ReportWire

Tag: Olivia Rodrigo

  • AI song generator Udio offers brief window for downloads after Universal settlement upsets users

    [ad_1]

    Artificial intelligence song generation platform Udio said it would give its frustrated users 48 hours starting Monday to download their songs before the company shifts to a new business model to comply with a legal settlement.

    The short reprieve comes after Udio on Wednesday said it had settled copyright infringement claims brought by Universal Music, a label with artists including Taylor Swift, Olivia Rodrigo, Drake and Kendrick Lamar.

    AI companies are now fighting so many copyright lawsuits that a tech industry lobby group, the Chamber of Progress, last week called on President Donald Trump to sign an executive order directing federal attorneys “to intervene in legal cases” to defend the industry’s practice of building generative AI tools by feeding them on copyrighted works.

    Citing more than 50 pending federal cases, the group asked for help stopping court fights leading to “potentially company-killing penalties” that threaten AI innovation. But artists have warned that AI tools built on their works also threaten their livelihoods.

    In the biggest settlement so far, AI company Anthropic agreed to pay $1.5 billion — or $3,000 per book — to settle claims from authors who alleged the company illegally pirated nearly half a million of their works to train its chatbot.

    Udio and Universal didn’t disclose the financial terms of their new music licensing agreements. They also said they will team up on a new streaming platform.

    As part of the agreement, Udio immediately stopped allowing people to download songs they’ve created, which sparked a backlash and apparent exodus among paying users.

    “We know the pain it causes to you,” Udio later said in a post on Reddit’s Udio forum, where users were venting about feeling betrayed by the platform’s surprise move and complained that it limited what they could do with their music.

    Udio said it still must stop downloads as it transitions to a new streaming platform next year. But over the weekend, it said it will give people 48 hours starting at 11 a.m. Eastern time Monday to keep their “past creations.”

    “Udio is a small company operating in an incredibly complex and evolving space, and we believe that partnering directly with artists and songwriters is the way forward,” said Udio’s post.

    The settlement deal was the music industry’s first since Universal, along with Sony Music Entertainment and Warner Records, sued Udio and another AI song generator, Suno, last year over copyright infringement.

    Udio and Suno pioneered AI song generation technology, which can spit out new songs based on prompts typed into a chatbot-style text box. Users, who don’t need musical talent, can merely request a tune in the style of, for example, classic rock, 1980s synth-pop or West Coast rap.

    Record labels have accused the platforms of exploiting the recorded works of artists without compensating them.

    In its lawsuit filed against Udio last year, Universal sought to show how specific AI-generated songs made on Udio closely resembled Universal-owned classics like Frank Sinatra’s “My Way,” The Temptations’ “My Girl,” ABBA’s “Dancing Queen” and holiday favorites like “Rockin’ Around the Christmas Tree” and “Jingle Bell Rock.”

    A musician-led group, the Artist Rights Alliance, said Friday that the Universal-Udio settlement represents a positive step in creating a “legitimate AI marketplace” but raised questions about whether independent artists, session musicians and songwriters will be sufficiently protected from AI practices that present an “existential threat” to their careers.

    “Licensing is the only version of AI’s future that doesn’t result in the mass destruction of art and culture,” the group said. “But this promise must be available to all music creators, not just to major corporate copyright holders.”

    [ad_2]

    Source link

  • It Was Champagne and Cigarettes at Armani’s Star-Studded Academy Museum Gala After-Party

    [ad_1]

    On Saturday night, a crowd gathered outside the Chateau Marmont. It wasn’t to get in—there was an unsaid understanding between those on the Marmont Lane sidewalk that the Chateau, already known as one of the hardest doors in Hollywood, was firmly closed tonight. The only way for it to open? If you were on a list carefully, cutthroating-ly curated by Giorgio Armani. Instead, the crowd was there to watch who did.

    Their dedication to people-watching paid off. SUV after SUV pulled up, dropping off names more glamorous than the next: Zoë Kravitz, Charli XCX, Olivia Rodrigo, Demi Moore. “Turn around for the camera, gorgeous!” A paparazzo shouted at Laura Harrier, who acquiesced after several more shouted similar sentiments. “Yes, love you Laura!” A fan added from a distance.

    She was heading inside to a party thrown by the Italian house for their Armani/Archivo initiative, an ambitious project that aims to create a publicly-accessible digital archive of the designs of the late and legendary founder of the house, Giorgio Armani. It was an event that would have attracted a starry crowd regardless—Armani, a brand known for their glamorous eveningwear, has long been a red carpet favorite for celebrities from Cate Blanchett, to Elle Fanning, to Selena Gomez. Yet tonight was also the Academy Award Museum Gala. With Armani’s late start time at 10 p.m, word quickly spread through the Academy crowd that the Chateau Marmont would be the unofficial after party.

    Olivia Rodrigo.

    Courtesy of Giorgio Armani

    [ad_2]

    Elise Taylor

    Source link

  • 5 Fall Mocktails Inspired By Your Favorite Pop Girls

    [ad_1]

    Toasty seasonal must-haves: burnt orange sweeping across eyelids, raiding the pumpkin-spice candle stash, and, of course, catching that familiar whiff the moment our fave pop girlie struts out of Starbucks (or Dunkin’ in Sabrina Carpenter’s case—queue the Cereal N’ Milk Latte). Let’s be real: we’re just as hooked on a spicy sip as they are. But here’s the plot twist—you’ve already memorized their fall coffee orders, yet you’re probably blanking on their mocktail moves. Don’t worry, we’ve got you covered. We’ve paired five pop stars with mocktails that are just as cozy, frothy, and extra as their fall wardrobes.

    Dua Lipa

    Bold, futuristic, and ever-evolving, the Butterfly Pea Spice Fizz is a drink in metamorphosis—its blue-to-purple hue shifts as effortlessly as Dua Lipa’s sound. Butterflies are practically her signature, from the Versace gown she fluttered into at the Barbie London premiere to her winged look at the 2021 Grammys. Add a splash of spiced pear or cranberry juice and top with rosemary, cranberries, or star anise for a mocktail in full flight.

    Check out our recommended recipe here!

    Image Source: Tyrone Lebon

    TO LEARN MORE ABOUT DUA LIPA:
    FACEBOOK | INSTAGRAM | TWITTER | WEBSITE | YOUTUBE

    Ariana Grande

    Elegant, floral, and refined—perfectly on brand for Ariana Grande’s Wicked era (cue the splashes of pink). The Blushing Ginger Rose Fizz feels like something Glinda herself would sip between bubble entrances, balancing fall’s cozy spice cabinet—cinnamon, nutmeg, cloves—with a zing of ginger. Finish with edible flower petals for a garnish as enchanting as a good witch.

    Check out the recommended recipe here!

    TO LEARN MORE ABOUT ARIANA GRANDE:
    FACEBOOK | INSTAGRAM | WEBSITE | YOUTUBE

    Olivia Rodrigo

    Juicy, fresh, and moody with just the right edge—like an Olivia Rodrigo lyric—the Blackberry Mint Spritzer serves sour attitude with a touch of guts. Its deep purple hue makes it a fall staple, while fresh blackberries and mint sprigs add the perfect garnish—sharp, sweet, and unapologetically cool.

    Check out the recommended recipe here!

    Image Source: Larissa-Hofmann

    TO LEARN MORE ABOUT OLIVIA RODRIGO:
    FACEBOOK | INSTAGRAM | TWITTER | WEBSITE | YOUTUBE

    Taylor Swift

    Shimmery, enchanting, and made for a sparkling sing-along, the Sparkling Berry Glitter Mocktail glitters straight into Taylor Swift’s Red era—the ultimate fall sidekick, whether you’re Team OG or Taylor’s Version. And let’s be real: if anyone’s destined to still have glitter tangled in her hair days later, it’s Taylor. Garnish with fresh berries and a dusting of edible glitter for a drink that’s nothing short of enchanted.

    Check out the recommended recipe here!

    TO LEARN MORE ABOUT TAYLOR SWIFT:
    FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | YOUTUBE

    Sabrina Carpenter

    Playful and seasonal with a cozy autumn twist, the Pumpkin Pup-tini is truly man’s best friend—just like Sabrina Carpenter’s knack for turning every era into a crowd favorite. Pumpkin is a non-negotiable for fall, whether you’re sipping it in mocktail form or Sabrina-DIY-ing your jack-o’-lanterns (see our five ideas here). Top it off with a pumpkin slice carved into a paw print—a garnish guaranteed to fetch compliments.

    Check out our recommended recipe here!

    Image Source: Courtesy of Chuff Media

    TO LEARN MORE ABOUT SABRINA CARPENTER:
    FACEBOOK | INSTAGRAM | KOMI | TIKTOK | TWITTER | WEBSITE | YOUTUBE

    Which fall mocktail are you sipping on, faking a clink with your fave pop girlie? Let us know on Twitter, Instagram, or Facebook—but fair warning, we might get parched.

    [ad_2]

    Rachel Finucane

    Source link

  • Are Taylor Swift and Olivia Rodrigo Still Holding a Grudge?

    [ad_1]

    Remember when?
    Photo: @oliviarodrigo via Instagram

    The obvious drama on Taylor Swift’s new album, The Life of a Showgirl is “Actually Romantic,” the alleged response track to Charli XCX’s “Sympathy is a Knife.” While the petty lyrics are aimed at a certain someone who calls Taylor “Boring Barbie,” the song sounds directly from Olivia Rodrigo’s guts. Wait, is that feud still a thing? Swift digs deeper on “Father Figure,” a song that posthumously doles out writing credits to George Michael, propping herself up as inspiration and guidance to “a younger version of me.” “I saw potential,” she sings on the outro.

    When Olivia Rodrigo emerged from her Disney+ cocoon with “drivers license,” her identity as a devout Swiftie was well documented. She caught the attention of Swift, they mutually posted loving photos together when they finally met at the BRIT Awards, and Rodrigo quickly became a meaningful part of the first “Taylor’s Version” rollout. Rodrigo even intentionally interpolated the piano chords of “New Year’s Day” on her Sour track “1 step forward, 2 steps back.” But her open affection eventually cost her millions in royalties after she gave Swift a retroactive credit on Rodrigo’s hit “Deja Vu” for interpolating the bridge of “Cruel Summer.” Ever since, fans have speculated about a falling out between the two pop stars. Drake and Kendrick, step aside, because breadcrumbs about the rift have seemingly been spread throughout the pop stars’ songs ever since. Below, every lyric that could lead back to the bad blood between the diaristic songwriters. Who’s afraid of this little old beef? You should be.

    Olivia Rodrigo has claimed she was “very surprised” when fans interpreted lyrics from her sophomore album’s debut single as digs at Taylor Swift. Years later, I’m even less convinced by that. The first possible dig at Swift comes almost immediately: “How’s the castle built off people you pretend to care about?” The vision of Taylor, high up in a castle protecting her kingdom, comes up regularly in the fight. Swift has built a… reputation… as a maternal figure fighting for younger artists’ rights, but if we are to believe the rumors about the feud, is it all pretend?

    Rodrigo sings, “Six months of torture you sold as some forbidden paradise. I loved you truly.” Yes, this could be her situationship with disgrace-to-my-first-name Zack Bia. But given “drivers license” was released in January 2021, and the songwriting credit was officially doled out to Swift and her “Cruel Summer” co-writers in July that year, could these six months be the brief period in which Taylor took Olivia under her wing?

    As with everything Taylor, it always comes back to the money. Olivia sings, “The way you sold me for parts,” and “Bleedin’ me dry like a goddamn vampire.” While Taylor would never “fame fuck” Olivia (I’ll leave another sect of fans to discuss that), these lyrics may point to the financial stakes of Taylor’s team demanding credit for the interpolation on “Deja Vu.”

    Finally, the lyrics “And every girl I ever talked to told me you were bad, bad news / You called them crazy, god, I hate the way I called them crazy too,” don’t immediately seem like Taylor call-outs remembering the mentors who have filled the private-jet-sized vacancy left by Swift in Olivia’s life, they could be. Think Katy Perry and Alanis Morissette, who she agreed with about the “bullying and a lot of jealousy” coming from former idols who ended up “being mean girls.”

    If “the grudge” just sounds like a breakup song to you, it should. Being betrayed by a boy is a slap in the face; being betrayed by your hero is a true gut punch. Nestled in that six months of torture, Rodrigo opens with, “I have nightmares each week about that Friday in May, one phone call from you and my entire world was changed.” Sour was released Friday, May 21, 2021. It’s safe to guess that upon hearing her influence on the album, Taylor reached out to Olivia on the day of its release to start the conversation about royalties. (Even if she needed a week to let her vampiric teeth sink in, Friday, May 28, 2021 is on the table, too.)

    Rodrigo sings, “You took everything I loved and crushed it in between your fingers.” Everything is Taylor Nation, naturally. She admits, “I say I don’t care, I say that I’m fine… but you know I can’t let it go, I’ve tried, I’ve tried, I’ve tried for so long.” Olivia’s lifelong “undyin’ love” for Taylor now haunts her. Taylor Swift was everywhere in 2023 (and still is). It makes perfect sense why she’d “hear your voice every time that I think I’m not enough.”

    Since Sour’s release, Olivia has tried her best to act cool when asked about Taylor Swift, notably saying she was “too busy” to attend the never-ending Eras Tour, but then she sings, “I say I don’t care, I say that I’m fine.” .

