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Tag: Narcissus

  • Lessons Learned: Gardening My Rewilded Front Yard – Gardenista

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    It wasn’t a field when we bought the house in Massachusetts, but that’s what it ended up being. At first, there were massive junipers that lined the circular driveway—a presumed early attempt at formalism that had grown gargantuan due to neglect and caused frequent ice dams on our northern-facing roof by blocking out the sun. Once they were gone, it was just a barren plain, and the nakedness created by the newfound sunlight made us do what most young, dumb homeowners do: panic-buy a tree. We placed a three-inch caliper London plane slightly off-center in the giant green oval of lawn just to add some form of life, even if it was entirely too close to the house. By the time we actually knew what we wanted to do with the space, the tree had just settled into place. So, of course, we uprooted it again to its final home on the western edge of the property, and we had the clean slate we were finally ready for.

    I’m not a big fan of the term “rewilding,” not because I don’t believe in the cause, but because I don’t think that’s what’s actually being done. If I were actually doing that here, I’d let it return to woodland. Still, it’s the best term we’ve got, so it’s what we’ll use for the sake of this story. About five years ago, we lined its central axis with an allée of crabapples (Malus ‘Indian Summer’), mowed formal paths, sowed perennial seed, and got to work rewilding. While it’s still nowhere near where I’d like it to be, there are several lessons I’ve learned throughout the process.

    Photography by Nick Spain.

    Rewilding is still gardening.

    A rewilded landscape still needs maintenance.
    Above: A rewilded landscape still needs maintenance.

    I’m fortunate that most of my garden clients are curious about and open to letting some part of their property go more natural, because it will also be easier to maintain. I’m quick to tell them, however, that low maintenance doesn’t mean no maintenance. Regardless of how you go about it, whether that’s sowing seed on freshly turned earth, utilizing plugs, planting containerized plants, or some combination of all three, you will have to get your hands dirty and manage whatever you’ve installed. I find the real joy comes from the gardening style being more laissez-faire—whether that’s haphazardly slinging around lupine heads in July so they will create more stands in coming years, or knowing that I don’t have to get every single last strand of vetch out each time I weed since there are plenty of other plants it will have to compete with.

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  • 10 Things Nobody Tells You About Narcissus – Gardenista

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    Nobody ever says “I should have planted fewer narcissus bulbs” when the flowers start blooming in springtime. With their cheery bobbing heads, these happy harbingers of spring lift your spirits when nothing else in the garden has yet dared to declare victory over winter.

    Narcissus—or do you say daffodil?—is one of the most familiar flowers in any garden or supermarket. I defy you to find one person who can’t identify a yellow narcissus (or even a white one). And yet there’s so much more to know. We could spend a week on jonquils alone! Let’s get started, with 10 things nobody tells you about Narcissus:

    1. Narcissus and daffodil are the same flower (despite what snobs say).

    Narcissus at Madresfield Court. Photograph by Kendra Wilson, from Garden Visit: Daffodil Days at Madresfield Court.
    Above: Narcissus at Madresfield Court. Photograph by Kendra Wilson, from Garden Visit: Daffodil Days at Madresfield Court.

    Daffodil is the common name of Narcissus (a Latin word), and therein lies the daffodil’s image problem. It sounds more highfalutin to invoke Latin. When snobs say they don’t like daffodils, what they may be trying to say is they don’t care for the looks of the big, yellow, common varieties of Narcissus sold in supermarkets. That unloved trumpet flower, by the way, is Narcissus pseudonarcissus.

    Read more on this topic in Order the World’s Best Narcissi Online: But Please, Don’t Call Them Daffodils.

    2. There are 40 different species of Narcissus—and thousands of varieties.

    Above: “The multi-headed Narcissus tazetta, a genus and species which includes the celebrated ‘Paperwhite’ cultivar, are stimulated into growth by heat and smoke. The Narcissus tazetta bulb is Mediterranean and the bulbs expect intense heat as well as bush fires,” writes Kendra. Good luck growing this flower outdoors. Photograph by Howard Sooley.

    Jonquils are also narcissi, in case you were wondering. Varieties of the species is Narcissus jonquilla are known for their small, delicate flowers and intense fragrance.

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  • The Narcissistic Culture of “Image” and Excessive Self-Monitoring

    The Narcissistic Culture of “Image” and Excessive Self-Monitoring

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    In a world obsessed with public image and attention-seeking, learn about the cultural forces propelling society to become more narcissistic – and how this influences us to be in a constant state of self-scrutiny.



    The idea that our culture is becoming more narcissistic and self-centered is not new.

