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Tag: Misery

  • The 10 Scariest Stephen King Adaptations, Ranked

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    It: Welcome to Derry hits HBO October 26, bringing Pennywise the Clown out of the sewer to feast on a new generation of children. It remains to be seen if Derry will rank among the scariest Stephen King adaptationswe have a feeling it might—but there are still plenty of chilling movies and TV releases that draw on King’s prolific output to make your nights as sleepless as possible.

    10. Cujo (1983)

    Based on King’s 1981 novel about a St. Bernard who transforms from a gentle pooch into a vicious, violent monster after tangling with a rabid bat, the 1983 movie makes a few key plot changes, including softening the ending. However, the movie is still deeply unsettling, with the dangers of being trapped in a car with no water on a scorching day very nearly eclipsing the terror of a stalking beast.

    Genre superstar Dee Wallace (The Hills Have Eyes, The Howling, E.T. the Extraterrestrial, Critters) gives a ferocious performance as a mom who’ll do anything to protect her son—one of those “Oscar-ignored” horror turns for the ages.

    9. The Monkey (2025)

    Osgood Perkins’ take on King’s cursed-toy tale (a short story first released in 1980) leans heavily into pitch-black comedy, but it’s still unnerving between all the nervous chuckling. Estranged since childhood, twin brothers (both played by Theo James) unhappily reunite when the cymbal-crashing simian that destroyed their youth resurfaces—but really, The Monkey’s main purpose is for the viewer to cringe in their seat as the tension builds between kills, each death more gruesomely Rube Goldberg-ian than the last.

    8. Creepshow (1982)

    We’re playing a little fast and loose with “adaptation” here; King wrote the screenplay, which does adapt a few of his short stories but also features new material. Like The Monkey, it’s a horror comedy—paying loving tribute to the splattery legacy of EC horror comics—but with George A. Romero behind the camera, it also unloads plenty of frights.

    King himself stars in one of the anthology’s segments, playing a goofy farmer whose close encounter with a meteor results in some intense, plant-based body horror. But the standout shocks come from the creature horror of “The Crate” and buggy revenge howler “They’ll Creep Up on You.”

    7. Salem’s Lot (1979)

    Just four years after King’s source-material novel came out, Tobe Hooper (The Texas Chain Saw Massacre) directed what’s still the best screen version of the author’s oft-adapted small-town vampire story. The two-part miniseries digs into not just the bloodsucker takeover, but also why Salem’s Lot—a seemingly idyllic Maine town, not unlike a little place called Derry—is such an ideal setting for a creeping outbreak of evil.

    Hooper’s version makes a key alteration, changing the look of King’s head vampire character into something more ghoulish than originally described, but it makes sense—by making the viewer recoil when the unexpected, visually striking image appears. Also, apologies to Sinners, but Salem’s Lot still wins for the most spine-chilling “invite me in” scene of all time.

    6. Carrie (1976)

    King’s first published novel (1974) became his first adapted work, and not only are we still seeing tons of King adaptations coming every year, Carrie itself has also gone through many iterations (with a Mike Flanagan series on the way as we speak). But Brian De Palma’s film weaves its own spell in ways that’ve never been eclipsed, thanks to Sissy Spacek’s towering lead performance, the effectively jarring use of split-screen to bring the bloody prom scene to life, and one of horror’s best and earliest examples of a jump-scare finale.

    5. The Mist (2007)

    As this list has already demonstrated, many filmmakers have chosen to alter King’s prose to create a more effective screen story. But nowhere is that more searing and horrifying than in Frank Darabont’s 2007 take on King’s 1980 novella. Darabont, of course, is also the director behind some of the most uplifting King movies ever—The Shawshank Redemption (1994) and The Green Mile (1999)—but The Mist just might be the most feel-bad movie of all time. That’s a testament to the tension it builds and the characters you meet as the titular fog envelops a small Maine community—building up to a devastating ending that will haunt you.

