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Tag: nyfw

  • New York Fashion Week Has Found Its Backbone: Diotima by Rachel Scott

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    Photo: IK Aldama / Courtesy of Diotima

    Image may contain Clothing Sleeve Adult Person Footwear Shoe and High Heel

    Photo: IK Aldama / Courtesy of Diotima

    In the six years since, she has become New York City’s inarguable designer to watch. In September of last year, as an explicit confirmation of her talent and broad remit, Scott was named the creative director of Proenza Schouler, a label founded by Jack McCollough and Lazaro Hernandez (who have relocated to Paris to helm Loewe) that emerged in the early 2000s and quickly became the go-to outfitter for some of New York’s most well-dressed women, including Mary-Kate Olsen, Ashley Olsen, Chloë Sevigny. Scott’s Diotima has come to occupy a similar space today, dressing the new generation of, albeit more diverse, fashion glitterati. She showed her first collection for Proenza Schouler on Wednesday, a terrific opening effort.

    Much of Scott’s work at Diotima revolves around decolonization, be that by her centering of her home country of Jamaica or by considering elegance from a non-white, non-Eurocentric point of view, oftentimes with an emphasis on craft. This season, Scott partnered with the family and estate of the late Cuban artist Wilfredo Lam, whose work is currently the subject of its first US retrospective at the Museum of Modern Art in New York.

    A Cuban artist of African and Chinese descent, Lam would often refer to his art as an “act of decolonization.” His work expanded the context of modernist art into the realm of Black diasporic culture by way of transporting landscapes and living characters. He studied in Spain and developed his practice under a war-torn Europe, gaining the support of the likes of Pablo Picasso and Joan Miró. During the Spanish Civil War, he worked with the Republicans to create posters and propaganda, and later illustrated André Breton’s famous surrealist poem Fata Morgana.

    Upon his return to Cuba in 1941, he became reacquainted with Afro-Cuban culture. His work developed in style as he merged European surrealism and cubism with Caribbean motifs. Above all, it continued to be political in spirit but this time with a singular focus, to reconnect Cuba with its African heritage. This is a tradition that Scott seeks to uphold by remarking on her own individual cultural lineage.

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    José Criales-Unzueta

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  • ‘Clueless’ -inspired app Alta partners with brand Public School to start integrating styling tools into websites | TechCrunch

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    Much has changed for Jenny Wang, the founder who’s bringing “Clueless” fashion tech to life. 

    Last year, her company, Alta, raised $11 million in a round led by Menlo Ventures to let users create digital closets and try on their clothes with their own virtual avatars. It’s a tech once seen only in movies, most notably in “Clueless,” where Cher styles and plans her outfits using computer technology. Alta is similar to that, allowing users to plan and style outfits using the latest AI innovations.

    A slew of big names participated in Atla’s round last year, including models Jasmine Tookes and Karlie Kloss, Anthropic’s VC arm Anthology Fund, and Rent the Runway cofounder Jenny Fleiss. 

    TechCrunch caught up with Wang during New York Fashion Week to talk about how the company has expanded since that round.

    For starters, the product is officially in the app store; Time and Vogue named it one of the best innovations of last year, and Wang said more than 100 million outfits have been generated on the platform since its launch in 2023.  It has partnerships with Poshmark and the Council of Fashion Designers of America, with more partnerships to be announced soon.

    “Alta’s own app also features thousands of brands that users can shop from,” Wang said. 

    Right now, the company is focused on building app and website integration experiences for brands, she said, where customers can try on a designer’s clothing using a personalized Alta Avatar. This week, the company unveiled its first integration collaboration, teaming up with Public School, a storied New York City brand. 

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    “Shoppers can style looks from the new collection on their own Alta avatar,” Wang said. 

    She met the Public School team — Dao-Yi Chow and Maxwell Osborne — through the founder of Poshmak, who is also an angel investor in both companies. 

    “Public School designers Dao-Yi Chow and Maxwell Osborne had been looking for an AI partner and virtual try-on avatar solution, and Dao-Yi has been an Alta app user himself,” Wang said. 

    Public School actually went on hiatus for a few years, with this NYFW marking its grand re-debut. When asked, the founders of the brand said they rediscovered their voices and what they wanted to say.

    “We have to look at tech as a partner in the business today,” Chow told TechCrunch, adding, “It’s not 2015 anymore,” so the team wants to take advantage of the latest technological developments. “We want to be thoughtful on how we use tech and AI,” he continued, “not as a design tool but as a tool to extend our storytelling and a tool to interact with the consumer and have them experience the brand even if they can’t do so in person.”

    Image Credits:Alta

    Wang said this is one of the first instances of a designer embedding personal avatar and styling technology into its own website. Near the bottom of Public School’s product page, there is an icon that says Style by Alta. Clicking that takes the customer to Alta for them to then style their avatars and test out how Public School clothing would look on them, should they purchase. 

    Users on Alta’s standalone app can also access Public School through Alta’s app. Wang said the goal is for Alta to integrate more experiences like this into other brands and websites, so Alta users can try on clothes on other websites even while outside the Alta app. 

    “Right now, a user would have to add a potential purchase into their Alta wishlist, then style outfits and try on their avatar, versus being able to do that directly on the brand website.” (For every site but Public School, that is.) “The goal is to bring their community on a new journey to engage with and shop the brand.” 

    Many major fashion brands, like Zara and Balmain, have already experimented with digital avatars. Wang said what makes Alta different here, especially compared to Zara, is that Alta avatars can put on at least 8 items within seconds, whereas Zara avatars can wear only four and often take around two minutes. 

    Overall, demand for virtual avatars has increased. Wang considers Alta both still the “Cluless”  technology that it started out with, and a digital avatar business. 

    “The consumer Alta app is the ‘Clueless’ closet, while the enterprise Alta experience allows shoppers to style pieces and try the outfits on their pre-existing Alta avatar,” he said. Eventually, Wang said she wants Alta to be the “personal identity layer for the future of consumer AI and shopping.”

