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  • Ocala’s Black History Mural invites exploration of local heritage

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    Ocala’s Black History Mural invites exploration of local heritage

    LEADS YET FOR A POTENTIAL SUSPECT. BACK TO CENTRAL FLORIDA. THE FALLOUT CONTINUES AFTER 30 TO 40,000 RAILROAD TIES CAUGHT ON FIRE IN DUNNELLON. NOW, MARION COUNTY HAS DECLARED AN EMERGENCY AND SAYS IT WILL SUE BECAUSE THE COUNTY ORDERED THE RAIL TIES TO BE REMOVED, BUT SAYS THE PARTIES INVOLVED DRAGGED THEIR FEET. WESH TWO DAVID JONES IS IN DUNNELLON TALKING WITH PEOPLE WHO LIVE NEARBY WHO ARE QUITE UPSET. YOU CAN SEE ALL OF THE HEAVY EQUIPMENT THAT’S ON SITE TO HELP IN THIS RESPONSE. THOSE TIES THAT CAUGHT FIRE RIGHT THERE OVER MY SHOULDER, ALONG WITH THE NOW APPROVED LOCAL STATE OF EMERGENCY. MARION COUNTY SAYS IT HAS ALSO APPROVED FILING AN INJUNCTION AGAINST ALL OF THE PARTIES INVOLVED IN THIS. AND YOU CAN SMELL IT. IT’S ALMOST LIKE YOU CAN TASTE IT. LATONYA BRIGGS AND HER HUSBAND LIVE IN THE COMMUNITY OF DUNNELLON. THIS AFFECTS ALL OF US RIGHT NEXT TO WHERE A GIANT FIRE BROKE OUT IN THE SMELL. WE UNDERSTAND NOW WHAT THE SMELL IS THAT’S BEEN GOING ON. PEOPLE CAN’T SIT ON THEIR PORCHES OUT HERE IN THE COMMUNITY. ALL THOSE IN FAVOR SIGNIFY BY SAYING AYE. AYE. ANY OPPOSED THAT PASSES UNANIMOUSLY. MARION COUNTY COMMISSIONERS VOTING FIRMLY TUESDAY TO LAUNCH AN INJUNCTION AGAINST CSX, THE OWNER OF THE RAIL LINE. FLORIDA NORTHERN, WHICH LEASED THE LINE AND THE PROPERTY AND TRACK LINE RAIL LLC, THE OWNER OF THE CREOSOTE SOAKED RAIL TIES THAT STARTED BURNING JUST BEFORE 3 A.M. SUNDAY. THE COUNTY SAYS TRACK LINE BROUGHT THE TIES INTO TOWN WITHOUT NOTIFYING THE CITY OR COUNTY. THE MANAGING ENTITY, CSX AND TRACK LINE LLC. THEY SHOULD BEAR THE FULL RESPONSIBILITY OF THIS CLEANUP. COMMISSIONERS LAID OUT THE STEPS THE COUNTY HAS TAKEN TO GET THE RAIL TIES OUT SINCE OCTOBER. TRACK LINE HAD ORIGINALLY PLANNED TO GRIND AND REPURPOSE THEM ON SITE. THE COUNTY SENT OUT CODE VIOLATION NOTICES, MET WITH CSX ATTORNEYS, SENT A NOVEMBER CEASE AND DESIST LETTER, AND PREPARED TO FILE AN INJUNCTION IN DECEMBER BEFORE TRACK LINE STARTED MOVING THE TIES. THE CITY SAYS JUST UNDER 18,000 HAD BEEN MOVED WHEN ANYWHERE FROM 30 TO 40,000 CAUGHT FIRE OVER THE WEEKEND. WHEN THE COMMUNITY CAME TOGETHER, THAT’S WHEN THEY DECIDED THEY’RE GOING TO TRY TO START MOVING THIS STUFF. BUT BEFORE ALL OF THAT HAPPENED, THEY HIRED LAWYERS TO FIGHT. THE BRIGGS SAY THEY’VE BEEN HAVING RESPIRATORY PROBLEMS SINCE BEFORE THE FIRE. THIS IS HURTING PEOPLE. THE COUNTY SAYS IT’S GOING TO RESERVE FURTHER COMMENT NOW THAT LITIGATION HAS BEGUN. THE CITY, MEANWHILE, SAYS CSX WILL BE BRINGING 28 RAIL CARS INTO TOWN TO REMOVE THE REMAINING RAIL TIES COVERING MARION COUNTY IN DUNELLEN. DAVID JONES WESH TWO NEWS. AND RIGHT NOW ON WESH.COM, WE HAVE DETAILS ON AIR QUALITY MONITORING AND WATER QUALITY FROM THE CITY. MEANWHILE, TRACK LINE HAS NOT RESPONDED TO OUR REQUESTS FOR COMMENT. NEW TONIGHT OUT OF HILLSBOROUGH COUNTY. A LYFT DRIVER IS FACING CHARGES ACCUSED OF BEATING HIS PASSENGER. DEPUTIES SAY 27 YEAR-OLD JOAQUIN VAZQUEZ WAS DRIVING TO THE VICTIM’S DESTINATION WHEN HE PULLED OVER ON THE SIDE OF THE ROAD. THAT’S WHEN THEY SAY HE WENT INTO THE BACK SEAT, CHOKED THE VICTIM AND THREATENED HER LIFE. HE’S NOW FACING SEVERAL CHARGES, INCLUDING BATTERY AND FALSE IMPRISONMENT. THE NEXT MISSION TO THE MOON IS GROUNDED FOR AT LEAST ANOTHER MONTH. NASA REVEALED NEW INFORMATION TODAY ON THE FUEL LEAK THEY FOUND DURING THE ARTEMIS TWO WET DRESS REHEARSAL. AND WHAT THEY NEED TO FIX BEFORE LAUNCH. MISSION MANAGER JOHN HONEYCUTT SAYS THE LEAKS CAUGHT THEM OFF GUARD, EVEN THOUGH SIMILAR PROBLEMS HAPPENED DURING ARTEMIS ONE TESTING IN 2022. SPECIALISTS SAY ROLLING THE ROCKET FROM THE VEHICLE ASSEMBLY BUILDING TO THE LAUNCH PAD MAY HAVE PLAYED A ROLE, BUT THE TEAM THINKS THEY CAN FIX THESE ISSUES AT THE PAD. THE EARLIEST LAUNCH DATE IS NOW MARCH 6TH. OF COURSE, WESH TWO WILL BE COVERING ARTEMIS TWO EVERY STEP OF THE WAY. WE’LL HAVE THE LATEST MISSION UPDATES ON WESH.COM AND THE WESH TWO MOBILE APP. ALL RIGHT, TONY, YOU’RE OFF THE HOOK FOR ARTEMIS FORECAST FOR THE NEXT MONTH. WE’LL CHECK BACK IN WITH YOU THEN. BUT OUTSIDE RIGHT NOW. NOT TERRIBLE. NO. YOU KNOW, IT’S YOU NEED A JACKET, BUT IT’S NOWHERE NEAR AS COLD. LET ME TAKE YOU BACK OUTSIDE RIGHT NOW. WE’LL KIND OF BREAK THIS ONE DOWN THERE FOR YOU. VENUE 520 LAKE MONROE. RIGHT NOW. LOOKING PRETTY GOOD. AS YOU CAN SEE OUT THERE. LOVE THE SKY. IT IS ABOUT 47 DEGREES UP THAT WAY. 45 IN DELAND, 43 PALM COAST, AND THEN HERE UP TOWARDS OCALA. WE ARE RUNNING IN THE LOW 40S. WE TAKE A LOOK AT THE SATELLITE AND RADAR. THERE’S A LITTLE COLD FRONT HERE THAT’S GOING TO DROP TO THE SOUTH WEDNESDAY NIGHT AND DURING THE DAY ON THURSDAY AT LEAST THE FIRST HALF, WE’LL GET A LITTLE BIT OF RAIN. AND THAT’S SOME GOOD NEWS. WE’RE IN THE THROES OF A DROUGHT. WE NEED THAT RAIN. SATELLITE RADAR FROM THE THAT TO THE WATER TEMPERATURE SHOWS TEMPERATURES HAVE DROPPED. THE SEA SURFACE TEMPERATURES BECAUSE OF THE RECENT COLD SPELL. AND YOU CAN SEE THE THE SHELF WATERS HERE OFF THE WEST COAST OF THE FLORIDA PENINSULA. AND YOU CAN SEE CENTRAL FLORIDA RIGHT UNDERNEATH THAT HIGH PRESSURE. RIGHT NOW WE ARE ONE OF THE COLDEST SPOTS IN THE ENTIRE PENINSULA. OVERNIGHT TONIGHT, A FEW CLOUDS WILL BE ARRIVING TOWARDS DAYBREAK UP TO THE NORTH. NOTICE THE WINDS FAIRLY LIGHT OUT THE DOOR TOMORROW MORNING. 