult” it’s been dealing with racism and microaggressions since being on the show, escalating to hateful messages comparing her to police brutality victims. “I heard it was even a meme of me being George Floyd and Huda being an officer,” she tells Variety.“That’s a very touchy topic for the Black community. It’s disgusting, to say the least. I don’t understand how you take a love show and make such a comment like that. I was even getting death threats. My family was getting death threats. It shouldn’t be like that at all.”

    July 17: Chelley and Olandria both reportedly unfollow Huda on Instagram. Huda unfollows back.

    July 22: Chelley agrees with Keke Palmer’s assumption that Huda, in the moment, was performing for herself and not thinking about how Chelley might feel seeing her dance on Ace. “Chelley had every right to be upset; Huda agreed … She was very apologetic,” Olandria adds. Chelley clarifies that she is “cool” with Huda and reminds the audience that there are no real prizes for challenges. So they took care of those plastic dolls for nothing?

    August 13: Andy Cohen teases Huda, Olandria, and Chelley’s segment on the reunion while having Olandria on as a guest on Watch What Happens Live. He finds it “interesting” to see her reunion with Huda and Chelley and even calls the extended version of the “Heart Rate” challenge “dramatic” — this is coming from the guy who’s been hosting Housewives reunions for decades.

    August 13: BuzzFeed publishes an article titled “What It Means to Protect Black Communities at Work, Even When Your Own Company Messes Up Like We Did,” in which it issues another apology and includes reactions from other Black employees.

    August 21: Just a few days before the reunion airs, Chelley and Olandria aren’t letting the mean-girl allegations from a certain castmate get to them. “To see our fellow Islanders playing into that narrative was hard,” Olandria tells Teen Vogue. “It’s like, you knew us, why would you get out and let America, let social media get to your head? A lot of them played into that mean-girl, bully narrative. I’m like, ‘Okay, this is not fair.’” The women weren’t naïve to how they are perceived as Black women on a reality show, especially when they would criticize Huda. “How dare you guys say something like that to us, but not to everyone who was having that mean-girl energy or mean-girl moments? It goes back to the whole, you have to act a certain type of way [as a Black woman] because the moment you act ‘out of character’ you’re done,” Chelley says. “We just spoke our truth and held people accountable for their actions.”

    August 21: It’s not looking good for Huda. The reunion trailer shows just how hurt Olandria and Chelley have been by Huda’s bullying allegations. “It’s like I’m seeing two different people,” Chelley exclaims, while Olandria tearfully adds, “That shit hurt, bro.” It might be the end of their friendship, for real this time.

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    Alejandra Gularte

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  • UMI Is the Master Storyteller We’ve Been Waiting for

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    Mango sticky rice might be someone’s first choice for a dessert after eating a fulfilling Thai meal. It covers all the bases: the sweet, chewy mixture of coconut milk and rice perfectly balances the tartness and dense bite of a mango. Some might say that blending the sweet and sour taste could be a metaphor for life. For UMI, it served as the ultimate foundation for her album people stories.

    After one of her tour stops for her last album, Forest in the Wind, in Amsterdam, a couple approached the singer and confessed that they fell in love while talking about her music over a meal of mango sticky rice. They invited the 26-year-old to dine at the restaurant where their romance had begun and to discuss the different paths of life. “That’s when it all clicked,” the musician tells me over a Zoom call in her car. “I was like, ‘Oh my God, I want to make an album about the stories of my fans and other people’s stories.’”

    From then on, it became UMI’s mission to become a collector of all these precious memories. “Every time I go to the studio, I will send a message to my fans on Discord and write, ‘Send me a story the last time you cried,’ or ‘send me a story of your happiest memory.’ Then I’ll take all those stories and turn them into songs,” she explains. 

    The first song she wrote was named after the delicious dessert, and provides several vignettes of gradually falling in love, such as getting high while watching Wong Kar Wai movies. The lighthearted and bouncy guitar strums of the track are later embellished with UMI’s fluid Japanese rap interlude. Though the songs in her album are mostly about other people’s encounters, she makes sure to include her own meaningful experiences, too.

