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  • 28 Years Later: The Bone Temple’s Surprising Twist Makes It So Great

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    28 Years Later: The Bone Temple, the next entry in the 28 Days Later franchise and a sequel to 2025’s 28 Years Later, is out now in theaters. While the film retains many of its horror elements, it does feature some surprising twists that take the franchise in new directions, and could have big implications going forward.

    What surprise twist in 28 Years: The Bone Temple makes the movie so good?

    28 Years Later: The Bone Temple picks up almost immediately after the end of 2025’s 28 Years Later. Spike (Alfie Williams) is now a member of the Satanic group led by Sir Lord Jimmy Crystal (Jack O’Connell), and joins other children as a member of his “fingers.” Meanwhile, Dr. Ian Kelson (Ralph Fiennes) continues his work of maintaining his titular Bone Temple, a makeshift memorial to the many people who were victims to the Rage Virus during its outbreak. It’s here that the film really shifts from what the franchise is best known for.

    While much of the film does focus on Jimmy, his fingers, and the brutal things they do in the name of “Old Nick” (Satan) and Jimmy, the movie hangs heavily on Kelson and his relationship with Samson (Chi Lewis-Parry), an Alpha leader of the infected who is introduced in 28 Years Later as a fully nude, incredibly strong zombie that leads all other infected. Throughout 28 Years Later, Kelson would sedate Samson with morphine, allowing him to freely interact with the Alpha zombie.

    In The Bone Temple, this continues. Unlike 28 Years Later, which features Samson being subdued as he’s going to attack Kelson, Samson instead becomes addicted to the morphine and seeks out Kelson to get sedated. It’s here that things take a turn, as Samson begins to have flashbacks to his life before becoming infected with the Rage Virus. Kelson also begins to wonder if there is a potential cure or “fix” for the Rage Virus.

    Toward the end of the movie, as Kelson’s supply of morphine dwindles, he plans to kill Samson in an act of mercy, but Samson shocks Kelson by speaking. It’s the first time we’ve seen an infected act like this in the entire franchise, and Kelson theorizes that the Rage Virus is a form of psychosis, which he thinks can be treated via antipsychotics. He soon begins trying to cook up a cure for the virus, which he gives to Samson. The cure seems to work, as Samson not only regains his consciousness but remembers his childhood in the process.

    At the end of the movie, Kelson is stabbed by Jimmy, who himself is crucified upside down by Spike and Jimmy Ink (Erin Kellyman), another member of the group. As the two die, Samson returns, this time fully human, and takes Kelson with him, thanking him in perfect English in the process.

    Although touching throughout the movie, the moments between Kelson and Samson are much bigger for the overall picture of the 28 Years franchise. Throughout the entire franchise, no cure or fix seemed to work for the Rage Virus, with the only method of containment being to fully quarantine places where the infected were. A potential fix for the Rage Virus existing changes not only what can be done about it, but also how the survivors left across England can fend for themselves from those afflicted by it.

    In a franchise that has come to be known for its incredibly dour and sad moments, and one that shows off just how brutal things can be, it’s an incredible twist. Not only does Dr. Kelson’s optimism shine through, but it may also have been enough to come up with a potential cure for the virus itself. Of course, with Kelson no longer around, it’ll be interesting to see whether or not the cure for the Rage Virus ever comes up again, or if Samson is the only infected to ever be given the chance to be saved.

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    Anthony Nash

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  • ’28 Years Later: The Bone Temple’ Review: A Perfect Entry Into the Franchise

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    It isn’t easy to take a franchise and introduce new characters and make them as exciting as the original film. But both 28 Years Later and now The Bone Temple have shown us how rich the world of 28 Days Later really is.

    The Alex Garland written film follows the story of Jimmy (Jack O’Connell) and his Jimmys. Through the unique lens of Nia DaCosta. At the end of 28 Years Later, we got to see what Jimmy (a character we met briefly in the beginning of the film) was doing now. But through all of The Bone Temple, we’re seeing both the darker side of the post-apocalyptic world mixed with the hopeful.

    Dr. Ian Kelson (Ralph Fiennes) represents the hope in the dark times. In the first 28 Years Later film, he was a guide for Isla (Jodie Comer) and Spike (Alfie Williams). And in many ways, his role in The Bone Temple explores the deeper motivations of why Kelson wants to exist in this world in the way he is. And both Kelson’s storyline and the Jimmys storyline come together in a beautiful way to show an audience how differently people can react to things like a global outbreak.

    The terrifying world of the Jimmys

    Not everyone takes to life in the apocalypse in the same way. Some, like Dr. Kelson, are trying to be a force of good in the world. The Jimmys represent the opposite of that. Spike finds himself among their ranks and only one Jimmy (played Erin Kellyman) really has the time and compassion towards Spike that he really needs. Instead, most of the Jimmys thrive in chaos.

