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Tag: november

  • Video purportedly shows ex-Angel City FC player flashing Nazi salute at pro-Israel rally in Beverly Hills

    Video purportedly shows ex-Angel City FC player flashing Nazi salute at pro-Israel rally in Beverly Hills

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    Angel City FC has condemned the “recent actions and statements” of a former player who appears to be captured in a video giving a Nazi salute at pro-Israel demonstrators Sunday in Beverly Hills.

    Stefany Ferrer Van Ginkel is shown shouting “Heil Hitler!” and giving the Sieg Heil salute out of the passenger side window of a car driven by a man, according to a video posted on X on Monday by the watchdog group StopAntisemitism.

    Members of the pro-Israel crowd responded with, “Shame on you!”

    The StopAntisemitism group asked for help in identifying the two people in the vehicle. That evening, it posted an update identifying the woman as “Stefany Neyra.”

    A spokesperson for StopAntisemitism told The Times via email that the information was sent to the organization by a confidential source.

    Ferrer Van Ginkel seems to have gone by the name Stefany C. Neyra on her social media accounts, which have since been deactivated. StopAntisemitism posted a screenshot of an Instagram account with the Neyra name and the handle @stefvangi21 that included photos that appear to be of Ferrer Van Ginkel. She could not immediately be reached for comment.

    As tensions over the Israel-Hamas war continue to intensify in the U.S., Angel City FC attempted to distance itself from Ferrer Van Ginkel with a post on X on Monday night.

    “Stefany Ferrer Van Ginkel (stefvangi21) does not play for Angel City Football Club, nor has she been affiliated with the club since November 2022,” the club wrote. “We condemn her recent actions and statements.”

    In response to further questions for this article, Angel City FC referred The Times back to that statement.

    Ferrer Van Ginkel posted a video to Instagram on Monday night, before the account was deactivated, that appeared to address the incident at the rally. In the clip, Ferrer Van Ginkel sits silently next to a man, who offers an apology on behalf of both of them.

    “I know we have approached the situation with hate and made it worse with our actions,” the man says in the video. “We acted childish and it’s the wrong way to approach any situation that we live in. All we can do is become better, learn a lesson from this. We cannot change the past. And we just wanted to apologize and ask for you guys to understand and stop the hate. We just wanna spread love from now on. We understand we did the wrong thing.”

    Ferrer Van Ginkel, 25, grew up in Brazil, appeared in a British reality show and played with Tigres of Mexico’s Liga MX Femenil before playing for Angel City during its inaugural season in 2022. Her contract was not renewed after that campaign, and she does not seem to have played professionally since then.

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    Chuck Schilken

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  • ‘Mansion tax’ prevails in court as judge dismisses lawsuit challenging Measure ULA

    ‘Mansion tax’ prevails in court as judge dismisses lawsuit challenging Measure ULA

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    An L.A. County judge dismissed a lawsuit challenging L.A.’s “mansion tax” on Tuesday, marking the end of a months-long legal challenge from the luxury real estate community that looked to declare the measure unconstitutional.

    The transfer tax known as Measure ULA was passed in November and took effect April 1, bringing a 4% charge on all residential and commercial real estate sales in the city above $5 million and a 5.5% charge on sales above $10 million, pumping millions into housing and homelessness-prevention efforts.

    Los Angeles County Superior Court Judge Barbara Scheper issued a tentative ruling dismissing the challenge on Monday after hearing arguments from both sides, and she officially dismissed the lawsuit on Tuesday, according to court documents.

    The ruling is a big win for housing activists, who say that L.A. desperately needs the money raised by the tax.

    “This is a great day for Los Angeles,” said Joe Donlin, who serves as director of the United to House LA coalition, which brought the measure onto the ballot in November. “The judge’s ruling confirms what we knew all along: ULA is the law of the land and it’s the will of the people. And it reminds us of the power of the people to shape our city’s future for the good.”

    Donlin said he was surprised the ruling came out so soon.

    “Before the hearing, we thought it might take weeks or months, but this was a positive sign that the judge didn’t feel compelled by the plaintiff’s arguments,” he said.

    Advocates for Measure ULA gather outside Stanley Mosk Courthouse in downtown L.A. on Monday. A judge on Tuesday dismissed a lawsuit challenging the measure.

    (United to House LA)

    Greg Bonett, senior staff attorney for the Public Counsel who worked to defend the measure, applauded the decision, calling it “a resounding victory for the power of the people to initiate transformative solutions to address our city’s housing and homelessness crises.”

    The judge’s ruling is a blow for many in the luxury real estate community, who claim that the transfer tax has frozen the market and stifled development.

