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Tag: national portrait gallery

  • Reference to Trump’s impeachments is removed from the display of his Smithsonian photo portrait – WTOP News

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    A different photo appears without any accompanying text block, though the text was available online. Donald Trump was the only president whose display in the gallery did not include any extended text.

    Visitors to the National Portrait Gallery walk past the portrait of President Donald Trump, Sunday, Jan. 11, 2026, in Washington.
    (AP Photo/Rod Lamkey, Jr.)

    AP Photo/Rod Lamkey, Jr.

    Trump National Portrait Gallery
    A reflection of the portrait of former President Barack Obama is seen in a photograph of President Donald Trump on display at the Smithsonian’s National Portrait Gallery’s “American Presidents” exhibit on Sunday, Jan. 11, 2026 in Washington.
    (AP Photo/Rod Lamkey, Jr.)

    AP Photo/Rod Lamkey, Jr.

    APTOPIX Trump National Portrait Gallery
    A visitor stops to look at a photograph of President Donald Trump and a short plaque next to it are on display at the Smithsonian’s National Portrait Gallery’s “American Presidents” exhibit on Sunday, Jan. 11, 2026 in Washington.
    (AP Photo/Rod Lamkey, Jr.)

    AP Photo/Rod Lamkey, Jr.

    Trump National Portrait Gallery
    A photograph of President Donald Trump and a short plaque next to it are on display at the Smithsonian’s National Portrait Gallery’s “American Presidents” exhibit on Sunday, Jan. 11, 2026 in Washington.
    (AP Photo/Anna Johnson)

    AP Photo/Anna Johnson

    Trump National Portrait Gallery
    People react to a photograph of President Donald Trump on display at the Smithsonian’s National Portrait Gallery’s “American Presidents” exhibit on Sunday, Jan. 11, 2026 in Washington.
    (AP Photo/Rod Lamkey, Jr.)

    AP Photo/Rod Lamkey, Jr.

    WASHINGTON (AP) — President Donald Trump’s photo portrait display at the Smithsonian’s National Portrait Gallery has had references to his two impeachments removed, the latest apparent change at the collection of museums he has accused of bias as he asserts his influence over how official presentations document U.S. history.

    The wall text, which summarized Trump’s first presidency and noted his 2024 comeback victory, was part of the museum’s “American Presidents” exhibition. The description had been placed alongside a photograph of Trump taken during his first term. Now, a different photo appears without any accompanying text block, though the text was available online. Trump was the only president whose display in the gallery, as seen Sunday, did not include any extended text.

    The White House did not say whether it sought any changes. Nor did a Smithsonian statement in response to Associated Press questions. But Trump ordered in August that Smithsonian officials review all exhibits before the nation celebrates the 250th anniversary of the Declaration of Independence on July 4. The Republican administration said the effort would “ensure alignment with the president’s directive to celebrate American exceptionalism, remove divisive or partisan narratives, and restore confidence in our shared cultural institutions.”

    Trump’s original “portrait label,” as the Smithsonian calls it, notes Trump’s Supreme Court nominations and his administration’s development of COVID-19 vaccines. That section concludes: “Impeached twice, on charges of abuse of power and incitement of insurrection after supporters attacked the U.S. Capitol on January 6, 2021, he was acquitted by the Senate in both trials.”

    Then the text continues: “After losing to Joe Biden in 2020, Trump mounted a historic comeback in the 2024 election. He is the only president aside from Grover Cleveland (1837– 1908) to have won a nonconsecutive second term.”

    Asked about the display, White House spokesman Davis Ingle celebrated the new photograph, which shows Trump, brow furrowed, leaning over his Oval Office desk. Ingle said it ensures Trump’s “unmatched aura … will be felt throughout the halls of the National Portrait Gallery.”

    The portrait was taken by White House photographer Daniel Torok, who is credited in the display that includes medallions noting Trump is the 45th and 47th president. Similar numerical medallions appear alongside other presidents’ painted portraits that also include the more extended biographical summaries such as what had been part of Trump’s display.