12 HOUR FORECAST HERE. AS THE TEMPERATURES RUNNING IN THE LOW 40S OUT THE DOOR AT 6 A.M. COULD BE A LITTLE BIT OF FROST AND EVEN A SHORT DURATION FREEZE UP HERE INTO MARION COUNTY. FROSTY THROUGH SUMTER, LAKE COUNTY METRO AREAS. WE’RE GOING TO BE OKAY. EASTERN ORANGE, SEMINOLE COUNTY ON INTO RURAL OSCEOLA COUNTY. YOU CAN SEE DOWN TOWARDS CONNERSVILLE, SAINT CLOUD, DEER PARK, HOLOPAW HARMONY. YOU GUYS WILL LIKELY HAVE A LITTLE BIT OF FROST. THE LAND TO BURY ORANGE CITY UP TOWARDS THE LEON SPRINGS, ASTOR AND PEARSON YOU AS WELL. WE’LL HAVE A LITTLE BIT OF FROST NOW AS WE WORK OUR WAY INTO WEDNESDAY AND THURSDAY. HERE COMES THAT COLD FRONT. QUICK SHOT OF MAYBE A 10TH TO A QUARTER OF AN INCH OF RAIN. AND THEN WE TURN A LITTLE BIT COLDER. NOW, AS WE GET YOU INTO FRIDAY MORNING AND FRIDAY AFTERNOON. TEMPORARY THOUGH, AND NOT AS COLD AS WHAT WE JUST WENT THROUGH NOW, RAINFALL WISE, THE GRAPH IN THE ARE VERY, VERY CONSISTENT WITH ABOUT A 10TH TO 2/10 OF AN INCH OF RAIN. WHEN WE TAKE A LOOK AT TOMORROW’S TEMPERATURES. NOW GET OUT THERE, ENJOY IT. AFTERNOON HIGHS WILL BE RUNNING IN THE LOW 70S. CLERMONT LEESBURG BACK TOWARDS UMATILLA AND THEN LOOK AT THE LAND. SANFORD BITHLO SAINT CLOUD 7273 DEGREES UP AND DOWN THE I-95 CORRIDOR. LOW 70S NOW BEHIND THE FRONT. IT DOES GET COLDER HERE FRIDAY MORNING. LOOK AT OCALA 30. DELAND 33. DOWNTOWN ORLANDO MIDDLE UPPER 30S AND THEN BACK TOWARDS TITUSVILLE AROUND 37 DEGREES. AS WE TAKE A LOOK AT THE FREEZE HISTORY HERE, AS WE JUST SHOWED YOU THE POTENTIAL FOR ONE UP THERE IN OCALA AND MANY PARTS OF MARION COUNTY, 2010, WE HAD 32 OF THEM LAST YEAR. WE HAD TEN. THIS YEAR WE’RE UP TO 13. WILL BE TACK ON ANOTHER ONE OVERNIGHT TONIGHT. I’LL LET YOU KNOW OUT THE DOOR TOMORROW MORNING AS WE HEAD INTO THE WEEKEND. BIG DOME OF HIGH PRESSURE BUILDS SOUTHWARD. WINDS ARE FAIRLY LIGHT. A GOOD LOOKING WEEKEND. TEMPERATURES WILL BEGIN TO MODERATE, SO THAT’S TIMING. SUPER BOWL TIMING. THAT IS, EVEN THOUGH THE THE FORECAST FOR SANTA CLARA LOOKS COMFORTABLY COOL FOR KICKOFF THERE. IF YOU’VE GOT A SUPER BOWL PARTY GOING ON AT YOUR HOUSE THIS WEEKEND, LOCALLY IT’S GOING TO BE VERY, VERY NICE AND VERY, VERY COMFORTABLE AND A LITTLE BIT WARMER THAN FOLKS OUT WEST. HEY, THERE’S ANOTHER BIG EVENT GOING ON ON NBC THIS WEEKEND AND KICKING OFF FRIDAY NIGHT. THAT’S THE WINTER GAMES. THERE’S MILAN, GOT A LITTLE BIT OF RAIN COMING IN OFF OF THE MEDITERRANEAN. AND THEN WHEN WE LOOK AT THE FORECAST HERE AS WE GET YOU THROUGH WEDNESDAY, WEDNESDAY NIGHT AND THURSDAY, HIGHER ELEVATION SNOWS ACROSS THE THE ALPS OF ITALY AND SWITZERLAND. RAIN, THOUGH COMING ACROSS THE LOWER ELEVATIONS. LET’S TAKE A LOOK AT THE OPENING CEREMONIES. 50, 48 AND 46. PUTTING IT ALL TOGETHER HERE FOR YOU. SEVEN DAY FORECAST ALONG THE COAST. A LITTLE BIT OF RAIN THURSDAY. BEAUTIFUL WEEKEND WEATHER AND WARMING UP INTO THE LOWER 70S BY NEXT WEEK. NEW TONIGHT A MOUSE IN BREVARD COUNTY HAD A NEED FOR SPEED. YOU’RE GOING TO WANT TO SEE THIS VIDEO. HE WAS CAUGHT ON CAMERA GOING FULL THROTTLE ON A WHEEL AT THE BREVARD ZOO. THE ZOO SHARED THIS LITTLE DAREDEVILS VIDEO ON FACEBOOK, EMPHASIZING THE FACT THAT THIS VIDEO IS NOT SPED UP. THIS IS HOW FAST HE WAS GOING. HE’S FAST, AND PROBABLY DIZZY. WANTED TO GO LOOK AT IT. AT ONE POINT HE LIKE, KIND OF STUMBLES OFF. IT’S FUNNY, BUT HE’S OKAY. YEAH, HE’S A GREAT SHAPE. YEAH. OH. GOT HIS CAR GOING. OKAY. YOU ONLY HAVE A COUPLE OF MONTHS TO RUN TO BAHAMA BREEZE BEFORE CLOSING. AFTER 30 YEARS. ORLANDO BASED DARDEN RESTAURANTS IS CLOSING ALL 28 OF ITS BAHAMA BREEZE LOCATIONS THAT ARE LEFT. DARDEN SAYS HALF OF THOSE WILL CLOSED OUTRIGHT, AND THEY WILL CONVERT THE REST INTO THEIR OTHER BRANDS. THIS MOVE COMES AFTER THE COMPANY CLOSED SOME OF THE OTHER LOCATIONS AMONG THE SALE. BAHAMA BREEZE WILL CLOSE DOWN APRIL 5TH. BLACK HISTORY IS ON DISPLAY IN OCALA. THE TOWN’S PAST CONTINUES TO BE FELT TODAY. COMING UP, HOW ONE OF OCALA’S EARLIEST FIGURES HELPED A PRESENT DAY LAWYER GET HIS EDUCATION. AND A MAN SAYS VOLUSIA COUNTY SHERIFF’S DEPUTIES WRONGLY ARRESTED HIM. THE PROOF? HE SAYS HE HAS THAT SHOWS HE’S INNOCENT. NEXT, A WESH TWO INVESTIGATES LOCAL. LIVE. LATE-BREAKING. WESH TWO NEWS ON CW STARTS NOW. NOW AT 1030. WE START WITH THE TOP STORIES THIS HALF HOUR. FIRST, WE HAVE SOME BREAKING NEWS OUT OF COCOA THIS EVENING. POLICE ARE TRYING TO FIGURE OUT HOW A THREE MONTH OLD DIED. THE CALL CAME IN AROUND 430 THIS AFTERNOON ON PINEDA STREET AND DUKE WAY. WESH TWO SAW THIS CRIME SCENE TAPE AROUND THE PROPERTY. OFFICERS WERE COMBING THROUGH THE AREA AND SPEAKING TO PEOPLE ON THE SCENE. ONE STEP CLOSER TO DECIDING IF THEY’LL CLOSE SEVEN SCHOOLS. THEY SHOW WHERE HUNDREDS OF STUDENTS WOULD END UP IF THEIR SCHOOL CLOSED DOWN. THE DISTRICT SAYS LOW ENROLLMENT IS BEHIND THESE CHANGES. THEY EXPECT TO VOTE ON FINALIZING THE PROPOSAL DURING THEIR MARCH 10TH BOARD MEETING. A STATE OF EMERGENCY HAS BEEN DECLARED OVER THIS TOXIC FIRE BURNING IN DUNNELLON. THOUSANDS OF USED RAILROAD TIES CAUGHT FIRE OVER THE WEEKEND. THE COUNTY SAYS THEY WERE STORED IMPROPERLY. THE STATE OF EMERGENCY ALLOWS THE COUNTY TO GET THE NECESSARY RESOURCES TO CONTROL ANY POTENTIAL CONTAMINATION. COUNTY COMMISSIONERS ALSO APPROVED FILING AN INJUNCTION AGAINST ALL PARTIES INVOLVED TO HOLD THEM ACCOUNTABLE FOR THEIR LACK OF ACTION, AND TO REQUEST A COURT ORDER FOR THE REMOVAL OF THE TIES. TRANSPORTATION, TRACK LINE RAIL, AND FLORIDA NORTHERN RAILROAD. THE FLORIDA DEPARTMENT OF ENVIRONMENTAL PROTECTION IS MONITORING THE AIR. TALKING TO YOU, BIG GUY. SURRENDER NOW. THIS DOG’S GONNA BITE YOU. HEY. NEW TONIGHT, ORLANDO POLICE SHARED THIS BODY CAMERA FOOTAGE FROM A SEARCH WARRANT AND ARREST LATE AUGUST. OFFICERS RECEIVED COMPLAINTS OF DRUG SALES IN CARVER SHORES. THEY FOUND PEOPLE WITH DRUGS LEAVING THE HOME, AND A SEARCH WARRANT LATER FOUND COCAINE, AMPHETAMINES, OXYCODONE AND GUNS. DEREK GILMORE TRIED TO RUN, AND HE AND BLAKE COLEMAN WERE BOTH ARRESTED AND CHARGED. BUT THE STORY DOES NOT END THERE FOR GILMORE. HE MAY HAVE STOPPED UNDER 408. YEAH. IF YOU GOT OMAR CLOSE, YOU NEED TO CHECK ON THIS. YEAH, HE’S SITTING THERE RIGHT NOW. SO IN NOVEMBER, POLICE FOUND GILMORE BACK NEAR HIS HOUSE. HE WAS OUT OF JAIL ON BOND. HE WAS SEEN DRIVING AWAY AND DITCHING A BACKPACK. THAT BACKPACK HAD FENTANYL, MDMA, COCAINE, OXYCODONE, AND A HANDGUN. GILMORE ABANDONED HIS CAR AND WAS PICKED UP BY A WOMAN, REGINA TAYLOR. THEY WERE BOTH FOUND AND ARRESTED LAST MONTH. ORLANDO’S TACTICAL ANTI-CRIME UNIT FOUND GILMORE DRIVING A STOLEN VEHICLE. HE WAS TAKEN INTO CUSTODY, AND OFFICERS FOUND MORE DRUGS. THEY SAY IN THE CAR. GILMORE HAS BEEN CHARGED AGAIN IN CONNECTION TO BOTH INCIDENTS. IN ORANGE COUNTY, A SEMI TRUCK DRIVER IS IN THE HOSPITAL WITH SERIOUS INJURIES AFTER THE TRUCK HE WAS DRIVING CRASHED INTO SEVERAL CARS. VIDEO SHOWS THE CRASH THIS MORNING ON ORANGE AVENUE NEAR HOLDEN AVENUE. TROOPERS SAY THE SEMI DRIVER HAD A MEDICAL EPISODE AND VEERED INTO TRAFFIC. THE TRUCK HIT TWO CARS AND THREE OTHERS PARKED OUTSIDE A BUSINESS. PARAMEDICS TOOK THE DRIVER TO THE HOSPITAL TO GET TAKEN CARE OF. ANOTHER DRIVER HAD