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  • ‘Godfather’ star Robert Duvall dead at 95

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    Robert Duvall died Sunday, according to his wife, Luciana Pedraza Duvall. He was 95.

    Circumstances surrounding his death were not immediately made available.

    “Yesterday we said goodbye to my beloved husband, cherished friend, and one of the greatest actors of our time,” his wife shared online. “Bob passed away peacefully at home, surrounded by love and comfort.”

    JAMES VAN DER BEEK, ‘DAWSON’S CREEK’ AND ‘VARSITY BLUES’ STAR, DEAD AT 48

    American actor Robert Duvall attends the 53rd Annual Academy Awards at the Dorothy Chandler Pavilion in Los Angeles on March 31st 1981. (UPI/Bettmann Archive/Getty Images)

    “To the world, he was an Academy Award-winning actor, a director, a storyteller. To me, he was simply everything. His passion for his craft was matched only by his deep love for characters, a great meal, and holding court. For each of his many roles, Bob gave everything to his characters and to the truth of the human spirit they represented.”

    She continued, “In doing so, he leaves something lasting and unforgettable to us all. Thank you for the years of support you showed Bob and for giving us this time and privacy to celebrate the memories he leaves behind.”

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    When asked about turning 90 in 2021, Duvall told People magazine that his wife was one of the best things in his life. 

    “I don’t know if I love any of it, but day to day with my wonderful wife,” Duvall said. “She takes care of me, and I have good friends, and try to work out and keep in some kind of shape.”

    Robert Duvall and Luziana Pedraza

    Robert Duvall married Luciana Pedraza in 2005. (Chris Weeks)

    The Academy Award-winning actor was known for his storied seven-decade Hollywood career, which included the films “The Outfit,” “Network” and “Sling Blade.”

    Born in San Diego in 1931, Duvall majored in drama at Principia College before serving a two-year stint in the Army after graduating. 

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    With help from a G.I. Bill, Duvall attended The Neighborhood Playhouse School of the Theatre in New York and studied with Dustin Hoffman. He made his motion picture debut as Boo Radley in “To Kill a Mockingbird.”

    Robert Duvall stars in The Godfather

    Robert Duvall as Tom Hagen in “The Godfather,” the movie based on the novel by Mario Puzo and directed by Francis Ford Coppola. (CBS Photo Archive)

    His career began to flourish in the ‘60s with roles in “The Chase” with Marlon Brando and in Francis Ford Coppola’s “The Rain People.” He teamed up with Coppola once again for his iconic role as Tom Hagen in “The Godfather.”

    Portraying Hagen in 1972 earned him his first Academy Award nomination. He received a total of seven Oscar nominations, with nods for “Apocalypse Now,” “The Great Santini,” “The Apostle,” “A Civil Action,” and “The Judge,” in 2014. 

    Robert Duvall holds up Academy Award

    Robert Duvall earned an Oscar in 1983 for his role in “Tender Mercies.” (Bettman)

    Duvall won the Best Actor in a Leading Role for the 1983 film “Tender Mercies,” where he portrayed a former country star battling alcoholism. 

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    In addition to his work on the silver screen, Duvall also earned accolades for television roles and brought home an Emmy Award for the AMC limited series “Broken Trail.” Other Emmy-nominated roles included the Western epic “Lonesome Dove,” the HBO flick “Stalin,” and “The Man Who Captured Eichmann.”

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  • The Sexiest Goos of Wuthering Heights

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    Well, obviously.
    Photo: Warner Bros.

    When you have a crush, anything and everything can remind you of them. Such is the case in Wuthering Heights with Cathy (Margot Robbie), who sees her desire for Heathcliff (Jacob Elordi) made manifest by various goos, oozes, and slimes found on the Yorkshire moors. There’s little subtlety about Emerald Fennell’s adaptation of Wuthering Heights, so she stuffs her film with all sorts of substances designed to remind the viewers that this is a very moist, succulent, sticky story. There are myriad mucks at play, but not all gloop is created equal. Here are Wuthering Heights’s collective slimes, ranked by how much they seem to turn Cathy on.

    9. Pig’s blood
    There’s no pretending that pig’s blood is hot. During one of her tantrums, Cathy walks by Heathcliff and other hired hands slaughtering a pig, the blood flooding the courtyard of Wuthering Heights. The blood seeps up the edges of her white skirts — that’s going to be hellish to try to get out. Despite the fact that she brushes up against Heathcliff in attempting, and failing, to avoid the blood, the image does not really linger as one of Cathy’s hornier moments.

    8. Leeches
    Okay, Cathy isn’t actually conscious when she’s being bloodletted, but Fennell is determined to make us at least try to draw some sort of sexual implication between the leeches all over her face (and the flesh-colored walls of Cathy’s bedroom) and her rapidly decomposing body. Are leeches a goo? Well, kind of. They squirm and flop in a bowl next to her bed, making them one of the film’s wetter contributions. They’re sexier than blood itself, but only just.

    7. Snail goo
    One of the more artful shots in Wuthering Heights features the clearish mucus of a snail trailing along a window. Because we’re not immediately sure what we’re looking at, the shot is initially one of the film’s more subtle moments — before it’s revealed that, ah, yes, here is another wet substance Cathy is looking at while she thinks about what it would mean to smooch Heathcliff. The snail slime doesn’t seem to actively turn Cathy on, but points for originality here.

    6. Rain
    Precipitation might be Wuthering Heights the novel’s most canonical liquid as Northern England is a place where basically every single person and living creature is vitamin D deficient. It’s not so much that the rain turns Cathy on but that so many of her most intense interactions with Heathcliff (a.k.a. make-out sessions) occur right as the sky has opened up.

    5. Spit
    Heathcliff spends a lot of time straight-up licking Cathy’s face in this movie. It would be pretty hard not to be turned on by that, but it’s far from a surprising image, especially when compared to …

    4. Whole-fish aspic
    Who are you or I to say that people in 18th-century England weren’t eating some kind of whole fish preserved in clear jelly? Maybe that was everyone’s favorite food. As Cathy starts to succumb to boredom in her marriage of convenience to Edgar Linton, she daydreams doing … something by sticking her hand into an aspic that contains a whole fish, her index finger dipping into its mouth the way Heathcliff used to do to her.

    3. Cathy’s, um, secretions
    Fennell’s tendency to shock us only lightly comes (sorry) into full effect when Cathy steals off to the moors to masturbate against a giant rock, overwhelmed by her feelings for Heathcliff. Her beau-to-be follows her into the fields and sneaks up on her, stumbling over a rock at the last possible moment, disrupting what might have been her first actual orgasm. Cathy goes to wipe her fingers on her skirt, but Heathcliff instead grabs her hand and puts her fingers in his mouth. Here, the goo is more implied than actually seen, but in a movie full of sexualized fluids, this is definitely the most literal and the most explicit.

    2. Egg yolk
    If Wuthering Heights has anything resembling a running joke, it’s that Cathy and Heathcliff place eggs in each other’s beds as a kind of sticky prank. It’s less that the eggs turn them on and more that Fennell is committed to showing us both actors’ fingers wading through yolk. The role of the eggs isn’t to arouse Cathy, at least not directly, but the crack of the shells when she sits on them late into the film is the unmistakable sign, to her and the audience alike, that Heathcliff has returned after disappearing for a number of years. This goo is a promise: They can’t rid themselves of each other no matter how hard they try.

