ReportWire

Tag: News media

  • With its top editor abruptly gone, The Washington Post grapples with a hastily announced restructure

    With its top editor abruptly gone, The Washington Post grapples with a hastily announced restructure

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    NEW YORK — The struggling Washington Post found itself in some turmoil on Monday following the abrupt departure of the newspaper’s executive editor and a hastily announced restructuring plan aimed at stopping an exodus of readers over the past few years.

    Post publisher Will Lewis and Matt Murray, a former Wall Street Journal editor named to temporarily replace Sally Buzbee, met with reporters and editors at the Post on Monday to explain changes that had been outlined in a Sunday night email.

    The plan includes splitting the newsroom into three separate divisions with managers who report to Lewis — one that encompasses the Post’s core news reporting, one with opinion pieces and the third devoted to attracting new consumers through innovative uses of social media, video, artificial intelligence and sales.

    Although Murray is temporarily replacing Buzbee through the November presidential election, the eventual plan places no one in the role of an executive editor who oversees the entire newsroom. Buzbee was said to disagree with the plan and chose to leave rather than be put in charge of one of the divisions, the Post reported.

    Lewis was not made available for an interview Monday, and Buzbee did not immediately return a message.

    “It definitely kind of blindsided people,” said Paul Farhi, a recently retired media reporter at the Post. “But it shows you that Will Lewis is working out of a sense of crisis and urgency. He’s only been there five months and he’s making gigantic changes to the newsroom.”

    Like most news organizations, the Post has lost readers — a decline more acute because the Washington-based outlet boomed with the interest in politics during the Trump administration. The Post’s website had 101 million unique visitors a month in 2020, and had dropped to 50 million at the end of 2023. The Post lost a reported $77 million last year.

    “Although (Post owner) Jeff Bezos is very rich, it has been my observation that billionaires don’t like to lose money,” said Margaret Sullivan, a former Post columnist and now the executive director for the Craig Newmark Center for Journalism Ethics and Security at the Columbia Journalism School.

    Lewis told staff members on Monday that “I’m not interested in managing decline. I’m interested in growth,” according to a person who attended the meeting. The new publisher also bluntly told staffers that “people are not reading your stuff. We need to take decisive action.”

    The new division designed to attract new customers — the Post called it a “third newsroom” — is steeped in some mystery. While the Post at one time headquartered the people running its digital products in a separate building, for several years it has integrated that and social media into the regular newsroom, as have many organizations. It’s hard to predict how the new structure will work, and there are likely to be changes as they are put in place, Sullivan said.

    “Maybe it’s brilliant and innovative,” she said. “But it just strikes me as being odd.”

    There are significant questions surrounding the restructuring — including suggestions that dividing the newsroom into three parts could create fragmentation of the Post’s overall news report. Will separation into different units hinder the kind of collaboration that creates fluid multiplatform journalism?

    “It feels so retro — reminiscent of search engine optimization, social media and pivoting to video, just as AI and agents threaten to become a new web,” said Jeff Jarvis, Jarvis, author of “The Gutenberg Parenthesis: The Age of Print and its Lessons for the Age of the Internet.”

    Murray will be in charge of this division following the election. After that, Robert Winnett, a longtime editor at the Telegraph in England who worked with Lewis there, will take over the core reporting functions at the Post, the newspaper said.

    There was some concern expressed by Post staff members about three men — all of them new to a newspaper that takes some pride in journalists working their way up through the ranks and two of them British-born — being in charge at a crucial time.

    “In a few months, two British-born editors will be running the leading newspaper in the capital of the United States,” Farhi said. “It was kind of unimaginable a couple of months ago.”

    They won’t be alone. Other U.S.-based news organizations with British-born leaders included The Wall Street Journal, with editor in chief Emma Tucker; CNN, with chairman and CEO Mark Thompson; and The Associated Press, with Daisy Veerasingham as president and CEO.

    Lewis was also questioned about his commitment to diversity after the first woman to be the editor in charge of the Post has left. He said he was committed to it “and you’ll see it going forward,” according to the person at the meeting.

    Lewis has said that the Post will be experimenting with different pay tiers for digital subscriptions, for people who may be interested in particular topics or stories instead of the entire package, similar to products offered by Politico, for example. As editor, Buzbee has been beefing up the Post’s coverage on topics like cooking and climate that appeal to particular readers.

    Lewis has talked about searching for ways to reach millions of Americans who want to keep informed but don’t feel like traditional news products serve their needs.

    In one sense, efforts to make organizations like the Post and the Times more attractive to subscribers may contribute to the trends hurting local news, Farhi said. As the newspapers seek out more national and international customers, he said, they are much less likely to invest in covering local news.

    ___

    David Bauder writes about media for The Associated Press. Follow him at http://twitter.com/dbauder.

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  • Delete a background? Easy. Smooth out a face? Seamless. Digital photo manipulation is now mainstream

    Delete a background? Easy. Smooth out a face? Seamless. Digital photo manipulation is now mainstream

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    NEW YORK — It’s been a common refrain when seeking proof that someone’s story or some event actually took place: “Pics, or it didn’t happen.”

    But in a world where the spread of technology makes photo manipulation as easy as a tap on your phone, the idea that a visual image is an absolute truth is as outdated as the daguerreotype. And a photo can sometimes raise as many questions as it was meant to answer.

    That was seen in recent days when controversy descended upon an image of Kate, Princess of Wales, and her three children. News agencies including The Associated Press published, then retracted, the image given out by Kensington Palace over concerns it had been manipulated, leading to Kate saying on social media that she occasionally “experimented” with photo editing.

    In that, she’s hardly alone.

    From something that was time-consuming and required a great deal of technical expertise in the days of actual film and darkrooms, digital editing has become something practically anyone can do, from adding filters to cropping images and much more. Apps abound, offering the easiest of experiences in creating and retouching photos and videos which can then be easily transmitted online and through social media.

    “Cover blemishes and let the real you shine through,” says an ad for the smartphone app Facetune. “Remove and change backgrounds instantly,” the Fotor app’s website enthuses. “Our AI object remover is ready to assist you in getting rid of unwanted objects.”

    This Wild West of image-altering abilities is opening new frontiers for everyday people — and creating headaches for those who expect photos to be a documentary representation of reality.

    Photojournalists and major news organizations follow standards and ethics codes around photos. These organizations typically place an absolute premium on image authenticity and reject photographs that have been altered in any way. But efforts to identify altered imagery can be impeded by the increasingly easy-to-use apps for phones and computers that allow anyone to chip away, piece by piece, at what a camera actually recorded.

    The mainstreaming of manipulation, placing such abilities at people’s fingertips, has made for some interesting and viral moments — like the one in March 2023 when an artificially generated image of Pope Francis wearing a puffy white coat took in many people who thought it was real.

    But there are risks and dangers to a world where just because you see something doesn’t mean you can absolutely believe it, said Ken Light, a photojournalism professor at the University of California Berkeley’s Graduate School of Journalism.

    “The role of photography has been to witness and to record for the moment, but also for history. And I don’t think any of us know where it’s going,” he said. The rise of visual manipulation that casts doubt on whether something is real or not “frays the fabric of the culture tremendously in the moment but also for the future.”

    Fred Ritchin, dean emeritus of the school at the International Center of Photography and a former picture editor at The New York Times Magazine, agreed. “’The camera never lies’ is a 20th-century idea. It’s not a 21st-century idea,” he said. “These are all mythologies that we’re still hiding behind and we have not really confronted.”

    People have long known that some images are manipulated, like cover models on magazines, and some have raised concerns about that impact that artificial and manipulated standards of beauty can have on girls and women.

    But they haven’t really come to terms with how widespread digital manipulation is in other areas like social media, done by a wide variety of everyday people, said Lexie Kite, who with her sister Lindsay has done research into body image and media and wrote “More Than A Body: Your Body Is an Instrument, Not an Ornament.”

    “It is important for all of us to anchor ourselves in the truth that digital manipulation is our reality,” she said.

    People can take steps to deal with the creeping effects of photo manipulation, said Hany Farid, a professor at UC Berkeley whose research examines digital forensics and image analysis.

    Viewers need “to just slow down a little bit, be a little bit more careful, be a little more thoughtful” about what they’re looking at instead of just assuming any image they see is fact, he said.

    On the technology side, he said there are ways being developed to track visual images and to make it clear if they’ve been altered after the photos were taken.

    But while such steps may mitigate some of the issues, he said, it won’t eliminate the problem or take us back to where we could have abiding faith in an image, as previous generations did with photos we now consider unforgettable.

    “Almost every major incident in our history, wars, conflicts, disasters, there’s this iconic photo,” he said. “They’re so powerful because they capture this incredibly complex set of facts and emotions and history in one photo. And I don’t know that we can have that anymore. It’s a very different world going forward now.”

    Or, if the adage was modified: “Pics, and maybe it still didn’t quite happen.” ___

    This story has been corrected to show that the image of the Princess of Wales and her children was given out by Kensington Palace, not Buckingham Palace.

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  • Think the news industry was struggling already? The dawn of 2024 is offering few good tidings

    Think the news industry was struggling already? The dawn of 2024 is offering few good tidings

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    NEW YORK — On Friday, the National Press Club is offering solace — and a free meal — by giving recently laid-off journalists tacos in recognition of a brutal stretch that seems to offer bad news daily for an already struggling industry.

    For anyone who works in the news media, the list is intimidating — and unremitting.