    In one of the song’s most damning lines, “And we both drew blood, but, man, those cuts were never equal,” she reintroduces the (bad) blood motif from “Vampire,” tying the songs together thematically. She  even appears to address the “cuts” of the profits that Taylor received from Sour. “Do you think I deserved it all? Ooh, your flower’s filled with vitriol,” paints a vivid picture of Taylor, vindicated in teaching Olivia a lesson she deserved to learn, possibly sending make-up flowers to prove her point. In the aftermath of “drivers license,” it seemed Taylor was thrilled to have a protege? All signs on social media pointed to a fruitful mother-daughter partnership (Taylor commented “I say that’s my baby and I’m really proud” on Olivia’s post about being two spots below her idol on the iTunes charts.), but instead Olivia cries, “You built me up to watch me fall.”

    In the climax of the song, Olivia belts, “You have everything, and you still want more.” Taylor is a billionaire. She does “have everything.” But for some reason, she needed a songwriting credit from a similar-sounding bridge on a 17-year-old’s debut album.

    Possibly the most intentionally scary she’s ever written (with recent addition “CANCELLED!” as a close second), this searing rant could be about any number of beefs Taylor Swift engages in. “The scandal was contained. The bullet had just grazed. At all costs, keep your good name,” she sings.

    In my vision of Taylor’s Female Rage: the Musical, she wrote this song immediately after hearing “The Grudge.” She whispers, “So tell me everything is not about me. But what if it is?” – stunned that someone would write a diss track about her. The first substantial clue that the song could be about Olivia comes from the lyrics “So all you kids can sneak into my house, with all the cobwebs.”  There are plenty of breakup songs on The Tortured Poets Department – and Taylor has a long list of revenge songs about Scooter Braun and the music exec who sold her masters, Scott Borchetta – but no one’s calling them “kids.”

    The most obvious lyrics — “That I’ll sue you if you step on my lawn,”– reference the legal back and forth that happened when Rodrigo metaphorically stepped on Swift’s lawn by borrowing her chorus structure.

    “Put narcotics into all of my songs. And that’s why you’re still singing along,” seems to directly reference “The Grudge,” when Olivia sings, “Even after all this, you’re still everything to me.” Taylor knows that even after all this battle, Olivia still loves her idol’s music – taunting her with her complicated devotion.

    The latest entry in this canon of beef is “Father Figure” from The Life of a Showgirl. Could the central interpolation of George Michael’s 1987 year hit meant to drag Olivia for the songwriting credit that started the feud? She paints a picture of taking a younger, poorer artist to the Chateau (no, not Audrey Hobert), singing, “You remind me of a younger me. I saw potential…” This twists the closing lines  on The Tortured Poets Department: “You look like Taylor Swift in this light. We’re loving it. You’ve got edge; she never did. The future’s bright, dazzling” from “Clara Bow.”

    In the second-most cringe-inducing “dick” mention on TLOAS, Taylor brags, “I can make deals with the devil. Because my dick’s bigger.” She’s puffing her chest with business acumen. “This love is pure profit, just step into my office,” she sings.“I dry your tears with my sleeve.” These lyrics make more sense remembering that the initial feud happened as Taylor was deep in her fight with Shamrock Capital, the owners of her original masters. She sneers, “Said, ‘They want to see you now. They don’t want you to reign.’ I showed you all the tricks of the trade.” Olivia herself once noted she was inspired by Taylor’s tricks of the trade when she signed her record deal and maintained control of her masters from the start. So when Taylor vows, “I protect the family. Leave it with me,” is she implying that if Olivia had left the “Deja Vu” songwriting credits with her, she’d be protected by Taylor Nation?

    “Your thoughtless ambition sparked that ignition of foolish decisions, which led to misguided visions,” could reference Olivia’s ambition to echo Taylor’s writing on “Deja Vu,” but she “foolishly” didn’t offer credit at first. “Then to fulfill your dreams, you had to get rid of me.” Once the feud dissipated, Olivia stopped mentioning Taylor Swift entirely.

    “You want a fight you found it. I got the place surrounded.” isn’t a direct reference, but four years after the initial songwriting-credit fallout, Taylor has befriended pop girls who allegedly appear in Rodrigo’s songs: Sabrina Carpenter and Gracie Abrams.

    In one of the more haunting deliveries in Taylor’s discography, “All I ask for is your loyalty. My dear protege,” she clearly draws a line between herself and her younger-me. But the bridge throws in a possible red herring: “I saw a change in you, my dear boy.” Is the song actually about Troye Sivan, her once-opener who has since gone distinctly team XCX? Or could she be shading another former devout Swiftie – Olivia Rodrigo’s best friend Conan Gray, who helped promote early snippets of Fearless (Taylor’s Version). “They don’t make loyalty like they used to,” clearly, because Conan Gray famously didn’t listen to Midnights for months after its release. Maybe the song is about all of the attached-at-the-hip former Swifties.

    [ad_2]

    Zach Schiffman

    Source link

  • Dress As Your Favorite Pop Girl With These Halloween Costumes

    Dress As Your Favorite Pop Girl With These Halloween Costumes

    [ad_1]

    The leaves are falling, the decorations are going up, and Halloween is just around the corner. In our experience, there are two ways to celebrate Halloween: planning your costume in August and waiting until October 30th. If you’re the latter, let this article be your sign to plan now. To make it easier for you, we’ll do most of the work. If you love this year’s pop girls, why not be one for Halloween? We have a few ideas for you.

    Sabrina Carpenter

    We know when we said pop girls, many of your minds went straight to Sabrina. With such a distinct look, there is no shortage of Sabrina Halloween costumes. Now that the Short n’ Sweet Tour has started, you can make your own version of tour outfits (the black bodysuit, the pink babydoll dress, etc.), and add a fur coat. But we can’t stop thinking about the looks from the ‘Taste’ music video. A version of her blue gingham look with a bloody wound would be the perfect combination of pop girl glamour and Halloween horror. Bonus points if you and a friend do matching Sabrina and Jenna Ortega costumes!

    TO LEARN MORE ABOUT SABRINA CARPENTER:
    FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | WEBSITE | YOUTUBE

    Chappell Roan

    Of course, Chappell Roan is another example of peak theatrics. The cover of The Rise and Fall of a Midwest Princess is Chappell in drag, and the blue dress, sash, curly red hair, and tiara are begging to be a Halloween costume. If you wanted to go a little farther into Chappell lore, you could use one of her tour themes: midwest princess, ‘pink pony club,’ ‘my kink is karma,’ and ‘super graphic ultra modern girl.’

    TO LEARN MORE ABOUT CHAPPELL ROAN:
    INSTAGRAM | TIKTOK | TWITTER | WEBSITE | YOUTUBE

    Charli XCX

    We have to be a little more creative for Charli XCX, who might not have as much of a signature look. But we are so determined to add the pop girl of the summer, so we’ll do our best. Like with Sabrina, you could pick a look from the Sweat Tour (here’s another duo costume idea with Charli and Troye Sivan, or even Charli and Lorde). Or if you’re worried about being recognizable, you could just throw on all lime green and call it Brat Halloween.

    TO LEARN MORE ABOUT CHARLI XCX:
    FACEBOOK | INSTAGRAM | TWITTER | YOUTUBE

    Olivia Rodgrio

    We’re willing to bet a few of our readers attended Olivia’s Guts Tour this year. True, Guts came out before Halloween last year, and perhaps some readers already showed off these looks. But for those that didn’t, you have another chance! The ‘bad idea, right?’ music video look is iconic every year. And you could also do the bangs and a black dress for ‘obsessed’ (a new option for this year).

    TO LEARN MORE ABOUT OLIVIA RODRIGO:
    DISCORD | FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | WEBSITE | YOUTUBE

    A Secret Fifth Option…

    We simply don’t have time to list all the costume possibilities. Take inspiration from whoever your favorite artist is. Taylor fans can use an Eras Tour look, or a Tortured Poets Department music video look. Phoebe Bridgers fans can be a skeleton. And groups of five can be 2010 One Direction. So many possibilities.

    Let us know if you have any other pop girl costume ideas, and be sure to send us pictures of your costumes at @thehoneypop on Twitter, Instagram, and Facebook!

    [ad_2]

    Caitlyn Tarney

    Source link

  • 5 Rising Artists You Need To Start Stanning This Fall

    5 Rising Artists You Need To Start Stanning This Fall

    [ad_1]

    As fall approaches, it’s time to refresh your playlists with some of the most exciting rising artists in the music scene. Whether you’re into heartfelt lyricism, edgy pop-punk vibes, or genre-defying sounds, these five artists will surely become your next obsessions. From singer-songwriters capturing the pain of young love to independent artists breaking boundaries with their unique style, these musicians are making waves. Get ready to keep your eye on these artists—before they inevitably blow up. Here are 5 rising artists you need to start stanning this fall!

    Lexi Jayde

    For fans of Gracie Abrams and Lizzy McAlpine, Lexi Jayde is your next favorite artist. She’s already made a stellar debut with her EP Closer to Closure. Her single ‘drunk text me’ has wracked up almost 1,000,000 plays on Spotify. Her blossoming success has led to live shows at The Troubadour in LA and Baby’s Alright in Brooklyn. Before Lexi Jayde’s sophomore project inevitably blows up, get on board – it’ll be worth it.

    TO LEARN MORE ABOUT LEXI JAYDE:
    INSTAGRAM | SPOTIFY | YOUTUBE

    Brynn Cartelli

    Brynn Cartelli is primed to be the next big singer-songwriter pop star. She finds her niche in cinematic, lyrically, heart-tugging acoustic-pop, meeting and dare I say, even sometimes exceeding the precedent set by hits like Olivia Rodrigo‘s ‘drivers license‘ and Gracie Abrams‘s ‘Mess It Up.’ Now five years out from winning Season 14 of The Voice at only fifteen years old, Brynn Cartelli has already proved that she has enough vocal talent to succeed on that alone. Cartelli released her debut album Out of the Blue in March of 2024, with many of the album’s fourteen tracks self-written by Cartelli. Out of the Blue proves that she also shines as a lyricist, romanticizing the growing pains of young love and yearning for self-acceptance with the finesse and sophistication of a well-seasoned virtuoso.

    TO LEARN MORE ABOUT BRYNN CARTELLI:
    INSTAGRAM | SPOTIFY | YOUTUBE

    Del Water Gap

    Probably the biggest name on this list is Del Water Gap, the stage name for S. Holden Jaffe. He spent the summer opening for Niall Horan. He works with producer Sammy Witte (who you may know as the producer behind hits from Harry Styles, Luke Hemmings, Halsey, SZA – just to name a few). His first two albums are alt-pop gold. His finsta, @horsewithbowlcut, is chock full of hilarious memes of himself. Get on the Del Water Gap train now because when DWG3 is inevitably released, he’s going to be a massive star.

    TO LEARN MORE ABOUT DEL WATER GAP:
    INSTAGRAM | SPOTIFY | YOUTUBE

    Almondmilkhunni

    Almondmilkhunni fearlessly dropped her record label and went independent after her debut self-titled 2020 EP. Now, she’s truly hit the sweet spot in creating a conceptual project that’s the perfect balance of fun and introspective with her sophomore project ENJOY THE RIDE. From her quirky, LA girly social media feed, to her great respect for fans, and her teasing of live shows and potentially ENJOY THE RIDE PT.2 in the foreseeable future, Almondmilkhunni is an artist to watch. She takes the it-girl cool and out-of-this-world dance-pop style of artists like Charli XCX and Tinashe and lends her air of lighthearted vulnerability and charming softness.

    TO LEARN MORE ABOUT ALMONDMILKHUNNI:
    INSTAGRAM | SPOTIFY | YOUTUBE

    Charlotte Sands

    Charlotte Sands has steadily gained recognition since her first release in 2018. Including a particular track that Harry Styles’ VOGUE cover may have inspired. With her her debut LP can we start over? released in January of 2024, Sands has now fully arrived as a powerhouse in the music scene. For fans of female rockstars who appreciate the vocal prowess of Kelly Clarkson or the pop-punk energy of Avril Lavigne, but may find Olivia Rodrigo a bit too youthful—Charlotte Sands is the perfect fit. She spent last year supporting pop-rock bands PVRIS and 5 Seconds of Summer. She also brought her first headlining tour international this spring, wowing audiences from New York to Sydney. With her stunning blue hair and down-to-earth sense of humor, she’s cool, she’s talented, and she’s diehard for her fans. What’s not to love?

    TO LEARN MORE ABOUT CHARLOTTE SANDS:
    INSTAGRAM | SPOTIFY | YOUTUBE

    What other rising artists do we need to start stanning this fall? Be sure to let us know by tweeting us at @thehoneypop or visiting us on Facebook and Instagram.

    [ad_2]

    Abby Anderson

    Source link

  • Mondo Ironico #8: Britney’s Formerly “Too Sexy For Children” Looks Suddenly Being Distilled Into Toy Form

    Mondo Ironico #8: Britney’s Formerly “Too Sexy For Children” Looks Suddenly Being Distilled Into Toy Form

    [ad_1]

    In a series called Mondo Ironico, let us discuss how fucking antithetical something in pop culture is.

    For anyone who witnessed the rise of Britney Spears that truly began in 1999 (though her illustrious debut single, “…Baby One More Time,” was released in 1998), it’s impossible to forget that the number one criticism lobbed against her was being “too sexy” for the demographic she was theoretically “geared toward”: little girls, tweens and teenagers. As many pop stars after her would learn (including the likes of Miley Cyrus and Olivia Rodrigo), the pressure to remain “Disneyfied” was constant, even after Spears herself was no longer in her teenage years.