    1. Bread dough
    The morning after Cathy and Heathcliff spy on Joseph (Ewan Mitchell) and Zillah’s (Amy Morgan) kinky stable tryst, Cathy loses her composure at the breakfast table watching a very wet dough (focaccia, maybe? But in England?) being kneaded over and over again. The kneaded dough, stretched and pressed, played a big role in the teaser trailer for Wuthering Heights, and long after the lights came back on in the theater, it remains the most memorable embodiment of Cathy’s horniness: a sticky, squishy mess.

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    Fran Hoepfner

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  • Updating Live: All the Winners From the Independent Spirit Awards 2026

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    If awards ceremonies were a family dinner table, the Independent Spirit Awards 2026 would be the cool, artsy cousin. Since 1984, nonprofit arts org Film Independent has been honoring American TV and filmmakers who operate outside the studio system, with an annual awards ceremony that falls between the Golden Globes and the Academy Awards. The 2026 ceremony—the organization’s 41st—will be held on Sunday, February 15 at 5 p.m. ET (the time will be 2 p.m. in Hollywood).

    A huge change this year is the ceremony’s location. For years, it’s been held at the Santa Monica pier, but construction for the 2028 Los Angeles Olympics bumped it from that spot. Instead, it will be held at the Hollywood Palladium, in the heart of Sunset Boulevard. But other things that set the awards apart remain, such as its gender neutral acting awards and its focus on movies and TV that don’t always get mainstream love. This year’s host, Ego Nwodim, has also promised an edgy show, telling The Hollywood Reporter, “This is my whole thing: Don’t ask permission, ask forgiveness. I didn’t ask permission.”

    You can watch the Independent Spirit Awards live on YouTube, on the channels for Film Independent or for IMDB. You can also check out all the looks from the red carpet now, and don’t miss Vanity Fair’s complete coverage of the 2026 awards season.

    Read on for all the winners at the 2026 Independent Spirit Awards:

    Film categories

    Best feature

    Peter Hujar’s Day
    The Plague
    Sorry, Baby
    Train Dreams
    Twinless

    Best first feature

    Blue Sun Palace
    Dust Bunny
    East of Wall
    Lurker
    One of Them Days

    John Cassavetes Award (best feature made for under $1M)

    The Baltimorons
    Boys Go to Jupiter
    Eephus
    Esta Isla (This Island)
    Familiar Touch

    Best director

    Clint Bentley, Train Dreams
    Mary Bronstein, If I Had Legs I’d Kick You
    Lloyd Lee Choi, Lucky Lu
    Ira Sachs, Peter Hujar’s Day
    Eva Victor, Sorry, Baby

    Best screenplay

    WINNER: Eva Victor, Sorry, Baby

    Michael Angelo Covino, Kyle Marvin, Splitsville
    Angus MacLachlan, A Little Prayer
    James Sweeney, Twinless
    Christian Swegal, Sovereign

    Best first screenplay

    Andrew DeYoung, Friendship
    Elena Oxman, Outerlands
    Alex Russell, Lurker
    Syreeta Singleton, One of Them Days
    Constance Tsang, Blue Sun Palace

    Best lead performance

    Everett Blunck, The Plague
    Rose Byrne, If I Had Legs I’d Kick You
    Kathleen Chalfant, Familiar Touch
    Chang Chen, Lucky Lu
    Joel Edgerton, Train Dreams
    Dylan O’Brien, Twinless
    Keke Palmer, One of Them Days
    Théodore Pellerin, Lurker
    Tessa Thompson, Hedda
    Ben Whishaw, Peter Hujar’s Day

    Best supporting performance

    Naomi Ackie, Sorry, Baby
    Zoey Deutch, Nouvelle Vague
    Kirsten Dunst, Roofman
    Rebecca Hall, Peter Hujar’s Day
    Nina Hoss, Hedda
    Jane Levy, A Little Prayer
    Archie Madekwe, Lurker
    Kali Reis, Rebuilding
    Jacob Tremblay, Sovereign
    Haipeng Xu, Blue Sun Palace

    Best breakthrough performance

    Liz Larsen, The Baltimorons
    Misha Osherovich, She’s the He
    Kayo Martin, The Plague
    SZA, One of Them Days
    Tabatha Zimiga, East of Wall

    Best cinematography

    Alex Ashe, Peter Hujar’s Day
    Norm Li, Blue Sun Palace
    David J. Thompson, Warfare
    Adolpho Veloso, Train Dreams
    Nicole Hirsch Whitaker, Dust Bunny

    Best editing

    Ben Leonberg, Good Boy
    Carson Lund, Eephus
    Fin Oates, Warfare
    Sara Shaw, Splitsville
    Sofía Subercaseaux, The Testament of Ann Lee

    Robert Altman Award

    The Long Walk

    Best documentary

    WINNER: The Perfect Neighbor

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    Eve Batey

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  • Hollywood groups condemn ByteDance’s AI video generator, claim copyright infringement

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    A new artificial intelligence video generator from Beijing-based ByteDance, the creator of TikTok, is drawing the ire of Hollywood organizations

    A new artificial intelligence video generator from Beijing-based ByteDance, the creator of TikTok, is drawing the ire of Hollywood organizations that say Seedance 2.0 “blatantly” violates copyright and uses the likeness of actors and others without permission.

    Seedance 2.0, which is only available in China for now, lets users generate high-quality AI videos using simple text prompts. The tool quickly gained condemnation from the movie and TV industry.

    The Motion Picture Association said Seedance 2.0 “has engaged in unauthorized use of U.S. copyrighted works on a massive scale.”

    “By launching a service that operates without meaningful safeguards against infringement, ByteDance is disregarding well-established copyright law that protects the rights of creators and underpins millions of American jobs. ByteDance should immediately cease its infringing activity,” Charles Rivkin, chairman and CEO of the MPA, said in a statement Tuesday.

    Screenwriter Rhett Rheese, who wrote the “Deadpool” movies, said on X last week that “I hate to say it. It’s likely over for us.” His post was in response to Irish director Ruairí Robinson’s post of a Seedance 2.0 video that shows AI versions Tom Cruise and Brad Pitt fighting in a post-apocalyptic wasteland.

    Actors union SAG-AFTRA said Friday it “stands with the studios in condemning the blatant infringement” enabled by Seedance 2.0.

    “The infringement includes the unauthorized use of our members’ voices and likenesses. This is unacceptable and undercuts the ability of human talent to earn a livelihood,” SAG-AFTRA said in a statement. “Seedance 2.0 disregards law, ethics, industry standards and basic principles of consent. Responsible AI development demands responsibility, and that is nonexistent here.”

    ByteDance said in a statement Sunday that it respects intellectual property rights.

    “(We) have heard the concerns regarding Seedance 2.0. We are taking steps to strengthen current safeguards as we work to prevent the unauthorized use of intellectual property and likeness by users,” the company said.

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  • How many feet are in 500 miles? Nobody knows, at least Nate Bargatze doesn’t at the Daytona 500

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    DAYTONA BEACH, Fla. — Nate Bargatze considered squeezing a big, dumb joke into his command for drivers to start their engines at the Daytona 500.

    “At first, I thought about doing like, how many feet are in 500 miles,” Bargatze said. “Nobody knows.”