    The news website The Messenger folded on Wednesday after being in operation since only last May, abruptly putting some 300 journalists out of work. The Los Angeles Times laid off more than 100 journalists in recent weeks, Business Insider and Time magazine announced staff cuts, Sports Illustrated is struggling to survive, the Washington Post is completing buyouts to more than 200 staffers. The Post reported Thursday that The Wall Street Journal was laying off roughly 20 people in its Washington bureau; there was no immediate comment from a Journal representative. Pitchfork announced it was no longer a freestanding music site, after digital publications BuzzFeed News and Jezebel disappeared last year.

    And journalists at the Los Angeles Times, the Washington Post, New York Daily News and the Conde Nast magazine company have all conducted walkouts to protest how management was dealing with business problems.

    Seeing all the damage is what led to the Washington-based National Press Club to open its weekly Taco Night to laid-off colleagues and offer a one-month free membership to people who need a networking opportunity.

    “It’s very important when people have lost their jobs to know that they have some support behind them,” said Didier Saugy, the club’s executive director.

    The news business has been in a free fall for the past two decades, starting when much of its advertising moved online to opportunistic tech companies. Advertising is still a huge part of the problem, although there are more complex reasons and circumstances unique to individual outlets that also play a part.

    The situation is dire at larger, more national organizations and in smaller communities. A Northwestern University study released in November estimated the United States has lost one-third of its newspapers and two-thirds of its newspaper journalism jobs since 2005.

    The nation loses 2.5 newspapers per week — a pace that is accelerating, the study found. Through the end of November, the employment firm Challenger, Gray and Christmas estimated 2,681 journalism jobs were lost in 2023, and that tally has increased by hundreds since.

    One industry observer, Jeff Jarvis, wondered on his Buzzmachine website this week: “Is it time to give up on old news?”

    “There’s an inevitability to what is happening,” Jarvis, author of “The Gutenberg Parenthesis: The Age of Print and its Lessons for the Age of the Internet,” said in an interview. “Publications have been trying to preserve their old ways and their old models, and it is time for them to realize that it’s not working and now it’s too late.”

    While there have been some successes in news outlets shifting their business to paid digital subscriptions — most spectacularly at The New York Times — failures are much more numerous. Even The Washington Post, whose subscriptions boomed during the Trump administration, has seen a falloff, leading its management to acknowledge that it was too optimistic in expansion plans and needed to cut costs.

    Optimism created by billionaire owners at the Post, with Jeff Bezos, and Los Angeles Times, with Patrick Soon-Shiong, has faded as it became apparent they didn’t have magic fixes. With COVID and the Hollywood strike constricting the advertising market, the Los Angeles Times estimated it was losing between $30 million and $40 million a year.

    Philanthropy has offered a boost to some news organizations, including The Associated Press. The MacArthur Foundation and Knight Foundation last year pledged $500 million to seed solutions in the news industry, but such efforts can’t match the scale of the problem, Jarvis said.

    “The industry,” he said, “leaps from false messiah to false messiah.”

    Tech companies are also backing away from news, said Aileen Gallagher, a Syracuse University journalism professor. Through its AI-powered search generative experience, Google is much less frequently directing users to individual news sites, she said.

    Publishers have also complained of losing significant business with Facebook much less frequently featuring news articles that bring people to news sites. Twitter, now X, was once like a second home to journalists, but that’s become much less the case since Elon Musk’s purchase of the site.

    “What the news companies may have finally woken up to is that nothing good will come from accepting the scraps that social platforms and search platforms will give the news business,” Gallagher said.

    The 2020 election proved a boon for many news outlets, but there are questions about whether the public will have as much interest in following political news this year.

    Some of the troubled outlets also have unique issues that contributed to their problems. Sports Illustrated sent layoff notices to employees after the company that publishes its content lost its license to do so. The Messenger’s failure angered observers because its business plan — a centrist website that tried to appeal to many instead of a tightly-defined audience — was an uphill battle to start.

    “It was business malpractice and human cruelty at an epic scale,” Jim VandeHei, co-founder of Axios and Politico, told the Puck newsletter. “Anyone who knew anything about the economics of media knew it would die quickly, spectacularly and sadly.”

    That sadness is apparent in messages left on social media by laid-off journalists from The Messenger and elsewhere.

    “I was laid off from my political writing job back in August and haven’t been able to find another one since,” wrote Tara Dublin, author of “The Sound of Settling: A Rock and Roll Love Story,” on X. “I am terrified about the future of journalism and how anyone is going to be able to trust any news source.”

    Steve Reilly, an investigative reporter at The Messenger who saw his job disappear this week, wrote: “If you’ve been affected by recent journalism layoffs at the Messenger or elsewhere, please know that it is not your fault. It has nothing to do with you or your work.”

    Jarvis, who also teaches journalism, said he doesn’t pretend to know the answers. He said there needs to be an attitude change from searching for a way to monetize content to seeing journalism as a service to the community.

    “We need journalists in society, and we will find a way to fill that need,” he said. “I’m optimistic in the long run. But in the short run, it’s going to be ugly.”

    ___

    David Bauder covers media for The Associated Press. Follow him at http://twitter.com/dbauder



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  • US company says hostage-taking by gunmen at its factory in Turkey in Gaza protest has been resolved

    US company says hostage-taking by gunmen at its factory in Turkey in Gaza protest has been resolved

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    ISTANBUL — Two gunmen took seven hostages at a factory owned by U.S. company Procter & Gamble in northwest Turkey on Thursday, according to media reports, apparently in protest of the Israel-Hamas war in Gaza.

    Turkish media published an image of one of the purported suspects inside the factory, a man wearing what appeared to be a rudimentary explosives belt and holding a handgun.

    Hours later, a P&G spokesperson said the situation at its plant in Gebze in the province of Kocaeli had been resolved and all personnel were safe and the assailant apprehended by law enforcement. The statement from the spokesperson referred to one assailant.

    “The fact that no one was harmed is our greatest relief. We are grateful to the authorities and first responders who managed the situation with courage and professionalism,” the spokesperson said.

    Earlier, private news agency DHA said the suspects entered the main building of the facility at around 3 p.m. local time (1200 GMT) and took seven members of the staff hostage.

    It claimed the suspects’ actions were to highlight the loss of life in the Palestinian enclave. Some 27,000 have been killed in Israel’s military operation since Oct. 7, according to the Hamas-controlled Health Ministry.

    Ismet Zihni said his wife Suheyla was among the hostages. Speaking from near the factory, he told DHA that he had called her. “She answered ‘We’ve been taken hostage, we’re fine’ and she hung up,” he said.

    Police sealed off surrounding roads at the factory and were said to be trying to negotiate with the hostage-takers.

    P&G’s head office in Cincinnati confirmed the incident. A spokesperson said: “The safety of P&G people and our partners is our top priority. Earlier today, we evacuated our Gebze facility and are working with local authorities to resolve an urgent security situation.”

    P&G Turkey employs 700 people at three sites in Istanbul and Kocaeli, according to the company’s website. It produces cleaning and hygiene brands such as Ariel washing powder and Oral B toothpaste.

    Public feeling against Israel and its main ally the U.S. has risen in Turkey since the conflict began, with regular protests in support of the Palestinian people in major cities and calls for an immediate cease-fire.

    Turkish President Recep Tayyip Erdogan has been particularly outspoken, referring to Israeli “war crimes” and comparing Prime Minister Benjamin Netanyahu to Nazi leader Adolf Hitler.

    The U.S. Embassy in Ankara issued a warning in November about demonstrations “critical of U.S. foreign policy” and calls for boycotts of U.S. businesses. The advice followed protests and attacks on outlets such as McDonald’s and Starbucks over the conflict in Gaza.

    The photograph of the suspect carried in the Turkish media shows him with a black-and-white Arabic headscarf covering his face. He is standing next to a graffitied wall showing the Turkish and Palestinian flags with the slogan “The gates will open. Either musalla or death for Gaza.” A musalla is an open prayer area for Muslims, usually used for funeral rites.

    ___

    Associated Press writer Bruce Shipkowski in Trenton, N.J., contributed to this report.

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  • Hal Buell, who led AP’s photo operations from darkroom era into the digital age, dies at 92

    Hal Buell, who led AP’s photo operations from darkroom era into the digital age, dies at 92

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    SUNNYVALE, Calif. — Hal Buell, who led The Associated Press’ photo operations from the darkroom era into the age of digital photography over a four-decade career with the news organization that included 12 Pulitzer Prizes and some of the defining images of the Vietnam War, has died. He was 92.

    Buell died Monday in Sunnyvale, California, after battling pneumonia, his daughter Barbara Buell said in an email. His final two months were spent with her and her husband, and he died in their home with his daughter at his side.

    “He was a great father, friend, mentor, and driver of important transitions in visual media during his long AP career,” Barbara Buell said. “When asked by the numerous doctors, PT, and medical personnel he met over the last six months what he had done during his working life, he always said the same thing: ‘I had the greatest job in the whole world.’”

    Colleagues described Buell as a visionary who encouraged photographers to try new ways of covering hard news. As the editor in charge of AP’s photo operations from the late 1960s to the 1990s, he supervised a staff that won a dozen Pulitzers on his watch and he worked in 33 countries, with legendary AP photographers including Eddie Adams, Horst Faas and Nick Ut.

    “Hal pushed us an extra step,” Adams said in an internal AP newsletter at the time of Buell’s retirement in 1997. “The AP had always been cautious, or seemed to be, about covering hard news. But that was the very thing Buell encouraged.”

    Buell made the crucial decision in 1972 to run Ut’s photo of a naked young girl fleeing her burning village after napalm was dropped on it by South Vietnamese Air Force aircraft. The image of Kim Phuc became one of the most haunting images of the Vietnam War and came to define for many all that was misguided about the war.

