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Tag: New Music

  • ‘Mute Is Off’ For Inseong’s 1st Mini-Album, Crossfade:

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    Fantasy, the time has come! Inseong has released his 1st Mini album, titled Crossfade:.

    With Crossfade:, Inseong introduces his first mini album as a solo artist, offering a project that feels really personal. Following SF9’s world tour, this release arrives at a moment where he appears ready to explore his own sound and perspective in a more focused way.

    Rather than aiming for a bold statement, Crossfade: leans into sincerity. Across five tracks, Inseong reflects on self-expression, connection, and memory, creating an album that feels cohesive and intentional.

    The Tracklist

    1. ‘Mute is Off’
    2. ‘Feast of the Night’
    3. ‘Trying To Love’
    4. ‘Stained Memory’
    5. ‘Still You, Now Me’

    ‘Mute Is Off’

    From the very first moments, ‘Mute is Off’ feels like a declaration.

    The music video keeps Inseong front and center, surrounded by color yet grounded in intimacy. It’s a fitting choice for Inseong’s first mini-album, putting all attention where it should be: on him, his voice, and the message he’s trying to deliver. Visually, it’s simple but effective, and symbolically, the scenes with the typewriter feel especially telling. They read as moments of him pouring his thoughts out, unedited, before finally stepping forward with more confidence in who he is.

    The song speaks about shedding fear and standing unhidden as one’s true self. It’s about choosing to be heard after staying silent for too long. Consequently, the track feels quietly brave. The melody stays upbeat, but the words cut deep — a contrast that works incredibly well here.

    Knowing that Inseong took part in writing and composing the song makes it hit even harder. His vocal tone carries a warmth that turns the lyrics into something almost healing. It doesn’t just tell you to be brave—it makes you feel braver too.

    Before I know it, I’m standing

    As myself, unhidden 

    ‘Feast Of The Night’

    ‘Feast of the Night’ leans into the idea of quiet comfort rather than emotional intensity.

    The song speaks to exhaustion, to days filled with restraint and unspoken feelings, and to the need for rest after enduring more than expected. Instead of offering solutions, the lyrics focus on presence: sitting together, sharing both sadness and joy, and allowing the night to hold those feelings for a while.

    This musical approach is reflected in Inseong’s delivery. His voice remains warm and slightly husky in the verses, creating a sense of closeness and some comfort. As the chorus opens up, the vocals rise with more strength, but never overwhelm the message. Consequently, the song feels steady and reassuring, framing comfort as something simple and shared rather than dramatic.

    Even if tears fall, I will shine more light on those overwhelming days coming to you

    ‘Trying To Love’

    ‘Trying To Love’ shifts the mood again, this time into something tender and sweet.

    Centered around the early stages of romantic feelings, the track captures uncertainty and hesitation rather than grand emotion. The lyrics focus on wanting connection while struggling with self-doubt, which gives the song a relatable quality.

    The song stays light and gentle, with Inseong’s vocals sounding warm and steady throughout. As a result, ‘Trying To Love’ feels like one of the album’s easiest listens, adding a sweeter contrast to the more reflective tracks around it.

    Hate being alone on this night I want to be with you

    I hate hate hate myself for having no courage

    ‘Stained Memory’ 

    In ‘Stained Memory’, Inseong focuses on lingering feelings that refuse to fade, even after some time has passed.

    The lyrics describe memories resurfacing unexpectedly—warmth, a flood of emotions once pushed aside, and moments that remain vivid despite repeated attempts to forget. It centers on persistence: memories filling every part of the narrator, stained with someone’s presence and color.

    Most importantly, the longing here is unresolved. The repeated wish to meet “just once” suggests not closure, but the hope that even a brief encounter might finally allow those memories to be released. As a result, the song feels like a healing heartbreak, capturing what it means to live alongside memories that no longer belong to the present.

    The laughter and the tears, the memories and the recollection

    Hoping to meet you again at least once

    I live like this today too, in the memories stained with you

    ‘Still You, Now Me’

    ‘Still You, Now Me’ focuses on how memory becomes part of everyday routine.

    The lyrics follow repeated actions—waking up, revisiting familiar places, replaying the same song—showing how habits tied to someone else can persist over time. The contrast between “you were there then” and “I am here now” frames the song’s emotional core. Rather than searching for answers or closure, the narrator simply observes the distance that now exists, continuing to trace it through memory.

    By the end, the song remains suspended between past and present. ‘Still You, Now Me’ captures the feeling of moving on in life while emotionally circling around the same moment, where memory continues to guide the way back.

    Your touch that used to embrace me so warmly

    Like yesterday and like today, I cannot remember you saying goodbye

    Believing that it is just a dream and that it is not true

    Inseong’s Solo Era Starts Strong

    What we like most about Inseong’s first mini-album Crossfade: is that it feels clear and consistent. It’s a focused debut that highlights mood, message, and Inseong’s voice as the main thread throughout the tracklist. As a result, Crossfade: works best as a full listen. It’s a solid introduction to his solo direction, and it leaves a clear impression of what Inseong wants to explore moving forward.

    Now we want to hear from you: which song connected with you the most, and why? Share your thoughts in the comments or tag us on X at @thehoneypop. And don’t forget to follow us on Instagram and Facebook for more coverage of your faves.

    For more comeback reviews, new releases, and fresh K-Pop obsessions, check out The Honey(K)Pop!

    TO LEARN MORE ABOUT SF9:
    FACEBOOK | INSTAGRAM | INSEONG’S INSTAGRAM | TIKTOK | TWITTER | WEBSITE | YOUTUBE

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    Neža V.

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  • Introducing You To Alt-Pop Visionary Erin LeCount

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    As far as alternative music goes, Erin LeCount is paving her own path. Taking inspiration from artists like Fiona Apple, Kate Bush, Lorde, Imogen Heap, Charli xcx, and Sampha, it’s no wonder the result is brilliant. Hovering in her own realm between alt-pop and synth-pop, Erin LeCount’s sound is distinctly her own, and you don’t want to miss out on it. Her most recent single, ‘I BELIEVE,’ follows two others: ‘808 HYMN’ and ‘MACHINE GHOST.’ With the thundering beat of a drum backing her equally forceful vocals, each song packs a punch. So if you’ve been looking for an artist who’s as powerful as she is honest, read on. We’re going to highlight each of her most recent singles and tell you exactly why you need to look out for Erin LeCount.

    ‘I BELIEVE’

    This song is a great introduction to Erin if you value vulnerability in music. Immediately, she throws us into existential questioning. What is the meaning of life? How do we find it, given the current state of the world? In this song, she searches desperately for answers. We’ll let you, the listeners, decide for yourselves whether or not she finds them. But she seems to have landed at something solid by the end of the song. If not answers, at least a belief that she will find them someday.

    “‘I BELIEVE’ is a cynical, existential song about apathy, passiveness in your own life, disillusionment with the state of the world, what it feels like to turning to every possible external source to tell you how to feel and exist – religion, self help books, magazines, astrology, lovers, antidepressants. I wrote it about a pursuit of perfection, faith and meaning soundtracked to relentless synth pop production.”

    Erin LeCount

    ‘MACHINE GHOST’

    In this haunting track, Erin explores the feeling of dissociation. She muses about her relationship with her own body, and that body’s relationship to the world around her. Between the sound, lyrics, and music video, she conveys exactly what she needs to. ‘MACHINE GHOST’ tells a story of being lost, and of trying to claw your way back to yourself. And as we listen, it’s impossible not to be fully immersed.

    “’MACHINE GHOST’ is a song about dissociation, the feeling of separation from your body in everyday life, at parties and the most intimate moments. It’s about going to extreme lengths to try and evoke some feeling again, no matter what it takes and what risk it involves, seeking cheap thrills and painful pleasure. An observation of my own body, relationships and my take on what it means to be both the ghost, and the machine.”

    Erin LeCount

    ‘808 HYMN’

    Listening to these three songs altogether, it is clear that Erin knows exactly what she wants to do with her music. Her sound is confident and cohesive without getting boring. Although hers is a voice that we could hear and instantly recognize, no two songs sound the same. We can hear the inspiration from all the artists she notes as her influences come together in this song in particular. Quite like Lorde’s Virgin, for example, she blends deeply human lyrics with an experimental electronic sound. And she nails it.

    If you loved these songs, the good news is it doesn’t end there. Discover the rest of Erin LeCount’s songs wherever you listen to music, and lose yourself in her world. Once you’ve become familiar (obsessed) with all of her tracks, join us in seeing what she does next. If anything is clear, it’s that this is just the beginning for Erin. Head over to @thehoneypop on Twitter, Instagram, and Facebook to keep watch with us!

    TO LEARN MORE ABOUT ERIN LECOUNT
    INSTAGRAM | TIKTOK | TWITTER | WEBSITE | YOUTUBE

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    Caitlyn Tarney

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  • Bruno Mars Gets His Groove Back On ‘I Just Might’

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    After five long….long….very long years, Bruno Mars is back.

    We’ve been “waiting on the other side” for some time now, but our patience has finally proven worth the wait. We had a sneaky feeling Bruno Mars would be dropping new music in 2026, but this new era is proving to be more exciting than we thought. Hey, a little groove hurt nobody.

    ‘I Just Might’ Gets Groovy

    Ahead of his highly anticipated album, The Romantic, releasing on Feburary 27, Bruno Mars gave us a little groovy gift. Queue outfits from the 70’s, colorful lights, and a whole lot of stylish instruments, and you’ve got ‘I Just Might.’ This new track is a Bruno Mars hit through and through. If you loved Bruno’s collaboration with Anderson .Paak on Silk Sonic, this new era of Bruno music is going to be your new favorite, afterall, “what good is beauty if your booty can’t find the beat?” We certainly like what we’re hearing and are eagerly waiting for more on the upcoming album.

    Stream ‘I Just Might’ with us here!

    The Romantic Arrives Feburary 27

    Hey, Mr. DJ – we’re getting a full album!? Come Feburary 27, 2026 (pre-save The Romantic here), Bruno Mars is dropping a new album after five years of heart-aching silence. We’re getting nine new tracks, including ‘I Just Might,’ which sits at track #3. Will we be getting more of the same 70s groovy sound? Or, will be getting more sad love ballads like ‘Talking To The Moon?’ Either way, we want them all!

    A new single and a new album. What else can we add to the tab? How about a stadium world tour…?

    Image Source: Courtesy of Atlantic Records

    The Romantic On Tour

    Bruno Mars hasn’t gone on a world tour in a long time. He’s been busy performing residencies in Las Vegas and keeping much else a secret from fans. The wait is over! We’re seeing Bruno Mars perform live in 2026 (hopefully more than once). The Romantic Tour spans nearly 40 stadium shows across North America, Europe, and the UK. The tour kicks off in Las Vegas (surprise, surprise) with some special guests. Of course, Bruno picked the best possible openers – Leon Thomas, Victoria Monét, RAYE, and Anderson .Paak. Um, is this a dream?

    Sign up for the fan pre-sale for your city here. Good luck getting tickets, honeybee! We’ll be fighting that Ticketmaster war along with you.

    Are you excited for Bruno Mars’s new album, The Romantic? Will you be getting tickets to the tour? Let us know in the comments below or hit us up on FacebookInstagram, and Twitter!

    Check out more trending news in music, honeybee!

