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Tag: models

  • Heidi Klum Trades in a Thongkini For an Ab-Baring Minidress

    Heidi Klum Trades in a Thongkini For an Ab-Baring Minidress

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    While her career gained prominence in the 1990s, Heidi Klum has proven that she’s just as fabulous as she was during her prime time as one of the industry’s biggest supermodels. Most recently, she’s embraced body-baring silhouettes (especially the popular thongkini trend), and her latest look is no exception. On Wednesday, July 12, Klum took to Instagram to show off her toned body in a cutout dress while vacationing with husband, Tom Kaulitz, in Sardinia, Italy. The “Project Runway” alum chose an unconventional yet stunning look for boat day: a Jean Paul Gaultier minidress.

    As she relaxed amidst deep blue waters and the sun caressed her skin, Klum donned the figure-flattering piece that featured a stomach cutout, off-the-shoulder detailing, and a depiction of the legendary Mona Lisa painting by artist Leonardo Da Vinci. In vein of keeping things “mini,” she accessorized with a red 4G box leather bag by Givenchy that seamlessly matched her fiery nails and oversize round ’70s style sunglasses. The German-American model also sported gold jewelry, including three gold body chains that cascaded her abs, which she wore earlier in the day with a black string bikini while lounging by the beach.

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    Naomi Parris

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  • Heidi Klum Wears a Tiny Crochet Thongkini on Her Italian Vacation

    Heidi Klum Wears a Tiny Crochet Thongkini on Her Italian Vacation

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    Supermodel Heidi Klum vacationed in Italy wearing one of the top swimwear trends of the summer in crochet form: the thongkini. The 50-year-old “Project Runway” alum uploaded a quiet Friday morning video of herself swaying back and forth, taking in views of the coast. Her triangle string two-piece boasted red, white, blue, and pink stripes, along with a scalloped white trim, and the bottom was perfectly cheeky and fitted, with long ties at the hips. At the end of the clip, Klum turned around to showcase her accessories: a black embroidered baseball cap covering her long, textured beach waves, oversize aviator sunglasses with mirrored lenses, and a couple of layered choker necklaces. Klum’s skin appeared free of makeup and she held a coffee cup, likely just having finished breakfast. “Its Friday 💃🏼 🕺🏼 😝🥰❤️,” she captioned the post.

    Just one day prior, Klum captained a speedboat in a black Versace bikini with the recognizable Medusa patterned border. This plunging design was just as revealing, featuring a high leg cut, which is currently a popular trend among celebrities — the silhouette hailing from the ’80s. A month ago, Klum spent time in Cannes flaunting a completely topless swimwear look with just a black ruched bottom. It was there that the former Victoria’s Secret Angel debuted a yellow Zuhair Murad gown with multiple skin-baring cutouts and a hip-high leg slit that confirmed she’s perfectly confident in varying levels of naked-ness — whether she’s on the red carpet, or just chilling with husband Tom Kaulitz on a boat.

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    Sarah Wasilak

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  • I’m Entering My Lily-Rose Depp Era—Her 10 Most Iconic Looks and How to Copy Them

    I’m Entering My Lily-Rose Depp Era—Her 10 Most Iconic Looks and How to Copy Them

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    Of all the powerful and effortlessly trendy It girls we’ve featured here on Who What Wear, there’s one who’s risen to the forefront of the Parisian runways, red carpet events, and street fashion while remaining a woman of mystery: the lovely Lily-Rose Depp. Now we’ve also highlighted a number of stylish individuals who have created a platform for themselves based entirely on their association with a famous family member, friend, or partner (often receiving the notorious label nepo babies).

    Nepo baby or not, this woman has a huge pull in the world of fashion and has established a reputation as the ultimate player in French-and-American style, becoming an icon of her own merit. We’re highlighting our favorite Lily-Rose Depp makeup moments over the past couple of years that we can’t stop thinking about and telling you how to create them using products by French brands. Keep reading to find out which ones are taking up real estate in our minds.

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    Maya Thomas

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  • 11 ’90s Outfits That Prove Carla Bruni Was the Era’s Chicest Dresser

    11 ’90s Outfits That Prove Carla Bruni Was the Era’s Chicest Dresser

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    Oftentimes when we talk about ’90s supermodels and specifically their off-duty style, a few names get mentioned more than others. While the likes of Kate Moss, Naomi Campbell, Cindy Crawford, Christy Turlington, and Linda Evangelista certainly deserve all the praise they get, there’s a severe lack of credit being paid toward one of the most iconic faces in ’90s fashion: Carla Bruni

    Though Bruni began her modeling career in the late ’80s at just 19 years old, the bulk of her time spent on the top runways and in the biggest campaigns in fashion arrived in the ’90s. At the peak of her fame, she modeled for Saint Laurent, John Galliano, Chanel, Dior, and, of course, Versace. (We all know about that iconic blue Versace dress she wore that served as the inspiration for a recent Margot Robbie red carpet look.) Her runway prowess should never be minimized, but it would be wrong to ignore the undeniable chicness of the model’s off-duty style. She is a French and Italian fashion person after all. 

    Below, see 11 of Bruni’s most enviable off-duty looks from her ’90s modeling days. 