    The condemnation surrounding what she wore as her success amplified got so out of hand that, after the 2000 VMAs—during which she wore one of her then most scandalous outfits to date (a sheer bejeweled bra top with matching low-rise pants that made for a shimmering nude effect [with help from a coordinating nude thong, naturally] which presaged her literally nude look in the “Toxic” video)—MTV thought it would be a cute idea to make her sit down and watch some of the hot takes from people on the street about the way she dressed.

    Some of the comments included, “If I had a little girl, I wouldn’t want her to emulate Britney Spears, you know, if she’s like twelve, thirteen, anything like that,” “Think about those twelve-year-olds that listen to your music and think about the twelve-year-olds who saw you on the VMAs. Think what they’re thinking. They’re probably thinking that it’s okay to dress like that, which it’s not.” To this particular criticism, Spears responded to the screen, “I’m not their parent, man.” Another commenter added, “She’s a role model to little kids and she doesn’t need to dress like that.” The furor surrounding Spears’ body and how much of it she chose to reveal as the 00s went on reached another crescendo when, during her now infamous 2003 interview with Diane Sawyer, the latter knife-diggingly mentioned how Kendel Ehrlich (the wife of then Maryland governor Robert Ehrlich) said, in reference to the way she dressed/was a “bad” role model for her young fans (not the male ones, mind you), “You know, really, if I had an opportunity to shoot Britney Spears, I think I would.” Naturally, it came as no surprise that Ehrlich would later serve in the Trump administration.

    Conversations around Spears’ body and being “too sexy” gradually began to taper off after 2008’s Circus, when, conveniently, a new batch of pop stars began rising to prominence—including Miley Cyrus, Taylor Swift (even if then still in “country” form) and Katy Perry (who didn’t know her peak would cease with Teenage Dream). This wasn’t just because the media was trying to be “nicer” to her after contributing to her very public breakdown in 2007 through early 2008, but because, by pop star standards, she was finally considered day-old bread (she turned twenty-seven the year Circus came out). In the time since then, it has also become less acceptable to make comments about a woman’s body or how she dresses—and now, perhaps even unacceptable to be anywhere near the realm of what Eminem would call a “stan.”

    By the same token, female pop stars have seemingly decided to “cover up” in general (with Billie Eilish being one of the first to set this trend during the teenage years of her initial stardom). This phenomenon was crystallized in a 2021 Salon article titled, “From Britney to Lorde: Young women shift from embracing body positivity to body neutrality as teens.” Which, of course, only adds further insult to Spears’ injury—as she seems to be positioned as some “relic” of what pop stardom used to mean when, in fact, she was arguably the last great show(wo)man.

    All of this is to say that, after everything Spears endured in terms of the venomous rhetoric about what she chose to wear (or not wear) during the first eight-ish years of her career, some of those formerly salacious looks are now being deemed perfectly suitable to be turned into Fisher-Price Little People. Specifically, Britney Spears is becoming part of the Little People Collector editions that have also extended to the likes of The Beatles and E.T. Obviously, compared to those two, Spears’ Little People renderings are patently more “controversial.” Except that we’ve now entered an epoch where there is really no such thing. In fact, it’s more controversial to be conservative in the present climate than it is to be “liberal” (mind you, if you tear the mask off a liberal, you’re likely to find a conservative). Thus, the ease with which Fisher-Price opted to make miniature versions of Spears in some of her most “notorious” looks is but par for the blasé-about-sexuality course.

    Among the looks selected to immortalize in “Little People” renderings is a version of Spears in her “…Baby One More Time” schoolgirl outfit, her “Oops!…I Did It Again” catsuit, her 2001 VMAs “I’m A Slave 4 U” costume and the flight attendant getup from “Toxic” (apparently, they had to stop short at choosing her naked-save-for-some-glued-on-diamonds look from that video)—and yes, these variations of Spears have already been rendered in Funko Pop! form. Her “toy-ification” knowing no limits, which of course has plenty of symbolic implications.

    Another irony about the whole thing is that it is precisely because of the decreased interest in sex (all in keeping with George Orwell’s 1984 predictions) that Spears’ formerly “overly provocative” looks are no longer a source of such frenzied “hullabaloo.” In short, no one is really “that interested” in the voyeuristic sensibilities Spears once stoked at a time when the internet’s sexual scope was far more limited. Thus, the sudden “no big deal” aura surrounding Fisher-Price’s decision (or rather, the millennial in charge of said department who likely made it) to turn these erstwhile “scandalous” instances in Spears’ career into toys suitable for “children ages three and up” (a very big range, obviously) is not just a sign o’ the times, but yet another slap in the face to Spears.

    Though, hopefully, at the very least, she 1) sanctioned the use of her image for this product and 2) will receive the majority of the money it rakes in. Though that still feels like a small token of “justice” for all the suffering she underwent for her “too sexed-up” persona before it was deemed suitable for distilling into a collectible toy.

    [ad_2]

    Genna Rivieccio

    Source link

  • Olivia Rodrigo Launches Asian Leg of GUTS World Tour with Enchanting Bangkok Shows – 247 News Around The World

    Olivia Rodrigo Launches Asian Leg of GUTS World Tour with Enchanting Bangkok Shows – 247 News Around The World

    [ad_1]

    • Olivia Rodrigo Launches Asian Leg of GUTS World Tour with Enchanting Bangkok Shows, marking a successful opening for the tour.
    • The tour includes performances in major cities such as Seoul, Hong Kong, and Tokyo.
    • Rodrigo has embraced local cultures during her performances, enhancing the concert experience for fans.
    • This tour follows the release of her acclaimed album Guts, which debuted on September 8, 2023.

    Olivia Rodrigo has officially launched the Asian leg of her highly anticipated GUTS World Tour, marking a significant milestone as it is her first-ever performance in Asia.

    Kicking off in Bangkok, Thailand, on September 16, 2024, the tour is set to enchant fans across several major cities including Seoul, Hong Kong, and Tokyo.

    Olivia Rodrigo Launches Asian Leg of GUTS World Tour with Enchanting Bangkok Shows | Image Source: The Georgetown Voice

    Olivia Rodrigo’s performances have been described as “magical,” showcasing not only her musical talents but also her appreciation for local cultures.

    The opening shows in Bangkok have been met with overwhelming enthusiasm from fans. Olivia Rodrigo expressed her joy on social media, stating, “Thailand!!!! What a magical way to start the Asian leg of the GUTS World Tour!!!! Thank you x100 for having me”.

    This sentiment was echoed by concert-goers who were captivated by her energetic performances and emotional ballads. The two-night stint in Thailand featured a mix of songs from her latest album Guts, which has received critical acclaim since its release on September 8, 2023.

    Rodrigo’s ability to connect with her audience was evident during these performances. She embraced Thai culture by incorporating local elements into her shows, further endearing herself to fans. This cultural exchange not only highlights Rodrigo’s versatility as an artist but also her commitment to making each performance unique and memorable.

    Also Read: Jon Bon Jovi Rescues Woman in Crisis on Nashville Bridge

    Last Updated on September 17, 2024 by 247 News Around The World

    [ad_2]

    247 News Around The World

    Source link

  • Olivia Rodrigo’s “Obsessed” and Sabrina Carpenter’s “Taste” As Companion Pieces

    Olivia Rodrigo’s “Obsessed” and Sabrina Carpenter’s “Taste” As Companion Pieces

    [ad_1]

    Just as Olivia Rodrigo’s “Obsessed,” a bonus track from the Guts (Spilled) edition of her sophomore album, is focused on the “three’s a crowd” theme, so, too, is Sabrina Carpenter’s “Taste.” But more than merely referring to the “three’s a crowd” trope in general, each song has its emphasis on when the male in a hetero relationship is still in contact with his ex…whether metaphorically or literally (which is why Mýa’s “Case of the Ex” is owed a great debt in both singles’ cases). Or, perhaps worse still, when he constantly (whether openly admitting it or not) compares his ex to his current girlfriend. In ways both insidious and overt that eventually make him go back to the ex in question because he feels that only she can fulfill what he “really” needs, and maybe he made a mistake in leaving her in the first place (see: Ben Affleck with Jennifer Lopez). Carpenter’s “Taste” speaks to the latter, while Rodrigo’s “Obsessed” details how a current girlfriend in the “three’s a crowd” permutation is the one more fixated on an ex than the boyfriend who was actually with her (ergo, the lyrics, “If I told you how much I think about her/You’d think I was in love”).

    Considering Rodrigo and Carpenter’s love triangle history (with a mid white guy, mind you—which just goes to show that it really is “Slim Pickins” out there, even for meticulously groomed celebrities), one might speculate that there’s a certain element of “Taste” that’s retroactively directed at her. Especially if she listened to “Obsessed” (which of course she did). However, most feel that Shawn Mendes and Camila Cabello are the inspiration rather than Joshua Bassett and Rodrigo. And yet, there’s no denying that the latter two were the “OGs” in terms of providing Carpenter with plenty of raw material for this subject matter. Just as Carpenter likely helped furnish a blueprint for Rodrigo’s “Obsessed,” a “rock” (by pop standards)-oriented track during which she moodily sings, “I’m so obsessed with your ex/I know she’s been asleep on my side of your bed, and I can feel it.” Almost as though directly replying to that line, Carpenter casually boasts during “Taste,” “Now I’m gone, but you’re still layin’/Next to me, one degree of separation.” So it is that, at times, “Obsessed” and “Taste” come across like call and response companion pieces. (Though less feud-y and direct then, say, the call and response songs between Drake and Kendrick Lamar.)

    Rodrigo is already famously known for being a victim of self-flagellating comparison—of the sort that Carpenter’s playful confidence in most of her songs goes directly against. With “Taste,” she appears to be trolling just that sort of “Rodrigo girl” with inherently low self-esteem by goading her via the lines, “Every time you close your eyes/And feel his lips, you’re feelin’ mine/And every time you breathe his air/Just know I was already there.” She digs the knife even deeper by highlighting the “sloppy seconds” aspect of this dude getting passed back to the erstwhile ex, chirping, “You can have him if you like/I’ve been there, done that once or twice/And singin’ ‘bout it don’t mean I care/Yeah, I know I’ve been known to share.” The latter lyric is where Carpenter directly refers to the love triangle that was made notorious by Rodrigo through “drivers license,” during which she calls out “that blonde girl” her own ex is “probably with,” also getting the dig in that she’s “so much older than me” (the two are four years apart, but one supposes that seems like a lot when one is seventeen, the age Rodrigo was when she wrote the song).

    While Rodrigo’s standard songwriting method is to home in on every painful detail about a breakup (a trait picked up from Taylor Swift by many “next generation” girls), Carpenter, in contrast, has a much more sardonically glib approach (one that especially shines through on the undercuttingly emotional “Sharpest Tool” from Short n’ Sweet). That’s the tone that embodies “Taste” as she shrugs off the loss of a so-called man who was way too into his ex…to the point where he would end up getting back together with her (another theme present on Short n’ Sweet’s “Coincidence”).

    Even though, beneath all the jocular, braggadocious armor, Carpenter was likely just as obsessed with that boyfriend’s ex as Rodrigo when she admits, “I’m starin’ at her like I wanna get hurt/And I remember every detail you have evеr told me, so be careful, baby.” Where the song starts to veer away from the type of guy Carpenter is alluding to in “Taste” is when Rodrigo mentions, “You both have moved on, you don’t even talk/But I can’t help it, I got issues, I can’t help it, baby.” And yet, such a confession does only serve to underscore the point Carpenter makes in the chorus of “Taste”: “Well, I heard you’re back together and if that’s true/You’ll just have to taste me when he’s kissin’ you/If you want forever, and I bet you do/Just know you’ll taste me too.” In other words, there’s always three people in a relationship: the “au courant” couple and the guy in said couple’s ex-girlfriend (since, in pop culture, women’s exes don’t seem to invoke as much jealousy, obsession and fear).

    Being that the narrative of “Obsessed” essentially mimics the plot of Sex and the City’s season episode, “Three’s A Crowd,” it’s fair to say that it also applies to “Taste.” And when Carrie Bradshaw (Sarah Jessica Parker) gives the rueful voiceover, “What Mr. Big didn’t realize was the past was sleeping right next to me” in response to him saying, “Let’s not talk about the past, please,” it’s only further proof that the ex has won even if she’s no longer with him. Because, yes, Carrie can still “taste” her when she’s kissing Big (Chris Noth). Which just goes to show that there is plenty of underrated vindication in being someone’s ex in terms of “leaving a mark”—even if you were foolish enough to think you could never live without them.

    [ad_2]

    Genna Rivieccio

    Source link

  • The Fight For Shawn Mendes: Sabrina Carpenter vs. Camila Cabello

    The Fight For Shawn Mendes: Sabrina Carpenter vs. Camila Cabello

    [ad_1]

    There are only a few guarantees in life: death, taxes, and women fighting over the same man. In terms of celebrity drama, the public has always loved pitting women against one another, especially in relationships. Take
    Olivia Rodrigo and Sabrina Carpenter over Joshua Bassett, Hailey Bieber and Selena Gomez over Justin, and most recently, Carpenter and Camila Cabello over Shawn Mendes.


    When
    Sabrina Carpenter’s highly anticipated latest album, Short n’ Sweet, debuted on August 23, fans tuned in. It was everything we expected: witty beyond imagination, an upgrade to her Pop Princess status, packed with songs of the summer and catchy throughout. But what we never expected were the songs taking obvious digs at Shawn Mendes and Camila Cabello.

    To be honest, I didn’t even know
    Carpenter dated Mendes…and that’s on me for being a casual fan. But the proof is in the pudding, Carpenter and Mendes were spotted countless times last year on celebrity gossip page, Deuxmoi. The pair were flirting outrageously on Instagram. And then he was back with Camila.