    After the image was transmitted from Saigon to AP headquarters in New York, Buell examined it closely and discussed it with other editors for about 10 minutes before deciding to run it.

    “We didn’t have any objection to the picture because it was not prurient. Yes, nudity but not prurient in any sense of the word,” Buell said in a 2016 interview. “It was the horror of war. It was innocence caught in the crossfire, and it went right out, and of course it became a lasting icon of that war, of any war, of all wars.”

    Ut was just 20 when he made the iconic photo that won him the Pulitzer Prize. Without Buell’s support, he said, the photo might never had become a symbol of the war.

    “He thought it was powerful, and he wanted to get it out right away,” Ut said by phone Tuesday.

    He said he last spoke several weeks ago with Buell, who he called a mentor and a great friend.

    “Hal was the best boss I ever had,” Ut said. “He was very supportive of me.”

    Santiago Lyon, a former vice president and director of photography at AP, called Buell “a giant in the field of news agency photojournalism.”

    “A generous, warm, and affable man, he always made time for photographers,” Lyon said.

    David Ake, who recently retired as AP’s director of photography, said Buell set the standard for that role.

    “I can’t tell you the number of times I would get a pearl of ‘Hal wisdom’ from one staffer or another,” Ake said. “He will be missed both in the AP and by the entire photojournalism community.”

    Buell joined the AP in the Tokyo bureau on a part-time basis after graduating from Northwestern University in 1954 with bachelor’s and master’s degrees in journalism. He was serving with the Army at the time, working on the military newspaper Stars and Stripes.

    Out of the Army two years later, he joined AP’s Chicago bureau as a radio writer, and a year later, in 1957, was promoted to the photo desk in AP’s New York office.

    Buell returned to Tokyo at the end of the decade to be supervisory photo editor for Asia and came back to New York in 1963 to be AP’s photo projects editor. He became executive news photo editor in 1968 and in 1977 he was named assistant general manager for news photos.

    During his decades with AP, technology in news photography took astonishing leaps, going from six hours to six minutes to snap, process and transmit a color photo. Buell implemented the transition from a chemical darkroom where film was developed to digital transmission and digital news cameras. He also helped create AP’s digital photo archive in 1997.

    “In the ’80s, when we went from black-and-white to all color, we were doing a good job to send two or three color pictures a day. Now we send 300,” Buell said in the 1997 AP newsletter.

    Former AP CEO Lou Boccardi said in a statement that Buell drove this remarkable period of innovation and transition, but he never forgot, nor did he let his staff forget, that capturing “the” image that told the story was where it all had to start.

    “Fortunately for us, and for news photography, his vision and energy empowered and inspired AP Photos for decades,” Boccardi said.

    After retiring in 1997, Buell wrote books about photography, including “From Hell to Hollywood: The Incredible Journey of AP Photographer Nick Ut;” “Uncommon Valor, Common Virtue: Iwo Jima and the Photograph That Captured America;” and “The Kennedy Brothers: A Legacy in Photographs.” He was the author of more than a dozen other books, produced film documentaries for the History Channel and lectured across the United States.

    “He instilled in me a belief in the critical role of the fourth estate, a curiosity, and the desire to go for a result,” Barbara Buell said. “He was a driver but a forgiving one — always urging a second shot. Although I miss him, he lived a long life and the life he wanted.”

    Buell is survived by his daughter and her husband, Thomas Radcliffe, as well as two grandchildren and a great-grandson. His wife, Angela, died in 2000, and his longtime partner, Claudia DiMartino, died in October.

    ___

    Associated Press writers Mike Schneider in Orlando, Florida, Lisa Baumann in Bellingham, Washington, and the AP Corporate Archives contributed to this report.

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  • Artist-dissident Ai Weiwei gets 'incorrect' during an appearance at The Town Hall in Manhattan

    Artist-dissident Ai Weiwei gets 'incorrect' during an appearance at The Town Hall in Manhattan

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    NEW YORK — NEW YORK (AP) — Ai Weiwei, the Chinese artist and dissident who believes it his job to be “incorrect,” was hard at work Tuesday night during an appearance at The Town Hall in Manhattan.

    “I really like to make trouble,” Ai said during a 50-minute conversation-sparring match with author-interviewer Mira Jacob, during which he was as likely to question the question as he was to answer it. The event was presented by PEN America, part of the literary and free expression organization’s PEN Out Loud series.

    Ai was in New York to discuss his new book, the graphic memoir “Zodiac,” structured around the animals of the Chinese zodiac, with additional references to cats. The zodiac has wide appeal with the public, he said, and it also serves as a useful substitute for asking someone their age; you instead ask for one’s sign.

    “No one would be offended by that,” he said.

    Ai began the night in a thoughtful, self-deprecating mood, joking about when he adopted 40 cats, a luxury forbidden during his childhood, and wondered if one especially attentive cat wasn’t an agent for “the Chinese secret police.” Cats impress him because they barge into rooms without shutting the door behind them, a quality shared by his son, he noted.

    “Zodiac” was published this week by Ten Speed Press and features illustrations by Gianluca Costantini. The book was not initiated by him, Ai said, and he was to let others do most of the work.

    “My art is about losing control,” he said, a theme echoed in “Zodiac.”

    He is a visual artist so renowned that he was asked to design Beijing’s Bird’s Nest stadium for the 2008 Summer Olympics, but so much a critic of the Chinese Communist Party that he was jailed three years later for unspecified crimes and has since lived in Portugal, Germany and Britain.

    The West can be just as censorious as China, he said Tuesday. Last fall, the Lisson Gallery in London indefinitely postponed a planned Ai exhibition after he tweeted, in response to the Israel-Hamas war, that “The sense of guilt around the persecution of the Jewish people has been, at times, transferred to offset the Arab world. Financially, culturally, and in terms of media influence, the Jewish community has had a significant presence in the United States.”

    After Jacobs read the tweet to him, Ai joked, “You sound like an interrogator.”

    Ai has since deleted the tweet, and said Tuesday that he thought only in “authoritarian states” could one get into trouble on the internet.

    “I feel pretty sad,” he said, adding that “we are all different” and that the need for “correctness,” for a single way of expressing ourselves, was out of place in a supposedly free society.

    “Correctness is a bad end,” he said.

    Some questions, submitted by audience members and read by Jacobs, were met with brief, off-hand and often dismissive responses, a test of correctness.

    Who inspires you, and why?

    “You,” he said to Jacobs.

    Why?

    “Because you’re such a beautiful lady.”

    Can one make great art when comfortable?

    “Impossible.”

    Does art have the power to change a country’s politics?

    “That must be crazy to even think about it.”

    Do you even think about change while creating art?

    “You sound like a psychiatrist.”

    What do you wish you had when you were younger?

    “Next question.”

    How are you influenced by creating art in a capitalistic society?

    “I don’t consider it at all. If I’m thirsty, I drink some water. If I’m sleepy, I take a nap. I don’t worry more than that.

    If you weren’t an artist, what would you be?

    “I’d be an artist.”

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  • The Baltimore Sun is returning to local ownership — with a buyer who has made his politics clear

    The Baltimore Sun is returning to local ownership — with a buyer who has made his politics clear

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    A local buyer taking over a struggling newspaper in the 21st century is normally cause for some celebration. But The Baltimore Sun’s newly announced owner has a very specific political background, and some are concerned about what the 187-year-old publication could become.

    David D. Smith, executive chairman of the Sinclair broadcasting chain and an active contributor to conservative causes, has bought Baltimore Sun Media from the investment firm Alden Global Capital. The purchase price was not disclosed.

    Smith met with employees of The Sun on Tuesday to talk about his plans, saying he hopes to make the newsroom more profitable. He was not made available for an interview with The Associated Press.

    In a Sun story announcing the sale a day earlier, Smith said that he was in the news business because he believes “we have an absolute responsibility to serve the public interest.” He also criticized the city’s “mainstream media” while acknowledging that he began reading the paper regularly only a few months ago.

    “Have no fear of me,” Smith told the Sun newsroom on Tuesday, according to someone who was there and relayed the statement on condition of anonymity because it was a private meeting. “What you should fear is the marketplace.”

    Smith serves as executive chairman of the Maryland-based Sinclair Broadcasting Inc., which owns or operates 185 local television stations across the country and is known for infusing a right-wing sensibility into its news products. In 2018, the company ordered its anchors across the country to read a statement that largely echoed what former President Donald Trump had said about “fake news.”

    The company was founded as the Chesapeake Television Corp. by Smith’s father, Julian Sinclair Smith, and changed its name to Sinclair in the 1980s as it began expanding nationally.

    Smith made clear that he used his personal resources to purchase The Sun, which will not fall under the Sinclair umbrella and will be under local ownership for the first time in 38 years. Smith told the newspaper he had one partner: Armstrong Williams, a commentator who hosts a show on Sinclair’s affiliates.

    The Sinclair-owned Fox station in Baltimore frequently airs coverage blaming the city’s Democratic mayor, Brandon Scott, for gun violence and failing schools. And Smith has become a prominent player in local politics. In 2022, he helped finance an effort to impose term limits for some Baltimore officials.

    Tax records show Smith’s foundation has donated to the conservative group Project Veritas, which is best known for making hidden camera stings on media and liberal figures.

    “As a lifelong Baltimorean and reader of The Sun, I believe that a free and fair — unbiased — press is critically important,” said former Baltimore City Solicitor Jim Shea. “I hope that The Sun will not be controlled by those who want to spread their own partisan views.”

    Others celebrated the sale. “A late Christmas present for common sense people in Maryland looking for honest and fair reporting. Embrace a new day Baltimore!” Republican state Delegate Kathy Szliga posted on X, formerly Twitter.