    Keith Fromm, an attorney for Newcastle Courtyards, one of two groups challenging the measure, said he plans to appeal the decision.

    “The order contains numerous errors of law which the appellate courts will hopefully recognize and correct,” Fromm said. “The ruling is simply one step in a very long journey to justice.”

    The legal battle — which was headed by two main groups: Newcastle and Howard Jarvis Taxpayers Assn. — became a national conversation, as other cities looked to L.A. to see how it would implement such a tax.

    Other cities such as San Francisco, New York City and Culver City have implemented transfer taxes, but L.A.’s is unique in scope and scale, not just taxing home sales but all property sales above $5 million.

    Voters approved the measure with a 57% majority in November, and the tax became a hot-button issue immediately after.

    Advocates argue that the tax is a way for luxury property owners to contribute to solving L.A.’s housing crisis, while opponents say it discourages development and pushes owners out of L.A. and into cities that don’t have the tax, such as Beverly Hills, West Hollywood or Santa Monica.

    “With Measure ULA, we are now going to lose billions of dollars every year in economic development and property tax revenue in order to raise less than $500 million through the tax,” said Jason Oppenheim, a real estate agent with the Oppenheim Group and star of Netflix’s “Selling Sunset.”

    The luxury real estate market froze in the months after the measure took effect, as many luxury homeowners looked to find loopholes to avoid paying the tax. Many hired accountants to find workarounds, such as dividing their homes into three parcels and selling them separately to stay under the $5-million threshold at which the tax kicks in.

    Many homeowners held off on selling their homes, hoping the lawsuit would overturn the tax. As a result, funds raised by the tax have fallen dramatically short of original projections since sales have slowed.

    In November, proponents of the tax estimated it would raise roughly $900 million a year. In March, a report from the city administrative officer lowered that number to $672 million. Then in April, Mayor Karen Bass’s first budget proposal, a $13.1-billion plan, included only $150 million in projected revenue from Measure ULA.

    The number was chosen out of caution, as the city wanted to funnel as much money as possible toward housing and homelessness issues but not so much that it wouldn’t be able to pay it back if the measure were ruled unconstitutional.

    But with the court’s latest ruling, spending will likely increase.

    On Wednesday, the L.A. City Council’s budget, finance and innovation Committee will meet to discuss the implementation process, and the ULA coalition will propose that $12 million be reallocated to short-term emergency assistance for renters.

    In August, the City Council passed a $150-million spending plan for funds raised by Measure ULA. It was the first time funds were specifically allocated since the tax was passed in November, and the plan sent money to six programs: short-term emergency rental assistance, eviction defense, tenant outreach and education, direct cash assistance for low-income seniors and people with disabilities, tenant protections and affordable housing production.

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    Jack Flemming

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  • The 10 Best Movies Added To Netflix In November 2022

    The 10 Best Movies Added To Netflix In November 2022

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    Of all the streaming platforms, Netflix
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    is by far the most active. From week to week, month to month, the world’s most viral streaming service adds lots and lots of new movies to its digital library.

    Which makes choosing a movie…well. Difficult. But hopefully I can help. I scoured through every new movie that’s new to Netflix so far in November and picked out ten of my favorites. In this article, I’ll go through each one of them.

    Training Day

    Police drama about a veteran officer who escorts a rookie on his first day with the LAPD’s tough inner-city narcotics unit. “Training Day” is a blistering action drama that asks the audience to decide what is necessary, what is heroic and what crosses the line in the harrowing gray zone of fighting urban crime. Does law-abiding law enforcement come at the expense of justice and public safety? If so, do we demand safe streets at any cost?

    Still Alice

    Dr. Alice Howland (Julianne Moore) is a renowned linguistics professor at Columbia University. When words begin to escape her and she starts becoming lost on her daily jogs, Alice must come face-to-face with a devastating diagnosis: early-onset Alzheimer’s disease. As the once-vibrant woman struggles to hang on to her sense of self for as long as possible, Alice’s three grown children must watch helplessly as their mother disappears more and more with each passing day.

    Up in the Air

    An idea from a young, new co-worker (Anna Kendrick) would put an end to the constant travel of corporate downsizer Ryan Bingham (George Clooney), so he takes her on a tour to demonstrate the importance of face-to-face meetings with those they must fire. While mentoring his colleague, he arranges hookups with another frequent-flier (Vera Farmiga), and his developing feelings for the woman prompt him to see others in a new light.

