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Tag: new single

  • Exclusive Interview: Benjamin Steer Talks All Things Figuring It Out, And More!

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    If you’re looking for which artist is going to be the talk of the town before too long, look no further than Benjamin Steer! Benjamin Steer has just released his EP Figuring It Out, which showed us, clear as day, that we were looking at an artist who is going to have a long and prosperous career! We were lucky enough to chat with Benjamin all about the EP and so much more!

    Stream Figuring It Out here!

    Hello Benjamin! Thank you so much for taking the time to chat with us! To start us off, how would you describe your music to someone who is tuning in for the first time?
    It’s a pleasure, thank you! I would say my music is sort of a soundtrack to confusion in your 20s, a soundtrack to love, to heartbreak, and to figuring things out. I’d like to think it’s pretty cinematic but has some energy in it too!

    Figuring It Out is your debut EP! What feelings accumulate as you get ready to put your first collection of songs out?
    It is weird. I always feel a bit of anxiety before release days, but then as soon as the project is out, the anxiety disappears. I don’t hold emotional attachment to the songs once they are out. It then becomes a case of how many people can get their ears on it. But certainly, I am really proud of these songs. I feel like it sort of marks the end of my first chapter in the music world. I feel like each song serves a different purpose; the whole thing feels pretty dynamic.

    You described this record as “a hopeless romantic’s dream and downfall.” What is one lyric throughout the project that best represents the dream aspect, and on the other hand, what lyric would you say best represents the downfall?
    I think the dreamer line is definitely the chorus of ‘No One Wants To Die Alone,’ “Live Big Love Fast and not Die Alone.” It is sort of the payoff line in a song that lyrically is frustrated in many senses, and encapsulates the sort of desire of the EP. There are many downfall lines in the EP, so I’ll give you three: ‘Oh Darling,’ “Many nights I try to find you in other eyes… Am I blind to all that makes you you?” ’5%,’ “It’s the 5% that is in the spotlight and the 95 that hides behind my eyes – So I’ll keep it out of mind and out of sight.” ‘Sweat Off Our History,’ “I’ll thread the needle between who I am and what you want from me.” I think all of these lines sort of summarize the pressure that you have to appear complete and confident and put together… But in reality, you are still figuring things out – trying to find a purpose. And you often hide these insecurities and fears in actions and facades that are not favorable to yourself – just to appease others or numb yourself to vulnerability.

    As we are writing this, the EP is officially out! What has the reaction to the record been like over the last few days? How are you feeling post-release? 
    Honestly, I think it went as well as I had hoped. I think these things take a journey themselves when they are out. I think hopefully it has legs to continue to connect with people and make an impact. People have been so supportive and kind, and I feel very unworthy. I always say this, and it is very cliche, but I am just a dude who writes about life and love in his bedroom, so it’s surreal that it is connecting so well!

    When you released ‘No One Wants To Die Alone’ last year, did you already know this track was going to be everyone’s first taste of this EP? Or was it added in as the creation of the EP went forward?
    No Idea. ‘NOWTDA’ always felt special. It was the first song that I wrote, and I was like, if this doesn’t become the biggest song, then I am not sure what will. It felt so right and felt so me. The EP was certainly not a manufactured Idea. It was sort of the collection of the best things I had written in the last 8 months, and it all felt rather cohesive. I think if I were to sit down with the intention of writing an ep, and with a certain goal and message, it would have almost felt like I wasn’t being authentic. That being said, ‘No One Wants To Die Alone’ was probably the first song I wrote out of the ones that made it on to the EP, so maybe in some way it did guide the sonic and messaging of the rest!

    Hailing six songs, half of the record was previously released, and half of the songs were saved for release day. How do you go about deciding which songs you want to hold onto and let fans discover all at once?
    I think there is a feeling that you get when you have a single, but that doesn’t necessarily mean that the non-single tracks are missing something. I feel like putting out a bigger body of work allows you to release songs that may never come out as a single, but you still want people to hear them. I think ‘Sweat off our History’ is a good example; this would never be a single, but that does not mean that it isn’t good. So I am glad I had the opportunity to release it.

    We want to go back a bit and talk about ‘Muted Colors,’ This track changed a lot for you! When you look back, what does your relationship with that song look like now vs two years ago when it was released?
    I think ‘Muted Colors’ was the unexpectedly perfect first song to put out. It served its purpose in the time that it was written for me personally, but also to show an audience the type of music and messaging I wanted to pursue. I look back positively on it now for sure. It was the first stepping stone in a long journey to cross the river, and I’m so grateful that I could have even had the chance to start or embark on that journey. I think it worked because I was just honest, it was one of the first songs I had ever written and I did not really have a reference point as to what was ok and what was not. I think I do naturally cringe a little bit looking back to it now because I think my style and tone have changed a bit, but it certainly was a fantastic first step!

    Once again, thank you so much for chatting with us! Before we let you go, is there anything coming up that fans can look forward to? Any live shows?
    Hopefully got a lot of exciting stuff coming up! Going to hopefully do another London headline before the end of the year, and then a bit more of a fuller tour in early 2026! I’m also really excited to open for Arthur Hill on his UK tour in September!

    Check out more of our exclusive interviews here!

    We would love to hear from you! What is your favorite song from Benjamin Steer’s EP, Figuring It Out? Let us know by commenting below or by tweeting @TheHoneyPOP! We are also on Facebook, Instagram, and TikTok!

    TO LEARN MORE ABOUT BENJAMIN STEER:
    INSTAGRAM | TIKTOK

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    Hailey Hastings

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  • Durry’s New Single ‘Dead Media’ Will Call You Out On Your Social Media Addiction

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    Durry just released a surprise single called ‘Dead Media,’ formerly a hidden track exclusive to their physical album, This Movie Sucks. Now, everyone can experience both the song and its music video across digital platforms. Durry consistently delivers infectious pop-rock anthems. We appreciate how openly they explore everyday experiences in their lyrics, making each track genuinely relatable. This brother-sister duo knows how to make real music, and they keep it transparent. No games or gimmicks, what you see is what you get, and that goes for their music too.

    “’Dead Media’ is a catchy pop tune about the perils of social media addiction and how we’ve replaced the artistry of pop culture with content and short form videos,” says Austin Durry on the lyrics of the song. “It talks about the duality of being addicted to social media, but also social media is a huge part of what made this band successful.”

    We’re all guilty of having a social media addiction, especially in the younger generations. It’s important to talk about, especially if you have any type of influence on the internet. If you’re spending more time looking down at a screen than right ahead of you, then you probably have a problem. Durry’s music can help you out with that, and maybe remind you to get off your phone a little more.

    Our Favorite Lyrics

    Like a creature
    In the night
    Hypnotised by the glow
    Of the cell phone light

    These lyrics really drive it home. It’s very common to be on your bed in the middle of the night, hunched over your phone at full brightness. We often try to find solace in it, but in the long run it doesn’t do much good. It’s just too easy to be captivated by the shiny cellphone light and social media FOMO.

    Check out the making of their latest album This Movie Sucks below!

    Durry is about to dive headfirst into a fall tour around the country. Secure your tickets now and experience their energy live—tickets can be purchased here. We’re thrilled for them, and we just know they’re going to have the best time performing for you all.

    TO LEARN MORE ABOUT DURRY: 
    FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | WEBSITE | YOUTUBE

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    Eva B.

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  • P1Harmony’s EX Explodes With Genre‑Hopping Charm

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    P1Harmony aren’t content to sit back and coast on past wins. Just a year after topping charts with ‘DUH!,’ the six‑member group are back with EX, a five‑track mini album designed with the Western market in mind and delivered with a creative genre blend that’s rare in 4th‑generation K‑pop. It’s their first English‑language collection, yet it closes with a Spanish version of the title track, proving that this crew aren’t afraid to stretch their sound or their languages.

    Image Source: Courtesy of FNC Entertainment

    From their world tour to daytime‑TV appearances and an ever‑growing global fan base, the stakes for P1Harmony have never been higher. So does EX live up to the hype? Here’s the thing: rather than delivering a safe, uniform sound, the group lean into variety and personality. Each song feels like a conversation with a different side of the band; at times playful, at others introspective, and occasionally downright celebratory. That diversity is both the album’s hook and its charm!

    ‘EX:’ Synth‑Pop Sparkle With A Playful Message

    The opening and title track, ‘EX,’ is a shimmering synth‑pop anthem built on catchy hooks and crisp digital textures. It’s light and breezy, almost like stumbling onto a carefree afternoon on a boardwalk. The lyrics, delivered entirely in English, celebrate independence and self‑discovery without sounding preachy. There’s even a gently feminist streak in the way the chorus suggests every woman deserves to explore and have fun without needing permission or an explanation. With Keeho and Jiung sharing centre stage, the song’s bright vocal interplay underpins a melody that lingers long after the final synth sweeps.

    Listening closely, you can sense the group’s desire to expand their sonic palette. The title track’s production folds in soft digital textures and spirited rap verses, but the heart of the song lies in its chorus; an earworm that borrows from 80s synth‑pop while keeping one foot firmly planted in 2025. It’s the kind of tune you could imagine blasting in an arena or singing along to at a festival, which makes sense given that EX arrives just before their largest U.S. tour yet.

    ‘Dancing Queen:’ Pop‑Rock Euphoria With A Nostalgic Glow

    Then P1Harmony pivot into pop‑rock territory. ‘Dancing Queen’ is the EP’s stadium‑ready moment, driven by buoyant guitars and the group’s commanding vocals. You know what? It recalls the energy of classic boy band anthems without feeling like a throwback. Keeho’s vocal tone pairs with Theo’s warm harmonies, creating a chorus that feels destined for late‑night singalongs.

    What sets ‘Dancing Queen’ apart is its effortless blend of sweetness and edge. In the lyrics, the protagonist invites their lover to own the night and dance without apology. The instrumentation shimmers with layered guitars and a driving beat, and there’s a subtle nod to 70s disco in the groove, yet the song never slips into pastiche. It’s playful and earnest in equal measure; the kind of track that would fit right over the credits of a feel‑good rom‑com!

    ‘Stupid Brain:’ Emotional Honesty Wrapped In Downtempo Grooves

    If ‘Dancing Queen’ is all about letting loose, ‘Stupid Brain’ turns inward. The track opens with lush strings and almost orchestral drama before flipping into a hip‑hop‑tinged beat. That contrast might sound chaotic on paper, but it works, creating a unique blend that showcases the group’s versatility. While the production nods to mid‑90s R&B, the song’s structure is thoroughly modern, with bubbled synths and a downtempo groove that feels tailor‑made for a rainy‑day playlist.