    History is replete with media owners who have strong political opinions; Rupert Murdoch is only a recent example. What resonates is whether they use their products to push those views.

    “If the owner invests in it and truly cares about local news and how it is reported fairly, it could be a great thing,” said Marty Kaiser, who worked at the Sun decades ago and now runs the Capital News Service for the University of Maryland. “But his background sort of makes you pause.”

    Alden Capital, the investment firm that took control of the Sun with its purchase of Tribune Publishing in 2021, is notorious for its cost-cutting. Newspapers with local ownership — the Philadelphia Inquirer, Boston Globe and Seattle Times among them — tend to invest more in their product, said Tim Franklin, senior director of the Medill Local News Initiative at Northwestern University.

    But while the Sun has shrunk, it has remained a credible news organization, winning the Pulitzer Prize for local reporting in 2020 for its stories on a book publishing scheme that led to the former mayor’s resignation.

    It is also now competing with The Baltimore Banner, a digital-only news organization started in 2022 by hotel magnate Stewart Bainum Jr., who tried unsuccessfully to buy the Sun before launching his startup. The Banner employs more than 75 journalists — about 20% hired directly from the Sun over the past two years.

    While the region certainly has people with conservative views, turning it into a rigid conservative publication would not seem a wise business decision, said Medill’s Franklin, who was editor-in-chief of the Sun from 2004 to 2009. “One of the most important rules is to know your audience,” Franklin said, “and Baltimore is not a conservative area.”

    Smith has exhibited a pointed attitude toward the business he’s getting into. In 2018, Smith told New York magazine that he dislikes and fundamentally distrusts print media. He said the industry is so left wing as to be meaningless and that accounts for its decline. “Just no credibility,” he told writer Olivia Nuzzi in 2018.

    When asked about those comments by a Sun staffer Tuesday during a contentious meeting that left many staff members feeling depleted, Smith said he largely stood by them, according to people in attendance.

    David Simon, a former Sun journalist who later gained fame as creator of television’s “The Wire,” said Tuesday that The Sun was already a “hollow shell” of its former self before the recent sale.

    “There are no great cities without great news organizations,” Simon wrote on X, formerly Twitter, “and absent an entity that truly covers its region independently and without ideological cant, corruption and grift will be unceasing.”

    Baltimore Sun Media, winner of 16 Pulitzer Prizes, employs more than 150 people and publishes seven other publications aside from the Sun, with more than 230,000 paid subscribers total. The largest newspaper in Maryland, the Sun was founded in 1837 and was locally owned by the Abell family until the 1980s.

    ___

    Bauder, AP’s media writer, reported from New York. Skene reported from Baltimore.

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  • You Should Go to a Trump Rally

    You Should Go to a Trump Rally

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    If Donald Trump has benefited from one underappreciated advantage this campaign season, it might be that no one seems to be listening to him very closely anymore.

    This is a strange development for a man whose signature political talent is attracting and holding attention. Consider Trump’s rise to power in 2016—how all-consuming his campaign was that year, how one @realDonaldTrump tweet could dominate news coverage for days, how watching his televised stump speeches in a suspended state of fascination or horror or delight became a kind of perverse national pastime.

    Now consider the fact that it’s been 14 months since Trump announced his entry into the 2024 presidential race. Can you quote a single thing he’s said on the campaign trail? How much of his policy agenda could you describe? Be honest: When was the last time you watched him speaking live, not just in a short, edited clip?

    It’s not that Trump has been forgotten. He remains an omnipresent fact of American life, like capitalism or COVID-19. Everyone is aware of him; everyone has an opinion. Most people would just rather not devote too much mental energy to the subject. This dynamic has shaped Trump’s third bid for the presidency. As Katherine Miller recently observed in The New York Times, “The path toward his likely renomination feels relatively muted, as if the country were wandering through a mist, only to find ourselves back where we started, except older and wearier, and the candidates the same.”

    Perhaps we overlearned the lessons of that first Trump campaign. After he won, a consensus formed among his detractors that the news media had given him too much airtime, allowing him to set the terms of the debate and helping to “normalize” his rhetoric and behavior.

    But if the glut of attention in 2016 desensitized the nation to Trump, the relative dearth in the past year has turned him into an abstraction. The major cable-news networks don’t take his speeches live like they used to, afraid that they’ll be accused of amplifying his lies. He’s skipped every one of the GOP primary debates. And since Twitter banned him in January 2021, his daily fulminations have remained siloed in his own obscure social-media network, Truth Social. These days, Trump exists in many Americans’ minds as a hazy silhouette—formed by preconceived notions and outdated impressions—rather than as an actual person who’s telling the country every day who he is and what he plans to do with a second term.

    To rectify this problem, I propose a 2024 resolution for politically engaged Americans: Go to a Trump rally. Not as a supporter or as a protester, necessarily, but as an observer. Take in the scene. Talk to his fans. Listen to every word of the Republican front-runner’s speech. This might sound unpleasant to some; consider it an act of civic hygiene.

    Yes, there are other ways to familiarize yourself with the candidate and the stakes of this election. (And, of course, some people might not feel safe at a Trump event.) But nothing quite captures the Trump ethos like his campaign rallies. This has been true ever since he held his first one at Trump Tower, in June 2015. Back then, he had to stack the crowd with paid actors, prompting many in the press (myself included) to dismiss the whole thing as an astroturf marketing stunt. But the rallies, like the campaign itself, soon took on a life of their own, with thousands of people flocking to Phoenix or Toledo or Daytona Beach to witness the once-in-a-generation spectacle firsthand. What would he do? What would he say? I still remember the night of the 2016 Nevada caucuses, standing in line for Trump’s victory rally at the Treasure Island Hotel and Casino and overhearing one gawker enthuse to another, “This is a cultural phenomenon. We have to see it.”

    Regardless of your personal orientation toward Trump, attending one of his rallies will be a clarifying experience. You’ll get a tactile sense of the man who’s dominated American politics for nearly a decade, and of the movement he commands. People who comment on politics for a living—journalists, academics—might find certain premises challenged, or at least complicated. Opponents and activists might come away with new urgency (and maybe a dash of empathy for the people Trump has under his sway). The experience could be especially educational to Republican voters who are not Trump devotees but who see the other GOP candidates as lost causes and plan to vote for Trump over Joe Biden. Surely, they should see, before they cast their vote, what exactly they’re voting for.

    I recently undertook this challenge myself. As a reporter, I’ve covered about 100 Trump rallies in my life. For a stretch in the fall of 2016, I spent more time in MAGAfied arenas and airplane hangars than I did sleeping in my own bed. What I remember most from that year is the unsettling, anything-might-happen quality of the events. The chaos. The violence. The glee of the candidate presiding over it all.

    But with the commencement of a new election year, it occurred to me that I hadn’t been to a rally since 2019. The pandemic, followed by a book project and a series of story assignments unrelated to Trump, had kept me largely off the campaign trail. I was curious what it would be like to go back. Had anything changed? Was my impression of Trump still up-to-date? So, one night earlier this month, I parked my rental car on a scrap of frozen grass near the North Iowa Events Center in Mason City and made my way inside.

    A line had formed hours before Trump was scheduled to speak, but the people trickling in from the cold through metal detectors were in good spirits. They chatted amiably about their holiday travel and arranged themselves in groups for selfies. An upbeat soundtrack played over the speakers—Michael Jackson, Adele, Panic! at the Disco—and people excitedly pointed out recognizable faces in the media section. “You’re that guy from CBS!” one attendee exclaimed to a TV-news correspondent.

    I found the wholesome, church-barbecue vibe a little jarring. For months, my impression of the 2024 Trump campaign had been shaped by the apocalyptic rhetoric of the candidate himself—the stuff about Marxist “vermin” destroying America, and immigrants “poisoning the blood of our country.” The people here didn’t look like they were bracing for an existential catastrophe. Had I overestimated the radicalizing effect of Trump’s rhetoric?

    Only once I started talking to attendees did I detect the darker undercurrent I remembered from past rallies.

    I met Kris, a 71-year-old retired nurse in orthopedic sneakers, standing near the press risers. (She declined to share her last name.) She was smiley and spoke in a sweet, grandmotherly voice as she told me how she’d watched dozens of Trump rallies, streaming them on Rumble or FrankSpeech, a platform launched by the right-wing MyPillow founder Mike Lindell. (She waited until Lindell, who happened to be loitering near us, was out of earshot to confide that she preferred Rumble.) The conversation was friendly and unremarkable—until it turned to the 2020 election, which Kris told me she believes was “most definitely” stolen.

    “You think Trump should still be president?” I asked.

    “By all means,” she said. “And I think behind the scenes he maybe is doing a little more than what we know about.”

    “What do you mean?”

    “Military-wise,” she said. “The military is supposed to be for the people, against tyrannical governments,” she went on to explain. “I hope he’s guiding the military to be able to step in and do what they need to do. Because right now, I’d say government’s very tyrannical.” If the Democrats try to steal the election again in 2024, she told me, the Trump-sympathetic elements of the military might need to seize control.

    Around 8 p.m., Trump took the stage and launched into his remarks, toggling back and forth between what he called “teleprompter stuff” (his prepared stump speech) and the unscripted riffs that he’s famous for. Seeing him speak in this setting after so many years was strange—both instantly familiar and still somehow shocking, like rewatching an old movie you saw a hundred times as a kid but whose most offensive jokes you’d forgotten.