    Bargatze laughed when he said the proposed joke, which is a riff on his popular “Washington’s Dream” sketches on “Saturday Night Live,” fell flat when he tested it Saturday night during a gig in Indianapolis.

    “I was going to do another one with Jimmie Johnson being older to let the younger drivers know that his left blinker will be on the whole race,” Bargatze said. “Then when I got here and talked about it, it’s like, I think you just need to do, normal? You have all these hopes and dreams to do something funny.”

    Bargatze kept it straight in his role as grand marshal for Sunday’s Daytona 500.

    “It’s going to be insanity,” Bargatze said. “It’s been a dream to be asked to do this.”

    Bargatze’s day at Daytona — where he mingled with drivers such as Denny Hamlin — is just the latest dream job for one of the most popular stand-ups currently working. He hosted the Emmy Awards, released three Netflix specials and just won a Best Comedy Album Grammy Award for “Your Friend, Nate Bargatze.”

    His “Big Dumb Eyes World Tour” set a record for biggest one-year gross by a comedy performer in history and has set more than 40 arena attendance records.

    They served as warm-up acts for his first starring role in a movie, “The Breadwinner.” Bargatze co-wrote the script for the film he said was influenced by his stand-up and old-school funny, family movies such as “Mr. Mom” and “Home Alone.”

    “You want it to be broad, the whole family can come,” Bargatze said. “It’s like what I do with stand-up, you kind of just want everybody to come.”

    Mandy Moore plays Bargatze’s wife in the comedy, which also includes Colin Jost and Will Forte and opens May 29.

    “Obviously overwhelming,” Bargatze said. “I don’t know how to act. Learning that on the fly was a good time.”

    The 46-year-old Bargatze resumes his stand-up tour this week in Rockford, Illinois, and he’s set to host the ABC game show, “The Greatest Average American.”

    The title seemed fitting when Bargatze was gifted one of only 500 specialty Daytona 500 hats. The hat was numbered 302. Average.

    “It’s not bragging,” Bargatze said. “I’m right in the middle. That’s where the average American would be. It’s humility. It’s how you go.”

    ___

    AP auto racing: https://apnews.com/hub/auto-racing

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  • Independent Spirit Awards celebrate indie movies and TV in Los Angeles

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    Ethan Hawke,Rose Byrne and Keke Palmer are just a few of the actors up for prizes at the Film Independent Spirit Awards on Sunday in Los Angeles. Comedian and “Saturday Night Live” veteran Ego Nwodim is hosting the celebration of independent film and television, which will be livestreamed on YouTube starting at 5 p.m. ET.

    Top nominees going into the 41st edition of the show include Ira Sachs’ “Peter Hujar’s Day,” which recreates an interview with the 1970s photographer, played by Ben Whishaw; Clint Bentley’s lyrical Denis Johnson adaptation “Train Dreams,” with Joel Edgerton; and Eva Victor’s “Sorry, Baby,” about life after an assault.

    The show, which serves as a fundraiser for Film Independent’s year-round programs, is being held at the Hollywood Palladium for the first time, as its longtime beachside perch in Santa Monica undergoes renovations.

    The awards sometimes overlap significantly with major Oscar contenders and winners, as it did with “Anora,” and “Everything Everywhere All At Once,” and sometimes not. Organizers limit eligibility to productions with budgets less than $30 million, meaning more expensive films like “One Battle After Another” are not in the running.

    Byrne is one of the few actors nominated for both a Spirit Award and an Oscar, for her performance as a mother on the edge in Mary Bronstein’s “If I Had Legs I’d Kick You.” In the lead performance category, she’s up against the likes of Edgerton (“Train Dreams”), Dylan O’Brien (“Twinless”), Palmer (“One of Them Days”), Tessa Thompson (“Hedda”) and Whishaw. The organization switched to gender-neutral acting categories in 2022.

    Supporting performance nominees include Naomi Ackie (“Sorry, Baby”), Zoey Deutch (“Nouvelle Vague”), Kirsten Dunst (“Roofman”), Nina Hoss (“Hedda”) and Archie Madekwe (“Lurker”).

    Films nominated in the international category include “Sirāt,”“The Secret Agent” and “On Becoming a Guinea Fowl.” “Come See Me in the Good Light,” “My Undesirable Friends: Part I — Last Air in Moscow” and “The Perfect Neighbor” are also up for the documentary prize.

    Hawke, who is nominated for an Oscar for “Blue Moon,” is up for a Spirit Award for his leading performance in the television series “The Lowdown,” where other nominees include Seth Rogen for “The Studio,” Stephen Graham for “Adolescence” and Noah Wyle for “The Pitt.”

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  • Brooks Nader admits ‘chasing perfection’ in Hollywood was a mistake after dissolving her fillers

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    Brooks Nader is opening up about why she decided to get her fillers dissolved.

    In a recent interview with US Weekly, the 29-year-old model shared why she felt she had to get facial fillers in the first place and the biggest difference she’s felt since getting them dissolved.

    “I honestly felt really good about it, because I feel like I get a lot of the comments that are like, ‘You look 40, you look 40, you look 40,’” Nader explained. “I’m like, ‘What? I don’t want to be 40.’”

    Since getting her filler removed, Nader says, “Everyone’s like, ‘Finally, you actually look like 28,’” and that even her parents told her that her face doesn’t look “blown up” anymore.

    Nader shared people have stopped telling her she looks 40 years old. (XNY/Star Max/GC Images)

    KALEY CUOCO SAYS ‘BAD’ BOTOX MISHAP LEFT HER SHOCKED BY HOW HER FACE LOOKED ON ‘BIG BANG THEORY’

    During the interview, Nader revealed she got fillers when she first moved to New York at 18 years old, after her “parents gave me, like, $1000 and they were like, ‘Have fun.’”

    “I felt like it was what everyone was doing,” Nader added. “I was thrown into this world of Hollywood and chasing perfection. And I thought that getting filler was the answer.”

    After getting them removed, Nader explained she is “loving my smile and how I’m looking” but hasn’t ruled out trying them out again when she gets older.

    Nader recently posted a series of steamy photos from her vacation in Cabo San Lucas, Mexico, captioning the post, “Old lips, new clothes, same me.”

    Brooks Nader stands on the sand in Cabo San Lucas wearing a cropped graphic T-shirt and red bikini bottom, looking toward the ocean during her Mexico vacation.

    Brooks Nader poses on the beach in Cabo San Lucas, Mexico, wearing a cropped T-shirt and red bikini bottom during her girls’ trip getaway. (Brooks Nader/ Instagram)

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    The post featured photos Nader posing in a cropped white graphic T-shirt featuring a cherry design, paired with a red string bikini bottom, as well as snaps of her in a leopard-print bikini.

    “The natural lips are YOU and that is always the best, natural beauty!!” one fan wrote in the comments section. Another added, “Old lips are good, everything is good.”

    A third fan chimed in writing, “Old lips, new clothes… same knockout.”

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    Brooks Nader poses for a red carpet.

    Nader shared she couldn’t wait to move to a big city after growing up in Baton Rouge. (Michael Simon/Getty Images)

    When it comes to her more risqué looks, Nader told Maxim magazine in September 2025, that having grown up in a more conservative family in Baton Rouge, she always dreamed of living in a big city.

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    “I always wanted to express myself and I wanted to look sexy,” she said. “I fantasized about living in LA or New York, but it seemed worlds away. I also had to toe the line because of where I’m from.”