    4. It (2017)

    We will always love Tim Curry’s Pennywise performance in the 1990 miniseries, but Andy Muschietti’s big-screen adaptation of the first half of King’s sprawling 1986 novel turns the screws in so many dreadfully alarming ways that Bill Skarsgard’s buck-toothed clown is just one fearsome element. Not for nothing is the kid-centric film the more agonizing of Muschietti’s duology; there’s something plainly terrifying about seeing coming-of-age stories that are already backgrounded in depressing home lives compounded by an insatiable supernatural entity.

    3. Pet Sematary (1989)

    The whole movie could just be furious, tendon-slashing, returned-from-the-grave toddler Gage and the shudder-inducing flashbacks featuring the dreadful Zelda, and it would be top five on this list. That Mary Lambert’s film (adapted from King’s 1983 novel) manages to couch those eerily resonant elements in a movie that constantly teeters on the edge—of despair, sanity, and the next terrible choice made out of sheer hopelessness—is no small achievement.

    2. Misery (1990)

    The 1987 book is unsettling; the 1990 Rob Reiner movie, starring James Caan as a best-selling author kidnapped by a deranged fan (Kathy Bates), is a thrilling masterpiece. Bates’ well-deserved Oscar for bringing the unhinged Annie Wilkes to life feels like payback for all the horror performances ignored by major awards over the years, and the “hobbling” scene still stings no matter how many times you watch it.

    1. The Shining (1980)

    King famously disliked Stanley Kubrick’s interpretation of his 1977 novel (speaking of page-to-screen changes, this one’s got quite a few)—but fans of the movie would be forgiven for suspecting the author is the only hater of this cinematic classic. Jack Nicholson’s performance as Jack Torrance is frightening, but it’s the Overlook Hotel itself—its mind tricks, its ghostly inhabitants, its troublesome elevators, its gorgeously nonsensical architecture—that makes the film practically vibrate with evil.

    Did we miss your favorite scary King movie or TV show? Share your favorites in the comments.

    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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    Cheryl Eddy

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  • Past, Present, and Future: Lessons from A Christmas Carol

    Past, Present, and Future: Lessons from A Christmas Carol

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    From ‘Bah, humbug!’ to redemption: Charles Dickens’ ‘A Christmas Carol’ unfolds as more than just a festive fable, offering profound insights into self-discovery, kindness, and rewriting one’s life story.


    Charles Dickens’ timeless classic, “A Christmas Carol,” isn’t just a heartwarming tale of holiday spirit; it’s a profound exploration of human psychology and the power of personal transformation.

    Many of us have heard the story before through countless movie and TV adaptations, especially the infamous Scrooge, whose name has now become a common insult toward those who fight against the holiday spirit of joy, kindness, and charity.

    If you’re interested, you can read the original 1843 novella A Christmas Carol for free at Project Gutenberg. There are also many free audiobooks you can find and listen to.

    The story opens the day before Christmas with Ebenezer Scrooge at work, a strict businessman who is described as miserable, lonely, and greedy, without any close friends or companions. His nephew visits, wishes him a cheerily “Merry Christmas!” and invites him to spend dinner with his family, but Scrooge rudely brushes off the kind gesture and responds with his trademark phrase “Bah humbug!”

    Scrooge’s cynical and negative attitude is on full display in the opening chapter. “He carried his own low temperature always about with him.” In one instance where he is asked to donate money to help the poor, the wealthy Scrooge asks, “Aren’t there prisons? Aren’t there workhouses?” and then complains about the “surplus population.”

    It’s clear that Scrooge’s only concerns and core values in life are money and wealth. If it doesn’t help his profits or bottom line then he doesn’t care about it, especially the well-being of others which he claims is “none of his business.”

    The archetype of Scrooge is more relevant today than ever, especially in our corporatized world where rich elites isolate themselves from the rest of society while income inequality, crime, and economic woes continue to rise for the average person. Dickens observed early signs of increased materialism, narcissism, and greed almost two hundred years ago, but these unhealthy instincts have only grown rapidly since then. Social media has particularly warped people’s perceptions of wealth, status, and fame, which has in turn blinded us to many other important values in life.