    Historian and social critic Christopher Lasch’s book The Culture of Narcissism was first published in 1979. By that time, the 1970s were already dubbed the “Me-generation.” Americans were increasingly shifting focus to concepts like “self-liberation,” “self-expression,” and “self-actualization,” while untethering themselves from past traditions and social responsibilities.

    Interestingly, Lasch traces the narcissistic roots in America back way further, starting with the early days of the Protestant work ethic and its singular focus on labor, money, and wealth-building, including the old “pull yourself up by your bootstraps” mantra.

    This early thread of American hyper-individualism continues into the New Age movement at the turn of the 20th century with its focus on personal happiness and spiritual fulfillment, as well as the popularity of Ayn Rand’s “virtue of selfishness,” and the rise of celebrity-worship and fame-seeking that still characterizes much of American life today whether it be in politics, sports, art, or entertainment.

    Things appear to be getting worse. The book was written over 40 years ago, but a lot of the observations in it seem strangely prophetic when looking at the world today. Lasch accurately describes how narcissistic trends have evolved on a societal and cultural level, and you can perfectly extend his theories to explain our modern culture.

    Before you continue reading, remember this is a cultural analysis of narcissistic tendencies and it isn’t focused on clinical or psychological definitions of Narcissistic Personality Disorder (NPD).

    Many people act more narcissistic because that’s what our society rewards and that’s how people think they need to act to get ahead in today’s world.

    One can even look at certain narcissistic tendencies as a survival strategy in an otherwise competitive, atomized, isolated – “every man for himself” – world.

    Now let’s dive into how our modern culture amplifies and rewards narcissism.

    The narcissist craves an audience

    First, the most defining characteristic of a narcissist is that they depend on the attention and validation of others to feel good about themselves.

    Contrary to the popular myth that the narcissist suffers from excessive self-love, the truth is they are deeply insecure and lack true confidence and self-esteem. The main reason they brag, show off, or puff-up-their-chests is only to appear strong when deep down they feel weak.

    As a result the narcissist is obsessed with their image and appearance. They feel they need to “win people over” to be accepted and liked by others, and this requires a carefully manufactured persona they create for the public.

    This deeply rooted “need for attention” plays a central theme in Lasch’s analysis:

      “Narcissism represents a psychological dimension of dependence. Notwithstanding his occasional illusions of omnipotence, the narcissist depends on others to validate his self-esteem. He cannot live without an admiring audience. His apparent freedom from family ties and institutional constraints does not free him to stand alone or to glory in his individuality. On the contrary, it contributes to his insecurity, which he can overcome only by seeing his ‘grandiose self’ reflected in the attention of others, or by attaching himself to those who radiate celebrity, power, and charisma.”

    Without an audience to appreciate them, the narcissist struggles to find their self-worth. They don’t believe in themselves – they need “proof” they are a good or important person through the eyes of others.

    To the narcissist, any attention is better than none at all; even negative attention like gossip, drama, and criticism feeds into their egos by letting them know they are still front and center.

    In a society that rewards attention for the sake of attention (including fame and notoriety), the narcissist grows and thrives. Who knows, that next scandal with a famous celebrity may be their big breakthrough – whatever gets them into the limelight!

    Image-centrism: The society of the spectacle

    One major contributor to the rise of narcissistic tendencies is that our culture is becoming more image-centric.

    Popular ideas on what true “happiness,” “success,” “fame,” “beauty,” and “achievement” look like are based on outward images and appearances increasingly fed into our culture through photographs, movies, television, and advertising:

      “[One] influence is the mechanical reproduction of culture, the proliferation of visual and audial images in the ‘society of the spectacle.’ We live in a swirl of images and echoes that arrest experience and play it back in slow motion. Cameras and recording machines not only transcribe experience but alter its quality, giving to much of modern life the character of an enormous echo chamber, a hall of mirrors. Life presents itself as a succession of images or electronic signals, of impressions recorded and reproduced by means of photography, motion pictures, television, and sophisticated recording devices.”

    This book was written before the internet and social media which have only increased our “image-centrism” tenfold. Selfies, avatars, memes, filters, photoshop, and AI have all continued to add more layers to this hyper-reality between manipulated images and how we choose to present ourselves.

    This constant barrage of cultural images shapes our beliefs and map of reality. It subconsciously puts ideas in our heads about what “happiness,” “success,” and “beauty” are supposed to look like.

    Once these social images are set in our minds, we naturally feel the desire to live up to them.

    Narcissists can often be the most sensitive to these social images because they fear their true self isn’t good enough, so they take society’s picture of “success” and try to mirror that image back to others.