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    Eliza Huber

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  • Kaia Gerber Has Main Character Energy

    Kaia Gerber Has Main Character Energy

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    Dress, ring, $445, boots, $1,850, Celine by Hedi Slimane.

    Cass Bird

    Kaia Gerber swears she’s a small-town girl at heart. Sure, the town happens to be Malibu, the fertile ground that also brought us the Hadids. “When I say it’s a small town, people laugh,” Gerber says, “but it really did feel like that. Same kids from preschool till you graduate. So it really expanded my world by an infinite amount.”

    “It,” if you somehow don’t know by now, is modeling, which served as a kind of turbo exchange program for Gerber, rocketing her onto runways in all the major fashion capitals. It’s a far cry from her reality today, which is a pure portrait of domestic bliss. Ensconced in an oversize beige sweater, a dog by her side, she’s cocooned in her L.A. living room. Her supermodel mother, Cindy Crawford, is downstairs watching TV. Imagine the Cleavers, if they all happened to be stunningly beautiful.

    a white brunette woman grilling on the beach

    Jacket, $2,500, dress, boots, $1,850, Celine by Hedi Slimane.

    Cass Bird

    I tell her I interviewed Crawford years ago at a restaurant and still think about the collective aftershock when she walked in. “Yeah, the sea parts,” Gerber says knowingly. “Especially when I started modeling, everyone would be like, ‘Oh my God, your mom is so iconic,’ and I’d be like, ‘She’s my mom.’ ”

    Despite their strong resemblance, Gerber’s aura feels a little quieter, more like a peaceful ripple. Perhaps that’s because lately, she’s been taking it easy—exploring new sides of herself, with acting roles in two hotly anticipated projects, a book club, and a whole lot of self-reflection. Thomas Wolfe titled a novel after the idea that you can’t go home again, but Gerber seems to be proving that wrong—returning both in the geographic sense, and to herself. She tells me that when she first came into the crosshairs of model-off-duty style, “I put a lot of effort into it. Then I realized I want to be comfortable. If you’ve seen me anytime in the last two years, I’m most likely wearing sweatpants, because my priority is just somewhere else now.” You get the feeling she’s not just talking about fashion: “I’ve gone back to who I am at my core.”

    ELLE You grew up modeling. What was that like?

    KAIA GERBER I’m only 21, and I feel like I’ve lived a whole life already. Having the opportunity to travel taught me so much from such a young age. I got this really amazing education. I have this catalog of images that has recorded my growing up. You’re growing, and you’re changing: your body, what you like, your taste. Being surrounded by so many creatives shaped my taste. I’m very much an observer, and I retain a lot.

    ELLE There’s this sense of, “Models are all out to get each other. People are tripping each other on the catwalk,” because that’s what you see in pop culture, but it seems like you have a lot of friends in that world.

    KG I fell into the trap of believing that. Especially at that time, I was really shy. I kept to myself, and I was nervous. You’re coming from high school girls who are so scary, and so I assumed that that would be the culture. I got lucky meeting incredible people from all over the world who took me under their wing. I felt so much comfort in having this family away from my own family.

    a white brunette woman sitting on a beach leaning against a rock

    Vest, $3,400, shirt, $1,450, shorts, $990, necklace, $5,700, boots, $1,850, Celine by Hedi Slimane.

    Cass Bird

    ELLE Was there advice your mom gave you starting out that stuck with you?

    KG Be on time. Take the time to learn people’s names, and be nice to everyone. If you’re not grateful and happy to be there, there’s someone who would be. Even when I was really tired, or wanted to go home, or felt lonely, I would remind myself how lucky I was. Another thing she told me is, “I wish I had written more down,” because you think you’re going to remember these amazing moments forever, and one day, it’s hard to even know what shoot that was, where it happened, and when. And so I wrote it down; I journaled.

    ELLE You’re a face of Celine. What has it been like working with [Celine artistic director] Hedi Slimane?

    KG I’ve been aware of him for so long. When I was in high school and he was at Saint Laurent, he would hang out around Malibu and street-cast people from my school. Getting to work with him has been a dream. He’s everything that you’d hope he would be, but oftentimes people aren’t. He takes the time to get to know you. He has a way of turning you into the best version of yourself.

    For so long, I felt like as a model, I was playing these different characters, which was really cool, and I still like doing that. But I think now, because I get to do that in acting and that’s my primary focus, I appreciate when I feel seen by someone as me, the person. I wasn’t ready for that when I was first modeling, because I didn’t feel fully formed. Now I feel more myself.

    a white brunette woman shot in close up

    Jacket, Celine by Hedi Slimane, $2,500.

    Cass Bird
    • BEAUTY TIP: Beachy waves (with or without the ocean) can be a breeze—spritz Bumble and bumble Surf Spray ($30) throughout lengths, scrunch, and go on with your day.

    ELLE What’s it been like letting your personality shine through more?

    KG I mean, it’s scary. People were like, “How do you deal with rejection in modeling?” and I was like, “Honestly, you don’t take it personally,” because it’s so subjective, and they weren’t rejecting anything about me as a person. That doesn’t mean it doesn’t hurt at times, but it was easier to take. It can be scary to show yourself, because it opens you up for criticism and for people to not agree with you and not like you, but I think I just came into myself more. I was like, “No, I do have a point of view, and I have things to say.” You accept that not everyone is going to agree with that, but I don’t need that anymore.

    a white brunette woman shot in close up

    Jacket, Celine by Hedi Slimane, $2,500.