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  • Callum Turner Goes Silent When Asked About James Bond

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    Callum Turner is an expert at sidestepping questions he doesn’t want to answer. The 35-year-old model-turned-actor (36 if you’re reading this tomorrow—his birthday is February 15) has honed that skill evading queries about his relationship with singer Dua Lipa, whom he dated for a year and a half before the couple confirmed their engagement in 2025. It’s a level of stealth worthy of James Bond, who, some say, Turner is all but certain to soon play.

    But those “some” don’t include Callum Turner, based on a Saturday media event. The London-born thespian who’s worked steadily since he entered the profession at age 20, spent Valentine’s Day at the Berlin Film Festival. He was there to promote Rosebush Pruning, Karim Aïnouz’s star-studded satire about a wealthy (and yet, so so sad) family picking at each other as they languish in a lavish Catalonian villa.

    It was the film’s world premiere, but at a press conference for the movie, one of the earliest questions passed over stars Pamela Anderson, Tracy Letts, Jamie Bell, and Lukas Gage, and landed squarely on Turner’s sturdy shoulders.

    The presser had just kicked off when a journalist said they wanted to address “the elephant in the room,” and asked about the chatter surrounding Turner’s rumored role in Dune director Denis Villeneuve‘s upcoming Bond film, the first under the franchise’s new owner, Amazon (yes, that Amazon) MGM Studios.

    Dua Lipa and Callum Turner pose on the red carpet for Rosebush Pruning

    RALF HIRSCHBERGER/Getty Images

    “It’s very early for that question,” Turner responded as he swiveled back-and-forth in his seat. “I’m not going to comment on it, thank you.” The Pulitzer Prize-winning Letts interrupted at that point to say “I’m sorry, I’m the next James Bond.”

    “Tracy, I thought you weren’t going to say anything,” Turner responded, to laughter from the crowd. (The 60-year-old American was clearly joking, but odder ideas have certainly been proposed!)

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    Eve Batey

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  • Rosie O’Donnell quietly returns to US after abandoning country over Trump’s victory

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    After a self-imposed political exile to Ireland after President Donald Trump’s re-election, Rosie O’Donnell quietly returned to the United States.

    During an interview with Chris Cuomo on his new show, “SiriusXM’s Cuomo Mornings,” the 63-year-old actress revealed she recently returned to the country to visit her family. The actress moved to Ireland with her teenage daughter in January 2025, just prior to President Trump’s second inauguration. 

    “I was recently home for two weeks, and I did not really tell anyone,” she told Cuomo. “I just went to see my family. I wanted to see how hard it would be for me to get in and out of the country. I wanted to feel what it felt like. I wanted to hold my children again. And I hadn’t been home in over a year.”

    She then shared that she “wanted to make sure that it was safe” for her and her daughter to come back over the summer so that they could be with family during her break from school.

    O’Donnell said she recently returned to the U.S. without telling anyone. (Dave Benett/Getty Images)

    HOLLYWOOD ELITES REMAIN IN AMERICA DESPITE PLEDGING TO LEAVE AFTER TRUMP’S ELECTION IN 2016

    When speaking to Cuomo, she went on to discuss how America “feels like a very different country” to her than when she lived here because she hasn’t “been watching the news” or keeping up with “American culture television” while living in Ireland.

    “I’ve been in a place where celebrity worship does not exist,” she explained. “I’ve been in a place where there’s more balance to the news. There’s more balance to life. It’s not everyone trying to get more, more, more. It’s a very different culture. And I felt the United States in a completely different way than I ever had before I left.”

    O’Donnell claimed she doesn’t “regret leaving at all” and feels she did “what I needed to do to save myself, my child and my sanity.”

    Rosie O'Donnell in front of the Sydney Opera House in October 2025.

    O’Donnell added that she doesn’t regret moving to Ireland. (Brendon Thorne/Getty Images for Tinderbox Productions)

    ROSIE O’DONNELL SAYS DAUGHTER BLAMES TRUMP FOR FORCING THEIR FAMILY’S MOVE OUT OF AMERICA

    “And I’m very happy that I’m not in the midst of it there because the energy that I felt while in the United States was — if I could use the most simple word I can think of — it was scary,” she added. “There’s a feeling that something is really wrong, and no one is doing anything about it.”

    The bad blood between O’Donnell and President Trump goes back 20 years, when she criticized him while on “The View.” They continued to throw jabs at each other over the years, with O’Donnell telling the Irish radio show “Sunday with Miriam,” “He uses me as a punching bag and a way to sort of rile his base.”

    After announcing she had moved to Ireland, the star shared she was applying for Irish citizenship during an interview with the U.K.’s Daily Telegraph in October 2025.

    “What great news for America!” White House spokesperson Abigail Jackson told Fox News Digital about the news at the time.

    Rosie O'Donnell and Donald Trump

    Rosie O’Donnell and Donald Trump (Getty Images)

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    President Trump had previously threatened to revoke O’Donnell’s American citizenship twice before through posts on Truth Social.

    “Because of the fact that Rosie O’Donnell is not in the best interests of our Great Country, I am giving serious consideration to taking away her Citizenship,” he wrote in July 2025. “She is a Threat to Humanity, and should remain in the wonderful Country of Ireland, if they want her. GOD BLESS AMERICA!”

    He later renewed the threats in September 2025, writing, “She is not a Great American and is, in my opinion, incapable of being so!”

    O’Donnell fired back against the president’s threats, using the Constitution as her defense against the President.

    A split of Rosie O'Donnell and Donald Trump

    President Trump threatened to revoke O’Donnell’s citizenship. (Getty Images)

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    “He can’t do that because it’s against the Constitution, and even the Supreme Court has not given him the right to do that. … He’s not allowed to do that. The only way you’re allowed to take away someone’s citizenship is if they renounce it themselves, and I will never renounce my American citizenship,” the “Now and Then” star said. “I am a very proud citizen of the United States.

    “I am also getting my citizenship here so I can have dual citizenship in Ireland and the United States because I enjoy living here,” she added. “It’s very peaceful. I love the politics of the country. I love the people and their generous hearts and spirit. And it’s been very good for my daughter. But I still want to maintain my citizenship in the United States. My children are there. I will be there visiting and go to see them. And I have the freedom to do that, as does every American citizen.”

    Under the United States Constitution, a president does not have the power to strip the citizenship of someone born in the country, meaning since O’Donnell was born in New York, her citizenship is protected by the 14th Amendment.

    Rosie O'Donnell walked back comments about Minneapolis shooter

    Rosie O’Donnell has been one of President Donald Trump’s most prominent critics in the entertainment industry. (Chelsea Guglielmino/Getty Images)

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  • “Sinners” cinematographer opens up about career journey amid historic Oscar nomination

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    “Sinners” cinematographer Autumn Durald Arkapaw says she doesn’t want the audience to notice her work because “you wanna make it so good it feels like a dream.” The Oscar nominee is the first woman of color nominated in the cinematography category and only the fourth woman ever. It’s the only Oscars category never won by a woman. She talks about her career journey to this historic moment.

