ReportWire

Tag: nudity

  • Joel Kim Booster Hopes People Write Fan Fiction About His Naked ‘Industry’ Sauna Scene

    Joel Kim Booster Hopes People Write Fan Fiction About His Naked ‘Industry’ Sauna Scene

    [ad_1]

    Joel Kim Booster is well aware that showing skin is part of his personal brand. In his 2022 Netflix comedy special, Psychosexual, Booster jokes about having his nudes readily available on the internet, quipping that he still sends naked photos of himself out “with reckless abandon.” However, the Loot and Fire Island star didn’t expect that his reckless abandon would lead to a steamy guest-starring role on the third episode of the third season of HBO’s breakout series Industry, created by Konrad Kay and Mickey Down.

    “This never happens to me, but they came to me with this role,” Booster says. In episode three, “It,” Booster guest stars as Frank Wade, a Pierpoint employee in the equity research division who has to publish a buy-or-sell recommendation on Lumi, the green energy company run by Kit Harington’s Henry Muck, which recently IPO’d.

    A fan of Industry since it premiered in 2021, Booster tells me that he’s “never had an easier time” booking an acting role than on the series. “The boys are apparently fans,” Booster says, of Kay and Down. “They had this part written and they came to me and said, ‘There’s this creep in a steam room and we immediately thought of you.’ I guess the brand is strong.”

    The steam room wound up becoming a sauna, where Pierpoint banker Rob, played by Harry Lawtey, flirts with Frank in the hopes of influencing his buy-sell recommendation. Their cackling chemistry is reminiscent of the sauna scene in Challengers between Mike Faist and Josh O’Connor except for one major difference—Booster is completely naked. “They said very early on that this would be a requirement,” he says. “It was included with the offer, like, ‘Are you cool with that?’”

    He was so cool with it, in fact, that Booster says it wasn’t even the most nerve-wracking part about the shoot. “I was more nervous about stepping into a prestige HBO drama than I was about the nudity, because the nudity is pretty par for the course for me in my everyday life,” says Booster. “Professionally, this was a big deal for me to be taken seriously as an actor and have people believe that I can do a pretty grounded, dramatic, serious part that’s not comedy heavy. I’m really grateful for that opportunity.”

    Over the phone, Booster chats about the trickiness of looking hot while sitting, working with Lawtey, and what he believes really went down in the sauna.

    Vanity Fair: So, let’s talk about your big scene, which happens to take place in a sauna when you’re butt naked.

    Joel Kim Booster: You know what’s so funny to me? This is not the first interview I have done about my brief appearance on Industry, and you are the only person who’s asked about this scene in particular, explicitly. It’s like, ‘Guys, I’m a one-episode guest star. I have a one episode arc on this show where I’m in approximately three scenes and you are not going to ask me about the reason you really want to interview me about this episode?’ The reason it’s a big deal is because I’m doing full-frontal for the first time. Let’s be real.

    Did you have to think about whether to say yes at all?

    I didn’t think about it at all when I initially said yes. It was an exciting opportunity to do something really different. And as I famously said in my Netflix special, my nudes are out there. If you want to see me naked, it’s readily available if you know the correct search terms and dark web websites to visit. And I continue to this day to send out my naked pictures of myself to random strangers frequently. So it didn’t seem like that big a deal at first to do it, at first I would say.

    Take me to the actual moment where you’re on set, and it’s time, and the camera’s about to roll. How did that feel?

    It is crazy because it didn’t really dawn on me until right before we shot. All of my nudes that have leaked online previously, it is my hard penis, okay? With a flaccid penis, there’s a lot of variables at play. It can look a lot of different ways. Stress is a big factor in that. I woke up and I was like, ‘I cannot think about this because the more I think about this, the more I will spiral.’ And then you lose control of what’s going on down there. I will say Harry Lawtey, who plays Robert on the show, is who I filmed the bulk of my scenes with. [He was] so nice, so welcoming, made me feel truly a part of the team at Industry. He has also been in my position doing full-frontal, and I couldn’t have had a better scene partner who put me at ease and just really made me able to focus on actually doing that scene and not be thinking about what’s going on downstairs.