    TO LEARN MORE ABOUT BRUNO MARS:
    FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | WEBSITE | YOUTUBE

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    Alana

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  • DxS From SEVENTEEN Have Blessed Our Ears With Serenade

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    Two of the greatest vocal powerhouses of K-Pop are indisputably DK and Seungkwan of SEVENTEEN, and the duo decided to remind us of that once again with the release of their first project as DxS. The mini-album Serenade takes us through the emotional arc of a relationship, from the first meeting to the heartbreaking end.

    The angelic voices of DK and Seungkwan bring the absolute best of this love story to life and comfort us through it as well. From the thrill of DK’s solo, ‘Rockstar,’ which narrates the “butterflies in your stomach” feeling of first meeting someone to the gut-wrenching feeling of seeing that person slip away in ‘Silence,’ Serenade is a perfect showcase of DxS’s vocal and storytelling abilites. Honestly, there’s a little something for everyone waiting to be discovered in this album.

    ‘Blue’

    ‘Blue’ is the lead single of Serenade and one of the tracks that got us crying the most while we listened… and then again when we watched the music video. A 7-minute music video, by the way. Starring actors Yoo-mi Lee and Steve Sanghyun Noh, the MV feels like a short film that, much like the lyrics, depict “love moving at different paces,” causing the couple to drift apart.

    We could spend hours talking about the masterpiece that is this MV. After showing us Sanghyun as a man whose wounds seem too deep to overcome and Yoo-mi as the devoted lover who grows weary of this relationship, we are left wondering what will happen to these two. Will they overcome the difficulties or drift apart forever? Well, seems like we’ll find out on January 19, when an epilogue version of the music video is set to be released.

    You can check out the 7-minute cinematic music video for ‘Blue’ below and join us as we sob our way through this beautiful track (again).

    The Kings of Musical Versatility

    It’s not like we didn’t know that already, but seeing DxS deliver a whole mini album actively showing us how much range they have is honestly very nice. The six songs present in Serenade range from pop-rock to ballad to R&B and we love it!

    Like we’ve mentioned, Serenade opens with DK’s solo track, ‘Rockstar,’ and towards the end we also have Seungkwan’s solo, ‘Dream Serenade,’ a direct contrast to the upbeat vibes of DK’s solo. This one explores the concept of finding mutual closure through understanding. Also, DxS were involved in writing and composing these tracks, which is probably why we enjoy them so much.

    Beyond the solos, we’re also obsessed with ‘Guilty Pleasure,’ with its R&B sound and irresistible lyrics about being curious enough to face the possible dangers. ‘Silence’ captured our hearts as well with its depiction of the emptiness that follows a breakup we all saw coming but still hurts anyway. And what can we say about the album closer ‘Prelude of love?’ Insipiring to say the least, and a reminder that there’s always a new beginning at the end of every journey.

    We already knew DK and Seungkwan are incredibly talented artists from group releases, previous solo tracks and covers, that’s not news. However, Serenade feels like a step further into that talent. And we cannot wait to see what comes next!

    What was your favorite track off of Serenade? Let us know by tweeting us @TheHoneyPOP. Or you can also find us on Instagram and Facebook!

    Want more K-POP content? Don’t worry, we got you!

    TO LEARN MORE ABOUT SEVENTEEN:
    FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | WEBSITE | YOUTUBE

    TO LEARN MORE ABOUT DxS:
    DK’S INSTAGRAMSEUNGKWAN’S INSTAGRAM

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    Anna Bastos

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  • 4 Claire Rosinkranz Songs To Listen To Right Now

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    Claire Rosinkranz is a name everyone needs on their playlists, like, right now.

    All through 2025, we were deep diving Claire Rosinkranz‘s discography, memorizing every word and trying to get our hands on as many concert tickets as possible. She quickly became one of our favorite rising artists of last year, so that means this new year is all about convincing you to feel the same. And she’s perfect for fans of Olivia Rodrigo, BENEE, and Conan Gray.

    ‘Chronic’

    We’re starting off our recommendations with Claire’s latest release, ‘Chronic.’ There’s no better time to get into a new artist than when they release a new song. ‘Chronic’ seems to be a turning point for Claire, where we hear her writing about deeper personal themes than before. Even though we love Claire for her girly-pop bops, we’re absolutely loving this era of slower tracks that highlight her beautiful vocals and relatable songwriting. In one way or another, we can all relate to the lyrics in ‘Chronic.’ If you love songs that make you feel like running through a field with your hair in the wind, ‘Chronic’ is the song for you.

    ‘Dancer’

    This is the song that fully convinced us to be Claire Rosinkranz fans. When that catchy chorus comes in, we can’t help but get up and dance. We need to hear this one live!

    ‘Jayden’

    Lately, we can’t stop playing ‘Jayden’ for all our friends. ‘Jayden’ is for all the girls who crush hard (that’s definitely us). If you trust us with your music recommendations, then ‘Jayden’ is the one to listen to right now.

    ‘Pools and Palm Trees’

    For all our honeybees who are certified yearners, ‘Pools and Palm Trees’ might just be your new favorite Claire Rosinkranz song. Keep this song on your playlist for summertime when you’re swimming in the pool and relaxing under palm trees (and maybe need a good cry too).

    My Lover – Album And 2026 Tour

    Claire is dropping a new album and going on tour this year! My Lover drops on February 13, 2026 (we’re so excited!). You can pre-save the album here, which features 13 tracks, including ‘Lucy,’ ‘Kiss,’ ‘Chronic,’ ‘Dancer,’ ‘Jayden,’ and ‘Crazy B**** Song.’

    If we successfully convinced you to be a Claire Rosinkranz fan, now is your time to get tickets to her Spring U.S. tour, the My Lover Tour. She’ll be performing for fans like us in San Francisco, Denver, Chicago, New York, and more cities. Get tickets to your nearest city here!

    Image Source: Courtesy of 2b Entertainment

    Which of these four Claire Rosinkranz songs did you enjoy the best? Will you be seeing Claire on tour this year with us? Let us know in the comments, and make sure to buzz with us by tweeting at @TheHoneyPOP or visiting us on Facebook!

    Want more music? We’ve got you covered!

    TO LEARN MORE ABOUT CLAIRE ROSINKRANZ:
    FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | WEBSITE | YOUTUBE

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    Alana

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  • 4 Keni Titus Songs You Need To Add To Your Playlists

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    We can’t exactly tell you why, but winter is the best time to listen to indie singer-songwriters. Maybe there’s something about the cold weather that makes us crave the calming cadence of something we might call “sad girl pop.” But let us tell you, when it comes to Keni Titus, the smooth strumming of her acoustic guitar paired with her dazzlingly sweet voice feels like a warm hug on a cold winter day.

    If you like artists like Gracie Abrams and Alix Page, you will love Keni Titus. However, we don’t want to box her in with the sad girl pop movement. So captivating is the edge she adds to her music; sad will be the last emotion you feel. In fact, Keni’s latest single, ‘hands to myself,’ sounds like feeling the first bit of sunlight after months of cold, dreary gloom.

    You know that feeling when you’ve been floating along in the winter, and then you get the first warm day? You go outside in a T-shirt, even though it may still be too cold for that. But you want to feel the sun on your skin, and you feel alive again. That’s listening to Keni Titus. Even the cover art feels distinctly sunny. Her past single covers have shown her outside with the lush green grass behind her. She’s leaving no question about her music: It’s bright, it’s charming, and it might be our next obsession.

    ‘Hands to myself’ is the third single Keni has released ahead of her debut album, AngelPink, out February 6. Because we’re counting down the days until this release, we’ve decided to take you along with us. If you haven’t had the pleasure of discovering Keni Titus yet, read on. We’ll give you four songs you should listen to right now.

    ‘think i got a bad idea’

    We’re starting off strong with this one. Such a fun song, and it’s impossible not to feel her energy. It’s indie pop perfection with an alternative edge, and the combination is mesmerizing. Along with the genre blend, her lyrics paint a picture of a life unique to a young woman. What is a love song on the surface tells a tale of a complicated relationship that could only be that of a 22-year-old woman finding her place in the world underneath.

    ‘just keep driving’

    Another fun tune that we just can’t help but smile while listening to: ‘just keep driving.’ And the music video captures everything that Keni Titus’s music feels like. With the sun-kissed look and the hazy camera quality, it’s like we’re in an endless spring dream. We’re eating ice cream. We’re laughing with our friends. And honestly, in the winter, that’s exactly what we need.

    ‘You’re leaving soon’

    ‘You’re leaving soon’ has a fresh sound that still feels strikingly familiar. Her voice feels like a hug from an old friend. This song is a perfect example of what Keni Titus does best. Sad girl perfection but with an edge. The echo in her voice feels haunting as she tells a tale that may not have meant as much to her as it seemed. But if she just needed “someone to write about,” she got a pretty great song out of it.

    ‘hands to myself’

    We couldn’t make this list without directing you to her latest single. Teasing her upcoming debut album AngelPink, Keni has said that ‘hands to myself’ introduces the album’s theme of duality. With this song and everything else in her discography so far, there’s no doubt this album will be both honest and thoughtful. Through this record, she’s finding her place in the world, or maybe reminding herself of it. And we’re more than happy to figure things out with her.

    When I wrote ‘hands to myself’, I kept circling back to the whole grass is greener thing. The temptation, the quiet wondering, and thinking maybe you took something for granted. It’s really just an honest exploration of that pull. The first line kind of sums it all up: ‘I look at you like my dog sees the back screen porch, could there be more?’ It’s about discovery and longing, and honestly just fumbling through trying to figure out what would actually make you happy.”

    Keni Titus on ‘hands to myself’

    Now that you’re caught up on all things Keni Titus, you can join the countdown to February 6. Until then, you can preorder AngelPink here, and of course, stream her music! And if you’re located in New York or L.A., her upcoming headline shows are sure to be magical. You can grab your tickets at the same link we used above. If you’re not lucky enough to see her in action yet, feel free to come chat with us about her on our socials! You can find us at @thehoneypop on Twitter, Instagram, and Facebook.

    TO LEARN MORE ABOUT KENI TITUS:
    APPLE MUSIC | INSTAGRAM | SPOTIFY | TIKTOK | YOUTUBE

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    Caitlyn Tarney

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  • mgk Has Soundtracked The Best & Worst ‘times of my life’

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    One of the greatest gifts that the universe bestowed upon mgk was his ability to impact and comfort many people through his honest storytelling, and his recent single ‘times of my life’ is the ultimate proof. After yearsssss of fans asking for this melancholic song from the Tickets To My Downfall studio sessions – which leaked after he took it off the tracklist – he revisited it with Travis Barker and some of his closest musical friends, who helped him create the triumphant lost americana last year. It feels like an amalgamation of so many of his different eras, between the seeming inclusion on the future deluxe edition of lost americana, its origins during the Tickets To My Downfall sessions, and the Hotel Diablo umbrella he holds in the music video. 

    In the days since ‘times of my life’ came out, I’ve seen fellow EST adopt this song into their lives in so many beautiful ways, from celebrating the fun memories they’ve made at concerts (partly fueled by the song appearing on the pre-show playlist at the lost americana Tour) to cherishing the time they got to spend with loved ones who have passed. And I know I speak for most mgk fans when I say that this release proves just how moving his music can be.