    On the surface, the narcissist is a crowd-pleaser. They don’t trust their own judgement, so if society says this is what “happiness” or “success” looks like, then they will try to mimic it the best they can.

    Everyone has an audience now

    Technology, internet, social media, cameras, and recording devices have created a world where everyone feels like they have an audience all-the-time.

    Family photo albums and home videos were early stages in turning “private moments” into “public consumption,” but now we have people over-sharing every meal, date, and shopping spree on their social media feeds.

    Lasch correctly identifies this trend back in the 1960s-70s, including a mention of the popular show Candid Camera, which was one of the first “hidden camera” TV shows:

      “Modern life is so thoroughly mediated by electronic images that we cannot help responding to others as if their actions – and our own – were being recorded and simultaneously transmitted to an unseen audience or stored up for close scrutiny at some later time. ‘Smile you’re on candid camera!’ The intrusion into everyday life of this all-seeing eye no longer takes us by surprise or catches us with our defenses down. We need no reminder to smile, a smile is permanently graven on our features, and we already know from which of several angles it photographs to best advantage.”

    Life is recorded and shared now more than ever before. Today everyone has an audience and many people can’t help but see themselves as the “main character” of their own carefully edited movie.

    Unfortunately, we have this audience whether we like it or not. Every time we are out in public, someone may whip out their phones, capture an embarrassing moment, and upload it to the internet for millions to watch. You never know when you may go “viral” for the wrong reasons. The rise of online shaming, doxing, and harassment puts people in a perpetual state of high alert.

    That’s a stressful thought, but it perfectly represents this state of hyper-surveillance we are all in, where there’s always a potential audience and you feel constant pressure to showcase the “best version of yourself” in every waking moment, because you never know who is watching.

    Self-image and excessive self-monitoring

    In a world that rewards people solely based on the “image” they present, we naturally become more self-conscious of the image we are projecting to others.

    This leads to a state of endless self-monitoring and self-surveillance. We see ourselves through the eyes of others and try to fit their image of what we are supposed to be. No matter what we choose to do with our lives, the most pressing questions become, “How will this make me look?” or “What will people think of me?”

    While people naturally want to present themselves in the best way possible and form strong first impressions, an excessive degree of self-filtering and self-management can cause us to lose our sense of identity for the sake of superficial acceptance, internet fame, or corporate climbing.

    At worst, we increasingly depend on this these manufactured images to understand ourselves and reality:

      “The proliferation of recorded images undermines our sense of reality. As Susan Sontag observes in her study of photography, ‘Reality has come to seem more and more like what we are shown by cameras.’ We distrust our perceptions until the camera verifies them. Photographic images provide us with the proof of our existence, without which we would find it difficult even to reconstruct a personal history…

      Among the ‘many narcissistic uses’ that Sontag attributes to the camera, ‘’self-surveillance’ ranks among the most important, not only because it provides the technical means of ceaseless self-scrutiny but because it renders the sense of selfhood dependent on the consumption of images of the self, at the same time calling into question the reality of the external world.”

    If you didn’t share your meal on social media, did you really eat it? If you didn’t update your relationship status online, are you really dating someone?

    For many people, the internet world has become “more real” than the real world. People don’t go out and do adventurous things to live their lives, but to “create content” for their following.

    Who looks like their living their best life? Who is experiencing the most FOMO on the internet? In a narcissistic world, we start seeing our “digital self” in competition with everyone else – and the only thing that matters is that it looks like we are having a good time.

    More and more, we consume and understand ourselves through these technologies and images. We depend on photo galleries, reel clips, and social media posts to chronicle our life story and present the best version of ourselves to the world. If the internet didn’t exist, then neither would we.

    In the sci-fi movie The Final Cut people have their entire lives recorded through their eyes; then after they die, their happy memories are spliced together to give a “final edit” of the person’s life. Many of us are perpetually scrutinizing and editing this “final cut” of our own lives.

    The invention of new insecurities

    Everything is being observed, recorded, and measured, so we have more tools than ever to compare ourselves against others.

    This leads to the invention of all types of new insecurities. We are more aware of the ways we’re different from others, whether it’s our jobs, homes, relationships, health, appearances, or lifestyles. We can always find new ways we don’t “measure up” to the ideal.

    New technologies create new ways to compare. Before you know it, you have people in heated competitions over who can do the most steps on their Fitbit, or consume the least amount of calories in a week, or receives the most likes on their gym posts. The internet becomes a never-ending competition.