    For agentic commerce to truly work, she said, “We need a data layer that understands the shopper’s style preferences, such as their closet, past purchases, and their avatar, likeness, and body, which is Alta.”

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    Dominic-Madori Davis

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  • For NYC Students, Fashion Week is just the beginning | amNewYork

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    New York Fashion Week wrapped up last month, and when the lights dimmed on the final runway of this year’s NYFW, it marked the end of another season of high fashion, but the beginning of something else entirely. For New York’s college students, the chaos and glamour of Fashion Week isn’t a finish line; it’s a starting line.

    Beyond the flashbulbs and VIP invitations, the week opens doors for young people trying to break into the industry. For students across the city, Fashion Week offers more than a front-row seat. It’s a place to work, learn, and meet people who can shape their future careers.

    As the last looks from this year’s New York Fashion Week fade into the rearview, we spoke with three New York college students who are already turning the lessons they learned into fuel for their next steps, with some speeding ahead and others switching lanes entirely.

    Whether behind the camera, running their own brand, or managing a guest list, these students used Fashion Week to take their first real steps into one of the most competitive creative scenes in the world.

    Matt Barsallo — Long Island University

    At Long Island University, Matt Barsallo spends most of his time behind a camera or a computer screen. The graphic design student shoots photos and makes graphics for the LIU men’s soccer team, which is how he first started building connections on campus. That same mix of creativity and networking eventually landed him at New York Fashion Week.

    “I worked with a guy named Anthony, his company is Perspective Saints,” Barsallo said. “I got in touch with them because I got invited to a clothing release party.”

    After the release party, Barsallo mentioned that he did design work. The conversation turned into a collaboration that later brought his graphics to the Perspective Saints’ Fashion Week show.

    “I just got in touch with them and kept texting back and forth, and then he was telling me how he wanted to do a show for Fashion Week,” Barsallo said. “He’s not really a designer—he’s more of an entrepreneur. He wanted me to get a couple of icons and logos for his shirts, and I made a clothing catalog for him. “The designs I made were the ones I posted on Instagram,” he said.

    Balancing both design and photography has become Barsallo’s calling card. “Photography is so easy to get connections,” he said. “I go over there to do photography work, but introduce myself as a graphic designer. It kind of goes hand in hand.”

    That approach helped him turn Fashion Week into more than just a one-off gig. “For me, what I learned is it’s really good for connections. Everyone comes,” Barsallo said. “I met some people from Jersey, some people from Chicago, from LA — a bunch of people. It was actually sick.”

    Now, he’s carrying those connections forward. “The same person wants to make a video for the Afghan Cup,” he said. “I’m going to help him do some camera work and probably get something designing up there, thumbnails and more, whatever is needed.”

    Between that and his ongoing work with LIU soccer, Barsallo said he’s just focused on building. “You know, still moving forward.”

    Desmond Samms — St. John’s University

    While Barsallo found his path through design, another student built his own spotlight.

    When you think of college students participating in NYFW, it’s most likely helping backstage or behind the scenes. For Desmond Samms, a marketing student from Los Angeles, he skipped all those steps, launching his very own show. NYFW was a turning point for his growing clothing brand, TAGD.

    Samms, who’s been steadily building the brand’s presence on social media and around the St. John’s University campus, said the idea for his first Fashion Week show came almost out of nowhere.

    “I just started off by one day going to another brand’s pop-up, Corteiz,” Samms said. “Just that whole experience, seeing stuff like that, I was like, ‘Okay, now I gotta figure out what I can do in Manhattan.’”

    A few days later, the right message came through. “Someone hit me up saying she was hosting a large fashion show partnered up with a party planning organization called Lux,” he said. “They were hosting the ‘Under Pressure’ fashion show on Sept. 20 in Chelsea.”

    For Samms, that call was all he needed. “I always say the smallest opportunities lead to the greatest blessings,” he said. “Regardless of how quick they seem or however I feel ready or not for fashion, I’m gonna say yes now and figure it out along the way.”

    The result was his debut Fashion Week show, where he introduced his new GAMEDAY collection, which dropped on Oct. 3, to a packed audience.

    “I think I was one of the youngest brand owners there,” Samms said. “The reactions I got from the first impression of my next drop that I presented at the show were just — people were excited and obsessed. I got a couple preloads that day. Everybody was in love with it.”

    He said the city itself pushed him to level up. “LA got me here and New York taught me to be better,” he said. “New York taught me how to be a hustler and promote what I do, no matter what happens. You gotta be your own biggest supporter. You gotta be your own biggest fan. You gotta be the dog that’s always gonna be hungry no matter what.”

    As for what comes next, Samms kept it short. “Whole world TAGD,” he said. 

    Chloe LaBel — Fashion Institute of Technology

    For some students, Fashion Week solidifies a dream. For others, it redefines one.

    At the Fashion Institute of Technology, Chloe LaBel has already seen both sides of Fashion Week, the grind of being an intern and the rush of working on-site. The art history and museum professions major has worked multiple seasons as a student, allowing her to get a full perspective on the New York fashion scene.

    “I worked with The Hilton Group, which is a fashion public relations company,” LaBel said. “I was a freelance worker for the week and worked front of house, predominantly checking in guests and VIPs. I also helped with seating, guiding people to their seats for the shows, and assisting with anything else needed.”

    It wasn’t her first NYFW, but it was her first time not as an intern. “As an intern, I was in their office a few days a week, usually three,” she said. “So I got to see a lot more of the work that goes into the shows ahead of time. This year, I was more involved on-site. I got to direct some of the interns and make sure everyone knew what they were doing during the event.”

    The experience helped LaBel realize where her true interests lie. “I don’t necessarily want to go into fashion, which, honestly, working Fashion Week kind of confirmed for me,” she said. “It’s a really cool experience, and I love doing it every season, but it showed me it’s not something I want to do as a full-time job.”

    Her background in art and history continues to guide her goals, but Fashion Week introduced her to a new skill she didn’t expect to enjoy. “I learned a lot about event planning,” LaBel said. “There are people who produce fashion shows for a living, which is super cool, and I never knew that existed. Working shows made me realize I’m actually really interested in planning events.”

