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Tag: netflix incorporated

  • How booming Vietnam offers the US an alternative to China | CNN Business

    How booming Vietnam offers the US an alternative to China | CNN Business


    Hong Kong
    CNN
     — 

    President Joe Biden is in Vietnam for a visit intended to deepen economic ties between Washington and Hanoi as part of efforts to reduce America’s reliance on China.

    The former foes have formally upgraded diplomatic ties to a “comprehensive strategic partnership,” a symbolic yet highly important move that experts say will solidify trust between the nations as America seeks an ally in Asia to counteract political tensions with China and advance its ambitions for key technologies, such as chipmaking.

    Companies from Apple (AAPL) to Intel (INTC) have already pushed deeper into the country to diversify their supply chains, maxing out many Vietnamese factories and helping fuel an economic expansion that continues to defy a global slowdown.

    On Monday, the White House announced a “landmark deal” between Boeing and Vietnam Airlines worth $7.8 billion, which is expected to support more than 30,000 jobs in the United States. Reuters has reported that the carrier will buy 50 Boeing 737 Max jets.

    Biden’s visit, which followed the G20 summit in India, is the first by a US president to Vietnam since Donald Trump’s 2019 trip. He has met with Vietnamese General Secretary Nguyen Phu Trong and other leaders to “promote the growth of a technology-focused” Vietnamese economy, as well as discuss ways to improve stability in the region, according to the White House.

    In recent years, their trade has already soared under an existing partnership agreed in 2013, so the elevation in relations is “just catching up with the reality that already exists,” Ted Osius, president of the US-ASEAN Business Council and a former US ambassador to Vietnam, told CNN.

    The United States imported nearly $127.5 billion in goods from Vietnam in 2022, compared with $101.9 billion in 2021 and $79.6 billion in 2020, according to US government data.

    Last year, Vietnam became America’s eighth largest trading partner, rising from 10th place two years earlier.

    The two sides have been moving closer as US officials, particularly Treasury Secretary Janet Yellen, have repeatedly pointed to the importance of “friend-shoring.”

    The practice refers to the movement of supply chains toward allies in part to shield businesses from political friction.

    “Rather than being highly reliant on countries where we have geopolitical tensions and can’t count on ongoing, reliable supplies, we need to really diversify our group of suppliers,” she said in a speech last year at the Atlantic Council think tank.

    Those tensions add to a litany of pressures, including rising labor costs and an uncertain operating environment that have already made corporations think twice about how much business they do in China, which is still considered the factory of the world.

    But increasingly, it has competition. During the US-China trade war, which started in 2018, businesses of all sizes began moving manufacturing to emerging markets such as Vietnam and India over tariffs.

    After the pandemic broke out, corporations were increasingly forced to consider strategies known as “China plus one,” which meant spreading out production hubs as a way to reduce reliance on a sole manufacturing base.

    The latest exodus could cost China dearly: In a 2022 report, Rabobank estimated that as many as 28 million Chinese jobs directly relied on exports to the West and could leave the country as a result of “friend-shoring.”

    Some 300,000 of those jobs, focused on low-tech manufacturing, are expected to move to Vietnam from China, analysts wrote.

    From an industrial perspective, the country has been booming for years, said Michael Every, a Rabobank global strategist who authored the report. Relatively lower wages and a youthful population have provided Vietnam with a solid workforce and consumer base, bolstering the case to invest in the nation of 97 million people.

    A fruit vendor walking past an Apple store in Hanoi

    But companies hoping to make the switch may already be too late, as some factories are so stretched, customers must wait, he said.

    Alicia García-Herrero, chief economist at Natixis, pointed to what she called “overheating,” saying demand for manufacturing in Vietnam has outstripped supply in some cases.

    “Too many companies [are] going to Vietnam,” she told CNN.

    Vietnam enjoyed an advantage, as it was first in the region to build up supply chain capabilities “for many, many sectors” years ago, she explained.

    Shortly after Biden landed in Vietnam on Sunday, the White House announced a new semiconductor partnership.

    “The United States recognizes Vietnam’s potential to play a critical role in building resilient semiconductor supply chains, particularly to expand capacity in reliable partners where it cannot be re-shored to the United State,” it said in a statement.

    The semiconductor industry has emerged as a key source of tension in US-China relations. Beijing and Washington are both racing to boost their prowess in the sector, and each side has recently enacted export controls aimed at limiting the other’s capacity.

    The United States needs a trusted partner for its supply of chips, and Vietnam can do just that, Osius said.

    Intel sees it that way. The California-based chipmaker has committed $1.5 billion to a sprawling campus located just outside Ho Chi Minh City, which it says will be its largest single assembly and test facility in the world.

    Osius expects more investments in the field to follow as Washington shores up ties with Hanoi.

    “The significance of Vietnam in that supply chain will increase,” he predicted. “We’re going to see an acceleration when it comes to collaboration in tech.”

    The International Monetary Fund projects Vietnam’s growth will slow to 5.8% from 8% last year as it copes with less overseas demand for its exports.

    But that compares favorably with a global growth forecast of 3%, and is noticeably faster many of the world’s major economies, such as the United States, China and the eurozone.

    “As the rest of Asia underwhelms, Vietnam will still be one of the fastest growing economies,” Natixis said in a recent research note.

    That’s compelling for corporations looking for bright spots in an otherwise gloomy environment.

    Such interest was noted in March, when the US-ASEAN Business Council led its biggest-ever business mission to Vietnam. The delegation consisted of 52 American firms, including corporate heavyweights such as Netflix (NFLX) and Boeing (BA).

    Of course, companies still have reservations over factors such as Vietnamese tech regulations, which they fear could include limits on the “transfer of data across borders, or too many rules requiring data localization,” according to Osius.

    In some cases, businesses are also concerned by how the country’s infrastructure still pales in comparison to a longtime trade powerhouse like China’s.

    For example, “there isn’t a sufficient port capacity for some of the goods to be exported as quickly as companies want them to be moved,” Osius said.

    Politically, Vietnam shares many similarities to China in that it is an authoritarian one-party state that tolerates little dissent.

    But overall, businesses simply want an easy way to hedge their bets.

    Vietnam is an obvious choice, because it’s a cheap alternative to manufacturing in China, said García-Herrero.

    For various sectors, transitioning isn’t difficult, because many Chinese suppliers also moved there because of US tariffs, she explained. “It’s the most similar because you have the same providers as in China.”

    The Biden administration, too, will likely be keen to secure that alternative.

    “It’s quite clear that they’re trying to set up a series of foreign policy victories ahead of 2024 [by] signing a strategic comprehensive partnership with Vietnam,” said Every, the Rabobank analyst.

    — CNN’s Kyle Feldscher, Jeremy Diamond and Kevin Liptak contributed to this report.

    Source link

    September 11, 2023
  • Netflix shutters its DVD rental business, marking the end of the red envelope era | CNN Business

    Netflix shutters its DVD rental business, marking the end of the red envelope era | CNN Business



    CNN
     — 

    Netflix will send out its last red envelope on Friday, marking an end to 25 years of mailing DVDs to members.

    The company announced earlier this year it is shutting down its DVD-by-mail service, 16 years after it gradually shifted its focus to streaming content online. Netflix will continue to accept returns of customers’ remaining DVDs until October 27.

    Introduced in 1998 when Netflix first launched, the DVD service promised an easier rental experience than having to drive to the nearest Blockbuster or Hollywood Video. The red envelopes, which have long been synonymous with Netflix itself, littered homes and dorm rooms across the country.

    Although the idea of receiving a DVD in the mail now may sound almost as outdated as dial-up internet, some longtime customers told CNN they continued to find value in the DVD option.

    Colin McEvoy, a father of two from Bethlehem, Pennsylvania and a self-described film fanatic, said he rushed through 40 movies in the last few weeks to get through the remainder of his queue before the service ends. McEvoy has remained faithful to Netflix’s DVD service so he can keep watching Bollywood and obscure independent films not often found on streaming services.

    “I was basically watching them as soon as I got them, and then returning the discs as quickly as possible to get as many as I could,” said McEvoy, who has been using Netflix’s DVD-by-mail service since 2001, just three years after it launched.

    “I remember I was in high school when I first signed up for it, and the concept was so novel I had to really convince my dad that it was a legit service and not some sort of Internet scam,” said McEvoy, who uses an old Xbox 360 to play his Netflix DVDs. “Now I have friends who’ve seen my red Netflix envelopes arrive in the mail, and either didn’t remember what they were or couldn’t believe that I still got the DVDs in the mail.”

    Some other Netflix users stood by its DVD service not only for the selection but for added perks. Brandon Cordy, a 41-year-old graphic designer from Atlanta, previously told CNN he stuck with DVDs because many digital rentals don’t come with special features or audio commentaries.

    There are other factors, too. Michael Inouye, an analyst at ABI Research, said some consumers may still not have access to reliable or fast enough broadband connections, or simply prefer physical media to digital, much in the way that some audio enthusiasts still purchase and collect CDs and records.

