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Tag: Morrissey

  • Houston Concert Watch 10/30:  Morrissey, Marc Anthony and More

    Houston Concert Watch 10/30: Morrissey, Marc Anthony and More

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    Grateful Dead guitarist Bob Weir said on Instagram last week, “Phil [Lesh] wasn’t particularly averse to ruffling a few feathers.” To hear some in the Dead world tell it, that is an understatement. When the Dead were making their second album (Anthem of the Sun) for Warner Brothers, company president Joe Smith identified bassist Lesh as “the catalyst for chaos within the band,” adding, “It’s apparent that nobody in your organization has enough influence over Phil Lesh to evoke anything resembling normal behavior.”

    Smith’s attitude may have been colored by the fact that, when the band’s manager received a letter from Smith complaining about inefficiency during the creative process, one of the band members (Lesh?) underlined the parts that the Dead didn’t like, wrote “Fuck You!” across the letter and mailed it back to Smith.

    Normal behavior was, of course, something at which the members of the Dead did not excel, particularly Lesh. I suppose it was a combination of his rebellious personality, his beatnik irreverence and a sincere distrust of The Man. Lesh passed away last week at the age of 84. Fare thee well, Phil, you magnificent bastard.

    Ticket Alert
    It’s been a couple of years since the Swedish band Ghost played in Houston, but they must be doing something right, as their last Bayou City gig was at the Smart Financial Center, and now they have graduated to Toyota Center. It will, no doubt, be an evening filled with costumes, masks, generally spooky stuff and some heavy (if at times slightly overwrought) rock and roll. You can snag tickets through one of the available presales right now, or wait until the general sale on Friday.

    And if highly theatrical rock and roll is your bag (barf bag in this case), you’ll want to know that heavy metal gross-out kings GWAR will be performing at Warehouse Live Midtown on Saturday, November 16. Is it a bit much? Depends on your sense of aesthetics (and taste). But I will spare you any examples for the moment, in case you are reading this over breakfast or something like that. Suffice it to say that one of the band members goes by the nom de stage “Jizmak Da Gusha.”

    This just in: southern rockers Blackberry Smoke will play at the 713 Music Hall on Friday, March 28. Presales are up now, with the general sale on Friday.

    Concerts This Week
    Gladys Knight is now 80 years old, but you wouldn’t know it. After decades of hit records and Grammy awards, Knight has spent time over the past few years appearing on television shows (“Dancing with the Stars,” “The Masked Singer”) and picking up awards, including the National Medal of Arts and a Kennedy Center Honor. Fortunately, though, Knight is on the road for a handful of dates before the end of the year, one of them tonight at the Smart Financial Centre.
    Morrissey, affectionately (well, sort of) known as the Pope of Mope, will perform tomorrow night at the 713 Music Hall. A minor controversy erupted when Morrissey graced our fair city in 2019 and prohibited meat from being served at his White Oak Music Hall concert.  Not a real surprise, considering one of the Smiths albums was called Meat is Murder. Another act appearing at the facility – rapper Jake Hill – cancelled their show in protest, upset that band and crew members were not allowed to eat a to-go order from Chick-fil-A on the premises.

    All of this goes to show that Morrissey is even more strict on the no-meat thing than Paul McCartney, who does not ride in limos with leather seats or allow leather-upholstered furniture in his dressing room. No word yet on the policy at tomorrow’s show, but, carnivores, you have been warned.
    Saxophonist / flutist Karl Denson can play rock or jazz, or both at the same time. He has performed with rocker Lenny Kravitz and the Rolling Stones (he is currently the band’s touring sax soloist). On the jazz side of the aisle, Denson has played with Jack DeJohnette and Dave Holland. And he has his own band, Karl Denson’s Tiny Universe. Check them out on Friday at the Heights Theater.
    Marc Anthony’s current tour is called “Historia,” so it is not unreasonable to expect something of a retrospective filled with hits. Anthony, of course, has a bunch of hits to choose from, as the best-selling salsa artist of all time, certified by Guinness World Records. Oh, and Billboard too. But Anthony’s latest album, Muevense, was just released a few months ago, so the set list will probably be a mix of the old and the new. The party will be at Toyota Center on Sunday.
    Some people were just born to be rock stars. People like Yngwie Malmsteen. The guitarist, who created a sensation in shredder circles back in the ‘80s, still has big hair, wears black leather pants and drives a Ferrari. If nothing else, Malmsteen is consistent, steadily releasing albums full of neo-classical arpeggiated heavy metal since he first arrived on these shores from Sweden. Malmsteen will “unleash the fury” (as he likes to say) on Monday at Warehouse Live Midtown.