MINOR INJURIES. TRAFFIC PROBLEMS HIT GROVELAND AFTER A ROAD SOUTHWEST OF TOWN COLLAPSED. LAKE COUNTY IS CALLING THE SCENE AT EMPIRE CHURCH ROAD. AT THE MOMENT, ENGINEERS ARE STILL TESTING TO DETERMINE IF IT’S A TRUE SINKHOLE. SOIL SETTLING HAPPENS VERY SLOWLY, BUT A SINKHOLE IS FAR MORE SERIOUS, SOMETHING MORE THAT HAPPENS AT THE LIMESTONE BEDROCK LEVEL. SO SOMETHING THAT IS CAUSING THESE CHEMICAL DISSOLUTION OF THE LIMESTONE AS ACIDIC WATER PERMEATES THROUGH THE SOIL AND EVENTUALLY ERODES, YOU KNOW, LIKE, SAY, 50 TO 100FT DOWN THE GROUND SURFACE. UCF ASSOCIATE PROFESSOR LUIS ARBOLEDA SAYS THAT IT IS LIKELY THE TEAMS ON SITE ARE DOING CONE PENETRATION TESTING. A CONE HITS THE GROUND WITH SENSORS AND CAN MEASURE RESISTANCE. LAKE COUNTY SAYS IT EXPECTS THE TEST RESULTS TO COME BACK ON MONDAY. A VOLUSIA COUNTY MAN SWORE HE WAS INNOCENT AFTER HE WAS ARRESTED FOR A CRIME HE SAYS HE DID NOT COMMIT, AND WESH 2 INVESTIGATES, UNCOVERED THE RECEIPTS PROVING IT. OUR JUSTIN SCHECKER DID WEEKS OF DIGGING TO HELP A LOCAL MAN GET HIS LIFE BACK. WHAT’S GOING ON? HE WENT IN FOR A HANDSHAKE AND WOUND UP IN HANDCUFFS. I NEED YOU TO PUT YOUR HANDS BEHIND YOUR BACK. FOR WHAT? YOU GOT A WARRANT? WHAT? I’LL TELL YOU. OH. BURGESS WAS SHOCKED AS A VOLUSIA SHERIFF’S DEPUTY ARRESTED HIM IN EARLY AUGUST. SO I’M ABOUT TO COME OUT HERE AND TALK TO YOU. DAD. HIS FIVE YEAR OLD SON WAS WITH HIM IN THE BACK SEAT OF HIS SUV IN A HOME DEPOT PARKING LOT. SO YOU GOT SOME SOME SORT OF FRAUD WARRANT? I WAS LIKE, HEY, YOU KNOW, AT FIRST I THOUGHT HE WAS JOKING. I WAS LIKE, HEY, MAN. ORANGE COUNTY COURT RECORDS REVEALED BURGESS HAD TWO ARREST WARRANTS FOR FRAUD AND THEFT CHARGES AT TWO UNIVERSAL ORLANDO RESORT HOTELS. THIS ORLANDO POLICE AFFIDAVIT SAYS A PERSON IN JUNE CHECKED INTO ROOMS WITH INVALID CREDIT CARDS AT ENDLESS SUMMER SURFSIDE RESORT AND CABANA BAY RESORT THAT APPROXIMATELY $4,406.98 WAS CHARGED TO BOTH RESORT ROOMS AND WAS NEVER PAID FOR BY THE SUBJECT. WHY WOULD I GO TO A HOTEL AND STAY AT A HOTEL RUNNING UP CREDIT CARDS WHERE, YOU KNOW, I GOT KIDS I CAN’T EVEN. LIKE I SAID, I CAN BARELY GO TO A GAS STATION. DURING OUR INTERVIEW IN OCTOBER, HIS SON AND SEVEN YEAR OLD DAUGHTER GOT HOME FROM SCHOOL. THIS IS ABOUT WHEN THE THE HOME DEPOT INCIDENT. OH, I KNOW THAT WHEN COPS ARRESTED YOU FOR NO REASON. YES. MY DAD DIDN’T DO ANYTHING. HE WAS AT WORK THAT NIGHT. THE AFFIDAVIT SAYS THE SUBJECT CHECKED INTO CABANA BAY RESORT ON JUNE 16TH. BURGESS MAINTAINS HE WAS NEARLY 70 MILES AWAY WORKING AT EVERGLADES BOATS IN EDGEWATER. HE SAYS THE COMPANY TERMINATED HIM AFTER HIS ARREST, BUT HR PROVIDED BURGESS HIS TIME CARD, SHOWING HE CLOCKED IN AT 4:57 P.M. ON MONDAY, JUNE 16TH, AND PUNCHED OUT AT 3:35 A.M. THE NEXT DAY. I’M INNOCENT. I DIDN’T DO THIS. SO WHY DID POLICE BELIEVE HE DID? THEY SAY THE SAME MAN WHO CHECKED INTO CABANA BAY RESORT ON JUNE 16TH. CHECKED IN AGAIN ON JUNE 22ND, BUT THIS TIME THE MAN GOT A TRESPASS ORDER FROM ORLANDO POLICE. SO BASICALLY, IT’S GOING TO BE A TRESPASS FROM ALL UNIVERSAL STUDIOS PROPERTIES. WESH TWO INVESTIGATES OBTAINED THIS BODY CAMERA VIDEO NEARLY TWO MONTHS AFTER REQUESTING IT. POLICE SAY THEY BELIEVE THE MAN IN THIS VIDEO WAS BURGESS GIVING A FAKE NAME AND ID TO POLICE. WHAT WAS YOUR NAME BY? FINE. ALL RIGHT. WE ARE NOT SHOWING HIS FACE. BUT THE MAN BEING BANNED IS CLEARLY NOT BURGESS. YOU CAN SEE HE HAS NO TATTOOS ON HIS LEGS. WHILE BURGESS SHOWED US HIS. HIS TIME CARD ALSO SHOWS HE WENT TO WORK ON JUNE 22ND, THE SAME DAY AS THE TRESPASSING INCIDENT. I’M JUST SO MIND BLOWN THAT THAT THAT THEY DIDN’T DO NO KIND OF INVESTIGATION AND JUST CHARGED IT BECAUSE THEY, THEY IT IT LOOKS SORT OF LIKE ME. THE ARREST WARRANT AFFIDAVIT SAYS POLICE IDENTIFIED BURGESS USING LAW ENFORCEMENT RESOURCES IN AN EMAIL TO WESH TWO INVESTIGATES ORLANDO POLICE CHIEF ERIC SMITH’S CHIEF OF STAFF SAID FACIAL RECOGNITION WAS NOT USED. HE ALSO SAID BECAUSE IT’S AN ACTIVE CRIMINAL CASE, POLICE ARE LIMITED ON WHAT ELSE THEY CAN SAY. THE TRUTH IS THE TRUTH, YOU KNOW, IT’S GOT TO COME OUT ON THE SAME DAY. WESH TWO INVESTIGATES RECEIVED THAT BODY CAMERA VIDEO IN DECEMBER FROM THE CITY OF ORLANDO. THE STATE ATTORNEY’S OFFICE FILED A NO INFORMATION NOTICE IN THE CASE AGAINST BURGESS. PROSECUTORS ARE DECLINING TO FILE CHARGES BECAUSE THEY SAY THE EVIDENCE IS INSUFFICIENT TO PROVE BEYOND A REASONABLE DOUBT DUE TO A LAW ENFORCEMENT ISSUE. WHAT WAS YOUR REACTION WHEN YOU SAW THAT FILING? I TOLD YOU SO, BURGESS SAYS HE FELT HOPELESS BEFORE HE SHARED THE STORY OF HIS WRONGFUL ARREST WITH WESH TWO. INVESTIGATES. BEFORE I SPOKE TO YOU, I DIDN’T KNOW WHAT TO DO. I CALLED EVERYBODY AND I JUST GOT THE PHONE SLAMMED ON ME. WITHOUT YOU GUYS, I DON’T KNOW WHAT I WOULD DO. YOU KNOW, YOU HAVE HELPED. YOU HAVE HELPED TREMENDOUSLY WHEN OUT OF THE WAY. AND I APPRECIATE EVERYTHING. WESH TWO NEWS IS DONE. FOR WESH TWO INVESTIGATES I’M JUSTIN SCHECKER. AND WE LEARNED ABOUT THAT CASE BECAUSE BO BURGESS CONTACTED JUSTIN THEROUX. WESH TWO INVESTIGATES. IF YOU HAVE SOMETHING OUR INTO. EMAIL US AT INVESTIGATES@WESH.COM. THE DEEP FREEZE IS OVER AND MANY PEOPLE ARE NOT HAPPY WITH WHAT THEY’RE FINDING AFTER UNCOVERING THEIR PLANS. BUT AUSTIN COATES OF LUCAS NURSERY AND BUTTERFLY ENCOUNTER IN OVIEDO SAYS NOW THAT WE’RE IN THIS POST FREEZE PERIOD, DON’T JUST RUN OUT AND CUT BACK ALL YOUR PLANTS. IF YOU DO, YOU’LL RUN THE RISK OF CAUSING MORE DAMAGE AND STRESS TO THE PLANTS. YOU’RE GOING TO WANT TO REALLY LEAVE IT, AT LEAST FOR THE FIRST 4 TO 6 WEEKS, SO THAT ANY SORT OF FROST DAMAGE THAT HAS YET TO SHOW ITSELF, YOU’RE GOING TO WANT TO WAIT A LITTLE BIT FOR THAT PLANT TO KIND OF FINISH SORTING OUT WHATEVER ISSUES MAY BE GOING ON WITH THAT FROST DAMAGE, AND THEN PROBABLY AROUND EARLY MARCH, FIRST WEEK OF MARCH, YOU’RE GOING TO WANT TO CUT A LOT OF THIS DEAD STUFF BACK. AND IF YOU SEE SOMETHING THAT LOOKS LIKE IT’S COMPLETELY COOKED, YOU CAN DO TWO TESTS TO DETERMINE IF IT’S STILL ALIVE. SO THE GREEN THAT’S ON THE INSIDE MEANS THAT THERE’S FLUID INSIDE OF THE TRUNK OF THE PLANT. SO IT’S STILL VIABLE AND IT WILL STILL COME BACK. YOU CAN ALSO TAKE A THUMBNAIL SKETCH OF THE PLANT AND SEE IF THERE’S GREEN ON THE INSIDE. A LOT OF GREEN THUMBS LIKE MINE JUST DID NOT GO GREEN. NO, I THINK WE LOST OUR ELEPHANT EARS. I THINK THEY’RE