    Lyrically, ‘Stupid Brain’ is relatable to anyone who has ever overthought a situation. The song expresses the frustration of being stuck in your own head, unable to silence intrusive thoughts even when surrounded by friends. The melody dips and sways, giving space for introspection, and Keeho’s soulful delivery underscores the vulnerability of the message. A surprise guitar solo midway through adds a classic rock flavor, bridging the song’s orchestral intro with its pop‑R&B core!

    Honestly, it’s the EP’s heart, offering a glimpse into the group’s emotional range. While it might not explode like a single, it’s the kind of track listeners return to when they need to feel heard.

    ‘Night of My Life:’ 2010s EDM Nostalgia Meets Unbridled Joy

    Just when you think the EP might settle into moody reflection, ‘Night of My Life’ bursts through with sparkling EDM‑inspired energy. The song is pure, unadulterated fun. It’s simple, self‑hyping lyrics revolve around embracing the moment, dancing under the stars and having the best night possible, echoing the carefree charm of early 2010s pop anthems. There’s a playful electronic whistle that punctuates the chorus, and the beat builds to a euphoric drop that wouldn’t feel out of place in a DJ set.

    Fans of LMFAO or early Calvin Harris will appreciate how ‘Night of My Life’ channels the party‑rock spirit of that era while giving P1Harmony space to show off their vocal agility. In a clever twist, Intak takes a turn singing on the final chorus, adding texture to the track’s soaring finale. If ‘Stupid Brain’ is for introspective nights, this song is for living in the moment; a high‑energy reminder that sometimes joy should simply be embraced!

    ‘EX (Spanish Version):’ Bridging Cultures With A Bilingual Banger

    Closing the EP is a Spanish version of the title track; an unexpected twist that underscores P1Harmony’s eagerness to reach beyond linguistic boundaries. It’s the group’s first official Spanish release, following their earlier covers and Latin‑inspired songs like ‘Sad Song,’ and it reveals a comfort with the language that feels authentic rather than forced. The playful lyrics remain, but hearing them delivered with a different cadence gives the melody a brand‑new dimension.

    Culturally, the move is significant. K‑pop acts rarely produce full Spanish versions of their songs, and when they do, it’s often as a one‑off novelty. Here, P1Harmony treat the Spanish version as a natural extension of the original, not just a marketing gimmick. For bilingual P1ece, it’s a thrill to hear familiar words roll off their tongues; for monolingual listeners, it’s a testament to the universality of pop music. Either way, the track signals the group’s commitment to building community across borders, a sentiment echoed throughout their broader discography!

    Beyond The Music: Creative Control And A Tour To Match

    Part of what makes EX compelling is the group’s hands‑on approach. Members Keeho, Jiung, Intak and Jongseob are credited as creative producers, continuing a tradition of deep involvement that fans have come to expect. That creative input is evident in the EP’s thoughtful sequencing and willingness to experiment. From synth‑pop to pop‑rock, R&B, EDM and Latin pop, the project moves effortlessly between genres without feeling disjointed, a testament to both the group’s musicianship and the production team’s vision.

    The timing of EX’s release isn’t accidental. It drops just ahead of P1Harmony’s largest U.S. arena tour, P1ustage H: Most Wanted, which is scheduled to hit major cities like Newark, Chicago and Los Angeles before heading to Latin America. Pairing an English‑heavy EP with a multilingual tour is a savvy move: it gives new listeners an accessible entry point while rewarding longtime fans with fresh material. The tracks on EX are designed to translate well to live stages; imagine the opening synths of ‘EX’ echoing through an arena, the guitar licks of ‘Dancing Queen’ sparking a singalong, or the EDM drop in ‘Night of My Life’ triggering a sea of light sticks.

    Image Source: Courtesy of FNC Entertainment

    Final Verdict: A Polished Yet Adventurous Detour

    So, is EX worth your time? Absolutely! At just over fifteen minutes long, the EP packs more variety into its runtime than many full‑length albums. Its five tracks feel like distinct chapters in a cohesive narrative, each revealing a different facet of P1Harmony’s artistry. The members’ vocals shine, the production is tight, and the willingness to experiment, linguistically and stylistically, keeps the project feeling fresh!

    For longtime stans, EX offers another layer to a discography that already spans boom‑bap hip‑hop, hyper‑pop, reggaeton and synth‑driven anthems. For newcomers, it’s an accessible introduction to a group poised for global growth. More than anything, the EP serves as a reminder that pop music can be both fun and thoughtful, polished and playful. It’s a genre‑blurring, multilingual journey that leaves you wondering: if this is just a mini album, what sonic adventures might P1Harmony embark on next?

    Image Source: Courtesy of FNC Entertainment

    Which song is your favorite on the EP? Let us know in the comments below, or tell us over on Facebook, Twitter, and Instagram!

    Want more P1Harmony content? Look here!

    TO LEARN MORE ABOUT P1HARMONY:
    FACEBOOK | INSTAGRAM | MEMBERS’ TWITTER | OFFICIAL TWITTER | TIKTOK | YOUTUBE

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    Asia M.

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  • Waterparks’ Lyrics Might Not Be Confidential, But These Shows Are (Kind Of)

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    In preparation for The Prowler Tour happening this fall, Waterparks announced three secret shows in LA, NYC, and Chicago in the smallest venues they’ve performed in since 2017.

    The Glass House in Pomona has a capacity of 800 people and it’s safe to say that they squeezed all 800 people in. We might’ve been a little squished (and really sweaty) but Waterparks made us forget about all of that during their one-and-a-half-hour set.

    THREE SECRET WATERPARKS SHOWS IN THE SMALLEST VENUES WE’VE PLAYED SINCE 2017, WHO WANNA GO?

    Waterparks on Instagram

    Awsten warned us that there would be deep-cuts that they’d be performing that they hadn’t touched in a while but we weren’t expecting ‘Peach (Lobotomy)’ or ‘War Crimes’….

    (Writer’s Note: We hate to break it to you but Awsten said they wouldn’t be singing ‘Peach’ at any other show but the LA one…….)

    Jay Flores for The Honey POP
    Jay Flores for The Honey POP

    Now let’s take this moment to go over the entire set list so we can compare the Chicago and NYC ones later:

    Red Guitar

    Numb

    Stupid For You

    Peach (Lobotomy)

    Gloom Boys

    Secret Life of Me

    Call Me Beep Me

    War Crimes

    Take Her to the Moon

    Magnetic

    Ritual

    Turbulent

    Lucky People

    I Miss Having Sex But At Least I Don’t Wanna Die Anymore

    Funeral Grey

    [Reboot]

    If Lyrics Were Confidential

    Zone Out

    Tantrum

    Real Super Dark

    Opening with ‘Red Guitar,’ their first single off the upcoming, still-untitled record, was a top-tier choice. It’s safe to say that if the other songs on this album are anything like ‘Red Guitar,’ or their newest single, ‘If Lyrics Were Confidential,’ this album is going to land a spot in our favorite albums of 2025.

    When you go to a Waterparks show, you’re not only met with immaculate vibes from the crowd, you’re also met with silly banter from the band themselves. In this case, Awsten wouldn’t let Geoff take his sweatshirt off even though he was sweating enough for the three of them. (New single should be called ‘Ten More Sweaters.’ If you know, you know.)

    Jay Flores for The Honey POP
    Jay Flores for The Honey POP

    When you’re at a Waterparks show, it’s almost impossible to just stand still, or bop your head around a few times. You go all in. Or at least we did. We were screaming the lyrics to ‘Magnetic,’ ‘Turbulent,’ and ‘Real Super Dark’ like our lives depended on it. And the intimacy of the venue only added that extra UMPH! to the feel of the show.

    Even if you weren’t a fan of Waterparks in 2017, being in this small room with them made it feel like you were there with them in the beginning.

    Check out the full gallery from the show!

    If you didn’t get a chance to catch them at one of their three secret shows, you still have a chance to catch them on The Prowler Tour this fall. If you saw them at this show, are going to see them at an upcoming show, or just want to tell us how jealous you are, let us know in the comments, or hit us up on Twitter @TheHoneyPOP! You can also find us on Facebook and Instagram to talk all things Waterparks!

    TO LEARN MORE ABOUT WATERPARKS:
    INSTAGRAM | TWITTER | WEBSITE

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    Jay Flores

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  • ash angel Will Twist Your Heart Strings With R&B Gem ‘twisting the knife’

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    With every release, we fall deeper in love with the dreamy atmosphere ash angel is creating around her music! Her latest release, ‘twisting the knife,’ draws from R&B and neo-soul as ash laments a lover giving her the infamous silent treatment, longing to feel that magical connection with them again and work things out. Your heart will twist with every emotional lyric, her otherworldly vocals and harmonies making an already relatable story even more moving.

    “I don’t understand how this silence will solve anything,” she confesses. “You’re twisting the knife. I’m trying not to cry. All I want is you to hold me, that’s the truth.” 

    We’re so excited to see where ‘twisting the knife’ leads ash! She shared on Instagram that it’s the first song she’s produced all on her own and that she’s “never felt more aligned to the sound.” It seems like ash is truly coming into her own as an artist, staying true to her vision while expanding into new sonic galaxies that will keep amazing us. 

    If you love ‘twisting the knife’ as much as we do, make sure you also check out our past fave ‘eternal serenity.’ Where ‘twisting the knife’ is a call for comfort, ‘eternal serenity’ is a call to create your own calm, making it another perfect song for your fall playlists. Let your emotions out with ‘twisting the knife’ then spend some time relaxing to ‘eternal serenity!’

    What do you love most about ‘twisting the knife?’ Which of ash angel’s songs is your favorite? Let us know in the comments below or hit us up on Facebook, Instagram, and Twitter! You can also buzz on over to our Reddit community to chat with us.

    Check out more sweet music recs!

    TO LEARN MORE ABOUT ASH ANGEL:
    FACEBOOK | INSTAGRAM | TIKTOK | WEBSITE | YOUTUBE

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    Madison Murray

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  • Exclusive Interview: Hunter Daily Talks All Things ‘Claw Marks,’ Upcoming EP, and More!

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    Looking for your next favorite artist? Look no further than one of the artists we are sure is going to have a huge year as we round out 2025 and jump into 2026: Hunter Daily! Hunter is responsible for one of our favorite EPs of the year with Claw Marks, and we were lucky enough to get to pick her brain all about the project, as well as turn back the clock and take a look back at where it all began with ‘Die in LA.’ Let’s jump in!