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    Tom Richards

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  • The Smiths’ Johnny Marr Tells Trump To Stop Using His Music – ‘Consider This Shut Right Down’

    The Smiths’ Johnny Marr Tells Trump To Stop Using His Music – ‘Consider This Shut Right Down’

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    Opinion

    Source: NME YouTube

    Johnny Marr, a singer and guitarist in the band The Smiths, is speaking out this week to demand that the former President Donald Trump stop playing his music during his campaign rallies.

    Marr Sounds Off Against Trump

    Earlier this week, video went viral showing The Smiths’ 1984 hit “Please, Please, Please, Let Me Get What I Want” being played at a Trump rally in Rapid City, South Dakota.

    This didn’t sit well with Marr, who fired back by demanding that Trump stop using his music.

    “Ahh…right…OK,” Marr wrote. “I never in a million years would’ve thought this could come to pass. Consider this s— shut right down right now.” 

    Marr’s comments are in contrast to those made by the former The Smiths frontman Morrissey, who has spoken out against woke leftwing cancel culture in recent years.

    “People could make five flops and the label would stick by them, now the labels are quite bloodless, they will just get rid of you if you say anything that they don’t agree with, they’re not interested,” Morrissey said in 2022, according to Fox News. “Now they talk about ‘oh, we must have diversity, diversity, diversity.’ Diversity is people that you don’t know, and it’s just another word for conformity, it’s the new way of saying conformity.”

    Related: Woke Maren Morris Announces She’s Leaving Country Music Because Of The ‘Trump Years’

    Other Musicians Make Same Demand

    Marr is the latest in a long line of musicians to demand that Trump stop using their music. Others who have done so include The Rolling Stones, Pharrell Williams, Linkin Park, Rihanna, Village People and Tom Petty’s estate. Back in 2019, Black Sabbath frontman Ozzy Osbourne and wife Sharon Osbourne issued a statement saying that they no longer wanted Trump to use the song “Crazy Train” at his rallies.

    “Based on this morning’s unauthorized use of Ozzy Osbourne’s ‘Crazy Train,’ we are sending notice to the Trump campaign (or any other campaigns) that they are forbidden from using any of Ozzy Osbourne’s music in political ads or in any political campaigns,” they said in a statement posted to Sharon’s Instagram.

    “Ozzy’s music cannot be used for any means without approvals,” they added.

    Neil Young Sues Trump

    The singer Neil Young went so far as to file a lawsuit against Trump for copyright infringement for using his music in 2020.

    “This is NOT ok with me…,” Young wrote on social media in reaction to his songs “Rockin’ in the Free World” and “Devil’s Sidewalk” being played at a Trump rally in Tampa, Florida. In his initial complaint, Young stated that he “cannot allow his music to be used as a ‘theme song’ for a divisive, un-American campaign of ignorance and hate,” according to The New York Post.

    Full Story: Liberal Rocker Neil Young Files Lawsuit Against President Trump For Alleged Copyright Infringement

    Young had previously said that he had “nothing against” Trump using his music legally.

    “He actually got a license to use it,” he said. “I mean, he said he did and I believe him … But if the artist who made it is saying you never spoke to them, if that means something to you, you probably will stop playing it. And it meant something to Donald and he stopped.”

    Despite filing this lawsuit, Young went on to quietly and voluntarily dismiss the case in New York courts.

    Trump typically ignores singers when they demand he stop using his music. It remains to be seen whether he will heed Marr’s demands, or continue using The Smiths’ songs during his rallies.

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    James Conrad

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  • Why Is Donald Trump Playing the Smiths at His Rallies?

    Why Is Donald Trump Playing the Smiths at His Rallies?