CALLED. YEAH, IT’S ALL RIGHT. IT’S OKAY. I’M SURE YOU’RE NOT ALONE. FEELS LIKE IT’S GOING TO BE ANDREW’S PROBLEM, NOT MINE. LET HIM DEAL WITH THAT. YES. AND ALL OF THAT HAPPENING BECAUSE OF THE COLD THAT WE HAD THROUGHOUT CENTRAL FLORIDA. AND IT’S GETTING A LITTLE BIT OF A BREAK, BUT THEN IT’S GOING TO COME BACK. YEAH. LET’S GET OVER TO TONY. NOW, WHO HAS THE DETAILS ON OUR FORECAST. WHAT’S UP TONY. YEAH, LET’S TAKE A LOOK AT WHAT’S GOING ON TONIGHT. WE STILL THINK THERE’S GOING TO BE SOME FROST AND MAYBE A SHORT DURATION FREEZE HERE IN MARION COUNTY, BUT WE WARM UP NICELY ONCE WE GET PAST DAYBREAK. YOU CAN SEE THE SQUARE RIGHT NOW, 42 DEGREES, 44 PALM COAST, 48 DOWNTOWN 40 BACK TOWARDS TITUSVILLE. THERE ARE A FEW CLOUDS NOW APPROACHING THE I-10 CORRIDOR SIGN OF THAT WEATHER MAKER THAT’S GOING TO HEAD OUR WAY WEDNESDAY NIGHT ON INTO THE FIRST HALF OF THE DAY THURSDAY. BUT NOTICE OUT AHEAD OF IT AGAIN ANOTHER EVENING PLUS FIVE PLUS TEN DEGREES WARMER THAN WHERE WE WERE THIS TIME LAST NIGHT. AND OCALA IS GOING TO BE DROPPING VERY CLOSE TO FREEZING THERE FOR SHORT DURATION, ONLY TO WARM UP QUICKLY TO ABOUT 64. YOU TAKE A LOOK NOW UP TOWARDS DAYTONA BEACH, MID 30S WITH SOME PATCHY FROST. THEN BY THE 11:00 HOUR WE’RE COMING IN AT ABOUT 65 DEGREES. NOW I’M GOING TO TIME OUT THAT FRONT THAT’S COMING IN ON THURSDAY. THE COOLER AIR ON FRIDAY. AND THEN A NICE BIG WARMING TREND HEADED OUR WAY. AS WE GET YOU ON INTO THE BEGINNING OF NEXT WEEK. WHEN I SEE YOU COMING UP IN THE NEXT COUPLE MINUTES, GUYS. ALL RIGHT, TONY, MEANTIME, DEAD FISH ARE STARTING TO SHOW UP ACROSS PARTS OF CENTRAL FLORIDA. THIS IS VIDEO FROM MOSQUITO LAGOON NEAR NEW SMYRNA BEACH SHOWING FISH THERE IN THE WATER TOWARDS THE BOTTOM OF THERE. THIS VIDEO SAYS THAT ALL THOSE FISH SPANNED AN AREA OF ABOUT 200FT. NOW, IT’S NOT JUST FISH. OTHER KINDS OF SEA CRITTERS ARE WASHING UP ON BEACHES IN FLORIDA, EXPERTS SAY THE COLD WEATHER GOT TO THEM. STINGRAYS, CRABS, EELS, SEA SHARK HAVE ALL WASHED UP ON BEACHES IN SOUTHWEST FLORIDA, OFFICIALS SAY WATER TEMPERATURES DROPPED TO THE LOWER 50S THIS WEEK THERE, WHICH CAN STUN OR KILL SOME OF THE MARINE LIFE IN THE GULF. SCIENTISTS SAY SOME CREATURES CAN LIVE IF THEY GET BACK IN THE WATER QUICKLY, BUT ANYTHING WITH GILLS LIKELY DIED AFTER A FEW MINUTES OUT OF THE WATER. ALL RIGHT, LOOK AT THIS. SEA LIONS AT AN IOWA ZOO. THEY MADE THEIR PREDICTION FOR THE SUPER BOWL ON SUNDAY. SO THE AFRICAN LIONS DO. SENDS ARENA COULD PICK A BARREL WITH THE LOGOS FOR THE SEATTLE SEAHAWKS AND THE NEW ENGLAND PATRIOTS. SO DEUCE WAS HESITANT TO MAKE A PICK. BUT ARENA ULTIMATELY PICKED THE SEAHAWKS TO WIN THE GAME. THERE SHE GOES. THE ZOO SAYS IT’S ANIMALS ACCURATELY PREDICT THE WINNER. 80% OF THE TIME. ISN’T THAT SOMETHING? OKAY, YOU CAN WATCH SUPER BOWL 60 BETWEEN THE SEAHAWKS AND THE PATRIOTS OVER ON WESH TWO AT 630 ON SUNDAY. GOT BETTER ODDS THAN PUNXSUTAWNEY PHIL. I’LL TELL YOU THAT. CERTAINLY DO. ALL RIGHT, WESH TWO HERE WE CELEBRATE BLACK HISTORY MONTH AND YOU CAN FIND IT ON FULL DISPLAY IN MARION COUNTY. THIS LITTLE CITY CITY OF OCALA, FLORIDA, AND MARION COUNTY. IT PRODUCED SO MANY FAMOUS AND FIRSTS. COMING UP NEXT, HEAR ABOUT THE TRAILBLAZERS FROM OCALA AND HOW THEY INSPIRE PEOPLE TODAY. IT’S A LOOK BACK IN HISTORY, AND ITS PURPOSE IS TO GET ALL WHO SEE IT, TO SIMPLY ASK, WHO WAS THAT PERSON AND WHY IS THAT MOMENT SIGNIFICANT? WESH 2 STEWART MOORE WENT TO OCALA TO SEE THE BLACK HISTORY MURAL. WELCOME TO WEST OCALA, THE ONCE VIBRANT, BUSTLING, THRIVING ALL BLACK COMMUNITY HAS CHANGED AS MODERN TIMES HAVE TAKEN OVER. YOU KNOW WHAT THIS LITTLE CITY CITY OF OCALA, FLORIDA AND MARION COUNTY. IT PRODUCED SO MANY FAMOUS AND FIRSTS. YOU KNOW, WE HAVE SO MANY AFRICAN AMERICAN FIRSTS HERE. AND OF COURSE, WHEN YOU HAVE THOSE TYPES OF THINGS, THEY TEND TO SPREAD ABROAD. SO NOT JUST IN THE STATE OF FLORIDA, BUT IN THE ENTIRE COUNTRY. BUT THE HISTORY OF WHAT WAS IS ON FULL DISPLAY. THIS IS THE OCALA BLACK HISTORY MURAL AND ITS PURPOSE, SAYS LEADER OF THE BLACK HISTORY MUSEUM, IS TO MAKE YOU ASK QUESTIONS. IT STARTS WITH A TIMELINE. IT GIVES YOU A TIMELINE ALL THE WAY BACK TO THE CIVIL WAR. IT TALKS ABOUT LOCAL GOVERNMENT, POLITICS. IT GOES ON TO TALK ABOUT THE POPULATION OF AFRICAN AMERICANS IN MARION COUNTY. OBI SAMUEL JUNIOR IS A LOCAL ATTORNEY IN TOWN. WHILE IN LAW SCHOOL, HE RECEIVED THE VIRGIL HAWKINS SCHOLARSHIP. HAWKINS FEATURED RIGHT HERE ON THIS WALL PAVED THE WAY FOR ASPIRING BLACK LAWYERS TO ATTEND PREDOMINANTLY WHITE INSTITUTIONS. WELL, HE’S THE GUY THAT FOUGHT FOR THE INTEGRATION OF THE UNIVERSITY OF FLORIDA LAW SCHOOL, SO HE WAS VERY INFLUENTIAL THERE. AND THOUGH HE NEVER ACTUALLY ATTENDED THE UNIVERSITY OF FLORIDA LAW SCHOOL, BUT THROUGH HIS EFFORTS, IT BECAME INTEGRATED AND THUS OPENED AN OPPORTUNITY FOR ME TO ENTER LAW SCHOOL. VIRGIL HAWKINS IS ON THIS WALL. PARADISE PARK IS ON THIS WALL, BUT ALSO THIS WOMAN. THIS IS DOCTOR CARRIE HAMPTON. SHE’S THE FIRST BLACK FEMALE DOCTOR IN THE STATE OF FLORIDA. AND THE INTERVIEW WE DID WITH MR. SAMUEL WAS INSIDE OF HER HOUSE. THEY HAD A GREAT IMPACT AS FAR AS BLACK ENTREPRENEURSHIP. THEY MOTIVATED ME, AND THAT’S WHEN I HAD THE OPPORTUNITY TO PURCHASE THIS BUILDING. I FELT A CERTAIN SPIRIT ABOUT IT. YOU KNOW, A CERTAIN INSPIRATION TO CARRYING ON THEIR LEGACY, YOU KNOW, FOR BLACK EXCELLENCE. THIS HOME USED TO BE A FEW BLOCKS FROM WHERE IT SITS NOW PRESERVED HOME TO WHERE BLACK PEOPLE IN MARION COUNTY WENT FOR HEALTH AND WELL-BEING. DOCTOR CARRIE MITCHELL, THE FIRST BLACK WOMAN TO BE LICENSED PRACTICING MEDICINE IN FLORIDA AND OPERATED A DRUGSTORE. SHE WAS MARRIED TO DOCTOR LEROY HAMPTON, A DENTIST WHOSE NAMESAKE, HAMPTON CENTER, WHICH SITS ACROSS A BASEBALL FIELD FROM THE MURAL, STILL TRAINS PEOPLE TO CARE FOR TEETH. TODAY. HERE YOU NOT ONLY DO YOU HAVE THE DOCTOR AND THE DENTIST, BUT YOU HAD OCALA BAZAAR, WHICH WAS AN AFRICAN OWNED DRY GOODS STORE WITH OVER 20 EMPLOYEES. YOU HAD THE. METROPOLITAN BANK BANK, WHICH WAS THE FIRST AFRICAN AMERICAN BANK IN MARION COUNTY AND ALSO IN THE STATE OF FLORIDA, AND THE FIRST CHARTERED BLACK CORPORATION IN THE STATE OF FLORIDA. YOU HAD THE OCALA TEXTILE MILL THAT HAD OVER 100 EMPLOYEES. THE WALL IS LIVING HISTORY THAT YOU CAN TOUCH AND RESEARCH FOREVER. HISTORY MAKERS. SO NEXT TIME YOU PASS IT AND YOU ASK