    LaBel was inducted as co-president of FIT’s Student Activities Board this past semester. “That experience led to me getting more involved in that at school, which has been really fun.”

    Even if fashion isn’t her long-term path, LaBel said she plans to return next season to keep those connections alive. “It’s given me a lot of great connections,” she said. “My supervisors at the company have been amazing mentors. They’re always willing to connect me with people if I want to explore a specific field, and they’re super supportive when it comes to opportunities.”

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    By Parker Songco

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  • Couture Cardi B & Mini-Me Daughter Kulture, Ciara, ‘Love Island’s’ Nic & Olandria & More Slay New York Fashion Week

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    The 2026 New York Fashion Week season has begun, providing a trail of high-fashion moments, celebrity sightings, and major runway statements. There have been powerful showcases of creativity, and among the most talked-about moments were a mother-daughter duo stealing the spotlight and the triumphant return of a major international brand.

    Source: Dominik Bindl / Getty

    Cardi B, a formidable force in both music and high fashion, made a major splash at the Alexander Wang show with her seven-year-old daughter, Kulture. The pair turned heads with their coordinated fur ensembles, solidifying Cardi’s status as a fashion icon who’s passing the torch to the next generation. For the show, Cardi wore a lavish brown fur coat with knee-high, heeled boots, while Kulture was her “mini-me” in a matching fur skirt and a black shirt. 

    Cardi B’s appearance comes at a significant time in her personal and professional life. The rapper has spent the last few weeks promoting her highly anticipated second album, “Am I The Drama?,” which is set to officially drop next week on September 19. Her appearance at the Alexander Wang show, with her mini-me in tow, is the perfect addition to the album rollout. The Alexander Wang show was a star-studded affair, with a truly eclectic mix of attendees, including Martha Stewart and Tiffany Haddish.

    NYFW 2026: From Mother-Daughter Duo to a Brand’s Triumphant Return

    While Cardi’s appearance was a definite highlight, the 2026 NYFW schedule was packed with other buzz-worthy moments. The week saw the return of several heavy-hitters, with the most notable being Off-White, which returned to NYC after a brief hiatus. The Off-White Spring/Summer 2026 collection, a sport-fueled production, brought a ton of excitement as fans awaited Ib Kamara’s latest array. The show’s front rows were filled with celebrities, including Mary J. Blige, Ciara, Ellie the Elephant, Paris Jackson, and Jordan Chiles.

    The NYFW 2026 schedule also included a celebratory show from Sergio Hudson, who presented his Spring 2026 collection at Spring Studios on Friday night. The designer’s vision for the collection was centered on “color” and “fun,” with a goal to “bring joy to people” and encourage them to “dress up again.” The lineup was a showcase of his signature impeccable tailoring and masterful use of vibrant colors. The show also brought a bit of drama, as Love Island stars Nic Vansteenberghe and Serena Page were seated front row, while guests were reportedly puzzled as to why Olandria Carthen, Vansteenberghe’s girlfriend, wasn’t with him; she was, in fact, walking the runway in the show. Elsewhere in the building, the Sergio Hudson Ready-to-Wear show saw many stars like Natasha Lyonne, Deja Kelly, Mickey Guyton, Kandi Burruss, and Sherri Shepherd.

    This season, 2026 NYFW is proving to be a gateway for discovery, creativity, and storytelling. In addition to great fashion, the stars are strutting the streets of New York. From a “mini-me” mother-daughter duo shutting down the Alexander Wang show to a returning legend stirring up the runway, this week is a reminder that in fashion, as in life, you never know what’s coming next

    Who has been slaying New York Fashion week so far? Let us know in the comments!

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    Kerbi Lynn

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  • The Top New York Fashion Week Trends, According to Our Editors

    The Top New York Fashion Week Trends, According to Our Editors

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    KC: What else trend-wise?

    EH: Another one is this trend that we called ready-to-wear [last season], which is just this hyper-wearable trend that skews away from those really loud, hard-to-style pieces and is just super classic.

    If you buy into it, you can have those pieces for the rest of your life, and they’re not boring. You can still style them up in really, really interesting ways using things like those chrome moments or plenty of other styling methods. We saw a ton of it this week. Tibi’s whole collection really felt like a “building blocks of your wardrobe” type of collection. Proenza [Schouler] had those loud moments as well, but really at the backbone of it were really classic, timeless pieces.

    KC: At first glance, overall, there was a trend of quietness on the runway. Sometimes, you want to be shocked and awed by the visuals of it, but I do think the wearability element… I’m glad that designers are taking this into consideration, and it does feel like the runway to real way is not such a big gap anymore.

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    Madeline Hill

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  • How to Dress Like Sofia Richie

    How to Dress Like Sofia Richie

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    Sofia Richie-Grainge is the biggest style star of the year. After her internet-breaking wedding, she single-handedly put #OldMoney, #QuietLuxury style on the map — never mind that, as our favorite nepo baby, her wealth only goes back one generation to her father, Lionel Richie.


    What makes Sofia Richie’s style so compelling is that it’s timeless. Her outfits aren’t ruled by what everyone else is wearing. In a sea of identical-looking influencers, Sofia’s looks transcend trends. She creates trends.

    Her looks also feel accessible. Sure, not her full Chanel couture outfits, but many of her outfits revolve around simple formulas and tailored silhouettes with good materials. Like any of us, she likes a good designer brand. But she’s grown out of her logomania phases (we all had one) and favors looks that are more understated.

    The combination of all of this makes her the perfect aspirational fashion inspiration. Take it from me — someone who has been following Sofia’s style journey since her Tumblr 2013 era which was marked by Doc Martens and high-waisted shorts. Oh, how far we’ve all come.

    Now, a decade later, Sofia’s style has been making waves at New York Fashion Week. After hosting a private dinner to celebrate David Yurman’s new collection to open her Fashion Week schedule, she has been seen all around the city and on front rows making headlines.