    Of course, measuring your progress can be a valuable tool for motivation and reaching goals. The problem is when we use these numbers to measure up against others vs. measure up against our past self. Always remember that everyone is on a completely different path.

    It’s well-known that social comparison is one of the ultimate traps when it comes to happiness and well-being. You’ll always be able to find someone who has it better than you in some area of life, and with the internet that’s usually an easy search.

    These endless comparisons touch on all aspects of life and heighten self-scrutiny and self-criticism. Finding and dwelling on even “minor differences” can spiral into a cycle of self-pity and self-hate. If we don’t remove ourselves from these comparisons, then we have no choice but to try to live up to them and beat ourselves up when we fail.

    Conclusion

    The goal of this article was to describe some of the key forces that are making society more narcissistic and self-centered.

    Different cultural beliefs and attitudes incentive certain personality traits over others. Our current world seems to continue moving down a more narcissistic path, especially with the increased focus on “image” (or “personal brand”) that we build for ourselves through the internet and social media.

    Most of the ideas in this article are based on the book The Culture of Narcissism which, despite being written over 40 years, is an insightful look into how these social forces continue to grow and evolve.

    Do you feel like our current society is getting more narcissistic? How have these social forces influenced the way you live?


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    Steven Handel

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  • Why Are My Daffodils Coming Up Early? What to Do With the Early Bloomers

    Why Are My Daffodils Coming Up Early? What to Do With the Early Bloomers

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    Above: Early bloomers in February. Photograph by Abraxas3d via Flickr.

    Probably not. Daffodils are very hardy and tend not to be bothered by cold or snow. In most cases, daffodil noses that pop up early won’t be harmed. The flowers are still safe below ground. However, if you do have a cold snap, the leaves may get frost damage. If it snows after the flowers have bloomed, so long as it doesn’t get too cold for too long, the flowers will be fine. If you’re concerned, you can add mulch around the plant, or cover the flowers with a makeshift tent, such as a cardboard box. 

    How do you prevent early blooms in the future?

    Narcissus ‘Pheasant’s Eye’ blooms about a month later than more common varieties. Photograph by Britt Willoughby Dyer, from Gardening 101: Pheasant Eye Narcissus.
    Above: Narcissus ‘Pheasant’s Eye’ blooms about a month later than more common varieties. Photograph by Britt Willoughby Dyer, from Gardening 101: Pheasant Eye Narcissus.

    If you are concerned and want to try and slow things down for next year, you can do a few things:

    • Plant them deeper: Most bulbs come with a depth range, plant them at the deep end of the range. 
    • Choose a later-blooming variety: There are some varieties of daffodils that bloom later in the spring.
    • Add more mulch: Mulch helps keep the soil temperature stable and allows the plant not to be exposed to temp swings.

    See also:

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  • Holiday Gift Ideas for Gardeners: Gardenista Editors' Picks

    Holiday Gift Ideas for Gardeners: Gardenista Editors' Picks

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  • Whether It’s “Narcissistic” To Return To Music Or Not, Blur Justifies It With “The Narcissist”

    Whether It’s “Narcissistic” To Return To Music Or Not, Blur Justifies It With “The Narcissist”

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    Every time Blur has devotees convinced that they couldn’t possibly return with a new album again, the band rises from the so-called dead to bring us something both quite surprising and yet still totally on-brand (perhaps a polite euphemism for more of the same, but different). It would seem their ninth studio album, The Ballad of Darren, is going to deliver just that if the first single, “The Narcissist,” is any indication. And yes, the release of 2015’s The Magic Whip felt like something of a one-off. Almost as though to make up for 2003’s Think Tank being recorded without guitarist Graham Coxon. In fact, Coxon abandoned the recording sessions early on in 2002, stating glibly, “[The band] just recognized the feeling that we needed some time apart.” More like Coxon recognized it as a result of suddenly not “vibing” with the band anymore. After all, he had been in rehab during the initial November 2001 recording sessions, and upon coming in for the ’02 ones, he apparently didn’t fit into the permutation anymore. After the rest of Blur somewhat priggishly reported that the sessions weren’t going as seamlessly with Coxon present, the bespectacled guitarist would later state, “I had a breakthrough, I think my life just became calmer, I gave up drinking. My priorities changed as I had a young daughter. The group didn’t want me to record for the Think Tank album, so I took it as a sign to leave.”