    Stream Claw Marks here!

    Hi Hunter! Thank you so much for taking the time to chat with us! To start us off, how would you describe your music to someone who is tuning in for the first time?
    If a diary entry and a pop song had a baby, that would be my music. It’s folkypoppy, and confessional—like little stories you can crash out or cry to.

    ‘Claw Marks’ is your latest release and your fourth release from your upcoming EP sharing the same name. Can you tell us what it was about this track that made you want to name the project around it? Or did the song come from the name of the EP?
    The lyric is: “Everything I’ve ever let go of has claw marks on it.” That pretty much sums me up as a person and as a songwriter. This EP is about gripping too tightly, even when you know better—and ‘Claw Marks’ felt like the perfect way to name the whole messy, complicated story.

    After the release of ‘Claw Marks,’ you have left two tracks unreleased from the EP. What goes into deciding what to hold back?
    It’s kind of like dating—you don’t give everything away on the first night. I wanted to build suspense, to leave people wondering what else is coming. Save the best for last.

    The video for ‘Claw Marks’ feels so intimate and jam-packed with emotion, and for us, really brought the song alive! Can you talk to us a bit about the vision for the visuals?
    That video is basically my breakup paranoia turned into art. You know when you break up with someone and your brain won’t stop imagining what they’re doing without you? Who are they with? What does their life look like now? We took those spirals and put them on screen. It’s unhinged, but so is heartbreak.

    ‘Die in LA’ was your first track, and next month marks three years since its release. When you look back on that track, is there a skill that you honed in crafting it that can still be found in your most recent work?
    Wow—that’s so crazy; I can’t believe it’s been three years already! That song gave me the confidence to step into being a solo artist. It was the first time I realized I had something unique to share, a perspective that only I could bring. That song taught me how important it is for me to tell my truth.

    Songwriting is a huge part of who you are as an artist. When you look at this EP, is there a lyric that you are particularly proud of?
    There’s one line: “A spaceman’s gonna suit up, a cowboy’s gonna ride.” It sounds playful, but it’s really about inevitability—that people are gonna do what they’re gonna do, no matter how much you want them to stay. It’s my way of making peace with that.

    On a similar note, we know that crafting any project can take a village, but it’s also important to give yourself a pat on the back. Is there something you can point to on this record—whether it’s the creative process, the rollout, or beyond—that you are proud of yourself for accomplishing?
    I’m proud that this project actually sounds like me. Not the version of me I thought I was supposed to be, but the messy, dramatic, loves-too-hard, refuses-to-let-go version. That’s growth to me.

    Once again, thank you so much for chatting with us! Before we let you go, we have to ask: Will we have some chances to hear all of this new music live soon?
    Oh, definitely. These songs were written to scream in a room with people. Performing them live is the part I’m most excited for—it’s where the claws really come out. I haven’t officially announced, but I do have a tour in the works!!

    Check out more of our new music coverage here!

    We would love to hear from you! What do you think of Hunter Daily’s track ‘Claw Marks?’ Let us know by commenting below or by tweeting @TheHoneyPOP! We are also on Facebook, Instagram, and TikTok!

    TO LEARN MORE ABOUT HUNTER DAILY:
    INSTAGRAM | TIKTOK

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    Hailey Hastings

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  • Sip, Spin, Repeat: Alexandra Kessler Pours It All Into ‘Red Wine’

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    Looking to expand your playlists beyond the mainstream? Meet Alexandra Kessler, an unsigned indie artist who proves you don’t need a label to deliver pop perfection. After four years away, her latest single, ‘Red Wine,’ is a disco-pop confession that’ll have you sipping, spinning, and feeling every word. It’s the kind of track that proves catharsis doesn’t have to come in silence; it can come with a beat drop and glittering synths.

    From the first sip, ‘Red Wine’ is silky, retro, and irresistibly groovy. Alexandra layers shimmering disco-pop production with raw, confessional lyricism, pouring every ounce of betrayal and self-reclamation into her vocal delivery. Inspired by the gut-punch of discovering she was “the other woman,” Alexandra doesn’t shy away from the emotional wreckage; she leans into it. And instead of letting heartbreak drown her, she turns it into a toast: bittersweet, bold, and undeniably intoxicating.

    The genius of ‘Red Wine’ lies in its contradictions. It’s lush yet vulnerable, danceable yet devastating, empowering yet unafraid to be messy. Alexandra captures that uniquely human truth: sometimes the only way to process pain is to move through it, literally. Think confessional pop with a disco edge, where every note feels like both a wound and a wink.

    Kessler herself puts it best in a press release: “With ‘Red Wine,’ I wanted to turn the sting of betrayal into something you can move to… a dance floor confession, if you will.” Mission accomplished. Whether you’re raising a glass to heartbreak, healing, or just a damn good pop song, ‘Red Wine’ is the soundtrack you’ll want on repeat.

    Red Wine is out now

    Have you heard of Alexandra Kessler? What do you think about ‘Red Wine?’ Let us know in the comments below or hit us up on Facebook, Instagram, and Twitter! 

    TO LEARN MORE ABOUT ALEXANDRA KESSLER:
    Twitter | Facebook | Instagram | YouTube

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    Jazmin Williams

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  • 5 New Releases You Might’ve Missed Last Week: Featuring State Champs, Softcult, And More!

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    Nothing gets us more excited than a week packed with new music. The past few days delivered just that, and we’ve pulled together a roundup of the releases we can’t keep off repeat. From pop-punk heavyweights like State Champs to genre-shifters like Poppy, alongside rising voices including Winona Fighter, Softcult, and Girl Tones, there’s plenty of new music ready to claim a spot on your playlist!

    State Champs – ‘Common Sense’

    State Champs have done it again with their latest single, ‘Common Sense!’ This track shows off a heavier side of the band while still packing in the classic pop-punk sound that made us fall for them in the first place. It feels like the perfect next step in their evolution, and honestly, we can already picture crowds screaming this one back at them on tour.

    Speaking of tour—the band just kicked off a US run with iconic bands like Yellowcard and A Day to Remember. Visit here for a list of remaining dates and grab your tickets before it’s too late!

    TO LEARN MORE ABOUT STATE CHAMPS:
    FACEBOOK | INSTAGRAM | SPOTIFY | TWITTER | WEBSITE

    Softcult – ‘16/25’

    Softcult are back with ‘16/25,’ and it’s impossible not to sit up and take notice. The track blends their dreamy, grunge-y sound with sharp, powerful lyrics calling out predatory older men and the double standards women face. It’s bold, raw, and stays in your head long after it ends. Right now, ‘16/25’ is the one we can’t stop playing.

    Softcult also stay keeping us fed! Along with the new single, they’ve announced their debut album, When A Flower Doesn’t Grow (pre-save it here!), and are about to head out on a full US tour — We can’t wait!

    TO LEARN MORE ABOUT SOFTCULT:
    INSTAGRAM | TIKTOK | TWITTER | WEBSITE

    Winona Fighter – ‘(Don’t Get) CLOSE’

    Winona Fighter are serving up something special with the deluxe edition of My Apologies To The Chef! This expanded release takes their debut to the next level with acoustic versions, covers, and a new single, ‘(Don’t Get) CLOSE.’ It’s packed with raw energy and emotional punch—proving once again why the band has become one of the most exciting acts in punk right now.

    TO LEARN MORE ABOUT WINONA FIGHTER:
    FACEBOOK | INSTAGRAM | TWITTER | WEBSITE

    POPPY, Amy Lee, And Courtney LaPlante – ‘End of You’

    Our queen of collabs, Poppy, is back with ‘End of You,’ and this time she’s not holding anything back! Poppy, Amy Lee, and Courtney LaPlante have joined forces and unleashed a track that’s equal parts heavy, melodic, and downright unforgettable—with each voice bringing its own fire to the mix (think if boygenius went metal). The result is a song that hits emotionally and sonically, leaving you hitting replay again and again.

    TO LEARN MORE ABOUT POPPY:
    FACEBOOK | INSTAGRAM | TWITTER | WEBSITE | YOUTUBE

    Girl Tones – ‘Cherry Picker’ 

    We are so here for ‘Cherry Picker’! This track hits like a punch to the chest with every riff, drum beat, and lyric, and we’ve had it on repeat since it dropped. It pulls you in, shakes you up, and just doesn’t let go—Girl Tones have officially taken over our brains, and we’re so not mad about it.

    TO LEARN MORE ABOUT GIRL TONES:
    FACEBOOK | INSTAGRAM | TIKTOK | WEBSITE | YOUTUBE

    This past week was such an iconic week of new music! Which release was your favorite? Or was there any track you wish we had included? Let us know in the comments, or tweet us at @thehoneypop! You can also find us on Facebook, Instagram, and Discord.

    Buzzing for more alternative content? We got you, honey!

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    Liz Montville

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  • 5 New Releases You Might’ve Missed Last Week

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    Here at The Honey POP!, we make it our mission to keep you up to date on all the latest releases from our faves–and yours! Last week was filled to the brim with a whole host of new music, so we’ve put together a roundup of some of our favorites to keep you caught up. From longtime staples like Have Mercy and The Beaches to rising names including House & Home, BIZZY, and CMAT, there’s no shortage of tracks to add to your rotation.

    Have Mercy – ‘little pieces’

    Just in time for Sad Girl Autumn™, emo icons Have Mercy just dropped their sixth album, The Loneliest Place I’ve Ever Been, and it’s everything we could’ve hoped for. Lead single, ‘little pieces’ hits with raw emotion and honest lyricism, setting the tone for a record full of introspection and intensity. Across ten tracks, the band strikes a balance between vulnerability and driving alt-rock energy, crafting a deeply personal album that lingers long after it ends.

    We were lucky enough to chat with the band about all things The Loneliest Place I’ve Ever Been, their upcoming tour, and more. You can get the inside scoop here!

    TO LEARN MORE ABOUT HAVE MERCY:
    FACEBOOK | INSTAGRAM | SPOTIFY | TWITTER | WEBSITE | YOUTUBE

    House & Home – ‘Swarm’

    ‘Swarm’ proves why House & Home have become a force in the DIY scene. The track grabs you from the first note, with driving guitars and relentless drums that mirror the tension in the lyrics. It’s raw, chaotic, and full of unfiltered energy (aka a perfect introduction to the band at their most powerful). House & Home have crafted a song that demands to be heard, and it’s impossible to turn away.,

    In case ‘Swarm’ wasn’t enough for you, House & Home also announced that their sophomore album, I Won’t Look for You, will be released on November 17th. Pre-save the album here!

