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  • Will Rumours Never Cease? – Houston Press

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    It is a fairly certain truth that Fleetwood Mac’s 1977 album Rumours showcased a band at its musical apex (sorry, Tusk-heads).

    Credit: Book cover

    The 11th (!) studio album from a group that started off as a hardcore blues outfit with an ever-shifting lineup, it was the second to feature the quintet of co-founders Mick Fleetwood (drums) and John McVie (bass), along with John’s wife Christine McVie (vocals/keyboard) and newish California couple Lindsey Buckingham (vocals/guitar) and Stevie Nicks (vocals/tambourine/twirling).

    Critics liked it, but in this case so did the public. A lot. It made the band global superstars, won many bookcases of awards, stayed at or near the top of the singles and album charts for some time, and sold 10 million copies in a little over a month.

    That the album was made in a flurry of romantic angst (all five members were in faltering relationships, including two couples within the band), cocaine, and cash. And it’s all there in the songs, penned by the three singers, and often about each other.

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    But that was nearly 50 years ago. Today, Rumours is shockingly the gift that keeps on giving, now notching up 40 million in sales and hundreds of millions of streams. It has gone 21X Platinum and was the best-selling rock record of 2024. Sure, the appeal to the original Boomer customers was always there, but Gen X, Millennials, Gen Z, and now Gen Alpha have embraced it, are talking about it, overanalyzing it, and covering it.

    Longtime music scribe Alan Light—a teen himself in 1977—has seen this firsthand. And has written an entire book not just about the making of Rumours but the impact, legacy, and still white-hot relevance of the disc in Don’t Stop: Why We (Still) Love Fleetwood Mac’s Rumours (288 pp., $29, Atria Books).

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    He starts by giving a general history of the band, the album’s recording, and the individual songs—though on purpose not going deep in the weeds as other books and docs have already covered.

    What makes Don’t Stop different from other Mac books (or even those about Rumours) is Light’s deft analysis and the fact that he interviewed more than 30 aficionados between the ages of 16 and 30. They talk about their own relationship to the record and how it came into—and stays—in their lives.

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    So, as Light ponders himself, “Why do kids like this old-ass album?”

    It’s because their parents played it. Or an older sibling had a copy. Or a friend turned them onto it. Or they could stream all 11 tracks instantly.

    Or 12 if you, as Light does, also include by default Nicks’ magesterial “Silver Springs.” Cut from the record due to length (or giving Nicks too much say in the back-and-forth songs between herself and Buckingham), it became B-side to the first single.

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    But it came to life on its own via the searing performance from the 1997 The Dance concert, with Nicks all up in Buckingham’s face, boring a hole in his head with her laser eyes as she wails “You’ll never get away from the sound of the woman that loves you!/Was I just a foo-ool?

    Or the appearance/influences of the album on Glee, Daisy Jones & The Six. Or the cranberry juice-swilling TikTok guy. Memes. There’s also the female dynamic in the band and universal themes of romantic love and loss. Or The Cult of Stevie, stronger now than in 1977. Hell, Rumours even comes up in lists of “diss tracks,” with Stevie and Lindsey trading barbs right up there with Drake and Kendrick.

    Rumours teaches us about perseverance and survival. It illustrates the impact that creativity and commitment can make, as demonstrated by its ongoing legacy,” Light sums up. Adding that in 2022, the first year that vinyl improbably outsold CDs, the top sellers were discs by Taylor Swift, Harry Styles (both ardent Nicks fans and collaborators), Olivia Rodrigo, Kendrick Lamar, and…Rumours.

    Go your own way? Not a chance. Looks like these Rumours will continue to hang around. And in this book, Alan Light turns them into facts.

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    Bob Ruggiero

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  • Mick Fleetwood On Planning Benefit Concert After Maui Wildfires: ‘Music Heals’

    Mick Fleetwood On Planning Benefit Concert After Maui Wildfires: ‘Music Heals’

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    By Mona Khalifeh, ETOnline.com.

    Mick Fleetwood is planning a benefit concert to help those impacted by the recent wildfires in Maui.

    ET’s Kevin Frazier spoke to the Fleetwood Mac drummer, who lives on the Hawaiian island, about the benefit concert and the healing power of music.

    “I’ve already got a lovely sort of catalog of people that are concerned. I will remain mute on who they are, but I will either become part of something that we can do on a grand scale, which is great,” Fleetwood said of the concert, currently in the works. “Anything is great, and playing in Honolulu, about 2 weeks from now, and that concert’s becoming — Henry Kapono who lives in Oahu, was celebrating the 50th anniversary of his career — well, I’m going to be doing that show, supporting.”

    “So, all of this is unfolding is something I feel I can be a part, or really be spearheading,” the famed drummer continued. “And it’s not now, but music heals, and music does its version of what I’m doing now.”

    For Fleetwood, the tragedy hits home even harder, with Maui the place the 76-year-old musician calls home, and a place where he once owned a restaurant. The Front St. property was one of the many establishments lost in the blaze.