    And that was it for a lot of us. We didn’t think twice as Mendes and Cabello cozily sidled up to one another, we just let them return to being the weird couple they always were. Then Sabrina started dating
    Saltburnstar Barry Keoghan and we focused on the short stack duo.

    But now, we had to go back in the archives thanks to
    Short n’ Sweet. Songs like Dumb & Poetic take obvious shots at Mendes, Sharpest Tool jabs at Cabello and so does Coincidence. The picture Carpenter has painted isn’t good, and Cabello has even taken a few swings in her own music.

    So if you’re just as lost on the Carpenter-Cabello-Mendes love triangle…you won’t be for long. Here’s the story of how Camila Cabello potentially stole Shawn Mendes back from Sabrina.

    Shawn Mendes and Sabrina Carpenter Relationship Timeline

    We all know how
    Cabello was with Shawn Mendes first. After two years together, the pair broke up in 2021. Then, after they were seen kissing at Coachella 2023, rumors were rampant about a reunion. Two months later, they called it quits again.

    But in the midst of it all comes Sabrina Carpenter. In what seemed like a quick whirlwind, Shawn and Sabrina quietly launched their flirtation on Instagram in December 2022. Mendes posted an Instagram where Carpenter commented, “was it cold tho.”

    By January 2023, more dating rumors swirled as Mendes was spotted in Paris and for absolutely no reason. While that may seem like nothing, Carpenter posts from the same 5-Star, Luxury
    Costes Hotel in Paris a week later. Now that’s suspicious.

    In February 2023,
    Deuxmoi has a sighting of Shawn Mendes and Sabrina Carpenter “on clearly a date.” The anonymous tip came with the description of Carpenter wearing a brown mini skirt and Mendes with a freshly shaved head.

    Screenshot of Deuxmoi post r/Fauxmoi on reddit

    Close to a week later, they are finally photographed in Los Angeles where
    People reports Carpenter is clearly wearing Shawn’s hoodie.

    Enter Camila Cabello.

    Fans began to notice how Camila Cabello was interacting more with Sabrina Carpenter posts on Instagram…even liking her BBC Radio 1 performance of Carpenter’s “Late Night Talking” cover. Screenshots have surfaced of Cabello liking countless Carpenter-related posts from around the time Mendes and Carpenter went public.

    By March 13, 2023,
    ET reported that Sabrina Carpenter and Shawn Mendes were dating but “trying to keep things low-key.” Somehow, this news got broken by The Cancelled Podcast.

    This doesn’t last long, however, because Carpenter and Mendes split up sometime between March and April of 2023…and then he’s seen in April with Cabello.

    While there are two sides (or, I guess three in this case?) to every story, all signs point to Cabello swooping in on Mendes immediately after (if not
    during) his relationship with Carpenter.

    And now, fans have noticed that one of Camila’s songs from her new album,
    C,XOXO, “June Gloom” is also about the situation. With lyrics like “If she’s so amazing why are you on this side of town?” and “We’re a house fire for sure/Hope it’ll burn out but it just gets bigger,” are potential nods to her rekindling things with Mendes.

    In a recent TikTok, Cabello even posts herself singing along to “June Gloom” which social media users are taking as her official admission to the beef.

    @camilacabello hope it’ll burn out but it just gets bigger 🙄
    ♬ June Gloom – Camila Cabello

    Not only that, but Cabello and Carpenter don’t follow one another on Instagram. Which could mean nothing, considering they have shown a lot of support for one another in the past publicly. Either way, the situation is intriguing.

    Wait…So Who Is Shawn Mendes Dating Now?

    While
    Cabello and Mendes split two months after the Coachella sightings, it appears that they may be back together again. It seems like old habits die hard with these two (remember those slow walks they did during COVID?)

    Cabello and Mendes were seen at the Copa America final on July 14 this year, where Argentina played Colombia. Not only that, but Mendes has also been liking Cabello’s Instagram posts. But, you never know.

    Songs on Short n’ Sweet about Shawn Mendes and Camila Cabello

    Now that you’re all caught up on the drama and fully-invested…you’ll probably want to go back and listen to
    Short n’ Sweet! And since about half the album revolves around this love triangle, let’s break down which song is about who!

    “Taste”

    “Heard you’re back together, and if that’s true/ you’ll just have to taste me while he’s kissing you” sings the chorus of this song. If you need me to spell it out for you, this is clearly about Camila Cabello.

    “Coincidence”

    Ohhh boy, does this tell the entire story. Lyrics include “Your car drove itself from L.A. to her thighs/Palm Springs looks nice, but who’s by your side?” and “Trying to turn past into the present tense”, it’s clear who this is about. And Carpenter adds she’s not shocked they broke up again.

    “Dumb & Poetic”

    This is for you, Shawn Mendes. Notable lines include “Just because you talk like one, doesn’t make you a man,” “save all your breath for your floor meditation,” “you’d make a great wife/And I promise you those mushrooms aren’t changing your life,” Carpenter rips into Mendes…and this one is obvious.

    Potential Songs About Mendes

    While Mendes certainly isn’t the only sinner in Carpenter’s stories, there are a few questionable songs where it could be about her other exes. Songs like “Sharpest Tool” refer to finding God at his exes house, which could be a reference to either Mendes or Joshua Bassett.

    There’s also a general warning to men, “Lie To Girls,” where she promises you don’t have to lie to a woman to get you to like them…they’ll lie to themselves and make excuses for you if they like you.

    Finally there’s the breakup anthem that closes the ironically short and sweet album, “Don’t Smile,” where Carpenter begs her ex to cry that it ended…not smile because it happened. Again, could be a nod to Shawn Mendes and her wanting him to repent.

    Regardless, this drama has been fun…and with
    Short n’ Sweet potentially gearing up for a #1 Billboard Hot 100 chart spot, Carpenter comes out on top.

    [ad_2]

    Jai Phillips

    Source link

  • Doja Cat Is The Queen of Manifestation

    Doja Cat Is The Queen of Manifestation

    [ad_1]

    Ladies and gentlemen … she got him. This weekend, Deuxmoi broke the news:
    Doja Cat and Joseph Quinn are dating.


    This is like when your most delusional friend actually lands the thing they’ve been making insane scenarios about. Or when the most embarrassing person you know pops up in a functioning relationship. This is proof that if they can do it, anyone can. And the lore with the pop hitmaker and the
    Stranger Things star is so deep that I can’t help but wish this odd couple well.

    If you aren’t chronically online with a brain that’s merely a Rolodex of pop culture facts (it’s getting to be a problem for me — my obsession with Deuxmoi’s Sunday Spotteds has eaten up years of my life at this point and don’t even get me started on my screen time), here’s the rundown on their lore — which started two years ago.

    It might seem like a millennium has passed since the last season of the
    Netflix smash hit Stranger Things dropped, but it’s only been two years. With the season’s release, Quinn shot to popularity as the lovable outcast Eddie. Doja Cat was one of many admirers, brazenly tweeting that she thought he was “fine as sh*t.”

    The since-deleted tweet is the first record of their courtship. It’s her version of Gatsby throwing a party in hopes that Daisy will attend. She was shooting her shot. It feels crazy that Doja Cat — a viral superstar who inspired a song by none other than other British heartthrob Central Cee — pulls the same tactics as I do by posting strategic Instagram stories. Celebs really are just like us.

    However, for a minute there, it looked like the two would never get to this point. In her quest to get her man, Doja didn’t stop at a tweet. She slid into the DMs … of Quinn’s 17-year-old costar, Noah Schnapp.

    “Noah can you tell Joseph to hit me up,” Doja asked Schnapp. “Wait no. does he have a gf?” Of course, as a 17-year-old, Noah Schnapp immediately posted this message on TikTok. Despite the familiar tone of her message, it turns out the two didn’t know each other at all — so why was Doja asking him for favors? And asking a teenage boy to be your matchmaker, especially one who barely had any scenes with Quinn, is a strange move — the things we do for love.

    This weird moment obviously went viral and resulted in a short feud between Schnapp and the “
    Say So” star. Doja accused the teenager of “bullying” her, calling it “degrading,” “exploitative,” and “super embarrassing.” However, after a few TikToks and livestream rants, Schnapp claimed everything was “all good” between them.

    We all thought that was the end of it — until recently, when Quinn and Doja Cat were seen strolling arm-in-arm around London. Talk about the long game.

    It seems the songstress has been cozying around with the Hawkins heartthrob for weeks. I mean, who would have thought that the brooding, mysterious Eddie Munson from
    Stranger Things and the bold, boundary-pushing Doja Cat would make such an iconic pair? But you know what they say – opposites attract, and these two are proof that you can manifest anything.

    Fans have even started referencing that original tweet to manifest their own dreams — from other celebrities to jobs and even “Mike Faist employment” by calling them “fine as sh*t.” If it worked for Doja, universe, just know I think a
    Challengers sequel would be fine as sh*t.

    A London boy and a pop princess, coming together to create pop culture magic — we’ve seen this story before. Let’s hope this pairing lasts. But even if it doesn’t, the two have started a movement that the internet is calling “
    London Boy Fall.”

    From Tom Holland and Zendaya to Olivia Rodrigo and Louis Partridge — plus Gracie Abrams and Paul Mescal (yes, we know he’s Irish but the two have been cozying it up around London) — I’m looking up flights to London as we speak.

    What’s next for the two stars, time can only tell. Quinn is about to set off on his press tour for
    Gladiator II (and filming Stranger Things 5, I hope), but the two of them are enjoying a London summer while ushering up London Boy Fall.

    [ad_2]

    LKC

    Source link

  • Will Sabrina Carpenter and Olivia Rodrigo Work It Out on the Remix?

    Will Sabrina Carpenter and Olivia Rodrigo Work It Out on the Remix?

    [ad_1]

    We’re in the best of times (brat summer), but we’re also in the worst of times (constantly fielding articles by Some Guy about how brat summer is dead). But how could brat summer be over if I feel it in my heart? If they’re still playing “Guess ft. Billie Eilish” at Tenants of the Trees in LA (where Charli XCX herself had her birthday party for some reason)? And if the impact of brat summer is still causing ripples through the culture it cannot be over.


    No, I’m not talking about Kamala’s brat green rebrand. I’m talking about something more substantial — the very same thing that had last summer in the same chokehold: the infectious and irresistible power of girlhood.

    Last summer caused a vibe shift. Culture started catering to women. Let’s be real: Women have been the drivers of pop culture for a long time. I, for one, will never forget that artists like The Beatles and Elvis, who are still taken seriously as iconic musical artists today, caused fanatical frenzies, not unlike artists like Justin Bieber and One Direction. Yet, despite our clear good taste, women have historically been written off as fickle while culture catered to men.

    Just think of how the 2000s were defined by blockbuster summer movies. Usually, an action movie would dominate, followed by a “chick flick” that was relegated to date nights or the whims of teenage girls. Yet, when
    Barbenheimer resurrected this dynamic, one had a clear chokehold on the internet and the world. And since I haven’t seen Oppenheimener-flavored Olipops, no prizes for guessing which one it was.

    This summer isn’t defined by movies (Twisters and It Ends With Us aren’t the Barbenheimer redux we wanted) it’s characterized by music. And while the guys gave it the old college try — Kendrick did release the ultimate hater anthem with Not Like Us in the Spring — the girls take it yet again.

    And despite seasonal albums from established pop stars like
    Dua Lipa and Ariana Grande, queer (or queer-coded) female artists have blown up this summer. All of them have also been grafting behind the scenes for years before finally getting their flowers. But now the world is listening. We’re learning. And we’re obsessed.

    Of course, there’s the princess of the summer,
    Sabrina Carpenter, who is the latest Disney veteran to make it big. We’ll get to her Disney drama later, but this summer, it’s all about our Short n Sweet queen’s infectious earworms. We called it earlier this year: she is the moment. Her rise to fame has been inevitable.

    Then there’s the surprise star of the year,
    Chappell Roan. So glad bisexual women decided not to gatekeep this absolute star. The fact that I’ve been listening to Chappell since 2020 and I’m still not tired of “Pink Pony Club” says a lot.

    But
    Charli XCX’s mainstream moment is arguably the most surprising. Charli is a giant to music lovers and, of course, the queer community. A real dyed-in-the-wool party girl, she grew up in the clubs and doesn’t just talk the talk, she throws the parties. Despite her collaborations with literally everyone, her Grammys, and her hits, Charli XCX is only now becoming a household name. Why? Because we’re finally ready for her.

    Girlhood is brat. Brat is girlhood. Girl, it’s so confusing, but it’s about being a girl

    Girlhood is the name of the game and Charli writes for the girls and the gays. Her album speaks to the desire to hold on to the feeling of youth juxtaposed with the realities of growing up. Who can’t relate? She talks about themes integral to girlhood: going on vacation and thinking it will change your life, going to a party and thinking it will change your life, and having dinner with a girl and thinking she hates you.

    @thepopupdates The best duo everrrr #charlixcx #lorde #girlsoconfusing #brat #popmusic #music #foryou #foryoupage #fyp #viral ♬ original sound – Pop Throwbacks & Updates

    The latter was the impetus for the internet-breaking track “The girl, so confusing version with lorde.” After Charli released the original version of “girl, so confusing,” the internet rightly assumed it was about her years-long pseudo-beef with
    Lorde. Lyrics like: “I’m all about throwing parties / You’re all about writing poems,” and “People say we’re alike, they say we’ve got the same hair,” added fuel to the fire of their reported feud. So imagine our surprise when Charli released a version with Lorde herself. Like Miss Ella, honestly, we were speechless.