    TO LEARN MORE ABOUT HOUSE & HOME:
    FACEBOOK | INSTAGRAM | TWITTER | WEBSITE

    BIZZY – ‘Make Me Cry’

    BIZZY is quickly cementing herself as alt-pop’s anti-hero, and you don’t need convincing; one listen to ‘Make Me Cry’ says it all. The track perfectly captures her signature mix of vulnerability, sarcasm, and full-on emotional chaos–showcasing her fully in command of her sound. The song starts soft and intimate, then bursts into a synth-driven chorus that hits every gut-punch feeling you’ve ever had. ‘Make Me Cry’ is our current obsession, and we can’t wait to see what BIZZY does next.

    TO LEARN MORE ABOUT BIZZY:
    INSTAGRAM | TIKTOK | TWITTER

    The Beaches – ‘Can I Call You In The Morning’

    The Beaches are back with No Hard Feelings, and they waste no time making an impression! The album opens with pure chaotic energy, and ‘Can I Call You In The Morning’ immediately sets the tone. Brutally honest lyrics meet an infectious chorus, and turn late-night breakup emotions into pure punk-pop gold. Inspired by messy relationships and the awkward aftermath of love, ‘Can I Call You In The Morning’ captures that moment of yelling, apologizing, and hitting redial all in one go. No Hard Feelings proves why The Beaches continue to stand out in the alternative scene: messy, fun, and impossible to ignore.

    The Beaches are also about to head out on an impressive 35-show run in support of No Hard Feelings. You can view the full list of dates and purchase tickets here!

    TO LEARN MORE ABOUT THE BEACHES:
    INSTAGRAM | TIKTOK | TWITTER | WEBSITE

    CMAT – ‘When A Good Man Cries’ 

    If your FYP looks anything like ours, then seeing CMAT’s EURO-COUNTRY here won’t surprise you one bit. From viral TikToks to a Glastonbury set that fans are still buzzing about, the budding Irish superstar has already cemented herself as one of the defining voices of her generation. This album is packed with anthems that are as fun as they are thoughtful, tackling big ideas with humor and heart. CMAT has given us a record that feels both timely and timeless—a daring, fully realized vision of modern pop.

    ICYMI: CMAT will also be hitting the road later this month in support of EURO-COUNTRY! For a full list of dates and to purchase tickets, visit here.

    TO LEARN MORE ABOUT CMAT:
    FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | WEBSITE | YOUTUBE

    This past week was such a GOOD week for new music! Which release was your favorite? Or was there any track you wish we had included? Let us know in the comments, or tweet us at @thehoneypop! You can also find us on Facebook, Instagram, and Discord.

    Buzzing for more alternative content? We got you, honey!

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    Liz Montville

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  • MONSTA X’s THE X is ‘N the Front’ of Our Playlists

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    This is not a drill! MONSTA X are here in full, and they have new music for us! They are back and proving they don’t know the meaning of the word “limit,” as they are always ready to exceed themselves. And we think you’ll agree with us when we say their album, THE X, is a great example, especially since it’s been a while since we got a 6-member comeback. There’s just so much to celebrate, and we’re here for it all!

    Listen to MONSTA X’s THE X here.

    MONSTA X just knows how to get our attention with their music. Be it with title tracks or B-sides, they tend to offer us a range of styles yet manage to always incorporate the essence of the group. This time, they come for us with a powerful main song that showcases much-deserved confidence, which we will gladly take in as a confidence booster for ourselves. After all, we’re proud to be Monbebe, so it’s only natural to get positive energy from our favorite group.

    “Wanna see you in the front”

    MONSTA X did it again! They ate with ‘N the Front,’ and we can only stare in awe. While the song already slaps on its own, the music video definitely ended us! We hope you are ready because it’s a definite no-miss, must-see release. The MONSTAs always go hard, but it feels like they went even harder this time.

    ‘N the Front’ feels like a statement, announcing to the world that MONSTA X is back and they’re taking the front position. They fittingly use a variety of scenes to visually amplify that statement in their music video. But visuals aren’t the only strong instrument they have at their disposal. One of the more powerful moments created by the lyrics has to be “Hands up! Say my name, hey,” and here’s why! While that line is repeated multiple times during ‘N the Front,’ we don’t hear them mention their group name at all, not even once. MONSTA X are simply a force that is recognized.

    There is one more thing that we take from this focus track, and that is the freedom it brings. The music video begins with the words: “We all act normal/pretend to be normal/but we know/we all have a ‘MONSTA’ inside.” Then add the message that feels like a call to action and is seen throughout the clip: “Be real you, let the ground shake.” No one but us can set our own limits, and MONSTA X‘s ‘N the Front’ is an inspirational anthem to help release our true potential and take the front of our own lives.

    We can already tell what a powerful vibe this track will create during live stages, especially at concerts. It’s the perfect way to hype up your whole audience and yourself as an artist. And if we had to pick, we think the chanting near the end, combined with those perfectly included ad-libs, is the highlight that will get you fully losing yourself to the song.

    “Make the ground shake, bring the earthquake
    Feel the floor crack, we are not fake
    Make the ground shake, bring the earthquake
    Make the ground shake, bring the earthquake
    Feel the floor crack, we are not fake”

    An Album Of Milestones And Beginnings

    MONSTA X’s THE X celebrates a milestone of 10 years as a group and also sets the stage for a new start. So, what kind of album were we to expect? Something unexpected! From the impactful and somewhat mysterious teasers, we could already tell this was going to be big and new. After we heard the pre-release track, ‘Do What I Want,’ we were mind-blown. It was our first taste of THE X, and it felt so different from what we are used to, but at the same time, it is very much them (especially with that wild video 👀).

    THE X does not miss highlighting some of the members’ production and writing skills as well. Joohoney, I.M., and Hyungwon once again bring their exquisite talent to create high-quality playlist additions for us. Once again, bring their exquisite talent to create high-quality playlist additions for us. We’re beyond words, and the fact that we’re having trouble picking a favorite speaks for itself. But that’s more than okay; we will simply be vibing and loving on the whole album equally.

    MONSTA X’s THE X is and will stay a memorable release for so many reasons. It stands out as a comeback that showcases the reunion of the members after most of them completed their military service. The name of the album also celebrates the group’s 10 years through the usage of the Roman numeral “X.” And (yes, we’re not done) it bears the meaning of something unexpected, unpredictable: just how we can’t tell how MONSTA X will surprise us next. We just know it will be a great experience.

    Did you enjoy MONSTA X’s THE X? Which track are you going to press the replay button on endlessly? Find us at @thehoneypop, Facebook, and Instagram, and let’s discuss (while losing our minds over this comeback).

    Got the need for more K-Pop content? You’re in the right place.

    TO LEARN MORE ABOUT MONSTA X:
    FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | YOUTUBE

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    marty

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  • Our Most Replayed Parts Of Hayley Williams’ Ego Death At A Bachelorette Party Album

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    We, as many people did, have listened to Hayley Williams’ new album, Ego Death At A Bachelorette Party, on repeat since its release. We can’t even count how many times we kept repeating, basically all of these tracks. This album follows a collection of 17 singles, 16 of which we heard before, and one previously unreleased, ‘Parachute.’ We can go on and on about ‘Parachute,’ but that will have to wait. We love that she put it all in one place so that we can listen to each song back-to-back. We also appreciate the order in which they decided to place the songs. 

    Tracklist:

    • ‘Ice In My OJ’
    • ‘Glum’
    • ‘Kill Me’
    • ‘Whim’
    • ‘Mirtazapine’
    • ‘Disappearing Man’
    • ‘Love Me Different’
    • ‘Brotherly Hate’
    • Negative Self Talk’
    • ‘Ego Death At A Bacherloretty Party’
    • ‘Hard’
    • ‘Discovery Channel’
    • ‘True Believer’
    • ‘Zissou’
    • ‘Dream Girl In Shibuya’
    • ‘Blood Bros’
    • ‘I Won’t Quit On You’
    • ‘Parachute’ 

    We have to admit every single track ate with the lyrics. We initially tried making a list and narrowing down which song was our favorite, but we soon realized how difficult it was. Then tried lyrics, but as we said, they were just too good. So, here’s a list of our most replayed parts of the album. Enjoy! 

    ‘Ice In My OJ’

    Okay, look, there are a couple of parts in this track that had us hitting replay, like her tribute to an old project she was a part of, Mammoth City Messengers. She took that old part of her past self and reinvented it to be a banger with ‘Ice In My OJ.’ But there was one specific part that stood out, which was the chorus. We just love how almost gritty the “I’m in a Band!” part mixed with the “ah” part sounds. It’s just too good. It was such a great choice to open the album.

    “Ah, ah-ah-ah, ah (I’m in a band, I’m in a band)
    (I’m in a band, I’m in a band)    “

    ‘Parachute’

    We obviously had to include ‘Parachute’ since it’s the only song that wasn’t included in the original releases, plus it was our most replayed song on the album. Whatever you may think this track is about, we all agree that the track carries all the emotion and hits us with back-to-back punches. The part that just oozed emotion, as well as our favorite part, is the whole second verse. It really surprised us the first time we heard it, and we haven’t stopped singing it with the same emotion Hayley does ever since.

    “You told mе you waited for me, you said that you won
    Asked me on a plane from Rio, do I ever think of us?
    And you were at my wedding, I was broken, you were drunk
    You could’ve told me not to do it, I would’ve run, I would’ve run
    Tell me what was the moment, you decided to give up
    You could’ve told me what you wanted, I would’ve done, I would’ve done
    Anything, I would’ve done anything”

    ‘Zissou’

    For ‘Zissou,’ we honestly love the references from the song, such as the inspiration from the song ‘Life On Mars?’ which is featured in the movie The Aquatic Life, specifically with lyrics like “Vem cá, me dá a sua língua.” It also has a reference to Megan The Stallion with the line “Megan called it “Monster Soup“” referring to Megan The Stallion talking about all the hidden stuff in the ocean. Out of all of that, our most replayed part has to be the second verse.

    “Keep telling you the water’s fine
    Megan called it “Monster Soup”
    But the monsters are you and I
    We don’t have anything to lose”

    ‘True Believer’

    ‘True Believer’ was an immediate hit when it was first released, and for good reasons. Hayley has always been someone who speaks out, whether in her day-to-day life, during interviews, or in her music. She always helps put more eyes and ears on things. This track references racism in the South, religion, hypocrisy, and historical events that are worth knowing about, as well as songs that discuss the same topics. There is so much to take away from this track, but our most replayed part has to be the pre-chorus, specifically with its references to history and ongoing events.