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    It’s been weird to be a Smiths fan for a long time. Being weird was kind of the point for fans in the ’80s and ’90s, who were drawn to the band’s ability to express what it felt like to be a lonely teenager longing for love, or at least some heavy petting at a high school dance. I have come to love the band’s playing and the way Johnny Marr’s jangling guitar created a bridge between Buddy Holly and shoegaze, but if we’re being honest, every Smiths fan first got on board because of the band’s lead singer, Morrissey. Lyrics like “I wear black on the outside because black is how I feel on the inside” spoke to us weirdos and our longing, but they also made us laugh. Morrissey laced the loneliness and anger with enough wit and humor to remind us that it was better to be clever than cool, and that the jocks and the alphas were the real losers.

    It was okay when the Smiths started to get just a little bit cool, mostly on the back of “How Soon Is Now?”, a 1984 B-side that started out as Marr’s attempt to write a Creedence Clearwater Revival song (even though he had never actually heard CCR). Morrissey turned it into a George Eliot–quoting anthem about shyness and not hooking up at gay clubs. The song found new life in the ’90s after the dance track “Hippychick” made it to No. 14 on the Billboard Hot 100 in 1990 and an execrable cover of the song was used in the credits sequence of the WB show Charmed. The original song even made it onto the unnecessarily good soundtrack for The Wedding Singer in 1998.

    The Smiths stayed underground enough for fans to feel like the group still belonged to the outsiders and weirdos, even after most of us had quit smoking because we were hoping for an early death. Things got harder for fans as Morrissey began laying waste to the band’s legacy with politics that veered deeper into right-wing nationalism and xenophobia, but it was easy enough to navigate the contradiction of the voice of the disenfranchised becoming the voice of disenfranchisement. Morrissey became an asshole. We stayed cool.

    Then we learned about the Trump rallies. A journalist reported on primary day in New Hampshire that the music played pre-rally included one of the Smiths’ most iconic songs, “Please, Please, Please Let Me Get What I Want.” It took no time for video to emerge of the track playing before a rally in Rapid City, South Dakota, last September.

    Fans were not the only people who were shocked. Marr, who has a long record of supporting left-wing causes (and disavowing Morrissey), got on Twitter to say, “I never in a million years would’ve thought this could come to pass. Consider this shit shut right down right now.” The evidence of past attempts by liberal musicians to stop conservative politicians from playing their songs at rallies suggests this shit won’t stop until the Trump team wants it to. If the Boss couldn’t get Ronald Reagan to stop co-opting “Born in the USA,” what chance does Johnny Marr have?

    The real question is: How did this shit happen? How did a pretty little song written in waltz time, about a sad sack begging the universe to let him get what he wants for the first time in his life, end up in MAGA world? As Trump told the world, he gets whatever he wants. He doesn’t even need to ask. And he certainly doesn’t say please when he does.

    Could it be a joke at Trump’s expense, a prank by a resentful campaign staffer mocking the ex-president’s refusal to accept responsibility and tendency toward self-pity? You could see Trump breaking out the song’s most maudlin lines at his trial: “See, the life I’ve had can make a good man bad.” It’s hard, however, to imagine that it’s a joke you could get away with more than once. The multiple appearances of the song on the campaign trail suggest that it’s got the Trump seal of approval.

    Morrissey’s anti-immigrant attitude would certainly chime with Trump’s politics, but that would not seem to explain how an English queer anthem became a Trump anthem. Why this song?

    To find the answer, I think we need to talk about what the Smiths have come to mean for Gen Z. I found out recently when I was talking to the teenage son of one of my oldest friends. We were talking about music, and he sheepishly admitted he liked the Smiths, even though they’ve got a bad reputation nowadays. I expressed my shared regrets about Morrissey’s rightward turn. When he looked at me with a blank stare, I asked what he was talking about.

    “The Smiths are incel music. You know what an incel is, right?”

    I did, but I had no idea that the band I used to listen to after high school in my girlfriend’s car as we drove around looking for secluded places to make out had become the music of choice for militant virgins channeling their inability to get laid into misogyny. What started out as a very online term for involuntary celibates has forced its way into popular culture, with several self-identified incels having committed acts of mass violence. Trump has been caught up in incel discourse too, as several articles and online forums have moaned about how hard it is for young right-wingers to get a date in Washington, DC.