    In many cases people like Scrooge live lonely and miserable lives until they die, clinging to their money as they are lowered into their graves. However the story of “A Christmas Carol” provides hope and inspiration that people can change their paths in life if they are given the necessary insight and wisdom.

    As the well-known tale goes, Scrooge is haunted by 3 benevolent spirits on consecutive nights (The Ghosts of Christmas Past, Present, and Future), each teaching him an essential lesson on what really matters in life.

    This breakdown of past, present, and future creates a complete picture of one’s life. It’s a powerful framework to spark self-growth in any person. Once we reevaluate where we’ve been, where we are, and where we want to go, we have a much clearer idea on what the right path forward is.

    Keep in mind you don’t need to be religious to reap the benefits of this story. Its lessons are universal. While there are supernatural and spiritual elements, the wisdom is real and tangible.

    Introduction: The Ghost of Marley

    Before Scrooge is visited by the three spirits, he encounters the ghost of his former business partner Marley who had died seven years ago.

    The ghost of Marley is shown to be in a type of purgatory, aimlessly roaming the town, entangled in many heavy chains with cash-boxes, keys, padlocks, ledgers, deeds, and heavy purses made out of steel, representing a lifetime of greed and selfishness:

      “I wear the chain I forged in life,” replied the Ghost. “I made it link by link, and yard by yard; I girded it on of my own free will, and of my own free will I wore it. Is its pattern strange to you?”

      “Or would you know,” pursued the Ghost, “the weight and length of the strong coil you bear yourself? It was full as heavy and as long as this, seven Christmas Eves ago. You have laboured on it, since. It is a ponderous chain!”

    The ghost lets Scrooge know that his actions have far-reaching consequences too. He will suffer a similar fate if he doesn’t change his ways, but there’s still hope for redemption! He then leaves, announcing to Scrooge that he will soon be visited by three spirits that will guide him to a better path.

    Marley’s ghost serves as a warning, but also a sign of hope.

    The Ghosts of the Past: Forgiving Your Former Self

    Scrooge’s first encounter is with the “Ghost of Christmas Past,” who serves as a poignant reminder that we must confront our history to understand our present.

    The Ghost of Christmas Past transports Scrooge through various memories he had as a child and young adult, showing his psychological development over time.

    The first scene brings Scrooge back to his childhood town, where he is immediately rushed with feelings of nostalgia, cheerfulness, and joy. These positive memories depict a very different Scrooge from present, revealing his once optimistic and hopeful disposition. What happened to him since?

    The memories begin to grow darker. Multiple scenes show Scrooge spending Christmas alone as a young child, one time being left by himself at boarding school while his friends were celebrating the holidays with family, and another time sitting solitarily by the fire reading. Scrooge begins to shed tears and show sympathy toward his former, abandoned self.

    One of the most pivotal memories is when young adult Scrooge is speaking with his past lover. She notices a fundamental change in him that has become a dealbreaker in their relationship.

      “You fear the world too much,” she answered, gently…”I have seen your nobler aspirations fall off one-by-one, until the master-passion, Gain, engrosses you…”

    She sees that money has become Scrooge’s God which he puts above all other values, including love. The young woman continues…

      “Our contract is an old one. It was made when we were both poor and content to be so, until, in good season, we could improve our worldly fortune by our patient industry. You are changed. When it was made, you were another man.”

    Here we begin to see Scrooge’s hardening into the man he is in the present.

    His pursuit of wealth as his main source of comfort and satisfaction has damaged his relationship beyond repair. The lover sees no other option but for them to go their separate ways. The memory deeply pains Scrooge and he cries out for the ghost to show him no more.

    In truth we are all a product of our past, including our environment and the choices we make in life. Scrooge has clearly gone through hardships and taken wrong turns that have influenced where he finds himself today; but it’s not too late.

    The Ghost of Christmas Past forced Scrooge to remember events that he had long forgotten, neglected, or ignored because they were too painful to think about. While these old memories cannot be altered, you have to accept your past, be honest with yourself, and forgive yourself if you want to learn, grow, and change for the better.