    “I hope you are fine knowing you hold all my best times
    And without you, I’m lying to myself saying that you’ll come find me…”

    Like so much of EST, mgk’s music found me when I needed it the most. He had pretty good timing because I heard ‘I Think I’m OKAY’ on the radio for the first time on a day that wound up flipping my life upside down. Hotel Diablo became a lifeline in the fallout from that day as I tried to figure out where I wanted to go and who I wanted to be. I didn’t necessarily relate to the specific stories or topics, but I admired how open Kells was about things that are very difficult to be open about. It’s like he knew that his own catharsis would be cathartic for others and pushed through to deliver that for the people who needed to hear an honest success story from a fellow underdog with the odds stacked against him.

    Hotel Diablo doesn’t close with a happy ending, but ‘I Think I’m OKAY’ is the perfect conclusion. It sees Colson admitting, “I think something’s f**king wrong with me.” He knows that the power isn’t in pretending you’re fine, but knowing that just being “okay” is enough sometimes. Still standing after going through difficult, life-altering things like he describes throughout the album is a victory in itself. He owns up to his vices, destructive tendencies, and dissatisfaction with his life at the time in a way that’s refreshingly raw and real. 

    He spoke to Genius about the “it’s just my life and I can take it if I wanna” lyric, explaining that the darker meaning you might hear at first listen isn’t the full story, much like how there’s a whole life on the other side of whatever you’re facing at the moment. 

    I think a lot of people think it immediately means suicide, and I think it’s really just, like, ‘I can take back my life.’ Take your destiny into your own hands. You know, manifest what you want and make your life yours.

    mgk to Genius

    The Tickets To My Downfall era epitomized that idea, bringing mgk into the pop-punk spotlight after years of being a massive fan and integrating rock’s most distinctive elements into songs like ‘Save Me’ (featuring Avenged Sevenfold’s M. Shadows and Synyster Gates) and the Kellin Quinn-assisted ‘Swing Life Away.’ A few hours before he recorded ‘Save Me,’ as shown in the song’s music video, he told Slim, “I just don’t see stuff going very well.” Slim pushed, “So you wanna give up and quit? Sh*t on me, sh*t on everybody?” This is the album cycle where things started going very, very well for mgk and his rightful recognition as a music icon, holding his musical family and EST close to his heart in the midst of a massive rise. 

    With help from one of Colson’s musical heroes, Travis Barker, Tickets To My Downfall taught us how to dance through destruction and embrace the fun in life that coexists with what’s bringing us down. It was exactly what the world needed in the midst of the COVID pandemic, delivering nostalgia and pure joy to EST and pop-punk fans on a wider scale. In the process, it became mgk’s first #1 album on the Billboard 200 and has since gotten a 2x Platinum certification.

    It felt like he had finally hit his stride and I was starting to find mine, too. I started blogging just a few months after Tickets To My Downfall came out and joined The Honey POP a little while later. He was embracing his lifelong love of pop-punk and I was embracing my lifelong love of immersive music and the artists behind it. He doubled down on it with mainstream sellout, a heavier sister album of sorts that also hit #1, and I kept exploring new content formats and topics, even writing an analytical review of the record for THP. 

    Where Tickets To My Downfall felt like a rebellious rave of sorts, mainstream sellout addressed similar topics and themes with a less playful attitude and a less shimmery sonic mood. mgk told Sunday TODAY, “I went and studied Tickets and I heard the bright sound that I had, and for this album, I just turned the lights off.” You can hear the shift from the very first track – ‘title track’ reveled in his infamy while “selling tickets to [his] downfall,” but ‘born with horns’ acknowledges “there’s no happy endings” and sees Kells taking a more honest, direct approach while describing his mental health struggles and qualms about the spotlight. 

    His openness about the ups and downs of being a polarizing figure in the music industry sparked a lot of thought about how artists are treated online, and even earned mgk his first-ever GRAMMY nomination in the Best Rock Album category. The man who wondered whether his hard work would ever truly pay off before recording ‘Save Me’ had officially broken through and created a thought-provoking project that demanded respect and recognition from his peers and the powers that be.

    My own journey through the music industry eventually brought me to one of the coolest, most meaningful opportunities I’ve received to date: becoming a mod for mgk’s official Discord server! I wore my Tickets To My Downfall hoodie on launch day and watched as thousands of passionate fans joined in, excitedly connecting with each other and eventually Kells himself. The server felt, and still feels, like a place where EST can tune out the noise of traditional social media and the world around us to unite over what we love. It’s a reminder of how magical things can be when we come together for good, perfectly tying into the fandom name of Everyone Stands Together.

    In July 2024, we came together to celebrate the fifth anniversary of Hotel Diablo with an interactive trivia puzzle throughout the server. And in one of the two most full-circle mgk moments in my life, I got to host a live Q&A with him for the puzzle winners and EST. Over 400 people who completed the puzzle got to listen in, while the fastest few to finish it were able to ask him their own questions. I talked to him about Hotel Diablo, we joked about the 32483498 nicknames he has, and he even took the time to thank me personally at the end of the event. It was such an honor to make my personal dream of interviewing him come true while sharing the moment with fans who love him just as much.

    Hearing his excitement about crossing over into country with Jelly Roll on ‘Lonely Road’ (which hadn’t been officially announced yet) and seeing how much EST loved connecting with him on a deeper level had me reconsidering the possibilities of my own career in the music industry. And somehow, things made more sense to me than ever in an industry that’s constantly changing and shifting. It reminded me that there are truly no limits unless you put them on yourself or let the people trying to put them on you have the last word, something mgk has never let them do. Like our favorite rap-rock chameleon, you can try new things and take new paths and have fun with them even if they’re not what you initially imagined for yourself. In my case, it’s been expanding beyond blogging into music marketing and fandom engagement, wanting to “champion artists” like he said I do on the call and help them grow their bonds with fans, so more people can experience how powerful a kind, devoted fanbase like EST can be.

    The second full-circle moment I’ve had with mgk came about a year and a half after the Q&A. After that formative day I mentioned earlier, when I heard ‘I Think I’m OKAY’ for the first time, anxiety became a really obstructive force in my life that separated me from some of the things I loved most. Colson’s music was right by my side through so much and the ultimate test of that was braving various fears to go see him live at the lost americana Tour. Anxiety is still something I regularly deal with, and I expect it will continue to be that way, but screaming all the lyrics to ‘I Think I’m OKAY’ with 12,000 other people made one of the most fragile parts of me feel like things could be okay again. 

    I don’t know who I’d be right now if mgk hadn’t stumbled into my life and music library. As I sit here recounting my favorite EST memories, wearing the same Tickets To My Downfall hoodie I wore the day the Discord server launched, it feels so surreal that just happening to hear a certain song on the radio six years ago has had such an impact on my life. But that’s part of the magic of mgk. You never know where his music will lead you, whether it’s through genres, through immersive lyrical stories, or through chapters and experiences that shape you.

    To Colson and EST, some of the best times of my life were the ones when I was with you. Here’s to many more for all of us <3 

    What ‘times of [your] life’ did mgk help you through? Do you have any predictions for a possible deluxe edition of lost americana? Let us know in the comments below or hit us up on Facebook, Instagram, and Twitter! You can also buzz on over to our Reddit community to chat with us.

    Check out more sweet mgk content!

    TO LEARN MORE ABOUT MGK:
    FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | WEBSITE | YOUTUBE 

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    Madison Murray

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  • Choose Your ‘Internet Girl’ Persona Based On Your KATSEYE Bias

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    The internet’s most popular girls of 2025 were 100% KATSEYE. With every new meme or stunning IG picture posted, Manon, Megan, Yoonchae, Sophia, Lara, and Daniela had everyone in a chokehold. Now, they’ve taken their it-girl status to a whole new level with their new single ‘Internet Girl’ where the girls are exploring their most famous internet moments while…eating zucchini?

    Image Source: Courtesy of UMusic

    “You better take a screenshot”

    #EAT_ZUCCHINI is going viral, and we’re half to blame. We can’t get enough of ‘Internet Girl!’ 2026 is the year for goofy, fun, and girly songs to come back, and clearly, KATSEYE knows what they’re doing. What does “eat zucchini” actually mean? We’re not sure, but we’re here for the veggie-lovin’ that’s going on! ‘Internet Girl’ is clearly the little sister of ‘Gnarly.’ A catchy beat, danceable moments, and questionable (but honestly amazing) lyrics. “10 out of 10, yes, not maybe!”

    Stream KATSEYE’s ‘Internet Girl’ here.

    With all iconic internet games, it’s time to choose your player.

    Manon – The Street Style Model

    If your KATSEYE bias is Manon, your ‘Internet Girl’ persona is the street style model. Your IG feed is filled with photos of you modeling the newest street styles, from baggy jeans to NYC caps and oversized black sunglasses. Your follower count is growing with each new post, and every designer is eager to get you in their newest collection. You go, girl!

    Megan – The Gamer Girl

    If your KATSEYE bias is Megan, your ‘Internet Girl’ persona is the gamer e-girl. You love to be online. Even more so, you love to connect with other people online through streaming, YouTube, and other online games. Being seen in public without your Nintendo Switch is a big no-no, and your style and personality match your gamer aesthetic—bright colors, chunky jewelry, and a great sense of humor. We need a friend like you!

    KATSEYE press photo
    Image Source: Rahul Bhatt

    Sophia – The Clean Girl

    If your KATSEYE bias is Sophia, your ‘Internet Girl’ persona is the clean girl. Clean girl aesthetic was one of 2025’s biggest trends, and just like Sophia, you’re starting trends online. Your fans love seeing you promote healthy and motivating content, starting with an aesthetic morning and a 10-step skincare routine. Don’t forget the best part—Sophia would 100% be following you on TikTok! We all kind of wish we were you!

    Daniela – The Balletcore

    If your KATSEYE bias is Daniela, your ‘Internet Girl’ persona is all about balletcore. Much like the clean girl aesthetic, you bring a sense of softness and curiosity to your friend group. Black, pink, and white are your main color palette, and your style is the best kind of basic. Of course, just like our girl Daniela, you are the best dancer in the room and effortlessly capture everyone’s attention right away. How can we be your best friend!?

    KATSEYE concert photo
    Image Source: Rahul Bhatt

    Yoonchae – The Party Animal

    If your KATSEYE bias is Yoonchae (like us), your ‘Internet Girl’ persona is the party animal. The party does not start until you walk in! Your Pinterest moodboards are covered in sprinkles, disco balls, colorful string lights, and confetti. And honestly, your real life kind of looks like this, too. You are the glue that keeps all your friend groups together, and everyone is constantly fighting for you to be in their selfies. Obviously, you throw the best parties and know how to show it off on IG, too. Can we get an invite?

    Lara – The World Traveler

    If your KATSEYE bias is Lara, your ‘Internet Girl’ persona is the world traveler. You’re known for never being in one place for too long and have visited more countries in your life than anyone else you know. That passport is stamped! You’ve got thousands of followers on IG, and they all love keeping up with your aesthetic travels across the globe every time you post from a different time zone. Of course, you’re flying first class with a glass of champagne!

