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Tag: Music streaming services

  • Sona launches its music streaming platform and marketplace to reward fans for buying 'digital twins' of songs | TechCrunch

    Sona launches its music streaming platform and marketplace to reward fans for buying 'digital twins' of songs | TechCrunch

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    Sona is a new web3 streaming protocol that uses DeFi primitives (decentralized finance basic building blocks) to put the financial power back into artists’ hands with its rewards model, auctions and ad-free streaming. Sona emerged from stealth today, announcing the open beta launch of its first product—Sona Stream, a free music streaming service with zero subscriptions or ads combined with a marketplace where artists share music and auction off SONAs, “digital twins” or digital assets of songs that can only be owned by one person at a time.

    Alongside the launch news, the company also announced its $6.9 million seed funding round from Polychain Capital, Haun Ventures and Rogue Capital. The funds will be used to develop new features and hire engineers.

    Sona’s marketplace allows artists to auction their SONAs to collectors for 24 hours. They set a minimum price and sell to the highest bidder, getting instant liquidity. What’s most notable is that the owner of a SONA receives 70% of the streaming payout rewards based on a pro-rata share of total streams on the platform. Meanwhile, artists get 30% and the company takes a 7% fee. Plus, the rewards pool is funded from a percentage of SONA sales, meaning each purchase supports all artists on Sona Stream. In the future, Sona will include other transactions like tipping, merchandise, ticket purchases, stem downloads and fixed-price audio downloads for DJs

    “It’s pooled every two weeks and then redistributed to every artist and collector, proportional to how much [the specific song] is streamed,” co-founder Laura Jaramillo explained during a private demo. “So, you’re paying artists for their work quickly, incentivizing the creation of that work, and then also rewarding the people that are actually supporting those artists.”

    The main idea with SONAs — and music NFTS in general – is that it encourages fans to invest in their favorite artists and promote their work. In this case, when a SONA owner shares the song on social media, their followers are directed to Sona Stream, helping the streaming service grow its user base and earn revenue at the same time. And unlike other music NFTs, SONAs are unrelated to royalties from other streaming platforms. Rewards are from the Sona ecosystem only.

    “The artist and rightsholders retain 100% ownership of the original song — so that’s a bit different and why we don’t really see ourselves as a music NFT platform. We’re focused on the relationships between artists and fans,” co-founder Jennifer Lee, aka producer and DJ TOKiMONSTA, told us. Last year, TOKiMONSTA sold 100 editions of her latest single, Loved By U, on Sound.xyz, a marketplace for music NFTs.

    Collectors must live in the U.S. and be at least 18 years old to buy a SONA. They are also allowed to sell and trade SONAs, both on Sona and third-party marketplaces.

    Sona’s streaming service is currently home to five million tracks by artists Rochelle Jordan, CRi, Adam Oh, Cakes da Killa, Gavin Turek, Dakytl, Aquiles Navarro and Sara Hartman, among others. By next year, Sona will have 16 million songs on the platform.

    Sona co-founders Laura Jaramillo and Jennifer Lee

    Jaramillo, a long-time NFT product designer, created Sona to help her mother Raquel Gonzalez, a Puerto Rican artist and activist, along with other independent artists who find it difficult to earn a living off their music.

    “I wanted to create something that ultimately my mom could use, who is running into some of the biggest challenges that an artist faces– building an audience and making sustainable revenue. I designed a protocol that she could use to monetize off those 100 to 1,000 true fans who want to show how much they appreciate her music, but then also have sustainable revenue coming in every two weeks and combat the fact that artists are not making that much on streaming. And if they are making something on streaming, they don’t see it for three to six months,” Jaramillo said, while also revealing to us that musical talent runs in the family. While her music career was short-lived, Jaramillo was 16 years old when she was offered a label deal.

    “The secret story is that when I was when I was in elementary school to high school, I was a competing songwriter and singer who represented Puerto Rico multiple times… The [music label] wanted me to drop out of high school, move to LA and be a Latin pop star. But that was the opposite of my music. I wrote music to help you go through catharsis, so I very quickly gave up on that dream because I was like, ‘Oh, they see me as what they could sell me as and not what I can create,’” Jaramillo said.

    “[Sona] is trying to make it easier for someone to enter music without completely selling out or being taken advantage of,” she added.

    Sona will host its first-ever auction tomorrow, December 7 at 8 p.m., featuring TOKiMONSTA’s Grammy-nominated track Rouge. Released in 2017, the song marked her monumental return to music after her battle with moyamoya, a rare brain condition.

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    Lauren Forristal

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  • Goldman Sachs says A.I. will ‘super-charge’ music creation and names 5 stocks to buy

    Goldman Sachs says A.I. will ‘super-charge’ music creation and names 5 stocks to buy

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    Blend Images – Pbnj Productions | Tetra Images | Getty Images

    The music industry is set for a radical shift due in part to generative AI, according to Goldman Sachs, which described the new technology as providing “significant opportunities” for the sector.

    It named five buy-rated stocks to play the trend: Live Nation, Warner Music Group, French digital music company Believe, China’s NetEase, and Universal Music Group. All of the stocks are on its conviction list of top stocks.

    “Generative AI will super-charge music creation capabilities and improve productivity,” according to Goldman’s analysts in a June 28 note. And investors’ concerns over AI-generated music, such as a track reportedly created using the technology and featuring a “fake Drake” in April, are “overstated,” they suggested.

    Companies such as Deezer and Believe are using AI to detect when a music track has been created by AI, the analysts noted, while publishers are working with streaming sites like Spotify to take artificially generated tracks down.

    The music industry is well set up to protect its intellectual property given that it is dominated by three large companies that own the majority of artists’ catalogs, according to Goldman.

    “We believe the music industry is on the cusp of another major structural change given the persistent under-monetisation of music content, outdated streaming royalty payout structures and the deployment of Generative AI,” the analysts added.

    Streaming means it’s easier than ever for people to access music, but revenue has not matched consumption, the analysts noted. “For example, we estimate that the revenue per audio stream has fallen 20% in the past 5 years and that the revenue per hour streamed of music for Spotify is 4x lower than for Netflix,” the bank stated.

    Goldman likes events promoter Live Nation as it expects artists to tour more frequently due to what it calls the globalization of music. It added that younger generations becoming more aware of performers via social media will also boost the industry.

    On Believe, the bank said: “We expect the company to continue gaining market share with its digital-first approach, particularly in the fast-growing emerging markets across Asia.”

    WMG, meanwhile, is “one of the highest quality long-term growth compounders in our coverage group,” according to the analysts, while its competitor, UMG is on its conviction list for Europe, which comprises.

    “We believe UMG possesses several competitive advantages, including its scale, clear and consistent track record in breaking artists, the depth and breadth of its catalogue, and its ability to spot new trends early, under the stewardship of an experienced management team,” the analysts stated.

    Goldman chose Chinese internet company NetEase, which has a music streaming platform, for its use of AI in its music composition tools.

    — CNBC’s Michael Bloom contributed to this report.

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