    For Netflix, however, the offering has made less sense in recent years. “Our goal has always been to provide the best service for our members, but as the DVD business continues to shrink, that’s going to become increasingly difficult,” co-CEO Ted Sarandos wrote in a blog post in April.

    Shutting down its DVD business could help Netflix better focus resources as it expands into new markets such as gaming as well as live and interactive content. Its DVD business has also declined significantly in recent years. In 2021, Netflix’s non-streaming revenue – mostly attributable to DVDs – amounted to 0.6% of its revenue, or just over $182 million.

    The cost to operate its DVD business may also be a factor, especially as Netflix rethinks expenses broadly amid heightened streaming competition and broader economic uncertainty. “Moving plastic discs around costs far more money than streaming digital bits,” said Eric Schmitt, senior director analyst at Gartner Research. “Removing and replacing damaged and lost inventory are also cost considerations.”

    Even before Netflix announced the news, some longtime subscribers said they could see the writing on the wall.

    “The inventory of available titles, while still vast, had been contracting some over the years with some movies that were once available no longer being so,” Cordy said. “Turnaround times to get a new movie or movies also started to take longer, so I knew it was only a matter of time. But I didn’t want it to end if I could help it.”

    Other DVD subscribers were hoping for a happy ending. Bill Rouhana, the CEO of Chicken Soup for the Soul Entertainment – which owns DVD rental service Redbox – told The Hollywood Reporter in April he hoped to purchase Netflix’s DVD business. “I’d like to buy it… I wish Netflix would sell me that business instead of shutting it down,” he said. Redbox remains popular despite the shift in streaming, but took a hit during the pandemic because of the lack of new movies and TV shows to fill the boxes.

    A Netflix spokesperson told CNN it has no plans to sell the DVD business and will be recycling the majority of its DVDs through third-party companies that specialize in recycling digital and electronic media. It will also donate some of its inventory to organizations focused on film and media.

    Netflix is also offering subscribers a “finale surprise” where they could opt-in to receive up to 10 DVDs selected at random from their queue.

    McEvoy, who already subscribes to Disney+, Hulu, the Criterion channel and Mubi, said he’s now testing out other services such as Eros (Indian cinema) and Viki (Korean and Chinese films) for harder-to-find content. Still, he said, he’s “sad” to see Netflix’s DVD service depart.

    “I absolutely would not have been able to find all of those movies [I’ve watched] if not for the Netflix DVD service,” he said.

    Source link

    August 2, 2023
  • Netflix is winding down its DVD business after 25 years | CNN Business

    Netflix is winding down its DVD business after 25 years | CNN Business


    New York
    CNN
     — 

    Netflix is officially winding down the business that helped make it a household name.

    This fall, the streaming giant will officially say goodbye to its DVD rental service and all of the red envelopes that made it possible.

    “On September 29th, 2023, we will send out the last red envelope,” the company tweeted Tuesday. “It has been a true pleasure and honor to deliver movie nights to our wonderful members for 25 years.”

    “Our goal has always been to provide the best service for our members, but as the DVD business continues to shrink, that’s going to become increasingly difficult,” co-CEO Ted Sarandos wrote in a blog post Tuesday. “Making 2023 our Final Season allows us to maintain our quality of service through the last day and go out on a high note.”

    The company reported a miss for its second-quarter earnings after market close on Tuesday. Shares fell by around 6%.

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    April 18, 2023
  • ‘Love is Blind’ live reunion delayed as Netflix pleads for patience | CNN Business

    ‘Love is Blind’ live reunion delayed as Netflix pleads for patience | CNN Business


    New York
    CNN
     — 

    Netflix’s highly anticipated live reunion Sunday for the season 4 cast of its reality dating show “Love is Blind” has been delayed, leaving fans waiting for over an hour.

    Eventually, Netflix opted to tape it for streaming at a later time.

    “To everyone who stayed up late, woke up early, gave up their Sunday afternoon… we are incredibly sorry that the Love is Blind Live Reunion did not turn out as we had planned,” Netflix tweeted in a statement. “We’re filming it now and we’ll have it on Netflix as soon as humanly possible. Again, thank you and sorry.”

    The second live show in Netflix’s history was expected to start at 8 p.m. ET Sunday. A couple minutes after its scheduled start time, Netflix tweeted: “Love is … late. #LoveIsBlindLIVE will be on in 15 minutes!”

    A few minutes later, the streaming service promised the show “will be worth the wait….” When Netflix subscribers tried to access the stream, they were met with a screen that said, “It’s almost time! The live event will start soon.”

    The company isn’t used to airing live events like many of its streaming competitors. The only live show to air on Netflix came on March 4 when it live-streamed “Chris Rock: Selective Outrage,” a standup special from the comedian. That streamed without a hitch.

    Netflix’s rivals have found success with live streaming. Amazon Prime started airing Thursday Night Football last year. Apple TV+ partners with Major League Baseball for select games. And other competitors have gotten into the live space, as well.

    But Netflix has been notoriously resistant – not because of technological hurdles, but because the company has repeatedly said live broadcast rights, particularly for sports, come at a high cost. Still, Netflix had a rough 2022, losing subscribers as consumer behavior shifted. The company started experimenting with live broadcasts as the media landscape continues to shift.

    As the world waited for the reunion episode, hosted by Nick and Vanessa Lachey, the silly and biting social media posts started to roll in.

    Among the angry fans was New York Democratic Rep. Alexandria Ocasio-Cortez, whom Netflix retweeted.

    Someone call Lucia the seamstress to fix this. I believe in her

    — Alexandria Ocasio-Cortez (@AOC) April 17, 2023

    Blockbuster, the bankrupt former video store, tweeted: “Remember renting vhs’ from us. You could start it on time no problem… This is what we get.”

    The “Love is Blind” series features couples that propose before seeing one another. It helped the company solidify its reality TV chops when it started streaming three years ago, at a time when traditional network and broadcast television were essentially the only places to get a reality fix.

    Source link

    April 16, 2023
  • Three investors on how to protect your portfolio | CNN Business

    Three investors on how to protect your portfolio | CNN Business

    A version of this story first appeared in CNN Business’ Before the Bell newsletter. Not a subscriber? You can sign up right here. You can listen to an audio version of the newsletter by clicking the same link.


    New York
    CNN
     — 

    Wall Street has been hit with a barrage of complex signals about the economy’s health over the past month. From banking turmoil to weakening jobs data to slowing inflation, and now the start of earnings season, investors have remained largely resilient.

    But the Federal Reserve’s March meeting minutes revealed last week that officials believe the economy will enter a recession later this year. While that’s not new news to investors who have worried that a recession is on the horizon for the past year, it does mean that markets could take a turn for the worse.

    So, how should investors protect their portfolios? Investors say there isn’t one asset that Wall Street should pile all their bets on, but there are fundamentals that should underlie their investment strategies.

    Jimmy Chang, chief investment officer at Rockefeller Global Family Office, says he advises clients to be patient, defensive and selective when navigating the market.

    In other words, investors should make decisions based on logic, not a fear of missing out.

    “You chase these rallies and then it fizzles out — you’re left holding the bag,” he said.

    Chang also recommends that investors stay defensive by investing in high-quality blue chip stocks with solid balance sheets and keep dry powder.

    Doug Fincher, portfolio manager at Ionic Capital Management, says investors should brace their portfolios against inflation.

    The Personal Consumption Expenditures price index rose 5% for the 12 months ended in February, showing that inflation remains much higher than the Fed’s 2% target.

    Coupled with the fact that the central bank has signaled that it plans to pause interest rate hikes sometime this year, it’s possible inflation could prove stickier than Wall Street expects.

    “It is the boogeyman of traditional investments,” Fincher said.

    He manages the Ionic Inflation Protection exchange-traded fund, which seeks to specifically perform well during periods of high inflation. The portfolio’s core exposure is inflation swaps, which are transactions in which one investor agrees to swap fixed payments for floating payments tied to the inflation rate. The fund also invests in short-duration Treasury Inflation Protected Securities.

    Megan Horneman, chief investment officer at Verdence Capital Advisors, says that her firm has hedged its portfolio in cash. A well-known haven, cash is a better alternative to other perceived safe spots like gold, which tends to be volatile and run up too fast, she said.

    Investors have rushed into money market funds in recent weeks after the banking turmoil both shook their confidence in the banking system and sent ripples through the market.

    “Cash is actually earning you something at this point,” Horneman said. “You have to look long term.”

    Earnings season kicked off Friday with a bonanza of earnings from the nation’s largest banks.

    Perhaps most noteworthy out of the bunch was JPMorgan Chase, which reported record revenue and an earnings beat for its latest quarter.

    The bank has $3.67 trillion in assets, making it the largest bank in the country and a bellwether for the economy. Strong earnings reports from the New York-based bank and its peers including Wells Fargo, Citigroup and PNC Financial Services have shown a promising start to the earnings season.