    Of course, Fashion Week provides a wealth of sartorial inspiration. But Sofia’s consistent bangers are putting her head and shoulders above everyone else.

    Even if you can’t replicate the exact brands Sofia wears, here’s how to recreate some of her best transitional outfits to close out summer and ring in the fall.


    All products featured are independently selected by our editors. Things you buy through our links may earn us a commission.

    White Tee, Big Pants

    They say there are four outfit combos: tiny top with tiny pants; tiny top with big pants; big top with tiny pants; and big top with big pants. In this look, Sofia is making a case for the latter. With an oversized silhouette and a classic black and white palette, Sofia makes a classic look feel fresh and polished. Plus, I can’t get enough of that studded bag (hers is from Khaite).

    Nightgown as Outerwear

    I always say 90% of my wardrobe is literal boy’s clothes — hoodies and vintage jeans from the men’s section — and the other 10% is vintage sleepwear I wear as outerwear. From slip dresses to silk camis, I am always down for wearing nightwear outside. And now, in this Prada nightgown, the look is Sofia Richie-approved. She’s also making a case for the red accessories trend we’ve been seeing all fall.

    Tailored Suiting

    While I’m not advocating for us to bring back business casual in the club, I love adding a little bit of polish to a casual look. From oversized blazers to trousers, suiting is back in a big way.

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    LKC

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  • Everything Who What Wear Editors Saw, Wore, Did, and Ate During NYFW

    Everything Who What Wear Editors Saw, Wore, Did, and Ate During NYFW

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    Those who attend fashion week know this to be all too true: The days are long, but the week still seems to fly by in a split second. Now that New York Fashion Week has come to an official close, what better way to dish on everything that happened than through the lens of our very own editors? Throughout the past seven days, we saw a stunning array of spring 2024 collections, but despite the clothing that was the week’s primary objective, our team also indulged in a lot of incredible meals, took approximately 100 Uber, train, and bus rides, and, of course, wore plenty of trend-forward outfits throughout it all. 

    The week had us all up and down the isle of Manhattan and even over the river into Brooklyn and Roosevelt Island. We snapped plenty of pictures, texted plenty of group chats, and posted a veritable Instagram blitz on our feeds. Suffice it to say that our screen time has shot up to a scary degree. In other words, we did a lot. If you’ve ever wondered what a day in the life of a fashion editor attending NYFW is like, you’re about to get a taste because I tasked each attendee on our fashion team with reporting on the highlights of each day, from their favorite runway look to the pop culture thing that everyone was talking about to what they ate, drank, and wore. Continue on to read team Who What Wear’s fashion-week highlight reel.

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    Anna LaPlaca

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  • I Just Went to New York Fashion Week—Here’s Every Fall Trend I Saw IRL

    I Just Went to New York Fashion Week—Here’s Every Fall Trend I Saw IRL

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    Every fashion week, we’re reminded that the New York crowd knows how to dress—it’s evident through the street style. But if you’re still a bit dubious about how this city has the world beat, then let me highlight one last “trend” that dominated this season: low-key luxury. For the record, minimalism isn’t really a trend; it’s been around since the ’90s. But in recent months, we’ve seen wide adoption of a more laid-back approach to dressing this season. Partly, that shift can be attributed to wider cultural conversations around being a more thoughtful shopper and popular fashion aesthetics like “old money“, but my hunch is it’s more than that.

    New Yorkers have always known that great style can’t be bought; it’s curated. Yes, you can buy into every trend, but truly stylish people pick items they know will look good long past when they were photographed. It’s why we saw so many showgoers this season donning minimal staples like tube tops, slip skirts, button-downs, pencil skirts, and suits—because they’re timeless. It’s the wide adoption of all things low-key this season that reminds us New Yorkers always know how to take even the most “boring” wardrobe items and transform them into a moment. Keep scrolling to see how low-key luxury was styled this season… 

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    Jasmine Fox-Suliaman

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  • Behind Phillip Lim’s Joyful Return to New York Fashion Week

    Behind Phillip Lim’s Joyful Return to New York Fashion Week

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    “It’s like retraining for the fashion Olympics,” Phillip Lim says, 10 days ahead of his spring-summer 2024 show—and his return to the New York Fashion Week runways.

    After a four-year hiatus, Lim and his team feel like “novices again,” he tells Vanity Fair, breaking out into a giddy smile, over Zoom. “It’s a good feeling because it’s a renewed sense of this naivete that hopefully results in something that could be interesting…”

    Rewind to December 2019, when the designer decided to jump off the grueling hamster wheel. In January 2020, Lim told WWD he needed a break from the runway “to think about the act of joyful creation again, not just the hustle.” Instead, Lim threw an intimate fall 2020 presentation at his Great Jones Street store and opened the doors of the traditionally exclusive industry event to the public.

    Shaking his head, he admits he didn’t realize the breather would last through 12 more collections. Granted, no one expected a global pandemic, which would compel a social reckoning at home, with the Black Lives Matter marches in summer 2020 and rise in anti-Asian hate, emboldened by the racist and xenophobic rhetoric of the Trump White House.

    “At that time period, the idea of ‘what’s the next hemline?’ felt like the last thing you should think about,” Lim says, taking an inward look at what he, as an independent fashion designer with a significant following, could do for the community at-large.

    By Xin Wang.

    “You could, A: Choose to just sit, dwell, and cry,” he continues. “Or, B: You could actually wake up and see what was happening all around you and figure out how you use creativity, and your platform, to participate. I felt like I had to choose the latter.”

    Lim continued to present his collections at his flagship as he further explored the brand’s core values of community and diversity. In the ongoing quest to lessen waste and impact, Lim and brand president and CEO Wen Zhou streamlined the collections (resort 2021 featured 16 looks, down from the previous season’s 33), while exploring and growing sustainable practices, like working with closed-loop manufacturers, and increasing use of recycled fabrics.

    He also threw himself into an ongoing series of projects supporting AAPI and vulnerable communities in his brand’s birthplace of New York City. Lim helped raise $7 million for the AAPI Community fund and grew his 2019 cookbook, More Than Our Bellies, into a food-focused hub, with part of the merch sales going toward fighting food insecurity.