    KATSEYE
    Image Source: Rahul Bhatt

    Which ‘Internet Girl’ persona did you get? Who is your KATSEYE bias? And, tell us your thoughts on KATSEYE’s new single, ‘Internet Girl,’ down in the comments or over on FacebookInstagram, and Twitter

    Looking for more content about Lara, Daniela, Yoonchae, Megan, Sophia, and Manon? Look no further!

    TO LEARN MORE ABOUT KATSEYE:
    FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | YOUTUBE

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    Alana

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  • Music Rewind 2025: Sabrina Carpenter Is Taking Over The Musical World, Man’s Best Friend Is Proof

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    If you’ve been living anywhere other than under a rock this year, there’s a one hundred percent chance that you’ve heard of Sabrina Carpenter! In just a few short years, we’ve gotten to watch an artist we’ve loved for years blossom into a full-blown pop star, and 2025 was the biggest year of them all! From being on SNL, to winning big at the Grammys (and being nominated again) to releasing Man’s Best Friend, there was no stopping Sabrina Carpenter this year! When looking back at Sabrina’s list of accomplishments this year, we knew we had to break down some of the biggest and best for you!

    Let’s jump in!

    Man’s Best Friend

    We say this with complete confidence, Man’s Best Friend is one of the best pop albums of the last decade! And we don’t even think that’s a hot take because we’ve watched the general public fall as in love with this record as we, career-long fans, have. The witty songwriting, the visual storytelling, the vocals, and the elements Sabrina continuously excels at are heightened even further here on this record. From ‘Manchild,’ which has been inescapable, to some of our favorites, ‘Go Go Juice,’ and ‘House Tour,’ there is no doubt in our mind that Man’s Best Friend will have a long, ever-evolving life with fans.

    Grammy Awards

    The Grammys are one of those accomplishments that artists spend their whole careers chasing, that hold meaning for their nominees, and for fans alike. At the 2025 Grammy Awards, Sabrina Carpenter took home two (!!!!) awards, and has already scored six nominations for the 2026 ceremony! That is the direct result of over a decade of hard work and dedication to mastering her craft.

    Variety Hitmaker Of The Year

    Much like the Grammy Awards, being named Hitmaker of the Year comes on the heels of hard work. What sets this honor apart is that being a “Hitmaker” in such a pop-saturated market takes a deep understanding of what a “pop” song entails, and how to catch lightning in a bottle time after time. From ‘Espresso’ and ‘Manchild’ to ‘Nonsense,’ Sabrina’s deep understanding of this concept just keeps growing.

    Saturday Night Live

    SNL is a true rite of passage for creatives throughout the entertainment industry, and Sabrina pulled off three appearances this year alone! And even more impressively, one of these appearances included the double duty of hosting and performing! These appearances reminded so many people that Sabrina is an actress! Her comedic timing is impeccable, and she also happens to have an incredible voice and is a master storyteller.

    Check out more of our year-end/holiday content here!

    We would love to hear from you! What was your favorite Sabrina Carpenter moment from 2025? Let us know by commenting below or by tweeting @TheHoneyPOP! We are also on Facebook, Instagram, and TikTok!

    TO LEARN MORE ABOUT SABRINA CARPENTER:
    INSTAGRAM | TIKTOK | TWITTER

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    Hailey Hastings

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  • 20 Stray Kids Songs To Get You Motivated For The New Year

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    As 2025 comes to a close and 2026 is just around the corner, we can’t help but wonder what this new year will bring. Honestly, we just hope for more great K-Pop that we can enjoy, and if 2025 (and every year since 2018) has taught us anything, it’s that we can always count on Stray Kids for that. Just this year, SKZ have delivered two mini-albums, one full-length album, and a world tour, and who knows what else they’ve already got planned for next year.

    For now, though, we thought it might be nice to share with you our Stray Kids playlist for when we need to get hyped. You know, so we can all start the year the right way. And because these boys have a huge discography, this list is also really long, so let’s get started!

    ‘Christmas Love’

    Yes, we’re starting off with a Christmas song; sue us. But let us explain: what’s a better way to hype yourself up for the new year than by starting on Christmas? And you cannot tell us that ‘Christmas Love’ doesn’t make you want to get up and dance around the room with a smile on your face.

    ‘Ceremony’

    We don’t know about you, but we’re planning on blasting ‘Ceremony’ all day between December 31st and January 1st to attract some “good karma” to our lives. By far one of the best title tracks of the year, ‘Ceremony’ brings the strong beats and the uplifting lyrics we all need to start the year the right way.

    ‘Blind Spot’

    “Shining, we are the champions / Trying to make a difference…” If this is not how you want to start off 2026, then what are you doing? Take this song as a piece of advice and show people what you’re made of. Also, we can only hope to spend this new year as happy as Han was whenever he danced to ‘Blind Spot’ during the dominATE World Tour.

    ‘Youth’

    Lee Know’s solo song from Hop just had to be on this list! It’s just the epitome of what we think of when we think “feel-good song.” Seriously, can you think of a better way to start off 2026 than “feeling like Superman,” as Lee Know says? Also, look at his smile in the MV! It’s humanly impossible to be sad seeing him smile like that.

    ‘Social Path’

    Listen, there’s a reason why ‘Social Path’ is present in every one of our “get hyped” playlists, okay? There’s just something about the vibes of this song and the lyrics are a constant and heartwarming reminder to keep going after our dreams even when it seems hard, and we all saw how that’s working out for SKZ themselves, so we might as well do the same!

    ‘Phoenix’

    We don’t think we’re being dramatic when we say the lyrics “We’re gonna rise up again / Like the birds flying high” changed our brain chemistry forever. We don’t know about you, but we’re planning on going into 2026 like a ‘Phoenix’ and rise from the ashes of what’s past and keep pushing ourselves to be our best versions into the new year.

    ‘Do It’

    The mantra of 2026 should definitely be “Just do whatever you wanna do / I guarantee that it’s the best for you,” just saying. A new year means a new chance to do what we want and focus on what’s important to us. Plus, if that beat doesn’t make you want to get up and dance your way through life, then what does?

    ‘Spread My Wings’

    In 2026, we promise to enjoy our youth the way Stray Kids describe it in ‘Spread My Wings.’ Sure, becoming an adult is a thing we all have to go through, as scary as it is. So it is pretty comforting to have this song to help remind us to still enjoy life. And of course, having Stray Kids as the soundtrack for these moments definitely helps.

    ‘0801’

    ‘0801’ is, in essence, a love letter to Stay and a reminder that we’re never truly alone as long as we have Stray Kids. And we think that’s one of the best messages to receive before facing a new lap around the sun. At the end of the day, there’s nothing better than hearing that “You’re doing great, okay?”

    ‘MIROH’

    ‘MIROH’ has the unique power to transport us all right back to being at a Stray Kids concert having the best time of our lives screaming the lyrics with our fellow Stay, so there was no way this song would be out of our list. The energy SKZ brings to the stage whenever they sing this is the energy we hope to bring every day in 2026.

    ‘Haven’

    Stray Kids has always been a ‘Haven’ for their fans. It’s their music we turn to in difficult times, and the fact that they have a song with that exact name just makes things better, so of course, we had to include it here as well. It’s our little reminder that whenever things get difficult, we’ll always have a ‘Haven’ to return to.

    ‘Half Time’

    We “don’t know what’s coming next” in 2026, but we’re pretty sure that having our Stray Kids playlist will make whatever it is a lot easier. And there is no way that playlist would be complete without ‘Half Time’ to remind us that we’re just getting started and the best part is yet to come.

    ‘Youtiful’

    Slowing down the tempo a bit, we have ‘Youtiful,’ our comfort song for hard days, and we just love the sentiment behind it. The lyrics are so adorable as well, encouraging Stay to stop doubting ourselves and staying strong. An absolute need in our playlists for 2026.

    ‘DOMINO’

    We want to make it to the end of 2026 being able to sing “Setting up my ambitions / Completing them one by one, I made it” at the top of our lungs after a whole 12 months of achieving our goals. We simply couldn’t leave this banger out of our playlist.

    ‘COMFLEX’

    Smash hit? Check! Killer beat? Check! Inspiring lyrics? Double check! 樂-STAR (ROCK-STAR) is full of great songs, but ‘COMFLEX’ will always hold a special place in our hearts because of how good it makes us feel whenever we listen to it. At the end of the day, it’s not about being perfect. it’s about being unique and making the best of it.

    ‘Runners’

    Whenever we feel like we need to be reminded that we can get up and keep going, we play ‘Runners’ on the highest volume. We can only hope that 2026 will be the year we go even further on our tightrope and show the world how stunning we can be.

    ‘Mixtape: OH’

    ‘Mixtape: OH’ marks such a special moment in Stray Kids’ history that there was no way we’d make this list without including it somewhere. After a troubled start to 2021, this song came out of nowhere to remind us that even the worst moments come to an end, and we can always count on SKZ to be there to help us get through them.

    ‘Never Alone’

    Trust Stray Kids to always have at least one song per album to remind us that we’re ‘Never Alone,’ and this time they really went all out with the message. Present in their Japanese album Hollow, this song once again reinforces the bond shared between the members and how they’ll stick together through any storm that comes their way. In summary, another absolute need for our list.

    ‘Super Bowl’

    ‘Super Bowl’ is the type of song that makes us scream at the top of our lungs every time no matter how many times we’ve listened to it. Perfect for getting hyped up throughout the new year, if you ask us. Plus, it’s an absolute banger. No wonder it’s always a hit whenever Stray Kids sing it live.

    ‘Stray Kids’

    We could only finish this list with ‘Stray Kids,’ a song by Stray Kids, about Stray Kids, written and produced by Stray Kids. There’s no better motivator than seeing the love and admiration these boys have for one another, and this song is a direct reflection of their relationship, which is why we chose it to be here as a constant reminder that their rhythm never stops and neither should ours.

    So, what did you think of our song choices? Would you add any other Stray Kids songs to our playlist? Tell us at @thehoneypop on Twitter, or stop by on Facebook and/or Instagram.

    Want some more K-Pop content? We got you, honey!

    TO LEARN MORE ABOUT STRAY KIDS:
    FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | WEBSITE | YOUTUBE

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    Anna Bastos

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  • The 25 Best Pop Songs Of 2025: Taylor Swift, Sabrina Carpenter, Olivia Dean, & More!

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    2025 was truly the best year in pop music we’ve had in a while! It seems like artists are simply locking back into what makes a true pop song and mastering that art. Narrowing this list down to simply 25 songs was quite the challenge, but we think this list is the best of the best throughout all facets of pop music! From Olivia Dean and Chappell Roan to Greyson Chance and so many more, let’s jump in!

    Taylor Swift – ‘The Fate of Ophelia’

    There is no way to talk about the great pop resurgence of 2025 without highlighting The Life of a Showgirl by Taylor Swift. For us, the entire album is full of examples of a true-to-form pop song, but we had to choose to highlight ‘The Fate of Ophelia’ due to it being inescapable since its release. This song is pure ear candy, and will get stuck in your head for hours even after just hearing a few seconds.

    Olivia Dean – ‘Man I Need’

    Olivia Dean is taking the pop music world by storm with ‘Man I Need,’ and to us that makes perfect sense. In anyone else’s discography, ‘Man I Need’ would be an easy career highlight, and yet, it’s one of many songs on Olivia’s most recent album, The Art of Loving, that blew us away upon the first listen and could have easily taken this spot.