    Charles Schwab, Goldman Sachs, Bank of America and Morgan Stanley report next week.

    Here are some key takeaways from JPMorgan Chase’s first-quarter earnings:

    • The company guided net interest income to be about $81 billion in 2023, up $7 billion from its previous estimate. That’s especially important because this earnings season is all about guidance, as investors try to gauge whether the economy is headed for a recession and which companies will be able to weather a potential downturn.
    • CEO Jamie Dimon said in the post-earnings conference call that while financial conditions are a bit tighter after the collapse of Silicon Valley Bank and Signature Bank, he doesn’t see a credit crunch. But chances of a recession are now higher, he said.
    • The company said that its portfolio’s exposure to the office sector is less than 10%, addressing concerns that the $20 trillion commercial real estate industry could be the next space to see turmoil.

    Read more here.

    Monday: Empire State manufacturing index and homebuilder confidence index. Earnings report from Charles Schwab (SCHW).

    Tuesday: Earnings reports from Bank of America (BAC), Goldman Sachs (GS), Johnson & Johnson (JNJ), Netflix (NFLX), United Airlines (UAL) and Western Alliance Bancorp (WAL).

    Wednesday: Earnings reports from Citizens Financial Group (CFG), Morgan Stanley (MS), Tesla (TSLA) and International Business Machines (IBM). Speech from NY Federal Reserve President John Williams.

    Thursday: Philadelphia Fed manufacturing index, jobless claims, mortgage rates, US leading economic indicators and existing home sales. Earnings reports from AutoNation (AN) and American Express (AXP).

    Friday: Manufacturing PMI and services PMI. Earnings report from Procter & Gamble (PG).

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    April 16, 2023
  • Chris Rock makes Netflix history (live!) | CNN

    Chris Rock makes Netflix history (live!) | CNN



    CNN
     — 

    It’s the night Chris Rock makes streaming history.

    “Chris Rock is in Samurai mode,” comedian Leslie Jones said in an intro.

    And he is.

    “I’m going to try to do a show tonight without offending nobody. I’m going to try my best, because you never know who might get triggered,” Rock said as he opened his set from Baltimore. “People always say words hurt … anybody who says words hurt has never been punched in the face.”

    He went on: “I have no problem with the wokeness. I have no problem with it at all. I’m all for social justice. I’m all for marginalized people getting their rights. The thing I have a problem with is the selective outrage,” Rock said. “You know what i’m talking about. One person does something, they get canceled. Somebody else does the exact same thing, nothing. You know what I’m talking about … the kind of people who play Michael Jackson songs but won’t play R. Kelly. Same crime, one of them just has better songs.”

    Rock, wearing all white and a Prince symbol medallion necklace, stood in front of a background that resembled cracked mirrors. (Suggesting, perhaps, a theme of people who live in glass houses shouldn’t throw stones.)

    Rock hit on several topical issues, including addiction, abortion, racism in America, Meghan, Duchess of Sussex and the Kardashian family.

    Tackling the country’s division, Rocked said, “America is in horrible shape right now.”

    “We got it worse than Ukraine. Yeah, I said it. You know why? Because Ukraine is united and America is clearly divided,” Rock joked. “If the Russians came here right now, half the country would say, “Let’s hear them out.’ We’re in a bad place right now.”

    Rock delved into his romantic life, saying when he realized his pillow cases were dirty, he realized how much women do for men.

    “I’m trying to date women my age, which is 10 to 15 years younger than me,” he said. “Don’t hate the player, hate the game. I didn’t get rich and stay in shape to talk about Anita Baker. I’m trying to f— Doja Cat.”

    “Chris Rock: Selective Outrage,” the first ever live global streaming event for Netflix.

    The performance marks Rock’s sixth standup special and his second for Netflix after 2018’s “Tamborine,” directed by Bo Burnham.

    A pre-show kicked off with Ronny Chieng live from Los Angeles, where he told the crowd, “We could have pretaped this whole thing and nobody would have cared, but we are doing this for a noble cause: To finally try to kill off traditional TV and put it out of it’s misery. In fact, if you listen hard you can hear Baby Boomers canceling the last cable subscription packages.”

    Before that, U2’s Bono sang an opening about Rock.

    Arsenio Hall followed Chieng with a joke about how Will Smith is going to get so mad tonight he’ll slap the TV off the wall.

    This story is developing and will be updated….

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    March 4, 2023
  • NAACP Image Awards 2023: How to watch and why the show still matters | CNN

    NAACP Image Awards 2023: How to watch and why the show still matters | CNN



    CNN
     — 

    The 54th NAACP Image Awards is a week-long celebration of excellence in film, TV, music and literature that will culminate in a televised ceremony Saturday.

    And while areas of the entertainment industry have worked to become more inclusive and diverse in recent years, Kyle Bowser, senior vice president of the NAACP’s Hollywood Bureau, told CNN the organization’s annual awards ceremony is still vital.

    “We do have an underlying mission, and ours is to broaden the scope, widen the lens, if you will, in the critique and the evaluation of what excellence looks like,” he said.

    Multiple honors have already been awarded, including outstanding ensemble cast in a motion picture for “Black Panther: Wakanda Forever,” outstanding host in a talk or news/information program to Jennifer Hudson and outstanding breakthrough creative (television) to Quinta Brunson for her work on “Abbott Elementary.”

    That’s not to say the main ceremony Saturday won’t have star power as well.

    The presenters list alone is A-list Black Hollywood with talent like Cliff “Method Man” Smith, Taye Diggs, Issa Rae, Janelle Monáe, Jonathan Majors, Kerry Washington, Sheryl Lee Ralph, Tracee Ellis Ross and Zendaya.

    Not to mention Queen Latifah hosting.

    “It’s an honor to host the 54th NAACP Image Awards, especially in the year we are celebrating 50 years of Hip Hop,” she said in a statement. “This is a night to celebrate Black excellence and Black contribution to our industry and beyond. Celebrating one another, lifting each other up and you know we’ll have fun doing it!”

    There will also be several high-profile award recipients such as Serena Williams receiving the Jackie Robinson Sports Award and Gabrielle Union-Wade and Dwyane Wade the President’s Award.

    The ceremony will air live Saturday at 8:00 p.m ET on BET. It will simulcast across Paramount Global networks, including BET HER, CBS, CMT, Comedy Central, LOGO, MTV, MTV2, Paramount Network, POP TV, Smithsonian, TV Land, and VH1.

    A list of nominees in some of the 80 categories follows below.

    A look back at some of the NAACP Image Awards Entertainer of the Year winners

    Angela Bassett

    Mary J. Blige

    Quinta Brunson

    Viola Davis

    Zendaya

    “A Jazzman’s Blues” (Netflix)

    “Black Panther: Wakanda Forever” (Marvel Studios)

    “Emancipation” (Apple TV)

    “The Woman King” (Sony Pictures Releasing)

    “TILL” (United Artists Releasing/Orion Pictures)

    Daniel Kaluuya – “Nope” (Universal Pictures)

    Jonathan Majors – “Devotion” (Sony Pictures Entertainment)

    Joshua Boone – “A Jazzman’s Blues” (Netflix)

    Sterling K. Brown – “Honk for Jesus. Save Your Soul” (Focus Features)

    Will Smith – “Emancipation” (Apple)

    Danielle Deadwyler – “TILL” (United Artists Releasing/Orion Pictures)

    Keke Palmer – “Alice” (Vertical Entertainment)

    Letitia Wright – “Black Panther: Wakanda Forever” (Marvel Studios)

    Regina Hall – “Honk for Jesus. Save Your Soul” (Focus Features)

    Viola Davis – “The Woman King” (Sony Pictures Releasing)

    Aldis Hodge – Black Adam (Warner Bros. Pictures / New Line Cinema)

    Cliff “Method Man” Smith – On The Come Up (Paramount Pictures)

    Jalyn Hall – TILL (United Artists Releasing/Orion Pictures)

    John Boyega – The Woman King (Sony Pictures Releasing)

    Tenoch Huerta – Black Panther: Wakanda Forever (Marvel Studios)

    Angela Bassett – “Black Panther: Wakanda Forever” (Marvel Studios)

    Danai Gurira – “Black Panther: Wakanda Forever” (Marvel Studios)

    Janelle Monáe – “Glass Onion: A Knives Out Mystery” (Netflix)

    Lashana Lynch – “The Woman King” (Sony Pictures Releasing)

    Lupita Nyong’o – “Black Panther: Wakanda Forever” (Marvel Studios)

    “Abbott Elementary” (ABC)

    “Atlanta” (FX)

    “black-ish” (ABC)

    “Rap S**t” (HBO Max)

    “The Wonder Years” (ABC)

    Anthony Anderson – “black-ish” (ABC)

    Cedric The Entertainer – “The Neighborhood” (CBS)

    Donald Glover – “Atlanta” (FX)

    Dulé Hill – “The Wonder Years” (ABC)

    Mike Epps – “The Upshaws” (Netflix)

    Loretta Devine – “Family Reunion” (Netflix)