    One of the main lessons here is that you need to take responsibility for the past before you can take power over the future. Scrooge is suffering, but he’s learning.

    Making the Most of the Present: Opportunities for Joy and Kindness

    Scrooge’s next encounter is with the “Ghost of Christmas Present,” who teaches Scrooge all the opportunities for good that cross his path every single day.

    The spirit is colorfully dressed with holly, mistletoe, berries, turkeys, sausages, oysters, pies, puddings, fruit, and punch surrounding him, a representation of the simple pleasures in life we can all learn to appreciate, savor, and be grateful for.

    First, the Ghost of Christmas Present takes Scrooge for a walk outside in the town during Christmas Day, observing all the happiness, zest, and cheer overflowing through the streets. Everyone from all backgrounds is enjoying the festivities.

    When two people bump into each other and start a small fight, the ghost sprinkles a magical substance on them which instantly ends the argument and brings both back to a more joyful demeanor.

      “Once or twice when there were angry words between some dinner-carriers who had jostled each other, he shed a few drops of water on them, and their good humour was restored directly. For they said, it was a shame to quarrel upon Christmas Day. And so it was! God love it, so it was!”

    On Christmas, all fights are optional.

    The ghost then leads Scrooge to the home of Bob Cratchit, his current employee who he often treats poorly. Here Scrooge is introduced to Bob’s sick and disabled son Tiny Tim, who despite his illness is still excited to spend holiday time with the family. The poor family makes the most of the limited food and time they have together, including a fake “goose” dinner made out of apple sauce and mashed potatoes.

    Scrooge looks on in sympathy and wishes he could do more to help them. He asks the spirit about the current state of Tiny Tim’s health:

      “Spirit,” said Scrooge, with an interest he never felt before, “tell me if Tiny Tim will live.”

      “I see a vacant seat,” replied the Ghost, “in the poor chimney-corner, and a crutch without an owner, carefully preserved. If these shadows remain unaltered by the Future, the child will die.”

    In another scene, Scrooge is transported to the home of his sister’s family, the same party his nephew invited him to the previous day. Everyone in the household is enjoying the Christmas holiday while singing, dancing, and playing games. Several times Scrooge is brought up in conversation and everyone can only laugh and shrug at Scrooge’s relentless misery and gloom.

      “A Merry Christmas and a Happy New Year to the old man, whatever he is!” said Scrooge’s nephew. “He wouldn’t take it from me, but may he have it nonetheless. Uncle Scrooge!”

    Scrooge knows that these events and perceptions by others are part of his own doing.

    At every turn, Scrooge denies taking advantage of daily opportunities for happiness, including rejecting a group of children singing carols, responding rudely to acquaintances (“Bah humbug!”), and refusing to give to charities or help others when it’s fully in his power.

    These events are small, but they build up over time. Whenever Scrooge is given a choice between kindness vs. coldness, he chooses to be cold. After enough tiny social interactions, Scrooge has cemented his reputation around town as being the miserable miser.

    Can he still change it?

    The Shadows of the Future: Shaping Tomorrow Today

    The final spirit Scrooge meets is the “Ghost of Christmas Yet to Come” or the “Ghost of Christmas Future.” This ghost blends in with the darkness of the night, wearing a long black robe that covers their entire face and body, except for a boney hand it uses to silently point.

    The ghost begins by showing men on the streets joking and laughing about someone who has just passed away. At a pawn shop, robbers are selling stolen property they recently seized from the dead man’s estate, saying it’s for the best since the items will no longer serve any use to him. Scrooge, perplexed by the meaning of these scenes, intently watches on. Another man jokes:

      “It’s likely to be a very cheap funeral, for upon my life I don’t know of anybody to go to it.”

    Scene by scene, people show ambivalence toward the death. Scrooge grows frustrated and asks:

      “If there is any person in the town who feels emotion caused by this man’s death, show that person to me. Spirit, I beseech you!”