    UMI

    “Sometimes,” the first song of the album, sways with pensiveness as she asks the question that lays the groundwork for the project: “What is happiness?” UMI introduces recorded conversations with her therapist and connects the personal introspection to the collective. She asks the mental health professional, “Why is it okay for me to be happy if the world itself isn’t happy?”

    It’s a heavy question we all have lingering from time to time. With the imminent political chaos that’s happening in the world, there’s only so much that we, as individuals, can do. Several sessions with the therapist allowed UMI to realize that, to enact the change you want to see in the world, you need to find the perfect voice within yourself and move from there. “I would love for people to see that caring for themselves is just as important as caring for the world, because they go hand in hand,” she says. 

    It’s why UMI is incredibly devoted to connecting with her fans on a deep and spiritual basis. In major cities, she hosts meditations and soundbaths, and even spends time on breathwork with her audience at the beginning of her performances. There were times when she wanted to quit the music industry completely in the process of making the project, but her number ones convinced her to keep going and pursue her dream. Lately, she’s developed quite an intricate relationship with her fans, describing herself as a big sister figure. “They’ll ask me, ‘I have a school test tomorrow. How can I study for it?’ or ‘I don’t know what to wear tomorrow, what should I wear?’ And we’ll just talk like we’re family. It always feels like FaceTiming with them.”

    Among those hardcore fans are famous K-pop stars like V from BTS, whom she collaborated with on the hit song “Wherever U R,” and EXO’s BAEKHYUN, whom she worked with on “Do What You Do” with producer EL CAPITXN. She even asked the latter idol if he could film a video in tandem with the theme of people stories. “What does love mean to you?” she asks. “I believe that love should include the feeling of wanting the person you love to sleep well,” Baekhyun says casually atop a stairwell. “Wake up well, be able to start a happy day, and wishing that to happen.”

    Like how she stays genuine and true with her fans, she wants to go beyond surface-level interactions with these huge artists. Rather than just saying hi at concerts or participating in a song together and never talking again, she wants to nurture these significant relationships. “Anyone who makes music with me—I don’t know why— we happen to become family afterwards. I hope that’s how the rest of my career goes. I can help rebuild a sense of community within the artist world.” 

    According to the musician, to truly understand yourself includes reawakening childhood nostalgia. Along with her longtime collaborator and producer V-Ron, she tapped into folk, R&B, and pop sounds and early 2000s MTV memories that shaped her musically. The music video for “Right / Wrong” is reminiscent of raw and sultry R&B videos that use rainfall as an emotional backdrop, while she paints a picture of going back and forth about whether she regrets decisions in the lyrics. She also admits that nostalgia goes hand in hand with childhood traumas. “Part of my creative process was reclaiming my own childhood and turning it into this whole new thing.” 

    “Familiar Friend” is dedicated to her sister and was inspired by her sibling’s experiences with depression and anxiety. UMI recounts that sometimes we often cling to those for a sense of familiarity. But there are days when they’re too much and we want those negative feelings to completely melt away. She describes the song as looking at mental health from a new and refreshing perspective. “We need a lot more compassion towards it,” she says. “I don’t think you can avoid depression as a human being. I think you can just understand it better.”

    Balancing those feelings can sometimes get in the way of daily tasks, but it shouldn’t stop you from living life freely. The album sends out a comforting message that you’re always on the path you’re meant to be on. The past two years culminated in the artist finally embracing her rockstar side. “I’ve always been such a rebel,” the singer exclaims. She cites her inner free-spiritedness and desire to break the mold as motivations, as she wants to show her edgier and more mature side. The path to self-discovery is never-ending, and she confidently sings an everlasting affirmation in the chorus of “The Universe”: “The universe is always workin’ / Sometimes it hurts, but it’s always worth it / We fall apart, we’re bodies learnin.’”