    [ad_2]

    Chris Murphy

    Source link

  • Twitch Bans Implied Nakedness In Response To ‘Nudity Meta’

    Twitch Bans Implied Nakedness In Response To ‘Nudity Meta’

    [ad_1]

    As December 2023 was underway, some streamers cleverly thought to play around with Twitch’s restrictions around nudity, broadcasting in such a fashion that implied they were completely naked on camera. Twitch, in response, began banning folks before shifting gears to allow various forms of “artistic nudity” to proliferate on the platform. However, after immediately rescinding the decision and expressing that being naked while livestreaming is a no-no, the company is now making it clear that implied nudity is also forbidden, and that anyone who tries to circumvent the rules will face disciplinary action.

    Lego Star Wars: The Skywalker Saga’s Air Combos Make Me Feel Skilled AF

    Read More: Twitch Allows ‘Artistic Nudity,’ Immediately Regrets It

    In a January 3 blog post, the company laid out the new guidelines regarding implied nudity on the platform, which is now prohibited effective immediately. Anyone who shows skin that the rules deem should be covered—think genitals, nipples “for those who present as women,” and the like—will face “an enforcement action,” though Twitch didn’t specify what that means. So, if you’re wearing sheer or partially see-through clothing, or use black bars to cover your private parts, then you’re more than likely to get hit with some sort of discipline.

    “We don’t permit streamers to be fully or partially nude, including exposing genitals or buttocks. Nor do we permit streamers to imply or suggest that they are fully or partially nude, including, but not limited to, covering breasts or genitals with objects or censor bars,” the company said in the blog post. “We do not permit the visible outline of genitals, even when covered. Broadcasting nude or partially nude minors is always prohibited, regardless of context. For those who present as women, we ask that you cover your nipples and do not expose underbust. Cleavage is unrestricted as long as these coverage requirements are met and it is clear that the streamer is wearing clothing. For all streamers, you must cover the area extending from your hips to the bottom of your pelvis and buttocks.”

    The company said that livestreamers must continue to appropriately categorize their broadcasts in response to this policy change. There is one exception, though. Content creators who classify their streams under the “Pools, Hot Tubs, and Beaches” category are allowed to wear things like bathing suits “as long as [the attire] completely covers the genitals,” the company outlined in its community guidelines. Still, streamers must follow the rules of not exposing themselves. Or else. As Twitch made it clear in the January 3 blog post, this adjustment to clothing rules on the platform comes hot on the heels of the nudity meta that dominated livestreams throughout December 2023.

    Wait, Nudity Was Twitch’s New Meta?

    At the beginning of December, some streamers, including Morgpie and LivStixs, began broadcasting in what appeared to be the complete nude. In actuality, these content creators were implying nudity by positioning their cameras at the right angle so as to show plenty of unobscured cleavage but keep nipples out of sight. “Artistic nudity” is what it was called and, as the meta took over the platform, Twitch conceded, allowing such nakedness to proliferate all over livestreams.

    Unfortunately, as things heated up and content creators took it to the extreme by going fully naked on camera—save for black censor bars or carefully placed objects blocking out their private parts—the platform said enough is enough and immediately rescinded the policy change. Now, in this new update, the company is explicitly banning implied nudity and preparing to discipline any streamer who falls out of line.

    Kotaku reached out to Twitch for comment.

    Read More: Twitch Abandons Bad Ad Changes After Streamer Freak Out

    Company CEO Dan Clancy said on December 15 that “depictions of real or fictional nudity won’t be allowed on Twitch, regardless of the medium.” He also apologized for the confusion this whole situation has caused, saying that part of Twitch’s job is “to make adjustments that serve the community.” So be careful, streamers. If you show up nude on the platform, Twitch will come for you.

    [ad_2]

    Levi Winslow

    Source link

  • Emerald Fennell explains why Saltburn’s ending had to be so… naked

    Emerald Fennell explains why Saltburn’s ending had to be so… naked

    [ad_1]

    Saltburn has shaped up as one of 2023’s most divisive love-it-or-hate-it movies. Emerald Fennell’s follow-up to her 2020 writer-director debut, Promising Young Woman, is radically different from that movie in look and tone, but her talent for pushing boundaries and demanding a response is still front and center, and Saltburn is the kind of button-pusher that generally either thrills people or makes them angry. Critics have responded both ways: “Superficially smart and deeply stupid,” Mick LaSalle grumps in the San Francisco Chronicle, while Entertainment Weekly’s Maureen Lee Lenker calls it “a triumph of the cinema of excess, in all its orgiastic, unapologetic glory.”