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  • Video: ‘Wuthering Heights’ | Anatomy of a Scene

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    Hello, I’m Emerald Fennell, and I’m the screenwriter and director of “Wuthering Heights.” “Wait till you see your dresses, Cathy.” So in this scene, we have a tour of Thrushcross Grange, which is Cathy’s marital home. It is Edgar Linton and his ward, Isabella, played by the incredible Shazad Latif and Alison Oliver. And they are showing around Cathy Linton, now, played by the wonderful Margot Robbie. The sequence is shot in a single take by our incredible camera operator, Ossie McLean, who is one of the best Steadicam ops in the world. And so the hallways in Thrushcross Grange are all in this kind of arterial blood red. “I said it should be the most beautiful color in the world. The color of my wife’s sweet face. Here, look the freckle from your cheek.” I think the thing about Thrushcross Grange is it’s designed to be at once kind of beguiling and grotesque. So it was always about talking to Suzie Davies, the incredible production designer, about how to have of uncanny feeling that was subconscious rather than overbearing. In the end, what it was made out of was padded panels with photographs of Margot’s actual skin and veins and freckles printed onto fabric, and then with an overlay of this very thin latex. And so what you find in the Victorian era was there was a huge preoccupation with containing nature. So here we have this lamb that is taxidermied. “Nelly. Nelly. Nelly. Nelly!” “Yes, Cathy.” “Well, you have been quiet.” “Quiet?” Nelly Dean is played by the unbelievable Hong Chau. This is the library, which is a kind of collector’s cabinet. So you can see these hands everywhere holding natural artifacts which have been lacquered. And it’s all about, containing nature and what happens when you do that, which really is the kind center of the book. It’s why Cathy’s necklace is enormous and almost choking, and why her dress is corseted extremely tightly. “As for the rest, this is good.”

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  • James Van Der Beek’s Beloved TV and Movie Roles: Dawson’s Creek, More

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    James Van Der Beek died in February 2026 at age 48 after a battle with colorectal cancer.

    The Connecticut-born actor was diagnosed with the illness in August 2023, but kept his battle under wraps until November 2024. At the time, Van Der Beek revealed that he had “been privately dealing with this diagnosis and [was] taking steps to resolve it” with support from his family, including wife Kimberly and their six children.

    Van Der Beek’s death was confirmed in a statement shared via Instagram on February 11, 2026.

    “Our beloved James David Van Der Beek passed peacefully this morning. He met his final days with courage, faith, and grace,” the statement read. “There is much to share regarding his wishes, love for humanity and the sacredness of time. Those days will come. For now we ask for peaceful privacy as we grieve our loving husband, father, son, brother, and friend.”

    Van Der Beek, who was very vocal about his cancer fight prior to his death, rose to fame as a teen with his starring role as Dawson Leery in The WB’s Dawson’s Creek. The teen drama, which aired from 1998 to 2003, turned him into a household name and led to other famous projects, including the 1999 film Varsity Blues and more.

    Keep scrolling for a look back at Van Der Beek’s most beloved TV and movie roles:

    ‘Dawson’s Creek’

    James Van Der Beek became a teen idol due to Dawson’s Creek, in which he played young wannabe filmmaker Dawson Leery. The show followed Dawson’s life with his best friend Joey (Katie Holmes), close pal Pacey (Joshua Jackson), girl next door Jen (Michelle Williams) and more.

    “It’s tough to compete with something that was the cultural phenomenon that Dawson’s Creek was,” Van Der Beek told Vulture in 2013.

    The cast of Dawson’s Creek reunited in September 2025 for a live script reading of the 1998 pilot episode in support of F Cancer. Though Van Der Beek was supposed to attend the event in person, he announced the day prior that he would have to skip due to illness. He ultimately made a cameo via a video statement.

    Paramount/courtesy Everett Collection

    “I can’t believe I’m not there,” the actor said. “I can’t believe I don’t get to hug my castmates, my beautiful cast, in person, and I just wanted to stand on that stage and thank every single person in this theater for being here tonight — from the cast to the crew to everybody who donated their time and has been so generous. And especially every single last one of you. You’re the best fans in the world. Thank you for coming.”

    ‘Varsity Blues’

    Shortly after Dawson’s Creek debuted, Van Der Beek landed the role of Jonathan “Mox” Moxon, an academically successful but rebellious backup quarterback for his high school’s varsity football team, in the 1999 sports comedy-drama Varsity Blues. Jon Voight, Paul Walker, Ron Lester and Scott Caan also starred in the film.

    In November 2025, Van Der Beek announced that he would be auctioning off items from both Dawson’s Creek and Varsity Blues to help with costs associated with his cancer treatment.

    ‘Don’t Trust the B—- in Apartment 23’

    In 2012, Van Der Beek appeared in the sitcom Don’t Trust the B—- in Apartment 23 as a fictionalized version of himself. The series also starred Krysten Ritter and Dreama Walker.

    ‘The Rules of Attraction’

    Van Der Beek took on a darker role in the 2002 black comedy drama The Rules of Attraction, based on Bret Easton Ellis‘ 1987 novel. Van Der Beek stars as Sean Bateman, a drug dealer from Berlin, New Hampshire, and the younger brother of Patrick Bateman, the main character of American Psycho.

    The film also starred Shannyn Sossamon, Ian Somerhalder, Jessica Biel, Kate Bosworth, Kip Pardue and Joel Michaely.

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  • Adrienne Bailon-Houghton’s “Chef’s Kiss” Wardrobe Deserves a Starring Role

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    By evening, as the story softens into something more intimate, Lauren’s seen in a light, flowy floral dress that moves easily with her through the village streets. The silhouette is relaxed, the styling is minimal, and its effect is undeniably romantic. It’s not a dramatic finale look — it’s a believable one, reinforcing that her character’s appeal lies in ease, not excess.

    Shop the look: Dmoyala Floral Corset Maxi Dress ($26)

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  • ‘Melania’ falls, ‘Send Help’ holds steady at No. 1 on quiet weekend in theaters

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    NEW YORK — Hollywood largely ceded attention to football over a slow box-office weekend, with the survival thriller “Send Help” repeating as No. 1 in ticket sales and the Melania Trump documentary “Melania” falling sharply in its second weekend.

    Super Bowl weekend is typically one of the lowest attended moviegoing times of the year. It was the second slowest weekend last year and in 2024 it ranked dead last for moviegoing.

    Studios instead put their focus on advertising movies for the massive television audience. Among the trailers expected to hit the NFL broadcast Sunday were The Walt Disney Co.’s “Mandalorian and Grogu,” Lionsgate’s Michael Jackson biopic, “Michael” and Universal Pictures’ “The Super Mario Galaxy Movie.”

    In North American theaters, the Disney.-20th Century Studios release “Send Help,” directed by Sam Raimi, lead all films with $10 million in its second weekend, according to studio estimates Sunday. With $53.7 million globally thus far, the R-rated survival thriller has proved a solid midbudget success. Disney meanwhile watched its remarkably long-lasting “Zootopia 2″ cross $1.8 billion worldwide in its 11th week of release.

    “Melania,” from Amazon MGM, added 300 theaters in its second weekend but dropped steeply with to $2.4 million in ticket sales, down 67% from its much-discussed debut. The rapid downturn means the Brett Ratner-directed documentary is likely heading toward flop territory given its high price tag. Amazon MGM paid $40 million for film rights, plus some $35 million to market it.

    The North American total for “Melania” stands at $13.4 million. Amazon MGM has not released international figures, though they’re expected to be paltry.

    Kevin Wilson, head of domestic distribution for the studio, said the movie’s box-office performance “is a critical first moment that validates our wholistic distribution strategy, building awareness, engagement, and provides momentum ahead of the film’s eventual debut on Prime Video.”