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    Lea Veloso

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  • The White Lotus Scenes We Didn’t Get to See

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    More Carrie Coon, please.
    Photo: Fabio Lovino/HBO

    If you’re still hungry for more after The White Lotus’s April 6 season-three finale, you can always scour the cutting-room floor. Writer-director Mike White told the Hollywood Reporter some of his episodes originally came in at an hour and 40 minutes before getting cut down to the tight hours that aired. (Meanwhile, the 90-minute finale was originally shot as two and a half hours, per star Patrick Schwarzenegger.) “As a writer, I got a little indulged,” White admitted.

    Luckily, for months now, some of the show’s stars have been revealing their cut moments, including bigger conversations and more fantasies. So, what else did we miss out on this season (other than a bangin’ theme song)? Below, all the deleted scenes from White Lotus season three, updated as more secrets come out.

    The surprise that Kate (may have) voted for Donald Trump originally carried much higher stakes. Carrie Coon told Harper’s Bazaar that, earlier in the season, Laurie shared that her kid is nonbinary. “You see Laurie struggling to explain it to her friends, struggling to use they/them pronouns, struggling with the language, which was all interesting,” she said. That then made Kate’s conversation about Trump “so much more provocative and personally offensive to Laurie,” Coon added. However, White later cut the scene because it was “too political, or too far, or too distracting,” Coon told the Hollywood Reporter. White added to The Hollywood Reporter he didn’t want that detail to “overwhelm” his messaging. “It felt right in March of last year,” he said. “Now, there’s a vibe shift.”

    Leslie Bibb also told The Hollywood Reporter about a fantastical scene with Kate that got left on the cutting-room floor. “Kate had this insane dream sequence with the ladyboys and ping-pong and everything was glowing,” she said. “It was also kind of like The Shining.” When? Why? Could it have led to Kate checking out of the White Lotus with new politics? We can only dream of that.

    The women Jaclyn eyed while dancing in the club with the Russian men originally played a bigger role in that scene. Michelle Monaghan told Bustle those same women saw the trio of friends at the bar earlier, when they looked “like drowned rats” after getting soaked on the street. “They’re pointing fingers and laughing at them,” Monaghan said. “And Jaclyn was like, Oh, hell noWe’re going downstairs.”

    At one point, Saxon’s emotional look at Chelsea reuniting with Rick on the beach was much more eventful. “I actually played a version of that scene where it’s full come-to-Jesus, where Saxon is just so sweet to the girls,” Schwarzenegger told Variety. But White quickly decided that wasn’t right. “He didn’t want some huge change for Saxon yet — just a small moment and to hold on my face as I watch her go off into the distance,” Schwarzenegger continued.

    Yeah, we missed out on more tsunami talk. Sam Nivola shared that, in a longer version of Tim Ratliff’s conversation with Lochlan about living without money, Jason Isaacs’s character asked Lochlan about the book he was reading. “And I’m like, I’m reading this book about tsunamis, and fucking 300,000 people died, or however many it was,” Nivola told Deadline. “How do you find any meaning in life when it can all just change like that on a dime? Which I think was a cool way of describing the turmoil that he’s going through.” But that metaphor was lost on a drugged-out Tim. “And then Timothy says, What if money doesn’t matter? or something,” Nivola continued. “And I’m like, Okay, I don’t see how that’s related to what I just said, and he is just totally thinking about his own thing.

    But not to leave the resort. Nivola also revealed that during his character’s near-death experience, after accidentally making a suicide-fruit smoothie, he had a fantasy of escaping one of the show’s iconic body bags. “And that was so scary, because I had to be zipped in a body bag with no air, and then unzip myself,” he told Deadline.

    We may never know what happened before this picture.