    Lorde knew what she was doing when she said: “When we put this to bed, the internet will go crazy.” Sure enough, the internet erupted. And it did the same once again when footage was released of the two scream-singing their instant classic of a collab at Charli’s birthday party. What a way to put the feud rumors to bed.

    Will Sabrina Carpenter and Olivia Rodrigo work it out on the remix?

    @ce__1l girl girl 💚 // #ce__1l #fyp #foryoupage #lyricsvideo #music #sabrinacarpenter #oliviarodrigo #brat ♬ Girl, so confusing featuring lorde – Charli xcx & Lorde

    After Lorde and Charli worked out their decade of competition over a Jack Antonoff beat, the internet speculated: who would be next to quell their beef with the power of song? If it seems like the plot of a Disney movie, get in for the ride — the Disney of it all has just begun.

    A few weeks ago, sources reported that former Disney stars turned stadium-selling pop stars Olivia Rodrigo and Sabrina Carpenter might be collaborating on a song. With the upcoming release of Carpenter’s highly anticipated album sneaking up on us, fans speculate that this could be a surprise track waiting on the record.

    If you don’t understand how earth-shattering this is, let me take you back to 2021, when
    Olivia Rodrigo first took the world by storm with her song “drivers license.” The song, and subsequent album, chronicled her heartbreak about how her costar and ex-boyfriend Joshua Bassett left her for “that blonde girl.” The blonde in question? Sabrina Carpenter.

    That’s right. Our very own me espresso was the villain in
    the “drivers license” saga. And you mean to tell me the two of them have put their boy drama aside to collaborate? Please, please, please tell me if this is true. If it is, I’ll be sat watching it unfold. As if I needed another reason to eagerly await the release of Short N Sweet.

    In the meantime, I’m making a list and checking it twice about all the other celebs I want to see quell their beef. And yes, the list gets more and more unhinged as you go down, tis the summer of collabs. And our favorite artists are proving that magic can be made if they do it together. Billie and Charli did it. Kendrick and the entire rap community did it. Who is next?

    @kittywaless their lore😍 (pls keep the comments respectful) #catherineprincessofwales #princessofwales #princesscatherine #princesskate #catherinemiddleton #katemiddleton #duchessofcambridge #brat #girlsoconfusing #britishroyalfamily ♬ Girl, so confusing featuring lorde – Charli xcx & Lorde

    People we want to see work it out on the remix:

    One Direction

    This is my ultimate dream. The
    Paris Olympics may have made you fantasize about what life would be like if you hadn’t quit JV basketball, but it made me dream about seeing my beloved One Direction again. After all, I can’t watch an opening ceremony without thinking about their performance at the 2012 London Games. Stranger things have happened than a boyband reuniting. The second they announce a tour, I’m quitting my job and dedicating my life to following them around on tour. Hold me to that.

    Hilary Duff and Lindsay Lohan

    The Sabrina Carpenter and Olivia Rodrigo feud is the closest our generation will ever get to experiencing the magnitude of drama caused by Lindsay Lohan and Hilary Duff. As the two defining Disney sensations turned movie stars of their time, Duff and Lohan were pitted against each other by the media. Everybody knew it: the two were rivals in their careers and in their relationships. We’ll never experience that kind of TMZ-stoked animosity again. But we’re older now. Duff and Lohan are both in new phases of their careers. If they worked it, the (millennial side of the) internet really would go crazy.

    Shawn Mendes and Justin Bieber

    These two divas have been competing to be the prince of pop for years. And their silent feud runs deep. In a radio interview at the beginning of Shawn’s career, Justin responded to a question about the other Canadian crooner with the dismissive and deadly, “who’s Shawn Mendes?” Then, after Mendes appeared with Hailey Baldwin at the Met Gala in 2018, Bieber quickly reignited his relationship with our favorite nepo baby and married her. Talk about winning the battle. The two already have a song together, “
    Monster,” but no one is buying that they’ve really worked it out. I want to see Shawn at Justin and Hailey’s baby shower or bust.

    Justin Bieber and Harry Styles

    Speaking of pop feuds, Bieber and Styles have been toeing a tension-laden line since 2012. Rumors swirled that One Direction was supposed to open for Bieber on his
    Believe tour but the plans were canceled — and dreams died. Reasons abound as to why but I suppose we’ll never know. As someone who attended that Believe tour, I have been waiting for them to work it out on the remix ever since.

    Selena Gomez and Demi Lovato and Miley Cyrus and The Jonas Brothers

    Other feuds from my childhood I want fixed: the Disney Channel stars involved in the seminal sustainability single, “Send It On.” That was our Fleetwood Mac
    Rumors. With loyalties crossed, relationships breaking friendships, and a whole lot of teen angst going on, the Disney Channel producers had one song and one song only to change lives. While we were watching “Send It On” play during Disney breaks, we had no clue about the drama simmering beneath the surface. But imagine if they put that to bed? The internet would go crazy.

    Joe Jonas and Taylor Swift

    Of all of Taylor’s exes, she’s clearly already worked it out with Taylor Lautner — who was backflipping across her Eras tour stages for a brief stint last summer. But the reconciliation I really want is between Taylor and Joe. Sure, she’s written some scathing songs about him. And she told the world on
    Ellen that he broke up with her in 17 seconds. And she’s befriended Sophie Turner. But for a brief moment, Taylor made up with Kanye West, so stranger things have happened. Can you imagine a mashup between “SOS” by The Jonas Brothers and “The Story of US” by Taylor Swift? My Spotify Wrapped would become unshareable.

    Katy Perry and Taylor Swift

    Though allegedly this feud started due to the backup dancers, Perry has become one of
    Swift’s famed list of enemies. And as the queen of “Karma,” Swifties know that all of Taylor’s adversaries never fare well — just look at Ye or Scooter Braun. Katy Perry’s comeback might be another one of these casualties. Ouch. If the two managed to reconcile their “Bad Blood,” imagine the album Katy Perry would create.

    Nelly Furtado and Fergie

    Remember the song “
    Give It To Me” by Timbaland, Nelly Furtado, and Justin Timberlake? Thanks to TikTok, the song experienced a recent resurgence. But did you know the entire song is a diss track? Justin Timberlake’s verse is about Prince (more insane than “what tour? The world tour”), Timbaland’s verse is about Scott Storch, and Nelly Furtado’s verse is about Fergie. But what if we stopped pitting two pop icons against each other and instead begged them both to have a comeback … together?

    The Don’t Worry Darling Cast

    The
    Don’t Worry Darling press tour pitted all our favorite stars against each other in the public arena: Harry Styles, Florence Pugh, Olivia Wilde, Chris Pine, and Gemma Chan. And while that trainwreck of a movie doesn’t need a sequel, I would animatedly watch one just to keep keen eyes on the press tour.

    The It Ends With Us Cast

    If we thought there would never be another press tour as dramatic as
    Don’t Worry Darling, Justin Baldoni of the It Ends With Us cast just hired Johnny Depp’s lawyer — so it’s inarguably surpassed its dramatic predecessor. With Blake Lively and Baldoni both waging a press war, some are hoping It Ends With Us will just … end. But I need a little entertainment to tide me over into fall. And if the movie itself won’t provide it, the hope of a last-gasp reconciliation might.

    Kendrick Lamar and Drake

    I know this will never happen. In fact, if it did, I’d
    lose some respect for Kendrick, honestly. But sometimes I like to imagine that all of this was just marketing for a joint album a la “Watch the Throne.”

    [ad_2]

    LKC

    Source link

  • Here Comes Chappell: The Meteoric Rise Of The Next Blockbuster Popstar

    Here Comes Chappell: The Meteoric Rise Of The Next Blockbuster Popstar

    [ad_1]

    Popstars have been the backbone of the music industry for decades upon decades. There were OG divas like Whitney Houston and Britney Spears. There were Taylor Swift, Lady Gaga, Ariana Grande, and Rihanna. But it felt like we were in need of a fresh sound.


    Most of our original pop girls are onto ventures like starting beauty lines, starring in films, writing books, and starting families. There wasn’t an immediate need to release albums or tour anymore. So the takeover of male artists on Billboard charts ensued.

    Of course, the shine to Taylor Swift will blaze on. But the world grows tired of hearing the same few artists over and over. As always, there’s a bright new, shiny Next Big Thing on the horizon.

    The summer of 2024 proves that you don’t necessarily need to be a “new” artist to rise to superstardom. Ever since Coachella, it has become clear that there are two Next Big Things in the realm of pop music:
    Sabrina Carpenter and Chappell Roan.

    Both Carpenter and Roan signed to labels when they were young. You may know Carpenter from opening for Swift on
    The Eras Tour or her stint as a Disney star. And you may know Chappell as the opener for Olivia Rodrigo on The Guts Tour.

    About Chappell Roan

    @1824official @chappell roan is taking coachella by storm with these insane vocals 👏🏼👏🏼 #chappellroan #coachella #chappell #goodluckbabe #coachella2024 ♬ original sound – 1824

    Chappell has been signed to Atlantic Records since she was 17 – back when she uploaded an original song called “Die Young” to YouTube. Under Atlantic, Chappell released an EP and eventually, in 2020, released “Pink Pony Club.” Not long after, she was dropped.

    Everything shifted in September 2023. After being dropped from the label, she remained independent until releasing her debut album,
    The Rise and Fall of a Midwest Princess, through Island Records.

    Come 2024, Chappell toured the album in two parts, captivating fans’ hearts with her wit, her live vocal ability, and her homemade tour outfits that were equally as camp as her music.

    In the meantime, she remained in control of her social media accounts. Regularly posting funny TikTok anecdotes, capturing more fans in her web along the way. Although Chappell’s album was receiving rave reviews, we were still a little ways away from the world finding her.

    Once she joined friend Olivia Rodrigo on
    The Guts Tour (previously appearing as The SOUR Tour opener), Roan’s streams saw a 32% increase. But this was only the beginning.

    April 2024 marks the complete juggernaut of Chappell Roan’s career. She’s no longer a best-kept secret. Chappell Roan – who sings candidly about sexuality and celebrates being gay in her drag-inspired makeup, her wild red hair, and her Lady Gaga-esque dedication to dramatics – was about to become the next mega-popstar.

    The Rise Of Chappell Roan

    In early April, Chappell released “Good Luck Babe” as the next single from
    The Rise and Fall of a Midwest Princess. It felt like the start of the rest of her career. Her way of telling the world: here I am to give you the latest, refreshing pop music. And while I’m at it, shine light on the LGBTQ+ community.

    The song received 7 million streams in the first week, “Good Luck Babe” became her fastest song to reach 100 million streams in no time. And then came the Coachella performance.

    Chappell was set to perform in the Gobi tent. If you’re clued in to Coachella lore, the tents are generally smaller venues compared to the stages. It’s not typically reserved for bigger artists because they draw larger crowds.

    However, during Chappell Roan’s Weekend I set, the Gobi tent overflowed with fans and new listeners alike. The world was watching on the Coachella livestream. And thanks to social media, thousands of TikToks and Instagram Reels were sourced and shared to
    millions of viewers.

    @chappellroan It’s me, Karma @coachella ♬ original sound – chappell roan

    Chappell Roan caught the world’s attention by being true to herself. Her humility and humor make her relatable – she often displays emotions on stage no matter what they are. Her avant-garde makeup and outfits pay homage to fabulous drag queens and are reminiscent of Lady Gaga in 2010.

    And of course, her music brings back a sense of fun to the world. Each song is catchy, daring, and reveals Roan’s true colors. After Coachella, her monthly listener count on Spotify saw a 500% increase to 7 million.

    The Year Of Chappell Roan Continues

    Since then, the world’s attention is on Chappell Roan. Her monthly listener count sits at over 24 million. She’s dined with new friend Elton John, who shared her album with Ed Sheeran, who also adores it.

    @chappellroan @Elton John this was such an honor to talk to you. I look up to you so much and what you’ve done for our community. Thank you #rockethour podcast for having me ♡‧₊˚ full interview in my bios #queertok #artistsoftiktok #eltonjohn ♬ original sound – chappell roan

    She took the stage at Gov Ball 2024 inside an apple, dressed as the Statue of Liberty, holding a massive joint…to a massive crowd – bigger than the headliners. She’s as in-demand as it gets right now…publicly declaring she turned down a visit to the White House until there’s liberty and justice for all.

    In an audacious performance, Chappell Roan declares herself as “your favorite artist’s favorite artist.” And she’s not wrong anymore. It’s no longer simply an outrageous statement. Simply put. Chappell Roan is a sensation.

    She receives acclaim from Lady Gaga, Ariana Grande, SZA, Sabrina Carpenter, Olivia Rodrigo, and so many more. And has been candid about struggling with her recent rapid rise to the top – breaking down onstage, sharing with viewers on TikTok that many pop girls are really just as nice as they seem.

    @chappellroan♬ original sound – chappell roan

    As she continues to grow and flourish in the public eye, Chappell Roan’s bearing up under the burden of pop princess. It’s something she has in common with another rising star, Sabrina Carpenter – who often goes viral for her off-the-cuff comments and sexual innuendos.

    A new voice of our generation – Chappell Roan is a breath of fresh air. The people love honesty, they love personality, and they love fine music. Thank goodness Chappell Roan has all three.

    You can stream Chappell’s The Rise and Fall of a Midwest Princess here:


    [ad_2]

    Jai Phillips

    Source link

  • Coachella Is So Back: 5 Performances I Wish I Saw Weekend One

    Coachella Is So Back: 5 Performances I Wish I Saw Weekend One

    [ad_1]

    I hate to say it, but all good people admit when they’re wrong. After attending
    Coachella in 2022, I saw a dying franchise desperately trying to retain its grasp on relevancy. With lackluster Californian crowds who only go for the festival name and not the names headlining, outsiders often wonder why artists treat this as a Mecca for music.