    Cass Bird

    ELLE How has your personal style evolved since you entered the public eye?

    KG I remember the first time being like, “Oh, people care what I’m wearing.” That wasn’t how I felt growing up. In Malibu, people didn’t wear shoes to school.

    ELLE And now there are Instagram accounts that chronicle everything you’re wearing.

    KG And I was like, “What?” My job is a job where you go and change out of your clothes. So I’m like, “Why do I have to put on jeans to take them off again?”

    “I’m such a comedy nerd…When you see me looking angry on a runway, you wouldn’t assume there’s much of a sense of humor in there.”

    ELLE You shot a movie, Bottoms, directed by Emma Seligman and costarring Rachel Sennott and Ayo Edebiri.

    KG I was a fan of Emma because I saw Shiva Baby, and I was like, “No one has ever done anything like this. It’s so funny, and sad, and real, and touching.” She has such a strong point of view, and I just, immediately, was like, “What else is she going to do?” Same with Rachel. I just thought she was so good in that, and funny, and real. I’ve always loved her stand-up. Same with Ayo. I was a fan of her stand-up. I’m such a comedy nerd.

    ELLE That’s not something people necessarily would associate with you.

    KG I go to comedy clubs all the time. It’s my favorite thing to do. I was intimidated getting to work with Rachel and Ayo, but they were so welcoming. I feel so honored that I got to be a part of that movie because I think it’s really special. I think it’s going to shock people in a good way.

    kaia gerber elle 0223

    Jacket, $2,490, bralette, $490, Ralph Lauren Collection.

    CASS BIRD

    ELLE You mentioned letting people see more of the real you. Do you think this is going to change the way that people see you?

    KG I think so. When you see me looking angry on a runway, you wouldn’t assume there’s much of a sense of humor in there. My character is nothing like me as a person at all, but I do think people will respond well to the jokes that are being made. It’s very of its time and very meta.

    I think also a lot of queer stories and films can be really sad, and a lot of the [real-life] stories unfortunately are really sad. But to bring light to a situation and be able to find humor in it, that’s why I love comedy. It helps me laugh about things that sometimes are really difficult and hard to laugh at. While it’s dealing with heavy topics, it also has a humor about it.

    ELLE The concept is “lesbian Fight Club.”

    KG We’re throwing punches. We got to do stunt training, which was very cool. I think people are like, “Oh, cute. A little girly fight club.” No, it’s a real fight club.

    “My personal life and my mental health are not something I’m willing to sacrifice for my job ever again.”

    ELLE You also have an upcoming Apple TV+ series, Mrs. American Pie, with Laura Dern and Kristen Wiig. And Carol Burnett makes an appearance.

    KG I have no idea what I’m doing there. It’s ridiculous. Carol Burnett made me understand comedy in such a different way. I never would’ve dreamed that I’d get to work with her. I still can’t believe it happened.

    a white brunette woman stands on a beach shoreline wearing an american flag gown

    ELLE Is there a literary heroine you’d want to play onscreen?

    KG Patti Smith, with Just Kids, fully changed my life. And Joan Didion. I’ve read everything she’s ever written. I watched her documentary a million times. She has this quote that really resonated with me, about wanting to know where the pain is. I found that—not running away from your feelings—through her.

    ELLE You started a book club on Instagram Live during the pandemic.

    KG When people come up to me and tell me that they follow my book club, it’s the highest compliment. I didn’t think people were going to respond the way that they have. People are like, “You got me into reading again,” and I’m like, “If I can give the world one gift, that could be it.” It’s on hiatus, but definitely not done.

    ELLE Would you ever want to write a memoir?

    KG Yeah. I have collections of different essays and things that I’ve written. They’re not super narrative-based and mostly about feelings, but I was looking through them the other day, and I was just like, “I don’t know what I want to do with these, but I’m just grateful that I have them.” I would love to do a column or something one day to just share my brain, but it also can be quite intimidating because I know how tough the literary world is, and I’m scared of it.

    a white brunette woman wearing a white knit set and sunglasses, with her hands and arms playfully posed in brown boots

    Knit set, Victoria’s Secret, $60. Sunglasses, $510, boots, $1,950, Celine by Hedi Slimane.

    Cass Bird

    ELLE I’m curious about your thoughts on books as accessories. There was an interesting article in T: The New York Times Style Magazine about a book stylist for celebrities.

    KG Oh, this is not a thing. This is not a thing.

    ELLE Oh, it’s a thing.

    KG It’s like a stylist, but for books? They’re not necessarily reading them, is that correct?

    ELLE They are carrying them. They can read them. It helps get the author’s name out there, but it’s also a weird thing to see it as this consumer product.