    Though I assumed most incels were listening to death metal and Kanye West, it turns out that plenty of them have found comfort in the Smiths. In 2019, an anonymous contributor on a Morrissey fansite wrote a post called “Morrissey’s music isn’t for women.” His logic was pure incel:

    A large portion, or even a majority of [Morrissey’s] music is about loneliness. No matter if a woman is a 10/10 or a 1/10, there will always be plenty of horny men who will want sex with the femoid. With men, that isn’t the case. There are literally millions of attractive men who can’t get girlfriends because they are anti-social or poor. There is not a single woman who could connect with the lines: “Two lovers entwined pass me by, and heaven knows I’m miserable now.”

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    James S. Murphy

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  • Sinéad O’Connor death: Grief and anger shared over Irish singer’s passing – National | Globalnews.ca

    Sinéad O’Connor death: Grief and anger shared over Irish singer’s passing – National | Globalnews.ca

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    Some of Hollywood’s biggest celebrities are paying tribute to the late Irish singer and songwriter Sinéad O’Connor, who died Wednesday.

    Pink and Brandi Carlile

    Following news of O’Connor’s death on Wednesday, singers Pink and Brandi Carlile performed a heartwarming rendition of O’Connor’s hit song Nothing Compares 2 U on stage in Cincinnati, Ohio.

    “When I was a little girl, my mom grew up in Atlantic City and I used to go down to the Ocean City Boardwalk with my $10 and I would make a demo tape,” Pink told the crowd. “It would always be either Greatest Love of All by Whitney Houston or Nothing Compares 2 U by Sinéad O’Connor.”

    Pink asked Carlile to come onto the stage to perform Nothing Compares 2 U as a duet.

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    Billboard reported numerous fans in the venue cried while Pink and Carlile crooned the iconic ballad.

    Pink is currently performing as part of her North American Summer Carnival 2023 tour, with Carlile as her supporting act.

    Russell Crowe

    Actor Russell Crowe also shared a tribute to O’Connor.

    In a long, reverent statement, Crowe recounted the first time he met the Irish singer.

    “Last year, working in Ireland, having a pint in the cold outside a Dalkey pub with some new friends, a woman with purpose strode past us,” Crowe wrote.

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    He said one of his friends chased after the woman, having recognized her as O’Connor.

    “She looked in my eyes, and uttered with disarming softness [sic] ‘ oh, it’s you Russell,’” he continued.

    “In a conversation without fences we roamed through the recent Dublin heatwave, local politics, American politics, the ongoing fight for indigenous recognition in many places, but particularly in Australia, her warm memory of New Zealand, faith, music, movies and her brother the writer. I had the opportunity to tell her she was a hero of mine.”

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    Crowe wrote that after their conversation, O’Connor “embraced us all and strode away into the fog-dimmed streetlights.”

    “Peace be with your courageous heart Sinéad,” he concluded.

    Morrissey

    The former Smiths frontman Morrissey took a different approach with his tribute.

    While praising the fact that O’Connor “couldn’t be boxed-up,” Morrissey heavily criticized the press, the music industry and the public for their treatment of O’Connor, both in life and death.

    In a statement posted to his website, Morrissey, whose real name is Steven Patrick Morrissey, wrote that O’Connor “became crazed, yes, but uninteresting, never.”

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    “She had done nothing wrong,” he continued. “She had proud vulnerability … and there is a certain music industry hatred for singers who don’t ‘fit in’ (this I know only too well), and they are never praised until death — when, finally, they can’t answer back.”

    He scolded the press for using “moronic” labels like “icon” and “legend” to describe O’Connor after her death.

    “You praise her now ONLY because it is too late. You hadn’t the guts to support her when she was alive and she was looking for you,” Morrissey wrote.

    He compared her death to other celebrities like Judy Garland, Whitney Houston, Amy Winehouse, Marilyn Monroe and Billie Holiday.

    “Was this music madness worth Sinead’s life? No, it wasn’t,” he insisted. “She was harassed simply for being herself. Her eyes finally closed in search of a soul she could call her own.”

    Annie Lennox

    Scottish singer and songwriter Annie Lennox shared a photo of O’Connor to Twitter, now rebranded as X, where she praised O’Connor’s “exquisite artistry.”

    In a poem dedicated to O’Connor, Lennox called her “raw,” “wounded” and “fearless.”