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    Fawnia Soo Hoo

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  • Inside Helmut Lang’s NYFW After-Party With Peter Do, Young Mazino, and What Felt Like All of New York

    Inside Helmut Lang’s NYFW After-Party With Peter Do, Young Mazino, and What Felt Like All of New York

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    Somewhere in the crush of revelers, actor, Beef hunk, and SZA music video star Young Mazino slouched with the bashful air of a newly crowned internet boyfriend. “This is my first Fashion Week, but I’m starting to understand that it goes deeper than the threads,” Mazino told me. He saw the show too, of course. “Towards the end, when they had everybody intertwining and intercrossing, it gave me nostalgia back to when I lived in New York and I would be out on a lunch break or walking in Flatiron or something—that frenetic and yet peaceful energy.”

    At the end of the room—past the beleaguered bartenders wiping their brows in their white epaulet-topped jackets, past some partiers being particularly cavalier about their auditory health, bobbing inches away from the speakers—I spotted the author Min Jin Lee holding court with Nam, Young, and some Samsung suits. I asked Lee, who was sporting a dress from Do’s eponymous label, what she thought of Vuong lending his prose and poetry to Helmut Lang. Do poetry and fashion mix?

    “The literary world has always been disdainful of commerce, for good reason, and yet I also believe that it’s deeply anti-feminist to not respect fashion,” Lee mused. “I think what I find difficult is the expense and the cost that’s prohibitive. However, the wish and the aspiration—I admire it and don’t in any way put it down.”

    As the night wore on, the question of Do’s attendance was raised. Might the notoriously private designer (not unlike Lang himself) prefer to skip the rager—or at least have the whole matter of a forthcoming Peter Do SS24 show in Paris to attend to? I ran into Vin Ho, one of the cofounders behind Do’s eponymous label, by the bar. Ho and Do had first met on Tumblr before launching the label with friends five years ago. So how did it feel to now watch his friend take on the big new job?

    “You have to put on different hats—as a friend, I’m so happy that [he] has this opportunity to show his talent on the global scale,” Ho told me. “One thing that I do really admire about Peter is that he also has a really keen sense on the business.” Then Ho smiled cheekily. “Maybe not the best, because I don’t know why we need, like, four-ply silk instead of two-ply.”

    Finally, just after midnight, fashion’s greatest hope himself walked in—or he tried to, at least. Do, still dressed in his black Helmut Lang lab coat and usual face mask, barely made it 10 feet into his own party before hesitating at the sight of the crowd. We ducked out near the coatroom to chat instead. What was his state of mind right then? “Sleepy,” the designer confessed, adding that he’d been awake for about three days straight and spent most of his show crying. “I feel like I’ve been sprinting for so long.” We spoke a bit about the collaboration with Vuong, which Do described as creating a “beautiful dialogue.” Back in the day, Lang famously collaborated with the artist Jenny Holzer, I noted. Was Vuong his Holzer? “I don’t want to compare him,” Do said of his friend, adding, “I love that in his writing, we are the heroes.”

    Finally, I asked what Do’s mother—whom Do seated in the front row and hugged after taking his bow—thought of the show. The designer told me about the dress she’d been wearing, which was featured in the collection. “She said it’s one of the most beautiful things she’s ever worn,” Do told me, the pride in his voice unmistakable. There are some reviews that simply matter more.

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    Delia Cai

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  • I Went to NYFW, and These Are the 6 Beauty Trends That Are Set to Dominate

    I Went to NYFW, and These Are the 6 Beauty Trends That Are Set to Dominate

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    When you think of fashion week, your mind may automatically jump to clothing. While it’s true that clothing is doubtlessly the focal point, as more and more beauty brands have become involved in fashion week, beauty has become an increasingly important aspect for designers to consider. Beauty can help designers express their vision and either complement or contrast the clothes to heighten their message. And just as the clothes shown set the forthcoming trends, the beauty looks we see at fashion week do the same.

    From backstages at New York Fashion Week this season, I watched beauty trends emerge before my eyes. While some beauty looks, like French manicures and slicked-back buns, seemed like they were further cementing themselves into the zeitgeist, newer trends, like goth-inspired glamour and metallic accents, felt like they were just breaking into the scene. Keep reading for the best beauty trends I saw this season at New York Fashion Week—plus some of the key products that were actually used to create them.

    Clearly, Wednesday-core is here to stay—and you can kiss goodbye to the “clean girl” aesthetic that dominated 2022. We’re going full goth this year, baby. Rodarte leaned into the trend with graphic liner and black lipstick. “We’re doing gothic fairies… more gothic than fairy,” Nars makeup lead James Kaliardos told Who What Wear. “For this show, we really wanted to do strong and bold makeup, linear eyeliner eyes with a dark black lip or a blue lip.”

    While Rodarte may have been the most overt example of gothic glamour, Adeam and Sandy Liang also leaned into the trend with deep, blood-toned lips. In the case of Adeam, shaggy hair and face jewelery also proved to be centerpieces of the looks.

    After years of many people categorizing French manicures as tacky, they’re now ubiquitous among the fashion set. This season, French tips are getting a face-lift: They’re bolder, more playful, and dare we say better than they’ve ever been before? 

    From her mosaic French nails at PatBo to gold tips at LoveShackFancy, Kiss brand ambassador Gina Edwards declares that the French is here to stay. “French is still on fire,” she said. “Everyone didn’t want to go near it, and now, it’s so explosive.” 

    At Proenza Schouler, Jin Soon Choi opted for a different take on French with a matte black gradient tip. “This collection is about portraits of women,” Choi told Who What Wear. “We decided to do a black ombré.” This nail perfectly showcased the modern femininity portrayed in the clothing.

    Silver, gold, rose gold—metallics are in. From entire faces painted with heavy metals to strategic flecks of sparkle, expect to start treating makeup like jewelry for your face. 