    Saxon was right: Piper is a virgin. White cut an entire plotline from the finale in which, after returning from the monastery, Piper decides to have sex for the first time — with Zion, Belinda’s son. “There’s this whole scene where she’s like, It’s true,” White said on The White Lotus Official Podcast. “Saxon is right about this one thing. I need to get this over with.” White said the story line “would have added ten minutes” to the already long finale, and the “rom-com vibe” didn’t match the tone. “It just felt like I was trying to do too much narratively,” he said. Piper, no!

    Mike White originally intended that ending to be even more tragic, with Rick and Chelsea really solidifying their bond in a finale love scene. In a joint Variety interview (mostly devoted to how they’re not feuding, okay???), Aimee Lou Wood and Walton Goggins said they had a finale sex scene that showed just how much Rick threw away by returning to his revenge plot. “We designed the whole journey, even down to the fact that Chelsea gets on Rick in the first scene,” Wood said. “Then in the last episode, it was Rick picking Chelsea up. It was so, so delicate.” Goggins agreed, saying it was a scene about “two people who were free. It was this very long, suspended moment of these two people looking at each other. It was so powerful.”

    Yes, it is possible for Jason Isaacs to talk about full-frontal nudity without bringing up Mikey Madison’s vulva. When asked by self-described “peen-iatologist” and Jimmy Kimmel Live! guest host Tiffany Haddish about Tim’s exposed penis in episode four, Isaacs shared that his character had another “flashing” moment that got cut from the show. “It was funnier the second time, because the kids went, ‘Dad! Put it away!’’’ he recalled. “But the rest of the scene didn’t work. And I said, ‘Mike, you cut my second dick!’” Maybe White decided that we’d gotten enough scenes of Ratliff family members seeing one another naked?

    This post has been updated.

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    Justin Curto

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  • Fashion by HONGJOONG: The ATEEZ Member on Cowboy Hats & His David Bowie-Inspired DIY Project

    Fashion by HONGJOONG: The ATEEZ Member on Cowboy Hats & His David Bowie-Inspired DIY Project

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    Anyone can have an eye for fashion, but it’s extremely special to have a heart for it, too. HONGJOONG has both—one in the literal sense. Adorned in crystals that form an eye motif across his chest (courtesy of Balmain) that shimmers throughout the studio, he confidently struts in front of the camera. He was supposed to wear the piece at Balmain’s men’s fashion show earlier in the year, but it was rescheduled to September. HONGJOONG, nonetheless, is elated to finally wear the outfit.

    It’s the day before ATEEZ’s monumental and rainy show at Citi Field in Queens, NY—one of the stops on their “[TOWARDS THE LIGHT : WILL TO POWER]” world tour. And despite a busy schedule, HONGJOONG arrives at StyleCaster’s midtown Manhattan studio with a wide grin and boundless energy. He meticulously curates every decision of the shoot. He even brought his own accessories—a wide-brimmed hat to emulate his idols—and he executes each pose with precision. He’s genuinely mindful of his surroundings, thanking the staff any chance he gets and making sure they get their proverbial flowers for their hard work.

    “It gives me so much inspiration to wear clothes and outfits I’m not familiar with. My opinion on fashion is changing. My favorite things are changing too.” 

    HONGJOONG is a creative force. His songwriting credits stretch throughout the K-pop group’s whole discography, and he develops touching ways to unite his members (like designing a ring for each band member to commemorate their Coachella debut). His positive attitude speaks to how mindful and present he is in every aspect of ATEEZ’s success—from the nitty-gritty of music production to the out-of-this-world pirate and cowboy concepts they bring to life in videos and onstage.

    Photo: George Chinsee. Design: Sasha Purdy. Suit: Balmain.

    How would you describe your fashion evolution?
    When I was a trainee, I liked too many things. Because in those days, I thought I had to show everything to everyone. I always wore so many accessories and only colorful clothes. After we debuted, I recognized what things fit me and what things looked good for me onstage and backstage. I’m learning all of it because I can see so many photos of what I’m wearing from my fans. 

    My thoughts about fashion naturally evolved over the years. These days, I figure out what I wear in real time. When I wear Balmain’s clothes, I also try to figure out how the outfit fits with my own vibe. 