    When he talked about members of the Biden administration, he referred to them as “idiots” and “lunatics” and “bad people.” When he talked about the “invasion” of undocumented immigrants at the southern border, he punctuated the riff with ominous warnings for his mostly white audience: “They’re occupying schools …They’re sitting with your children.” When he mentioned Barack Obama, he made a point of using the former president’s middle name—“Barack Hussein Obama”—and then veered off into an appreciation of Rush Limbaugh, the late conservative talk-radio host who taught him this trick. “We miss Rush,” Trump said to enthusiastic cheers. “We need you, Rush!”

    I’d forgotten how casually he swears from the podium—deriding, at one point, his Republican rival Nikki Haley’s recent statement on the Civil War as “three paragraphs of bullshit”—and how casually people in the crowd swear back. Throughout the speech, two young men near the front repeatedly screamed “Fuck Biden!” prompted a wave of naughty giggles from others in the crowd.

    If one thing has noticeably changed since 2016, it’s how the audience reacts to Trump. During his first campaign, the improvised material was what everyone looked forward to, while the written sections felt largely like box-checking. But in Mason City, the off-script riffs—many of which revolved around the 2020 election being stolen from him, and his personal sense of martyrdom—often turned rambly, and the crowd seemed to lose interest. At one point, a woman in front of me rolled her eyes and muttered, “He’s just babbling now.” She left a few minutes later, joining a steady stream of early exiters, and I wondered then whether even the most loyal Trump supporters might be surprised if they were to see their leader speak in person.

    My own takeaway from the event was that there’s a reason Trump is no longer the cultural phenomenon he was in 2016. Yes, the novelty has worn off. But he also seems to have lost the instinct for entertainment that once made him so interesting to audiences. He relies on a shorthand legible only to his most dedicated followers, and his tendency to get lost in rhetorical cul-de-sacs of self-pity and anger wears thin. This doesn’t necessarily make him less dangerous. There is a rote quality now to his darkest rhetoric that I found more unnerving than when it used to command wall-to-wall news coverage.

    These were my own impressions of the rally I attended; yours may very well be different. The only way to know is to see for yourself. Every four years, pundits try to identify the medium that will shape the presidential race—the “Twitter election,” the “cable-news election.” In 2024, with both parties warning of existential stakes for America, perhaps the best approach is to simply show up in real life.

    Shortly before Trump began speaking, I met a friendly young dad in glasses who’d brought his 6-year-old son to the event. He’d never attended a Trump rally before and was excited to be there. When I asked if I could chat with him after Trump’s speech to see what he thought of the event, he happily agreed.

    As Trump spoke, I glanced over at the man a few times from the press section. His expression was muted; he barely reacted to the lines that drove the crowd wild. The longer Trump spoke, I noticed, the further the man drifted backward toward the exits. Of course, I don’t know what was going through his head. Maybe he was just a stoic type. Or maybe his enthusiasm was tempered by the distraction of tending to a 6-year-old. All I know is that, halfway through the speech, he was gone.

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    McKay Coppins

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  • Embezzlement of Oregon weekly newspaper's funds forces it to lay off entire staff and halt print

    Embezzlement of Oregon weekly newspaper's funds forces it to lay off entire staff and halt print

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    PORTLAND, Ore. — An Oregon weekly newspaper has had to lay off its entire staff and halt print after 40 years because its funds were embezzled by a former employee, its editor said, in a devastating blow to a publication that serves as an important source of information in a community that, like many others nationwide, is struggling with growing gaps in local news coverage.

    About a week before Christmas, the Eugene Weekly found inaccuracies in its bookkeeping, editor Camilla Mortensen said. It discovered that a former employee who was “heavily involved” with the paper’s finances had used its bank account to pay themselves $90,000 since at least 2022, she said.

    The paper also became aware of at least $100,000 in unpaid bills — including to the paper’s printer — stretching back several months, she said.

    Additionally, multiple employees, including Mortensen, realized that money from their paychecks that was supposed to be going into retirement accounts was never deposited.

    When the paper realized it couldn’t make the next payroll, it was forced to lay off all of its 10 staff members and stop its print edition, Mortensen said. The alternative weekly, founded in 1982, printed 30,000 copies each week to distribute for free in Eugene, the third-largest city in the state and home to the University of Oregon.

    “To lay off a whole family’s income three days before Christmas is the absolute worst,” Mortensen said, expressing her sense of devastation. “It was not on my radar that anything like this could have happened or was happening.”

    The suspected employee had worked for the paper for about four years and has since been fired, Mortensen said.

    The Eugene police department’s financial crimes unit is investigating, and the paper’s owners have hired forensic accountants to piece together what happened, she said.

    Brent Walth, a journalism professor at the University of Oregon, said he was concerned about the loss of a paper that has had “an outsized impact in filling the widening gaps in news coverage” in Eugene. He described the paper as an independent watchdog and a compassionate voice for the community, citing its obituaries of homeless people as an example of how the paper has helped put a human face on some of the city’s biggest issues.

    He also noted how the paper has made “an enormous difference” for journalism students seeking internships or launching their career. He said there were feature and investigative stories that “the community would not have had if not for the weekly’s commitment to make sure that journalism students have a place to publish in a professional outlet.”

    A tidal wave of closures of local news outlets across the country in recent decades has left many Americans without access to vital information about their local governments and communities and has contributed to increasing polarization, said Tim Gleason, the former dean of the University of Oregon’s journalism school.

    “The loss of local news across the country is profound,” he said. “Instead of having the healthy kind of community connections that local journalism helps create, we’re losing that and becoming communities of strangers. And the result of that is that we fall into these partisan camps.”

    An average of 2.5 newspapers closed per week in the U.S. in 2023, according to researchers at Northwestern University. Over 200 counties have no local news outlet at all, they found, and more than half of all U.S. counties have either no local news source or only one remaining outlet, typically a weekly newspaper.

    Despite being officially unemployed, Eugene Weekly staff have continued to work without pay to help update the website and figure out next steps, said Todd Cooper, the paper’s art director. He described his colleagues as dedicated, creative, hardworking people.

    “This paper is definitely an integral part of the community, and we really want to bring it back and bounce back bigger and better if we can,” he said.

    The paper has launched a fundraising effort that included the creation of a GoFundMe page. As of Friday afternoon — just one day after the paper announced its financial troubles — the GoFundMe had raised more than $11,000.

    Now that the former employee suspected of embezzlement has been fired, “we have a lot of hope that this paper is going to come back and be self-sustaining and go forward,” he said.

    “Hell, it’ll hopefully last another 40 years.”

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  • The Press Trust of India says rescuers have reached workers trapped in a collapsed mountain tunnel, have pulled one out

    The Press Trust of India says rescuers have reached workers trapped in a collapsed mountain tunnel, have pulled one out

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    The Press Trust of India says rescuers have reached workers trapped in a collapsed mountain tunnel, have pulled one out

    ByThe Associated Press

    November 28, 2023, 9:38 AM

    UTTARKASHI, India — The Press Trust of India says rescuers have reached workers trapped in a collapsed mountain tunnel, have pulled one out.

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  • Rescue of 41 workers trapped in collapsed tunnel in India reaches final stretch of digging

    Rescue of 41 workers trapped in collapsed tunnel in India reaches final stretch of digging

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    NEW DELHI — The rescue of 41 construction workers trapped nearly two weeks in a collapsed tunnel in northern India has reached the final stretch of digging.

    The drill that’s digging into the dirt and debris had made it through 44 meters (144 feet) out of approximately the 57 needed, Harpal Singh, a manager of another tunnel project who is helping with the rescue, told the Press Trust of India news agency late on Wednesday night.

    Once they finish excavating the additional 13 meters (43 feet), the rescuers can insert and weld together pipes through which the workers can crawl to their freedom.

    Singh said he hoped that the trapped workers would be rescued Thursday morning.

    Rescuers resumed drilling horizontally through the entrance of the tunnel Wednesday after problems with the machine forced them to stop digging last week and consider alternate rescue plans.

    The mountainous terrain in Uttarakhand state has proved a challenge to the drilling machine, which broke down as rescuers attempted to dig horizontally toward the trapped workers. The machine’s high-intensity vibrations also caused more debris to fall.

    The workers have been trapped since Nov. 12, when a landslide caused a portion of the 4.5-kilometer (2.8-mile) tunnel they were building to collapse about 200 meters (650 feet) from the entrance.

    On Wednesday evening, ambulances and a team of 15 doctors were deployed to the accident site, PTI reported.

    Relatives who had gathered there told the news agency they were finally feeling optimistic, after days of anxiety and concern over the rescue and well-being of the workers.

    Devashish, whose brother-in-law is among those stuck, said he spoke to him on Monday. “Sonu repeatedly told me not to worry now and that we would meet soon,” he said.

    Authorities began supplying the trapped workers with hot meals, made of rice and lentils, through a 6-inch (15.24 cm) pipe earlier this week after days of them surviving off of dry food sent through a narrower pipe. Oxygen is being supplied to them through a separate pipe.

    Officials on Tuesday released a video, after a camera was pushed through the pipe, showing the workers in their construction hats moving around the blocked tunnel while communicating with rescuers on the ground through walkie-talkies.

    Uttarakhand is dotted with Hindu temples, and highway and building construction has been constant to accommodate the influx of pilgrims and tourists. The tunnel is part of the Chardham all-weather road, a flagship federal project connecting various Hindu pilgrimage sites.

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  • Former CNN Boss Jeff Zucker Eyes Return To Media With Britain’s Daily Telegraph

    Former CNN Boss Jeff Zucker Eyes Return To Media With Britain’s Daily Telegraph

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  • For news organizations, the flood of Gaza war video is proving both illuminating and troubling

    For news organizations, the flood of Gaza war video is proving both illuminating and troubling

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    NEW YORK — A camera livestreaming the skyline of Gaza City captures streaks of light. Dash-cam video from a car in Israel spots a killer coming into view. A satellite identifies tank tracks in the dirt, and a mall security camera catches the moment a bomb in Gaza detonates.