    Now they see a family that was in debt to the dead man, and they are feeling humble gratitude and quiet glee that they no longer have to worry themselves about such an evil creditor:

      “Yes. Soften it as they would, their hearts were lighter. The children’s faces, hushed and clustered round to hear what they so little understood, were brighter; and it was a happier house for this man’s death! The only emotion that the Ghost could show him, caused by the event, was one of pleasure.”

    Already having suspicions on who this man is, Scrooge begs the ghost to finally reveal where his future lies. The ghost travels to a graveyard and points at a tombstone that upon inspection reads: Ebenezer Scrooge

    Scrooge’s heart sinks. Next it’s shown that Tiny Tim hasn’t recovered from his illness and has also passed away, and at such a young age. Feeling completely hopeless at this point, Scrooge desperately begs:

      “Answer me one question. Are these the shadows of the things that Will be, or are they shadows of things that May be, only?”

      “Men’s courses will foreshadow certain ends, to which, if persevered in, they must lead. But if the courses be departed from, the ends will change. Say it is thus with what you show me!”

    As long as you’re alive and breathing, you have the power to change.

    When we think about death, it puts everything about life into perspective. Our time is finite in this world and we must make the most of it without being distracted by trivialities and lesser values. If you were laying on your deathbed right now, what would your main regrets be?

    When Scrooge reflects on his own death and what influence he’d leave on the world, it shakes him at his core – but also transforms him.

    The Power of Redemption: Transforming Scrooge’s Tale into Our Own

    After the visitations of the three ghosts, Scrooge wakes up a changed man ready to start his new life. He rises from bed excited, hopeful, and giddy that he’s still alive and still has a chance to change his current course.

    Upon finding out it’s still Christmas Day, he buys a prize turkey to send to the Cratchit family and begins giving generous amounts of money to children and the poor. He continues to walk around the town square, giving everyone warm greetings and a hearty “Merry Christmas!”

    When he sees Bob Cratchit the next day at work, he immediately gives him a raise in salary and promises to take care of Tiny Tim and assist the family in anyway possible. He becomes a lifelong friend to the family.

    This sudden change in Scrooge’s behavior confused the townsfolk at first, including many who made fun of this rapid transformation that was so uncharacteristic of Scrooge. But these words and gossip didn’t bother him:

      “Some people laughed to see the alteration in him, but he let them laugh, and little heeded them; for he was wise enough to know that nothing ever happened on this globe, for good, at which some people did not have their fill of laughter[…] His own heart laughed: and that was quite enough for him.”

    At its core, “A Christmas Carol” is a story of redemption and heroism. Scrooge’s journey from miserly recluse to benevolent samaritan exemplifies the human capacity for change.

    By reflecting on his past, present, and future self, Scrooge discovered the best path forward – a process that applies to all forms of self-improvement.

    This story has insightful lessons that can apply to anyone’s life, no matter what situation they find themselves in. We can’t change the past chapters, but we can change how our story ends.

    Never forget you have the power to rewrite your life story at any time.


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    Steven Handel

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  • The 30 Best Thriller Books to Read Next

    The 30 Best Thriller Books to Read Next

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    Every item on this page was chosen by an ELLE editor. We may earn commission on some of the items you choose to buy.

    Gone Girl by Gillian Flynn

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    Big Little Lies by Liane Moriarty

    <i>Big Little Lies</i> by Liane Moriarty

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    This one hardly needs an introduction. Big Little Lies follows a group of women as they deal with abusive husbands, family secrets, school scandals, and tragic murders.

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    The Shining by Stephen King

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    Helter Skelter: The True Story of the Manson Murders by Vincent Bugliosi and Curt Gentry

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    In Cold Blood by Truman Capote

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    Zodiac: The Shocking True Story of the Hunt for the Nation’s Most Elusive Serial Killer by Robert Graysmith

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    <i>The Strange Case of Dr. Jekyll and Mr. Hyde</i> by Robert Louis Stevenson

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    Silence of the Lambs by Thomas Harris

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    Headshot of Juliana Ukiomogbe

    Juliana Ukiomogbe is the Assistant Editor at ELLE. Her work has previously appeared in Interview, i-D, Teen Vogue, Nylon, and more.  

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