    Ocala’s Black History Mural invites exploration of local heritage

    Updated: 11:51 PM EST Feb 3, 2026

    Editorial Standards

    The Ocala Black History Mural in West Ocala serves as a vibrant reminder of the area’s once-thriving African American community, inviting viewers to delve into the stories of its influential figures and moments.Davida Randolph, leader of the Howard Black History Museum, emphasized the significance of the mural, saying, “You know what this little civic city of Ocala, Florida, and Marion County, it produced so many famous and firsts. You know, we have so many African American first here.”The mural offers a timeline that stretches back to the Civil War, highlighting local government, politics, and the African American population in Marion County. Ob Samuel Jr., a local attorney, shared his connection to the mural through Virgil Hawkins, who fought for the integration of the University of Florida law school.”He’s the guy that fought for the integration of the University of Florida law school, so he was very influential there, and though he never actually attended the University of Florida law school, but through his efforts, it became integrated, and thus opened an opportunity for me to enter law school,” Samuel said.The mural also honors Black entrepreneurship and excellence, inspiring individuals like Samuel to continue the legacy.”They had a great impact as far as black entrepreneurship. They motivated me. And that’s when I had the opportunity to purchase this building. I felt a certain spirit about it, you know, a certain inspiration to carrying on their legacy for black excellence,” he said.This home, preserved a few blocks from its original location, was where black people in Marion County went for health and well-being.Dr. Effie Carrie Mitchell, the first black woman licensed to practice medicine in Florida, operated a drug store and was married to Dr. Lee Royal Hampton, a dentist.The Hampton Center, named after him, still trains people to care for teeth today and sits across a baseball field from the mural.The mural also highlights other significant establishments, such as the Ocala Bazaar, an African-owned dry goods store with over 20 employees, and the Metropolitan Blank Bank, the first African American bank in Marion County and Florida, and the first chartered black corporation in the state. The Ocala textile mill employed over 100 people.The Ocala Black History Mural is a living testament to the area’s rich history, encouraging passersby to explore and learn about the figures and events that shaped the community.

    The Ocala Black History Mural in West Ocala serves as a vibrant reminder of the area’s once-thriving African American community, inviting viewers to delve into the stories of its influential figures and moments.

    Davida Randolph, leader of the Howard Black History Museum, emphasized the significance of the mural, saying, “You know what this little civic city of Ocala, Florida and Marion County, it produced so many famous and firsts. You know, we have so many African American first here.”

    The mural offers a timeline that stretches back to the Civil War, highlighting local government, politics, and the African American population in Marion County. Ob Samuel Jr., a local attorney, shared his connection to the mural through Virgil Hawkins, who fought for the integration of the University of Florida law school.

    “He’s the guy that fought for the integration of the University of Florida law school, so he was very influential there, and though he never actually attended the University of Florida law school, but through his efforts, it became integrated, and thus opened an opportunity for me to enter law school,” Samuel said.

    The mural also honors black entrepreneurship and excellence, inspiring individuals like Samuel to continue the legacy.

    “They had a great impact as far as black entrepreneurship. They motivated me. And that’s when I had the opportunity to purchase this building. I felt a certain spirit about it, you know, a certain inspiration to carrying on their legacy for black excellence,” he said.