    “The South will not rise again
    ‘Til it’s paid for every sin
    Strange fruit, hard bargain
    Till the roots, Southern Gotham”

    ‘Love Me Different’

    ‘Love Me Different’ is one of those tracks that we wish were longer; we could’ve listened to three more minutes of this track. Hayley’s voice just sounds so good in this, plus the beat was just so good, especially the sampled parts from Phoenix’s track ‘Fior di Latte.’ Go listen to their song and come back to this one, and you’ll hear it. Now, our favorite part comes from the post-chorus, where she starts off strong and almost angry, then ends the part softly. Plus, the “huh” almost sounds like a sigh, and we just love it.

    “And I want someone to love me different
    Huh”

    We honestly could go on and on about everything we love about the Ego Death At A Bachorlette Party. We love how the beginning of ‘Mirtazapine’ reminds us of the beginning of Olivia Rodrigo’s ‘ballad of a homeschooled girl,’ or how in ‘Glum,’ Hayley changes her voice until she slows it down with the line “I wonder,” then it’s her actual voice. *Sigh* see! We could go on and on about every track on this album.

    But that’s not all, guys, because Hayley Williams has said, and we quote, “we’re not done yet, there’s more,” so please excuse us as we scream. What does Hayley Williams have in store for us? Guess we just have to wait and find out, so make sure to keep your eyes peeled and continue listening to Ego Death At A Bachelorette Party. 

    What were your favorite lyrics from the album? Let us know in the comments down below or over on Twitter @thehoneypop, and don’t forget to talk to us on Facebook and Instagram!

    Do you want Paramore content? We got you covered!

    TO LEARN MORE ABOUT HAYLEY WILLIAMS:
    FACEBOOK | INSTAGRAM | YOUTUBE

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    Valerie Valdez

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  • Caroline Romano’s First Ever Headline Show In Los Angeles Blew Us Away!

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    Two years ago, we were first introduced to Caroline Romano and we have been fans ever since. From opening for bands like Grayscale and The Foxies, Caroline is making sure we know she’s ready to hit the main stages!

    In 2022, she released her debut album, Oddities and Prodigies, which skyrocketed her into success and landed her in the spot she is in today: having her first headline show in Los Angeles!

    The Moroccan Lounge in Los Angeles is one of our favorite places to see a show. It’s a small venue which allows a show to be intimate and more special than large stadium venues. This night in particular, we all got to mingle with Caroline before she hit the stage in her stunning outfit, we might add.

    Jay Flores for The Honey POP

    She opened the night with ‘Tell Her I Said Hi,’ one of her singles that we first heard when we saw her on tour with Grayscale last spring. The lyrics make our hearts ache, but with an upbeat, fiery beat like this one, we can’t just stand still!

    ‘Body Bag,‘ ‘Doesn’t Matter,’ and Caroline’s newest single, ‘Muse,’ also made the cut on the setlist, all of which have been some of our favorite songs of hers.

    In our latest interview with Caroline, she was disappointed that she had to cut some of her favorite songs from the setlist to fit into an opening slot on a tour, but the fun thing about headlining is she didn’t have to do that! ‘St. George’ and ‘Guts’ made it back to the setlist, really giving Caroline that full-circle moment.

    Our favorite part of the night, even though it causes all the bittersweetness in the world, was finding out that Caroline was closing her night off with ‘Girl in a China Shop’ and ‘This House.’ Like many of her songs earlier in the set, we first heard these songs live last Spring, and hearing them again for the first time in over a year made the night all the more memorable.

    And of course, the night wouldn’t have been complete without an amazing opening act: Michele Lu.

    The USC alum and singer-songwriter is a veteran of playing at The Moroccan Lounge. Having opened for other artists such as Don Toliver, she was no stranger to hyping up a crowd and having songs that keep an audience captivated.

    Jay Flores for The Honey POP

    She performed her newest single, ‘Shotgun‘ and kept us hooked with her slowed down, angelic cover of the Cure’s ‘Friday I’m In Love.’ She told a story of the first time she ever played her cover of this song to a crowd of 20,000 people. Safe to say, it and she were a hit! She also sang ‘Dull Red’ which she announced was the leading single of her upcoming EP, Dull Red. We will be sat and ready for its release.

    Even though it was a Thursday night in LA, both Caroline and Michele blew us away with their show. Two women with amazing vocals, poetic songs, and hard-hitting lyrics deserve to share the stage more, and we hope to catch them on their headlining tours one day!

    View the full gallery from the show below!

    Where do you want to see Caroline Romano perform next? Let us know in the comments, on Facebook, Instagram, or by tweeting us @thehoneypop!

    TO LEARN MORE ABOUT CAROLINE ROMANO:
    INSTAGRAM | SPOTIFY | WEBSITE | TWITTER

    TO LEARN MORE ABOUT MICHELE LU:
    INSTAGRAM | SPOTIFY | WEBSITE | TIKTOK

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    Jay Flores

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  • Mix Up Your Playlist With Pabllo Vittar & NMIXX’s ‘MEXE!’

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    Pabllo Vittar and NMIXX saw people saying we don’t have a Song Of The Summer and said, “Hold my mixer.” They just delivered one of the most iconic collabs of the year (and the first collab between a Brazilian drag artist and a K-Pop group) with the Portuguese-language ‘MEXE,’ which translates to ‘MIX’ or ‘DANCE’ colloquially. Two of the most versatile artists in the world right now on one addictive song? Yes, please!

    Pabllo, Lily, Haewon, Sullyoon, Bae, Jiwoo, and Kyujin bring so much fierceness and energy to the track. You can hear the confidence dripping from their voices as they predict how much everyone will love it: “this that sh*t that make you mexe.” Pabllo commands our attention and shows off her undeniable star power while NMIXX get to flex their surreal vocal skills and bring their music to a whole new audience!

    I really like the girls’ sound and Korean sounds in general. They have innovative and even experimental rhythms. I discovered K-pop in 2015 and have always been a huge fan and follow it closely, so I couldn’t be happier! It’s an accomplishment to record with artists I like and experiment with new sounds in my musical production. I made ‘Fantasía,’ a song in Spanish with Nathy Peluso, and now I’m singing funk mixed with K-pop with NMIXX. Exploring these possibilities is a very fun and valuable process.

    Pabllo Vittar

    We’re so excited to see Pabllo and NMIXX’s worlds colliding! It’s been a long time coming but this collab truly feels like it was fated from the start. As Pabllo shared in the quote above, she’s loved K-Pop for a decade, and her ambitious outlook on music has led to her blending genres and working with global artists in different languages. Meanwhile, NMIXX has played with baile funk sounds since their debut with ‘O.O,’ and have ventured into other languages with songs like ‘Soñar (Breaker),’ which even received a full Spanish remix. 

    The girls of NMIXX seem just as excited about this team-up as we are, if not even more! Here’s what most of the members had to say about creating ‘MEXE’ with Pabllo: 

    • Lily via press release: “When I first heard the song, I realized it was the perfect combination of NMIXX’s sound and Pabllo’s. She came to Korea to participate in the recording and the music video, and it was wonderful to spend time with her during that time.”
    • Haewon via press release: “NMIXX has always strived to make music that freely connects with the world, so it was very special to collaborate with Pabllo Vittar, such a vibrant and free-spirited artist.”
    • Sullyoon in the behind-the-scenes video: “We’re filming the ‘MEXE’ video. It looks so cool so far, I feel great. Everyone looks so pretty today. The music video will come out amazing. I’m sure NSWERs will love it too!”
    • Bae via press release: “It was truly an honor, I could hardly believe it! Rehearsing the choreography with Pabllo and her dancers was so much fun, I learned a lot just by watching them. I think the song fits NMIXX perfectly, and the Latin dance style makes it super infectious.”
    • Jiwoo via press release: “When I heard we were collaborating with an international artist, I was very grateful, but also a little nervous, since it would be our first time.”
    • Kyujin via press release: “From the first recording session to the rehearsals and filming of the music video, she was incredibly sweet and cool, which made the whole experience a lot of fun.”

    We don’t know who we’re more jealous of: Pabllo for getting to spend so much time with NMIXX, or NMIXX for getting to spend so much time with Pabllo! Luckily, we can pretend we were part of the excitement by checking out NMIXX’s behind-the-scenes videos that show us what it was like putting together the song and music video. The girls even prepared a gift of Korean hair accessories for Pabllo, Pabllo gave them each albums and fans, and the recording video shows us how they built the immersive harmonies on ‘MEXE.’ 

    What do you think of ‘MEXE?’ Which K-Pop stars would you love to see Pabllo collab with next, perhaps on her upcoming PV7 album? Let us know in the comments below or hit us up on Facebook, Instagram, and Twitter! You can also buzz on over to our Reddit community to chat with us.

    Check out more sweet music recs! 

    TO LEARN MORE ABOUT PABLLO VITTAR:
    FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | WEBSITE | YOUTUBE

    TO LEARN MORE ABOUT NMIXX:
    FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | WEBSITE | YOUTUBE

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    Madison Murray

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  • Exclusive Interview: Elizabeth Nichols Talks All Things ‘I Got A New One,’ and More!

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    When we look at the bright new class of country music, one of the stars shining the brightest is undoubtedly Elizabeth Nichols! From her breakout hit ‘I Got A New One’ to her newest track ‘Daughter,’ we are getting to watch an artist fully come into her own, discover her sound, and get better with each song.

    We were lucky enough to chat with Elizabeth Nichols all about her success so far, new music, and receiving the coveted Kelly Clarkson treatment.

    Listen to ‘Daughter’ here!

    Hi Elizabeth! Thank you so much for chatting with us! To start us off, how would you describe your music to someone who is tuning in for the first time? 
    I’d say probably clever and honest. Those are two elements that I see in all my favorite songs. I try to balance the two. I don’t want to be too clever that I’m not honest, or too straightforward that it kills the clever.

    ‘Tough Love’ is officially out! This acts as your debut multi-track project! What emotions have been going through your head as these seven tracks now live out in the world?
    I am so grateful. If you had told me one year ago that this is where I would be, I would have never believed you. The idea that some group of girls in another state is in the car with their friends, singing one of my songs, is the most surreal part of it all. Music is such a beautiful part of life, and I am honored to be given the opportunity to make it.

    The video for ‘I Got A New One’ perfectly encapsulates each lyric of the track! Can you tell us a bit about that creative process and crafting the visuals?
    I grew up on Taylor Swift music videos. I love when a video really tells a story in the same way a song does, so it was important to me to really bring that visual side to life. We got to work with amazing creative directors, and it was so fulfilling to see the story turn from words on a page to a scene I got to be a part of.