    Maya Rudolph – “Loot” (Apple TV+)

    Quinta Brunson – “Abbott Elementary” (ABC)

    Tichina Arnold – “The Neighborhood” (CBS)

    Tracee Ellis Ross – “black-ish” (ABC)

    Brian Tyree Henry – “Atlanta” (FX)

    Deon Cole – “black-ish” (ABC)

    Kenan Thompson – “Saturday Night Live” (NBC)

    Tyler James Williams – “Abbott Elementary” (ABC)

    William Stanford Davis – “Abbott Elementary” (ABC)

    Janelle James – “Abbott Elementary” (ABC)

    Jenifer Lewis – “black-ish” (ABC)

    Marsai Martin – “black-ish” (ABC)

    Sheryl Lee Ralph – “Abbott Elementary” (ABC)

    Wanda Sykes – “The Upshaws” (Netflix)

    “Bel-Air” (Peacock)

    “Bridgerton” (Netflix)

    “Euphoria” (HBO Max)

    “P-Valley” (Starz)

    “Queen Sugar” (OWN: Oprah Winfrey Network)

    Damson Idris – “Snowfall” (FX)

    Jabari Banks – “Bel-Air” (Peacock)

    Kofi Siriboe – “Queen Sugar” (OWN: Oprah Winfrey Network)

    Nicco Annan – “P-Valley” (Starz)

    Sterling K. Brown – “This Is Us” (NBC)

    Angela Bassett – “9-1-1” (FOX)

    Brandee Evans – “P-Valley” (Starz)

    Queen Latifah – “The Equalizer” (CBS)

    Rutina Wesley – “Queen Sugar” (OWN: Oprah Winfrey Network)

    Zendaya – “Euphoria” (HBO Max)

    Adrian Holmes – “Bel-Air” (Peacock)

    Amin Joseph – “Snowfall” (FX)

    Caleb McLaughlin – “Stranger Things” (Netflix)

    Cliff “Method Man” Smith – “Power Book II: Ghost” (Starz)

    J. Alphonse Nicholson – “P-Valley” (Starz)

    Adjoa Andoh – “Bridgerton” (Netflix)

    Bianca Lawson – “Queen Sugar” (OWN: Oprah Winfrey Network)

    Loretta Devine – “P-Valley” (Starz)

    Susan Kelechi Watson – “This Is Us” (NBC)

    Tina Lifford – “Queen Sugar” (OWN: Oprah Winfrey Network)

    “Carl Weber’s The Black Hamptons” (BET Networks)

    “From Scratch” (Netflix)

    “The Best Man: The Final Chapters” (Peacock)

    “The Last Days of Ptolemy Grey” (Apple TV+)

    “Women of the Movement” (ABC)

    Morris Chestnut – “The Best Man: The Final Chapters” (Peacock)

    Samuel L. Jackson – “The Last Days of Ptolemy Grey” (Apple TV+)

    Terrence Howard – “The Best Man: The Final Chapters” (Peacock)

    Trevante Rhodes – “Mike” (Hulu)

    Wendell Pierce – “Don’t Hang Up” (Bounce TV)

    Niecy Nash-Betts – “Dahmer – Monster: The Jeffrey Dahmer Story” (Netflix)

    Regina Hall – “The Best Man: The Final Chapters” (Peacock)

    Sanaa Lathan – “The Best Man: The Final Chapters” (Peacock)

    Viola Davis – “The First Lady” (Showtime)

    Zoe Saldaña – “From Scratch” (Netflix)

    Glynn Turman – “Women of the Movement” (ABC)

    Keith David – “From Scratch” (Netflix)

    Omar Benson Miller – “The Last Days of Ptolemy Grey” (Apple TV+)

    Russell Hornsby – “Mike” (Hulu)

    Terrence “TC” Carson – “A Wesley Christmas” (AMC)

    Alexis Floyd – “Inventing Anna” (Netflix)

    Danielle Deadwyler – “From Scratch” (Netflix)

    Melissa De Sousa – “The Best Man: The Final Chapters” (Peacock)

    Nia Long – “The Best Man: The Final Chapters” (Peacock)

    Phylicia Rashad – “Little America” (Apple TV+)

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    February 25, 2023
  • Felix Auger-Aliassime’s loss means every player featured in Netflix’s ‘Break Point’ is no longer in Australian Open | CNN

    Felix Auger-Aliassime’s loss means every player featured in Netflix’s ‘Break Point’ is no longer in Australian Open | CNN



    CNN
     — 

    And then there were none. Felix Auger-Aliassime’s fourth-round loss at the Australian Open means none of the stars of Netflix’s new tennis documentary ‘Break Point’ have made it through to the second week in Melbourne.

    Such poor showing from the series’ stars has led to talk of a ‘Netflix curse’ as player after player crashed out of the tournament.

    Canada’s Auger-Aliassime was the last one standing, but the sixth seed fell 6-4 3-6 6-7 (2-7) 6-7 (3-7) to the Czech underdog Jiri Lehecka.

    The first five episodes of the documentary, which focuses on the next generation of tennis stars, was streamed earlier this month.

    Its aim is to showcase the sport’s younger talent to the world, the ones tipped to step out of the shadows of Rafael Nadal and Novak Djokovic (and, at the time of filming, Roger Federer and Serena Williams as they hadn’t yet retired).

    Maria Sakkari, Taylor Fritz, Casper Ruud, Matteo Berrettini, Ons Jabeur, Thanasi Kokkinakis have all been eliminated from the first grand slam of the year – which began on January 16 – while Nick Kyrgios, Ajla Tomljanovic and Paula Badosa withdrew before the start of the tournament because of injuries.

    It means none of the show’s players, who have all featured in the world’s top 10 at some point in their careers, have made it to the quarterfinals.

    Speaking earlier this week, Auger-Aliassime laughed off talk of a so-called curse.

    “I thought it was funny,” he told reporters. “I don’t know; I don’t think it’s connected.

    “Maybe the players that lost, maybe they do feel like it’s connected, somehow. I don’t think they do. I don’t think it’s connected, anyhow. It’s funny how things work out sometimes.”

    The hashtag ‘NetflixCurse’ has been trending on Twitter, with many users writing that the “Netflix curse is now complete” following the Canadian’s exit.

    Earlier this week, Netflix’s UK & Ireland Twitter account tweeted: “To clarify: this is purely a coincidence,” in response to a tweet about the so-called curse.

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    January 22, 2023
  • What we learned at Davos: The economy is a mess, but there’s still hope | CNN Business

    What we learned at Davos: The economy is a mess, but there’s still hope | CNN Business

    A version of this story first appeared in CNN Business’ Before the Bell newsletter. Not a subscriber? You can sign up right here. You can listen to an audio version of the newsletter by clicking the same link.


    New York
    CNN
     — 

    Friday marks the end of the annual World Economic Forum meeting in Davos, Switzerland, an elite gathering of some of the wealthiest people and world leaders.

    The glitzy retreat into the Swiss Alps looks increasingly out of date as the biggest war in Europe since 1945 deepens splits in the world economy. But that doesn’t mean it’s not important.

    The meetings between CEOs, politicians, and global figures at Davos can help set the tone for the year ahead. Here are some of the key talking points from this week.

    It’s a mess: The big stories coming out of Davos this year are full of phrases like “fragmenting global economy,” “economic uncertainty” and “the year of inflation.”

    While many executives and economists are now striking a more optimistic tone, global leaders are still fretting about the economic outlook. That’s not surprising since they’re contending with worrisome uncertainties — Russia’s war in Ukraine is still raging, inflation and interest rates remain elevated, there are looming energy and food crises, supply chain kinks and the debt limit standoff in the United States, not to mention the threat of global recession.

    The meeting began with a new report by the WEF that dubbed this decade the “turbulent 20s” and the “age of the polycrisis.” Business executives, politicians and academics, the report said, are bracing for a gloomy world battered by intersecting crises, as rising volatility and depleted resilience boost the odds of painful simultaneous shocks.

    Gita Gopinath, the number two official at the International Monetary Fund, said in an interview with the Wall Street Journal that the IMF is worried globalization is in retreat. “We’re very concerned about geoeconomic fragmentation,” she said. The issue had come up a lot in meetings with member countries at the conference, she added.

    CEOs and political officials are also worried about the United States hitting its borrowing cap on Thursday, forcing the Treasury Department to start taking “extraordinary measures” to keep the government open.

    If an agreement isn’t reached, markets could plunge (like they did the last time this happened in 2011) and the United States risks having its credit rating downgraded again. The situation is a “mess,” said Peter Orszag, CEO of financial advisory at Lazard.

    JP Morgan CEO Jamie Dimon told CNBC from Davos on Thursday that the reputation of the United States as creditworthy is “sacrosanct.” To even question it, he said, is the wrong thing to do. “That is just a part of the financial structure of the world. This is not something you should be playing games with at all.”

    But it may not be that bad: Many leaders’ economic forecasts actually struck a semi-positive tone, even as they factored in strong headwinds.