    While journalists’ access to the war in Gaza is limited, a flood of video from all sorts of sources documents what is — and isn’t — going on.

    At news organizations, sifting through material found online to determine what is real, and to unearth the sometimes unexpected clues that can be used to tie stories together, are increasingly important — and often emotionally overwhelming — jobs.

    “It has become a key part of doing journalism in the modern age,” said Katie Polglase, a London-based investigative producer for CNN.

    CBS News last week announced the launch of “CBS News Confirmed,” the formation of a team to use data and technology to study online evidence. Earlier this year, the similar “BBC Verify” unit was formed to bring more open source reporting methods to the worldwide news outlet.

    The buildup of this capability was seen most prominently when The New York Times, Washington Post, Wall Street Journal, CNN and The Associated Press did in-depth analyses of video evidence — including those streaks in the sky — to try and determine the disputed cause of a deadly Oct. 17 explosion at Gaza’s al-Ahli Arab Hospital.

    There was no unanimity — and some caution about drawing conclusions absent an ability to examine evidence on the ground.

    In an earlier era, viewers generally saw the aftermath of a news event unless television cameras happened to be on the scene. Now, with millions of people carrying phones that have video cameras, the aftermath isn’t good enough. The buzzword is “now.”

    “The reality is that audiences expect to participate in a shared viewing experience, to learn what is going on along with anchors and reporters,” said Wendy McMahon, president of CBS News and Stations.

    That means combing through an endless supply of video posted on sources like X (formerly Twitter), YouTube, Instagram, Telegram and Facebook. Much is harrowing: images of mangled bodies, bloodied children carried out of rubble, people distraught at the loss of loved ones. The effect of seeing such images is known by those who must watch them frequently as “vicarious trauma.”

    Combatants know well the power of such images, which explains why some Hamas members wore cameras to document their Oct. 7 killing spree in Israel. Meanwhile, Israel compiled and has been showing grisly images of that day to journalists.

    “The degree to which social media has been used is very sophisticated,” said Rhona Tarrant, senior editor at the investigative site Storyful. “There’s so much information. There’s so much content.”

    News organizations are constantly weighing their job to convey reality against the concern that violent images are too traumatizing for consumers to see. Too much can desensitize viewers. Yet sometimes the repetition — the ongoing grind of war — is a story in itself.

    Through images that have appeared online in recent weeks, people “learned” about Bella Hadid, a model of Palestinian descent, denouncing Hamas’ attack in Israel; a row of supposed bodies of dead Palestinians covered in white shrouds where one mysteriously moved; and a Palestinian “actor” seriously wounded in a hospital bed one day and walking unharmed the next.

    None of it happened. All of the images were fake.

    Video of Hadid accepting an award for activism in Lyme Disease was manipulated to make it seem like different words were coming from her mouth. The “moving body” video came from a 2013 protest rally in Egypt. The supposed “actor” was two separate people, and the image of one in a hospital bed preceded the start of the war.

    That’s where the sleuthing skills of journalists studying video comes into play. Much of what is online now comes from past conflicts, including in Gaza itself, being passed off as new; search engines exist to help determine the truth. Sometimes images from video games are passed off as real, but experts can usually spot them.

    “This war in many respects has confirmed our working assumption, that news organizations would see an influx of deep fakes and misinformation at a scale that was never seen before,” McMahon said.

    Although the advance of artificial intelligence is a great fear, some experts says its use so far in this war has been limited in comparison to, say, old video being passed off as new. “People believe that AI is more powerful than it is at the moment,” said James Law, editor-in-chief at Storyful.

    While debunking falsehoods is a big part of what journalists are doing, the use of video and other publicly available material — the definition of open-source reporting — has also come into its own in recent weeks.

    Storyful, which formed in 2009 to help news organizations make sense of all that is out there, is particularly adept at this new form of detective work. Its investigators use many tools, including mapping software, flight-tracking, security cameras, news agency videos.

    Often people are shooting footage, and something else that happens to be there — like leftover fragments from a bomb — can be clues for another story entirely, Polglase said.

    Maps, video and audio from different sources can be pulled together for stories on how particular events unfolded, such as the Hamas attack on an outdoor concert the morning of Oct. 7. CNN’s investigation of this event, for example, illustrated how concertgoers were directed toward shelters they thought would be safe but turned out to be killing grounds.

    The New York Times used video and Telegram postings to show how false claims that Israelis were going to settle in a Muslim area of Russia led to a mob attacking a plane.

    Satellite images, video and photos helped The Washington Post track where Israeli forces went during their initial incursion into Gaza. Through videos and reporting, the BBC told about four sites in southern Gaza that were bombed and checked to see what kind of warning Israel offered to civilians that it was coming.

    Part of the “CBS News Confirmed” initiative involves the hiring of journalists who are skilled in this type of reporting. Beyond concentrating on specific teams, organizations like the AP and BBC are training journalists throughout the world in some of these techniques.

    Yet some of this work comes with a price. News outlets have long worried about the physical safety of journalists stationed in war zones, and are now becoming cognizant that spending hours watching disturbing video can be an emotional drain.

    The investigative site Bellingcat tells employees to protect their mental health. “Always ask yourself if there is a genuine reason you need to view this footage,” advises Charlotte Maher, its social media critic. And one expert offers this advice: Turn off the sound after hearing something once because the audio can be as disturbing as what can be seen.

    At Storyful, employees area encouraged to talk about what they’re going through and take advantage of counseling services if needed, all under a common message: You don’t need to just suck it up. Says Tarrant: “It certainly does take a toll on the team.”

    ___

    David Bauder writes about media for The Associated Press. Follow him at http://twitter.com/dbauder

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  • Bob Woodruff returns to Iraq roadside where bomb nearly killed him 17 years ago

    Bob Woodruff returns to Iraq roadside where bomb nearly killed him 17 years ago

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    NEW YORK — The physical pain of nearly dying when shrapnel from a roadside bomb in Iraq tore through his head 17 years ago was hard enough for ABC newsman Bob Woodruff.

    Mentally, it was even worse.

    That’s evident in talking to Woodruff and watching as he takes television viewers on a journey to where his life changed in an instant on Jan. 29, 2006. His first time back to Taji, Iraq, is chronicled in “After the Blast: The Will to Survive,” which airs on ABC Friday at 8 p.m. Eastern and begins streaming on Hulu a day later.

    At age 44, Woodruff had reached the top of a competitive TV business. He had just been named co-anchor of ABC’s “World News Tonight” and was sent to Iraq at the height of the war there to report on its progress.

    Riding in a patrolling Iraqi tank, he poked his upper body out to narrate a report when the improvised explosive device exploded. A couple of inches either way, Woodruff was told, and he would have been killed instantly.

    As it was, he was in a medically-induced coma for 36 days. When he awoke, he couldn’t remember the names of two of his four children, only a small part of what he had to relearn. Much of it came back and he recovered quickly during the first two years after his traumatic brain injury.

    But as is common for those with aphasia, a disorder that affects the ability to communicate, he plateaued. Recovery was not complete. He still has trouble recalling words and particularly names, although, truthfully, that was barely noticeable in an interview with The Associated Press.

    “I have lost, without question, my abilities compared to what it was before,” he said. “It’s never going to be perfect. I say sometimes that it’s not my disability but a different ability.”

    He is upfront about the mental challenges of recovery.

    “The challenge is to finally admit, to confess almost, that you’re not able to do what you’re used to do,” he said. “Most people want to hold a grip on it and never give it up — I WILL be back to normal. Really, the goal and hope is that you will just realize that you are on a different path and to figure out the way to go down that path.

    “I think that’s finally happened,” he said. “It took me a couple of years.”

    He still works as a journalist for ABC and other Disney properties, but his days of live TV reporting are over. That’s too tough. He concentrates on long-form stories, like a special on fentanyl last year, an upcoming trip to the Arctic he took with military veterans and “Rogue Trip,” an adventure travel series he does with his son Mack.

    He has constant contact with veterans through the Bob Woodruff Foundation, which raises money for military families. Bruce Springsteen performs regularly at their annual benefits, including on Monday despite an illness that has kept him off the road.

    Woodruff is “a walking miracle of determination, of resilience, and of absolute dedication to reporting the story, whatever and wherever it is,” said David Westin, who was ABC News president when in 2006.

    “He’s an inspiration to us all,” Westin said. “And, in the end, it’s made him into a different — and in many ways better — reporter than he was before, reaching millions with stories we otherwise may never have known.”

    This time, when he drove into Taji, it was in the back of a white SUV.

    He had several motivations to return, including guilt. Like some injured veterans, he shared the feeling of having to leave before completing the job he was sent to do — despite a reasonable excuse. So he spent part of his journey reporting on how Iraq had changed, even visiting an ice cream shop that he had been to 17 years earlier.

    “I wanted to finish the work,” he said. “I wanted to see this country that had been a huge part of my life and I wanted to really say goodbye to it. To some degree, I wanted to prove to those who detonated that IED that they really couldn’t stop us from coming back. We were not defeated.”

    As he rides in the SUV, Woodruff tries to describe his emotions. “I go both ways on this one,” he said. “It’s been my dream to come back and at least finally see the place and tell those who were there and witnessed it that we’re OK.”

    Then he stops. The tears flow, and he covers his face in his hands.

    Part of the emotion, he explained later, was that the man filming him was Mack. His son was only 14 in 2006 when he waited with his mother, Lee, and three sisters to learn whether their father would live or die.