    Sabrina Carpenter – ‘House Tour’

    Man’s Best Friend is stacked top to bottom with pop gold, but after listening back through the album, ‘House Tour’ had to be our choice! Everything from that infectious chorus to the “my house is on pretty girl avenue” line made this one of those songs that will soundtrack nights out for us through the foreseeable future.

    Jonas Brothers – ‘Love Me To Heaven’

    The Jonas Brothers have been experts at the pop music game since Nick first uttered the words ‘red dress’ back in 2008, so it’s no surprise to us that they are only getting better and better 17 years later. Their newest record, Greetings From Your Hometown, had an obvious stand-out to us the first time we listened, and that was ‘Love Me To Heaven.’

    Audrey Hobert – ‘Phoebe’

    Who’s The Clown? by Audrey Hobert was truly on an endless loop here at THP! Upon first listen, it was automatically clear that we were witnessing the artistic birth of someone who had a crystal clear understanding of how to bring themselves through in the music, be specific while staying relatable, and develop a sound that was particularly hers. We could have easily put any song from the album here, but ‘Phoebe’ is a forever favorite of ours!

    Greyson Chance – ‘Waiting Outside The Lines ‘25’

    No, we are not trying to transport you back to 2011, but there is so much beauty in taking a certified nostalgia-packed hit and reimagining it with years of life lived and heightened vocal ability to back it up. We can’t help but have a permanent smile on our face listening to this track and diving into Greyson’s current catalog (which everyone should do themselves the favor of doing)!

    Jensen McRae – ‘Novelty’

    If you asked us what album impacted us the most this year, one of the easiest answers would be I Don’t Know How But They Found Me! Anyone who has dived into Jensen’s discography knows what a savant she is. Her relationship to her pen is one of one, and this album may be the best example of that in her discography so far. ‘Novelty’ is the song that immediately jumps out at us as a must-listen.

    Lady Gaga – ‘How Bad Do U Want Me’

    Lady Gaga is synonymous with pop music at this point. She has always had the skill on lock, and in many ways, has influenced so much of what the modern genre looks like. MAYHEM was a true return to form for Lady Gaga, and showed that her knowledge and talent with the pop music world has never faltered. ‘How Bad Do U Want Me’ is an instant smash and is still on repeat.

    5 Seconds of Summer – ‘NOT OK’

    We will forever preach our love for 5 Seconds of Summer and how they get better with every release! (If you didn’t know, this band is literally why THP exists!) EVERYONE’S A STAR came out just over a month ago and is the band’s most ambitious, larger-than-life project yet. But of course, every element was nailed perfectly. Each of the guys has so many standout moments, but there are even more moments when it is so clear why they continue to make music together: everything flows seamlessly.

    Sadie Jean – ‘She’s Dating My Boyfriend’

    Sadie Jean is the exact singer-songwriter your playlist is in need of, and we had to highlight a track off her debut album, Early Twenties Torture! Every song on this record feels like Sadie had a insider’s look at our deepest thoughts and struggles, was able to turn them poetic, and then put them to music. That skill of relatability is rare. ‘She’s Dating My Boyfriend’ is our favorite example of that peek inside our minds.

    Laufey – ‘Lover Girl’

    Laufey has seamlessly blended the worlds of pop and jazz music and made a fusion that leaves us regularly at a loss for words. A Matter of Time is Laufey’s most recent album. And upon our first listen, it was clear that this is a generational album, one of those records where anyone who gives it a chance will fall in love with it. ‘Lover Girl’ is our favorite song off the record, so we had to highlight it!

    Amber Mark – ‘Let Me Love You’

    Amber Mark is the pop star you’ve been looking to add to your playlists! If you’re a fan of artists like Sabrina Carpenter and Olivia Dean, Amber’s album, Pretty Idea, and specifically our favorite track, ‘Let Me Love You,’ is going to be right up your alley! We are predicting that 2026 is going to be a huge year for Amber! And with music of this quality, it makes complete sense!

    Justin Bieber – ‘Yukon’

    ‘Yukon’ was one of our most-streamed songs of the year; it’s that serious to us! SWAG, for us, felt like Justin coming back into his own, making the music that feels true to form. With ‘Yukon,’ that infectious chorus we’ve come to know and love from Justin Bieber is the shining star, which definitely adds to why we are constantly playing this track on a loop.

    Lydia Night – ‘The Bomb’

    You may know Lydia Night from her time with the band The Regrettes, but trust us when we say she has turned into a full-blown solo pop star. Lydia released her debut album, Parody of Pleasure, back in August, and all thirteen songs are expertly crafted! ‘The Bomb’ has been a standout since we first dove into this album. The song is playful and reminiscent of early 2000s pop.

    Role Model – ‘Sally, When The Wine Runs Out’

    Obviously, ‘Sally, When The Wine Runs Out’ has taken the world by storm this year, so there was no way we weren’t going to give Role Model his flowers. We haven’t heard a chorus quite as infectious as ‘Sally, When The Wine Runs Out’ in quite a long time. It’s impossible not be in an instant good mood when it hits.

    Myles Smith – ‘Stay (If You Wanna Dance)’

    If you were as obsessed with Myles Smith’s ‘Stargazing’ as we were, then ‘Stay (If You Wanna Dance)’ is the perfect addition to your playlists! Myles is someone who you continue to find new things about his artistry to dig into with each listen.

    Zara Larsson is a pop star in the truest sense of the word. Her entire album, Midnight Sun, is a pop masterclass, in which she’s the only person equipped to teach. When we first heard the title track ‘Midnight Sun,’ we knew that this was a whole new ball game in terms of pop music, and that we would take every opportunity to praise what Zara is doing with her artistry.

    HAIM – ‘Relationships’

    This song is pure ear candy and truly a discography highlight from one of our favorite trios! The chorus has serotonin woven into every line and lyric. And it makes us want to be out at night in the city with friends, dancing to every word. Their most recent album, i quit, is chock-full of tracks where you will see these themes.

    Conan Gray – ‘Vodka Cranberry’

    Conan Gray was born to make the exact music he’s making right now. He releases such infectious pop tracks with lyrics that both feel true to self for Conan and still connect deeply with his audience. ‘Vodka Cranberry’ blew up this year, and to us, it only makes perfect sense. This is a solidified hit.

    Tate McRae – ‘Sports Car’

    If you didn’t know, Tate McRae is a name that we have been screaming from the rooftops since we got to interview her years ago (which you can read here!). Tate blends musicality with dance seamlessly to draw people into who she is as a musician. ‘Sports Car’ and its visual components showcase exactly why Tate has quickly become a household name.

    Avery Cochrane – ‘Shapeshifting On A Saturday Night’

    Hailing from Seattle, Avery Cohrane is bound to be the name you can’t escape this next year in pop music! This year, she released her track, ‘Shapeshifting on a Saturday Night,’ and blew us away with the established pop sound she was crafting. If you’re a fan of artists like Chappell Roan or Olivia Rodrigo, we think you will love Avery!

    Addison Rae – ‘Headphones On’

    It’s no secret that Addison Rae has had a massive year. From the success of ‘Diet Pepsi’ and her tour to her debut album, Addison, everything about her career so far has been the beginning of a pop star who will be talked about and celebrated for years to come. For Addison, pop is a true work of performance art, following in the footsteps of the likes of Britney Spears. ‘Headphones On’ off her debut album summarizes everything we love most about Addison as an artist.

    Reneé Rapp – ‘I Think I Like You Better When You’re Gone’

    We yell the chorus to ‘I Think I Like You Better When You’re Goneat truly astronomical levels. Everything about this track resonates with us. Something that Reneé Rapp never fails to do is draw the listener in and weave her story in a way that feels relatable to others. On top of the lyrical content of the song, Reneé’s vocals are otherworldly here.

    Demi Lovato – ‘Joshua Tree’

    The 2025 version of Demi Lovato is the only artist who could craft an album like It’s Not That Deep. This record is a amalgamation of someone who has gone through it all. Someone who has experienced hardships and heartache and is in the complete opposite space now. And a lot of it is backtracked with songs you want to be in the club dancing to. That’s the duality of pop and of Demi, and it’s beautiful. To us, ‘Joshua Tree’ best represents the album as a whole.

    Chappell Roan – ‘The Subway’

    Ending our best 2025 pop songs with one that is still inescapable like ‘The Subway’ only felt right. Chappell Roan is a once-in-a-lifetime artist. She creates with such intention and really takes her time with each project, which comes through in the music. ‘The Subway’ will be looked at years from now as one of the great songs of the decade.

    Check out more of our end of year coverage here!

    We would love to hear from you! What is your favorite pop song of 2025? Is it something off the new Taylor Swift album? Maybe a Conan Gray song? Or an Olivia Dean song? Let us know by commenting below or by tweeting @TheHoneyPOP! We are also on Facebook, Instagram, and TikTok!

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    Hailey Hastings

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  • blackbear Champions Honesty & Resilience With ‘britney in 07’

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    Ready to step into an analogue dream with the iconic blackbear? He’s back and ready to call us all out on the masks we put on with the chaotically cathartic ‘britney in 07,’ which challenges you to be more upfront about how you’re truly doing and to consider whether the way you present yourself matches it. We’re in an era where most people are public figures in some way, whether it’s through actually being famous or even just posting a lot of their lives online. And even though you don’t have to fill your profile with sad songs or cryptic reposts during harder times, you also don’t have to act like everything is going really well for you if it feels like the exact opposite.

    blackbear flips between embracing fame and condemning it as quickly as you’d tap past 10 different stories of crying selfies from someone you barely know but still followed to “connect with” at some point. “I bought a new house, I bought a new whip,” he announces before admitting, “I’mma burn that sh*t down, I’mma drive it off a cliff.” The material things that come with his success don’t feel like items of celebration anymore, but perhaps things that separate him from the average person and remind him of the struggles he’s been through while chasing such an ambitious lifestyle. Does he burn it all down and put a stop to it, or embrace it and hit the gas even when he’s not feeling it anymore?

    Ultimately, bear lands on something in-between: he can admit those struggles while also trying to stay on the right path pursuing his dreams. “I’m not okay, but if Britney [Spears] could survive ‘07, you could do it today,” he urges before trying to bridge the public-facing and more internal sides of himself: “It’s hard to be a liar and the same time keep it real.” For his own well-being and to keep helping the fans he’s inspired throughout the years, he needs to maintain that bridge and be honest about how he’s really feeling.

    This song is about crashing out and being open about it. Society makes us feel like shit sometimes, there’s a 2007 Britney in all of us .. one hateful comment away from shaving our heads and smashing up our cars for the world to see.. The sad part is the world loves it. It’s like a train wreck we can’t look away from when someone’s going through it. I hope this song changes the narrative and encourages people to check up on their friends and actually be there for one another as human beings undergoing the same human condition… But Britney survived and I think we can, too. It’s just gonna take some empathy, compassion, love for our neighbor and other humans, and quite a bit of work. Mainly on ourselves.

    blackbear

    ‘britney in 07’ is billed as blackbear’s first major solo release since his 2022 album, in loving memory, following a break from performances and a period of health challenges he’s been very open about. He’s experienced necrotizing pancreatitis, which led to a multi-organ removal surgery, and diabetes. We can only imagine how empowering it must feel for him to get back to what he loves in its purest form – he performed at YUNGBLUD’s BLUDFEST and the Long Beach date of Warped Tour this summer, and he’ll be releasing his new album, analogue dream, in 2026!

