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  • Mahbod Moghadam, who rose to fame as the co-founder of Genius, has died | TechCrunch

    Mahbod Moghadam, who rose to fame as the co-founder of Genius, has died | TechCrunch

    Mahbod Moghadam, the controversial, never-boring co-founder of Genius and Everipedia, as well as an angel investor, passed away last month at age 41 owing to “complications from a recurring brain tumor,” according to a post attributed to his family and published on Genius.

    The startup world appears to have caught wind of his passing just this weekend, with numerous tributes springing up on the X platform, including by former TechCrunch writer-turned-investor Josh Constine, who once interviewed Moghadam and his founders at Genius when the company was still in its relative infancy and called Rap Genius. Wrote Constine: “RIP to Mahbod. A complex, edgy, and at times problematic guy, but also genuinely funny, brilliant, and always unique.”

    Moghadam was most recently living in Los Angeles, where, after spending roughly 20 months with the venture firm Mucker Capital as an entrepreneur in residence, he was focused in part on figuring out schemes to help creators get paid more directly for their work.

    One of those recent efforts was HellaDoge, a short-lived social media platform that offered to pay its users dogecoin for contributing dogecoin-related content for the benefit of the rest of the platform’s users. The ostensible idea was that, unlike a Facebook or Twitter, which generate ad revenue for themselves based on the engagement of their users, HellaDoge’s users would benefit directly from their participation.

    In an interview 11 months ago with the online media outfit According 2 Hip Hop, Moghadam talked about a similar idea for a company called Communistagram where, he said, “you’d connect your Venmo and [as a creator] just get paid for using it,” rather than rely on Spotify or YouTube to receive payment.

    Moghadam’s interest in how people can and should get paid dates back to 2009. After graduating from Yale and then Stanford Law School, he became a lawyer just as the economy was crashing in 2008. In that same interview from last year, Moghadam said he was “just, like, tiptoeing” around the offices of the law firm where he landed his first job and praying he wouldn’t be fired.

    When the inevitable happened – Moghadam said the law firm “ended up basically just giving us some money to go away” – he used the money to co-found Rap Genius with two of his Yale friends: Ilan Zechory and Tom Lehman.

    Originally, the site invited users to annotate and explain hip-hop lyrics, eventually becoming so well-known that rappers gravitated to the platform to explain their own lyrics – as well as to correct users who’d mangled them – including the rapper Nas, who became an advisor and one of its first investors.

    By the time that Rap Genius graced the stage at TechCrunch Disrupt in May 2013, the three had landed funding from Andreessen Horowitz and were on the verge of rebranding Rap Genius as Genius and expanding its remit.

    But Moghadam also began attracting attention to the annotation company for belligerent behavior, both public and private. In November 2013, he attributed his poor conduct to a fetal benign brain tumor that was removed in emergency surgery. He kept pushing the envelope, however. Indeed, in 2014, after posting provocative comments as annotations after a murderer’s manifesto was posted to Genius’s platform, Moghadam resigned at the urging of Lehman, who was the company’s CEO.

    Moghadam later co-founded Everipedia, a now-defunct decentralized, blockchain-based encyclopedia that allowed users to create pages on any topic as long as the content was neutral and it was cited.

    As it was winding down, he joined Mucker Capital.

    Looking back, Moghadam expressed dismay that Genius contributors weren’t paid for helping to build out the platform. “The only reason Genius can get by with doing slave labor for lyrics is because people love music so much,” he said during last year’s interview with According 2 Hip Hop.

    Either way, the company fell short of its ambitions, failing to expand far beyond its core audience of rap fans and unsuccessfully suing Google for copying and posting its lyrics at the top of search results to capture users who might otherwise have visited Genius.

    In 2021, it sold for $80 million – less than half of what it raised from venture investors – to a holding company.

    While Moghadam never reached the same heights professionally as during the early days of Genius, he remained highly regarded by many of Genius’s most ardent fans, appearing on a variety of podcasts where enthusiastic hosts fawned over him.

    Moghadam also never forgave Lehman and was still trying to sue the company as of last year in an attempt to “squeeze some juice from this rock,” he said in that interview last year.

    Slamming the new owners of Genius, Moghadam had added that “at least the [original] CEO [Lehman] straight up built Genius with his own two hands. He’s a nerd. That’s the only good thing about him.”

    Connie Loizos

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  • ‘He Started Crying’: Tracy Morgan Calls Nas After Discovering They’re Cousins

    ‘He Started Crying’: Tracy Morgan Calls Nas After Discovering They’re Cousins

    The “30 Rock” alum participated in an upcoming “Finding Your Roots” episode to trace his ancestral history.

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  • “I’m Still the MC That Wants to Make Something People Can Feel”: Nas Ruminates on 50 Years of Hip-Hop

    “I’m Still the MC That Wants to Make Something People Can Feel”: Nas Ruminates on 50 Years of Hip-Hop

    “Lucky me,” Nas says when I mention that he’s never lived in a world without hip-hop. At 49 years old, you might say that the rapper and the genre, which turns 50 this year, grew up together.

    “It’s been great. I remember being a kid and hearing these rap songs and watching the break-dance thing happen and all of that, and all the way to where it became this huge, huge industry. It’s great that I saw it develop into what it is today—and you can still remember what it was,” he says via Zoom from Los Angeles, nearly 3,000 miles and 29 years removed from Illmatic, the critically acclaimed 1994 album that would eventually be inducted into the Library of Congress’s National Recording Registry and kick-start a career that has resulted in a Grammy Award, film roles, his own investment firm, and a recurring place in the GOAT MC list.

    To celebrate the anniversary, the artist, born Nasir bin Olu Dara Jones, partnered with Hennessy to design a limited-edition bottle symbolic of the lifestyle, culture, and influence of hip-hop–a somewhat natural collaboration as these things go, given his repeated name-checking of the cognac. 

    Courtesy of Hennessy

    “On my first album, I talked about Hennessy before the first song even came on. I’m having a conversation, like, “Pass the Hennessy.” To think about that, my journey and hip-hop’s journey, this is a time, this is a year to celebrate—you know, when you’re mature enough and you’re at the legal age to indulge and celebrate in the way I like to celebrate,” he says. “You can get with what I’m doing. You can see the journey that I had. ”

    Last month, Nas spoke with Vanity Fair about making his debut in the ’90s, being back in the studio during a long-awaited creative growth spurt, and getting existential.

    This interview has been edited and condensed for clarity.

    Vanity Fair: Illmatic came out when you were 20. Looking back now, what were your wildest dreams when you were putting out that record?

    Nas: I just wanted it to be heard. I just wanted it to have some respect from the people that I grew up listening to or open up a whole new lane for artists my age, to be a new voice.

    Do you ever listen to that album and are you still able to identify with that 20-year-old today, despite all of the other albums, the whole life that you’ve lived? Do you still relate to him?

    I don’t listen to it, but if somebody’s playing it or it does come up, I do think about what life is like and it’s a whole different day today. And it’s like the nineties was a whole different animal and yeah, it takes me back.

    What do you think the biggest difference in your creative process is today compared to then considering you’ve been in the game such a long time, you have so many albums under your belt, you have awards, you have businesses.

    I don’t think about any of those things. I’m still like the MC that wants to make something that people can feel. I wanna express what I’m feeling and make that connection inside the studio so that it has this meaning and draws a picture of where my head’s at today. Hopefully people can, some people, can relate to it, but back then it was just let’s make some noise so people know who I am. Now that they know, it’s a whole different bunch of ideas that naturally an older guy would try to do. That still fits into my style. My signature style.

    Maggie Coughlan

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