    This home, preserved a few blocks from its original location, was where black people in Marion County went for health and well-being.

    Dr. Effie Carrie Mitchell, the first black woman licensed to practice medicine in Florida, operated a drug store and was married to Dr. Lee Royal Hampton, a dentist.

    The Hampton Center, named after him, still trains people to care for teeth today and sits across a baseball field from the mural.

    The mural also highlights other significant establishments, such as the Ocala Bazaar, an African-owned dry goods store with over 20 employees, and the Metropolitan Blank Bank, the first African American bank in Marion County and Florida, and the first chartered black corporation in the state. The Ocala textile mill employed over 100 people.

    The Ocala Black History Mural is a living testament to the area’s rich history, encouraging passersby to explore and learn about the figures and events that shaped the community.

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  • New ‘Looms and Legacy’ mural on Market Street depicts Lowell’s mill girls

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    LOWELL — Those traveling down Market Street may notice a prominent new feature along the route in the form of a mural celebrating Lowell’s history in the textile industry on the side of the Leo A. Roy Parking Facility.

    The mural was painted by renowned street artist Allison Hueman, who brings with her a resume of many murals, public art pieces and collaborations she has done across the globe. This mural, titled “Looms and Legacy,” is a depiction of Lowell’s role in the American industrial revolution, namely through its famous textile industry. In particular, the piece showcases Lowell’s “mill girls,” the women who conducted much of the labor that powered the industry in the city in the 19th century.

    Hueman, an Oakland, California-based artist, has been in Lowell painting the mural with spray paint from Sept. 14 to 19, and on the last day she applied a final layer to seal the image onto the side of the garage as a permanent public art piece.

    “Whenever I get to do a mural in public I like to consider the city  it is going to be in, where it is placed,” said Hueman.

    Hueman said she found the story of the mill girls to be interesting, and took note of the nearby “Homage to Women” statue close to the mural, which she said was a good juxtaposition as a three-dimensional art piece next to the two-dimensional mural.

    “I thought it was interesting, the story about the Lowell mill girls, and how the [American] Industrial Revolution started here, and young women were such a big part of making that happen,” said Hueman. “As a woman and as a mother, I feel like there is a lot of labor that goes unnoticed. A lot of the work we put in as women tends to go unnoticed because we are just constantly carrying so many things at the same time. So this is just a tribute to the hard work they put in.”

    Hueman has experience producing art based on fabrics, including, among others, a 2023 “City Edition” jersey for the Golden State Warriors. With the textile history at top of mind, Hueman evoked images of threads and fabric weaving through the mural.

    The longest part of the process, Hueman said, is creating the actual design, which she said took weeks after she was tapped to be the artist for this project.

    Lowell’s Director of Cultural Affairs and Special Events Peter Crewe said in a phone call Friday afternoon as he watched the sealing process begin at the mural that from the city’s side, this project has been in the works for about a year-and-a-half, and it has been an effort by Project Learn’s ArtUp Lowell.

    “We’ve wanted to do a Market Street mural for a while, and we’ve wanted to do something on the garage for a while,” said Crewe. “We knew that the Homage to Women statue is right there, and we wanted to amplify and build on that theme, and how much the mill girls have significantly contributed to Lowell’s role in the American Industrial Revolution.”

    With that theme in mind, Crewe said it was very important to them for the artist to be a woman, which led them to Hueman and her years of experience as an artist.

    “We went through a really intensive and exhaustive search for the right artist for this location. We really wanted to take our time in making sure this was going to be a cornerstone piece for our public art,” said Crewe.

    Ellen Casazza, who owns Lowell’s Curation 250 Art Gallery with her husband Frank Casazza, the artist also known as Eyeformation, said the spot on the parking facility was a perfect location for the mural.

    “It is such a prime location, we wanted to make sure we got a premier muralist. If we want to keep having world-class art in Lowell we have to keep inviting world-class artists in,” said Casazza while standing in front of the mural Thursday. “It is such a special design that has just had an overwhelmingly positive response to folks in the neighborhood… Allison is really an expert in doing this colorful drapery fabric in spray paint, and that also speaks to the history of our textiles here in Lowell. We are just thrilled and honored to have her here.”

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    Peter Currier

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  • The Colfax Canvas Mural Festival returns this weekend with a new work from Danielle Seewalker

    The Colfax Canvas Mural Festival returns this weekend with a new work from Danielle Seewalker

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    Denver-based artist, Anna Charney, works on a mural on the side of the Mango House.

    Molly Cruse/Denverite

    For the last few weeks, spray cans and aerial lifts have been scattered outside buildings along a stretch of East Colfax as teams of artists from all over the country gathered to participate in the fifth annual Colfax Canvas Mural Festival.

    Among those artists is Danielle Seewalker, a Húŋkpapȟa Lakȟóta citizen from the Standing Rock Sioux Tribe and a Denver-based artist who exploded onto the art scene in the last few years.

    Over the last few days, SeeWalker and Cante Eagle Horse — a Denver-based tattooer and artist and member of the Cheyenne River Sioux Tribe — worked together to design a mural on the side of DIA Market in Aurora.

    Coming back from a ‘crappy experience’ with Vail

    Earlier this year, the Town of Vail canceled SeeWalker’s residency after someone raised concerns about a piece of artwork she created — unrelated to the residency — commenting on the war in Gaza.

    “It was a crappy experience,” SeeWalker said. “It violated First Amendment rights. The piece, ‘G is for Genocide,’ had nothing to do with my residency, it had nothing to do with Vail. It was something I had done months prior for a different exhibition.”

    A telesccoping platform sits in front of a colorful mural featuring grey, black and white feathers on a yellow backdrop on the side of a building.
    Indigenous artists Danielle SeeWalker and Cante Eagle Horse’s mural on the side of DIA Market in Aurora. Earlier this year, the Town of Vail canceled SeeWalker’s residency after someone raised concerns about a piece of artwork she created — unrelated to the residency — commenting on the war in Gaza.
    Molly Cruse/Denverite

    SeeWalker did not only turn down other job opportunities because of the residency with the Town of Vail, but she also says that she was disappointed that she was not given a chance to defend her work.

    Aaron Vega, the executive producer of Colfax Canvas, called SeeWalker’s experience earlier this year “gut-wrenching.”

    But he believes mural festivals like Colfax Canvas, “do a great job of making sure that artists are seen and heard and have an opinion.”

    “Mural festivals that really speak to the community, and work with artists like Danielle and make sure that they are seen and heard, I think, are going to be more valuable in the long run,” Vega said. “Because the truth is when we’re all gone … the thing that will be remembered is the art.”

    Murals are ‘part of the landscape of our lives’

    That same sentiment is shared by other mural artists.

    “[Murals] become a substantial part of the landscape of our lives,” Denver-based artist Anna Charney said. “…What attracts me to murals is the power to bring artwork to various communities and see immediately how your artwork affects communities or neighborhoods or people individually.”  

    But unlike other art mediums, painting murals comes with its own unique set of challenges.

    Battling Colorado’s unpredictable weather, a small army of wasps, cracking walls, chipped paint, and the occasional heckler are just a few of the challenges the Mango House team has faced over the last few days, but Ally Grimm — a street artist who goes by the pseudonym A.L. Grime — says that this is just a small price to pay for creating art that is accessible to the public.  

    “Often art gets put behind glass cases or behind closed doors,” A.L. Grime said. “So it’s awesome to get to share narratives out in the street and get to really leave our work with communities.” 

    Mural artists shine a light on the humanity of Venezuelan immigrants

    SeeWalker and Cante Eagle Horse are just one of four teams of artists participating in this year’s Colfax Canvas Mural Festival.

    Across a parking lot from the DIA Market, three Denver-based artists have spent the last few days painting the side of Mango House, a former JC Penney building that is now a community center for refugees.

    “We’re painting Maria Corina Machado, who is the opposition leader in Venezuela,” Venezuelan-American artist Ally Grimm, or A.L. Grime, said. “Since Mango House is a refugee resource center, we wanted to paint someone who really represents this idea of going home.”

    A woman dressed in a white t-shirt and wearing mirrored sunglasses is seen staring at a mural, reflected in her glasses.
    Ally Grimm, who goes by the pseudonym A.L. Grime, looks up at the mural of Maria Corina Machado — a Venezuelan opposition leader — she is painting with artists ILL.DES and Anna Charney on the side of Mango House in Aurora.
    Molly Cruse/Denverite

    Grime says that Machado, who is now believed to be in hiding, is a symbol of hope for many Venezuelan refugees.

    And while she and the rest of the Mango House artist team — ILL.DES and Anna Charney — started planning the mural before Aurora made national headlines about a “Venezuelan gang takeover,” she hopes that the mural provides “a reminder that at the end of the day, we’re all people and we all deserve a little bit of humanity.”

    Colfax Canvas Mural Festival is on Saturday, Sept. 14, from noon to 5 p.m. at Fletcher Plaza in Aurora, at the intersection of Colfax and Emporia.