    Long gone are the days when girls’ outfits were chosen with Tumblr shots in mind. The bohemian chic style that Vanessa Hudgens, Miley Cyrus, and other attendees made famous began as “Coachella style.”

    And when I got a taste of the coveted festival, I was beyond underwhelmed. Sure, the rich and famous were within reach…but I couldn’t have felt further away from them. I ended up with dust in my lungs and a week’s worth of exhaustion.

    Celebs stopped attending
    en masse, the non-festival influencer events like Revolve Festival rose in popularity, and it became abundantly clear that no one cared about the music…it was all about their Instagram posts.

    But what I’ve learned from live-streaming Coachella 2024 — and pouring over my social media and consuming every single piece of Coachella content there is — is that Coachella is back in a major way.

    Sure, the festival is designed to give you an intense bout of FOMO…but all I kept hearing was how bad everyone thought the lineup was. How no one of note would be in attendance this year. How Coachella was surely done for…until it wasn’t.

    It’s been every bit as star-studded and shocking as earlier years. We’ve had earth-shattering performances, surprises left and right, and even reunions…not to mention the iconic
    American Royal Couple sighting.

    We had 5-star performances from headliners like Tyler, The Creator and Doja Cat. Chris Lake and Chris Lorenzo via their supergroup, Anti Up, confirmed rumors of a joint album.

    After spending the weekend across the country on the wrong coast sobbing to my friends that I opted not to go this year, I put together my must-see lineup.

    Here are the five performances I would’ve attended at 2024 Coachella Weekend One.

    Chappell Roan 

    Chappell Roan’s sheer star power has truly been surprising me. With a devout fanbase (just watch her set), you’ll immediately realize that we’re dealing with someone who is about to break through to a different level of stardom.

    During her set, you’ll hear essential songs like “Good Luck, Babe!”, “HOT TO GO!”, and “My Kink is Karma.” But what’s more impressive is her stage presence, the way she commands the crowd in avant-garde makeup, big hair, and a bigger personality.

    Songs like “Good Hurt” saw a 160% increase on Spotify…Don’t sleep on Chappell Roan. Before you know it, she’ll be performing at a much bigger stage.

    Everything Always – John Summit & Dom Dolla 

    Not enough is said about a house music set at a festival. Sure, the headliners are great and deliver us our fix of rock, pop, or soul. But it’s always been the DJ’s who have my heart at the end of the night. They know how to get you dancing, to feel the beat down to your soul, and forget for a while.

    We saw a lot of technical difficulties and underwhelming sets from various artists this weekend…but John Summit and Dom Dolla delivered a borderline flawless collaboration that perfectly exhibited both their greatest hits and EDM essentials.

    There’s nothing better than watching an artist truly having fun on stage…so when two friends, Dolla and Summit, come together to display some of the best techno house out there, they do not disappoint.

    Soon to be the pregame track for many, Dom Dolla and John Summit are two of the biggest names in house for a reason.

    No Doubt 

    Two words: jaw dropped. Coachella’s Main Stage has reunited long lost bands and supergroups like Blink-182 and Swedish House Mafia…but few have No Doubt’s impact.

    After a year of music domination on TikTok, Gwen Stefani, Tom Dumont, Tony Kanal, and Adrian Young took the stage to bring punk rock back in all its glory. In their first performance since 2015, this band has the exact same 1995 energy when they released “Just a Girl.”

    Bringing out Gen Z’s very own punk pop princess, Olivia Rodrigo, was a passing of the torch in many ways. Stefani and Rodrigo belted “Bathwater” side by side as Rodrigo sported low rise cargos and an “I <3 ND” tank. “Bathwater” saw a 430% increase in streams on Spotify following the performance.

    Perhaps the most impressive performance comes from Stefani, who at 54 years of age pranced and throttled around the stage full force. Stefani embodied a whirlwind tornado that gave more stage presence and energy than a 19-year-old. She went full punk rocker mode, and it was gorgeous.

    Sabrina Carpenter 

    https://www.youtube.com/watch?v=3n-SDAxb_tQ

    I keep reminding my readers that Sabrina Carpenter is the one to watch this year. She’s got all the ingredients of your classic popstar: proven vocal talent (even a stint on Broadway with Renee Rapp in Mean Girls), the opener for Taylor Swift’s legendary Era’s Tour, a past love triangle scandal with aforementioned Olivia Rodrigo and Joshua Bassett, and the latest It Boy, Barry Keoghan, falling over his feet for her.

    Her Coachella performance only solidified that I’m right. Carpenter understands her audience, and knows how to bring in more fans. She’s candidly witty, overtly sexual in her euphemisms, and yet exudes an innocence and honesty in her music.

    For the first time on a Coachella stage, Carpenter was able to belt out her emails i can’t send album. This tell-all set of songs details her relationship with Bassett, her perspective on the backlash, and shares refreshing insights into her life.

    She had the cinema, the vocal ability, the wow-factor. No notes.

    Lana Del Rey

    And while many prominent publications and, most notably, the Recording Academy will continue to turn their noses towards the genius of Lana Del Rey, the world watched anyway. Del Rey’s music has inspired the careers of thousands of budding artists, and it’s rare that she gets such a massive platform to perform it.

    Arriving via motorcade, Lana Del Rey took the stage to perform hits like “Summertime Sadness”, “Ride”, and “West Coast” while dancers twirled from poles and swirled around Del Rey.

    With guests like Jack Antonoff, Jon Batiste, and the one-and-only Billie Eilish, Del Rey flawlessly integrated tracks like “Ocean Eyes” and her own “Video Games” into her set.

    Many will criticize the microphone issues or the lack of energy from the crowd (all factors that were out of the headliner’s control)…but it’s overwhelmingly clear from Lana Del Rey’s performance that her star far outshines any technical difficulties.

    [ad_2]

    Jai Phillips

    Source link

  • Olivia Rodrigo’s “Guts” Tour Made Me Feel Like a Teen Again

    Olivia Rodrigo’s “Guts” Tour Made Me Feel Like a Teen Again

    [ad_1]

    I knew I was going to shed a tear or two at Olivia Rodrigo’s “Guts” Tour. I’m just a girl, after all. On April 6, the three-time Grammy winner performed her second of four sold-out shows at Madison Square Garden in New York City. And for an hour and a half on Saturday night, Rodrigo reminded us of the good, bad, and ugly of girlhood.

    A bag adorned with ribbon bows slung over my shoulder, I screamed in anticipation with a crowd full of sequin miniskirts, glittery purple eyeshadow, and fishnet tights as Rodrigo ascended onto the stage for her opening number, “Bad Idea Right.” To my surprise, the audience wasn’t just young teens, kids, and their parents. An unexpected handful of 20- and 30-something adults like me were just as ready to jump and sing along to a mix of tunes from her sophomore album, “Guts,” and her critically acclaimed debut album, “Sour.” I imagine we loved the concert the same reason I enjoy her music so much — she made us feel like teens again.

    The internet is filled with think pieces and TikTok breakdowns that explain Rodrigo’s popularity among women who are older than her: it’s fueled by our nostalgia for girlhood and desire to revert back to our teenage years. Scream-singing along to her lyrics at the “Guts” Tour, I certainly felt that, and I saw it on the faces of fellow millennials in the crowd on Saturday night. She took us, her devoted fans, through angst, nostalgia, sadness, and of course, head-banging fun.

    A few months prior, I’d seen Rodrigo perform bigger hits like “Get Him Back!” and “Vampire” at Z100’s Jingle Ball, so I was already aware of her performing prowess. At the “Guts” Tour, her vocals were raw, filled with a genuine passion and emotion, and her pop-punk energy was unmatched. But her more vulnerable ballads were especially moving to hear live.

    When Rodrigo sang about not feeling pretty enough with society’s impossible beauty standards in “Pretty Isn’t Pretty” and putting yourself out there for someone you love — who’s so not worth it — in “Love Is Embarrassing,” she brought me back to those exact feelings I’d experienced in high school and college, and even at times in my late twenties. In one particularly special moment introducing “Teenage Dream,” she spoke about writing the song as an 18-year-old, being so afraid of growing up. But after recently turning 21 in late February, she realized getting older isn’t so scary after all. I admittedly chuckled because, well, she is only 21, but it’s also a sentiment I felt back then and still do now.

    She cycled between emotional ballads like these and fiery bangers that had everyone on their feet. During her performance of “All American Bitch,” she encouraged the crowd to “think about someone or something that pisses you off” and scream at the top of your lungs. It was therapeutic.

    So, thank you to Rodrigo for taking me back to those messy, fun days, but also reminding me why I’m relieved to be past that phase in my life. My other takeaway after that last encore? Maybe it’s OK to text your ex. Get him back!

    After two more nights at MSG, the “Guts” Tour is heading to the UK and Europe in May and June, and concludes in August in Los Angeles.

    Yerin Kim is the features editor at POPSUGAR, where she helps shape the vision for special features and packages across the network. A graduate of Syracuse University’s Newhouse School, she has over five years of experience in the pop culture and women’s lifestyle spaces. She’s passionate about spreading cultural sensitivity through the lenses of lifestyle, entertainment, and style.

    [ad_2]

    Yerin Kim

    Source link

  • Less Sophomoric Efforts Appear on Olivia Rodrigo’s Guts (Spilled)

    Less Sophomoric Efforts Appear on Olivia Rodrigo’s Guts (Spilled)

    [ad_1]

    After releasing four of the five songs that now appear on the Guts (Spilled) edition of Guts by way of hidden tracks on different versions of the album, Olivia Rodrigo has at last made those songs easily available to all—and she’s even thrown in an extra one for good measure (“so american”). Of course, it probably makes the people who bothered to collect all four editions of Guts in order to hear each hidden track feel a little bit used, but such is the nature of capitalism (just ask Taylor Swift, whose many versions of albums featuring different cover art or songs would be enough to drive any fan mad). 

    While Guts, overall, sounds like what can best be described as Sour: Part Deux, the additions of these particular tracks lend a less sophomoric feel to the record, even if many of them are still rooted in the same old “Olivia problems”—which is to say, she’s been deeply affected and/or hurt by a boy (or “man-child,” as Lana Del Rey would say). Except that, in the case of the first song that kicks off the round of bonus tracks, she’s been deeply affected/hurt by a boy’s ex. Obsessing over her endlessly and all the ways in which she’s probably superior. Hence, the song title: “obsessed” (which, it bears repeating, Mariah Carey has a monopoly on as much as she does Christmas). 

    The shorter (two minutes and one second) “girl i’ve always been” seems a continuation, in its way, of “obsessed” in that it finds Rodrigo insisting that she’s always been this way: obsessive, maniacal, “too much,” etc. And yet, the boy in question would dare to tell her, “Baby doll, you have changed.” To which Rodrigo replies, “I’m nothin’ if I’m not consistent/You knew everything you were gettin’.” The folksy meets alt-rock musical tone channels, in certain respects, a tincture of Kesha on Rainbow (e.g., “Hunt You Down,” “Godzilla” and Spaceship”) and Lana Del Rey in her post-Honeymoon era. Indeed, Del Rey is often channeled lyrically by Rodrigo within these bonus tracks. For example, the way she says, “I get down with crooked men” recalls the manner in which Del Rey declares, “I get down to beat poetry” on “Brooklyn Baby.” And then, as though to prove the adage that everything is a copy of a copy, Rodrigo wields the phrase, “I am a candle in the wind.” Although originally a phrase immortalized by Elton John, Del Rey recently took to adopting it on “Mariners Apartment Complex” (“I ain’t no candle in the wind”) and “Yosemite” (“No more candle in the wind/Not like before when I was burning at both ends”). Elsewhere, Rodrigo shrugs, “I can say I’m a perfect ten/But I am the girl I’ve always been,” which seems like a loose riff on the “She a ten, but…” meme. 

    A more “esoteric” (to those too daft to know) reference that Rodrigo is channeling on this song (unwittingly or not) is Edie Brickell & The New Bohemians’ “What I Am.” Her higher-pitched tone and sarcastic snarkiness easily harken back to this classic “alternative” hit from 1988. But, ultimately, Rodrigo must return to her go-to for emulations, Taylor Swift. At least with a song title such as “scared of my guitar,” which sounds a lot like the Swift title, “Teardrops on My Guitar.” And yes, there are certain thematic similarities in that Rodrigo discusses how the only “person” she can be completely honest with about her feelings is her guitar. And the reason she’s scared of it is because she doesn’t want to talk herself out of the idea that she’s “really happy” with the dude who treats her like shit (thus, “Perfect, easy, so good to me/So why’s there a pit in my gut in the shape of you?”). The slow, stripped down track is in keeping with other “whiny bitch” anthems Rodrigo has become known for (e.g., “traitor” and, more recently, “logical”) and perhaps one-ups Swift’s “Teardrops on My Guitar” on that front (and on the front where it’s not a country song). 

    Explaining why she’s so scared of her guitar, Rodrigo sings, “‘Cause it cuts right through to the heart/Yeah, it knows me too well so I got no excuse/I can’t lie to it the same way that I lie to you.” And to herself, for that matter. As for Swift, she pronounces,“‘Cause he’s the reason for the teardrops on my guitar/The only one who’s got enough of me to break my heart.” Each singer-songwriter turning to her only true confidant—the guitar—when things get messy in matters of romance. What’s more, both tracks build on a rare genre in music: women talking about their guitars. The only other singer to do that with notable panache was Amy Winehouse on “Cherry.” 