    The analogue dream title has us so excited for blackbear’s next chapter! “Analogue” means something that serves as a parallel to or shares qualities with something else, while the homophone “analog” is the opposite of “digital.” As social media and AI evolve into our nightmares, how can we embrace unity and togetherness beyond our screens? What kinds of insights on humanity does blackbear have to offer us after pushing through so many obstacles and dealing with the internet’s opinions of him along the way? bear’s music has always made us feel so seen and understood, so we know his upcoming project will definitely move us while leading us to question how we can improve ourselves and our outlooks on life. 

    What do you love most about ‘britney in 07?’ Which lines do you most relate to? Let us know in the comments below or hit us up on Facebook, Instagram, and Twitter! You can also buzz on over to our Reddit community to chat with us.

    Check out more sweet music recs! 

    TO LEARN MORE ABOUT BLACKBEAR:
    DISCORD | FACEBOOK | INSTAGRAM | TIKTOKTWITTER | WEBSITE | YOUTUBE

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    Madison Murray

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  • Tate McRae Is ‘TRYING ON SHOES’ With These Designer Recommendations

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    So close to what? So close to having a mental breakdown. Tate McRae (aka Tatiana) surprised fans with a deluxe version of her popular album, So Close To What. So Close To What??? (deluxe) features four new songs, including her surprise drop ‘TIT FOR TAT.’ Even though the Miss Possessive Tour has concluded, we’re still blasting all our favorites and these new songs: ‘TRYING ON SHOES,’ ‘ANYTHING BUT LOVE,’ ‘NOBODY’S GIRL,’ and ‘HORSESHOE.’

    In honor of the new album, we’re pairing the most outrageous designer shoes with each of the new deluxe songs. Also, we’d love to see Tate wear any of these on stage one day.

    Image Source: Courtesy of Whiteboard PR
    ‘TRYING ON SHOES’ – Miu Miu Satin Ballerinas

    Since Tate McRae is a dancer, we have to see her wear these adorable Miu Miu satin ballerina flats, inspired by real pointe shoes. They come in the cutest colors, and we want to own every single pair! We think Tate would go with the classic pink–what color do you like best?

    See and shop our selection for ‘TRYING ON SHOES’ here.

    ‘ANYTHING BUT LOVE’ – Golden Goose Ball Star Wishes Sneakers

    The second song on the deluxe, ‘ANYTHING BUT LOVE,’ inspired us to head straight to Golden Goose’s website for these red and white sneakers. The heel is the selling point with “love you” written on the back. Sorry, but we need these shoes in our lives, and we know Tate would look so cute with these on. Do these get the Tatiana stamp of approval?

    See and shop our selection for ‘ANYTHING BUT LOVE’ here

    ‘NOBODY’S GIRL’ – Prada Leopard Loafers

    These Prada loafers are giving the ultimate girl boss energy with a flair of that ‘Miss Possessive’ leopard print fans know and love. If you really want to get back at an ex, you need these platform loafers immediately. Yes, the price tag is high, but just think, what would Tate do (WWTD)? She’d buy these in a heartbeat! Tatiana approved!

    See and shop our selection for ‘NOBODY’S GIRL’ here.

    ‘HORSESHOE’ – The Alexander McQueen Hoof Boot

    You either love them or you hate them, but there’s no better pairing for ‘HORSESHOE’ than these Alexander McQueen Hoof Boots. They mimic a real horse, with a tail and everything, but just on your feet. We feel like Tate might just love these as much as we do. What do you think?

    See and shop our selection for ‘HORSESHOE’ here.

    What did you think about Tate McRae’s new deluxe album, So Close To What??? (deluxe)? Which of the new four songs did you connect with the most? Will you be buying any of these designer shoes? Let us know in the comments down below or hit us up on FacebookInstagram, and Twitter

    Tate McRae So Close To What??? (deluxe)
    Image Source: Igor Pjörrt

    Looking for what else is new in music this week? We’ve got it all, honeybee!

    TO LEARN MORE ABOUT TATE MCRAE:
    FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | WEBSITE | YOUTUBE

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    Alana

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  • Exclusive Interview: Arrows In Action Spill All The Details About I Think I’ve Been Here Before

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    If you’re looking for a new band to take over your playlists, look no further than Arrows in Action! Their latest album, I Think I’ve Been Here Before, is the perfect gateway into their musical world, so this is the ideal time to jump in! We were lucky enough to get to chat with Arrows in Action all about their newest album, past music, live shows, and so much more!

    Hello! Thank you so much for taking the time to chat with us! To start us off, how would you describe your sound to someone who is tuning in for the first time?
    We’re an alternative pop-rock band! We’re a blend of everything we love, and we love a huge array of music. 

    I Think I’ve Been Here Before is less than a month away. What emotions are you guys feeling leading up to the release of this record?
    We’re feeling a mix of relief, excitement, and catharsis with the release of this album! We can’t wait for people to hear it all in its intentional order. 

    Out of the eleven songs on the record, only two are unreleased. What goes into the decision of what to release and what to hold back? 
    We wanted to make sure to save the conclusion of the album for the day of release. We were very intentional with the track order on this record, and we wanted our fans to experience the album in its entirety together. 

    ‘Hello Sunlight!’ is the oldest track on the record, having been released in May of last year. When this song came out, did you know it was part of a bigger project, or did that come with time? 
    Though it was released far ahead of the album, ‘Hello Sunlight!’ is the track that started the writing process and was instrumental in guiding us towards the sounds that would make up Side A. 

    You’ve released this album in two parts, with Side A coming out earlier this year. How do you group the songs and figure out which song belongs on which side? 
    In both subject matter and sonics, we accidentally curated two distinct vibes while writing this album. It could be the simplest thing, like the placement of a minor chord that guided a song toward side B, and in many cases, it was the lyrical perspective that placed the song. 

    With a new album comes the hope of live music! While crafting the album, which song off this album were you most looking forward to bringing to life on stage?
    Victor: ‘Cheekbones,’
    Jesse: ‘Empty Canvas,’
    Matt: ‘Empty Canvas.’

    Your debut album, Be More, came out four years ago! When you look at the artists who released that record, and the artists who are about to release this record, what do you see as the biggest area of growth? 
    Our biggest area of growth has been how much we collaborate! With years of touring and writing together, we know each other better than ever before, and we know how to expand on each other’s ideas.

    Once again, thank you so much for chatting with us! Before we let you go, what is one thing on the Arrows in Action bucket list as we close out 2025?
    A bucket list item we completed this year was headlining in Europe and the UK! A bucket list item we have that is yet unchecked is performing at Red Rocks in Colorado. Thanks for having us! 

    Check out more of our exclusive interviews here!

    We would love to hear from you! What is your favorite song off of I Think I’ve Been Here Before by Arrows in Action? Let us know by commenting below or by tweeting @TheHoneyPOP! We are also on Instagram, Facebook, and TikTok!

    TO LEARN MORE ABOUT ARROWS IN ACTION:
    INSTAGRAM | TWITTER

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    Hailey Hastings

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  • Cha Eunwoo’s ELSE Gives Us More Than Expected

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    ASTRO‘s Cha Eunwoo didn’t wait for the perfect moment to make his music comeback. His second mini album, ELSE, was in the works even before his military enlistment, proving just how far ahead he thinks.

    The album features four tracks, each stepping into a slightly different sound. From bright pop-funk influences to softer, emotionally tinted vocals, Cha Eunwoo lets us explore his musicality without ever dropping the elegance he’s known for. Just… with a little more confidence this time.

    Full track list: 

    1. ‘Sweet Papaya’
    2. ‘SATURDAY PREACHER’
    3. ‘Selfish’
    4. ‘Thinkin’ Bout U’

    A Glimpse Into ELSE

    ‘Sweet Papaya’

    First is ‘Sweet Papaya,’ a lighter, pop-funk-inspired track that feels like the album’s warmest moment. It sets the tone with a subtle groove and an easy confidence, almost like a sort of introduction.

    ‘Saturday Preacher’

    Then, the energy rises with ‘SATURDAY PREACHER,’ the title track and most visually defined moment of the project. Rhythm-driven and slightly theatrical, it carries the kind of presence expected from a lead single. The music video reflects this with a gradual shift: Cha Eunwoo starts out composed and controlled, then subtly reveals a second persona. This second persona carries a different kind of energy. He feels more intense, almost like someone watching from the outside and quietly steering what’s happening.

    ‘Selfish’

    ‘Selfish’ follows with a more modern pop feel, steady in tempo and layered with self-reflective nuance. It lands somewhere between performance and confession. It’s not overly emotional but pointed enough to linger and leave a message.

    ‘Thinkin’ Bout U’

    Things soften with ‘Thinkin’ Bout U’, closing the album on a slower and more vulnerable note, which got us feeling some things (and it has been on repeat since).

    All in all, Cha Eunwoo really came through with ELSE. Four tracks and one standout music video later, and we’re low-key still unpacking it.

    Alright, now here’s the real question: which track are you playing on repeat first? Or did ‘SATURDAY PREACHER’ already hijack your playlist before you even finished this article? Be honest. Drop your pick in the comments or tag us on X @thehoneypop. Also, don’t forget to follow us on Instagram and Facebook for even more content.

    Want even more K-Pop chaos, reviews, and emotional crisis moments courtesy of your faves? Head over to our The Honey(K)Pop category for more. 

    TO LEARN MORE ABOUT CHA EUNWOO:
    INSTAGRAM | TIKTOK | YOUTUBE

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    Neža V.

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  • Exclusive Interview: Paris WYA Talks Global Storytelling, ‘Treat Me Right,’ and Shifting Perspective

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    Looking for the next destination for a fresh face in pop music? Paris WYA just might be your next ticket to book. From New York to Shanghai to Paris, pop artist Paris WYA is all over the globe. Amidst her studies at Cornell University and travels, we caught up with her, chatting about her newest single, ‘Treat Me Right,’ being a real-life Hannah Montana, growth and gratitude, and what’s next for her.

    IMAGE SOURCE: COURTESY OF TREND PR

    Welcome to The Honey POP! We’re so excited to have you here with us today. To get us started, please introduce yourself to our readers, letting us know a little bit about your sound and what makes your artistry stand out.
    Hello! I’m Paris WYA, and I’m so excited to be here. I like to joke that I’m living my real-life Hannah Montana era — balancing a double life as a full-time college student at Cornell while building my career as a pop artist. This year, I’ve stepped into the dream-pop world. My sound exists somewhere between dreamy, cinematic, and nostalgic. Growing up between Asia, Europe, and the U.S. shapes how I understand emotion and storytelling, and I try to bring that perspective into every song. For me, it’s about creating something timeless: music that’s a little heartbreaking and vulnerable, but also deeply empowering.

    For our readers who have never heard your music before, what is one song from your discography that you would recommend they listen to first?
    If you’ve never heard my music before, I’d recommend starting with ‘Only Time Will Tell.’ It marks the beginning of this new era for me and really sets the tone for my upcoming EP. I think it captures who I am in these early stages as an artist, both sonically and emotionally.