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    “May the angels hold you / In their tender arms / And give you rest / In peace,” she concluded.

    Alanis Morissette

    In a post to her Instagram story, the Canadian singer Alanis Morissette called O’Connor “a profound inspiration to many.”

    Alanis Morissette's Instagram story. It is white text on a black background.


    Alanis Morissette’s Instagram story on July 26, 2023.


    Instagram @alanis

    “Her passion, poetry, and unapologetic expression raised the bar on artistry and female empowerment,” she wrote. “I’m feeling empathy for Ireland, for the world, and for all of us who are saddened by this news.”

    Jamie Lee Curtis

    Actor Jamie Lee Curtis shared a statement on Instagram discussing her admiration and respect for O’Connor.

    “I once heard Sìnead sing acappella in an empty chapel in Ireland,” she wrote. “It was under construction at the private home of our host. It was one of the most beautiful things I’ve ever heard in my life.”

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    Curtis said she and O’Connor together attended a festival to watch Eminem perform. She described O’Connor as a “warrior” and a “rebel.”

    “I loved her. Her music. Her life. She was a victim of child abuse and a huge change agent for unfair and unjust draconian laws that she helped change in Ireland,” she wrote. “She ripped up a photograph that was on her mother’s wall because of the hypocrisy of the abusive life she was raised in under the banner of the church.”

    “Rest well. Rest in power. Rest in peace,” she finished.


    Click to play video: 'Singer Sinéad O’Connor dies at 56'


    Singer Sinéad O’Connor dies at 56


    The cause of the 56-year-old singer’s death is not yet known. On Thursday, police declared her death is not being treated as suspicious, according to the BBC.

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    On Wednesday, O’Connor was reportedly found “unresponsive” in her London home and was pronounced dead at the scene.

    Recognizable by her shaved head and elfin features, O’Connor began her career singing on the streets of Dublin and soon rose to international fame. She became a star after her 1987 debut album The Lion and the Cobra was released. O’Connor reached true superstardom when she released her cover of Prince’s ballad Nothing Compares 2 U in 1990, a seething, shattering performance that topped charts from Europe to Australia.


    Click to play video: 'Singer Sinéad O’Connor dies at 56'


    Singer Sinéad O’Connor dies at 56


    She was a lifelong non-conformist — she would say that she shaved her head in response to record executives pressuring her to be conventionally glamourous — but her political and cultural stances and troubled private life often overshadowed her music. O’Connor was also widely known for tearing up a photo of Pope John Paul II while appearing live on NBC’s Saturday Night Live. 

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    O’Connor announced in 2018 that she had converted to Islam and would be adopting the name Shuhada’ Sadaqat — although she continued to use Sinéad O’Connor professionally.

    — With files from The Associated Press

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    Sarah Do Couto

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  • New this week: Lena Dunham, Mila Kunis and Charlie Puth

    New this week: Lena Dunham, Mila Kunis and Charlie Puth

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    Here’s a collection curated by The Associated Press’ entertainment journalists of what’s arriving on TV, streaming services and music platforms this week.

    MOVIES

    — Lena Dunham adapts Karen Cushman’s young-adult novel in “Catherine Called Birdy,” a spirited medieval coming-of-age tale about a 14-year-old girl named Birdy (Bella Ramsey) in medieval England. Her father (Andrew Scott) wants to marry her off for some much-needed money, but Birdy’s plans repeatedly foil him. In her review, AP Film Writer Lindsey Bahr called the film “part ‘Bridget Jones’s Diary,’ part Mel Brooks and all joy.” Though still playing in select theaters, “Catherine Called Birdy” begins streaming Friday on Prime Video.

    — From some of the same producing team behind the hit Michael Jordan documentary series “The Last Dance” comes another look back on a basketball high point. “The Redeem Team,” debuting Friday on Netflix, follows the 2008 U.S. men’s basketball team as it seeks a gold medal at the 2008 Beijing Olympics after the team’s disappointing bronze finish in 2004. LeBron James and Dwayne Wade, both team members, are producers of the documentary, which digs into coach Mike Krzyzewski’s leadership and Kobe Bryant’s considerable impact on the team.