    Sitting presidents are represented by photographs until their official paintings are commissioned and completed.

    Ingle did not answer questions about whether Trump or a White House aide, on his behalf, asked for anything related to the portrait label.

    The gallery said in a statement that it had previously rotated two photographs of Trump from its collection before putting up Torok’s work.

    “The museum is beginning its planned update of the America’s Presidents gallery which will undergo a larger refresh this Spring,” the gallery statement said. “For some new exhibitions and displays, the museum has been exploring quotes or tombstone labels, which provide only general information, such as the artist’s name.”

    For now, references to Presidents Andrew Johnson and Bill Clinton being impeached in 1868 and 1998, respectively, remain as part of their portrait labels, as does President Richard Nixon’s 1974 resignation as a result of the Watergate scandal.

    And, the gallery statement noted, “The history of Presidential impeachments continues to be represented in our museums, including the National Museum of American History.”

    Trump has made clear his intentions to shape how the federal government documents U.S. history and culture. He has offered an especially harsh assessment of how the Smithsonian and other museums have featured chattel slavery as a seminal variable in the nation’s development but also taken steps to reshape how he and his contemporary rivals are depicted.

    In the months before his order for a Smithsonian review, he fired the head archivist of the National Archives and said he was firing the National Portrait Gallery’s director, Kim Sajet, as part of his overhaul. Sajet maintained the backing of the Smithsonian’s governing board, but she ultimately resigned.

    At the White House, Trump has designed a notably partisan and subjective “Presidential Walk of Fame” featuring gilded photographs of himself and his predecessors — with the exception of Biden, who is represented by an autopen — along with plaques describing their presidencies.

    The White House said at the time that Trump himself was a primary author of the plaques. Notably, Trump’s two plaques praise the 45th and 47th president as a historically successful figure while those under Biden’s autopen stand-in describe the 46th executive as “by far, the worst President in American History” who “brought our Nation to the brink of destruction.”

    ___

    Barrow reported from Atlanta.

    Copyright
    © 2026 The Associated Press. All rights reserved. This material may not be published, broadcast, written or redistributed.

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    WTOP Staff

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  • Frieze London and Frieze Masters Announce 2024’s Participating Galleries and Programming

    Frieze London and Frieze Masters Announce 2024’s Participating Galleries and Programming

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    Visitors at Frieze London in 2023. Photo courtesy of Linda Nylind/Frieze

    As the art world copes with what feels like an abbreviated summer break and a crowded fall calendar looming, Frieze announced details for its upcoming London fairs, coming up on October 9-12 in The Regent’s Park. The 2024 Frieze fair in London will feature more than 160 galleries from forty-three countries, including some of the leading spaces in London’s gallery scene, with established names like Stephen Friedman Gallery, Alison Jacques, Lisson Gallery, Victoria Miro, Modern Art, White Cube and Thomas Dane Gallery plus spaces devoted to pioneering research on the latest contemporary art expressions, including Arcadia Missa, Carlos/Ishikawa, Leopold Thun’s Emalin and Maureen Paley. Among the international galleries returning to Frieze London are Gagosian, Goodman Gallery, Hauser & Wirth, Gallery Hyundai, Tina Kim Gallery, Lehmann Maupin, Pace Gallery, Perrotin, Almine Rech, Thaddaeus Ropac, Esther Schipper, Sprüth Magers and David Zwirner.

    What to expect at Frieze London 2024

    Frieze London’s newly announced big change is the fresh floorplan by design practice A Studio Between. The new layout will give prominence to the fair’s curated sections, placing more emphasis on artists and discoveries.