    Shows such as Thom Browne and Prabal Gurung took a more overt approach to this trend with splashes of metal that stood out. “The classic look for everybody is this golden, celestial, beautiful [look],” said lead makeup artist Isamaya Ffrench. “The characters are actually asteroids.”

    Other shows were more subdued, like the silvery moonlit highlights seen at Sandy Liang. “The look is inspired by sweet-but-psycho energy,” said international makeup artist Marcelo Gutierrez with Ilia Beauty. “They have this frosty, illuminated eye. It’s a sweet rock-and-roll look.”

    When it came to lips this season, the theme was ROYGBV—any and every color in the rainbow was fair game. From two-toned lips at Kim Shui to blue lips and black lips at Rodarte, we saw just about every combination possible. 

    Even classic red got a makeover this season. At Alice+Olivia, the theme was Americana, but Elyse Reneau, the executive director of global beauty at Too Faced, took it to the next level. “I was thinking Marilyn Monroe, that true red lip, the bombshell lip,” she said. The result? What she coins “cherry syrup lips,” a hyper-glossy red that she says looks like “Dorothy’s slippers.”

    TikTok’s favorite hairstyle isn’t going anywhere. Slicked-back buns are still the name of the game, with the sleek styles being by far the most pervasive hairstyle on the runways this season. This season’s ballet buns are sleek and neat, with shining examples seen at PatBo, Christian Siriano, and Jason Wu. 

    At Christian Siriano, classic buns got a floral twist. “We were inspired by the handcrafted floral accents found throughout the collection to echo this in the hair by creating a rose-like twist, with a ‘stem’ of hair weaving down the crown of the head, meeting the rose-like bun in the back,” says Lacy Redway, Unilever stylist and celebrity hair artist for Tresemmé.

    At Jason Wu, Jimmy Paul, hairstylist and Olaplex ambassador, payed homage to the ’90s with sleek, side-parted buns. These buns held the perfect tension between masculine and feminine, seamlessly complementing the collection.

    Braids are nothing new, but this season, we saw them reimagined. From floor-grazing plaits at Head of State to more sculptural iterations at Ulla Johnson and Tia Adeola, braids are entering their whimsical era. 

    At Head of State, Oribe principal artist of global design Kien Hoang created braids that mirrored the collection’s intention to convey designer Taofeek Abijako’s father’s immigration journey from Lagos, Nigeria. Hoang opted for sculptural braids with references to Lagos to create a throughline. 

    Head of State wasn’t the only show that drew hair inspiration from a specific place or moment in time—Tia Adeola did the same. “This season, we’re taking inspiration from the iconic ’90s Atlanta style, adding extra length and flair to our models’ tresses with long extensions and bold gel-sculpted curls,” says Mike Martinez of Cutler Salon with Bread Beauty. “The models selected perfectly embody this look, and we’re thrilled to pay homage to the Black film BAPS style while incorporating our own unique twists.”

    Next, Out of 67 “Best-Ever” Perfumes, Our Editors Tested and Chose the Top 15

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    Katie Berohn

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  • How Kate Hudson Got Ready for the Michael Kors Show

    How Kate Hudson Got Ready for the Michael Kors Show

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    How Kate Hudson Got Ready for the Michael Kors Show

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  • Inside Thom Browne’s Enchanting, Romantic Universe

    Inside Thom Browne’s Enchanting, Romantic Universe

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    Leave it to Thom Browne to go full-on romantic at his show, which took place on Valentine’s Day. The fanfare around the acclaimed designer, beloved for his theatrical and heady presentations, felt especially charged with love this season, as he headed stateside to New York Fashion Week for the first time in over two years.

    With each collection, Browne delves deeper into a fantasy. Upon entering The Shed, I immediately knew we were in for a treat when I spotted a massive white propellor plane crashed into a mound of Thom Browne-gray sand, with papier-mâché stars and moons above. It set the scene for a runway version of The Little Prince that clocked in at just over a half an hour, taking on the air of a play and delivering a dose of much-needed drama to the fashion week schedule.

    Thom Browne fall/winter 2023.

    Arturo Holmes//Getty Images

    Browne’s takeaway of the well-known story was the feeling that children know better than adults, as they see the world with unbiased, untainted eyes; his childlike sense of wonder was evident in the dramatic retelling of the story. Madame Debra Shaw played the pilot, with new face Alex Consani starring as the Prince, doe-eyed and unaware of his future fate. The so-called “planets” that the Prince visits entered, with six male models in richly embroidered sheath dresses depicting each planet. After, the “adults” appeared, clad in Browne’s signature suiting, complete with ginormous shoulders, rigorous tailoring, and bouclé tweeds and satin, all in the strict color palette he’s best known for: grey, red, blue, and navy.

    Then came the children, led by Jessica Stam, who is experiencing somewhat of a renaissance with her return to the runways, dressed in off-kilter, deconstructed suiting, corsetry, boning, and skirts—all slightly undone. Paisley clashed with plaids, which clashed with tartans, showing the innocent way children tend to get dressed, blissfully unaware of societal norms and fashion faux pas. Models teetered on massive platforms with clocks as heels; Browne’s dachshund-shaped bags and briefcases were also stamped with clocks. Anna Cleveland slithered in wearing an almost overwhelmingly beaded snake-like dress, attacking the Prince and prompting his demise. Precious Lee swooped in as the angel, to save the Prince and save the day, bringing him back to life and sending him back to his home planet.

    thom browne runway february 2023 new york fashion week

    Thom Browne hands a heart-shaped box of chocolates to his husband, Andrew Bolton.

    Arturo Holmes//Getty Images

    The sweetest end to the show came when Browne trotted out for his bow and brought a heart-shaped box of chocolates to his husband Andrew Bolton, who sat front row to cheer on his partner. The genuine ear-to-ear smile on Browne’s face as he shyly delivered the sweet gift drove home the genuine simplicity, beauty, and grace in creating from the heart and leading with love. To quote The Little Prince, “It is only with the heart that one can see rightly; what is essential is invisible to the eye.”