    So far, energy supplies have held up in Europe, and the US and China are engaging in diplomatic relations — Treasury Secretary Janet Yellen and Chinese Vice Premier Liu He met in Zurich on Wednesday.

    China’s removal of strict coronavirus restrictions late last year is also expected to unleash a wave of spending that may offset economic weakness in the United States and Europe.

    Climate change was a hot topic: The rich and powerful do love to flock to Davos in their carbon-emitting private jets to discuss climate change. But this year, severe warnings were issued to global leaders.

    The UN Secretary General accused fossil fuel producers and their financial backers of “racing to expand production, knowing full well that their business model is inconsistent with human survival.”

    Speaking at Davos on Wednesday, António Guterres said the commitment to limit global warming to 1.5 degrees above pre-industrial levels is “going up in smoke.”

    “We are flirting with climate disaster. Every week brings a new climate horror story,” he said.

    Swedish activist Greta Thunberg also made her way to Switzerland and delivered a “cease and desist letter” to fossil fuel CEOs — signed by more than 800,000 people.

    The AI revolution is here: Some CEOs at Davos admitted that they’re using the revolutionary new AI bot, ChatGPT, to do their work for them, reports my colleague Julia Horowitz.

    Jeff Maggioncalda, the CEO of online learning provider Coursera, said that he uses the tool to bang out emails.

    “I use it as a writing assistant and as a thought partner,” Maggioncalda told CNN from Davos.

    Christian Lanng, CEO of digital supply chain platform Tradeshift, said he uses the ChatGPT to write emails and claims no one has noticed the difference. He even had it perform some accounting work, a service for which Tradeshift currently employs an expensive professional services firm.

    “I see these technologies acting as a copilot, helping people do more with less,” Microsoft CEO Satya Nadella told an audience in Davos this week.

    There’s a saying on Wall Street that bad news for the economy is actually good news for the stock market and vice versa, reports my colleague Paul R. La Monica.

    That’s because investors often bet that dismal headlines will eventually prompt the Federal Reserve and other central banks to cut interest rates and provide more stimulus that can help boost corporate profits…and stock prices.

    But the debt ceiling debate in Washington is changing all of that.

    Wednesday’s big market sell-off and the continued slide Thursday might represent a turning point for market sentiment. Still, after a promising start to the year, stocks have seemingly taken a turn for the worse. Bad news actually might be bad news.

    “We’ve been snuggled up in expectations of a soft landing for the US economy,” said Kit Juckes, chief global foreign exchange strategist at Societe Generale, in a report Thursday. “Take away the blanket and it feels chilly.”

    Netflix announced Thursday that its founder Reed Hastings is stepping down as co-CEO at the company and will serve as executive chairman. Hastings will be replaced by co-CEOs Ted Sarandos and Greg Peters, reports my colleague Clare Duffy.

    Under Hastings’ leadership, Netflix disrupted legacy movie rental companies like Blockbuster and helped shake up Hollywood by kicking off an arms race investing in original content.

    Last year, however, Netflix saw its stock and reputation take a hit after losing subscribers amid heightened competition from rival streaming services. In response, Netflix introduced a lower-priced, ad-supported tier for the first time in its history.

    Those changes may be paying off. In its earnings report on Thursday, the streamer said it added more than 7.6 million subscribers during the final three months of last year, well above the 4.5 million additions it had projected, for a total of more than 230 million paying subscribers worldwide.

    “Reed Hastings stepping down from his current role raises a lot of questions about Netflix’s future strategy,” Jamie Lumbley, analyst at investment firm Third Bridge, said in a statement. “While the subscriber growth numbers are encouraging, revenue growth is sluggish with the backdrop of a potential recession looming on everyone’s mind.”

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    January 20, 2023
  • Netflix plans its biggest-ever slate of Korean content | CNN Business

    Netflix plans its biggest-ever slate of Korean content | CNN Business


    Hong Kong
    CNN
     — 

    Netflix is planning its largest-ever lineup of South Korean content, with 34 new and returning titles set to roll out this year.

    The streaming giant made the announcement Tuesday. It said that audience data showed “over 60% of all Netflix members” watched Korean titles last year.

    The nearly three dozen new programs include a range of television series and films, which run the gamut from thrillers to dramas. The company declined to disclose how much it planned to spend.

    In 2021, company executives said Netflix

    (NFLX)
    planned to invest about $500 million into Korean content, on top of $700 million already spent since 2016.

    The move underscores how Netflix is increasingly doubling down on Korean content as fans worldwide continue to buzz over it.

    Last year, the California giant announced the launch of approximately 25 Korean titles — at the time “our largest number to date,” it said in a statement then. The previous year, the company unveiled 15.

    “The global popularity of K-content has continued apace over 2022,” Don Kang, the company’s vice president of Korean content, said in a brief statement.

    “Over the last year, Korean series and films have regularly featured in our Global Top 10 list in more than 90 countries, and three of Netflix’s most-watched shows ever are from Korea.”

    One of those shows is “Squid Game,” which shows contestants playing deadly children’s games to win cash prizes. The survival drama became the company’s top show worldwide in 2021.

    Last year, “Extraordinary Attorney Woo,” a series that followed titular character Woo Young-woo as “a newbie at a top law firm and a woman on the autism spectrum,” also shot to the top of the streaming platform’s charts for several weeks.

    The forthcoming titles for 2023 include six Korean movies, starting with the debut of a sci-fi thriller, “JUNG-E,” on Friday, according to Netflix.

    It will also include new shows such as “Destined With You,” a romance between a hotshot lawyer and a civil servant, as well as the latest installment of returning series “Sweet Home,” which depicts a teen’s fight to survive as humans turn into monsters.

    Netflix is increasingly producing original international content and leaning on prospects overseas as its growth in North America slows.

    Netflix added 1.4 million paid subscribers in the Asia Pacific in the third quarter, making it the company’s fastest growing region, according to its most recent earnings.

    Other media behemoths, such as Disney

    (DIS)
    , are also betting big on Korean content. The company has recently greenlit scores of new titles from South Korea, including a slate of original shows with K-pop band BTS.

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    January 16, 2023
  • Netflix updates the laughs for a new decade in teaser for ‘That ’70s Show’ sequel series | CNN

    Netflix updates the laughs for a new decade in teaser for ‘That ’70s Show’ sequel series | CNN



    CNN
     — 

    Same old basement, same old Formans but a brand new decade.

    Netflix unveiled the first-look teaser for “That ’90s Show” on Tuesday, the sequel series to hit late ‘90s/early aughts sitcom “That ‘70s Show.”

    The new series brings back alums Kurtwood Smith and Debra Jo Rupp as Red and Kitty, respectively, this time as grandparents with a new crop of youngsters inhabiting the basement of their Point Place, Wisconsin home.

    With Red as curmudgeonly as ever – and Kitty just as sweet – the basic structure of “That ’70s Show” remains largely intact, even if stars Ashton Kutcher, Mila Kunis, Laura Prepon, Topher Grace and Wilmer Valderrama from the first series are only seen in one of the new show’s ten episodes.

    Instead, “That ’90s Show” features Callie Haverda as granddaughter Leia Forman, along with other up-and-coming stars Ashley Aufderheide, Maxwell Donovan, Mace Coronel, Reyn Doi, Sam Morelos and Andrea Anders.

    The teaser features the gallivanting kids being told not to dance by Red, before they zone out in a smoky haze (some things never change) and are later kicked out of the house – but not without getting delicious brownies from Kitty.

    The new show was created by “‘70s Show” creators Bonnie and Terry Turner, this time with their daughter Lindsey Turner, along with showrunner/executive producer Gregg Mettler.

    “That ’90s Show” will premiere on Netflix on January 19, 2023.

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    November 29, 2022
  • Finding a star for ‘Wednesday’ who embodies ‘Family’ values with her own kooky twist | CNN

    Finding a star for ‘Wednesday’ who embodies ‘Family’ values with her own kooky twist | CNN



    CNN
     — 

    There was a lot riding on the casting choice for the titular character of the new Netfilx series “Wednesday.” In addition to someone who could pull off creepy, kooky, mysterious and spooky, the role of raven-haired, pigtail-braided Wednesday Addams needed to go to a young actress who could rise to the occasion of playing a character from such an iconic property.

    “It’s always a little bit daunting when you start a process with such legacy and storied roles around it,” casting director John Papsidera said in a chat with CNN.

    The show marks a return to the Addams Family world, based on the cartoons by Charles Addams and first presented on screen in the iconic 1960s black-and-white sitcom and later in the much-loved early 90s films by Barry Sonnenfeld. In the new series, Wednesday finds herself at a boarding school called the Nevermore Academy where all manner of outcast and freak can roam free.

    For those expecting a tongue-in-cheek rehash of “The Addams Family” – complete with the double-snap theme song – think again. This “teen-centric dark comedy,” as described by showrunners Al Gough and Miles Millar, is not a reboot, but rather a closer examination and celebration of the majorly macabre and sharp-as-a-razor older sister of the Addams clan.