    Notting Hill

    William Thacker (Hugh Grant) is a London bookstore owner whose humdrum existence is thrown into romantic turmoil when famous American actress Anna Scott (Julia Roberts) appears in his shop. A chance encounter over spilled orange juice leads to a kiss that blossoms into a full-blown affair. As the average bloke and glamorous movie star draw closer and closer together, they struggle to reconcile their radically different lifestyles in the name of love.

    The Legend of Zorro

    A secret society, the Knights of Aragon, seeks to keep the United States from achieving manifest destiny — and only the legendary Zorro (Antonio Banderas) can stop them. Unfortunately, Zorro, also known as Don Alejandro de la Vega, has problems of his own: His wife, Elena (Catherine Zeta-Jones), is divorcing him for spending too much time pursuing heroics and not enough being a father to their young son. But it isn’t long before the whole family gets caught up in stopping the Knights.

    The Bad Guys

    After a lifetime of legendary heists, notorious criminals Mr. Wolf, Mr. Snake, Mr. Piranha, Mr. Shark and Ms. Tarantula are finally caught. To avoid a prison sentence, the animal outlaws must pull off their most challenging con yet — becoming model citizens. Under the tutelage of their mentor, Professor Marmalade, the dubious gang sets out to fool the world that they’re turning good.

    Man on a Ledge

    When disgraced ex-cop Nick Cassidy (Sam Worthington) steps onto the ledge of the highest floor of New York’s famous Roosevelt Hotel, more than just his life is at risk; he threatens to bring the city to its knees. There are some very nervous people around with some very big secrets to hide. As police negotiator Lydia Spencer (Elizabeth Banks) tries to talk Nick in from the ledge, she begins to suspect that he has an ulterior motive behind his actions.

    Enola Holmes 2

    Enola Holmes takes on her first case as a detective, but to unravel the mystery of a missing girl, she’ll need some help from friends — and brother Sherlock.

    Moneyball

    Billy Beane (Brad Pitt), general manager of the Oakland A’s, one day has an epiphany: Baseball’s conventional wisdom is all wrong. Faced with a tight budget, Beane must reinvent his team by outsmarting the richer ball clubs. Joining forces with Ivy League graduate Peter Brand (Jonah Hill), Beane prepares to challenge old-school traditions. He recruits bargain-bin players whom the scouts have labeled as flawed, but have game-winning potential. Based on the book by Michael Lewis.

    The Bodyguard

    Best-selling pop diva Rachel Marron (Whitney Houston) has a stalker whose obsession has risen to the level of disturbing threats. At the urging of her manager (Gary Kemp), Rachel hires former secret service agent Frank Farmer (Kevin Costner) as her bodyguard. Initially resented and treated with disdain for his hard-nosed security procedures, Farmer soon becomes an integral part of Rachel’s inner circle. As they spend more time together, client and protector become closer still.

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    Travis Bean, Contributor

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  • As subscription prices rise, here’s what’s worth streaming in November 2022: ‘The Crown,’ ‘Willow,’ ‘Mythic Quest’ and more

    As subscription prices rise, here’s what’s worth streaming in November 2022: ‘The Crown,’ ‘Willow,’ ‘Mythic Quest’ and more

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    So here’s some bad news and some, well, slightly less bad news.

    First, the bad-bad: Streaming prices are increasing almost across the board (Hulu and Apple TV+ rose in October, Disney+ will rise in December, while Netflix and Prime Video rose earlier this year), putting even more of a crunch on budget-conscious consumers.

    But now the less bad: If you can put up with commercials, there are cheaper, ad-supported versions coming your way (Netflix on Nov. 3, Disney+ in December).

    Of course, the other money-saving solution is to double down on a churn-and-return strategy and cut down on recurring subscriptions even more.

    Each month, this column offers tips on how to maximize your streaming and your budget, rating the major services as a “play,” “pause” or “stop” — similar to investment analysts’ traditional ratings of buy, hold and sell. We also pick the best content to help you make your monthly decisions.

    Consumers can take full advantage of cord-cutting by churning and returning — adding and dropping streaming services each month. All it takes is good planning. Keep in mind that a billing cycle starts when you sign up, not necessarily at the beginning of the month, and keep an eye out for lower-priced tiers, limited-time discounts, free trials and cost-saving bundles. There are a lot of offers out there, but the deals don’t last forever.

    Here’s a look at what’s coming to the various streaming services in November 2022, and what’s really worth the monthly subscription fee.

    Netflix ($6.99 a month for basic with ads starting Nov. 3, $9.99 basic without ads, $15.49 standard without ads, $19.99 premium without ads)

    Netflix has another really good month coming up.