    Who knows what the subsequent sign to come back was for Coxon, but, to the delight of many fans, whatever it was prompted a full-fledged reunion when Blur announced they would play a show in Hyde Park on July 3, 2009—eventually called All The People: Blur Live at Hyde Park. With The Magic Whip six years later, the band would also “keep it classic” by going back to their longtime producer, Stephen Street, who was given the boot on Think Tank in favor of producers Ben Hillier, Norman Cook (a.k.a. Fatboy Slim) and William Orbit (with the latter also producing the majority of 13). This trifecta being what gave that album such a “non-cohesive” sound amid the rest of their discography (granted, James Ford replaces Street on The Ballad of Darren’s production, so perhaps it, too, will stand apart). And yet, with Coxon’s absence, it was arguably the only time Blur was ever “free” enough to experiment in that “Gorillaz sort of way” Damon Albarn is so fond of. For it is Coxon who always seems to bring the band back down to Earth, to its roots in shoegaze malaise.

    That’s the case, in many ways, with “The Narcissist.” And, as Albarn himself was content to remark, “I think also it has enough of the modern world in it to kind of be relatable to people younger as well.” For, what could be more relatable to “the kids” than narcissism? Not just because the word “narcissist” is so overused at this juncture (neck and neck with “gaslighting”), but because narcissism is simply the name of the game in this thing called post-social media existence. And yes, even Albarn’s newfound nemesis, Taylor Swift, found a way to use the word in one of her most recent hits, “Anti-Hero,” by singing, “Did you hear my covert narcissism I disguise as altruism/Like some kind of congressman?” Perhaps that’s what Blur is doing with their own “altruistic” decision to return to music. And yet, Albarn, who has been in the business for thirty-three years (counting it from the time Blur signed to Food Records), can admit, loosely, to his own penchant for narcissism, noting in an interview with Radio X, “I think the whole nature of being in a band… especially talking about yourself, having photographs taken… that’s all about yourself.” It sounds more eloquent when said aloud than it does in writing, but anyway, Albarn can cede to the fact that he is well-versed in succumbing to the type of narcissism that goes hand in hand with “The Fame Monster.”

    By the same token, Albarn added, “There are deep practitioners of narcissism within the entertainment world, but it also applies to people like Putin… It’s one of those… troubling aspects of modern life.” That is to say, how politics and narcissism have bred a very dangerous “lovechild” in the present (see also: Donald Trump). And yes, as Blur announced long ago, “Modern life is rubbish.” And that sentiment has only intensified in the decades since the band first openly declared what everyone else knew to be true. Little did they know then…how much more batshit it would get now. Particularly with regard to sociopathy and narcissism—both of which are spurred and fortified by screens. What would have been Narcissus’ modern-day mirror. With regard to that well-known, well-worn story, Albarn makes an overt reference to Echo’s role in it in the opening verse: “Looked in the mirror/So many people standing there/I walked towards them/Into the floodlights/I heard no echo.” Among the potential meanings of the first two lines is the idea that when we see ourselves in the mirror, there are so many versions of who we are hiding behind that reflected façade. The one so carefully curated for the sake of avoiding rejection or generally being “othered.” Of course, one could take it more literally and assume Albarn is having some kind of The Twilight Zone and/or funhouse mirror experience. In both scenarios, being transfixed by “the self” is at play. A “trend,” as it were, embodied by Narcissus.

    Unlike Narcissus, however, Albarn has the good sense to recognize his vanity (or so he says) by insisting, “I found my ego” (literally and probably Freud-wise, vis-à-vis the “reality principle”). Even going so far as to admit to the Echo of his life, “You were the Pierrot/I was the dark room.” Whether or not the “Echo” in his life is ultimately himself (how very narcissistic indeed) is left to one’s discretion as he sings in the chorus, “I’ll be shining light in your eyes/You’ll probably shine it back on me/But I won’t fall this time/With Godspeed I’ll heed the signs.” “The fall” Albarn refers to seems less about falling in love and more about falling into the trap of some unhealthy addiction. And yes, self-obsession is a drug. To boot, Albarn makes mention of more literal drugs as the song progresses, describing, “I took the acid [even though Kesha’s mom said not to]/Under the white horses [this meaning the chalk white horses long ago carved into English hillsides to celebrate the summer solstice, which Albarn also brings up]/My heart it quickened/I could not tear myself away/Became addiction/If you see darkness look away.” That darkness he alludes to further applies undeniably to the darkness in oneself, particularly when they have narcissistic tendencies (usually complete with an inability to experience empathy).

    Some would say—though certainly never of male musicians (only female ones like Madonna)—that it’s pure narcissism to keep making art into one’s “old age.” But if that’s the case, then maybe there’s room for four more narcissists in Blur if they can keep creating songs such as these.

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    Genna Rivieccio

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