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Tag: Noah Washington/The Atlanta Voice

  • ‘The Scenic Route’ arrives at Nina Baldwin Gallery

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    Above: Golden Time Of Day, Acrylic. Photo by Noah Washington/The Atlanta Voice

    Artist and curator Courtney Brooks returns to the gallery wall with The Scenic Route, a solo exhibition opening Friday, Dec. 12, at Nina Baldwin Gallery in Atlanta’s Castleberry Hill arts district. The exhibition, which runs through Jan. 7, marks Brooks’ first solo show since 2018 and serves as the gallery’s final exhibition of the 2025 calendar year.

    The Scenic Route brings together photography, abstract acrylic paintings, and immersive installation work to chronicle Brooks’ personal, spiritual, and emotional journey. The show features approximately 26 works, the majority of which are photographic, created across multiple cities and during various travel moments. Each piece reflects Brooks’s approach to both art and life, one that favors reflection, patience, and attentiveness over shortcuts. “I wanted to showcase my journey through travel, my spiritual journey,” Brooks said. “I feel like I take the scenic route all the time. I don’t try to shortcut anything. I’m really paying attention to detail, and I want that to show throughout my work”.

    Above: Tears of Joy & Pain, acrylic. Photo by Noah Washington/The Atlanta Voice

    Several works invite viewers to participate directly in the creative process. Among them is This Crown, an installation that continues Brooks’ ongoing series This Crown Belongs to Us, centered on Black womanhood, care, and collective identity. The piece features a sculptural hairstyle that will evolve throughout the exhibition. Brooks describes the work as another iteration of her long-running exploration of Black girlhood and shared ownership.

    “It’s another iteration of This Crown Belongs to Us, part of my journey as a Black girl,” Brooks said.

    Another interactive work, Tears of Joy and Pain, allows visitors to add symbolic elements to a communal painting over the course of the show. The piece reflects the emotional duality that runs throughout the exhibition, joy intertwined with grief, hope alongside loss. Brooks said the work is rooted in her own experiences over the past several years, including the death of her mother. “There’s a lot of tears and joy that I poured into this work,” she said. “Everything I’ve personally experienced pushed me to keep showing up, for my students, for other artists, and ultimately to show who I am”.

    Faith and trust serve as recurring undercurrents across the exhibition. A small abstract work titled God’s Plan speaks directly to Brooks’ spiritual grounding during periods of uncertainty and grief. Other pieces focus on intimacy and longing, including I Made This Type of Love By Me, a nighttime photograph of a couple seated together in Cartagena, Colombia. Brooks said the image reflects both the comfort of unconditional love and a quiet yearning for romantic connection.

    Atlanta’s social and historical landscape also appears in the work. In Northbound, Southbound, Brooks employs abstraction and photography to reference MARTA and the racialized limitations inherent in the region’s transit system. The piece contrasts Black and white forms to highlight how segregation and infrastructure once restricted movement and access across neighborhoods.

    Nina Baldwin Gallery, a women-curated space, traditionally opens exhibitions on the second Friday of each month in conjunction with Castleberry Hill’s Art Stroll. Brooks said closing out the year with a solo show felt especially meaningful. “It was time,” she said. “It was time to share my work”.

    The Scenic Route opens Dec. 12 from 7 to 11 p.m. at Nina Baldwin Gallery and will remain on view through Jan. 7.

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    Noah Washington

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  • Three Atlanta Artists Explore Identity and Memory in ‘Outside’ Exhibition

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    Jurrell Cayetano (above) standing in front of his piece, Backseat Driving, 2025. Oil on paper mounted on canvas.
    Photo by Noah Washington/The Atlanta Voice

    Three artists with Atlanta roots are examining what it means to exist “outside” dominant narratives in a new exhibition that opened Wednesday at Hawkins Headquarters gallery.

    “Outside,” curated by Rosa Duffy, features works by Gerald Lovell, Taylor Simmons, and Jurell Cayetano. All three artists got their start in Atlanta, though two now live in New York.

    The show’s title carries multiple meanings, from literal outdoor spaces to cultural positioning within Black communities, said Simmons, who coined the name after the artists’ original concept fell through.

    “The word outside could mean ‘we outside,’ which in Black cultural consciousness we’re all aware of,” said Simmons, who moved to New York but returns regularly to Atlanta. “I love the idea of there being almost like a secret language for Black folks.”

    The exhibition emerged from years of planning. The three artists had attempted to mount a group show twice before, with previous iterations falling through. Duffy, an archivist and curator who has known all three artists for over a decade, connected them with Alexander Hawkins, who opened his gallery in August 2023 in a converted space on Old Hapeville Road.

    “They’re three of my favorite artists,” Duffy said. “They deserve to have a homecoming show.”

    Hawkins, a 2021 Savannah College of Art and Design graduate with degrees in sculpture and art history, identified a gap in Atlanta’s art scene that led to his gallery’s creation.

    “Atlanta largely lacked this middle gallery section,” said Hawkins, who began construction in March 2023. The city had “a lot of small nonprofit spaces and a bunch of larger galleries in Buckhead,” but needed something in between.

    The location choice was deliberate. “We kind of wanted to be far away from everyone else,” Hawkins said. Despite being on Old Hapeville Road, the gallery sits just outside Hapeville city limits in Fulton County.

    Taylor Simmons (above) with Shortstop in Red Clay, 2025. oil, acrylic, cast iron powder, canvas on panel.
    Photo by Noah Washington/The Atlanta Voice

    Simmons’ four works blend personal memory with tactile experiences. His piece “Shortstop in Red Clay” incorporates cast iron powder to recreate the red Georgia clay he remembers from childhood baseball games in Douglasville.

    “There’s some things that have actual objects or tactile feelings that create a memory in your mind,” Simmons said. The painting includes a photograph of him at age 7, capturing what he calls a “cherished memory” of getting too muddy for his mother’s new Ford Explorer.

    Boots (94′ Bronco), 2025. Oil on panel. Photo by Noah Washington/The Atlanta Voice

    Lovell’s portraits, including “Lunatico”,  inspired by a Brooklyn jazz bar, and “Boots (94′ Bronco),” focus on intimate identity rather than trauma narratives often expected of Black artists. His works combine flat impressionistic techniques with thick impasto.

    “I don’t know when paintings come to me. They just kind of come to me,” Lovell said about his creative process.

    Cayetano’s five pieces chronicle nightlife through archival photographs spanning nearly a decade. Born in Brooklyn but raised in Atlanta since the mid-1990s, he describes himself as “really a homebody,” but his paintings capture “moments of zen,” “delirium and euphoria,” and morning-after reflections.

    “Every piece is kind of chronicling one stage of the night,” said Cayetano.

    The press release describes “Outside” as an assertion of presence and visibility, “an act of resistance during a time when Black folks face the counteract of being pushed underground.”

    Hawkins, a 2021 SCAD graduate who opened the gallery to fill what he saw as a gap in Atlanta’s art ecosystem, said the exhibition represents the quality programming he aims to provide.

    “It’s really nice finding exciting artists, whether they’re in Atlanta and accessible, or if they’re in Canada, New York, or wherever they may be,” Hawkins said.

    For Duffy, the exhibition demonstrates the possibilities of sustained artistic practice. Two of the artists are now represented by galleries in New York and London.

    “What I think is important about this show is to see that it’s possible to be a working artist,” she said. “They’re good representations of what rigor can get you as far as your art practice is concerned.”

     The exhibition runs through Nov. 24. Hawkins Headquarters is located at 2865 Old Hapeville Rd SW, Hapeville, GA 30354.

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    Noah Washington

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