    KG Getting people to read, no matter how you do it, is very cool. But how can you promote something that you don’t fully understand? I would never tell people to read a book that I’ve never read. I’ve had people be like, “Do you really read the books you carry?” I was like, “Would I be carrying a book that I haven’t read?” I always have a book, because in the job that I’m in, you wait around a lot. I cannot be on my phone. Social media makes me anxious when I spend a lot of time on it, so that’s why I escape into books.

    a white brunette woman wearing a black bikini and hat and posing in the sand

    Bikini top, $670, hat, $850, Celine by Hedi Slimane. Brief, Wolford, $110.

    Cass Bird

    ELLE You were at home with family during COVID. Did that period of slowing down cause you to reflect more?

    KG Honestly, it came at a time when I really needed it, and it was a really difficult time in the world, but I really had reached a point where I just felt like I was falling out of love with it, and I didn’t know that you could ask for a break. I was forced to stop, and I realized how badly I needed one. When you’re being told what to do every day, you don’t have time to sit and reflect. But I had gone through so many changes and had so many massive things happen to me over the years that I was modeling. I had four or five years of processing to do. I felt so lucky that I got to be with my family because I’d spent so much time away from them, and I realized I had so much guilt about missing birthdays and things. I had been traveling since I was a teenager, and so I got to develop an adult relationship with my family.

    ELLE Now that you’re back in the world, and you’re on these sets, how are you protecting your mental health?

    KG I developed so much deeper relationships in my life, and also a connection to myself. When you’re forced to sit with yourself, all of a sudden, you’re aware of all the stuff you haven’t dealt with. There wasn’t communication happening between me and myself, and I felt out of body sometimes. Once I developed that, I was like, “This isn’t something I want to give up.” My personal life and my mental health are not something I’m willing to sacrifice for my job ever again. Right now, I’m getting to work at home, which is a beautiful thing, and not traveling all the time. I come home, and I’m with my dog. I have friends, and I’m cooking dinner. I see my therapist, and I see my family.

    a white brunette woman on the beach in a black bikini and cap

    Bikini top, $670, cap, $850, Celine by Hedi Slimane. Brief, Wolford, $110.

    Cass Bird

    ELLE In modeling and also in the celebrity world in general, there’s a lot of conversation lately about people having an easier time getting into the industry because of a family member. Do people sometimes make assumptions about how you got here?

    KG I won’t deny the privilege that I have. Even if it’s just the fact that I have a really great source of information and someone to give me great advice, that alone I feel very fortunate for. My mom always joked, “If I could call and book a Chanel campaign, it would be for me and not you.” But I also have met amazing people through my mom whom I now get to work with.

    With acting, it’s so different. No artist is going to sacrifice their vision for someone’s kid. That just isn’t how art is made, and what I’m interested in is art. Also, no one wants to work with someone who’s annoying, and not easy to work with, and not kind. Yes, nepotism is prevalent, but I think if it actually was what people make it out to be, we’d see even more of it.

    ELLE You’ve posted about the overturn of Roe v. Wade, and you attended Black Lives Matter protests in 2020. How do you decide what to speak up about, and what you want to share?

    KG What I’ve learned is, the most important thing is to understand it. Do your research; know what you’re speaking out about. Don’t just repost, because the spread of misinformation is becoming a huge problem and can do more harm than good. I think for a long time, people were afraid to speak out about things because people weren’t going to react well, but silence speaks so loudly now.

    When I see people with a platform not using it the way that they could, it makes me upset. I don’t expect everyone to have the same opinions about things, but I think that there’s so much good that can be done with this platform. So many people spend so much time complaining about fame. But you can also do something so incredible with it. I’ve seen firsthand that actually, you can make a difference. You can change people’s lives, and to not take that opportunity would be silly and make none of it worth it for me.

    kaia gerber elle cover shoot february 2023

    Kaia Gerber wears a dress from Celine by Hedi Slimane. For Gerber’s look, try Embody Volumizing Foam, Complete Instant Recovery Serum, and Complete Air Dry Cream. All, JVN.

    Cass Bird

    HAIR BY TEDDY CHARLES; MAKEUP BY FRANK B AT HOME AGENCY; PRODUCED BY LOLA PRODUCTION.

    This article appears in the February 2023 issue of ELLE.

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  • Model-Off-Duty Style Has Changed Over the Past Decade—17 Outfits That Prove It

    Model-Off-Duty Style Has Changed Over the Past Decade—17 Outfits That Prove It

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    Prolific street style photographer Acielle of Style Du Monde said it best: “Shooting model street style has always been a favorite of mine. I feel like their style is usually a bit edgier. It’s hard to pinpoint a general trend, as they have such a wonderful individual style, but maybe it became a bit more eclectic over the years.” In studying hundreds of street style images, I’ve found that models in the previous decade had somewhat of a uniform. Here at Who What Wear, we did plenty of stories about the pillars of a model’s wardrobe back in the day, and they all contained skinny jeans, leather moto jackets, and oversize handbags. These days, it’s much more difficult to pinpoint the model-off-duty look, as their style has become so unique and personal. But the best way to explain this is to just let you see it for yourself.

    Below, I’ve compiled a variety of photos of models over the past decade that best display the way their off-duty style has evolved. Be sure to scroll through to the end for shopping picks inspired by models over the years.

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    Allyson Payer

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  • An Animated Debate: Which Feature Will Bring Home the Oscar?