     “The Crown” (Nov. 9), returns for its fifth season, set this time in the 1990s as scandals involving Charles and Diana plaster London’s tabloids and the role of Britain’s monarchy in modern society is thrown into question. Imelda Staunton takes over the role of Queen Elizabeth, with Dominic West as Prince Charles, Elizabeth Debicki as Princess Diana and Jonathan Pryce as Prince Philip. Controversy has already erupted over the new season, which will include Diana’s tragic death, as some have spoken out about the show’s increasingly blurry line between truth and fiction. Pryce recently told Vanity Fair, ““The vast majority of people know it’s a drama,” not a documentary. And it’s a pretty good drama.

    Netflix
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    hasn’t had much success developing original sitcoms, but is hoping to finally break through with “Blockbuster” (Nov. 3), a workplace comedy set at the last Blockbuster video store in America, starring network sitcom veterans Randall Park (“Fresh Off the Boat”) and Melissa Fumero (“Brooklyn Nine-Nine”). There’s also “Wednesday” (Nov. 23), a horror-comedy series from Tim Burton starring Jenna Ortega as the terrifyingly snarky teen Wednesday Addams, with Catherine Zeta-Jones and Luis Guzman playing her creepy and kooky parents, Morticia and Gomez; and the third and final season of the dark comedy “Dead to Me” (Nov. 17), starring Christina Applegate and Linda Cardellini, which returns after a two-and-a-half-year layoff.

    On the drama side, there’s “1899” (Nov. 17), a mystery-horror series set aboard a transatlantic steamer ship at the turn of the last century, from the makers of the mind-bending German sci-fi series “Dark” — and if it’s even half as trippy and addictive, it’ll be terrific; Part 1 of the fourth season of the supernatural drama “Manifest” (Nov. 4), which Netflix rescued from NBC’s cancellation; and Season 6 of the soapy Spanish high-school drama “Elite” (Nov 18).

    More: Here’s everything new coming to Netflix in November 2022, and what’s leaving

    There’s also the timely documentary “FIFA Uncovered” (Nov. 9), digging into the scandal-plagued organization behind the World Cup; “Pepsi, Where’s My Jet” (Nov. 17), a documentary about a man who sued Pepsi in the 1980s to get a free Harrier fighter jet; the fifth installment of “The Great British Baking Show: Holidays” (Nov. 18); and the new standup comedy special from the outgoing “Daily Show” host, “Trevor Noah: I Wish You Would” (Nov. 22).

    On the movie front, there’s “Enola Holmes 2” (Nov. 4), a sequel to the hit 2020 movie about Sherlock Holmes’ younger sister, played by Millie Bobby Brown (“Stranger Things”), as young detective Enola sets out to investigate her first case; “Slumberland” (Nov. 18), a comedy adventure about a young girl exploring the dreamworld, starring Mallow Barkley and Jason Mamoa; and Lindsay Lohan is back with a Christmas rom-com, “Falling for Christmas” (Nov. 10).

    Who’s Netflix for? Fans of buzz-worthy original shows and movies.

    Play, pause or stop? Play. When it’s at the top of its game, as it is again this month, Netflix is a must-have, at whatever price tier.

    Disney+ ($7.99 a month)

    The TV world has been abuzz about prequels for the past few months, but it’s all about sequels in November for Disney+.

    The biggest of the bunch is “Willow” (Nov. 30), a follow-up series to the cult-favorite 1988 fantasy movie of the same name. The magical adventure is set 20 years after the events of the film, and Warwick Davis returns as farmer-turned-sorcerer Willow Ufgood, who leads an unlikely group of heroes on a quest to save their world. It should be fun for the whole family.

    Disney
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    also has “Disenchanted” (Nov. 18), a sequel to the 2007 hit movie “Enchanted.” The musical fantasy is set 10 years after the happily-ever-after ending, with Giselle (Amy Adams) questioning her happiness and inadvertently setting her two worlds askew. Patrick Dempsey, James Marsden and Maya Rudolph co-star. And then there’s “The Santa Clauses” (Nov. 16), as Tim Allen reprises his role of Santa Claus, who’s now facing retirement and looking for a replacement, in a new miniseries spinoff of the family-movie trilogy.

    Also of note: “The Guardians of the Galaxy Holiday Special” (Nov. 25), as Star-Lord and the gang kidnap Kevin Bacon; the live performance “Elton John: Live from Dodger Stadium” (Nov. 20), the pop icon’s final show in North America; and weekly episodes of “Dancing With the Stars” (season finale Nov. 21), the “Star Wars” prequel “Andor” (season finale Nov. 23) and “The Mighty Ducks: Game Changers” (season finale Nov. 30).