    You’ve made your own custom clothes, and I think that’s the coolest fact ever.
    Thank you! I’m a little shy to talk about my DIY clothes because I’m not a professional designer. But I have the confidence to always make my own things. 

    Photo: George Chinsee. Design: Sasha Purdy. Suit: Balmain.

    Do you have a favorite piece you made?
    In Phoenix, I dyed one of my clothes after I saw a David Bowie mural. I was inspired and wanted to draw on my Jacquemus colored jacket. It’s one of my favorite pieces. I’ve posted it on Instagram, but I’ve never worn it in front of people. Someday I’d like to, because it’s very colorful. It’s good for the summer and matches the Olympic ring colors. 

    How has touring changed the way you style yourself?
    Touring has helped me in a very good way. There are many opportunities to see new outfits and clothes, because when we are in Korea, we have really busy schedules. One of my hobbies is to go to some stores and see something new. I’m curious about what materials they use, what colors they use, and what’s trending. When we’re touring, we have time to look around. 

    Many brands sell their clothes only in America or only in Korea, so it’s very good to see different outfits across the globe. It gives me so much inspiration to wear clothes and outfits I’m not familiar with. My opinion on fashion is changing. My favorite things are changing too. For this tour specifically, I’ve worn different kinds of hats, like hunting caps and fedoras. 

    Photo: George Chinsee. Design: Sasha Purdy. Suit: Balmain.

    Do you have a favorite city that inspired you?
    In Arlington, Texas, they’re really famous for cowboy hats. When we went to Fort Worth, I got one and I wore it onstage. Everyone loved to see that. That’s one of my favorite cities because it’s always changing my mind about fashion. 

    We’ve tried a few cowboy things before in our songs and music videos, but when I saw people wearing it in the original place where it’s from, it was so cool. When I go to those cities in the USA, they all have different cultures. 

    You took some Instagram photos with the cowboy hat and referenced a meme that ATINY made viral during sendoff. 
    So many people like to see our interactions with fans. I enjoyed it so much because when I’m onstage, I just sing and dance. But when I’m off the stage, I love to interact with our fans—ATINY—because we’re all just people. It’s so important that we do that when we release new songs and we show really good fashion. It’s more important that we get good communication with our fans, because when we release new songs, I want them to understand it better. 

    Photo: George Chinsee. Design: Sasha Purdy. Suit: Balmain.

    This is your first time playing big arenas and stadiums for multiple dates. What’s the experience like compared to other tours? 
    Every ATEEZ concert that we did this year is bigger than the previous years. Every year is different, and every city is different too. We started in very small halls when we first came to the U.S. This time, we’re in stadiums and are making hit songs in the U.S. It’s something different that we have to release better songs and we have to show better stages to our fans.

    But at the same time, I want ATINY to feel like we’re not far away. If we become more famous, our original fans will think that because we’re playing stadiums, we’re so far away from them. I don’t want any of our fans to feel like that. 

    I just want them to feel like they’re always near us and that our songs relate to their life. After our concerts, we get to meet our fans, and I want to make that communication and interaction important for them. 

    What’s it like to collaborate with the production team when producing songs?
    We have a producing team, EDENARY, and the leader of the group is Eden. He’s one of my closest friends, because I met him 10 years ago in our company and we grew up together. When I participate in making songs, it’s very natural. We use the same studio. If I have a keyword and genre in mind, they develop and give the songs and demos back to me. They ask about the direction, and there’s back and forth about feedback.

    When I’m in the U.S. or another country, we do a lot of Zoom meetings to discuss and make the songs. We get to business and we think about our next albums and concepts. So that’s what makes our music very ongoing. 

     “I’m thankful for our members and ATINY because they’re always with me. When ATINY are telling us their stories, that gives me so much motivation to make music.”

    Photo: George Chinsee. Design: Sasha Purdy. Suit: Balmain.