    “In some ways my son had been my therapist for so many years, and there he was going to the same spot,” Woodruff said. “What kind of irresponsible father would I be if something happened again while we were there?”

    A dirt road when Woodruff had been in the tank, the Mosul highway is now a busy paved thoroughfare. That allowed for some gallows humor when Woodruff and Magnus Macedo, the sound technician on Woodruff’s 2006 trip, tried to cross it.

    “Don’t get hit this time,” Woodruff told him.

    Woodruff reunited with Saad Al-Dulaimi and Ghassan Al-Mohammadawi, Iraqi military men who had accompanied him in 2006. “We told you to duck down,” Al-Mohammadawi, who lost two fingers in the blast, reminded Woodruff.

    Not everyone shared the desire to go back. Cameraman Doug Vogt, who was injured filming the 2006 report, declined an invitation to accompany Woodruff again. And while Lee gave the go-ahead, you get the sense that his family wasn’t unanimous that this was a good idea. Some rough memories resurface.

    “I live in a world that I didn’t even know about before,” Woodruff said. “I didn’t even know what a traumatic brain injury was. I didn’t know what TBI stood for. I certainly didn’t, like most Americans, have a relationship with military units, people who served over there.

    “Now I do,” he said, “and that has been an incredible trip for me.”

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  • Will Smith joins Jada Pinkett Smith at book talk, calls their relationship brutal and beautiful

    Will Smith joins Jada Pinkett Smith at book talk, calls their relationship brutal and beautiful

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    BALTIMORE — Will Smith joined Jada Pinkett Smith on stage as she promoted her new memoir in her Baltimore hometown Wednesday night, pledging lifelong support for her just a week after she revealed that the couple had been separated since 2016.

    “Jada is the best friend I have ever had on this planet, and I am going to show up for her and support her for the rest of my life,” he told the crowd at the Enoch Pratt Free Library, crediting Pinkett Smith’s sacrifices for his successes, news outlets reported.

    Smith’s appearance with their two children, Jaden and Willow, and his son Trey Smith, was apparently a surprise for Pinkett Smith. It came at the end of a talk about her book, “Worthy.” Pinkett Smith said the family, including her aunt and uncle and Will Smith’s mother and sister, was in town to celebrate the 70th birthday of her mother, Adrienne Banfield-Norris, on Wednesday.

    Smith called their relationship “brutiful,” explaining that it was both brutal and beautiful.

    “It is a sloppy public experiment in unconditional love,” he said, a description that prompted Pinkett Smith to double over in laughter.

    Pinkett Smith told The Baltimore Sun that their estrangement was in the past and that she and Smith have been working in the last 18 months to repair their relationship.

    “Will and me are good,” Pinkett Smith told Laura Coates of CNN, who moderated Wednesday night’s discussion. “All the people who don’t understand and got something to say are just going to have to fall in line.

    “The truth of the matter is I’m not leaving Will’s side and he’s not going to leave mine. We’ve been on a powerful quest. And I’m happier than I’ve ever been,” she added.

    The book by the actor, who first revealed the bombshell news of their separation to NBC’s Hoda Kotb, details their marriage, her Hollywood journey, her unconventional parenting style and gives her perspective of Smith infamously slapping Chris Rock during the 2022 Academy Awards ceremony over a joke about her shaved head (Pinkett Smith revealed in 2018 that she had a form of alopecia ).

    Pinkett Smith told The Associated Press that she is feeling free since opening up about the separation.

    “It’s a weight off my shoulders, honestly,” Pinkett Smith said in an AP interview this week. “Ever since the Oscars, it’s so interesting how such an intense event can bring you closer together, and I would say that after that, we really dove in and dug in and got to this beautiful place we are now.”

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  • X removes article headlines in latest platform update, widening a rift with news media

    X removes article headlines in latest platform update, widening a rift with news media

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    X, formerly known as Twitter, has stopped showing headlines on articles shared on the platform

    ByThe Associated Press

    October 5, 2023, 12:54 PM

    FILE – An “X” sign rests atop the company headquarters, formerly known as Twitter, in downtown San Francisco, on Friday, July 28, 2023. X, formerly known as Twitter, has stopped showing headlines on articles shared on the platform. Now, X only displays an article’s lead image and a link to the story. (AP Photo/Noah Berger, File)

    The Associated Press

    SAN FRANCISCO — X, formerly known as Twitter, has stopped showing headlines on articles shared on the platform. Now, X only displays an article’s lead image and a link to the story.

    Plans for the change were first reported by Fortune in August, when owner Elon Musk confirmed in a post that he thought the change— which came from him “directly” — would “greatly improve the esthetics” of posts.

    Linked articles now appear as an image, and include text in the left-hand corner noting the domain of the link. Users must click on the image if they wish to visit the full article, which could lead to confusion.

    Musk’s platform has been the target of a lot of criticism recently, including accusations by a top European Union official who said that X has “the largest ratio of mis- or disinformation posts.” The Anti-Defamation League, a prominent Jewish civil-rights organization, has accused Musk of allowing antisemitism and hate speech to spread on the platform.

    Musk’s latest decision builds on the growing rift between the platform and news organizations who for years used it to build their audiences. Among his more controversial moves was a decision to upend the site’s verification system.

    Under Twitter’s previous leadership, journalists — no matter how small their outlet — could receive a blue checkmark next to their username that verified they were who they said they were. Celebrities and other public figures could also receive a verification. That changed when Musk ended the verification process and Twitter started doling out blue checkmarks to anyone who wanted one — without verifying their identity — as long as they pay a monthly subscription fee.

    Musk has also gutted the team that had been responsible for moderating the content flowing across the platform, temporarily suspended accounts of journalists and has appeared to throttle, or slow down access to links, to media sites such as The New York Times.

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  • Comedian Russell Brand denies allegations of sexual assault published by three UK news organizations

    Comedian Russell Brand denies allegations of sexual assault published by three UK news organizations

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    LONDON — Three British news organizations reported Saturday that comedian and social influencer Russell Brand has been accused of rape, sexual assault and abuse based on allegations from four women who knew him over a seven-year period at the height of his fame.

    Brand denied the allegations and said that all of his relationships have been consensual.

    The Sunday Times, The Times of London and Channel 4’s “Dispatches” said that one woman alleged she had been raped, while three others accused him of sexual assault. One of the women also said he had been physically and emotionally abusive.

    The women said that they only felt ready to tell their stories after being approached by reporters, with some citing Brand’s newfound prominence as an online wellness influencer as a factor in their decision to speak.

    Before the stories were published, Brand posted a video online denying the allegations, which had been outlined in two “extremely disturbing letters” from a “mainstream media” television company and a newspaper. He didn’t identify the news organizations by name.

    “Amidst this litany of astonishing, rather baroque attacks are some very serious allegations that I absolutely refute,” he said. “These allegations pertain to the time when I was working in the mainstream, when I was in the newspapers all the time, when I was in the movies and, as I have written about extensively in my books, I was very, very promiscuous.”

    “Now during that time of promiscuity the relationships I had were absolutely, always consensual,” he added. “I was always transparent about that then, almost too transparent, and I am being transparent about it now as well.”

    Brand also suggested that the reports were part of a coordinated attack designed to discredit him because of his views. Brand has been criticized for expressing skepticism about COVID-19 vaccines and interviewing contentious podcasters like Joe Rogan.

    “To see that transparency metastasized into something criminal, that I absolutely deny, makes me question is there another agenda at play,” Brand said.

    Brand rose to fame as a stand-up comic in Britain in the early 2000s, which led to starring roles on Channel 4 and later BBC Radio, where he capitalized on a reputation for outrageous behavior and risque banter.

    He later made the jump to Hollywood, appearing in films such as “Forgetting Sarah Marshall” in 2008 and the remake of “Arthur” in 2011. Brand was married to U.S. pop star Katy Perry from 2010-2012.

    In recent years, he transformed himself into a political commentator and influencer posting YouTube videos on subjects such as personal freedom and the COVID-19 pandemic.

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  • Accusers in Japanese boy band producer’s sex scandal say they hope for apology, compensation

    Accusers in Japanese boy band producer’s sex scandal say they hope for apology, compensation

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    TOKYO — A group of men who say they were sexually abused by a Japanese boy band producer expressed hope Monday that the company will provide financial compensation and introduce measures to prevent a recurrence.

    They say producer Johnny Kitagawa sexually preyed on young dancers and singers for decades, having them stay at his luxury home, handing them cash and leveraging promises of potential fame. The company, Johnny & Associates, is a powerful force in Japan’s entertainment industry.

    The men said at a news conference Monday that they have been ignored for decades by the company, Japanese society and mainstream media.

    Company Chief Executive Julie Keiko Fujishima released a brief statement on YouTube in May about the accusations but has not appeared before reporters. The company has set a news conference for Thursday.

    “We want Julie to apologize, as the chief executive and company owner,” said Shimon Ishimaru, one of nine men who have formed a group demanding an apology and compensation from the company. “For a company behind this big a crime to do nothing is unimaginable.”

    Johnny’s, as the company is known, is family-run and not publicly listed. Kitagawa, Fujishima’s uncle, died in 2019 and was never charged.

    A special team set up by the Tokyo-based company recently spoke to 23 accusers, but has said the total will likely balloon to at least several hundred people. The team also recommended Fujishima resign.

    Junya Hiramoto, another member of Ishimaru’s group, said they hope to set an example for others who have suffered.

    “Our wounds never fade,” Hiramoto said. “Do you think we aren’t still hurting? Do you think we can forget? Do you know what it’s like for us to come forward like this, filled with shame?”

    Over the years, persistent allegations against Kitagawa have generally been dismissed as malicious rumors. Mainstream media stayed silent.