    And heads up: Prices for the ad-free tier will jump to $10.99 a month in December, after Disney+ launches its ad-supported tier for $7.99 a month.

    Who’s Disney+ for? Families with kids, hardcore “Star Wars” and Marvel fans. For people not in those groups, Disney’s library can be lacking.

    Play, pause or stop? Play. There’s something for everyone in the household — even grumps who aren’t “Star Wars” fans can get into “Andor,” which absolutely works as a dark, gripping, spy thriller. Meanwhile, fans are realizing it just might be the best “Star Wars” series or movie ever made.

    HBO Max ($9.99 a month with ads, or $14.99 without ads)

    HBO Max is bringing back  “The Sex Lives of College Girls” (Nov. 17) for its second season. Created by Mindy Kaling and Justin Noble (who also teamed on Netflix’s “Never Have I Ever”), the ensemble comedy about four college roommates picks up right after Thanksgiving break, with the girls organizing a “sex-positive” male strip show. It’s sharp, funny, and less cringey than its title suggests.

    Then there’s “A Christmas Story Christmas” (Nov. 17), a nostalgic sequel to the 1983 classic, starring Peter Billingsley as a grown-up Ralphie who returns to his hometown to try to give his kids a perfect Christmas. It’s risky reviving such a beloved movie, and this could either be wonderful or terrible, there’s really no middle ground.

    HBO Max also has a slew of documentaries, including “Love, Lizzo” (Nov. 24), about the pop superstar’s inspiring life story; “Shaq” (Nov. 23), a four-part docuseries chronicling the rise to superstardom of NBA Hall of Famer Shaquille O’Neal; “Low Country: The Murdaugh Dynasty” (Nov. 3), a true-crime series about a South Carolina lawyer’s scandalous fall; and “Say Hey, Willie Mays!” (Nov. 8), a film exploring the life, career and social impact of the greatest baseball player who ever played the game.

    See more: Here’s everything new coming to HBO Max in November 2022, and what’s leaving

    And every week brings new episodes of Season 2 of the very dark vacation comedy “The White Lotus,” Season 3 of “Pennyworth: The Origin of Batman’s Butler” and Season 2 of the cult documentary “The Vow.”

    Who’s HBO Max for? HBO fans and movie lovers.

    Play, pause or stop? Pause and think it over. “The White Lotus” and “The Sex Lives of College Girls” are both worth watching, but beyond that it’s kinda “meh” this month. And Max is too pricey for “meh.”

    Amazon Prime Video ($14.99 a month)

    Amazon
    AMZN,
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    is bringing the star power in November, starting with the Western drama series “The English” (Nov. 11), starring Emily Blunt as an aristocratic Englishwoman who teams with a Pawnee scout (Chaske Spencer) on a mission to cross the violent 1890s American frontier. It looks stylish and bloody — and promising.

    Meanwhile, James Corden and Sally Hawkins star in “Mammals” (Nov. 11), a dark comedy series about modern marriage; pop star-turned-actor Harry Styles stars in “My Policeman” (Nov. 4), a drama about forbidden romance that’s getting very “meh” reviews in its theatrical release; and Kristen Bell, Ben Platt and Allison Janney star in “The People We Hate at the Wedding” (Nov. 18), a raunchy comedy set at a dysfunctional family wedding.

    More: Here’s what’s coming to Amazon’s Prime Video in November 2022

    There’s also NFL Thursday Night Football every week, and new episodes of the intriguing sci-fi drama “The Peripheral,” which is giving very “Westworld”-but-slightly-less-confusing vibes.

    Who’s Amazon Prime Video for? Movie lovers, TV-series fans who value quality over quantity.

    Play, pause or stop? Pause. There’s good stuff here, but nothing that feels must-see.

    Paramount+ ($4.99 a month with ads but not live CBS, $9.99 without ads)

    Taylor Sheridan (“Yellowstone,” “1883,” “Mayor of Kingstown”) has another new series: “Tulsa King” (Nov. 13), starring Sylvester Stallone as a former New York mafia capo who gets freed from prison after 25 years and settles in Tulsa, Okla., to build a criminal empire of his own. Showrunner Terence Winter (“The Sopranos,” “Boardwalk Empire”) knows a thing or two about mob shows, and this one could be good.

    Paramount+ also has the spinoff series “Criminal Minds: Evolution” (Nov. 24), about an elite team of FBI profilers unraveling a network of serial killers; the family movie “Fantasy Football” (Nov. 25), about a girl who can magically control how her NFL-player dad performs on the field; and the series finale of “The Good Fight” (Nov. 10), which its creators promise will be “cataclysmic.”