    Their leader, Jimmy Crystal, wants to take whatever he can and it leads to destruction and pain. No matter where he goes or what he does, he takes and takes and forces the Jimmys do it for him. It shows the darkside of things like the end of the world. He could easily be someone who allowed others to to join them, to build a community. Instead, he uses the fear of the world to his advantage.

    And DaCosta and O’Connell don’t shy away from the darkness that is within Jimmy. He believes himself to be the son of the Devil and you can see how that idea has corroded his mind. There is no hope for “goodness” within him and it makes for an incredibly compelling villain opposite both Spike and Kelson.

    Compassion and Dr. Kelson

    It would be so easy for Kelson to give up but a lot of his work with Samson (Chi Lewis-Parry) is hopeful. He believes in humanity and even the infected in a way that everyone else has seemingly given up on. In the 28 years since the outbreak happened, Kelson hasn’t lost hope and that is part of what made his section of 28 Years Later so brilliant.

    I loved the Kelson section of that film so it wasn’t really a surprise that I came into The Bone Temple with the same love for the character. And it ended up making what DaCosta and Garland are doing with The Bone Temple that much more special.

    28 Years Later: The Bone Temple is in theaters on January 16.

    (featured image: Sony Pictures)

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    Rachel Leishman

    Editor in Chief

    Rachel Leishman (She/Her) is the Editor in Chief of the Mary Sue. She’s been a writer professionally since 2016 but was always obsessed with movies and television and writing about them growing up. A lover of Spider-Man and Wanda Maximoff’s biggest defender, she has interests in all things nerdy and a cat named Benjamin Wyatt the cat. If you want to talk classic rock music or all things Harrison Ford, she’s your girl but her interests span far and wide. Yes, she knows she looks like Florence Pugh. She has multiple podcasts, normally has opinions on any bit of pop culture, and can tell you can actors entire filmography off the top of her head. Her current obsession is Glen Powell’s dog, Brisket.

    Her work at the Mary Sue often includes Star Wars, Marvel, DC, movie reviews, and interviews.

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    Rachel Leishman

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  • Hulu Orders ‘Southern Bastards’ Pilot From Bill Dubuque, Nia DaCosta, Matt Olmstead

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    Hulu’s Onyx Collective has ordered a pilot for a series adaptation of the “Southern Bastards” graphic novels, Variety has learned.

    Jason Aaron and Jason Latour, who created the original comics, are executive producing. Bill Dubuque wrote the teleplay and executive produces in addition to sharing a co-story credit with Nia DaCosta. DaCosta will also direct the pilot in addition to executive producing via The Once and Future Inc. Matt Olmstead will serve as showrunner and executive producer. Layne Eskridge executive produces via POV Entertainment, with Proximity Media and Gabriel Nadig executive producing as well. The series is produced in association with Fifth Season.

    The logline for the project states that it follows “a tenacious military vet into Craw County, Alabama, in search of her estranged father. What she finds is a murderous hornet’s nest of organized crime run by the winningest high school football coach in the South.”

    “Southern Bastards” was originally released between 2014 and 2018. The series has received good reviews from both critics and audiences, winning the Harvey Award for best new series in 2015 and multiple Eisner Awards in 2016.

    Dubuque is perhaps best known for co-creating the hit, Emmy Award-winning Netflix series “Ozark,” which aired for four seasons at the streamer. He shared in the show’s three nominations for best drama series between 2019 and 2022. He is also currently prepping the crime drama “M.I.A” at Peacock. In film, Dubuque is known for writing features such as “The Judge,” “A Family Man,” and both “The Accountant” and “The Accountant 2.”

    “Southern Bastards” will mark the second TV project that DaCosta has directed. She previously directed two episodes of the critically-acclaimed British series “Top Boy.” She is best known for her work in film, having directed and written features such as “Hedda” starring Tessa Thompson, the MCU pic “The Marvels,” the Jordan Peele reboot of “The Candyman,” and her debut film “Little Woods.” Up next, DaCosta is directing the highly-anticipated sequel “28 Years Later: The Bone Temple.”

    Olmstead co-created the hit shows “Chicago Med” and “Chicago PD,” the former of which is in its 11th season and the latter of which is in its 13th. He has previously been the showrunner on series such as “Prison Break,” “NYPD Blue,” “Chicago Fire,” and “FBI International.”

    Dubuque is repped by CAA and Goodman Genow. DaCosta is repped by CAA, Entertainment 360, Casarotto Ramsay, and Del Shaw Moonves Tanaka. Olmstead is repped by WME and Goodman Genow. Aaron and Latour are repped by Angela Cheng Caplan and Harris Miller. Eskridge is repped by WME.

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    Joseph Otterson

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  • The Marvels director Nia DaCosta wants to work with Shah Rukh Khan

    The Marvels director Nia DaCosta wants to work with Shah Rukh Khan

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    Shah Rukh Khan continues to expand his global reach, having an incredible year in cinema with hits like Jawan and Pathaan that made a significant impact on the international box office. Beyond Bollywood, SRK’s influence reached the MCU as The Marvels director Nia DaCosta expressed her desire to collaborate with him.