    Artists on telescoping platforms work on a colorful mural featuring an image of a woman smiling in black and white against a multi-colored background.
    Colfax canvas artists work to finish the portrait of of the Venezuelan opposition leader, Maria Corina Machado, on the side of Mango House. Artist A.L. Grime, a Venezuelan-American, says that Machado is a symbol of hope for many Venezuelan refugees.
    Molly Cruse/Denverite

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  • St. Paul mural

    St. Paul mural

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    ST. PAUL, Minn. — A wall-sized piece of art is getting a major makeover that’s decades overdue.

    The St. Paul mural “Hunger Has No Color” is getting restored by the three original painters.

    Anyone driving on Robert Street just south of the Mississippi River during the last 39 years has seen it.

    “It’s actually talking about the whole community, community in need from hunger, trying to prevent hunger in Minnesota,” said Armando Gutierrez G., one of the original muralists. “If we can prevent struggle and help humanity, we’re trying to say that through this mural.”

    Gutierrez G., John Acosta and Richard Schletty painted the mural in 1985 when the building was a food bank.

    Now all three are back, restoring and essentially repainting what decades out in the elements did to the mural.

    chipped-mural3-credit-hunger-has-no-color.jpg
    The chipped mural

    Hunger Has No Color


    “It’s an honor and privilege to do this,” Gutierrez G. said. “Not many artists get to come back to their work.”

    “I’ve been seeing it deteriorate and that kind of hurt to see it falling apart,” Acosta said.

    The artists painted people in the neighborhood in the original as well as members of their own families.

    “That’s the beauty of murals,” Gutierrez G. said. “They become part of a community that is broader than 15 seconds of looking at a social media page or something.”

    Acosta says the mural is special because it has a story and a good message.

    The building’s now home to Captain Ken’s Foods, a food manufacturer, and the owners have supportively watched the men work the last two months.

    “It comes more and more to life each day,” said Mike Traxler, one of Captain Ken’s owners. “It’s pretty incredible, the detail and how things come alive.”

    Acosta says the theme of people getting along and helping each other is important in 2024, just as it was in 1985.

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    David Schuman

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  • Patt Morrison: Is that graffiti or art? How L.A. draws the lines

    Patt Morrison: Is that graffiti or art? How L.A. draws the lines

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    Some acquaintances from Ireland were in town, and we were having lunch in their 20th-floor downtown hotel suite. I was being an armchair tour guide — out the windows, there’s L.A. Live, and back behind those skyscrapers, City Hall, by fiat once our tallest building.

    One of them pointed and said, “What’s THAT?”

    I didn’t even have to look.

    “THAT” is Oceanwide Plaza, the Chinese-owned skyscraper project, dead in the water and half-finished for five years, its floors like unfrosted cake layers, inviting trespass and vandalism and all that vivid graffiti frosting. Any nimble-bodied person with sturdy legs and maybe a bail bondsman’s phone number could make the climb to join in turning the building into L.A.’s largest, brashest outdoor look-at-me canvas — like that Norman Mailer book title says, “Advertisements for Myself.”

    Hard to make all of that make sense to the Irish visitors. But it’s L.A. in a nutshell.

    Yes, we hate it, yes we love it, and yes, as is our habit, we let time mosey on by as we futz around over what to do.

    This city, supposedly the mural capital of the world, flaunts the title, fears it, is worthy and unworthy of it. And now we find ourselves wrangling again: Is art outside always outsider art? Or art at all?

    One camp believes nothing can be art if it doesn’t have a nice frame around it and a price tag on it. Another camp believes that almost any spray-can concerto is art, and the sprayer an embryo Rembrandt. And there’s everyone else, somewhere in the middle.

    At the beginning of this century, the city had a 10-year mural moratorium to sort out the chessboard mess of interests and counter-interests: how to keep murals thriving while keeping them from intruding illicitly into neighborhoods, how to keep businesses from simply ginning up wall-sized ads and calling them art, how to distinguish legal from illegal handiwork, and, frankly, good from bad. It’s a seesaw we’re still riding.

    In two years, the world comes knocking at our door for the World Cup; then in another two, it’s the Olympics. Can we really not get our act together and dazzle them with something else world-class?

    The first graffiti art I ever saw here were the river cats, Leo Limon’s whimsical feline faces on the storm drain openings into the Los Angeles River. They gave life — nine lives — to our rarely running cement eyesore.

    Next, I was thrilled by “Old Woman of the Freeway,” enormous and brilliant on a highway-facing wall, the presiding saint of the 101, painted by the master muralist Kent Twitchell. If traffic was moving well, she was the reason; if it wasn’t, she shared your stationary misery.

    She was partly obscured by construction, then whitewashed for advertising space, restored by decree and killed off again by ugly graffiti. She was to have been revived in Sherman Oaks, but a property owner wouldn’t give Twitchell access — and one random local wildly claimed to see something “evil and satanic” in her blue eyes. She’s been restored to grandeur and safety on a wall at L.A. Valley College, her crocheted afghan flying like a kite.

    Until the Whittier earthquake and a landlord put an end to it in 1987, the south wall of an 1880s building on Fair Oaks in Pasadena used to read: “ ‘My people are the people of the dessert,’ said T.E. Lawrence, picking up his fork.”

    T.E. Lawrence was “Lawrence of Arabia,” the British officer and writer who took a vital role among the Arabs in World War I. So dessert/desert. A happenstance glance at it always made me laugh, and even now, I see the building and smile at its ghost.

    1

    2

    Lynne Westmore Bloom poses with a sketch of a nude lady

    1. The Pink Lady of Malibu was controversial in her day. This photo appeared in the Nov. 1, 1966, Los Angeles Times. (George Fry / Los Angeles Times) 2. Lynne Westmore Bloom poses with a sketch she used as a model for the Pink Lady. This photo appeared in the Oct. 27, 1991, Los Angeles Times. (George Wilhelm / Los Angeles Times )

    The one I wish I had seen was there and gone before I lived here: the Pink Lady of Malibu, exuberant, whimsical, utterly joyous. Hers is a tale of pink paint, bluenoses and brown coverup. She stood 60 feet tall above the tunnel on Malibu Canyon Road, and for nine months in the happening year of 1966, the Northridge artist Lynne Westmore Bloom slung on nylon ropes and climbed the rockface by full moonlight to erase the old graffiti, then to sketch and paint the lady. She was magnificent, pink-fleshed and naked, holding a nosegay of flowers, dark hair streaming as she strode across the cliff.

    The bluenoses of L.A. County harrumphed. A traffic hazard! The earlier graffiti hadn’t seemed to bother them overmuch, but this? It took six days and 14 gallons of brown paint to obliterate the Pink Lady. Westmore got fired from her job, got death threats, got marriage proposals, and, along with her painted lady, got a permanent place in L.A. lore.

    First California and then the federal government passed laws protecting murals and muralists, with complicated exceptions and requirements. California’s Art Preservation Act, in 1979, mandates “recognized quality,” a case-by-case judgment of experts. The federal Visual Artists Rights Act of 1990 has its own regulations. Kent Twitchell invoked both of these laws in a lawsuit after his mural of fellow artist Ed Ruscha was painted over in 2006. The matter was settled for $11 million.

    Even these protections do nothing if the people who should be enforcing them don’t, or don’t even know about them. In 1999, an Eastside mural, “The Wall That Cracked Open,” was almost completely covered over in flat gray, evidently by a county anti-graffiti program. Artist Willie Herron had painted it on the wall of his uncle’s building in 1972 to memorialize his murdered little brother, John.

    Multiply that incident by the hundreds. The supervisor of the county’s graffiti abatement program told The Times back then that she was unaware that the mural protection laws even existed. The city of L.A.’s anti-graffiti program chief said that her people have “very clear instructions not to paint over any murals. We find the artist and then we have the mural restored,” and often coated with a protective concoction so graffiti can be wiped off. Gang graffiti, it turns out, is as much a danger to mural art as overzealous, underinformed civic enforcers.

    The credit as L.A.’s first known muralist goes to Einar Petersen, who ornamented mostly inside walls with historic, storytelling murals ordered up and paid for. He painted hundreds, murals of a jungle and of the Garden of Gethsemane at the old Clifton’s cafeteria, five panels of L.A. history at the Rosslyn Hotel — now, predictably, covered up, damaged, destroyed.

    A worker in a blue shirt sits before a large, very faded mural in earth tones depicting vegetation and a crucified man

    A conservator for the Getty Conservation Institute works on David Alfaro Siqueiros’ “América Tropical” at El Pueblo de Los Angeles Historic Monument in 2017. Painted in 1932, the mural was quickly whitewashed for depicting a dead Indigenous peasant tied to a cross.

    (Carolina A. Miranda / Los Angeles Times)

    The present-day mural wars arguably began in 1932, over “América Tropical,” on Olvera Street, a work commissioned for L.A.’s Olympic year and painted by the renowned Mexican muralist David Alfaro Siqueiros.

    Once the sponsors got an eyeful, they ordered the mural painted over. Its message was in its subtitle, and it was not subtle: “Oppressed and Destroyed by Imperialism,” a panorama not of contented campesinos but of tortured and tormented Latinos and Native Americans laboring under the policing eye of the U.S.