    What creatively drives you as a songwriter?
    Michael Jackson first inspired me to make music when I was in middle school. When I first listened to “Billie Jean,” I was really curious about the instrumentals. It’s not just simple synthesizer and piano sounds. I was like “How did he make this?” I was searching on YouTube how to make “Billie Jean” instrumentals. I’m studying English now, but back then I didn’t know that much. All of the comments on the video were in English. I translated it all and started to make music because of that. 

    Michael and David Bowie still give me a lot of inspiration. But at the same time, I’m thankful for our members and ATINY because they’re always with me. When I make music or write lyrics, there’s always inspiration from them too. When the ATEEZ members talk privately or when they tell their own stories, I think about all of that in the songwriting process. Even when ATINY are telling us their stories, that gives me so much motivation to make music. 

    What was your favorite fashion show? 
    My first fashion show was Balmain last year, and this year I went to Comme des Garçons. When I first arrived at the hotel room for Balmain’s fashion show, I opened the invitation to see that it was all about flowers. I love flowers and I felt so lucky to see that it was the theme of my first fashion show. I was like, “Olivier [Rousteing] knew something!”

    When I saw all the outfits on the runway, there was a dress that had flowers all over it. I was so impressed by it that I missed the two or three outfits that were walking after that. I loved the outfit that I wore to that fashion show as well—the one with a French-style beret.  

    Photo: George Chinsee. Design: Sasha Purdy. Suit: Balmain.

    ATEEZ members just opened up their personal Instagram pages. Have you enjoyed making your own profile?
    I’m not someone that usually uses social media that much. When I was a trainee, I just didn’t use it. Now that we’ve made our own individual accounts, when I want to post something, I just do it. I don’t use Instagram that much because I just follow the members. I really enjoy uploading, and I’m so happy when I do it. 

    When I post on my feed, it’s all cool aesthetics. However, my Instagram stories are so crazy. If I get an idea, I just want to do it. I use so many filters. 

    What’s your favorite filter?
    The one where it multiplies a photo or video. Honestly, that one is my favorite. But my vibe is always changing. 

    This interview has been edited for clarity. 

    Photographer: George Chinsee
    Creative Direction: Sasha Purdy (@sashapurdydesign)
    Production Assistant: Lea Veloso
    Hair: Nari Ju at Cheongdam Contigo (@cheongdam_contigo)
    Makeup: Mi Yeon Song at Cheongdam Contigo (@cheongdam_contigo)
    Styling: Chaewon Kim

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    Lea Veloso

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  • Ayo Edebiri and Ireland Are Adopting Each Other

    Ayo Edebiri and Ireland Are Adopting Each Other

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    Irish legends.
    Photo: Phillip Faraone/Getty Images for FIJI Water

    Found family? More like found country. Ayo Edebiri’s roots lie in a North Atlantic island nation best known in America for its export of the most talented actors of our generation (looking at you, Colin Farrell). “bottoms is out rn in the UK & my home nation of Ireland,” she captioned a TikTok promoting her lesbian fight-club comedy. For those leading a blissfully unplugged life, it was their first time hearing of Edebiri’s Irish roots. Like, wait — aren’t Edebiri’s parents Bajan and Nigerian? Yes, per biography.com. However, there are moments in life when your full heritage stumbles into view, only for you to fully adopt a self you didn’t even know existed.

    For Edebiri, that moment came in March 2023 when an Irish accent leaped from her tongue as naturally as any native speaker’s would. By January 2024, Edebiri had thanked her family in Ireland on major stages, reposted congratulations from an Irish publication, and fielded questions about why people think she’s Irish. She is, but we reached out to the taoiseach’s office (Ireland’s prime minister) for comment.

    Ireland embraced Ayo, too. The Irish Times said they’re “proud” to call Edebiri Irish. According to the Times’s reasoning, its loads better than being called British. Can’t argue with that one. Irish actors Cillian Murphy (see photo above), Paul Mescal, and Nicola Coughlan signaled their support for Edebiri. Below, everything that went down during Edebiri and Ireland’s journey of finding each other.