    There’s also the Thanksgiving Day Parade (Nov. 24) and a ton of live sports, including college football on Saturdays, NFL football on Sundays (and Thanksgiving Day), and group-stage matches for UEFA’s Champions and Europe leagues.

    Who’s Paramount+ for? Gen X cord-cutters who miss live sports and familiar Paramount Global 
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     broadcast and cable shows.

    Play, pause or stop? Pause. Besides its solid live-sports lineup, it’s a good time to catch up and binge “The Good Fight,” and “Tulsa King” could be worth a watch too.

    Hulu ($7.99 a month with ads, or $14.99 with no ads)

    Hulu has a couple of interesting offerings in November, but nothing that screams must-see. Yet, at least.

    FX’s “Fleishman Is in Trouble” (Nov. 17) stars Jesse Eisenberg as a newly divorced dad whose promiscuous dive into app-based dating is disrupted when his ex-wife disappears and leaves him with their kids. Claire Danes, Lizzy Caplan and Adam Brody co-star in the eight-episode drama, which is based on Taffy Brodesser-Akner’s best-selling novel.

    There’s also “Welcome to Chippendales” (Nov. 22), a true-crime series starring Kumail Nanjiani as the immigrant founder of the 1980s male-stripper franchise, which chronicles his business empire’s rise and fall amid a blizzard of sex, drugs and violence.

    Meanwhile, Adam McKay (“The Big Short”) and Billy Corben (“Cocaine Cowboys”) have the documentary  “God Forbid: The Sex Scandal That Brought Down a Dynasty” (Nov. 1), about the private life of Christian televangelist and former Liberty University president Jerry Falwell Jr. and his very public downfall.

    See: Here’s everything new on Hulu in November 2022 — and what’s leaving

    There are also the final two episodes of “Atlanta” (series finale Nov. 10), whose fourth season has returned to brilliance after an underwhelming Season 3 over the summer, and new episodes every week of ABC’s “Abbott Elementary.”

    Who’s Hulu for? TV lovers. There’s a deep library for those who want older TV series and next-day streaming of many current network and cable shows.

    Play, pause or stop? Stop. While you won’t regret paying for Hulu if you already do, there’s not a lot to lure new subscribers this month.

    Apple TV+ ($6.99 a month)

    Apple TV+ is too inconsistent to be worth the $2-a-month price hike that was just announced, so it’s best to strategically plan when to stream — wait until a good series or two are completed, for example, and binge them all in a month, then cancel. Repeat as needed.

    And it actually is a decent month for Apple. Its second-best comedy, “Mythic Quest” Nov. 11), returns for its third season, with Ian (Rob McElhenny) and Poppy (Charlotte Nicdao) gearing up for war against their old videogame company. With a perfect blend of humor and heart, it’s one of the best workplace comedies on TV.

    Meanwhile, Season 2 of “The Mosquito Coast” (Nov. 4) finds the fugitive Fox family finally hiding out in Central America, after a tedious premise-pilot of a first season that wasted good actors (Justin Theroux and Melissa George) and beautiful cinematography with nonsensical plot twists, while the action series “Echo 3” (Nov. 23) stars Luke Evans and Michiel Huisman as former soldiers trying to rescue a kidnapped scientist in the jungles of South America.

    Apple
    AAPL,
    +7.56%

    also has a pair of high-profile original movies: “Causeway” (Nov. 3), starring Jennifer Lawrence as a former soldier struggling to adjust to civilian life in New Orleans, co-starring Brian Tyree Henry, and “Spirited” (Nov. 18), a musical twist on “A Christmas Carol” told from the ghosts’ point of view, starring Ryan Reynolds and Will Ferrell.

    Who’s Apple TV+ for? It offers a little something for everyone, but not necessarily enough for anyone — although it’s getting there.

    Play, pause or stop? Stop. There’s just not enough to justify a month-to-month subscription. December is a better bet, with “Mythic Quest” and a new season of “Slow Horses” running concurrently.

    Peacock (free basic level, Premium for $4.99 a month with ads, or $9.99 a month with no ads)

    The World Cup from Qatar (Nov. 20-Dec. 18) will be broadcast on Fox and FS1, so cord-cutters are out of luck, unless you subscribe to a live-streaming service like Hulu Live or YouTube TV. However, Peacock will stream every match in Spanish, which could be a decent Plan B for soccer fans.