    In searching for their perfect Wednesday, Gough and Millar worked with casting directors Papsidera and Sophie Holland, among others, and said in an email to CNN that it “was always our intention to cast a Latina actress” for the role, because they wanted to honor Gomez Addams’s heritage. While the character of family patriarch Gomez was portrayed by White actor John Astin in the “Addams Family” sitcom from the 1960s, he was portrayed by Puerto Rican actor Raul Julia in the Sonnenfeld movies. In “Wednesday,” Gomez is played by veteran performer Luis Guzmán, also from Puerto Rico.

    The role of daughter Wednesday eventually went to teen it-girl Jenna Ortega (“Scream,” “You,” “X”), an actress of Mexican and Puerto Rican descent. Gough and Millar knew they had found their Wednesday as soon as they met Ortega, they said.

    “I had talked about Jenna a lot in going into (the casting process),” Papsidera said of Ortega. “It’s also a thin world of girls that can be number one on the call sheet and handle the pressure of that, and also is accomplished in her own right. When you start to talk about a young Latina actress, she rises to the top of the heap.”

    Millar and Gough said the show employed a Mexican creative consultant to “help ensure that the scripts reflected Jenna’s specific heritage.”

    “This generation is all about authenticity. We were very intentional in every aspect of the casting process,” the showrunners added. “We wanted to ensure the students at Nevermore Academy were truly reflective of modern American society. It’s not only about series regulars, it is about the depth of casting across the entire series, including background extras.”

    Another coup scored by the casting team on “Wednesday” was to snag actress Christina Ricci, who timelessly portrayed the character in Sonnenfeld’s movies, in the smaller role of Marilyn Thornhill. It almost didn’t happen, due to Ricci’s schedule and commitment to her hit Showtime series “Yellowjackets.”

    “It was really a lovely long game with Christina,” Papsidera said. “We had always talked about her from the beginning. And it wasn’t until almost the very end that her schedule opened up, and then we pivoted there and Tim (Burton, director of “Wednesday”) got on the phone with her and it all worked out.”

    Ricci and Burton, who marks his first foray into directing a television series with the new series, had previously worked together on the 1999 film “Sleepy Hollow.”

    “I think the idea of working with Tim again was probably the biggest bonus in our camp,” Papsidera said of landing the veteran actress. “I also think that she got the idea of participating in something that she loves too, that it was really special for everybody involved.”

    “Wednesday” certainly wastes no time in surreptitiously honoring Ricci’s contributions to the character. Without spoiling too much, the pilot episode features a group of people dressed as pilgrims who meet with an unfortunate fate, calling to mind Ricci’s more-than-memorable Thanksgiving scene in 1993’s “Addams Family Values.”

    “There’s a certain serendipity to the whole series in that way,” Holland added of nabbing Ricci. “It’s like things came together sometimes very last minute, sometimes when we were pulling our hair thinking, ‘We can’t find this, we can’t find this.’ And then something would lock into place. And the whole series, you’ll see once you watch the whole thing, is that it all sort of works together almost like a Rubik’s cube.”

    “Wednesday” also stars Gwendoline Christie, Catherine Zeta-Jones and Joy Sunday, among others.

    The casting team operated under the direction of Burton, who Papsidera said had a clear vision for the show and characters.

    “If anything, that’s where we all kind of started and ended our discussions – with what Tim saw and who he felt he was drawn to as these characters,” Papsidera said.

    Venturing into such an established world, the goal was to “try and reinvent what it is without throwing away the spirit of it,” he added.

    “There’s a certain amount of pressure because also…we are fans,” echoed Holland.

    Holland said she wanted to “fulfill everybody’s needs and wants” and give “proper care to what we do” with regard to the franchise.

    “You want the essence of what those original characters were, but you want it in a new way. So that’s always the challenge, and the reward when you get it,” Papsidera said.

    “Wednesday” is streaming now on Netflix.

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    November 23, 2022
  • ‘Glass Onion’ sharpens the ‘Knives Out’ formula in a polished Netflix sequel | CNN

    ‘Glass Onion’ sharpens the ‘Knives Out’ formula in a polished Netflix sequel | CNN



    CNN
     — 

    Rising to the challenge of matching its successful predecessor, “Glass Onion: A Knives Out Mystery” maintains the razor-sharp formula, with a setup that feels even more conspicuously like an Agatha Christie homage before an extremely clever series of twists kick in. Writer-director Rian Johnson again assembles a solid cast behind Daniel Craig, but it’s his use of language – where nary a word is wasted – that finally gives the sequel its edge.

    Netflix opportunistically stepped up to acquire the “Knives Out” franchise and, departing from its usual “Stroke the filmmakers’ egos” approach to theatrical distribution, will actually give the movie a wide one-week-only release before it hits the streaming service in late December. Most people will probably still wait to consume it in the comfort of their homes, but for those who do take the plunge, it certainly plays well with an appreciative audience.

    After the family dynamics in “Knives Out,” which gave everyone a motive to kill off the patriarch, Johnson tries his hand in a different setting, with an eccentric billionaire, Miles Bron (Edward Norton), inviting his old posse of pals to a murder-mystery getaway (during Covid, no less) on his secluded Greek isle, where they’ll be tasked with solving his “murder.”

    The game, however, takes an unexpected turn, starting with the invitation to Craig’s master detective Benoit Blanc, who remains brilliant and odd in near-equal measure.

    As for the eclectic roster of guests/potential killers (and/or victims), they include a fashion designer/social-media loose cannon (Kate Hudson) and her partner (Jessica Henwick), a fitness influencer (Dave Bautista) and his girlfriend/sidekick (Madelyn Cline), a scientist (Leslie Odom Jr.), a politician (Kathryn Hahn), and most intriguingly, Miles’ estranged former business partner (Janelle Monáe).

    Although the latest movie obviously lacks the sense of discovery that greeted the original – and even turned Chris Evans’ sweater into a must-have item (Chris Evans not included), Johnson is smart enough to recognize that while this is about reloading, not reinventing, the change in venues can still refresh the formula.

    Craig, moreover, is clearly having a ball with this new signature role, trading in his tuxedos and physicality for a more cerebral form of crimefighting, with a Hercule Poirot-like gift for eavesdropping and a Foghorn Leghorn Southern twang.

    In one of those “Kneel before Zod!” flexes, Netflix reportedly paid a fortune to acquire these sequels, which is frankly just the kind of deal that threatens to take a fun little movie and screw it up by creating unreasonable expectations.

    Happily, “Glass Onion” finds new layers to explore, in a way that makes the prospect of a new “Knives Out Mystery” every few years sound like a perfectly reasonable idea, wherever and however one chooses to consume it.

    “Glass Onion: A Knives Out Mystery” premieres November 23 in US theaters and December 23 on Netflix. It’s rated PG-13.

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    November 23, 2022
  • In ‘Wednesday,’ Jenna Ortega makes Netflix’s Addams Family series look like a snap | CNN

    In ‘Wednesday,’ Jenna Ortega makes Netflix’s Addams Family series look like a snap | CNN



    CNN
     — 

    Although the main character’s name was inspired by the poetic line “Wednesday’s child is full of woe,” “Wednesday” is generally a delight, thanks almost entirely to Jenna Ortega. Having outgrown her Disney Channel days, Ortega makes the Addams Family’s now-high-school-age daughter the coolest humorless goth sociopath you’ll ever meet, in a Netflix series that’s more kooky than spooky or ooky.

    Director Tim Burton sets just the right visual tone – a mix of the comedic and macabre that resembles “Edward Scissorhands” – while teaming up with “Smallville” producers Alfred Gough and Miles Millar, who know something about building a TV show around an extraordinary teen. Indeed, when Wednesday gets enrolled in a new private school, Nevermore Academy, she tells the headmistress (“Game of Thrones’” Gwendoline Christie) about her frequent moves from school to school, “They haven’t built one strong enough to hold me.”

    That might change at Nevermore, a Poe-etic name for this haven for the weird and witchy, with a supernatural vibe that’s as much Hogwarts (or X-Men) as Charles Addams’ signature comic strip.

    Not only does Wednesday have to deal with dawning psychic abilities and the strange visions that go with them, but a mystery emerges that turns the suspicious lass into an ill-tempered, ebon-clad Nancy Drew, trying to ascertain who’s responsible as the clues begin to circle back to her own family tree.

    It’s obviously a fairly derivative mashup of genre elements, but the mix works in part because even the smaller ingredients are tasty, from Catherine Zeta-Jones and Luis Guzman as Wednesday’s parents, Morticia and Gomez, to her sidekick Thing, who obtains a dress she wants by employing – what else? – a “five-fingered discount.” The writers extract a great deal of comedic mileage from that extremity, so give them a hand.

    What separates “Wednesday” from similar efforts (Netflix’s “The Chilling Adventures of Sabrina” comes to mind), ultimately, is Ortega, who somehow manages to be relentlessly strange, a portrait in unblinking intensity and oddly endearing all at once. When the character description includes never raising one’s voice or cracking even the hint of a smile, that’s no small feat.