    And one of the most divisive elements is the ending, which can be read equally as sly art or rank titillation, depending on how you feel about full-frontal male nudity. Polygon dug into it in an interview with Fennell shortly before the movie’s release.

    [Ed. note: End spoilers for Saltburn follow.]

    Image: Prime

    In the movie, hungry social climber Oliver (Barry Keoghan) gradually becomes close to his rich, popular Oxford classmate Felix Catton (Priscilla co-star Jacob Elordi), who brings Oliver to his immense family estate, Saltburn, and introduces him to his family. Felix’s elitist, removed parents, Sir James Catton (Richard E. Grant) and Elspeth Catton (Rosamund Pike), make a hollow show of welcoming Oliver. But Felix’s jaded sister, Venetia (Alison Oliver), clearly sees him as a new toy, and Felix’s vicious, jealous cousin Farleigh (Archie Madekwe) sees him as a rival and an unwelcome upstart.

    As it happens, Farleigh is right — Oliver is lying about virtually everything that brought him together with Felix. He invented a family tragedy to make himself a tragic and dramatic figure. A series of flashbacks shows how Oliver engineered their early relationship by pretending to be penniless when he had plenty of money, and by sabotaging Felix’s bike in order to “help” when it broke down.

    The later parts of their relationship are even darker: Felix appears to die in an unclear accident, and Venetia appears to kill herself out of grief. But further flashbacks show that Oliver murdered both of them, out of fear of being ejected from Saltburn, and resentment for the way they’ve both rejected him. It’s also clear that he sets Farleigh up to be disinherited, then poisons Elspeth after James dies, all in order to inherit Saltburn himself.

    And in the final scene, Keoghan dances through the estate, stark naked and triumphant, waggling his ass to Sophie Ellis-Bextor’s “Murder on the Dancefloor,” and presiding over a sad little row of memorial stones with the family members’ names on them, dredged up from the estate’s waterways to form a kind of ritual audience for his dance.

    “The movie always ended with Oliver walking naked through the house,” Fennell tells Polygon. “It’s an act of desecration. It’s also an act of territory, taking on ownership, but it’s solitary.”

    Oliver (Barry Keoghan) and Felix Catton (Jacob Elordi), in tuxes, sit together on a small stone bridge over a pond with Venetia (Alison Oliver) standing nearby in Saltburn

    Photo: Chiabella James/Prime Video

    As viewers watch the scene, Fennell wants them to notice Oliver’s path through the house, which is a reversal of his entry to the house earlier in the film. When Felix introduces Oliver to Saltburn with a small tour, it’s an invitation to a place that doesn’t belong to him. And when he does his dance, he’s following that same path in reverse, this time boldly claiming the space instead of shyly tiptoeing into it.

    “The nudity is an act of ownership,” she says. “It wouldn’t be the same if he’s just walking through the house in his pajamas. It’s that he’s walking through his house. It’s his fucking house, and he can do whatever he wants to with it. And that’s what makes it thrilling and beautiful.”

    The original script had Oliver symbolically claiming the house by walking through it, but Fennell says something about the scene as she’d planned it didn’t sit well with her. “It just became apparent as we were filming it that the naked walk was not really going to have the feeling of triumph and joy, elation and post-coital success [I wanted]. It felt lonely and sort of empty. It speaks to Barry that when I said to him, ‘I don’t think it can be a walk, I think it needs to be a dance,’ — that’s the thing about Barry as a performer. He profoundly understood and completely agreed, and knew it had to be that way. There really wasn’t another way we could do it, given the film we’d just seen. To me, it feels like the ultimate sympathy for the devil.”

    Fennell has already talked about how Saltburn simultaneously has sympathy for everyone in the film, and for no one — there are no outright villains in the story, in her opinion, just people with understandably flawed ways of looking at the world. That perspective helped her sympathize with Oliver at the end, which she hopes the audience will do as well, even though he’s an unrepentant murderer.

    “We have to be on his side at the end,” she says. “It’s crucial that the more violent he is, the more cruel, the more he plays them at their own game, the more we love him, even though we loved them, too. We have to feel at the end, like, ‘Yeah, yeah, get it.’ The way Oliver gets it is the way the Cattons would have got it in the first place. How do people build these houses? How do they make these houses? They’re built by violent means and got by violent means. So that’s where it ends as well.”

    Saltburn is in theaters now.

    [ad_2]

    Tasha Robinson

    Source link