    For decades after, the whitewashed wall carried its own kind of power, and Siqueiros knew it; it’s said that when its restoration was suggested in the 1960s, he was against it, because the force of censorship was maybe even more potent than the mural itself. It was at last conserved and displayed in 2012.

    “América Tropical’s” spiritual child is Noni Olabisi’s relentless mural “To Protect and Serve.” The prolific Black muralist, who died a couple of years ago, painted the Jefferson Park work in 1997 and filled space with Black Panthers and celebrated Black radicals, helmeted police and hooded Klansmen. Its funding sidestepped public coffers to keep clear of the kind of censorship that had blotted out “América Tropical.”

    SPARC helped to pay for Olabisi’s mural and is working to keep it spruced. The Social and Public Art Resource Center has spent almost five decades battering down the barricades between street art and what Siqueiros called “easel art,” standing up for “activist and socially relevant artwork.”

    One of its co-founders is Judith Baca, whose monumental horizontal mural along the Tujunga Wash in the San Fernando Valley changed many Angelenos’ POV about graffiti art. Over more than a half-mile, “The Great Wall of Los Angeles” shows the histories of Californians whose stories are rarely told, and scores of young people turn out to join professionals to keep the 1978 mural perpetually refreshed.

    Not far from there, around Pacoima’s city hall, you’ll find Mural Mile, block after block of artworks done with color, ingenuity, humor, passion and meaning, and changing all the time.

    A fellow named Banksy changed some minds about graffiti art too. The anonymous British artist chooses public spaces for his guerrilla work, and inadvertently created a paradox: His works can sell for millions, and people have been caught trying to get them off public walls to take to auction houses.

    Banksy’s L.A. mural, 2010’s “Swing Girl,” is downtown, visible only from a deep alley between buildings — which is the point it makes about overbuilt places. The word painted on the wall is PARKING. Banksy almost whitewashed out the last three letters, and hanging from the first part, PARK, he painted a swing with a little girl perched on it.

    It’s arguably graffiti, but not the kind that generates a gut-punch reaction among some Angelenos. For them, graffiti is a synonym for defacement and vandalism — and gangs marking out turf and messaging their enemies with menacing scribbles. Who wants to see those sinister scrawls creep into their neighborhoods?

    Two incidents, both in the 1990s, caught the tone of Angelenos’ sentiments. One was the 1991 arrest of “Chaka,” who had written that name over and over, literally 10,000 times, on freeway bridges and signposts from Orange County to San Francisco. Then, 24 hours after he was let out of jail, he was caught in the downtown courthouse. He’d written CHAKA on an elevator door — on his way to see his probation officer. In 1996, after college scholarship and work offers, finding God and taking a job painting church buses for a Christian camp, he was arrested for tagging again.

    A year later, a Woodland Hills teenager who’d been tagging above the San Diego Freeway fell 100 feet, fracturing his spine, both ankles and his left arm. Not everyone felt sorry for him. One Times letter writer summed up the sentiments of no small number of people: “I do not see the artistic expression involved in scrawling your street name across a piece of concrete like an animal marking its territory.”

    People pass the "Skid Row City Limit" mural on San Julian Street, near 6th Street.

    This Skid Row mural was completed in 2014. Its message was urgent then, and is no less so 10 years later.

    (Mel Melcon / Los Angeles Times)

    The best graffiti has something to teach, something to say, and that something is more than “my tagging crew is bad-assier than yours.” On Julian Street in Skid Row is the phenomenal Skid Row mural, paid for and painted by locals.

    It is poignant and pointed.

    It’s a mock-official, green and white sign, bearing the city seal, the words “SKID ROW CITY LIMIT” and at the bottom, “POP Too Many.”

    A man — a writer named Charles Bukowski — who used to work up the road from Skid Row, sorting mail at the Terminal Annex, once wrote something that suits that image quite aptly. “An intellectual says a simple thing in a hard way. An artist says a hard thing in a simple way.”

    Explaining L.A. With Patt Morrison

    Los Angeles is a complex place. In this weekly feature, Patt Morrison is explaining how it works, its history and its culture.

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    Patt Morrison

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  • Michigan Parents Outraged Over LGBTQ Colors, Imagined ‘Witchcraft’ Symbols In Student Mural

    Michigan Parents Outraged Over LGBTQ Colors, Imagined ‘Witchcraft’ Symbols In Student Mural

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    Several parents expressed their outrage at a school board meeting earlier this month over a student mural at a Michigan middle school that included colors representing the LGBTQ community and what they claimed were secret symbols of “witchcraft.”

    High school sophomore Evelyn Gonzales won a contest to “brighten up” the health center at Grant Middle School in the town of Grant by painting the mural on an interior wall. Gonzales said she was dumbfounded and hurt by the parents’ remarks.

    “I put my art up there to make people feel welcome,” Gonzales said in footage from the meeting that was shown on Grand Rapids news station WZZM-Channel 13 TV.

    As for Satanism or witchcraft, “that’s not what I’m a part of,” Gonzales said. “That’s not what I’m trying to put out there.”

    One critic called the brightly colored mural “hate material.”

    The mural, shown above, features a smiling, diverse group of kids as well as hearts, a rabbit and bear wearing first aid hats, a peace sign, hands, a rainbow decoration on one student’s overalls and a message that said: “Stay healthy.”

    Parents complained about the rainbow and blasted the colors of two students’ clothing which they claimed represented the transgender and bisexual Pride flags.

    Parents were also incensed that the painting included a face inspired by the popular video game Genshin Impact, and a “Hamsa hand,” also known as the Hand of Fatima or Hand of Mary. The design, which a number of parents said was a sign of witchcraft, has been a symbol for good luck or protection for centuries in many cultures.

    Not all of the adults at the meeting took issue with the artwork.

    “I am a conservative, right-wing, gun-loving American, and I’ve never seen more bigoted people in my life,” Tracy Hargreaves, who has two children in the Grant public school system, said at the meeting.

    Hargreaves later told Today.com that the meeting turned into a vicious “hate fest.”

    Usually 10 people appear at the board meetings, but 50 showed up that night, she noted.

    “It wasn’t even about the mural,” Hargreaves added. “People were talking about how we need to pray the gay away.”

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  • Lingoda Partners With Miami Artist Alexander Mijares

    Lingoda Partners With Miami Artist Alexander Mijares

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    Inspired by Hispanic Heritage Month (Sept. 15-Oct. 15), the collaborative mural in Miami celebrates the richness of Hispanic cultures and languages

    Press Release


    Sep 22, 2022

    Lingoda, one of the top global online language schools, is partnering with Miami artist Alexander Mijares to celebrate Hispanic Heritage Month (Sept. 15-Oct. 15). By creating a unique mural that can be visited in Miami on 385 NE 79th Street, Miami, FL 33138, Mijares and Lingoda want to celebrate and highlight the richness and diversity of Hispanic cultures and languages. 

    With the mural, Lingoda is also looking to emphasize the importance of learning about each other, other cultures and ideas and celebrating each other’s differences and the richness that multiculturalism brings to our lives.

    “Hispanic Heritage Month is the perfect time to come together and to celebrate languages, language learning and cultures – and what better way to celebrate than with an artist with deep roots in the Hispanic culture of Miami?,” says Aaron Seemann, Sr. Performance Marketing Manager, Global Lead at Lingoda. “Mijares’ artwork is very vibrant, lively and colorful, strong and powerful – just like Lingoda envisions a world where all different languages and cultures are being celebrated,” he adds. “We see a great connection between Mijares’ work and Lingoda that will allow us to celebrate the beauty of Hispanic culture, multiculturalism as well as learning languages together.”

    Lingoda believes that language learning is the perfect tool to do just that – by breaking down the language barriers, we can bridge cultural differences, foster a world of inclusion and more understanding and bring people together. 

    With Miami having a rich history of being home to Hispanic cultures and the Spanish language, Lingoda knew that Miami was the perfect spot to celebrate Hispanic Heritage Month to reflect the richness of multiculturalism. 

    “I want for everyone that passes by the mural to get a positive vibe and outlook from my artwork and to be able to engage in the mural by becoming interested in celebrating Hispanic culture and the Spanish language,” says Alexander Mijares. “We’d love for visitors to picture multiculturalism and Hispanic culture in the mural and to understand that various cultures and languages together is what makes our world a more colorful, livelier, more fun and above all a better place.”

    The mural by Alexander Mijares in partnership with Lingoda can be seen in Miami on 385 NE 79th Street, Miami, FL 33138.

    ABOUT LINGODA

    Lingoda is one of the top online language schools. Founded in Berlin, Germany in 2013, we provide convenient and accessible online language courses in German, English, Business English, French and Spanish to over 100,000 students worldwide. With almost 550,000 classes available per year and accessible 24/7, our mission is to build bridges around the world through language learning. 

    Visit Lingoda.com to learn more.

    PRESS CONTACT

    Susanne Börensen

    International PR Manager 

    press@lingoda.com 

    Source: Lingoda

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