    And that “it’ll-do-but-it’s-not-exactly-what-I’m-looking-for” description is the running theme for Peacock. November will bring a handful of originals that are unlikely to move the needle, subscriber-wise: There’s the musical-comedy spinoff series “Pitch Perfect: Bumper in Berlin” (Nov. 23), starring Adam Devine; “The Calling” (Nov. 10), a crime drama about a religious cop, from David E. Kelley and Barry Levinson; the Macy’s Thanksgiving Day Parade (Nov. 24); and the streaming debut of Jordan Poole’s sci-fi/horror hit “Nope” (Nov. 18).

    Sports-wise, Peacock has the National Dog Show (hey, it’s a competition!) on Nov. 24, NFL Sunday Night Football every weekend, a full slate of English Premier League matches through Nov. 13, and a ton of golf and winter sports.

    Who’s Peacock for? If you have a Comcast 
    CMCSA,
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     or Cox cable subscription, you likely have free access to the Premium tier (with ads) — though reportedly not for much longer. The free tier is almost worthless, but the recent addition of next-day streaming of NBC and Bravo shows (like “Saturday Night Live” and “Real Housewives”) bolsters the case for paying for a subscription. Still, Peacock is still not really necessary unless you need it for sports.

    Play, pause or stop? Stop. There’s not a lot that’s particularly enticing right now, even on the sports side.

    Discovery+ ($4.99 a month with ads, or $6.99 with no ads)

    More of the same in November for Discovery+, which is a feature, not a bug. Highlights include the vegan cook-and-chat show “Mary McCartney Serves It Up” (Nov. 1); “Tut’s Lost City Revealed” (Nov. 3), about a 3,000-year-old Egyptian city recently discovered by archaeologists; “Vardy vs Rooney: The Wagatha Trial” (Nov. 19), the inside story of the tabloid-fodder “Wagatha” scandal between the wives of English soccer stars; and Season 2 of the excellent CNN food series “Stanley Tucci: Searching for Italy” (Nov. 30). Full disclosure: There are also a handful of sappy holiday movies guest-starring some HGTV and Food Network stars, but they look terrible and I expect better from you, a discerning reader/viewer.

    Who’s Discovery+ for? Cord-cutters who miss their unscripted TV or who are really, really into “90 Day Fiancé.”

    Play, pause or stop?  Stop. Discovery+ is still fantastic for background TV, but it’s not worth the cost. Still, it should add value when the reconfigured Warner Bros. Discovery 
    WBD,
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      combines it with HBO Max next summer.

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  • 10 Great Movies Leaving Netflix At The End Of October

    10 Great Movies Leaving Netflix At The End Of October

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    This past weekend, a number of new movies and shows were added to Netflix
    NFLX
    . It’s all part of Netflix’s constantly revolving rotation of content, which changes from day to day, week to week, month to month. There’s always new movies to choose from on the world’s most popular streaming service.

    But as a result of that constant rotation, several movies leave Netflix as well. Some movies exit the streaming platform on random days of the month, but most of them expire on the month’s final day—and October is no exception. Once the month ends, dozens of different movies will disappear from Netflix.

    So which movies won’t be available soon? I’ve picked out ten great ones that you don’t want to miss before they disappear come November 1.

    Ferris Bueller’s Day Off

    Ferris Bueller (Matthew Broderick) has an uncanny skill at cutting classes and getting away with it. Intending to make one last duck-out before graduation, Ferris calls in sick, “borrows” a Ferrari, and embarks on a one-day journey through the streets of Chicago. On Ferris’ trail is high school principal Rooney (Jeffrey Jones), determined to catch him in the act.

    The Next Karate Kid

    Karate master Mr. Miyagi (Noriyuki “Pat” Morita) goes to Boston to attend a military reunion. There, he visits with Louisa (Constance Towers), the widow of his former commander, and meets her granddaughter, Julie (Hilary Swank). Julie’s parents were recently killed in a car accident, and she is still reeling from the loss. When Julie surprises Miyagi with her knowledge of karate, he takes her to a Buddhist monastery for training and to help her come to terms with her angst.

    This is 40

    After many years of marriage, Pete (Paul Rudd) is the sole male in a household that includes his wife, Debbie (Leslie Mann), and two young daughters (Iris Apatow, Maude Apatow). As Pete struggles to keep his record label afloat, he and Debbie navigate a three-week course of sex and romance, career victories and financial hardships, aging parents and maturing children. They’ll have to learn to forgive, forget and enjoy the rest of their lives — before they kill each other.

    The Grandmaster

    A story that takes place during the fall of China’s last dynasty, a time of chaos, division and war that was also the golden age of Chinese martial arts, following the life and times of legendary martial arts master Ip Man.