    If you could only choose six emojis to describe your new song, ‘Treat Me Right,’ which six would they be?
    🪞🌫️🌹💌💫🎆

    You stated recently that you want to “bring a cosmopolitan look” to your music. Can you explain this further?
    When I talk about bringing a “cosmopolitan look” to my music, I’m thinking beyond sound. I want to craft a world that feels global, cinematic, and borderless. My work reflects the cities and cultures that shaped me — from the chaos of Asia to the elegance of Europe and the energy of the U.S. I want my art to live in that intersection: modern yet timeless, intimate yet universal. It’s about building a universe where fashion and sound coexist, something deeply personal yet endlessly expansive; something you can connect to whether you’re in New York, Shanghai, or Paris.

    ‘Treat Me Right’ is all about giving your heart up to someone who doesn’t reciprocate. What are some ways that you show love to yourself during life’s more challenging moments?
    I think real self-love comes from how you choose to see the hardest moments. For me, a lot of resentment eventually turned into gratitude. I’ve realized that mindset is everything; if you can shift your perspective, you can turn pain into purpose. When the world feels heavy, I lean into the things that make me feel most alive — whether that’s creating, traveling, hitting the gym, or just taking a day to rest. Growth isn’t always glamorous, but it’s always worth it.

    What does a typical studio day look like for you?
    Studio days are my favorite kind of chaos. No two ever look the same, and that’s what I love most about it. Some days we’ll build a song completely from scratch: writing, producing, and recording the whole thing in one burst of energy. Other times, I’ll walk in with an idea we’ve been bouncing back and forth for weeks that’s ready to go, and we’ll bring it to life in the booth. There’s no “correct” way, just moments where everything clicks. We usually start around 10 a.m., laying down a hook and finding the right direction. By noon, we’re ordering food, because good meals and snacks are non-negotiable. Between takes, we talk about life, trade stories, and somehow that always ends up fueling the music. It’s a mix of spontaneity and intention; the best kind of creative chaos.

    One look at your Instagram feed and we’re already in love. How do you decide which visuals to keep or scrap for new single releases, and how important are visuals to you during this process?
    I’ve always been obsessed with the visual side of things. I make moodboards for almost every song before it’s even finished. While I’m writing, I’m already imagining the visuals: the colors, the mood, the world we’re building. When it comes to deciding what makes the cut, it’s all about what feels right for the current world I’m in. If something doesn’t fit, I don’t force it; I save it, because it might be perfect for the next chapter. Visuals aren’t just part of the process for me — they are the process. They’re how I invite people into the universe I’m creating. The music is the feeling, but the visuals are the world you get to live in.

    IMAGE SOURCE: COURTESY OF TREND PR

    Once again, thank you so much for chatting with us! Before we let you go, what can fans look forward to as we close out 2025?
    Thank you for having me! I’m so excited for everything that’s ahead. I have a holiday cover dropping soon — something classic, but reimagined through my own universe — and then my upcoming EP, which is definitely my biggest and most personal project yet. I’ve never felt so aligned with what I’m creating, and honestly, it’s just the beginning.

    Listen to ‘Treat Me Right’ now and let us know what you think about Paris WYA’s new song in the comments down below. You can also buzz with us on FacebookInstagram, and Twitter!

    Find more exclusive interviews here, honeybee!

    TO LEARN MORE ABOUT PARIS WYA:
    INSTAGRAM | TIKTOK | WEBSITE | YOUTUBE

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    Alana

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  • Deep Dive: Yeonjun Unapologetically Realizes His Artistic Vision In NO LABELS: PART 01

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    It’s here! Yeonjun has released NO LABELS: PART 01, and neither us nor our playlists will ever be the same again. We’ll be the first to admit that we had very, very high hopes for Yeonjun’s debut solo album, but we’ll also hold our hands up and say that he exceeded every single expectation. Rather than a perfect, sparkling pop album (which we all know Yeonjun is capable of, too), NO LABELS is bold, untamed, and disruptive.

    Throughout NO LABELS: PART 01, Yeonjun provocatively dares the listener to try and categorize him, whilst proving time and time again that it’s impossible. Every aspect of the album is rebellious yet calculated.

    However, as thought-out as NO LABELS: PART 01 is, it never comes across as inauthentic. Yes, Yeonjun has a point to prove, but that point is so intrinsically tied to him and his artistic self that it never feels deliberate. Yeonjun can’t help but demonstrate just how dynamic and enigmatic he is, because that’s just him.

    From now on, too, through my music, I’ll keep showing you the honest and new sides of myself.

    Yeonjun on the NO LABELS: PART 01 listening party CDs.

    There’s no doubt that K-Pop’s formula to promote upcoming releases works incredibly; from concept photos to MV teasers to tracklist announcements, with something happening pretty much every day at 00:00 KST, it’s a surefire way to get audiences hyped for a comeback or debut. With NO LABELS: PART 01, Yeonjun rebelled even against that process, announcing and promoting the album on his own social media, including setting up a Pinterest account specifically for the concept photos, and giving MOAs sneak peeks at almost every track on the album. Plus, throughout TXT’s career, Yeonjun has been notorious for dropping spoilers, and he seriously weaponized that talent for NO LABELS.

    Even the very notion of a PART 01 is disruptive. We already (especially after that teaser at the end of the music video) know we can expect a PART 02, but when and what that looks like is on Yeonjun’s terms. And he’s always one step ahead!

    My very presence speaks for me, and it will not be silenced. I exist on my own terms. Outside of words, this is just me.

    Text in Yeonjun’s NO LABELS: PART 01 packaging

    Track By Track

    Now, let’s get stuck into the details, and how each NO LABELS track proves Yeonjun’s artistry is limitless.

    ‘Talk To You’

    Once upon a time, we had ‘LO$ER=LOVER,’ which opened with Soobin kicking us in the face; now we have ‘Talk To You’ opening with Yeonjun getting punched. Unlike the music video, which has it as the grand finale, Yeonjun opens NO LABELS: PART 01 with ‘Talk To You,’ the title track. Like the rest of the album, this song toes the line of just-weird-enough, and on first listen reminded us of another album that straddles that line: RM’s RPWP. ‘Talk To You’ builds on a duality that Yeonjun is already well known for: the potent mix of rock and hip-hop. Both genres are rife with anarchy, which is exactly the energy that Yeonjun attacks them with.

    If there were ever any doubt that Yeonjun’s personal mark is all over this album, then ‘Talk To You’ alone would prove that theory wrong. Yeonjun is credited for both the lyrics and composition (he’s credited on five out of the six NO LABELS tracks), and further contributed to its creative direction through the choreography and performance. In fact, the choreography itself is some of the hardest we’ve ever seen, to the point where, in behind-the-scenes content, Yeonjun has been warning fans not to try it out! We’d expect nothing less from the 4th Gen It Boy, but he still exceeded all our expectations.

    ‘Forever’

    If ‘Talk To You’ reminds us of RM’s RPWP, then ‘Forever’ reminds us of another of RM’s previous collaborators, Anderson .Paak. Where so much of this album is deliberately disruptive, ‘Forever’ is its sleekest moment. A simple (in comparison!), bright hip-hop track contrasts with the nonchalant delivery of Yeonjun’s all-English rap, and we love this low-pressure version of a seize-the-day mentality. Yeonjun mentioned that a lot of his friends picked this track as their fave when he gave them a sneak preview of NO LABELS: PART 01, and we can totally appreciate why.

    ‘Let Me Tell You (featuring Daniela of KATSEYE)’

    This is the track for the 00s R&B lovers! With two of K-Pop’s best dancers, we knew the choreography of this track would hit, and it still blew us away. The sensual nature of ‘Let Me Tell You’ suits both Yeonjun and Daniela so well, and we need a full performance ASAP!

    And, once again, Yeonjun rebels against the limitations placed on idols, who often face massive backlash (think ENHYPEN’s ‘Bite Me’) for performing with people of other genders. Of course, male and female idols singing and dancing together shouldn’t be controversial, but it is, and Yeonjun and Daniela do a beautiful job of pointing out the absurdity of that, simply by not acknowledging it at all.

    ‘Do It’

    ‘Do It’ is an underrated gem on NO LABELS: PART 01, and we can totally see this track having some serious longevity. The song is full of confidence and charisma, but in a completely unexpected way; it’s not brash or loud. In fact, the live band style and jazz influences make ‘Do It’ feel like a very intimate listen, and this nonchalance adds to its effectiveness. Yeonjun doesn’t need to shout to be heard, or for everyone to stop what they’re doing and pay attention.

    In the second half of the album, which ‘Do It’ kicks off, Yeonjun responds to the question of NO LABELS more directly, speaking about his persona and the criticism that he has faced. Throughout ‘Do It,’ he teaches his critics how to be “YJ’s miniature,” but even when he plots out the most basic steps for them, they can’t manage it. All of this goes to show that just because Yeonjun makes something look easy, that doesn’t mean it is. That’s just his talent.

    ‘Nothin’ ‘Bout Me’

    Like ‘Do It,’ ‘Nothin’ ‘Bout Me’ tackles the album’s themes head-on. With lyrics like “you can’t fit me in any kind of frame,” and “I’m my own product,” Yeonjun speaks directly to people who try to contain him as any one specific thing. Moreover, whilst “you” try to box him in, he’s not even paying attention to your failed efforts; he’s busy “snoring in a Carnival.” A Carnival is the car most commonly used by idols, and it’s not the first time they’ve been used as a status symbol in a diss track, just look at the way ATEEZ belittle their stalkers in ‘MATZ.’

    Yeonjun co-wrote and composed Nothin’ ‘Bout Me,’ and you can definitely feel that raw, untamed energy come through in this hip-hop track. On an album full of self-assuredness, ‘Nothin’ ‘Bout Me’ still takes the crown for the most provocative and defiant moment.

    I rip off any label put on me, even if it gets sticky, sticky, sticky, I still go.

    Yeonjun, referencing NO LABELS and ‘GGUM’ on ‘Nothin”Bout Me’

    ‘COMA’

    ‘COMA’ is Yeonjun’s favorite track on NO LABELS: PART 01, and we’re inclined to agree with him. The production on this hip-hop track is deliberately disorienting, as Yeonjun displays how much power he has over his rapt audiences. In addition to creating the choreography for ‘COMA,’ Yeonjun co-wrote the lyrics. As a result, ‘COMA’ brings us one of our favorite Yeonjun trademarks: wordplay. When rapping “The ‘GGUM’ you were chewing on,” Yeonjun uses 씹다, which means both ‘to chew’ and ‘to belittle’ (source: TranslatingTXT), so this line can also be taken as a reference to the haters’ reactions to his 2024 mixtape.

    Yeonjun then goes on to say that he has “Fed this scene a new topic, eyes on me, all them eyes on me.” Yeonjun’s name is often mistranslated as ‘fed,’ so it’s like he already knows that everyone will be talking about NO LABELS: PART 01, and about Yeonjun himself too. With an album this iconic, can you blame us?

    It’s clear in every aspect of NO LABELS: PART 01 that Yeonjun has uncovered a true artistic vision, and as fans, we couldn’t be happier for him (or happier to reap the benefits!). From the lyricism to the aesthetic and everything in between, NO LABELS: PART 01 is completely undefinable, except for the only label it needs: Yeonjun.

    What’s your favorite track on the album? And tell us your predictions for NO LABELS: PART 02! Let us know over on Twitter @TheHoneyPOP! You can also find us on Facebook and Instagram.