    June 17, 2020: Before the world realizes Edebiri is Ireland’s sweetheart, she’s just a girl on a podcast talking about Ireland’s other sweetheart. In an episode of Iconography, Edebiri and co-host Olivia Craighead (now a writer at the Cut) discuss Irish king Colin Farrell. Guest of the pod and journalist David Sims chooses the topic for the show that is basically an hourlong dish about a guest’s favorite icon. According to our research, it’s the earliest moment in recorded history that she has something about Ireland on her mind.

    August 2021: Edebiri reconnects with the soil of her kin. She returns to Ireland to film The Banshees of Inisherin on location with fellow countrymen Farrell, Brendan Gleeson, Kerry Condon, and Barry Keoghan. Edebiri and Farrell co-lead the film, playing Jenny the Donkey and Pádraic, respectively.

    March 22, 2023: Ireland’s people’s princess graces the Bottoms red carpet. Although she’s supposed to be promoting her latest film about lesbian incels, she instead tells Letterboxd about how she prepared for her role as Jenny. “I lived in Ireland for about four months, and I got really in character and I was on all fours for four months and it was really painful — but beautiful as well,” she said in her native Irish accent. The public begins to put two and two together as this video spreads all over the internet.

    September 22, 2023: She passes the Paul Mescal vibe check. Together, the pair turn up at Milan Fashion Week’s Gucci after-party.

    November 9, 2023: Edebiri calls Ireland her “home nation” in a TikTok caption.

    November 21, 2023: Mescal teases a rom-com comeback starring Ireland’s finest. “In the next five years, I’m going to set myself a challenge to do maybe, like, a rom-com with Ayo. Or something like that would be cool,” he tells AwardsWatch.

    January 6, 2024: She connects with brethren Andrew Scott at W magazine’s Best Performances party.

    January 7, 2024: Scott and Edebiri link again, this time at the Golden Globes. The All of Us Strangers actor “leapt out of his seat like a CANNON when Ayo Edebiri won,” journalist Kyle Buchanan reported. A win for Edebiri is a win for Ireland … which is a win for him, too, by the transitive property.

    January 10, 2024: A film journal becomes one of the first to recognize Edebiri as Irish. Film in Dublin’s official Twitter account sends its congratulations to “Ireland’s own Ayo Edebiri” for her 2024 BAFTA Rising Star Award nom. It went on to publish a full account of the actress’s best Irish roles in an article. Titled “The Best Irish Films Starring Ireland’s Ayo Edebiri, Who Is Irish,” movies include Banshees, obviously, children’s-entertainment staple The Morbegs’ Finnegans Wake, and the blockbuster Michael Collins.

    January 11, 2024: Edebiri and Keoghan wear matching sleeveless white suits to their respective red carpets. The former attends the AFI Awards luncheon, while the latter premieres his new show, Masters of the Air. We’re not ignorant — we know this isn’t some kind of Irish uniform, but it could be if they wanted.

    January 14, 2024: She wins a Critics Choice Award for The Bear. Edebiri thanked her family in Boston, Nigeria, Barbados … and “Ireland, in many ways.”

    January 15, 2024: Edebiri gives a “shout-out to my people” in the Irish cities of Derry, Cork, Killarney, and Dublin during an Emmys interview with Entertainment Tonight. Later on, she wins yet another trophy for Best Supporting Actress for her performance in The Bear. The Irish Times is gonna have to revise its best-Irish-actors-of-all-time list soon.

    January 16, 2024: Derry Girls’ Coughlan reposts a video of Edebiri’s Emmys shout-out to Irish cities. “We’re so proud of our girl,” she captions the Instagram Story.

    February 3, 2024: While hosting Saturday Night Live, Edebiri repped Ireland by wearing a shamrock shirt while introducing Jennifer Lopez’s second musical performance of the night.

    Photo: NBC

    This post has been updated.



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    Zoe Guy

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