    Friday

    It’s Friday and Craig Jones (Ice Cube) has just gotten fired for stealing cardboard boxes. To make matters worse, rent is due, he hates his overbearing girlfriend, Joi (Paula Jai Parker), and his best friend, Smokey (Chris Tucker), owes the local drug dealer money — and that’s all before lunch. As the hours drag on, Jones and Smokey experience the gamut of urban life, complete with crackheads, shoot-outs and overly sexual pastors, concentrated into one single, unbelievable Friday.

    The Notebook

    In 1940s South Carolina, mill worker Noah Calhoun (Ryan Gosling) and rich girl Allie (Rachel McAdams) are desperately in love. But her parents don’t approve. When Noah goes off to serve in World War II, it seems to mark the end of their love affair. In the interim, Allie becomes involved with another man (James Marsden). But when Noah returns to their small town years later, on the cusp of Allie’s marriage, it soon becomes clear that their romance is anything but over.

    Despicable Me 1 & 2

    Supervillain Gru, a man who delights in all things wicked, hatches a plan to steal the moon. Surrounded by an army of little yellow minions and his impenetrable arsenal of weapons and war machines, Gru prepares to vanquish all who stand in his way. However, nothing in his calculations and groundwork has prepared him for his greatest challenge: three adorable orphan girls who want to make him their dad.

    8 Mile

    The people of Detroit know 8 Mile as the city limit, a border, a boundary. It is also a psychological dividing line that separates Jimmy Smith Jr. (Eminem) from where and who he wants to be. A provocative fictional examination of a critical week in Jimmy’s life.

    Bridget Jones’s Diary

    At the start of the New Year, 32-year-old Bridget (Renée Zellweger) decides it’s time to take control of her life — and start keeping a diary. Now, the most provocative, erotic and hysterical book on her bedside table is the one she’s writing. With a taste for adventure, and an opinion on every subject – from exercise to men to food to sex and everything in between – she’s turning the page on a whole new life.

    Flight

    Commercial airline pilot Whip Whitaker (Denzel Washington) has a problem with drugs and alcohol, though so far he’s managed to complete his flights safely. His luck runs out when a disastrous mechanical malfunction sends his plane hurtling toward the ground. Whip pulls off a miraculous crash-landing that results in only six lives lost. Shaken to the core, Whip vows to get sober — but when the crash investigation exposes his addiction, he finds himself in an even worse situation.

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    Travis Bean, Contributor

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  • Austin Pets Alive! | It’s a Date to Support Item 38

    Austin Pets Alive! | It’s a Date to Support Item 38

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    Oct 25, 2021

    Thank you for sticking with us as we navigate our way through this journey towards APA!’s forever home.

    Just as you help us every day by fostering, adopting, volunteering, and donating to find homes for animals, we really need you to act now so APA! can land safely and continue our important work with as few interruptions as possible.

    We have received word that our item DID make it on the agenda for the November 4th city council meeting and we are officially item #38. The resolution is very good overall as it clearly removes the restriction that would prevent us from saving the lives of those on death row all over our state while also maintaining that Austin’s No Kill status is first and foremost. As you may recall, this is important because there are no other city contracts (that we are aware of) that limit the mission and scope of a nonprofit that provides a distinct service to the city. It’s also important because our mission is to eliminate the killing of shelter animals and we can’t do that if our work is artificially restricted.

    We are grateful the resolution also directs staff to negotiate with APA! regarding the percentage of animals we are responsible for pulling from the city shelter and clearly indicates those animals should be based on those at risk of euthanasia. This has always been the intent of our partnership with the City and we are eager to ensure our contract reflects that.

    We are committed to working with the city, and each of you, into the future to ensure there are checks and balances in place to institutionalize live outcomes and progress for decades to come. Given the fact that AAC has the nation’s largest animal services budget per capita, it is truly time to establish best practices and hold ourselves to a higher standard; a standard expected by our tax-payers. We know that a fair and equitable agreement between APA and the City of Austin is the first step towards achieving this goal and making No Kill a priority in our city.

    We are incredibly grateful to the co-sponsors for their leadership: Mayor Adler, Leslie Pool, Ann Kitchen, Greg Casar and Vanessa Fuentes. We recognize how much work has gone into resolving this important issue and we are grateful they have worked so hard to ensure it is placed on the agenda.

    What we need now is for you to THANK these co-sponsors and ask your council member to vote yes on agenda item #38 between now and the vote on November 4th.

    Thank you for being here for the animals, all the animals, and ensuring that APA! continues to keep Austin No Kill.

    Sincerely,

    Dr. Ellen Jefferson

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