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Tag: music trends

  • Music Rewind 2025: How Tanner Adell Carved Her Own Path In Country/Pop

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    Tanner Adell in 2025 felt like watching someone kick open a saloon door with rhinestones flying everywhere. She didn’t wait for Nashville to make room for her. She made her own lane, painted it pink, added a bass line, and brought thousands of fans along for the ride!

    With a sound that blends country warmth, pop sparkle, and bold creative choices, Tanner proved that being different is exactly what country music needed this year.

    Here’s how she carved her path, one fearless moment at a time.

    1. Redefining What A Country Girl Looks Like

    Tanner’s rise in 2025 came with a message: country music is big enough for all kinds of women. Growing up between Wyoming’s open fields and California’s sun, she never saw herself reflected in Nashville’s usual image. When she arrived in the industry, she immediately noticed the lack of representation.

    But instead of changing herself to blend in, she stayed true to her identity as a young Black woman who loves cowboy boots as much as she loves hip hop beats. Her confidence gave fans permission to show up fully as themselves, too. It felt refreshing, necessary, and honestly a little rebellious in the best way.

    2. Glam Country Became A Whole Era

    If 2025 had a glitter trail across its playlists, Tanner was the one leading it. Her signature “glam country” sound fuses glossy pop melodies, hip hop grooves, and traditional storytelling. She has a knack for pairing bright production with cheeky lyrics, creating songs that feel playful yet clever.

    At her shows, she’d strut out with a sparkly guitar and high heels, instantly shifting the whole atmosphere. Her style wasn’t a gimmick. It was a reminder that country doesn’t have to be dusty or muted. It can shine. It can be bold. It can be girly and gritty at the same time!

    3. ‘Going Blonde’ Showed Her Heart

    While Tanner delivered plenty of bops in 2025, ‘Going Blonde’ was the moment that stopped people in their tracks. The emotional ballad was inspired by her adoption story and the discovery of her biological family. After learning that her birth mother, a blonde woman she resembled more than she ever expected, had passed away before they could meet, Tanner poured the grief and healing into a single she wrote alone at a Nashville bar.

    She shared snippets on TikTok, where we immediately connected with her honesty. The song peeled back her glittery exterior to show a more tender, vulnerable side. In a year full of upbeat tracks, ‘Going Blonde’ stood out because it felt like Tanner speaking straight from her heart.

    4. Social Media Became Her Stage

    Tanner didn’t just release music in 2025. She built a digital community that grew with her. TikTok became her playground for teasers, acoustic moments, songwriting clips, and silly behind-the-scenes candids. We loved her casual storytelling just as much as her polished performances.

    The song ‘Do Angels Drink Whiskey?’ became a fan demand after she previewed a quick clip online. By the time she officially released it, we were already belting it out like an old favorite. Tanner’s ability to make fans feel included turned casual listeners into long-term stans. She didn’t just post content. She let people into her creative process, which made her growth feel personal.

    5. The Beyoncé Co-Sign That Shook The Genre

    If there was one moment that changed the trajectory of Tanner’s year, it was her appearance on Beyoncé’s surprise country project, Cowboy Carter. Tanner lent vocals to a track that blended genres and made the music world pay attention. When the album won a Grammy Award for Best Country Album, Tanner became part of a milestone that pushed conversations about who “belongs” in country music.

    Not only did Beyoncé’s nod bring Tanner into the mainstream spotlight, but it also highlighted how much her presence mattered in a genre that has historically kept its borders tight. After the collaboration, her fanbase expanded overnight, and media outlets began labeling her one of the new faces shaping the future of the sound.

    6. Touring, Streams, And Standout Moments

    With over 200 million streams, a sold-out run of shows, and growing media recognition, Tanner’s 2025 was stacked. She appeared at major events, earned features from top publications, and delivered live performances that showed how comfortable she is commanding a stage.

    Fans didn’t just show up for the music. They showed up for the energy she brings. A Tanner Adell performance is layered with humor, heart, glitter, and a sense that everyone is welcome in the space she creates!

    7. A Voice Expanding Country’s Horizon

    Beyond the streams and headlines, Tanner made a deeper impact. She brought new fans into country music who had never felt represented. She made space for girls who love both rhinestones and rap verses. She challenged outdated expectations without attacking the genre she clearly loves.

    Tanner’s mission wasn’t to tear down country. It was to widen the doors so more people could walk in. Her presence alone pushed conversations forward about country’s sound, its culture, and its future.

    8. Why 2025 Was Her Breakthrough

    Looking at the year as a whole, Tanner didn’t rise because she followed a trend. She rose because she created one. She blended storytelling with sparkle, wrote honestly about her life, embraced her community, and said yes to every creative possibility. She treated music like a space where she could build her own rules, and people felt that freedom. Tanner’s 2025 wasn’t just successful. It was defining!