    Among those sections, “Focus” will feature thirty-four solo and dual presentations from artists and galleries spanning five continents. In the list of participating galleries and artists, we find that 56 Henry (New York) showcases powerful paintings by Jo Messer; El Apartamento (Havana, Madrid) brings Julia Fuentesal; Madragoa (Lisbon) takes the work of Jaime Welsh; and Gallery Vacancy (Shanghai) the work of Korean artist Sun Woo, among others. Meant to offer a platform especially to the young gallery community, the section is presented this year in collaboration with the brand Stone Island, which will help fund the participation of these emerging galleries.

    Another interesting curated selection that will return this year is “Artist-to-artist,” which mounts six solo presentations chosen by world-renowned artists. This year’s edition will feature Appau Jnr Boakye-Yiadom, chosen by Glenn Ligon (Champ Lacombe, Biarritz); Rob Davis, selected by Rashid Johnson (Broadway, New York); Nengi Omuku selected by Yinka Shonibare (Pippy Houldsworth Gallery, London); Massinissa Selmani chosen by Zineb Sedira (Selma Feriani Gallery, Tunis); Magda Stawarska chosen by Lubaina Himid (Yamamoto Keiko Rochaix, London); and Peter Uka chosen by Hurvin Anderson (Mariane Ibrahim, Chicago, Paris, Mexico City).

    SEE ALSO: Observer’s Guide to 2024’s Must-Visit July Art Fairs

    Finally, connecting material and some narratives that have become increasingly present in the contemporary art scene in recent years, Frieeze created a new themed section, “Smoke,” curated by Pablo José Ramírez (Curator, Hammer Museum, Los Angeles) and dedicated to ceramic works that explore diasporic and Indigenous histories. The section draws its title from El Animal Humo (the Smoke Animal), Humberto Ak’abal’s story of an enigmatic creature made of smoke that emanates from the soil as a sublime and disturbing manifestation of nature. Featured artists include Manuel Chavajay (Pedro Cera, Madrid, Lisbon), Lucía Pizzani (Cecilia Brunson Projects, London), Christine Howard Sandoval (parrasch heijnen, Los Angeles), Ayla Tavares (Galeria Athena, Rio De Janeiro and Hatch, Paris) and Linda Vallejo (parrasch heijnen, Los Angeles), who explore counter-archaeology, the continuum of ancestry and how materials bear witness to diasporic movements.

    Two men at Frieze Mastrs 2023 in London are contemplating a old master painting featuring a Saint moving a wooden wheel and a dog.Two men at Frieze Mastrs 2023 in London are contemplating a old master painting featuring a Saint moving a wooden wheel and a dog.
    Koetser Gallery at Frieze Masters in 2023. Courtesy of Frieze and Michael Adair

    What to expect at Frieze Masters 2024

    This year’s Frieze Masters will feature 130 galleries from twenty-six countries mounting booths focusing on modern and classic masterpieces. Led by Nathan Clements-Gillespie, the fair will similarly try to be more artist-centered, with an expanded “Studio” section and a redefined floor plan designed to encourage creative connections across art history.

    The fair will present long-time exhibitors such as Galerie Chenel, Richard Green, Hauser & Wirth, Lehmann Maupin, Skarstedt and Axel Vervoordt, as well as leading Korean dealers such as Arario Gallery, Gana Art, Hakgojae Gallery and Johyun Gallery. This year, there’s a solid contingent of galleries dealing in ancient Asian art on the roster including Gisèle Croës s.a, Rasti Fine Art, Carlton Rochell Asian Art, Rossi & Rossi, Tenzing Asian Art and Thomsen Gallery. First-time participants include Afridi (London), Bijl-Van Urk Masterpaintings (Alkmaar), Galatea (Salvador, São Paolo), Galerie Léage (Paris), Tilton Gallery (New York) and Trias Art Experts (Munich).