    During a recent interview with a leading news portal, Nia DaCosta, the director of the eagerly awaited MCU film, The Marvels, openly praised Bollywood actor Shah Rukh Khan and revealed that she wants to collaborate with him, referring to him as a legend.

    When questioned about the possibility of casting a Bollywood star in a manner similar to Farhan Akhtar’s involvement in the series Ms. Marvel, Nia DaCosta disclosed that it hadn’t been considered. She emphasised their dedication to maintaining authenticity and avoiding casting purely for show.

    The Marvels Nia DaCosta Shah Rukh Khan

    The Marvels features Brie Larson, Teyonah Parris, Iman Vellani, Samuel L. Jackson, Zawe Ashton and Park Seo-joon. The film is slated to hit the cinemas in India on November 10.

    See Also: The Marvels final trailer reveals MCU cameos and Avengers throwbacks. Watch

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    Filmfare

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  • Director Nia DaCosta Addresses Criticism About Her Early Departure From ‘The Marvels’

    Director Nia DaCosta Addresses Criticism About Her Early Departure From ‘The Marvels’

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    The release date of The Marvels is fast approaching, but with the Marvel Cinematic Universe mired in uncertainty, the film has been plagued by doubt and delays. Now, director Nia DaCosta has addressed criticism that she received for leaving the production early to work on another film.

    Jake Hamilton, interviewing DaCosta for his YouTube channel Jake’s Takes, asked about DaCosta’s supposedly controversial departure from the film. Earlier this month, Variety published an exposé on Marvel Studios, in which an unnamed source stated that “If you’re directing a $250 million movie, it’s kind of weird for the director to leave with a few months to go.”

    However, while interviewing DaCosta, Hamilton pointed out that it’s not unheard of for directors’ productions to overlap, citing Steven Spielberg leaving Jurassic Park early to start working on Schindler’s List.

    DaCosta’s response was enlightening.

    “For me, personally, it was literally just that [Marvel] moved [the release date of The Marvels] four different times, and so instead of being a two-year process, which I was deeply committed to, it became a three and a half year process …. They knew the entire time that I had an obligation, a green-lit movie with people who were waiting for me, and I pushed that, and I pushed it again, and then I pushed it again, and then eventually we all knew like, okay, if this gets pushed again, I’m not going to be able to be in L.A. to do the rest of this in person. So we just figured out a way to do it remote.”

    DaCosta also explained how she worked with the rest of the crew to finish the film. “We figured out the best process,” she said. “At the time that I left to go to London to start prep on my next film, everyone was so clear about what the film was that we wanted, everyone knew what I wanted, so it really wasn’t the dramatic sort of thing that people think it is.”

    DaCosta added that directors finishing one production while beginning another “happens quite a bit” in the film industry, despite the judgement coming from Marvel’s anonymous source.

    The Marvels opens in theaters this Friday, November 10.

    This piece was written during the 2023 SAG-AFTRA strike. Without the labor of the actors currently on strike, the work being covered here wouldn’t exist.

    (featured image: Walt Disney Studios Motion Pictures)

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    Julia Glassman

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  • Nia DaCosta Vented to Other Marvel Directors About ‘The Marvels’

    Nia DaCosta Vented to Other Marvel Directors About ‘The Marvels’

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    Nia DaCosta is the director of the upcoming The Marvels, a sequel to Captain Marvel and the Ms. Marvel TV series. While it’s a huge deal, it’s also undoubtedly stressful. It’s a major workload, and there are tons of huge expectations that come along with the job. As such, it only makes sense that she would reach out to other directors for support. She recently spoke with Vanity Fair, where she explained how she made it through the production, and how other Marvel directors were able to help.

    DaCosta said she approached some of the other directors who have worked for Marvel recently to ask about Kevin Feige. It does seem like he would be more than a little intimidating for a new Marvel director.

    READ MORE: 20 Actors Who Were Wasted in Marvel Roles

    “Are they going to kill me and destroy my soul? Is Kevin Feige a bad man?” she asked. “And they were like, ‘No, he’s just a good guy who was a nerd.’”

    She also spoke about talking to Destin Daniel Cretton, the director of Shang-Chi and the Legend of the Ten Rings, especially about the challenges that come along with some of the visual FX in Marvel movies, texting him things like…

    ‘I’m overwhelmed ‘I’m so stressed.’ Sometimes you’d be in a scene and you’d be like, ‘What the hell does any of this s— mean?’ Or an actor’s looking at some crazy thing happening in space, and they’re looking at a blue X. There were obviously hard days, and days where you’re like, ‘This just isn’t working.’

    The Marvels is scheduled to open in theaters on November 10.

    Every Marvel Movie Ever Made, Ranked From Worst to First

    From the Captain America serial to Spider-Man: Across the Spider-Verse, we ranked the entire history of Marvel at the movies.

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    Cody Mcintosh

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