    What has it been like for you to see the way people have latched onto ‘I Got A New One’? Did you have any inkling that this song would be one that people took to? 
    ‘I Got A New One’ was the first single I’d ever released, so I had no idea what to expect at all. I am so grateful that people like it and it’s connected the way that it has—that song truly changed my life.

    We know that ‘Ain’t Country’ was your first jump into writing a country track. What changes about the songwriting process when you’re writing with a genre in mind? 
    I was about 10 years old the last time I had written any kind of song, so ‘Ain’t Country’ was the first song I’ve written as an adult, and I think that country sound just kind of naturally came out of me because that’s what I grew up listening to. I also love storytelling and lyricism, and country music is a genre that really celebrates those things and makes space for that part of the craft.

    Ahead of the release of Tough Love, was there a song you were most looking forward to seeing fans’ reactions to? 
    I was most excited for fans to hear ‘Tough Love’ because it was the one song that I hadn’t teased at all before its release, so nobody had heard a single note of it. It was also the newest song out of the seven—I wrote it only a few weeks before the EP came out. There is something about how honest it is that I hoped fans would connect with.

    We have to ask, ‘I Got A New One’ has officially received the Kelly Clarkson treatment! What was that like for you? 
    I was and am extremely grateful. Kelly Clarkson is literally an American icon. She is so unbelievably talented, so the fact that she liked a song I wrote enough to cover it is a huge compliment—my family and I were so excited when it happened.

    Once again, thank you so much for chatting with us! Before we let you go, what can fans look forward to as we round out the last few months of 2025? 
    Some more music! I have a new single coming out in August. I’m also playing some shows throughout the end of this year, which I’m really excited about. I love meeting people out on the road.

    Check out more of our exclusive interviews here!

    We would love to hear from you! What is your favorite song off of Tough Love by Elizabeth Nichols? Let us know by commenting below or by tweeting @TheHoneyPOP! We are also on Facebook, Instagram, and TikTok!

    TO LEARN MORE ABOUT ELIZABETH NICHOLS:
    INSTAGRAM | TIKTOK

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    Hailey Hastings

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  • Rachael Sage & the Sequins Release Timely Video/Audio, “Canopy”

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    Title Track Out Ahead of Forthcoming Debut Full-Band Album Release, Canopy


    NEW YORK, May 12, 2025 (Newswire.com)
    –
    Alt-folk-pop singer-songwriter Rachael Sage has joined forces with her stellar longtime band The Sequins to record “Canopy” (MPress Records), the resolute title track from their forthcoming full-length studio album, Canopy. Equal parts emotional exhale and invitation to a more compassionate future, the inspirational anthem explores radical inclusivity, non-violence, and environmental consciousness. This debut full-band release as Rachael Sage & The Sequins is a much-needed musical reprieve from our current cultural upheaval.

    Wrapped in lush instrumentation,”Canopy” combines shimmering folk-pop melodies, cinematic strings, and a chorus that soars with a message of empathy. The self-produced title track summons a brighter tomorrow where shelter is a given for everyone, rather than a luxury for some. Rachael discusses the song, saying: “The absence of women’s voices and their active presence on the world stage is a lot of what has contributed to the violence we currently see, militarily and environmentally. Creating safety and inclusivity in times of divisiveness can be a radical and powerful act; it takes courage to stand up for justice and for our fellow human beings, and through the message of this song I am trying to inspire each of us – including myself – to boldly do that for one another even when it may be uncomfortable or go against the cultural grain to do so.”

    Watch/Listen to “Canopy” HERE
    Stream/download “Canopy” HERE

    Accompanied by The Sequins – violinist Kelly Halloran (Goo Goo Dolls) and drummer Andy Mac (Pete Muller & The Kindred Souls) – along with contributing musicians organist Rob Curto (Klezmatics) and cellist Dave Eggar (Paul Simon), this all-too-timely musical mission statement is bolstered by one of the most memorable hooks of her prolific career. Rachael sings: “I believe with every beating of my heart/ If the world were run by women there would be an end to war/ There would be an end to suffering at the hands of hatred’s shards/ There would be no more buttressing of the vengeance violence starts.” Guest percussionist Doug Yowell (Howard Jones), guitarist James Mastro (Bongos), and Grammy®-nominated bassist/engineer Mikhail Pivovarov also contribute their talents, along with Americana vocal duo Annalyse & Ryan.

    Tour Dates
    * = w/Kristen Ford; + w/Kristen Ford & Jocelyn McKenzie
    ++ w/Kristen Ford & Danielle Howle
    ** w/Kristen Ford & Tom Goss
    (please see rachaelsage.com for all ongoing US & UK tour dates)

    5/13/25

    The Troubadour – London, UK

    5/15/25

    Alternative Escape @ Casablanca – Brighton, UK

    5/16/25

    Alternative Escape @ Secret Comedy Club – Brighton, UK

    5/18/25

    Holmfirth Tavern – Holmfirth, UK

    5/22/25

    Speakeasy @ Harbour View – Sunderland, UK

    5/23/25

    Upstairs @ The Labour Rooms – Otley, UK

    5/24/25

    Mojo’s Music Cafe – Scarborough, UK

    5/25/25

    The Crescent Lounge – Scarborough, UK

    5/29/25

    Prohibition Studios – Liverpool, UK

    5/30/25

    Forty-Five Vinyl Cafe – York, UK

    5/31/25

    Wrecking Ball Arts – Hull, UK

    6/1/25

    Percy’s Cafe Bar – Whitchurch, UK

    6/21/25

    503 Social Club – Hoboken, NJ *

    6/22/25

    Electric Haze – Worcester, MA *

    6/27/25

    Towne Crier Cafe – Beacon, NY

    7/9/25

    Natalie’s Grandview – Columbus, OH *

    7/10/25

    Uncommon Ground – Chicago, IL *

    7/11/25

    First Unitarian Church – Pittsburgh, PA *

    7/12/25

    Atomic Tom’s – Binghamton, NY *

    7/18/25

    The Burren – Somerville, MA +

    7/19/25

    Cantean – Hamden, CT *

    8/7/25

    The 5 Spot – Nashville, TN *

    8/13/25

    Awendaw Green – Charleston, SC ++

    10/5/25

    Hotel Cafe – Los Angeles, CA **

    For more information and interview requests, please contact:
    US: Jill Richmond-Johnson, MPress Records | jillr@mpressrecords.com
    UK: Cat Hockley, Fifth Element PR | cat@fifthelement.biz

    Suggested Post
    Listen to Rachael Sage’s optimistic new single “Canopy” about creating safety, compassion, healing, and hope for everyone! https://youtu.be/lHgwZ7btCKQ

    Contact Information

    Source: MPress Records

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  • Rachael Sage Announces Tour and Timely New Single Ahead of Forthcoming Album

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    Full Album To Follow Late 2025


    NEW YORK, March 17, 2025 (Newswire.com)
    –
    Acclaimed MPress Records recording artist Rachael Sage is set to unveil her latest full-length studio album later this year, with the title track and first single, “Canopy”, arriving in mid-May alongside a stunning music video. Set for release later this year, Canopy is a collection of songs that feel like a refuge-woven from resilience, longing, and the irrepressible determination to find light in the darkest places. At its heart is the title track and first single, an anthem that folds itself around the listener like a reassuring embrace.

    Wrapped in lush instrumentation – bolstered by Sage’s longtime band The Sequins – and one of Sage’s most unforgettable melodies, “Canopy” is a song of quiet strength and radical inclusivity. Fans of Bob Dylan, Sinéad O’Connor, and Alanis Morissette will find much to love in its poetic storytelling and soul-stirring chorus. Blending shimmering folk-pop melodies, cinematic strings, and a chorus that soars with a message of empathy, “Canopy” speaks to the strength found in compassion. It’s for the ones who keep showing up, holding space for others, and sheltering those they love.

    Music is at its most powerful when shared, and Sage is bringing Canopy to life onstage with her trio, Rachael Sage & The Sequins, featuring renowned violinist Kelly Halloran (Lainey Wilson, Michael Franti) and Will Wilde, a fast-rising blues-rock harmonica player (Walter Trout). A highlight of the tour will be a special night at The Troubadour in London, where Sage will be joined by surprise guests – to be revealed closer to the show. She and her band will also be appearing at The Great Escape Festival, with exact performance details to be announced soon.

    Sage has built a reputation as an electrifying live performer, gracing stages across the world. She has shared the spotlight with legends including Imelda May, Ani DiFranco, Beth Hart, Howard Jones, and Grammy® winners Shawn Colvin and Judy Collins, with whom she recorded a critically acclaimed duet of Neil Young’s “Helpless”. Most recently, she has opened for the likes of Lulu, Will Young, and Hue and Cry, including two sold-out shows at Manchester RNCM Theatre and Gateshead Glasshouse as part of Hue and Cry’s 40th Anniversary Tour. Her festival appearances have spanned from SXSW and Edinburgh Fringe to Pride in London and The Great Escape, consistently captivating audiences with her distinctive mix of folk, Americana, and pop.

    Sage’s recent albums, The Other Side and its companion collection, Another Side have cemented her reputation as a masterful storyteller and genre-blending artist. Released in 2023, The Other Side is a deeply introspective and sonically rich album that embraces the warm, classic textures of 70s and 80s folk-pop, while exploring themes of resilience, transformation, and hope. With guest vocals from Howard Jones, along with contributions from Jack Petruzzelli (Patti Smith), Russ Johnson (Elvis Costello), and James Mastro (Ian Hunter), the record offers a lush, deeply moving listening experience.

    Building upon that deeply personal collection, Sage later released Another Side, a reimagining of select tracks from The Other Side with a raw, intimate, and stripped-down approach. Featuring collaborations with folk luminaries like Crys Matthews, Amy Speace, and Grace Pettis, Another Side showcases Sage’s gift for reinvention, as she reinterprets her own work – alongside covers of Yazoo’s “Only You” and Maria McKee’s “Breathe” – through a more acoustic, soul-baring lens.

    With Canopy, Sage continues this journey of storytelling, reinvention, and emotional connection, offering listeners yet another beautifully crafted, deeply heartfelt collection of songs. Due for release in late summer or early fall, the album promises to be one of her most soulful and thought-provoking works yet.