    The U.N. Working Group on Business and Human Rights has urged the Japanese government to act to make sure that Johnny’s provides an apology and compensation and that government oversight of businesses be improved. The government has yet to take action.

    Japan tends to be behind the West on issues of gender equality, children’s rights and awareness about sexuality.

    It was only after a BBC documentary about Kitagawa aired this year that the scandal again became a topic of scrutiny.

    Another accuser, Kauan Okamoto, spoke at the Foreign Correspondents Club in April, saying he trusted foreign media more than Japanese media. Okamoto, like many others who have come forward, was part of a backup boys’ group called Johnny’s Jr.

    The Associated Press does not usually identify people who say they were sexually assaulted, but Kitagawa’s recent accusers decided to be named publicly in news accounts.

    ___

    Yuri Kageyama is on Twitter https://twitter.com/yurikageyama

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  • Trump’s decision to back out of debate tests Fox News’ ability to pivot again

    Trump’s decision to back out of debate tests Fox News’ ability to pivot again

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    NEW YORK — If 2023 has taught anything to the people running Fox News, it’s the importance of being able to pivot.

    The decision by former President Donald Trump to skip Wednesday’s first debate of the 2024 presidential primary season likely deprives Fox of a huge late-summer audience. Even worse for the network, Trump has talked of appearing in an online interview with former Fox star Tucker Carlson at the same time.

    Trump’s announcement on Sunday wasn’t necessarily a surprise. Fox debate moderators Bret Baier and Martha MacCallum had been preparing for two events — one if he were there and one if he wasn’t.

    Several Fox personalities this summer publicly urged Trump to attend the event, and Fox executives privately made the same argument to the former president. His former press secretary, Kayleigh McEnany, called Trump’s decision a “huge political miscalculation” Monday on Fox.

    Despite Trump’s lead over other Republicans in polls, MacCallum cautioned potential viewers against dismissing a debate without him as a junior varsity event. She cited a recent poll by The New York Times and Siena College, taken July 23-27, that showed nearly half of Trump backers in Iowa said they were open to other candidates.

    “I don’t think as members of the media or people who watch politics it’s our place to say, ‘Oh, this is over, these people aren’t going to be the nominee,’” she said. “It’s way too soon to say that.”

    Trump’s first appearance in a GOP primary debate brought 24 million viewers to Fox in 2015. It would be next to impossible to reach those numbers again, given his novelty has worn off and cord-cutting has diminished cable news audiences. Yet when only 12.5 million watched a January 2016 Fox debate that Trump skipped, that gave an indication of his drawing power.

    This summer’s debate has been anticipated as a beacon for Fox News, which endured months of embarrassing headlines earlier this year related to Dominion Voting Systems’ defamation lawsuit for the network’s coverage of bogus claims by Trump after the 2020 election.

    As the trial was about to start, Fox agreed to pay $787.5 million to Dominion in a settlement.

    The lawsuit had little discernible impact on Fox’s viewers, but when Fox fired Carlson with no explanation a week later, those fans hit back hard. The network never publicly explained why Carlson was fired, although his appearance in court papers released with the Dominion case led to several public theories being advanced.

    As it has in the past, Fox relied on its bench in establishing a new lineup that debuted in July, giving prime time shows to Jesse Watters and Greg Gutfeld, popular panelists on “The Five.” Their shows sandwich Sean Hannity on the schedule, offering a continuation of biting conservative commentary.

    Fox’s prime-time audience averaged 2.5 million this year through Carlson’s firing, and 1.6 million for the nearly two months before the new lineup premiered. Its prime-time audience has since rebounded to 2.2 million, according to the Nielsen company.

    “There has been a sense of stabilization with the new lineup,” said Steve Krakauer, publisher of the “Fourth Watch” newsletter and author of “Uncovered: How the Media Got Cozy with Power, Abandoned its Principles and Lost the People.”

    How much Trump’s four criminal indictments will be discussed onstage in Milwaukee is an open question, in part dependent upon what his opponents want to talk about.

    Even without Trump’s participation on Wednesday, “he will be on the stage even if he’s not on the stage,” Baier said in an interview.

    The Siena College-Times survey suggests that it wouldn’t be a popular topic among regular Fox viewers. The poll found 78% of people who regularly get news from Fox said Trump has not committed any serious federal crimes, and that 80% said that the GOP should stand behind Trump in the cases.

    Krakauer said Fox would hardly be unique among the media in wanting to give its audience what it wants, and suggested there may be some “indictment fatigue” among the audience.

    Even a debate that avoids the indictments as a major topic would still likely wind up being a lot about Trump, with discussions about whether or not he was successful in tackling issues like immigration or the economy, he said.

    Baier said such poll findings won’t be a factor in how he and MacCallum structure the debate.

    “Of course we’ll bring it up,” MacCallum said. “I expect that the candidates will bring it up in part as well. And to the extent that there’s indictment fatigue, there are so many other issues we’re going to be talking about on the stage, it’s certainly not going to be the lion’s share of the night.”

    The event features a live audience, which isn’t unusual. But the crowd at CNN’s Trump town hall in New Hampshire this spring proved distracting and wasn’t a high point.

    “If we have to quiet them down at points, well, that’s part of what the moderator’s job is,” MacCallum said. “But I think it’s actually going to be additive to the night.”

    Both Baier and MacCallum have done these debates before. Baier even had the identical experience in January 2016 of preparing for Trump to possibly be there before he backed out.

    Both have similar goals, familiar to moderators but often unspoken.

    “If I can get out of the end of the debate and somebody says, ‘You know what, that was tough but fair, I’d be really happy,” Baier said. “And if it’s a story that’s not about the moderators, I’m even more happy.”

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  • Court documents suggest reason for police raid of Kansas newspaper

    Court documents suggest reason for police raid of Kansas newspaper

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    The police chief who led the raid of a Kansas newspaper alleged in previously unreleased in court documents that a reporter either impersonated someone else or lied about her intentions when she obtained the driving records of a local business owner.

    But reporter Phyllis Zorn, Marion County Record Editor and Publisher Eric Meyer and the newspaper’s attorney said Sunday that no laws were broken when Zorn accessed a public state website for information on restaurant operator Kari Newell.

    The raid carried out Aug. 11 and led by Marion Police Chief Gideon Cody brought international attention to the small central Kansas town that now finds itself at the center of a debate over press freedoms. Police seized computers, personal cellphones and a router from the newspaper, but all items were released Wednesday after the county prosecutor concluded there wasn’t enough evidence to justify the action.

    Late Saturday, the Record’s attorney, Bernie Rhodes, provided copies of the affidavits used in the raid to The Associated Press and other news media. The documents that had previously not been released. They showed that Zorn’s obtaining of Newell’s driving record was the driving force behind the raid.

    The newspaper, acting on a tip, checked the public website of the Kansas Department of Revenue for the status of Newell’s driver’s license as it related to a 2008 conviction for drunk driving.

    Cody wrote in the affidavit that the Department or Revenue told him that those who downloaded the information were Record reporter Phyllis Zorn and someone using the name “Kari Newell.” Cody wrote that he contacted Newell who said “someone obviously stole her identity.”

    As a result, Cody wrote: “Downloading the document involved either impersonating the victim or lying about the reasons why the record was being sought.”

    The license records are normally confidential under state law, but can be accessed under certain circumstances, cited in the affidavit. The online user can request their own records but must provide a driver’s license number and date of birth.

    The records may also be provided in other instances, such as to lawyers for use in a legal matter; for insurance claim investigations; and for research projects about statistical reports with the caveat that the personal information won’t be disclosed.

    Meyer said Zorn actually contacted the Department of Revenue before her online search and was instructed how to search records. Zorn, asked to respond to the allegations that she used Newell’s name to obtain Newell’s personal information, said, “My response is I went to a Kansas Department of Revenue website and that’s where I got the information.”

    She added, “Not to my knowledge was anything illegal or wrong.”

    Rhodes, the newspaper’s attorney, said Zorn’s actions were legal under both state and federal laws. Using the subject’s name “is not identity theft,” Rhodes said. “That’s just the way of accessing that person’s record.”

    The newspaper had Newell’s driver’s license number and date of birth because a source provided it, unsolicited, Meyer said. Ultimately, the Record decided not to write about Newell’s record. But when she revealed at a subsequent City Council meeting that she had driven while her license was suspended, that was reported.

    The investigation into whether the newspaper broke state laws continues, now led by the Kansas Bureau of Investigation. State Attorney General Kris Kobach has said he doesn’t see the KBI’s role as investigating the conduct of the police.

    Some legal experts believe the Aug. 11 raid violated a federal privacy law that protects journalists from having their newsrooms searched. Some also believe it violated a Kansas law that makes it more difficult to force reporters and editors to disclose their sources or unpublished material.

    Cody has not responded to several requests for comment, including an email request on Sunday. He defended the raid in a Facebook post soon after it happened, saying the federal law shielding journalists from newsroom searches makes an exception specifically for “when there is reason to believe the journalist is taking part in the underlying wrongdoing.”

    The Record received an outpouring of support from other news organizations and media groups after the raid. Meyer said it has picked up at least 4,000 additional subscribers, enough to double the size of its press run, though many of the new subscriptions are digital.

    Meyer blamed the stress from the raid for the Aug. 12 death of his 98-year-old mother, Joan Meyer, the paper’s co-owner. Her funeral services were Saturday.

    ___

    Salter reported from O’Fallon, Missouri.

    ___

    The Associated Press receives support from several private foundations to enhance its explanatory coverage of elections and democracy. See more about AP’s democracy initiative here. The AP is solely responsible for all content.

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