    An Animated Debate: Which Feature Will Bring Home the Oscar?

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    This was such a good year for animation. Last year it truly boiled down to “Encanto vs. Mitchells”, but the field is wide open, so let’s run it down with the help of Vareity!

    With Disney/Pixar, we have Turning Red, a critical darling. Not commercial, because Disney didn’t give it a wide release….and Lightyear and Strange World, both of which did receive wide releases, flopped, and are non-entities in this race. Turning Red, which marks the first from Pixar to be solely directed by a woman, has received critical acclaim for Shi’s depictions of female friendships and the mother-daughter relationship.

    OP Note: TR is still probably my favorite film of the year.

    Netflix has quite a lot, including The Sea Beast, their most successful animated film to date. There’s also My Father’s Dragon, the latest from Cartoon Saloon, which hit the platform with a mild splash. Of course, there’s Guillermo del Toro’s Pinocchio, which is almost guaranteed to place in the nominations.

    The article does not, however, mention Henry Selick’s Wendell and Wild.

    OP Note: Sea Beast was fine enough, and GDT’s Pinocchio was really cool. Nice to see a multitude of stop motion available, sad W&W isn’t getting more attention.

    GKIDS missed a nomination last year with Belle (tip: the soundtrack is amazing), but with Inu-Oh already being nominated for a Golden Globe, maybe they can take it all the way (and give us a US release, y/y?).

    Did you, like most people, forget Dreamworks Animation had not one, but two films this year? The Bad Guys had a fairly slow rollout worldwide with it’s soft, almost Spider-verse-esque style for a bunch of criminals. It sadly seems to have sunk out of the public conciousness. Meanwhile, the sixth entry into the Shrek franchise, Puss In Boots: The Last Wish, may be 11 years too late, but it was worth the wait, with very positive reviews, and a bombastic artstyle and story that stops just short of saying memento mori.

    OP Note: Ok, maybe Puss in Boots is my favorite this year?

    Welcome to the animation side, A24, and welcome Marcel The Shell With Shoes On. I didn’t like it. But I’m glad another stop motion/live action hybrid is making the rounds, and is winning a lot of smaller circuits!

    src –> ft Apple and their John Lasseter film.

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    sandstorm

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  • These Next-Gen Nepo Babies in Fashion Will Be the New Bella Hadid

    These Next-Gen Nepo Babies in Fashion Will Be the New Bella Hadid

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    Love it or hate it, there’s no denying the fact that nepotism is a potent force in the fashion industry. Many of the biggest names in modeling all had a leg up on their competition thanks to their famous parents, including Bella and Gigi Hadid, Kendall Jenner, Kaia Gerber, Willow Smith, and Lily-Rose Depp, just to name a few. (When you extend it to the entertainment industry, the list grows exponentially longer!) 

    So who will fill these models’ shoes when it comes to the next generation of so-called nepo babies? Well, I have some ideas. I made a TikTok video in September about this very subject, and it racked up over 500 comments, sparking a lively debate about who has the It factor. Scroll down to see my predictions. 

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    Erin Fitzpatrick

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  • Discussion for The White Lotus S2 finale

    Discussion for The White Lotus S2 finale

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    Discussion for The White Lotus S2 finale

    2×7: Arrivederci
    Albie asks Dominic for a karmic payment to help Lucia. Tanya grows wary of Quentin’s motives. Ethan confronts Cam.


    Meghann Fahy

    Mike White

    Haley Lu Richardson

    1 2 3 4

    ONTD, who did you hope were the murder victims (multiple choice so pick as many as you like)?

    Who do you hope is the returning character in S3?

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    silverstarry

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  • 11 Up-and-Coming Fashion ‘Nepo Babies’ to Watch in 2023

    11 Up-and-Coming Fashion ‘Nepo Babies’ to Watch in 2023

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    Fashion, like most industries, has always been rife with nepotism. But right around the mid-2010s, celebrity children suddenly seemed to be taking over modeling: From the Hadids to Kendall Jenner to Kaia Gerber to Hailey Bieber (née Baldwin), a famous last name started to feel like a prerequisite for casting directors. Since then, we’ve only seen more descendants of famous families come of age, get thousands of Instagram followers and sign Miu Miu contracts.

    We’ve also seen nepotism re-emerge as a hot topic of conversation, with stars like Zoë Kravitz, Maude Apatow and Lily-Rose Depp addressing the privilege from which they may or may not benefit in interviews.

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    Dhani Mau

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  • Who is Annie Cardone and how did she meet Dodi Al Fayed?

    Who is Annie Cardone and how did she meet Dodi Al Fayed?

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    ANNIE Cardone is a former model and published author. 

    She recently spoke exclusively to The Sun about her relationship with Dodi Al Fayed, ahead of the release of the Channel 5 documentary, Dodi: Last Days Of A Playboy.

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    Annie recently spoke exclusively to The Sun about her relationship with DodiCredit: Louis Wood
    The former model claims he was 'incredibly loving and sweet' - but there must have been an overlap between her and Princess Diana

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    The former model claims he was ‘incredibly loving and sweet’ – but there must have been an overlap between her and Princess DianaCredit: Jerry Hinkle
    This comes ahead of Channel 5's new documentary, Dodi: Last Days Of A Playboy

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    This comes ahead of Channel 5’s new documentary, Dodi: Last Days Of A PlayboyCredit: Getty

    Who is Annie Cardone?