    Tour Dates
    (please see rachaelsage.com for all ongoing US & UK tour dates)

    19 March – Shank Hall – Milwaukee, WI *
    20 March – SPACE – Evanston, IL *
    10 April – The Bitter End – New York, NY
    13 May – The Troubadour – London, UK
    15-16 – May The Great Escape – Brighton, UK
    18 May – Holmfirth Tavern – Holmfirth, UK
    22 May – Speakeasy @ Harbour View – Sunderland, UK
    24 May – Mojo’s Music Cafe – Scarborough, UK
    29 May – Prohibition Studios – Liverpool, UK
    30 May – Forty-Five Vinyl Cafe – York, UK
    31 May – Wrecking Ball Arts – Hull, UK
    1 June – Percy’s Cafe Bar – Whitchurch, UK
    * supporting Marshall Crenshaw

    For more information and interview requests, please contact:
    US: Jill Richmond-Johnson, MPress Records | jillr@mpressrecords.com
    UK: Cat Hockley, Fifth Element PR | cat@fifthelement.biz

    Source: MPress Records

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  • Which TXT The Star Chapter: SANCTUARY Song Are You Based On Your Zodiac Sign?

    Which TXT The Star Chapter: SANCTUARY Song Are You Based On Your Zodiac Sign?

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    Listen, when TXT begins a new era called The Star Chapter, what are astrology-obsessed MOAs meant to do? Obviously, our brains immediately started whirring, and now here we are. If TXT want to be stars in the night sky, we’ll let them! Here’s which track from TXT’s The Star Chapter: SANCTUARY you should stream based on your zodiac sign.

    ‘Heaven’ – Pisces, Libra

    ‘Heaven’ is for the romantics, so naturally, we had to give it to Pisces and Libra. These two signs are well-known for being the most starry-eyed among us, and with lyrics like “From 1 to 10 you’re like an 11,” ‘Heaven’ simply had to be for them.

    ‘Over The Moon’ – Cancer, Leo

    Next up is TXT’s title track from The Star Chapter: SANCTUARY, ‘Over The Moon,’ and these song choices were easy; the clue is in the title (track). The Cancer zodiac is ruled by the moon, so we had to pair them up! As for Leos, they love the spotlight, so they obviously have lead single energy. Combine that with the bright and intense rock energy of ‘Over The Moon,’ and you have a match made in heaven. Oh no wait, that was the last song…

    ‘Danger’ – Gemini, Sagittarius

    These two star signs matching with TXT’s ‘Danger’ was a no-brainer. Geminis and Sagittarians are known for their spontaneity and curiosity. They’re not afraid and will say “Give me some of that danger,” any day.

    ‘Resist (Not Gonna Run Away)’ – Taurus, Virgo

    From the two of the most curious zodiacs to two of the most stubborn. ‘Resist’ is passionate and committed, just like these two earth placements. From TXT’s dreamy falsettos to the reggaeton production, we’d be honored to have this one matched with our star signs.

    ‘Forty One Winks’ – Scorpio, Aquarius

    ‘Forty One Winks’ is for the quirky cool kids, AKA Scorpio and Aquarius. The romantic R&B energy is a perfect match for a sensual Scorpio. As for Aquarians? They play by their own rules, and so does ‘Forty One Winks’ with its play on words and imbued confidence.

    ‘Higher Than Heaven’ – Aries, Capricorn

    Last, but definitely not least, we have Aries and Capricorn. Both are cardinal signs, which means they’re known to be trendsetters and march towards their goals. With ‘Higher Than Heaven,’ that’s exactly what TXT do too! The track is quintessential rock TXT, but they’re still pushing themselves and their music to evolve and reach “higher!”

    Which TXT track did your zodiac get get? Does it match up with your favorite track on The Star Chapter: SANCTUARY? Let us know on Twitter @TheHoneyPOP! You can also find us on Facebook and Instagram!

    Want more TXT? Luckily for you, we’ve got that covered.

    TO LEARN MORE ABOUT TXT:
    FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | WEBSITE

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    Anna Marie

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  • Exclusive Interview: Kirstin Carter Talks ‘Karma,’ Full Bloom, And More!

    Exclusive Interview: Kirstin Carter Talks ‘Karma,’ Full Bloom, And More!

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    Hey, honey bees it’s been a while since we brought you another artist to dive in and enjoy. Today, we thought we would introduce you to an artist who can seemingly do it all, from country to Imogen Heap-core music. Kristin Carter is your girl! Ever since her full album Full Bloom dropped, we have been full-on Kristin Carter fans, with the song basically playing on a loop. So we are sure you’d also enjoy her music.

    Well, since we are obviously obsessed with the gal, we won’t stall much longer and give you our interview with this singer-songwriter all about her album, making music, inspirations, a Christmas album, and a potential tour! Let’s dive in.

    First of all, hi Kristin it is such a pleasure to talk to you today, and congrats on your first full album Full Bloom. How did you celebrate the album finally hitting streaming platforms? Any special treat you gave yourself?
    Thank you! A pleasure to chat with you as well. I hosted a listening party and played some new songs from the album to celebrate. It was a great night, so that was a real treat for me!

    The record is all about you reinventing yourself musically and it gives us peak contemporary pop vibes. We also hear a little bit of Imogen Heap in your songs, especially ‘I’m Still Here.’ What inspired you to switch genres?
    I’ve been influenced by a lot of different kinds of music in my lifetime; I grew up singing in choirs and loving musical theatre, but I also loved pop music, R&B, and country. All of these genres really drove the diverse sonic landscape of Full Bloom. The approach to making the album felt limitless which was exciting, and I really cherished the process of exploring all the different sounds and pathways that came up. I’m really flattered by the Imogen Heap comparison, I definitely leaned into layering and balancing harmonies.

    All of Full Bloom’s tracks are meant to be musical flowers tackling different themes that are big in one’s 20s. However, let’s make an imaginary flower bouquet for the record. What flowers would be in it? 
    I would have; peonies that represent bright hopefulness, roses that represent beauty, guarded with thorns to protect, wildflowers and greenery that represent spontaneity and existentialism, and baby’s breath for light and airy romantic energy. The album is very multifaceted in its themes and emotions, so the bouquet would be pretty varied as well. Lots of colors and shapes!

    Image Source: Liz Rosa

    We have to admit we were stunned watching the ‘I’m Still Here’ music video, the visuals are absolutely stunning and the concept is so unique and fitting for the song’s theme of personal resilience. Who came up with the ideas for the music video? How was it filming it with your friends? Any funny or meaningful moments from set? 
    Thank you! It turned out even better than I had imagined. My friend and collaborator Eva Tavares conceptualized the idea of the statue in the garden, weathered over time. It was such a blast to film with friends. We were all super excited about the project.

    One of my favorite memories from that day was goofing around with the visual effects makeup artist Isabelle Fallu, who created the statue look for the video (no special effects, that was all makeup!).  It was about 3 hours each morning to get into the look, so we got to know each other very fast. The makeup was very durable – so durable that I needed a special makeup remover to get it off. The first day filming, I had run out of it and had to go to the store to get more after the shoot. I tried to hide my face as best as possible, so I didn’t scare anyone but I did give some poor guy a jump scare.

    Full Bloom is definitely your most vulnerable work yet and we appreciate getting to see more of Kristin Carter. Let’s talk about how this record came about. Which one was the first song you wrote from the record? What came first melody or a line of lyric?
    I can’t remember which song came first, to be honest. It was a several-year process of collecting and writing over time. It was kind of hard to narrow it down at the end! In terms of what came first; lyrics or melody, it really varied. Sometimes I’d think of some lyrics or a topic I really wanted to write about and other times I’d hear a melody. Occasionally my collaborator Marcus Ramsay would also come up with an instrumental loop and we would write to that, it was a really flexible process which I loved. 

    Speaking of the making of Full Bloom, how did you decide on the track list lineup? ‘Euphoria’ as one of the lead singles opens the record while ‘I’m Still Here’ can be found rather late on the record. What was your process and the story you wanted to tell?
    I wanted to have a smooth mix of upbeat into slow and then upbeat again etc. ‘Euphoria’ has that neat cinematic intro so Marcus and I thought it would be perfect to open the album. From there, we tried to stack things by pace and feel. We ended with ‘Good People Good Wine’ which has that singalong outro. It felt like the perfect way to end the album. 

    How does it feel now that the ‘Lazy Sunday’ music video is out for the world to see?
    Very exciting. Our whole crew worked super hard on it so it’s great to be able to share it. I never thought I’d learn how to fly in my life, and now I can’t wait to do it again some day. Luckily I’m not afraid of heights!

    We can’t talk about your music without mentioning ‘Karma’ and how absolutely addicting it is as a country song. The line “Karma is a boomerang you get what you give” is incredibly catchy and so on point. What’s your favorite line from the song?
    Thanks for loving it!  My favorite line would be “The wicked web you wove gonna come unstitched It’s a universal truth hunny Karma, is a…”  because it has some awesome alliteration in there.

    Yes, ‘Karma’ has made it onto our line dance playlist. Have you ever had an idea for one for the single? Would you ever love to see your fans do a TikTok challenge to the song? 
    I’ll leave that to the extremely talented dancers on TikTok! I would certainly love to see fans having fun with any of my songs, because when I really think about how I want to impact people, my hope is that they connect with my music and express their appreciation in ways that are positive and fun for them. However they want to support me – whether it’s going to shows, listening on streaming platforms, TikTok challenges, or picking one of my songs for a wedding, which blows my mind – that just means I’ve accomplished what I set out to do. It’s an amazing feeling. I appreciate the love in all forms!

    Your newest record explores the possibilities of contemporary pop but will we ever get another country, Kristin Carter? Or what other genres would you like to explore?
    Full Bloom has a contemporary pop flavour for sure, but the songs are influenced by a wide variety of genres. Country is just one of these genres. I don’t think my music will ever have just one genre label moving forward, because I enjoy exploring different styles and bringing them together. Something I am really excited to explore is recording a Christmas album, which I will be doing next!

    This one is definitely not just for us and to get more info about your music taste. But if you had to make a playlist themed around ‘I’m Still Here’ or any other song off of Full Bloom which artists would be on it? What would be the cover photo and name of the playlist?  
    If it was based on ‘I’m Still Here’, you mentioned Imogen Heap earlier and her music would certainly be on it. I would also have Adele, Bjork, Enya and Sarah McLachlan. The cover photo would be a black and white picture of the ocean or a wave with the title ‘I’m Still Hear’ for a sneaky little play on words.

    interview kirstin carter
    Image Source: Liz Rosa

    And last but not least, if you ever get the chance to tour for Full Bloom, what would a Kristin Carter tour be like? What would be the color concept, the stage design, and most importantly the opening song?
    For a stadium tour, the opener would be ‘Euphoria’ – it’s upbeat and gets the vibes going. As for stage design, if I had all the money in the world, I would have a stage that doubles as a projection screen that has flower visualizers and warm lights blooming while the performance is going on with colors to match the theme of each song. The images would interact with me and the band while performing to create an immersive experience for the audience. I would also love to do a more intimate tour where I can speak about the themes and inspiration for the songs. It would feature me on a stage with a grand piano that is bursting with hundreds of flowers falling to the floor. There would be flowers everywhere.