    The film’s ticket sales — which would be very good for a less expensive documentary — were a talking point throughout the week. Late-night hosts Stephen Colbert and Jimmy Kimmel hammered the movie’s sales. Kimmel called them a “rigged outcome.” Elsewhere in theaters, the Italy-set Kevin James romantic comedy “Solo Mio” debuted with a robust $7.2 million, a major win for Angel Studios, best known for its faith-based releases. “Stray Kids: The Dominate Experience,” a K-pop concert film released by Bleecker Street, launched with $5.6 million, and an additional $13.2 million overseas. The Luc Besson-directed Bram Stoker adaptation “Dracula” opened with $4.5 million, a studio-best debut for the indie distributor Vertical.

    One of the most unusual releases in theaters, however, remains the low-budget indie “Iron Lung.” The YouTube filmmaker Markiplier, whose real name is Mark Fischbach, self-financed and self-distributed the R-rated video game adaptation, along with writing, directing and starring in it. In its second weekend, “Iron Lung” collected $6.2 million, bringing its two-week total to $31.2 million. It cost $3 million to make.

    With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore:

    1. “Send Help,” $10 million.

    2. “Solo Mio,” $7.2 million.

    3. “Iron Lung,” $6 million.

    4. “Stray Kids: The Dominate Experience,” $5.6 million.

    5. “Dracula,” $4.5 million.

    6. “Zootopia 2,” $4 million.

    7. “Avatar: Fire and Ash,” $3.5 million.

    8. “The Strangers: Chapter 3,” $3.5 million.

    9. “Shelter,” $2.4 million.

    10. “Melania,” $2.4 million.

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  • ‘Melania’ Falls Steeply and ‘Send Help’ Holds Steady at No. 1 on a Quiet Weekend in Theaters

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    NEW YORK (AP) — Hollywood largely ceded attention to football over a slow box-office weekend, with the survival thriller “Send Help” repeating as No. 1 in ticket sales and the Melania Trump documentary “Melania” falling sharply in its second weekend.

    Super Bowl weekend is typically one of the lowest attended moviegoing times of the year. It was the second slowest weekend last year and in 2024 it ranked dead last for moviegoing.

    Studios instead put their focus on advertising movies for the massive television audience. Among the trailers expected to hit the NFL broadcast Sunday were The Walt Disney Co.’s “Mandalorian and Grogu,” Lionsgate’s Michael Jackson biopic, “Michael” and Universal Pictures’ “The Super Mario Galaxy Movie.”

    In North American theaters, the Disney.-20th Century Studios release “Send Help,” directed by Sam Raimi, lead all films with $10 million in its second weekend, according to studio estimates Sunday. With $53.7 million globally thus far, the R-rated survival thriller has proved a solid midbudget success. Disney meanwhile watched its remarkably long-lasting “Zootopia 2″ cross $1.8 billion worldwide in its 11th week of release.

    “Melania,” from Amazon MGM, added 300 theaters in its second weekend but dropped steeply with to $2.4 million in ticket sales, down 67% from its much-discussed debut. The rapid downturn means the Brett Ratner-directed documentary is likely heading toward flop territory given its high price tag. Amazon MGM paid $40 million for film rights, plus some $35 million to market it.

    The North American total for “Melania” stands at $13.4 million. Amazon MGM has not released international figures, though they’re expected to be paltry.

    Kevin Wilson, head of domestic distribution for the studio, said the movie’s box-office performance “is a critical first moment that validates our wholistic distribution strategy, building awareness, engagement, and provides momentum ahead of the film’s eventual debut on Prime Video.”

    The film’s ticket sales — which would be very good for a less expensive documentary — were a talking point throughout the week. Late-night hosts Stephen Colbert and Jimmy Kimmel hammered the movie’s sales. Kimmel called them a “rigged outcome.” Elsewhere in theaters, the Italy-set Kevin James romantic comedy “Solo Mio” debuted with a robust $7.2 million, a major win for the Christian-oriented Angel Studios. “Stray Kinds: The Dominate Experience,” a K-pop concert film released by Bleecker Street, launched with $5.6 million. The Luc Besson-directed Bram Stoker adaptation “Dracula” opened with $4.5 million, a studio-best debut for the indie distributor Vertical.

    One of the most unusual releases in theaters, however, remains the low-budget indie “Iron Lung.” The YouTube filmmaker Markiplier, whose real name is Mark Fischbach, self-financed and self-distributed the R-rated video game adaptation, along with writing, directing and starring in it. In its second weekend, “Iron Lung” collected $6.2 million, bringing its two-week total to $31.2 million. It cost $3 million to make.


    Top 10 movies by domestic box office

    With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore:

    1. “Send Help,” $10 million.

    2. “Solo Mio,” $7.2 million.

    3. “Iron Lung,” $6 million.

    4. “Stray Kids: The Dominate Experience,” $5.6 million.

    5. “Dracula,” $4.5 million.

    6. “Zootopia 2,” $4 million.

    7. “Avatar: Fire and Ash,” $3.5 million.

    8. “The Strangers: Chapter 3,” $3.5 million.

    9. “Shelter,” $2.4 million.

    10. “Melania,” $2.4 million.

    Copyright 2026 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

    Photos You Should See – Feb. 2026

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  • Paul Thomas Anderson Wins at 78th Directors Guild Awards for ‘One Battle After Another’

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    NEW YORK (AP) — Paul Thomas Anderson won the top prize at the 78th Directors Guild Awards, putting the “One Battle After Another” filmmaker on course to potentially win his first Oscar.

    The DGA Awards, held Saturday night at the Beverly Hilton in Beverly Hills, California, is among the most reliable Academy Awards precursors. In the last 10 years, nine DGA winners have gone on to win best director at the Oscars. In the guild’s nearly eight-decade history, only eight times has the guild not predicted the Oscar winner.

    The award adds to a virtual awards-season sweep for “One Battle After Another,” which has won with critics groups, the Gotham Awards and the Golden Globes. It’s considered the favorite for best picture at the March 15 Oscars. Academy voting begins Feb. 26.

    The other nominees were Ryan Coogler (“Sinners”), Guillermo Del Toro (“Frankenstein”), Josh Safdie (“Marty Supreme”) and Chloé Zhao (“Hamnet”).

    As he’s often done through awards season, Anderson in his brief speech paid tribute to late assistant director Adam Somner, who died in 2024. “Obviously,” he said, “we are up here minus one.”

    “In 2024, our employment in our guild was down about 40%, and that was followed by another decline in ’25,” said Nolan. “The amount of money that people spend on our work, on entertainment, is very, very stable. Audiences are invested in us, we have to be sure that we’re able to repay that investment.”

    Other winners Saturday included “The Plague” filmmaker Charlie Polinger for first-time director; “2000 Meters to Andriivka” director Mstyslav Chernov for best documentary filmmaking; and “The Studio” directors Seth Rogen and Evan Goldberg for comedy series.

    Copyright 2026 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

    Photos You Should See – Feb. 2026

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  • Kristin Cavallari’s strict 6-month dating rule she follows after past relationship mistakes

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    Kristin Cavallari is sharing what she’s learned from her romantic relationships over the years, and the one rule she’s set for herself.

    While answering fan questions during a recent episode of her podcast, “Let’s Be Honest,” Cavallari discussed the difference between infatuation and love, explaining, “I have gotten confused by infatuation far too many times.”