    Headshot of Kevin LeBlanc

    Kevin LeBlanc is the Fashion Associate at ELLE Magazine. He covers fashion news, trends, and anything to do with Robyn Rihanna Fenty.

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  • Gabriela Hearst Spins a Tale of Modern Essentials

    Gabriela Hearst Spins a Tale of Modern Essentials

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    Gabriela Hearst is never concerned about trends. In fact, she bucks the idea that fashion must follow them in order to be truly novel, and instead focuses on craft and art for the sake of the process. She believes that, when conceiving a collection, new ideas come about that lead to small change, as opposed to sweeping fads season after season. This time around, Hearst found herself sketching a rather “phallic” figure, and the next day, at the National Museum of Ireland, found a sketch by Irish architect Eileen Gray that was eerily similar to her own. Thus, fall/winter 2023 was born.

    This artistic synergy led Hearst down a rabbit hole of Gray, one of the most prolific female artists of the 20th century, and also one of the most forgotten. One of her landmark achievements, the E-1027 villa on the French Riviera, was famously desecrated by Le Corbusier at the behest of her former lover. Over the course of her long life, Gray delved into architecture, furniture design, and sculpture; long story short, any way she could create, she did. And her vision for modular modernity fits seamlessly into Hearst’s world of handicraft.

    Hearst opened the show with several clean suits, matching the definitive shapes of Gray’s work—her square-focused design ethos was directly translated into geometric cashmere knit dresses and lacquered totes. Elsewhere, the leathers Hearst presented this season were some of her most beautiful, again focusing on Gray’s square screen designs as well as her everyday dresser, featuring both symmetrical and overlapping squares to pay tribute to the look of overly populated cities.

    The show space boasted a remake of Spanish architect Ricardo Bofill’s “The City in Space,” another work of interlocking squares that envisioned the density of modern cities, but with every square marking a release of space and time developed. This particular aesthetic theme is something Hearst holds dear, looking towards the future, not with a solid, determined plan, but with the hope that innovation and passion for design will pave the way forward. The venue itself was composed of the replica artwork, which will be used for future projects, as well as deadstock from past seasons, and the floor will be donated to the non-profit Materials for the Arts to ensure that it’s used by artists in the future as well. Because creating just for creation’s sake is simply not Hearst’s prerogative.

    See all the looks from Gabriela Hearst’s fall/winter 2023 runway show, below.

    Headshot of Kevin LeBlanc

    Kevin LeBlanc is the Fashion Associate at ELLE Magazine. He covers fashion news, trends, and anything to do with Robyn Rihanna Fenty.

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  • I Ate My Heart Out at Brandon Maxwell

    I Ate My Heart Out at Brandon Maxwell

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    I had my first NYFW date with Brandon Maxwell yesterday, and I think things are getting serious.

    I’ll tell you the whole story.

    I step out of my painfully expensive Uber (the train was not an option with the shoes I was wearing) from Brooklyn into a crowd of completely uninterested photographers. They do not care if I live or die, and that is correct because I do not look good. The only good thing about the way I look is the Brandon Maxwell dress I was loaned, but it’s covered by my jacket because I’m cold. My hair is abysmal—I didn’t bring any hair tools with me to New York, so it’s flat but somehow also chaotic. I convince myself that this is actually chic and something a model would do. I’m lying to myself. I am genuinely relieved that I am completely invisible to the photographers as I waddle up the stairs and step into the world of Brandon Maxwell.

    The runway at Brandon Maxwell.

    Dimitrios Kambouris//Getty Images

    When I arrive at my seat, I stand there nervously for about five minutes trying to figure out how to swing my legs over to the other side of the bench, to face towards the fashion show. Remind you, I’m wearing a gorgeous floor-length body-con Brandon Maxwell dress and giant high heels, so there was no way this was going to go down elegantly. It blew my tiny Front Row Virgin mind to realize that I’m actually supposed to simply sit down and face the other direction, because the runway goes all the way around. It’s less of a stage, more of a runway. Learning this actually created a new neutral pathway in my brain.

    As I go to sit down with my big juicy mind, I notice that there’s a decorative silver heart-shaped package on the seat, which I interpret as a bizarre, small, and uncomfortable seat cushion. It’s fashion after all; if you’re comfortable, you’re doing it wrong, sweetie. I sit on the heart for a good amount of time before I hear the person next to me talking to her friend across the runway about what a cute touch the Valentine’s Day chocolates are. It dawns on me. This is not a bad seat cushion. This is a Valentine’s Day gift from the designer to his guests. And I’m the mayor of Clown Town.

    Knowing that I had to write this article had me feeling less like a fashionista and more like a journalist. I was desperate for the story. I take it all in—I’m in a carpeted warehouse (“cold on top, warm on the bottom” is a real note I took on my phone) surrounded by insanely good-looking, well-dressed people. I expected people to look good, but damn, this was next-level! I was shopping with my eyes. I need to buy 1,000 new things to be a woman operating in the fashion world. And the show hasn’t even started yet!

    brandon maxwell fall winter 2023

    Photo: Filippo Fior / Gorunway.com

    The lights dim. Arcade Fire plays. The girls come out. And one by one, they take my breath away.

    I need every single one of these looks in my closet yesterday. Each one would have me looking like the coolest girl in New York. I would never have to take them off! They would take you from day to night and back to day again. The classic neutral colors and fresh takes on timeless silhouettes and lines had my heart. The through line of the silver sparkly clusters added such a fun and exciting touch to the endlessly chic pieces.

    Is there a word for when the models all come out and walk together at the end? I loved that part. Seeing them all smiling and laughing together put me at ease. It can be frightening to see a model in real life…

    brandon maxwell runway fallwinter 2023 2024 new york fashion week

    Brandon Maxwell atelier workers walk the runway.

    Getty Images

    When the atelier workers walked at the very end, I got emotional, and that is something I need to sit with. I think it was because I remembered how much work and heart goes into a production like this, and how lucky I am to just fly in, sit on my chocolate, and enjoy the final product in the blink of an eye.