    Well, there you have it. We are already saving up for either of these tours that’s for sure Kristin. Also that Christmas album? We are sooo ready. But what about you? What’s your favorite song off the Full Bloom album? Let us know in the comments below or hit us up on Facebook, Instagram, and Twitter!

    Check out more sweet interviews!

    TO LEARN MORE ABOUT KIRSTEN CARTER:
    FACEBOOK | INSTAGRAM | TIKTOK | YOUTUBE

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    Selina

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  • Summer Walker Triumphly Returns With ‘Heart Of A Woman’

    Summer Walker Triumphly Returns With ‘Heart Of A Woman’

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    The only thing that’s saving us? New Summer Walker music.

    She keeps a pretty low profile but continues to dominate the music industry at every turn. After the release of Still Over It, Walker gained major success, performed at Dreamville, collaborated with SZA, and went mainstream. Did we ever get over it? No, no, we did not. Since then, we’ve really been missing Summer’s music here in the hive. Seemingly out of nowhere, Summer announced the release of ‘Heart Of A Woman’, and the world went wild.

    Image Source: Single Artwork, courtesy of Interscope

    Here’s what we thought about the new track and what we’re looking forward to next from Summer!

    ‘Heart Of A Woman’

    This track is a prime example of why fans flock to Summer’s music now more than ever. ‘Heart of A Woman’ opens slowly with that whimsical, alluring vocal style that Summer is known for. Listeners are immediately drawn to her dreamy vocals and stylized lyrics.

    “Question is, why I do the things I do?
    Answer I may never find, but I’ll always choose you
    Wanna give up on you but, damn, I know I can’t
    I put the blame on me for giving you chance after chance”

    Summer seems to find herself stuck in a tough situation where she keeps going back to the one person who is seemingly bad for her. Don’t worry Summer, we’ve all been there. But when we find ourselves there, we often ask ourselves, “Why?.” There might not ever be an answer, but we know we must look inward to try to find answers. As usual, Summer’s music is quite therapeutic and per usual, we find ourselves relating to every word.

    Finally Over It

    If this track is any indication of what is to come on Finally Over It, we are super excited! The new album does not have a release date yet, but we are hoping it’ll be ours by the time 2024 is over. We just can’t wait any longer than that!

    What did you think about ‘Heart Of A Woman?’ Are you excited for Summer Walker’s new album? Let us know all your thoughts in the comments below or by buzzing with us on Instagram, Twitter, or Facebook 🐝

    Looking to read more song and album reviews? Look no further!

    TO LEARN MORE ABOUT SUMMER WALKER:
    FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | WEBSITE | YOUTUBE

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    ableimann

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  • INTERVIEW: Our Love For Leroy Sanchez Won’t Go ‘NUCLEAR!’

    INTERVIEW: Our Love For Leroy Sanchez Won’t Go ‘NUCLEAR!’

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    The most compelling singer-songwriters can tell a story with not only their lyrics, but the way they unleash the emotions of the song with their voice, and the perfect example is rising superstar Leroy Sanchez. He’s stolen hearts worldwide with his latest viral hit, ‘NUCLEAR,’ and we know this is just the beginning of a whole new chapter for his career! As the culmination of over a decade of experience in music, the song sets the bar high for his upcoming debut album while Leroy effortlessly describes the thrill and threat of a passionate relationship in a perfectly immersive way.

    We got to ask Leroy all about ‘NUCLEAR,’ his creative process, posting covers online, and more! Watch the ‘NUCLEAR’ music video below and keep reading to check out our exclusive Q&A. Side note: we wish real-life trips to the grocery store could be this interesting.

    Hi Leroy, congrats on the release of ‘NUCLEAR!’ How did it feel to finally let the song out into the world and into your fans’ lives?
    Thank you so much!! It was always so exciting to release new music for the fans and for the world to listen! It was also a bit nerve-racking because you never know how people will react, but I was super proud of ‘NUCLEAR.’ I thought fans would get to see a side of me they hadn’t seen before, and I hoped they were excited too.

    What does ‘NUCLEAR’ mean to you, and is there a certain lyric you’re especially proud of?
    ‘NUCLEAR’ means the beginning of an amazing new journey for me. It’s my first single leading up to my debut album! It’s the result of years of hard work and everything I’ve learned as an artist, producer, and songwriter. I’m super proud of it! One lyric that really stands out for me is, “slow down every inch of time before our love goes nuclear.” I love how it captures the contrast between something as tiny as an inch of a second and the vastness of going nuclear. It really shows how the little things can have a really big impact.

    ‘NUCLEAR’ has been popping off on TikTok, which must be so exciting to see! Do you have any favorite videos or trends you’ve seen fans make using the song?
    I’m absolutely obsessed with all the content people are making to ‘NUCLEAR’ on TikTok! I’ve seen so many cool and different trends, but my absolute favorite has to be when fans dance to the original choreography from the music video. First of all, it’s not an easy dance, but everyone is giving it their all, and the best part is seeing how much FUN everyone is having while doing it. To see the joy in their faces as they recreate those fun dance moves makes me SO HAPPY. It’s very refreshing and healing to have a trend like this right now, especially with all the negativity and division around us. 

    If you could have any artist cover ‘NUCLEAR’ or hop on for a remix, who would you choose and why?
    Oh wow, what an exciting question! What about Khalid? His smooth vocals would sound so sick with this song and also give it a whole new vibe. A lot of people have also been wanting to hear Sia or Chris Brown singing it, and I think that’d be so fun to listen to as well!

    Congrats on the success of ‘NUCLEAR!’ What has it been like for you to see how much fans love the song?
    Thank you! Honestly, it’s been quite surreal to see how much love people have shown NUCLEAR and I’m so grateful. Just last week, I was at the iHeartRadio Music Festival, watching all these amazing artists, and I had this thought; “how wild would it be to hear this crowd sing ‘NUCLEAR?’” Out of curiosity, I checked my TikTok to see how the post with ‘NUCLEAR’ was doing, and just a few hours before, the video had about 17k views. At that moment, it had jumped to 150k! I turned to my friend Ryan, who was totally immersed in watching Gwen Stefani, and I said to him, “Something’s happening…” By the next morning, it was close to a million views! Just imagine a fraction of those people singing ‘NUCLEAR’ together! 

    You recently told The Knockturnal that part of what made ’Nuclear’ so special to you is that it reminded you of the songs you’d hear on the radio while growing up in Spain. How has your upbringing shaped how you approach making music? Have any Spanish artists particularly inspired you for this new chapter?
    Growing up in Spain has completely shaped how I approach music. I’m from a very small town in the Basque Country, with barely 3,300 people. I was a very emotional kid and music became my escape and eventually my passion. I was obsessed with how the songs on the radio made me feel, and I wanted to recreate that. So, when I write music, I always try to capture that sense of escape and make sure the songs hit me emotionally.

    One artist who’s inspired me a lot, not so much in style but in spirit, is Rosalía. I find it amazing how she’s stayed true to herself no matter what’s trending in the industry and still managed to succeed. It’s a reminder that I have my own story to tell and that trusting my instincts is key to doing the music that feels real to me.

    Something that stands out about each song you’ve released so far is how emotive your voice is! Do you have a certain ritual or tradition to get into the right headspace for a song before you record?
    It really depends on the situation when I’m recording. For instance, with ‘NUCLEAR,’ the vocals you hear are the original demo vocals, the very first ones I recorded when writing the songs. A lot of times, the purest emotion comes through right in that moment, and it’s hard to recreate that later. When I do have to re-record, I try to go into the booth without listening to the track beforehand, so I can approach it fresh and be as raw as possible. As soon as I start overthinking it, the emotion gets lost, even if the technical side gets better. To me, it doesn’t matter if a song is technically perfect… If it doesn’t make you feel something, it’s not worth it.

    You got your start in music when you started posting covers on YouTube in 2015 – what’s something you learned during that time that you’ve carried with you while working on your original music?
    The biggest thing I learned is to always keep pushing yourself to improve your craft. When I started, all I had was a crappy little digital camera and a low-lit room to film in. But I’d always try to make each video better with what little I had, which forced me to get creative. That really stuck with me, whether it’s with singing, writing, or just being a better artist, I’m always looking for ways to grow and get more creative.

    In addition to your own music, you notably co-wrote Chanel’s ‘SloMo,’ which became a global hit on Eurovision and went to #1 on Billboard’s Spanish Songs chart! Do you approach working on songs for other artists differently than you approach working on your own songs?
    Yeah, the approach is definitely different. When writing for other artists, you have to step into their shoes and imagine you’re living their life for a moment. It’s kind of like writing a song for someone while looking at them through a tiny peephole—you only see a small part of who they are compared to everything they know about themselves. So you take the little bit you know and shape it into what you think their “artist” persona should sound like. If the artist is in the room, you basically become their therapist for the session, trying to pull out what they’re going through, process it, and then turn it into a song.

    But when I write for myself, I have access to everything in my own mind! Which can be both freeing but also overwhelming because there’s so much to pull from. It’s a much deeper, more personal process.

    What can your fans look forward to in the rest of 2024?
    2024 is just a warm-up for what’s coming in 2025, but before the year’s over, fans can expect to hear some more new stuff, and maybe even get into the holiday spirit with me!

    Is there anything else you’d like to mention or say to your fans that the questions didn’t touch on?
    I hope you all enjoyed ‘NUCLEAR’ and that you sang your hearts out to it! Oh! And don’t forget to share those covers! I can’t wait to hear your beautiful voices!

    You already know we’ll be singing our hearts out to ‘NUCLEAR’ until the end of time. Thank you so much to Leroy for answering our questions and giving us such great music to jam out to!

    Now, honeybees, we have some questions for you! What do you think of ‘NUCLEAR?’ Which part of the song is your favorite to sing along with? Let us know in the comments below or hit us up on Facebook, Instagram, and Twitter!

    Check out more sweet interviews!

    TO LEARN MORE ABOUT LEROY SANCHEZ:
    FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | WEBSITE | YOUTUBE

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    Madison Murray

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