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Tag: Mussolini

  • Here’s Why UFOs Are Back in the News

    Here’s Why UFOs Are Back in the News

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    UFOs are back in the news this week with the release of a long-awaited Pentagon report that was designed to address public interest in the topic.

    UFOs (or, rather, UAP, as they’re now known), were injected back into the public consciousness last year thanks largely to a former high-ranking intelligence official, David Grusch, who, after quitting his post at a prominent defense agency, went public with a variety of weird claims about UFOs. Grusch claimed that a highly secretive government program existed that was dedicated to recovering and reverse-engineering crashed UFOs.

    Grusch’s allegations led to a bonkers Congressional hearing and a legislative push to investigate the issues he had raised. The new report, which was was authored by the Pentagon’s All-Domain Anomaly Resolution Office, or AARO, was ostensibly meant to investigate whether the government had covered up evidence of extraterrestrial life.

    Now the Pentagon’s report is out, and it does nothing to prove the existence of aliens—just the opposite, in fact. The report notably states that the “aggregate findings of all [U.S. Government] investigations to date have not found even one case of UAP representing off-world technology.” In other words, whatever the government’s been looking into, it’s definitely not aliens.

    The report notes the role of pop culture in perpetuating “a particularly persistent narrative that the USG—or a secretive organization within it—recovered several off-world spacecraft and extraterrestrial biological remains, that it operates a program or programs to reverse engineer the recovered technology, and that it has conspired since the 1940s to keep this effort hidden from the United States Congress and the American public.”

    The report seems to imply that what many witnesses thought were extraterrestrial craft were really just some sort of “black ops” defense technology that the government was testing at the time. The report points to numerous historical programs conducted by the government that involved experimentation with new forms of aircraft, including spaceships.

    Grusch’s claims have been bolstered by a gaggle of true believers, but have been met with mystified skepticism by Congress and most of the American public. In addition to his allegations about a UFO retrieval program, Grusch has claimed that Mussolini and the Vatican worked together to recover an alien spacecraft and that UFOs may be evidence of interdimensional beings or time travelers.

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    Lucas Ropek

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  • Review: ‘Trump: Triumph of the MAGA Will’ – Bill Tope, Humor Times

    Review: ‘Trump: Triumph of the MAGA Will’ – Bill Tope, Humor Times

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    Trump: Triumph of the MAGA Will — a movie review by Llib Epot, Conservative Capitol Correspondent.

    A new documentary promoting the candidacy of former President Donald J Trump for reelection will be released to media outlets on Friday. Our Capitol correspondent previewed the 20-minute film; following is his exclusive review of “Trump: Triumph of the MAGA Will.”

    Triumph of the MAGA Will poster
    Adapted from original poster by Erich Ludwig Stahl (1887–1943), Public Domain.

    The film opens with a vast audience — bigger than any audience ever before assembled — gathered before the Capitol at the eastern end of the National Mall. Soon-to-be-elected President Donald J. Trump is onstage and shaking a clenched fist at the crowd. The camera moves in and catches the noble president up close and in all his orange glory. Audio now comes up:

    “I am,” thunders Trump, “your retribution!” At least three million crazed citizens cheer wildly.

    The onlookers begin chanting, “Trump, Trump, Trump!”

    Trump lifts his chin, looking for all the world like an orange Mussolini, another law & order paragon from the past. He lifts a finger and the huge crowd grows instantly silent.

    “This nation,” says Trump gravely, “is infected, infested, and overrun with vermin from shithole countries.”

    The screen then shows thousands of shrieking rodents scurrying through ratholes in an unidentified ghetto housing project. African American babies sit on the wood plank floor, eating gruel with their fingers. Hypodermic syringes and lines of dubious-looking powder litter the floor.

    Focus back on Trump. “Shithole countries,” repeats the president. “Rapists, killers, miscreants, thieves, bent on poisoning our blood line and replacing us in society and at the polls. Caravans marching over our open-borders, pillaging, raping and voting…” He shakes his head sadly. “I will close the borders, shoot the immigrants in the leg, build a 50-foot wall,” he continues in a sing-song voice. “And,” he goes on, “Mexico and Western Europe and NATO will pay for it.” The crowd roars.

    The crowd magically splits in two, allowing a magnificent military parade to pass through its ranks. Tanks, cannon, missiles, are proudly displayed by losers, suckers, and other military types.

    Abruptly the gigantic crowd starts chanting, “Hang Mike Pence, Hang MIke Pence, Hang Mike…” On stage, Trump grins broadly and nods his head in approval.

    Closeup on the crowd: they are all clad in brown shirts, with Trumpian extra-long red silk ties, and jackboots, and are clutching AR-15s. As a group, they spontaneously lift their right arms in salute.

    Next, the camera pans over the national landmarks,: the Trump Monument, the Trump Ellipse, the Trump Memorial, the Trumpsonian Institution, the Trump National Cathedral, the Trump Museum, and Trump’s Theater.

    Across the crowded grounds, vendors sell signature Trump merchandise, including Trump t-shirts, slabs of Trump BBQ ribs, Trump lemonade, and on and on. A good time is had by all.

    Toward the end of the film, the camera flashes on a cluster of scaffolds, with corpses slowly twisting in the wind. One of the victims wears a military uniform and another a dress. Emerging on the screen in large red letters is the phrase, “Retribution: Count on it!”
    The film ends with a closeup of the now and future president, lifting his fist and shaking it again. A web site appears on-screen to provide access for making a love offering to the Trump PAC.

    Screen fades to black.

    Credits roll, indicating that “Trump: Triumph of the MAGA Will” was produced by the Heritage Foundation and directed by acclaimed director 121-year-old Leni Riefenstahl.

    Bill TopeBill Tope
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    Bill Tope

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