    Throw in nifty touches like having Christina Ricci, who played Wednesday in the 1990s movies, as part of the school staff, and the local sheriff (Jamie McShane) dismissing Wednesday and her classmates as “the Scooby gang,” and the series operates on multiple levels.

    Perhaps inevitably, “Wednesday” can’t sustain its initial kick as the serialized story unfolds over eight episodes, and the ending becomes too chaotic. Then again, that’s hardly a surprise given the nature of source material designed more for little jokes than a big sweeping story.

    Seeking to bring something new a property like the Addams Family, which has been done so many times before, isn’t easy without altering its DNA. To its credit, “Wednesday” rises to the challenge and mostly manages to make it look like a snap.

    “Wednesday” premieres November 23 on Netflix.

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    November 22, 2022
  • ‘Stranger Things’ creators tease Season 5 | CNN

    ‘Stranger Things’ creators tease Season 5 | CNN



    CNN
     — 

    It sounds like the end of “Stranger Things” might have viewers in their feelings.

    The show’s creators, Matt and Ross Duffer, hinted at what’s to come on Sunday during a panel discussion in Los Angeles.

    The Duffer brothers said they pitched the fifth and final season to Netflix over a two hour meeting, according to The Hollywood Reporter.

    “We did get our executives to cry, which I felt was a good sign that these executives were crying,” Matt Duffer said. “The only other times I’ve seen them cry were like budget meetings.”

    The panel for the wildly popular Netflix series was moderated by Patton Oswalt. In addition to the siblings, the conversation included executive producer Shawn Levy and several cast members.

    Ross Duffer said the production was “full steam ahead” with the first script already having been turned in and work happening on the second.

    He referenced the many characters on the show and the importance of wrapping up their storylines, something Levy also touched on.

    “As a witness and having been in that two-hour pitch room and having read this first script — I’m paralyzed with fear that I’ll spoil anything but I will say the thing about these Duffer Brothers is that even though the show has gotten so famous and the characters have gotten so iconic and there’s so much about the ’80s and the supernatural and the genre, it’s about these people, it’s about these characters,” Levy said. “Season five is already so clearly taking care of these stories of the characters because that’s always been the lifeblood of ‘Stranger Things.’”

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    November 14, 2022
  • Dave Chappelle hosts ‘SNL’ tonight. Here’s a timeline of controversies surrounding his jokes about transgender people | CNN

    Dave Chappelle hosts ‘SNL’ tonight. Here’s a timeline of controversies surrounding his jokes about transgender people | CNN



    CNN
     — 

    Tonight Dave Chappelle will host “Saturday Night Live” for the third time – an appearance that is courting controversy before he even takes the stage.

    The comedian has drawn increasing ire in recent years for making jokes aimed at transgender people, and the outcry grew louder last fall when Netflix released a Chappelle special, “The Closer,” in which he doubled down on his comments.

    Netflix stood by Chappelle, who went on a national tour after the special and largely ignored the controversy after addressing it in his act.

    But his comments were criticized by fellow comics, fans, trans advocates and some Netflix employees, and a Minnesota venue canceled a Chappelle show this year over the controversy.

    Given that context, it was surprising to some “SNL” viewers to see him invited back to Studio 8H. Here’s a look at Chappelle’s recent history of jokes about trans people – and the resulting backlash.

    August: In a series of stand-up shows at New York City’s Radio City Music Hall, Chappelle made jokes aimed at trans people for at least 20 minutes, Vulture reported. He made explicit jokes about trans people’s bodies and referred to trans people as “transgenders,” among other comments, Vulture said.

    These weren’t the first jokes Chappelle had made at trans people’s expense. But he delivered them in New York after drawing some backlash for earlier comments.

    “That joke and others in this section suffer from the same problems as those from his specials – they are rooted in disgust and generalization,” Vulture wrote of a Chappelle joke about ISIS fighters being horrified by transgender soldiers. “They’re just not good.”

    August 26: Netflix released a stand-up special, “Sticks and Stones,” in which Chappelle performed more material about trans people, including some content from his Radio City shows. In an epilogue to the special, he brought up his friend Daphne Dorman, a trans comedian, whom he said laughed hardest at his jokes about trans people.

    October 5: Netflix released Chappelle’s special “The Closer.” In it, he goes on an extended tangent about transgender people and makes several jokes at their expense. He misgenders a trans comedian, once again makes explicit jokes about trans women’s bodies and defends TERFs, or trans-exclusionary radical feminists.

    He also referred to trans people as “transgenders,” states that “gender is a fact” and later says that Dorman died by suicide shortly after she was criticized by other trans people for defending Chappelle after “Sticks and Stones.”

    At the time Chappelle’s special was released, at least 33 states had introduced anti-transgender legislation, much of it aimed at young trans people.

    October 13: Amid calls from LGBTQ advocates, fellow comedians, Netflix employees and social justice organizations to pull the special, Netflix stood by Chappelle.

    In a letter obtained by the Verge and Variety, Netflix CEO Ted Sarandos told employees that the special will remain available to stream.

    “We don’t allow titles on Netflix that are designed to incite hate or violence, and we don’t believe ‘The Closer’ crosses that line … Some people find the art of stand-up to be mean spirited but our members enjoy it, and it’s an important part of our content offering,” Sarandos wrote.

    Netflix suspended three employees for attending a virtual meeting of directors to discuss the special without notifying the meeting organizer in advance. Among them was Terra Field, a trans senior software engineer who had publicly criticized the special and Netflix. Her suspension was later reversed.

    October 19: Sarandos told Variety he “screwed up” his communications with Netflix employees but reaffirmed he did not believe the special qualifies as “hate speech.”

    October 20: Around 65 demonstrators, including Netflix employees and trans advocates, participated in a walkout in protest of Netflix’s support of “The Closer.” The demonstrators called on Netflix to hire more trans and non-binary executives and fund more trans and non-binary talent.

    October 24: Three trans stand-up comics told CNN they were disappointed by Chappelle’s jokes, even though all three said they once considered the celebrated performer as a comedy inspiration. While all of them agreed that jokes about trans people aren’t inherently offensive, they said Chappelle’s set was infused with the same hateful rhetoric and language used by anti-transgender critics.

    “When he talks about the trans community, he’s not talking about them, he’s speaking out against them,” comedian Nat Puff told CNN. “And that’s the difference between saying something funny about the trans community and saying something offensive about the trans community.”

    A fourth comic, Flame Monroe, one of the only trans comics whose material is streaming on Netflix, told CNN she believes Chappelle should be allowed to joke about trans people, even though she initially was taken aback by some of his comments.

    October 25: Chappelle addressed critics at a show in Nashville, appearing alongside Joe Rogan, the podcast host who’s been criticized for dismissing the effectiveness of vaccines and using racial slurs, among other controversies.

    Chappelle released videos on his official Instagram account from the set, in which he seemingly addressed the trans employees at Netflix who participated in the walkout over “The Closer.”

    “It seems like I’m the only one who can’t go to the office anymore,” he said.

    “I want everyone in this audience to know that even though the media frames it as though it’s me versus that community, that’s not what it is,” Chappelle went on. “Do not blame the LBGTQ (sic) community for any of this s—. This has nothing to do with them. It’s about corporate interest and what I can say and what I cannot say.”

    “For the record – and I need you to know this – everyone I know from that community has been nothing but loving and supportive. So I don’t know what all this nonsense is about.”

    July 12: “The Closer” was nominated for two Emmys, including “outstanding variety special (pre-recorded).” Adele later won the category.

    July 21: A Minneapolis venue canceled Chappelle’s sold-out show hours before its doors were set to open, apologizing to “staff, artists and our community” after receiving criticism for hosting Chappelle.

    “We believe in diverse voices and the freedom of artistic expression, but in honoring that, we lost sight of the impact this would have,” wrote First Avenue, the venue famous for being featured in Prince’s “Purple Rain” film.

    November 5: “Saturday Night Live” announced Chappelle would be its post-midterms host. The backlash was swift.

    Field joked on Twitter: “Wait I thought I cancelled (sic) him. Is it possible cancel culture isn’t a real thing??”

    November 10: After the New York Post reported that several “SNL” writers are boycotting Saturday’s episode, Chappelle’s representatives told CNN there are no issues with writers or cast members. “SNL’s” current staff includes nonbinary cast member Molly Kearney and nonbinary writer Celeste Yim.

    Chappelle will take the stage live Saturday at 11:30 p.m. ET.

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    November 12, 2022
  • Chris Rock to make history with Netflix’s first-ever live performance | CNN

    Chris Rock to make history with Netflix’s first-ever live performance | CNN



    CNN
     — 

    Chris Rock is coming live to a screen near you.

    Netflix announced Thursday that the legendary comedian will make history as the headliner of the streaming giant’s first-ever live, global streaming event.