    9. Where She’s Heading

    If this year proved anything, it’s that Tanner Adell is shaping the future of country pop. She’s bold enough to experiment, grounded enough to write with real feeling, and charismatic enough to make people care. Fans are already buzzing about what she’ll do next. More music? A bigger tour? A full glam country album? Whatever she chooses, she’s carrying momentum, influence, and a community behind her. And honestly, it feels like she’s just getting started!

    What has been your favorite 2025 moment with Tanner? Let us know in the comments below, or give us a shout on Twitter and Instagram!

    TO LEARN MORE ABOUT TANNER ADELL:
    FACEBOOK | INSTAGRAM | TIKTOK | TWITTER

    Want more country music? We got you.

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    Asia M.

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  • Alan Cross says it’s time to bring back matinee concerts – National | Globalnews.ca

    Alan Cross says it’s time to bring back matinee concerts – National | Globalnews.ca

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    The Beatles played Toronto three times (1964, 1965, and 1966), all at Maple Leaf Gardens. Demand for tickets was huge and the band was on a tight touring schedule. They needed to get in and get out while performing for as many people as possible. Adding a second night wasn’t in the cards so the only thing they could do is play two shows on the same day: the usual evening gig preceded by a matinee performance. In between, they grabbed a bite to eat and held a press conference.

    Matinees (usually as part of a doubleheader) were common back then. All the early rock pioneers — Elvis, Chuck Berry, Little Richard, The Rolling Stones, The Who et al — did them. It was exhausting for the act but the effort made good business sense. Not only did the scheduling of a matinee double a fan’s chances of being able to see a show, but if you were too young to go out at night, there was a chance your parents would let you attend an afternoon show.

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    Alan Cross remembers when instrumentals still ruled the charts

    Matinee concerts continued for years. I recall in the 1990s when some bands insisted on playing an early all-ages show followed by a licensed event in the evening. Punk bands were especially good at serving their younger demo with early sets. It was a great way to satisfy both the adults (who could avail themselves of the bar) and the kids (and the venue didn’t have to worry about underage drinking because the bar was closed to alcohol sales).

    But as the rock business matured, afternoon performances slowly disappeared. Today, they’re all but gone. Unless you’re at a festival, it’s extremely rare to find an artist who’s willing to play an afternoon slot.

    This is unfortunate because these days, it’s not just underage kids who want shows at that time of the day but also a growing number of adults.

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    Look, just because you’re on the lee side of 30 doesn’t mean you’ve given up on the live music experience. You’d love to see more shows but life always seems to get in the way. There are the kids, getting up for work the next morning, and the enormous scheduling conflicts.

    And let’s be honest: After a certain age, you’re kinda tired of waiting until 10:30 pm on a Tuesday night for a band to hit the stage. Heck, I’m in bed most nights long before that.

    By not catering to the demo that doesn’t want/can’t afford to be out late, artists and promoters are leaving a lot of money on the table. And let’s not forget that the older demos are the ones with more money to spend at shows.

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    There are two solutions. First, gigs could start earlier. Rather than heading home or killing time before a show, people could go straight from work. If the lights were to go down at, say, 7 pm, everything could be done by 9:30. Everyone who has to get up in the morning can get to bed at a reasonable hour while those who want to continue the night still have hours before them. I know I’d see a lot more club shows if they started and finished earlier.

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    The second solution is to re-introduce matinees. Obviously, this isn’t practical on weekdays, but what about weekends? Hey, theatre productions have offered matinee performances for decades. A big, big chunk of professional sports are held in the afternoon. Casinos offer matinee performances. So why not big-name concerts? I’d be more inclined to see acts like Bruce Springsteen. Does the Boss want to play a five-hour show? Fantastic! Just start at 3 p.m. so I can be home to wind down before bed.

    Jamie Lee Curtis recently ranted about the lack of matinees. Appearing on NBC’s Today show recently, she vented “Why are there no matinees? For instance, I love Coldplay. I would love to go see Coldplay. The problem is, I’m not going to go see Coldplay if they start their show at nine o’clock and there’s an opening act. I want to hear Coldplay at 1 p.m. I think if we filled a stadium with people who want to see a matinee of Coldplay, I think we would start a trend.”

    Love it. Instead of dinner and a show, it’s a show and dinner. Then it’s back home to dismiss the babysitter, play with the kids, deal with the dog, and get to bed at a reasonable hour. Not very rock’n’roll in a traditional sense, but I’m OK with that.

    Sure, load-in/load-out procedures and touring schedules would have to be adjusted, but that’s not an insurmountable barrier. Where there’s money, there’s a way. And I’m sure many heritage acts — and there’s a growing number of them — would like to wrap up their day earlier, too.

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    I repeat: This has nothing to do with being old, infirm, crotchety, and not loving live music. It has everything to do with being practical and inclusive. The population is aging and society needs to adjust.

    Who’s with me?

    —

    Alan Cross is a broadcaster with Q107 and 102.1 the Edge and a commentator for Global News.

    Subscribe to Alan’s Ongoing History of New Music Podcast now on Apple Podcast or Google Play

    &copy 2023 Global News, a division of Corus Entertainment Inc.

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    Alan Cross

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