    The following song, “stranger,” also has some Swiftian parallels, lyrically speaking (though certainly not with its “ramblin’ man” musical sound). Namely, a parallel to “I Forgot That You Existed.” Granted, Rodrigo isn’t quite as cold in this song (not the way Swift is with her chirpy announcement, “I forgot that you existed/And it isn’t hate, it isn’t love/It’s just indifference”). For instance, she admits, “God knows that I am the girl I am because of you,” which feels like a biting homage to “girl i’ve always been.” Rodrigo even goes full-tilt Del Rey yet again with the lyric, “I’ll love you till the end of time” (someone’s been listening to “Blue Jeans”). And then, for the coup de grâce, “You’re just a stranger I know everything about” channels Gotye’s lyrics, “Now you’re just somebody that I used to know.” But sometimes, that can be for the best. For, like Billie Eilish on “Happier Than Ever” or Angela Chase (Claire Danes) saying she woke up one morning feeling like Jordan Catalano (Jared Leto) had been surgically removed from her heart, Rodrigo describes, “I woke up this morning and I sat up straight in bed/I had the strangest feeling of this weight off of my chest/I hadn’t felt that hopeful since the day that you left.”

    Rodrigo also seems hopeful on the final addition to Guts (making it Guts [Spilled]), “so american.” Not only continuing the motif of “all-american bitch” (both songs now functioning as “american”-related bookends to the record), Rodrigo opts for Springsteen’s sonic vibe again (the same way she does on “love is embarrassing”). And why shouldn’t she when she wants to give off the aura of being “so american”?

    Here, too, though, she’s serving up major Swift comparisons in that she’s also fallen for a British “man” (Louis Partridge, who’s about to come up in the world by appearing in the Alfonso Cuarón series, Disclaimer). One who Rodrigo makes mention of marrying when she sings, “Oh God, it’s just not fair of him/To make me feel this much/I’d go anywhere he goes/And he says I’m so American/Oh God, I’m gonna marry him.” That mention of “I’d go anywhere he goes” also coming across like Ariana Grande on Eternal Sunshine’s “imperfect for you” when she says, “Now I just can’t go where you don’t go.”

    It’s all a lot of pressure to put on a bloke, British or otherwise (“otherwise,” in this case, being a Munchkin). Something Swift herself must know about after writing “Paper Rings” and “London Boy.” Having clearly had her own fill (sexual innuendo intended) of Brits, Swift’s fine with being “so american” if one of her upcoming songs, “So Long, London,” is an indication. All the more reason for Rodrigo to say hello to it then.

    [ad_2]

    Genna Rivieccio

    Source link

  • Olivia Rodrigo’s “Obsessed” Is Essentially the Plot of Sex and the City’s “Three’s A Crowd”

    Olivia Rodrigo’s “Obsessed” Is Essentially the Plot of Sex and the City’s “Three’s A Crowd”

    [ad_1]

    Taking a gamble on assuming that anyone could ever forget Mariah Carey has a signature song called “Obsessed,” Olivia Rodrigo has opted to release a single of the same name from the Guts (Spilled) edition of her sophomore album. Although she’s already been performing it on her Guts World Tour, the official release of the track has also been heralded by an accompanying music video directed by Mitch Ryan (known mainly for his Rosalía videos). Though, clearly, Rodrigo is still stuck in her Petra Collins phase here, complete with the prom queen aesthetic that Courtney Love already ripped Rodrigo a new asshole for when she used it during her Sour Prom era. Indeed, “Obsessed” feels like Rodrigo can’t quite leave her high school days behind, swapping out a prom for an “exes ball” (or “gala”) instead so as to be able to still wield her prom queen look. 

    While that might not include any tiaras this time, it does involve gowns and sashes—and trophies…oh my! Thus, the event is seemingly equal parts beauty pageant and cotillion. A parade of all his exes branded with different labels on their sashes, including Miss Focus on My Career, Miss Put Him in Therapy, Miss Summer Camp 8 Years Ago, Miss Thought She Was the One, Miss Long Distance, Miss Freshman Year and Miss 2 Summers Ago, among others. (Olivia herself is, naturally, Miss Right Now.) Obviously, the guy Olivia is with is both much older (a seemingly new fetish of Rodrigo’s after her Joshua Bassett debacle) and a total himbo. However, despite the video’s plot in terms of featuring many, many exes for Rodrigo to obsess over, it still channels the season one episode of Sex and the City called “Three’s A Crowd.”

    As the title suggests, it’s all about when one, as the current girlfriend, feels like the odd person out in her relationship thanks to the looming, spectral presence of the ex. In Carrie Bradshaw’s (Sarah Jessica Parker) case, that looming presence is Barbara (Noelle Beck), Mr. Big’s (Chris Noth) ex-wife. As episode eight (featured, funnily enough, right after the episode titled “The Monogamists”), it was to serve as a turning point for whether or not the Carrie and Big relationship would endure or crumble under the pressure of Carrie’s expectations for such an emotionally unavailable man (to be sure, that does sound a lot like Rodrigo). So emotionally unavailable, in fact, that he only thought to tell her he was previously married when she happens to ask if he’s ever done a threesome. To which he replies, 1) “Sure, who hasn’t?” and 2) that the person he did it with was his wife.

    Needless to say, this sends Carrie into a tailspin as she assumes that they were probably always having “wild sex” together while, now, he and Carrie are only having “sweet sex” ever since settling into comfortableness with each other. This presumption about Barbara being more adventurous in the boudoir plays right into the bridge of “Obsessed” that goes, “Is she friends with your friends?/Is she good in bed?/Do you think about her?/No, I’m fine, it doesn’t matter, tell me/Is she easy-going?/Never controlling?/Well-traveled? Well-read?/Oh God, she makes me so upset.” 

    As Barbara does Carrie. Even more so after the latter actually meets her, arranging a sitdown with “Barb” after finding out that she works in publishing. This kind of obsessing, indeed, puts Rodrigo’s to shame. For, in the modern era, all a Miss Right Now has to do is stalk an ex-girlfriend’s social media from the safety of her own bedroom rather than actually meet up with her in real life under false pretenses. That level of obsession is far more suited to the verse, “If I told you how much I think about her/You’d think I was in love/And if you knew how much I looked at her pictures/You would think we’re best friends.” Carrie, however, is much too narcissistic to lay claim to the following declarations in “Obsessed”: “‘Cause I know her star sign, I know her blood type/I’ve seen every movie she’s been in, and, oh god, she’s beautiful/And I know you loved her, and I know I’m butthurt/But I can’t help it, no, I can’t help it.” 

    And what Carrie can’t help is being irritated by Barbara’s good looks and ostensible good taste when she immediately tells Carrie, “I’m a huge fan of your work.” This speaks automatically to Rodrigo’s vexed tone when she sings, “She’s talented, she’s good with kids/She even speaks kindly about me.” Having come face to face with “the enemy,” Carrie tries to remove the encounter from her thoughts, giving the voiceover, “That night, I thought I could put the whole Barbara thing out of my mind. After all, Mr. Big was with me now.” That he is, as Carrie lies in bed with him trying to get into some hanky panky before she imagines Barbara “supervising” the whole thing and berating, “Nibbling his earlobes? How sweet. Let me show you how it’s really done.”

    This makes Carrie feel hopeless and “lesser than” anew as she instantly recoils from Big and turns to face the other way, musing inwardly, “So I guess you couldn’t avoid a threesome. Because even if you’re the only person in the bed, someone has always been there before you.” Such an assessment is in line with Rodrigo’s chorus, “I’m so obsessed with your ex/I know she’s been asleep on my side of your bed, and I can feel it/I’m starin’ at her like I wanna get hurt/And I remember every detail you have ever told me, so be careful, baby.”

    Big, not so clueless as to ignore her strange mood, prods, “Hey, what just happened? Where’d you go?” She shrugs, “I was preoccupied.” “No kidding. About what?” Carrie’s internal voice then replies, “Your ex-wife’s breasts, your ex-wife’s lips, your ex-wife’s long legs.” Damn, talk about obsessed. In such a way that also applies to Rodrigo’s self-referential lament, “​​She’s got those lips, she’s got those hips/The life of every fuckin’ party.” These two lines giving a nod to both “all-american bitch” (sarcastically announcing, “I’m a perfect all-american bitch/With perfect all-american lips/And perfect all-american hips”) and “ballad of a homeschooled girl” (“the party’s done and I’m no fun”—hence, she herself is no life of the party). Rodrigo adds to that, “And I know you love me, and I know it’s crazy/But every time you call my name, I think you mistake me for her.” This being an inverse allusion to her role in “deja vu.” Like Carrie, Olivia knows that, technically, “You both have moved on, you don’t even talk/But I can’t help it, I got issues, I can’t help it, baby.”

    When Carrie manages to get a few more details out of Big, he quickly closes the “ex file” (a term Carrie will later use on Jack Berger [Ron Livingston] in the season six episode, “The Perfect Present”) by saying, “Let’s not talk about the past, please.” Carrie then allows herself to be held by him, but still imagines Barbara in bed right next to her as she narrates, “What Mr. Big didn’t realize was the past was sleeping right next to me.” Rodrigo clearly has some of those same sentiments. 

    Co-written with St. Vincent a.k.a. Anne “Annie” Clark and Dan Nigro, one has to wonder if either of the three parties watched “Three’s A Crowd” at any point during the song’s creation. For it so perfectly sums up Carrie’s dilemma in this episode. And now, Rodrigo’s in “Obsessed.” However, the takeaway that Rodrigo doesn’t seem to glean is the one Carrie comes up with by the end: “I realized the real appeal of the threesome: it was easy. It’s intimacy that’s the bitch.” Of course, this reinforces the monogamous heteronormative belief that a person can only have “true intimacy” with one other person. A philosophy that Rodrigo, in her bid to graft 90s and 00s-era pop culture for everything she does, is only too ready to perpetuate.

    [ad_2]

    Genna Rivieccio

    Source link

  • I Wore Olivia Rodrigo’s Red Beret in Paris — Here’s How

    I Wore Olivia Rodrigo’s Red Beret in Paris — Here’s How

    [ad_1]

    I often joke that one of my regrets in life is I wasn’t a teenage girl when Olivia Rodrigo first burst onto the scene in 2021 with her debut single “Drivers License.” The song became an anthem for a new generation of emotionally in-tune teen girls, and I was a little sad that I’ve definitely aged out of that particular group by a good decade and some change.

    While I’m no longer an angsty teenager IRL, I can certainly still channel that energy. That’s exactly why, to this day, I belt out “Drivers License” and just about every Rodrigo song with zero shame. But it’s not just her music that resonates with me — it’s also her unique style, which often fuses ’90s and 2000s trends with classic shapes and silhouettes. Much of Rodrigo’s wardrobe is, admittedly, unattainable for a mere non-pop-star such as myself. Or, at least, that’s what I thought, until I discovered Lidow Archive, a crucial celebrity style secret.

    This Los Angeles-based business is essentially a museum of clothes and accessories, housing more than 7,000 vintage and contemporary designer pieces from labels like Chanel, Moschino, Marc Jacobs, Dior, Fendi, and Louis Vuitton, to name a few. Founder Haile Lidow holds her collection in a wing of her 1930s Spanish Colonial-style Hollywood home, located in Los Feliz.

    Lidow Archive’s discerning clientele includes celebrity stylists, editors, and influential creatives; items from the archive have been worn by the likes of Rodrigo, Beyoncé, Rihanna, Lady Gaga, Miley Cyrus, and more. So when I had the opportunity to pull a few pieces for my trip to Paris Fashion Week, I (naturally) had to ensure that one of those items was serving up some serious Miss Rodrigo vibes.

    As it turned out, the exact red knit beret that the “Vampire” singer wore for a 2021 Rolling Stone shoot was available to pull for my fashion week wardrobe. I couldn’t believe my luck — a beret in Paris would normally be a little too obvious, but in this case, I had a feeling it would end up being the perfect accessory to have on hand.

    Of course, one label-less hat doesn’t equate to an entire ‘fit. I wanted to re-create Rodrigo’s Rolling Stone look as accurately as possible, and the Lidow Archive team was essential in helping me pull it off. In addition to the beret, they also suggested a pair of black trousers with removable suspenders and a large gold safety pin to be worn at the waistband.

    To complete the ensemble, I wore my own short-sleeved white T-shirt and nude sandals with a low heel. Accessory-wise, I reached for a simple black-and-gold wristwatch and a black crossbody purse.

    Working with the archive has several advantages, whether you’re wanting to minimize packing stress when preparing for a big event or trip, or you’re looking for rare fashion pieces that no one else will have. Appointments can be made to come to visit and try on pieces for your next event or trip with the help of styling advice from the Lidow Archive team. Pricing for rentals begins at $250 minimum per pull, and each piece has its own itemized pricing upon request (contact pulls@lidowarchive.com for more information).

    My first-ever experience with pulling archival fashion pieces — let alone celebrity-approved items — reminded me that the best style moments often come from the most surprising places. I loved having access to seemingly endless options that all felt distinct and one of a kind. Not to mention, the whole process offers a more sustainable approach to fashion. It’s a win-win for anyone who wants to up their designer and vintage fashion game without buying anything new.

    [ad_2]

    Mekita Rivas

    Source link

  • Olivia Rodrigo fans given contraceptives, morning-after pills at her Missouri show – National | Globalnews.ca

    Olivia Rodrigo fans given contraceptives, morning-after pills at her Missouri show – National | Globalnews.ca

    [ad_1]

    Fans at Olivia Rodrigo‘s Guts World Tour concert stop on Tuesday in St. Louis., Mo., were given free condoms and morning-after pills as part of an initiative supporting women’s reproductive rights in the state, where abortion has been banned.