    And if you want more TOMORROW X TOGETHER in your life, you’ve come to the right place…

    TO LEARN MORE ABOUT TXT AND YEONJUN:
    FACEBOOK | INSTAGRAM | YEONJUN’S INSTAGRAM | TIKTOK | TWITTER | WEBSITE

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    Anna Marie

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  • Sienna Spiro Is Giving Us The Gift Of Pure Talent This Season

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    One hill we’re willing to die on is that Sienna Spiro is our next global star. She might just be getting her start next to Sam Smith and Teddy Swims, but we’ve known for a while that her start is bigger than what meets the eye, and there is so much more to come. If you haven’t heard Sienna Spiro sing live, prepare to be utterly blown away. Her popular songs, ‘MAYBE.,’ ‘Back To Blonde,’ ‘Dream Police,’ and our personal favorite, ‘Taxi Driver,’ have been on repeat for us throughout this entire year. As we’ve become bigger and bigger fans, we’ve noticed that the rest of the world is following suit, including some of the biggest brands in fashion.

    Image Source: Jennifer Cheng

    Sienna For GAP

    The GAP brand continues to give music lovers exactly what they want. They’ve worked with some of our favorite pop artists, such as Troye Sivan and KATSEYE, on recent ads. Now, they’ve brought Sienna onto our screens for the holiday season, and we couldn’t be happier. We didn’t expect Sienna to sing Miley Cyrus’ ‘The Climb,’ but we’re so glad that she did. She did this iconic song so much justice and put her own spin on it that we love.

    Does this mean we’re about to spend our entire next paycheck at GAP? Absolutely! 

    ‘Die On This Hill’

    “This song is about stubborn love — the kind that makes you stay when you know you should leave.”

    Sienna Spiro stated in a press release

    Like we said, we’re dying on the hill that Sienna Spiro will be one of the greats in our lifetime. Her latest song, ‘Die On This Hill,’ gave us all the feels. Like all of Sienna’s songs, it hit us right in the heart and made us ugly scream all the words at the top of our lungs. For all the honeybees who need to leave their current relationship and need a little push to take that final step, this one is for you.

    “I’ll take my pride, stand here for you
    No, I’m not blind, just seeing it through
    You take my life just for the thrill
    I’ll take tonight and die on this hill
    I always will”

    What did you think about Sienna Spiro’s recent commercial with GAP? Did you love her new song, ‘Die On This Hill,’ as much as we did? Let us know in the comments down below or on TwitterInstagram, and Facebook.

    Want to know what else is trending in music right now? See what’s new!

    TO LEARN MORE ABOUT SIENNA SPIRO:
    INSTAGRAM TIKTOK TWITTER YOUTUBE

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    Alana

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  • Bearings Are Bringing Comfort To This Fall Season With Their New Album, Comfort Company

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    Ever since Bearings gave us the deluxe edition of The Best Part About Being Human, we have been itching for more music. Lucky for us, they’ve come back better than ever with their fourth full-length album, Comfort Company! They’ve drawn us in with singles like ‘Quick Release’ and ‘Float Away’ featuring Derek Discanio of State Champs, but we would’ve never guessed how hard the album was going to hit us.

    While this may be their fourth full-length album, Bearings are closer to themselves than they’ve ever been. These songs started from places that lead singer Doug Cousins would describe as “honest” and were recorded in the same studio where their first album was recorded. They have encapsulated what it’s like to grow up and really come to terms with the fact that maybe we actually don’t know what we’re doing. And the timing of this album couldn’t be more perfect. Days are shorter, the weather is colder, and the need for some comfort? It’s heavy on all of our minds right now.

    “Comfort Company is for us the record that feels like coming back home.” – Doug Cousins

    It’s never been easy for us to pull just a few songs from Bearings’ discography, but that doesn’t mean we won’t try! Here are our four recommendations that brought us the most comfort:

    Courtesy of: Bearings

    ‘Comfort Company’

    We obviously couldn’t talk about this album without talking about the title track. This song embodies the classic pop-punk vibe we are always craving. It has that hard-hitting sound that makes us just want to get up to dance, but don’t let that fool you. These lyrics? Ouch. But that’s what Bearings do best, and we can never get enough of it. Like, come on, “Is it a miracle we somehow make it by?” Someone pass us the tissues, quickly.

    ‘Float Away’ Featuring Derek Discanio

    This next one is so special to us. As long-time lovers of all things pop punk, seeing Bearings collaborate with Derek Discanio has got to be the highlight of our year. It blew us away when we heard it as a single, but in tandem with the whole album? Now that hits different. This song puts into words how crazy it can feel sometimes when you’re left to figure it out on your own. As much as you want to escape from it all, a lot of times it feels like everyone is just trying to pull you back down.

    ‘Freaking Me Out’

    Another single, but we couldn’t leave out this banger of a fall anthem. Doug even says it himself: “It’s the season I believe in all my subconscious doubt.” The lyrics take us through such a whirlwind of emotions that a lot of us have been dealing with recently. There’s almost a humorous aspect to it, like when Doug says he’s “dying” but then immediately switches to “I’ll just shave my hair”. And while we did laugh upon first listen, we also can relate. (But please, put the scissors down. Your hair is fine).

    ‘Never Ending Cycle’

    Now this song is the epitome of what Bearings does: tear-jerking lyrics mixed with a**-shaking instrumentals. This song had us up and ready to dance… but then Doug said, “I know failure’s part of living / When’s success gonna make an appearance?”. We won’t lie to you; we had to pause it for a minute just to take that one in. One of the hardest parts of growing up and being on your own is feeling like nothing you do is good enough. Bearings absolutely nail this feeling on the head with this song, and truthfully, it feels good to know we aren’t alone in that feeling.

    To say we were impressed by this Bearings album would be an understatement. Truthfully, it felt like a mug of hot chocolate and a nice pair of fuzzy socks on a rainy day. Let us know which track brought you the most comfort by commenting. You can also talk to us about all things Comfort Company on our Twitter @TheHoneyPOPInstagram, and Facebook!

    TO LEARN MORE ABOUT BEARINGS:
    FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | WEBSITE

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    Meg Glenn

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  • Exclusive Interview: How Faouzia’s FILM NOIR Turns Heartache Into High Drama

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    Wearing a cheetah-print beret like she’s the newest member of the feline elite, Faouzia lounges with a white cat in her arms—because of course she does. The whole scene feels straight out of a monochrome fever dream, as if your Spotify app accidentally time-traveled to the 1950s. From her vintage visuals to those powerhouse vocals that could shatter martini glasses, Faouzia doesn’t just fit into another era—she owns it. With 4.2 million monthly listeners and a fanbase that made her the second-highest streamed international artist in China, right after Taylor Swift (casual), Faouzia’s not a rising star—she’s a meteor, rewriting her own orbit. Since her 2021 project CITIZENS—and that career-defining ‘MINEFIELDS’ duet with John Legend, which casually pulled 325 million YouTube views for its music video—she’s been crafting something cinematic.

    The result: FILM NOIR, an 11-track masterpiece sung partly in French, entirely self-made, and draped in mystery, chaos, and candlelight. It all ignites with ‘PEACE & VIOLENCE,’ a track that perfectly captures the album’s duality: soft and sharp, glamorous and guttural. We sat down with Faouzia to talk about the making of FILM NOIR, the lyric she’s betting her fans will scream back the loudest, and how she turned vintage glamour into modern mythology.

    Image Source: Alejandra Hinojosa

    FILM NOIR

    Hi Faouzia, congratulations on the release! FILM NOIR is not only your first full-length project, but also your first fully independent one—huge. Looking back at the journey, what part of the process are you most proud of, whether artistically or personally, in finally bringing this album to life?
    I am most proud of completing this album independently and following my instincts. I always knew that building a world around a project was my calling. Finally being able to do that is what I am most proud of, and I am absolutely in love with every song on FILM NOIR.

    Because the term film noir originally came from French critics dissecting American thrillers, the genre has this built-in idea of reflection and critique. After the three-year gap since CITIZENS and the global response to ‘MINEFIELDS,’ did you approach this record by “critiquing” what worked and what didn’t from the last era—or did you intentionally wipe the slate clean and start fresh?
    After years of reflection and critique, I wiped the slate clean and started fresh. Almost in a “learn the rules to know how to break them” type of way. I followed my heart and wrote this album very instinctually. Every word stemmed from stories that were very personal to me, but crafted by skills that I learned along the way. I think my essence is present in this album because I led with my heart first, then my mind.

    Faouzia’s Parisian Duality

    The album opens like we’ve just stepped into a smoky 1950s Paris alleyway—sirens, trumpets, the whole curtain-rise—before it slinks into that sensual, romantic-thriller soundscape. When you were crafting those first 40 seconds, what visuals were playing in your mind?
    I wanted to set the mood in this opening track and transport people into the world that is FILM NOIR – live instrumentation, drama, and an emotional rollercoaster filled with tension and heartache.

    You speak English, Arabic, and French fluently—and we hear French spotlighted both in the voice-note outro and in ‘TOUS CES MOTS’—and you even wrote your first ever song in French at age six. What is it about French as a language that feels most creatively you?
    French is my second language. I grew up speaking it at home and spent most of my education immersed in it, so many of my most formative memories live in French. It’s the language in which I first learned to express sorrow and depth, to give shape to feeling. There’s an inherent poetry in its softness and a quiet melancholy that made it the natural choice for the stories I needed to tell in this album.

    Faouzia press photo
    Image Source: Alanna Durkee

    Several tracks have that gorgeous cinematic build—the strings on ‘UNETHICAL’ feel like they’re doing the dramatic lighting. You’ve genre-blended before, but this time, working with Arthur Besna and F E R R O, how did you stay rooted in your sonic identity while leaning into those big, film-score moments?
    A big part of my musical identity comes from big, dramatic instrumentals as well as classically-inspired pieces. It came very naturally to me to make this album in this world because it felt like “coming home” to what felt the most natural to me.

    Flashbulbs & Frequencies

    “Sometimes I wish our puzzle aligned” from ‘WEIRDO’ feels like an instant-tattoo/future-bio line. Is there another lyric or couplet on the album you secretly suspect fans are going to claim as their identity quote?
    This is a hard question… There are so many lines in this project that I love, but the one that is coming to mind right now is the mantra-esque lyric, “I am not my emotions, they’re a point in time.”

    Fashion is such a big storytelling device in this era. Is there one outfit from this cycle—a video look or shoot—that you feel most embodies the persona of this record?
    I’d say the ‘DON’T EVER LEAVE ME’ music video and outfit. Or… ‘PORCELAIN.’

    Finally, when listeners close the curtain on FILM NOIR for the first time, what do you hope they walk away feeling?
    I hope they’ve connected to the music and can feel the depth and passion in it. I hope they can find solace in it.

    What’s the song playing as you strut through your black-and-white FILM NOIR TikTok fantasy? Picture this: shadowy lighting, oversized hood, mystery in your eyes—basically giving “I might be in Paris, or just really good at curating vibes.” Spin FILM NOIR one more time, let the credits roll in your head, and then tell us—what’s your soundtrack for the sequel over on our Twitter, Insta, or even Facebook if you’re feeling retro.

    TO LEARN MORE ABOUT FAOUZIA:
    FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | YOUTUBE

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    Rachel Finucane

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