    “I think they say infatuation is anywhere from three to six months, so I have taken this stance in the last few years that I am not allowed to say I love you to, make long-term plans with anyone, introduce them to my kids, like nothing for the first six months because I am someone who gets very excited when I like someone because it is so rare that I am attracted to someone.”

    She went on to say that she gets “fully consumed by” her infatuations and admits she has “said I love you to people I probably shouldn’t have” because she was “confused” by her feelings.

    Cavallari said she doesn’t allow herself to tell anyone she loves them until they’ve been dating for six months or longer. (MEGA/GC Images)

    KATHY GRIFFIN REVEALS SHE ‘ACCIDENTALLY FELL IN LOVE’ WITH 23-YEAR-OLD MAN AFTER DIVORCE

    When it comes to being in love, she admits she has only felt that way about three people in her life, those three being “my ex-husband, my boyfriend Nick when I was like 19, 20, Steven, high school boyfriend,” and potentially her eighth grade boyfriend, joking, “I don’t know if you can be in love in eighth grade, but if you can, then I definitely was.”

    “I love absolutely love all of my friends, but I don’t want to make out with them right like I think that’s the difference between just loving someone and being in love with someone is at least for me. I think the difference is just that attraction piece,” she explained.

    Ultimately, she said, “time will tell” if the infatuation felt at the beginning of the relationship will turn into love, adding, “everyone that I ended up falling in love with I also was infatuated with in the beginning.”

    Cavallari was married to her ex-husband, former NFL quarterback Jay Cutler, from June 2013 to October 2020. The former couple share three children together: Camden, 13, Jaxon, 11, and Saylor, 10.

    Kristin Cavallari and Jay Cutler sit at a table together

    Cavallari and Cutler divorced in October 2020. (Jake Giles Netter/E! Entertainment/NBCU Photo Bank/NBCUniversal via Getty Images)

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    Following her breakup with Cutler, Cavallari announced she was dating TikTok creator Mark Estes, with an Instagram post featuring the two of them, with the caption, “He makes me happy.”

    She received backlash online after going Instagram official, from people who had an issue 13-year age gap. In response, she posted a TikTok in which she lip-synced to a sound asking, “So what are you gonna do about it,” and then, “Are you gonna arrest me? Are you gonna give me a ticket?”

    “When they’re all up in arms that [I’m] dating a 24-year-old. Andddd?” she wrote in the caption.

    The two later broke up in September 2024, after seven months of dating.

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    Kristin Cavallari split with Mark Estes

    Cavallari and Estes broke up after seven months of dating. (Getty Images)

    She opened up about the breakup in an October 2024 episode of her podcast, saying she broke up with him because “I just know long-term it’s not right.”

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    “I just know long-term he needs to experience life. He’s young. I started to feel the age a little bit with life experience,” she said. “I look back when I was 24 and how much life has happened between then. Those are crucial years. Those are formative years. They’re when you find yourself, and he needs to be able to do that.”

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  • Norms Takes Center Stage in ‘Good Luck, Have Fun, Don’t Die’ – LAmag

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    Sam Rockwell takes over the googie coffee shop in Gore Verbinski’s latest movie

    In the new film Good Luck, Have Fun, Don’t Die (in theaters Feb. 13), a soaked and disheveled Sam Rockwell stumbles into L.A.’s iconic Norms restaurant after dark, with LAPD squad cars swarming outside. Shocked patrons ignore their club sandwiches as the bedraggled stranger, covered in electrodes, hoses, and sci-fi gadgetry, barks out, “I am from the future … and all of this goes horribly wrong.”

    The juxtaposition of the comfortable family-restaurant setting (complete with Boy Scouts and seniors getting coffee refills) and a potentially dangerous situation unfolding raises tension and sets the scene for an offbeat adventure. Norms on La Cienega is a modernist landmark designed by architects Louis Armet and Eldon Davis in 1957. It has been immortalized in an iconic painting by pop artist Ed Ruscha, a song by Tom Waits, and countless movies and TV shows over the decades.

    “I guess that’s where bad guys like to meet, over a cup of coffee,” says location manager Robert Foulkes, who recently scouted Norms for a film set in the 1950s. “These coffee shops are great-looking, have a lot of character and are perfect for conversation scenes. They’re timeless. A period piece plays really well, or you can do a scene with a contemporary hipster.”

    Directors love shooting inside midcentury Googie coffee shops designed by Armet & Davis. Quentin Tarantino used their Hawthorne Grill for the opening scenes of Pulp Fiction and their Johnie’s at Wilshire and Fairfax for Reservoir Dogs. That counter can also be seen in The Big Lebowski, American History X and Miracle Mile. David Lynch chose one of the firm’s vintage Denny’s locations in Gardena for Mulholland Drive. A&D’s masterpiece Pann’s, near LAX, was the setting for Vin Diesel’s fight scene in xXx, and their Corky’s on Van Nuys Boulevard appears in the 2010 reboot of A Nightmare on Elm Street.

    “Noir often took place in a diner,” says Alan Hess, author of Googie Redux. “This is just continuing that tradition. Villains’ lairs are often modern houses that feel evil in some way. Somehow, coffee shops fit into the atmosphere of noir.”

    Director Gore Verbinski, who hung out at Norms while attending UCLA film school, filmed the exteriors for Good Luck, Have Fun, Don’t Die on La Cienega. For the interior scenes, the filmmaker built a larger-than-life version in Cape Town, South Africa, some 10,000 miles from L.A.

    “In our film, the protagonist [Rockwell] is cinematically and symbolically trapped in a world of triangles,” Verbinski tells Los Angeles. “[He’s] ironically imprisoned by this icon of enlightenment as he endeavors to save the world from a new intelligence being born. I think the architecture of Norms is perfectly suited to take the rectangular frame and slash it with the diagonal, making it askew and creating the sense of a world gone cattywampus.”

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  • The 18 Best Movies and TV Shows to Watch This Weekend

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    Clockwise from top: The Muppet Show, the Olympics, The ‘Burbs, and The Moment.
    Photo-Illustration: Vulture; Photos: Mitch Haaseth/Disney, A24/Everett Collection, Elizabeth Morris/PEACOCK, Bruce Bennett/Getty Images

    It’s time to bump that. It’s time to strobe the lights. It’s time to see The Moment at your local theater tonight. I’m pretty sure that’s basically what the Muppets sing before a show. But thankfully, there’s a new Muppets special out to verify that. I’d like to think this ushers in a new era of Muppets that actually sticks, but the newly appointed Disney CEO, Josh D’Amaro, was the parks guy in charge during the closure of Muppet*Vision 3D, so … moving right along.

    Every few years, there’s another attempt to make the Muppets mainstream, which is silly because they’re a cornerstone of American pop culture. But if it means more Muppets, why not? This time, that attempt is a special, one-shot return of this sketch-comedy show, starring Sabrina Carpenter, filmed at the original Muppet Theatre. —Roxana Hadadi 

    To commemorate the end of Brat, Charli XCX and director Aidan Zamiri teamed up to produce a strange part-mockumentary, part-satire on an alternate reality of the singer throughout Brat’s success. Charli plays herself as she deals with her upcoming tour as her label and management all suggest suffocating ways to keep brat summer going, which includes hiring an overbearing and eccentric filmmaker, Johannes (Alexander Skarsgård), for a concert film. The Moment feels more like a thought experiment than a movie, but there are bright spots — a scene between a frazzled Charli and a collected Kylie Jenner is a standout — for Angels to chew on.