    — Mila Kunis stars in the Netflix thriller “Luckiest Girl Alive,” based on Jessica Knoll’s 2015 best-selling debut novel. The film, streaming Friday, takes some of the mystery stylings of “Gone Girl” and “The Girl on the Train.” Kunis stars as a New York woman with a seemingly perfect life that unravels when a true-crime documentary starts looking into her dark high-school past.

    — AP Film Writer Jake Coyle

    MUSIC

    — For his third album, pop singer-songwriter Charlie Puth is going with a very simple title — “Charlie,” due out Friday. It’s his first full-length project since his 2018 Grammy-nominated LP “Voicenotes.” You’ve likely already heard at least one of the 12 tracks — the earworm “Left and Right” featuring Jung Kook of BTS. Some other singles are the brooding ballad “That’s Hilarious” and the slinky “Light Switch.” Still not sure? listen to the lovesick up-tempo “Smells Like Me.”

    — Guitarist Billy Duffy and singer Ian Astbury rejoin for a new album from The Cult, with their signature mix of heavy metal, goth and rock. The eight-track “Under the Midnight Sun” has triggered two singles, “Give Me Mercy” and “A Cut Inside,” with Astbury singing: “No heathens in heaven/ No sweet surrender/ Outsiders forever/ Ghosts of our lives.” Astbury says he pulled in influences from Brian Jones, Brion Gysin, William Burroughs, Buddhism, the Beats and the Age of Aquarius.

    — What do you get when two of the three rappers from Migos release an LP? We’ll find out Friday when Quavo and Takeoff give the world “Only Built for Infinity Links” without third member Offset. The lead single “Hotel Lobby” has a video inspired by ”Fear and Loathing in Las Vegas” and another club-ready single is “Us vs. Them,” with Gucci Mane. Then there’s the Birdman-featuring “Big Stunna” and the memorable lyrics: “I was sick before carona/ice cold like pneumonia.” The title of their joint record is a reference to Raekwon’s 1995 solo work “Only Built 4 Cuban Linx.”

    — Wasn’t super-producer Danger Mouse just celebrating an album release last month? Well, here’s another. Brian Burton (aka Danger Mouse) reconnects with The Shins’ James Mercer as Broken Bells for the album “Into the Blue.” Three singles with wildly different styles have preceded the album drop, including the spacy “We’re Not In Orbit Yet…” and the gorgeous “Love On the Run,” that has a sunny, ‘70s vibe leading to a Pink Floyd-ish guitar solo. Last month, Danger Mouse teamed up with The Roots’ Black Thought for the album “Cheat Codes.”

    — AP Entertainment Writer Mark Kennedy

    TELEVISION

    — Lesley Manville, Joanne Froggatt and David Morrissey lead an ensemble cast in “ Sherwood,” a drama series inspired by a 1984 miners’ strike in Nottingham, England, that pitted the town against police and divided friends and relatives. Decades later, officers return in force to solve a pair of killings, with their presence rekindling past bitterness. James Graham (“Brexit — The Uncivil War”), who grew up in the real-life town of Nottinghamshire and witnessed the turmoil, wrote the series debuting Tuesday on the BritBox streaming service.

    — “Hello, Jack! The Kindness Show” returns Friday for its second season and none too soon. Jack McBrayer (“30 Rock”) is the beaming center of the show that aims to help preschoolers appreciate the value of small acts of kindness. Shouldn’t the adults in this fractious world be watching, too? The Apple TV+ series, co-created by McBrayer and Angela C. Santomero (“Blue’s Clues,” “Daniel Tiger’s Neighborhood”), will welcome guest stars including Tony Hale, Stephanie Beatriz, Kristen Schaal and Kumail Nanjiani.

    — The iHeartRadio Music Festival, held in Las Vegas at the end of September, is getting a four-hour, two-night special on the CW network. Among the dozens of artists at the festival: Sam Smith and Kim Petras, who performed their new song “Unholy”; a set by Pat Benatar and Neil Giraldo that included “Love Is a Battlefield” and “Heartbreaker,” and Megan Thee Stallion closing out the festival with songs from her new album, “Traumazine,” and past hits. The special airs on Friday and Saturday.

    — AP Television Writer Lynn Elber

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    This story has been updated to correct the spelling of Dwayne Wade’s name.

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    Catch up on AP’s entertainment coverage here: https://apnews.com/apf-entertainment.

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