    Annie is originally from Rainham in East London.

    We don’t know much about her childhood, however, in a recent interview she said: “Having suffered a violent and abusive childhood and subsequent relationships I realized I had to go back to the past to make sense of the present when I hit rock bottom during menopause.”

    She was scouted as a model in her early 20s and later moved into public relations.  

    Speaking of her career, Annie said: “I think I was the only one of my friends who wasn’t a Trust Fund kid. 

    READ MORE ON DIANA & DODI

    “I was the only one having to get up at 6 am and go to work.”

    How did Annie meet Dodi Al-Fayed and what has she said about their relationship?

    Annie first met Dodi in the summer of 1996 at London’s most decadent late-night haunt, Tramp nightclub.

    “Dodi had moves. He surprised me because he looked like a wet blanket.

    “He wasn’t a great conversationalist or raconteur. He was very shy.”

    Talking about their relationship, she added: “He was incredibly tactile, loving and sweet. It was very passionate and intense.”

    The pair dated for a year before Annie called it off. 

    Dodi then died in the car crash with Princess Diana, just months after he and Annie had separated. 

    Annie claimed there was “definitely an overlap” with her and Diana dating Dodi, who was known for his wild living and womanising.

    Speaking about Diana, she said: “We were both very, very lucky to have been on the receiving end of that. Not many women were.”

    Annie clearly recalls their last interaction: “When I last saw him, he was begging for another chance. He was crying. He was sobbing.

    “He was telling me he loved me and it was incredibly hard to see him like that. I still get choked about it.

    “If I’d given him another chance, would things have been different? Would history have changed?

    “That’s a burden of responsibility that I feel I have.”

    Where is Annie Cardone now?

    The former model, now 57 and living in Canterbury, Kent, has turned her hand to writing. 

    Her first book, ‘Menopause WTH’ was published in September 2022 and shares her experience. 

    Annie suffered from both insomnia and sleep psychosis before doctors diagnosed her as menopausal. 

    She was recommended to try Hormonal Replacement Therapy, but unfortunately, this only made her aggressive and agitated.  

    On her website, it states: “Having studied women’s health and hormones for the past 10 years and having gone through a very tough journey that almost claimed her life, Annie is in a strong position to help educate and enlighten other women, allowing them to get back in charge of their lives.

    “This book takes the confusion and stigma out of ageing and menopause by breaking down the impact our hormones have on our health and offers solutions that can bring sanity back to our lives and our loved ones.”

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    Sophie Donovan

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  • Ariana Grande Is Completely White Again?

    Ariana Grande Is Completely White Again?

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    Ariana Grande Is Completely White Again?

    Gurl, your blackfishing was off the charts in the seven rings era and your recent plunge into “asian” was something else.

    Everyone knows you’re trying it because you’re playing Glinda in a two-movie attempt at a block-buster that I’m betting is gonna flopp-

    But, I’m not having it.

    SHE ACTUALLY HAS THE NERVE TO CALL THIS MAKE-UP RELEASE “MOD VANILLA”.

    For those of us that still remember and have eyes to see…

    SOURCE

    ONTD are you multi-racial?

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    ichabod_crake

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  • Does the World Still Need Pinup Girls?

    Does the World Still Need Pinup Girls?

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    Glamour is a weapon and Precious Lee knows it. She’s sitting under a giant bronze crossbow wearing a Thom Browne blazer with a custom satin bodice, which adds to the whoa of it all. We’re in a 16th-century game lodge—the kind of place where you could play a convincing game of Bodies, Bodies, Bodies in the dark—talking about her latest gig as a Pirelli calendar model. “This is extreme,” she laughs. “This is someone’s extra castle—not even their main castle! Like a spare castle, just for hunting! And we’re surrounded by these beautiful, dangerous things. But that’s fashion. We love a theme.”

    It is a risky time to be a pinup girl, even one armed with the charisma and beauty of Ms. Lee. OnlyFans and thirst traps have cornered a large part of the Hot Girl Economy. A corset resurgence is pushing lingerie further into the dual language of constraint and consent. And when fashion says, “Let’s be bombshells,” the decision requires a thumping chant of “Being hot is feminist!” so insistent, it can border on virtual signaling. Indeed, Pirelli’s own press junket channels Notting Hill, except reporters keep asking famous models about “female empowerment” instead of Julia Roberts adventuring through space.

    It’s a fair question for the Pirelli calendar-curious. Born the same year as the miniskirt (1964, h/t Mary Quant!), “The Cal” marries highbrow art with freed nipples. Predictably, it’s been a mixed bag, with many naked and famous blondes (Gisele! Heidi! Kate! Repeat!) lensed by a few men who are now, mercifully, known as creeps. But the calendar’s also been quite progressive re: the female gaze. Its sixth-ever photographer was none other than artist Sarah Moon; Joyce Tennyson took a turn in the ’80s; Annie Leibowitz has shot it twice, and, this year, Emma Summerton takes the reins. So it’s not like Pirelli doesn’t want women to frame their fantasies. It just wants to make sure they still look, you know, like fantasies.