    “Chris Rock is one of the most iconic and important comedic voices of our generation,” Robbie Praw, Netflix’s vice president of stand-up and comedy formats, said in a statement. “We’re thrilled the entire world will be able to experience a live Chris Rock comedy event and be a part of Netflix history. This will be an unforgettable moment and we’re so honored that Chris is carrying this torch.”

    It will be Rock’s second Netflix stand-up special. His first, “Chris Rock: Tamborine,’ debuted in February 2018.

    Though this will be Netflix’s first time streaming one, it is no stranger to live comedy events.

    “Netflix is a Joke: The Festival” took place in spring and featured more than 330 comedians who performed 295 shows across more than 35 venues in Los Angeles, including the first-ever stand-up show at Dodger Stadium. The event sold more than 260,000 tickets.

    Rock has been on the road with his Ego Death World Tour and has a series of comedy tour dates scheduled for venues in California in December with friend and fellow comic Dave Chappelle.

    Rock’s live Netflix comedy special is set to stream in early 2023.

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    November 10, 2022
  • Judy Blume’s ‘Forever’ is being made into a TV series for Netflix | CNN

    Judy Blume’s ‘Forever’ is being made into a TV series for Netflix | CNN



    CNN
     — 

    A beloved teen novel is getting a Netflix adaptation.

    The streaming giant announced Thursday that Judy Blume’s popular 1975 novel “Forever” is being “reimagined” by writer/producer Mara Brock Akil for “a new generation.”

    “It’s an epic love story of two Black teens exploring romance and their identities through the awkward journey of being each other’s firsts,” according to a press release.

    Akil is best known for creating hits like “Girlfriends,” “The Game,” “Being Mary Jane” and “Love Is.”

    “Judy Blume’s ability to capture the real emotions we experience during the various rites of passage of our youth influenced my life choices and writing voice. I’m honored to reimagine one of my favorite books, ‘Forever,’” Akil said in a statement. “I am thrilled to have the opportunity of a lifetime to partner with a childhood icon and bring this story to my Netflix home, where the idea of your first love being with you Forever is shared with the world through the lens of Black love.”

    Akil will serve as showrunner and executive producer.

    The series does not yet have a target premiere date.

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    November 10, 2022
  • A new Netflix show keeps the memory of Blockbuster alive | CNN

    A new Netflix show keeps the memory of Blockbuster alive | CNN

    A version of this story appeared in Pop Life Chronicles, CNN’s weekly entertainment newsletter. To get it in your inbox, sign up for free here.



    CNN
     — 

    Change is good, yes?

    I’ve been thinking about mixing it up when it comes to this newsletter, but I’d like to hear from you. What would you like to read about? Are there some sections you like more than others? Do you feel like I’m missing something that will liven up your brunch conversations?

    Drop me a line and let me know.

    In the meantime, let’s get to this week’s round-up.

    ‘Blockbuster’

    True confession: I have my old Blockbuster membership card somewhere around here.

    I was a regular at my neighborhood store in Baltimore which is why I was thrilled when I learned of this new comedy series based on the #throwback movie rental chain.

    In the eponymous show, Randall Park plays Timmy Yoon, “an analog dreamer living in a 5G world” who manages the last Blockbuster location out there. He’s out to prove his store provides “something big corporations can’t: human connection.”

    What a great message. The series is streaming on Netflix now. Yes, you read that right – you can now stream a show about movie rentals.

    ‘Hip Hop Homicides’

    Pop Smoke performs at a listening party on February 6, 2020 in New York City.

    Sadly, with the recent death of rapper Takeoff, this new WEtv show feels more timely than ever.

    Produced by 50 Cent and Mona Scott-Young, and hosted by Van Lathan, the series will be “taking a ‘big picture’ look at the epidemic of violence in hip hop.” Given that at least one rapper has lost his life every year to gun violence since 2018, the topic is ripe for examination.

    The first episode, which looks at the 2020 murder of rapper Pop Smoke, is available on WEtv.

    ‘Selena Gomez: My Mind & Me’

    Selena Gomez attends the 28th Screen Actors Guild Awards on February 27 in Santa Monica, California.

    Celebrity confessionals are popular for good reason.

    They serve as a reminder that, no matter how young, rich, famous or good looking you may be, life can still be a challenge.

    That appears to be the message within Selena Gomez’s new documentary “My Mind & Me,” in which she gets vulnerable about her world and her mental health. In my opinion, this sort of first-person advocacy is one of the best uses of a celeb’s platform – because it can help others to realize that they are not alone.

    “Selena Gomez: My Mind & Me” is streaming on Apple TV+.

    ‘Selena Gomez: My Mind & Me’

    James Brown performs during the Super Bowl XXXI half-time show on January 26, 1997 at the Superdome in New Orleans, Louisiana.

    A strange phone call reveals a question from beyond the grave – was The Godfather of Soul murdered?

    Almost 40 years ago, a songwriter found herself in musician James Brown’s inner circle, though the relationship would nearly destroy her career. Decades later, she finds herself trying to solve the mystery of Brown’s death. When she makes a call to CNN reporter Thomas Lake, the two stumble into a world of secrets, intimidation, and suspected foul play.

    “The James Brown Mystery” podcast is currently streaming on CNN Audio.

    (From left) Melanie Chisholm, Emma Bunton, Melanie Brown, Geri Halliwell and Victoria Beckham of the Spice Girls perform during the Closing Ceremony of the London 2012 Olympic Games on August 12, 2012.

    Spice up your life!

    To celebrate the 25th anniversary of their second album’s release, the iconic British girl group have curated a new version of the record, “Spiceworld25,” bringing together the hits, their favorite B-sides, some live concert recordings and a “Spice Girls Party Mix” mash-up.

    It’s kind of wild that Melanie Chisholm, Emma Bunton, Melanie Brown, Geri Halliwell and Victoria Beckham have been around that long, but it’s also an opportunity to reminisce about how caught up in their girl power so many of us were – and still are it seems.

    The album is out now.

    Julia Roberts attends a screening of

    By far my favorite story of this week was the tale of how Martin Luther King Jr. and Coretta Scott King paid the hospital bill for Julia Roberts’ birth. It was the perfect combination of “Wait, what?” and “How cool is that?”

    The story itself has been here and there on social media since Roberts shared it with journalist Gayle King in September as part of the History Channel’s “HISTORYTalks” series, but gained traction in particular during fans’ celebration of Roberts’ 55th birthday on October 28.

    No matter how the story broke through, I’m glad it did.

    Jennifer Coolidge gives an acceptance speech during the 74th Primetime Emmys at Microsoft Theater on September 12 in Los Angeles, California.

    “Welcome to the Jenaissance” read the headline of a recent Vogue magazine story on Jennifer Coolidge, and I think that perfectly captures it.

    “The White Lotus” star is having a moment – and we love to see it.

    Not only did Coolidge win an Emmy in September for her work on the hit HBO show, but she also has a role in the buzzy Netflix series “The Watcher.”

    Coolidge is getting a kick out of it as well. She told CNN’s Don Lemon this week that, “It’s way more enjoyable if you never expected the moment to happen.”

    “It’s the surprise of it all that makes it so fun,” she added during an interview which aired Wednesday on “CNN This Morning.” “I truly believe if I expected all this to happen it never would have.”

    In Hollywood, being 61 and still killing it on screen continues – sadly – to be a rare triumph. But Coolidge is an institution, having appeared in so many movies that have helped define pop culture, from “American Pie” to “Legally Blonde” to “Best in Show,” to name just a few.

    Long live her reign as the actress most likely to steal all the scenes.

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    November 5, 2022
  • Vecna’s childhood home from ‘Stranger Things’ goes on sale for $1.5 million | CNN

    Vecna’s childhood home from ‘Stranger Things’ goes on sale for $1.5 million | CNN



    CNN
     — 

    “Stranger Things” superfans can now live in the very same house where season 4 villain Vecna first developed his supernatural powers – if they dare.

    Vecna, the antagonist of season 4 of Netflix’s hit series “Stranger Things,” started off as a regular boy named Henry Creel. The series documents his upbringing in the Creel home through flashbacks. He slowly realizes he has psychokinetic powers and begins using them to hurt and eventually kill his mother and sister.

    The real-life house that acted as the Creel home in the show is a 140-year-old mansion located in Rome, Georgia. The home is officially for sale for $1.5 million through brokerage Toles, Temple, and Wright, according to the listing.

    The residence was constructed in 1882 by Colonel Hamilton Yancey, according to the listing. Many of the home’s original details, like handcrafted bookshelves and an antique wall safe, are still in place.

    And Vecna isn’t the only strange thing about the house: It also features a cast-iron urinal.

    The 6,000 square foot home has 7 bedrooms and 7 bathrooms, according to the listing. There’s also a guest house behind the main house.

    But you won’t find Vecna on the premises anymore.

    “Not to worry, the previous resident of the third floor has since been relocated by a single exterminator – we think,” the listing said.

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    November 4, 2022
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