    To hand out the contraceptives, Rodrigo — who has long advocated for abortion care in the U.S. — paired up with The Missouri Abortion Fund, which provides financial assistance to state residents who cannot afford an abortion.

    The condoms and morning-after pills, a form of emergency birth control often used within 72 hours of unprotected sex, were distributed by the abortion fund as part of a package using Rodrigo’s branding. (Morning-after pills are not the same as abortion pills, as they do not terminate an existing pregnancy, but rather delay or prevent ovulation.)

    A stacked booth also offered stickers and leaflets advocating for accessible abortions in Missouri. A card included in the package read, “Funding abortion? It’s a good idea, right?” in reference to Rodrigo’s song, bad idea right?

    Story continues below advertisement

    The cards also featured a QR code that brought scanners to a page where they could donate to The Missouri Abortion Fund.

    Rodrigo, 21, said a portion of the proceeds from her concert ticket sales will be donated to charities supporting women’s reproductive rights. The St. Louis show specifically saw proceeds donated to the Missouri Abortion Fund and Right By You, a pro-abortion text help line that supported The Missouri Abortion Fund’s booth at the show.

    Last month, as her toured kicked off, Rodrigo launched her Fund 4 Good initiative, wordplay on her single Good 4 U. According to the organization’s website, Fund 4 Good is “committed to building an equitable and just future for women and girls through direct support of community based non-profits that champion girls’ education, support reproductive rights and prevent gender-based violence.”

    Story continues below advertisement

    An activist from Right by You told the Guardian the Driver’s License singer invited the non-profits to the venue, though it was their choice to distribute the contraceptives.

    Abortion is illegal in Missouri, except in cases where the pregnant person’s life is at risk. The ban came after the U.S. Supreme Court overturned Roe. v. Wade in June 2022. To have an abortion, a Missouri resident must travel out of state.


    Breaking news from Canada and around the world
    sent to your email, as it happens.


    Breaking news from Canada and around the world
    sent to your email, as it happens.

    Alongside Missouri, 20 other states have also banned or severely restricted abortion access. Fourteen of those states, including Alabama, Arkansas and Idaho, have made abortion illegal.


    Click to play video: 'Roe v Wade overturned. Who will be impacted?'


    Roe v Wade overturned. Who will be impacted?


    Distribution of the contraceptives earned Rodrigo praise and scorn from Americans who either favour or oppose access to abortion in the U.S.

    Story continues below advertisement

    One fan called Rodrigo “brave” for distributing the contraceptives.

    “To have the new generation of mainstream pop girls be this brave and this willing to be 100% clear about an issue that is SO polarizing. I have tears in my eyes it’s awesome to see,” she wrote on X.

    On the opposite end, Republican Missouri state senator Bill Eigel said he was “horrified” by the news.

    “As the father of a daughter, I am horrified by this. Olivia Rodrigo passed out an abortifacient at her concert in St. Louis last night,” Eigel wrote. “Abortion hurts women. Physical damage of course, but also psychological. Women who have had abortions have higher rates of anxiety, mental health problems, substance abuse, and suicide.”

    Story continues below advertisement

    According to the American Psychological Association, abortion is not linked to mental health issues or suicidal ideation. Rather, “people who are denied abortions have worse physical and mental health, as well as worse economic outcomes,” the association reported.

    In the past, Rodrigo has said she is pro-choice. While on stage at Glastonbury Festival in 2022, shortly after the overturning of Roe v. Wade, Rodrigo said she was “devastated and terrified” by the decision.

    “So many women and so many girls are going to die because of this,” Rodrigo told the crowd.

    Rodrigo, while standing with singer Lily Allen, dedicated Allen’s song F—k You to the “five members of the Supreme Court who’ve showed us that at the end of the day they truly don’t give a s—t about freedom.”

    Story continues below advertisement

    &copy 2024 Global News, a division of Corus Entertainment Inc.

    [ad_2]

    Sarah Do Couto

    Source link

  • Olivia Rodrigo and the Myth of “Kennedy Class,” Or: The Kennedy Fallacy

    Olivia Rodrigo and the Myth of “Kennedy Class,” Or: The Kennedy Fallacy

    [ad_1]

    In keeping with the tradition of elevating the Kennedys to the height of glamor in American politics (which should be telling of how “glamorous” American politics is), Olivia Rodrigo’s opening track for Guts, “all-american bitch,” wields a more than somewhat false simile. Specifically, “I got class and integrity/Just like a goddamn Kennedy, I swear.” But, unless this line is meant to be facetious (as many of the others in the song are), Rodrigo seems as misinformed as she was about which short story collection of Joan Didion’s she actually took inspiration from in coming up with the title for this song. For it’s no secret now (as it scarcely was then) that the Kennedy name/presidency was mired in crookedness (though only Marilyn can truly say if that applied to JFK’s dick as well as his code of ethics).

    From the rumors of John’s patriarch, Joseph Kennedy Sr., pulling the necessary strings to nudge then-mayor of Chicago Richard Daley to, let’s say, influence certain Cook County ballot boxes to using the Secret Service to ferry his various mistresses in and out of bedrooms, the Kennedy name—particularly in its primary association with “Jack”—hardly equates with class or integrity. And definitely not discretion. Indeed, JFK was about as discreet as Miss Monroe’s Jean Louis gown at his forty-fifth birthday celebration/Democratic Party fundraising gala in 1962. A spectacle that occurred mere months before JFK probably killed her (with some help from RFK, perhaps—and Teddy, per a slightly offensive 1985 SNL sketch in which Madonna plays Marilyn…this being only fair considering she would end up sleeping with John Jr.). A “conspiracy theory” that certainly wouldn’t be classy if it turned out to be true. But even if it’s not (which remains debatable to many), there are still plenty of other ways in which JFK hardly radiated class. The same went for the rest of his “clan” (as the Irish like to call families—particularly families of a storied and extensive lineage). Whether it was RFK’s own affair with Marilyn (and Jackie, for that matter) or Ted Kennedy leaving the scene of the crime he committed by driving himself and RFK campaign staffer Mary Jo Kopechne off the road while drunk.

    Yes, the infamous Chappaquiddick “incident” was one of the most peak examples of true “Kennedy class.” Kopechne, incidentally, was moved to enter the political realm in the first place after seeing the JFK inauguration speech during which he pontificated, “…my fellow Americans: ask not what your country can do for you—ask what you can do for your country.” Soon after, Kennedy would bilk the country and its highest office of all the privilege he could get out of it. And what Kopechne ended up doing “for Teddy” rather than her country, unfortunately, was dying. Though, of course, JFK could say the same.

    Luckily for Joe Sr., he still had plenty of children to bet on in the race called Building an American Dynasty. And at the top of the list after Joe Jr.’s death was Jack. A man whose penchant for instinctively sweeping any wrongdoing beneath the rug was not much better than what Teddy exhibited with Chappaquiddick (hence, taking hours to report the accident, and Mary Jo’s death along with it). But what was to be expected of the Kennedy sons when it came to shirking transparency at all costs? They learned from the best burier of secrets and shame, after all: Joe Sr. Better known as the brainchild behind pushing for his daughter, Rosemary, to get a lobotomy because she was prone to having seizures and erratic/violent mood swings. Being that this was 1941, slapping her with the then-current panacea of a lobotomy was, sadly, par for the course. She was just twenty-three when the procedure ended up incapacitating her and preventing her from speaking in a way that could be understood as anything other than gibberish. So what else would Joe Sr. do but clean up the “mess” he made by burying Rosemary’s existence (hiding her whereabouts for decades) in a Wisconsin institution for the disabled? Never mind that Joe Sr. was the one who did the disabling by trying to “fix” a person who wasn’t broken. Again, real fuckin’ “classy.”

    When it comes to the generation of children Joseph Sr. begat, it was apparent that they (particularly the men) were taking a page out of the lawless, devil-may-care playbook he had nonverbally written for them. Most notably when it came to his propensity for stepping outside of his marriage with a celebrity. Even at a time when the very concept of “celebrity” was still germinal in its movie star iteration. Nonetheless, during the silent movie era, there were few bigger precursors to major stardom than Gloria Swanson. And after being among the few to actually increase his bank balance in the wake of the 1929 stock market crash, Joe Sr. found himself orbiting the Hollywood scene, buying up stakes in studios and theaters to build on his “portfolio” of wealth.

    It was during this time that he encountered Swanson (in the days before she became Norma Desmond in Sunset Boulevard)…and proceeded to ruin her life. Not just by ousting her husband at the time, Henri de la Falaise, but also by defrauding her out of millions of dollars after becoming her business manager, in addition to her paramour. It was when Joe decided to gift her with a Cadillac and expense it on her production company’s account that she finally had to call him out. A move that reportedly sent him out the door without ever speaking to her again. With this in mind, John’s behavior toward Marilyn almost looks positively princely (Rodrigo influencer Lana Del Rey also seemed to think the same of his behavior toward Jackie, if the 2012 video for “National Anthem” is anything to go by).

    As the third generation of Kennedys (this being counted from the start of Joe Sr.) rose to prominence, it became quickly apparent that boorish behavior was something that ran in the blood. For JFK’s lone son, John Jr., had his own predilection for extramarital affairs. Only rather than being the married one in the scenario, he preferred to be the paramour. Specifically, to Madonna, who was “legally bound” to Sean Penn at the time of their tryst in 1988. Though Madonna might remind that Penn was a bit of a stick in the mud when it came to having any fun or lapping up the spotlight that went with the territory of being a major celebrity. Made more major by being “attached” to one of the biggest stars in the world. And rather than repelling JFK Jr., as it did Sean, the former seemed to be all the more titillated because of her Marilyn Monroe-level fame…not to mention aesthetic. And yes, Madonna was already well-known for paying homage to one of the twentieth century’s greatest icons early on in her career.

    Perhaps most famously when she re-created the famed “Diamonds Are A Girl’s Best Friend” sequence from Gentlemen Prefer Blondes for her “Material Girl” video in 1985. Funnily enough, it was Sean who met and fell in love with Madonna on that set—not John Jr. But that didn’t mean Marilyn’s specter wouldn’t still haunt their eventual relationship. After all, Jackie insisted John call off his romance not because Madonna was a married woman, but because she was way too much of a Marilyn fangirl. With “class” like this, Jackie really had become a full-blown Kennedy.

    Even those roundaboutly connected to the Kennedys couldn’t seem to avoid the taint of uncouthness and/or sexual impropriety. One such prime example being Andrew Cuomo. Married to Kerry Kennedy for fifteen years (from 1990 to 2005), his descent into shame may have taken decades to occur, but when it happened, oh how it happened big. In a scandal that broke at the end of 2020 (just when Cuomo was riding high on praise [most of it self-given] for his handling of the pandemic). In the end, Attorney General Letitia James released the findings of an independent investigative report that stated Cuomo sexually harassed eleven women during his tenure as New York governor (and who knows how many others before that?). Needless to say, some standard-issue male Kennedy bullshit rubbed off on him. That, and probably working within the Clinton administration. Bill himself being a “renowned” acolyte of JFK—managing to get his picture taken with the OG presidential philanderer in 1963.

    While marriage to a Kennedy might turn you corrupt (or at least cause you to compromise some of your erstwhile ironclad “principles) if you weren’t already, being a Kennedy male appeared to all but assure that you could be born into a “high class” and still have no class at all. Most markedly when it came to the treatment of women. Another case in point: William Kennedy Smith, the son of Jean Kennedy/nephew of JFK. Smith was acquitted of a rape charge in 1991 despite potential reams of evidence against him. Evidence that also would have included the testimonies of three women stating on record that Smith had sexually assaulted them in the past. Their testimonies were deemed by Judge Mary Lupo to be inadmissible. After all, American “justice” stipulates that you should only be on trial for the crime you’ve committed, not the many others you’ve committed in the past and gotten away with.

    Then there was Michael LeMoyne Kennedy, son to Bobby. He, too, was another predatory Kennedy. A fact that came to light in 1997, two years before John Jr. died in a plane crash. But Michael had his own crash to deal with after being accused of having an affair with his children’s babysitter. Which wouldn’t be quite so bad if the affair hadn’t started when she was the Lolita age of fourteen. In typical “Kennedy clout” fashion, Michael evaded being charged with statutory rape in part because the three polygraph tests he took were conducted by companies that the Kennedys directly employed. Perhaps the only form of “justice,” then, could come in the skiing accident that resulted in his death at the end of 1997.

    And so, when Olivia Rodrigo perpetuates this bizarre and totally inaccurate trope about the Kennedys having class and integrity, well, it doesn’t bode well for Gen Z unlearning the undeserved association the Kennedys seem to have with “sophistication” and “glamor” in American politics. Something Gloria Swanson, who suffered the fallout of being collateral damage when it came to Kennedy ambition and entitlement, was unafraid to speak on. But that was after decades of silence and being almost on the verge of death. For she would only confess to her affair with Joe Sr. just three years before she passed away, releasing her autobiography (ghostwritten, of course) in 1980.

    “He was not very sophisticated insofar as knowing the right thing to do,” Swanson would “diplomatically” tell Barbara Walters in a 1981 interview promoting the book, called Swanson on Swanson. She then ominously added, “This man accomplished anything he wanted, including putting his son in the White House.” It was an inherited trait, this bulldozing version of “class.” Except that, in America, having class doesn’t really mean you have to be magnanimous. In fact, quite the opposite—it just means you have to be willing to do whatever it takes to secure your fortune.

    [ad_2]

    Genna Rivieccio

    Source link