    With her podcast, music, and movie work, Keke Palmer is basically everywhere at all times, but it’s been years since she starred in a TV series. She gets that opportunity in this satire about a couple who move to a pleasant town whose citizens boast about it being the safest in America. But what’s up with that abandoned mansion in Samira’s neighborhood, and why is her husband (Jack Whitehall) acting so weird? —R.H.

    Netflix’s procedural about a lawyer riding around in his Lincoln is still going strong. In its fourth season, The Lincoln Lawyer is picking up the pieces from its season three finale with Mickey Haller having to defend himself this time. Neve Campbell and Cobie Smulders also co-star this season.

    Filipino filmmaker Lav Diaz’s cinematic style and worldview are meant to challenge his viewers, both in terms of how his movies play out (long takes, minimal camera movement, run times that count as an investment) and the themes they address (the American Dream as a myth, the impact of 2006’s Super Typhoon Durian on a village and a family, the corruptness and moral vacuity of the elite). His 2004 opus Evolution of a Filipino Family was more than ten hours long! Compared with that, Magellan is a breeze at 164 minutes, and it’s also one of the most clear-eyed and disturbing anti-colonial films to come out in years. Starring a fantastic Gael García Bernal as the Portuguese explorer, Magellan subverts the idea that he was inspired by any kind of respectable ambition. He was a soldier, a murderer, a zealot, and a maniac, and García Bernal conveys all that with a weary, exhausted performance that drives home the soul-decaying nature of international conquest. Some of Diaz’s most stunning images hold Magellan to account, like a group of women, all dressed in black, swarming him for updates about their husbands and sons (all dead because of him), and another group of men, despondent and defeated, trapped in cages by Christian slavers. As a portrait of imperial folly and destruction, it’s thorough, poetic, ruthless, and the kind of timeless that ends up feeling timely. Men who seize power and insist that God chose them, and only them, to rule in a way that oppresses and harms others … Where have I heard that before? ➽ In theaters now

    Psssst! If you don’t have Peacock, an antenna might help.

    Don’t let your newfound interest in ice hockey go to waste. This year’s games are in Northern Italy, where the U.S. will presumably be competitive in the various figure-skating and skiing events. Maybe curling? The opening ceremony kicks off today, and we plan on following the games closely. —Nicholas Quah

    Bad Bunny is coming into his Super Bowl halftime performance high off a historic Grammy win. DeBÍ TiRAR MáS FOToS became the first Spanish-language album to win Album of the Year, he spoke out against ICE, and now, he’ll perform on one of the larger stages in the country. Oh, yeah, and the New England Patriots and Seattle Seahawks will be playing football before and after.

    ➽ Don’t forget to make time for the adorable Puppy Bowl XXII on HBO Max, either.

    The second season of Fallout, after starting somewhat promisingly, morphed into Westworld 2.0 with its frustrating season finale, “The Strip.” It’s yet another puzzle-box show that ends each season with a tease that actually, next season, we’ll understand what the series is really about. Walton Goggins, Ella Purnell, and Kyle MacLachlan are doing solid work, though, and for devoted fans of the games, maybe Fallout will continue to deliver some disparate charms. There’s a new kind of power armor teased in a post-credits scene, if that’s a thing you care about. For people only watching to see Goggins’s exceptional performance, well, there are other ways to get that in your life. May I suggest Justified? —R.H.

    You can host the ultimate double feature this weekend with two comedies of varying quality. There’s Splitsville, a hilarious feature on two deteriorating marriages starring Dakota Johnson, Adria Arjona, Kyle Marvin, and Michael Angelo Covino. And then there’s James L. Brooks’s head-scratcher, Ella McCay, which critic Alison Willmore dubbed “pure gas-leak cinema.” Its story of a 30-something governor from an unspecified state didn’t make much of an impact in theaters, but it did on social media.

    ➽ Best Picture nominees Hamnet and The Secret Agent arrive on digital platforms alongside Amanda Seyfried and Sydney Sweeney’s twisty thriller The Housemaid.

    Want more? Read our recommendations from the weekend of January 30.

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  • ‘Blue Bloods’ star Jennifer Esposito slams Hollywood’s lack of ‘decency’ after losing home to finance film

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    Jennifer Esposito is calling out Hollywood after revealing she lost the home she mortgaged to make her first feature film.

    The “Blue Bloods” alum, 52, shared an emotional video on Instagram, telling followers she is being forced to move out of the house she leveraged to finance “Fresh Kills” — a critically acclaimed film she wrote, directed, produced and starred in.

    “Yeah, I’m looking like a– right now ‘cause I’ve been crying ‘cause I’m moving out of my home that I mortgaged to make my film,” Esposito said.

    JENNY MCCARTHY SAYS HOLLYWOOD ‘GETS EVERYTHING WRONG’ ABOUT REAL AMERICA AFTER MOVING TO MIDWEST

    Jennifer Esposito called out Hollywood for a lack of support despite critical praise for her directorial debut “Fresh Kills.” (JC Olivera/Getty Images)

    “Fresh Kills” was released in 2024 and earned praise from critics, but Esposito made it clear that acclaim did not translate into meaningful industry support — particularly from those with power and influence. 

    “And then have people who are in the spotlight not be able to just throw one back and say, ‘Hey, thanks, watch this film,’” she continued. “I said to myself, ‘You know what? Nobody owes anybody anything.’ And then I thought, ‘Do we? Do we as human beings? … I think actually we do owe each other something. We owe each other decency as human beings.’”

    In the caption accompanying her post, Esposito continued to share her frustration.

    “Maybe that singular question is the one to ask regarding every single issue we are facing currently,” she wrote.

    “Forget the systems that deliberately keep us at one another’s throats — and survival is now a basic, everyday occurrence. I’m talking as human to human. Basic human decency to another living being. That’s it. Think on that,” Esposito added.

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    Jennifer Esposito on Blue Bloods

    The “Blue Bloods” actress revealed she’s moving out after financing “Fresh Kills” with her house as collateral. (Getty Images)

    She continued to expand on her message, but shifted her focus away from Hollywood and toward what she described as a culture driven by distraction and division.

    “Imagine if we all actually had one another’s backs. Systems that are meant to divide actually might fall,” Esposito wrote.

    “And now feel free to scroll about the best new face lift, arrest of a journalist and who else was shot,” she concluded.

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    Fans and fellow Hollywood stars flooded her post with comments. Many praised both her work and her willingness to take personal risks in the cutthroat industry.

    Debra Messing

    Debra Messing showed support towards Esposito. (Charley Gallay/Getty Images for Project Angel Food)

    Debra Messing commented, “Jen, I am heartbroken for you. Your film was exquisite and I’m better for seeing it. The fact that you have to leave your home in order to give your Art to the world is maddening. Sending love and strength and appreciation.”

    Jerry O’Connell said, “So sorry, Jen. I WILL BE ON THE LOOKOUT. Promise!”

    Jennifer Esposito red carpet

    Esposito received support from a number of fellow actors. (Getty Images)

    Don Cheadle added, “Here for you, kiddo! Ya’ll check Jennifer’s movie out. She put and puts it all on the line. A real artist in the pursuit of truth!”

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