     

    precious lee corset

    Precious Lee in the 2023 Pirelli calendar.

    Emma Summerton

    “As a model, I get it. Creating an image is my job—and I love my job,” says Lee, a Georgia native who stars in the calendar’s October section. (For the record, she is actually a “hardcore Virgo.”) In her aforementioned glamorous ‘fit, Lee nails her camera-ready duties so well that when she steps out of her town car, she literally stops traffic. At the same time, the 32-year-old wants her impression on the world to be a 3D rendering instead of just a snapshot. “I have other fantasies, too. As a non-traditionally sized model, it’s very important for me to think about the character that I’m writing about—bringing something new to someone that we can see for the first time. Like, imagine having a curve girl be the lead in an action film, or a physical or psychological thriller…I’d like us to get to the point where we’re not just imagining it,” she smiles, “And I’m writing some things. I’m working on some developing projects.” Lee indicates she can’t say much about them yet, but if she has her way, they’ll likely speak for themselves.

    emily ratajkowski underwear

    Emily Ratajkowski in the 2023 Pirelli calendar.

    Emma Summerton

    For Karlie Kloss—Pirelli’s August persona—speaking for herself has been a gradual process. “The Midwest politeness gene is so strong in me,” she says, “Whether I like it or not, it’s always there…but there’s a fine line between being polite and being a people-pleaser, and I think being a model has forced me to really draw that line for myself.” Kloss “vividly” remembers the first time she walked off a shoot. “I was 19, and this male photographer told me to take off all my clothes. It was for an ‘editorial,’ which meant, to him, that I was there to do whatever he wanted—to take nude, really sexualized photographs. It wasn’t even a question, it was just, ‘This is what you’ll do!’ At first, I was shocked, then horrified, then embarrassed, and then finally afraid to confront him or say ‘no’ to his face…it was the first time I realized that being ‘easy to work with’ did not mean doing whatever people told you to. And even then,” she laughs, “I said ‘I’m sorry!’ when I ran out of there.”

    Kloss wears a sheer lace suit in her Pirelli image, accented by dozens of raver glow sticks. Her photo is titled “The Tech Mogul,” and though Kloss has indeed created a network of STEM enthusiasts through her Kode with Klossy program, I can’t imagine she’s ever showed up to a tech conference—or even a Zoom meeting about her various enterprises—in something so vampy. “That’s fair!” Kloss concedes. “But don’t you think that as women, there are these boxes of identities that we are told we have to fit within? That’s why I love blurring the lines. I don’t want to be one thing, or think only one type of woman can work in tech…I’ve spent half of my life working in fashion, and I love the power of self-expression through beauty. That’s not trivial, and it can lead to us discovering our best selves.” Kloss is right: No matter what we look like, fashion can nudge other people’s perception into our reality.

    “The whole point of this Pirelli calendar is that it twists the two together—what’s a dream and what’s reality—there’s a lot of magical realism,” says Summerton, pointing to mythic details in her pinup shots like Bella Hadid’s stag antlers and Adwoa Aboah’s golden hands in two key shots. “There was a lot of collaboration, so the models and I built our own dream that turned into its own reality. Because that’s all we’re creating—the type of power we want to see.” Summerton cites her own early work—nude self-portraits shot on Super 8 film—as another example. “I wanted to frame myself in my own gaze. I wanted to decide how I, as a woman, should be seen. I was so proud, but then some art director said to me, ‘If you keep taking these sexy Polaroids of yourself, how will you be anything other than a cam girl?’ And I just opened my portfolio and showed him 20 pages I’d shot with Claudia Schiffer. Because for some people—it always seems to be guys, doesn’t it?—you’ll never win, no matter what you do. Especially if you do it your way. And fuck that.”

    Guinevere van Seenus, who’s shown taking her own self-portrait in another Pirelli shot, agrees. “Being able to look at a camera and decide how to frame your own ‘faults’ and come to terms with your own body and face, to me, that was part of how I freed myself after being ‘just’ a model,” she says. “Nobody gets to tell me what I look like or who I am when I have a camera. What’s weird now is, because of social media, people keep grabbing these shots of me from the ’90s! The Jil Sander stuff, the Calvin stuff…it’s a little disorienting, because back then, photo shoots took days. We shot so many looks and so many setups that I see these iconic ad campaigns and I don’t even remember making some of them. It’s like I’m not even looking at me. I can’t tell you how strange that is—and that’s part of why I picked up the camera and turned it inwards. Having Emma do it felt like an extension of myself. It felt like I was back in my own head.”

    ashley graham pirelli

    Ashley Graham and Emma Summerton on the 2023 Pirelli shoot set.

    Emma Summerton

    For Ashley Graham—Pirelli’s April icon—creating her own imagery via Instagram is also a reminder of her goals IRL. “I had a really interesting experience during fashion week this year,” she starts. “On social media, it looked like I was slaying and having the best time of my life. But the work that went into getting me dressed to sit front row? The realizations I had that so many designers still don’t have the infrastructure to dress bigger bodies, or manufacture for bigger bodies? It was a reckoning. It relit a fire in me, because I realized, ‘Oh wait, there hasn’t been enough change in this industry for us to stop talking about size representation.’ I actually think we’re going backwards! And I was like, ‘Not on my watch.’ To me, this pinup moment couldn’t come at a better time.”