    In terms of thematic sections, Frieze Masters will continue with the “Studio” section curated by British art historian and curator Sheena Wagstaff. This section focuses on practices that illuminate the interconnections between our civilization’s past and future. The line-up includes Isabella Ducrot, Nathalie Du Pasquier, Shirazeh Houshiary and Doris Salcedo

    The other curated section, “Spotlight,” is curated by Valerie Cassel Oliver, curator of modern and contemporary art at the Virginia Museum of Fine Arts and previously senior curator at the Contemporary Arts Museum in Houston, Texas. The section will focus on solo presentations by 20th-century artists, particularly overlooked artists and lesser-known works by established figures from the 1950s to the 1970s. Featured artists include Judy Chicago, Kulim Kim, Balraj Khanna, Donald Locke, Nabil Nahas, Nil Yalter and more.

    Woman observing closely a colorful sculpture by artist Yinka Shonibare at Frieze London 2023Woman observing closely a colorful sculpture by artist Yinka Shonibare at Frieze London 2023
    Visitors at Frieze London in 2023. Photo courtesy of Linda Nylind/Frieze

    Must-see Frieze Week shows

    During Frieze Week in October, the vibrant London art scene will showcase a series of major institutional exhibitions that you’ll want to make sure to put on your art week itinerary. Those include: “Francis Bacon: Human Presenc” at the National Portrait Gallery; Lygia Clark and Sonia Boyce at Whitechapel Gallery; Michael Craig-Martin at the Royal Academy of Arts; “Van Gogh: Poets and Lovers” at the National Gallery London; “Mike Kelley: Ghost and Spirit” and the majestic Mire Lee’s Turbine Hall Commission at Tate Modern; Hew Locke at the British Museum and “Haegue Yang: Leap Year” at the Hayward Gallery.

    A complete list of exhibitors and more information about 2024 programming can be found on the fair’s website.

    Frieze London and Frieze Masters Announce 2024’s Participating Galleries and Programming

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    Elisa Carollo

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  • Photo of Meghan Markle and Prince Harry During a Pivotal Historical Moment Selected for Major Honor

    Photo of Meghan Markle and Prince Harry During a Pivotal Historical Moment Selected for Major Honor

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    A striking photograph of Meghan Markle and Prince Harry taken just three days before the death of Queen Elizabeth II will be included in the permanent collection of Britain’s National Portrait Gallery, the photographer, Misan Harriman, shared on his Instagram page Thursday.

    The black-and-white image of the couple holding hands on September 5, 2022, while attending the One Young World Summit in Manchester is all the more meaningful with context. When the Duke and Duchess of Sussex traveled to attend the event, it was not only the beginning of an unexpected stayover so they could attend the queen’s funeral, but it was also the couple’s first working trip to the United Kingdom since their 2020 exit from their roles as working royals. A few months prior, Meghan and Harry visited the country with their two young children, Prince Archie and Princess Lilibet, in a non-official capacity to attend some of the Queen’s Platinum Jubilee celebrations.

    Harriman encouraged his followers to “dare to dream” in the posts where he shared his news.

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    Harriman is a friend and frequent photographer of the Sussexes, and has lensed some of the most well-known photos of their milestones, including both their 2021 pregnancy announcement for Lili and the same tiny royal’s first birthday portraits, notably the first images shared where her whole face was visible. He also accompanied them on their recent trip to Nigeria. In 2019, Harriman also shot the official engagement photos for Princess Beatrice and Edoardo Mapelli Mozzi.

    In February, Harriman spoke with People about his relationship with the Sussexes, saying that Meghan in particular “is really as a sister to me.”

    “I’ve been very lucky to photograph many special moments with her and her husband and her family,” he said. “My images of them do all the talking. Portraiture for me, whether it is royalty or whether I’m in the tip of the spear in any of the civil rights movements that I care deeply about, is looking for truth. That’s fundamentally what my lens is there [for], to capture the human condition in full fidelity.”

    Of the Sussexes he added, “my lens is always at their disposal, always will be.”

    According to People, the photo will not be displayed in the gallery for some time, but will first be cataloged.

    Kate Middleton, the Princess of Wales, has been the royal patron to the National Portrait Gallery since 2011.

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    Kase Wickman

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