    And just like that, the show was over. I head back outside, past the photographers, and back into an Uber. On my way home, I ordered a hair drier brush and ate my box of chocolates. Best Valentine’s Day ever.

    Headshot of Geraldine Viswanathan

    Geraldine Viswanathan is an actress who has starred in films such as Blockers, Hala, and Bad Education. She also plays a recurring role on the TBS anthology comedy series Miracle Workers

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  • The Ulla Johnson of It All

    The Ulla Johnson of It All

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    When I tell you that it was absolutely kismet that Robyn Rihanna Fenty, The First of Her Name, Queen of the Bops, Protector of My Edges, Muva of Being Unapologetically Black, and the Khalessi of Barbados and Beyond, revealed her baby bump on national television during Super Bowl LVII the SAME DAY that I, Phoebe Lynn Robinson, concealed my baby bump in Ulla Johnson’s fashionable yet comfortable black Polline dress at the designer’s New York Fashion Week show, I’m not exaggerating.

    Okay, fine! Rihanna is carrying a growing human inside of her. Meanwhile, I was carrying a food baby comprised of an overpriced, carb-heavy breakfast that left me gassy and most likely (1,000 percent definitely) had me crop-dusting the fashion elite as I was leaving Hudson Yards with basically my reparations during Black History Month. So, thanks, Martin Luther King Jr., for all you have done. It was worth it! ANYWAY, the point is, Rihanna and I are practically the same. Let me have this! You know what else I want to have? Literally one of everything made by the eponymous shero designer of the day: Ulla Johnson.

    Ulla Johnson at her fall/winter 2023 show.

    JP Yim//Getty Images

    First, let’s set the scene. While it is not my first time sitting front row at a fashion show, it was my first time sitting front row where nothing felt labored. Maybe that had something to do with the venue, The Spiral, but I think it’s just that Johnson embodies the phrase “like attracts like.” The cool was effortless. The unique feminine energy was palpable. Joy was in the air. As someone who has worn Johnson’s clothes a lot over the years, I’m well-versed in the fact that her designs are celebratory. She can give us an aspirational yet grounded blueprint of what a woman can be: chic and eye-catching, with a kind of self-assuredness that can only come when the confidence is within and radiates out. To be immersed in that atmosphere on a buzzy Sunday morning is a great feeling. To be sitting near Katie Holmes, Lily Allen, and Karla Welch—a triptych of delightfulness—was a treat. But the best part was Johnson’s phenomenal show.

    ulla johnson fall winter 2023

    Satin tulip skirts.

    Filippo Fior

    We all know her penchant for a delicious pattern or an expertly executed puff sleeve, so I love how Johnson honored her signatures while showing her range. We knew we were in for something special when Black Belt Eagle Scout emerged as regal badasses and set the tone of the show with powerful rock music. There was a steady stream of fantastic separates (the satin tulip skirts with tastefully done slits are a personal favorite), billowing full-length dresses, crochet knit slips, and must-have suede fringe kitten heel slingbacks. Vibrant colors popped up in pieces such as the emerald one-shoulder brocade dress or the marigold pleated satin skirt. Well-defined waists in belted jackets and playful full-length puffer coats were great touches.

    No matter the outfit, Johnson made sure there was plenty of visual intrigue without being overwhelming. Are you gonna get a ruffled button shirt? Um, duh! Will you be served a full lewk of mixed prints and patterns? Hell yeah, so eat it up! Are there also going to be models in an array of skin tone and sizes? Hallelujah! And I wasn’t the only one loving it. Again, the folks at the show were cool, so it was less, “Yas queen!” and more sassy smirks that translate to “Ulla Johnson is about to get all my coins.” And she deserves it! The clothes are made with love and the show was full of it.

    ulla johnson fall winter 2023

    A model walks the runway.

    Filippo Fior

    Honestly, I didn’t want the show to be over. It was so wonderful to be in the presence of such artistry. But alas, like all wonderful things, it had to come to an end. And when I stood upon the richly patterned carpet and soaked in my final moments of what I had just witnessed, I put on Johnson’s Adira shearling coat, and Katie Holmes sweetly asked, “Excuse me, is this your phone?” knowing there are fewer scary modern-day technological nightmares than losing one’s phone out in the concrete jungle. Holmes had my Ulla Johnson-covered back. I can’t think of a better front row experience.

    Headshot of Phoebe Robinson

    Actor-comedian-producer Phoebe Robinson is best known as the co-creator and co-star of the HBO limited series 2 Dope Queens. She’s also a New York Times best-selling author of the books You Can’t Touch My Hair and Other Things I Still Have to Explain and Everything’s Trash, But It’s Okay. Phoebe has starred in the movies Ibiza and What Men Want, and was moderator on Michelle Obama’s international Becoming book tour. Most recently, Phoebe launched Tiny Reparations, a production company under ABC Signature, whose first project was a talk show entitled Doing the Most with Phoebe Robinson that premiered April 2021on Comedy Central. Her first one-hour stand up special will premiere in Fall 2021 on HBO Max. Her next book, Please Don’t Sit On My Bed In Your Outside Clothes, will be the first essay collection debuting on her newly formed literary imprint, Tiny Reparations Books, on Sept. 28, 2021.

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  • NYFW Day 1:

    NYFW Day 1:

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    Back by popular demand: here’s what went down each day at New York Fashion Week.

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  • The Demi Ramos Show: Kim Shui

    The Demi Ramos Show: Kim Shui

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    Designer and celebrity stylist Kim Shui has worked with some of the biggest names in pop culture. Lizzo, Kylie Jenner, and Megan Fox have all called upon her for a signature look. Shui’s brand is one of the hottest fashion houses in the industry and one of the toughest tickets during New York Fashion Week.


    Shui has known Demi Ramos for years. Ramos walked as a model in two of Shui’s runway shows, and they have become close friends.

    In this episode, the two talk about Shui’s rise, dressing celebrities, and what influences her personal style.

    For more from Kim Shui, follow Kim Shui Studio on Instagram and TikTok.

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