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  • Top Models Clap Back at Lily-Rose Depp’s ‘Nepo Baby’ Comments

    Top Models Clap Back at Lily-Rose Depp’s ‘Nepo Baby’ Comments

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    Lily-Rose Depp is the latest star to grace Elle’s cover (alongside her co-star, Blackpink’s Jennie Kim), promoting HBO Max’s forthcoming series “The Idol.” In the accompanying story, which has now been widely circulated, Depp shared some thoughts on being called a “nepo baby” — and let’s just say her remarks have sparked some reactions among major fashion-industry figures.

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    India Roby

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  • Rolls-Royce Silver Ghost Rolls Again

    Rolls-Royce Silver Ghost Rolls Again

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    World leading 1:6 scale model manufacturer sets a new standard for modelers and Rolls-Royce enthusiasts worldwide.

    Press Release



    updated: Apr 17, 2018

    Armortek Ltd (www.armortek.co.uk), the world’s leading manufacturer of 1/6th scale metal model kits, today launched their latest Limited Edition 1/6th scale model kits: a 1914 Rolls-Royce Armoured car and a 1914 Silver Ghost chassis. Consisting of over 2,200 metal parts these are the most detailed and accurate scale metal kits ever offered to the public.

    The development of the kits, which has been ongoing for almost a year, has involved expert input from motoring and military history experts in both the U.K. and United States. Specialists including A.J. Glew and The Vintage Garage; the Tank Museum at Bovington; and both The Rolls-Royce Owners Club and Rolls-Royce Enthusiasts clubs provided technical input. The result is a model that is not only highly-accurate but engineered to levels that set a new standard in scale automobiles.

    These are the most detailed kits we have ever made, so it is fitting that, when we decided to set a new standard, we chose the 40/50 Silver Ghost – the car that set the standard for British quality and engineering at the beginning of the last century.

    Kian Shroff, Managing Director

    Released 100 years after the Rolls-Royce Armoured Cars made their greatest contribution to World War I, these kits offer builders a link to one of the iconic motor vehicles of the 20th Century – The Rolls-Royce 40/50 HP Silver Ghost.0 In its armoured form, the chassis was used extensively by the British army during the Arab Revolt and is often associated with Col. Thomas Edward Lawrence – Lawrence of Arabia. In addition, they helped cement the reputation of Rolls-Royce as a prestige car manufacturer.

    “These are the most detailed kits we have ever made,” said Kian Shroff, Managing Director of Armortek. “So it is fitting that, when we decided to set a new standard, we chose the 40/50 Silver Ghost – the car that set the standard for quality and engineering at the beginning of the last century. In another break with our usual offerings, while we have traditionally offered un-assembled kits for our customers, for the first time we will also offer the engine and chassis as pre-built models to appeal to the collector and automobilia markets.”

    “The Rolls-Royce Armoured Car is one of the most recognizable military vehicles of the 20th Century,” said James Stejskal, military historian and author of Masters of Mayhem, an upcoming book that details Lawrence’s armoured car operations. “It also represented one of the early examples of mechanization on the battlefield.  Because of the robustness and quality of the existing Silver Ghost chassis, the British were able to adapt to modern warfare extremely quickly in 1914. The Admiralty Pattern armoured car is an historically important vehicle and worthy of Armortek’s efforts to make this highly-detailed tribute.”

    About the Kits

    Designed and precision engineered in the UK and made from aluminium, brass and steel, these limited-production kits come with a numbered chassis and a certificate of authenticity.

    The 1914 Rolls-Royce Armoured Car comprises over 2,300 parts and weighs 18kg (40lbs) ( http://www.armortek.co.uk/rolls-royce-armoured-car), whilst the 1914 Silver Ghost chassis complete with the 40/50 hp engine comprises 2,200 parts and weighs 10.5kg (23lbs) (http://www.armortek.co.uk/silver-ghost-chassis-and-engine).

    The price of the Armoured Car kit is £2,950 plus tax and shipping.

    The price of the Silver Ghost chassis and engine kit is £2,950 plus tax and shipping. The pre-built version starts from £4,450 plus tax and shipping.

    The Rolls-Royce Armoured Car and Silver Ghost Chassis kits are produced under license from the Rolls-Royce Motor Company. 

    About Armortek

    Armortek is a family owned business operating from its state of the art factory in Hampshire, UK. Research, design and manufacture of the kits are all done in house.

    Armortek has been producing 1/6th scale all metal model kits for over 15 years and, in that time, has produced over 20 different WW1 or WW2 kits for hobbyists, engineers and collectors across the world. Armortek kits are all metal and feature scale thickness armour. As a result, a tank kit can weigh over 100kg (220lbs) resulting in a very realistic motion over rough terrain. Armortek kits can be remote controlled through optional extras which add motion, turret rotation, gun movements and recoil as well as high definition sound and exhaust smoke.

    For further information, contact Monique de Waal at press@armortek.co.uk. Images available.

    Source: Armortek Limited

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