    “I happen to live here. This is my home. I’m not passing through. People think, ‘Oh, how many times do you come here and see your restaurant?” I say, ‘No, no, no. I live here. This is the only home I have,’” he stressed. “And so all of that is something — not to jump too far ahead, but the intention would be absolutely to be part of, or to be right shaking the flag, to rally around and put on a great incredibly beautiful show. Which I know can be done.”

    The wildfires were first reported on Aug. 8. Fires began to ravage Maui as a result of drought conditions and hurricane weather.  At least 99 people have been confirmed dead, making it the deadliest wildfire in the United States in more than a century. The entire town of Lahaina has been left in ruins.

    “Well, the enormity is still of what happened, which is absolutely beyond belief, is that in a very, very short space of time over those hills, I can hardly look around, in Lahaina town, and that area around Lahaina town, disappeared within minutes with a wildfire which has been credited as being one of the most vicious if not the most catastrophic wildfires in the country,” Fleetwood said of the devastation the wildfires have caused. “And that you can’t comprehend, but I can tell you, we in Hawaii have a word which is Ohana, which is family, and that’s the reason people come, and I believe, come to these lovely islands where there’s a sense of that, it still exists. So, that home, that Ohana was destroyed within minutes, and we’re still finding out how catastrophic it still continues to be.”

    He continued, “Having something happen, and be completely in shock and for those drastic amounts of time, no one knew what was going on and no one had a clue where anyone was. All the communications broke down, and so the family, the community that survived as in real time there, amazingly you more than myself maybe, but I’ve certainly heard of such heroic deeds, which is a testament not only to what happened here, but you most often hear that the human condition comes through in these awful situations all over this planet, and of course in our own United States of America you see people coming and doing things that are beyond belief extraordinary to help.”

    In addition to putting on a benefit concert, Fleetwood’s foundation will direct any donated funds to organizations to help survivors, with the directed funds to Maui Food Bank, Hawaii Community Foundation – Maui Strong Fund, and Maui Humane Society — all of which are helping the island and its residents rebuild after the wildfires.

    “I have a foundation here now, The Mick Fleetwood foundation — Mick Fleetwood Foundation.Org will lead you to several really, really bona fide organizations that are right here feet, on the ground already doing it, and we are adding to that dialogue through the foundation, the mickfleetwoodfoundation.org will lead you to that,” Fleetwood explained. “The fact is, there is a whole load of wonderful places you could go. That’s me doing something I have a comfort with, really knowing what we are already affiliated with, are people that really know what they are doing.”

    As for what people need, Fleetwood, who came back to the island on a plane filled with supplies, said at the present time, the people of Maui need food and water.

    What’s more almost as meaningful as raising money, he added, is keeping the attention on what’s going on in Maui as the island works to rebuild, something Fleetwood said music helps to do.

    “Apart from raising the money, what I think is really, really important, me sitting here doing what I’m doing, and also the manifest of music coming to the fore… but what we can do has been proven to really rally, and keep the attention, keep the attention incrementally as this goes on, is something that I think music is really a powerful medium [for], and the people, whoever they might be, participating in that, is almost an endless way of, ‘Don’t forget, don’t forget and don’t forget.’”

    To learn more about how you can help, check out http://www.mickfleetwoodfoundation.org.

    MORE FROM ET:

    Dwayne Johnson Is ‘Heartbroken’ Over Maui Wildfires: ‘Stay Strong’

    Jason Momoa Is ‘Devastated and Heartbroken’ Over Tragic Maui Wildfires

    Paris Hilton Seen Vacationing in Maui Amid Deadly Wildfire, Offers Aid

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    Brent Furdyk

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  • Inside Christine McVie’s and Stevie Nicks’ decades-long friendship | CNN

    Inside Christine McVie’s and Stevie Nicks’ decades-long friendship | CNN

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    CNN
     — 

    Throughout the various personal turmoils for which the members of Fleetwood Mac are known, one relationship buoyed the band for decades: the friendship between its two frontwomen, Christine McVie and Stevie Nicks.

    McVie joined the band in 1970 during one of its early lineup changes and for years was its only woman. When Nicks was added to the lineup in 1975, the two became fast friends.

    Theirs was not a competitive relationship, but a sisterly one – both women were gifted songwriters responsible for crafting many of the band’s best-known tunes. Though the two grew apart in the 1980s amid Nicks’ worsening drug addiction and the band’s growing internal tension, they came back together when McVie returned to Fleetwood Mac in 2014.

    At a concert in London, shortly before McVie officially rejoined the band, Nicks dedicated the song “Landslide” to her “mentor. Big sister. Best friend.” And at the show’s end, McVie was there, accompanying her bandmates for “Don’t Stop.”

    “I never want her to ever go out of my life again, and that has nothing to do with music and everything to do with her and I as friends,” Nicks told the Minneapolis Star-Tribune in 2015.

    On Wednesday, McVie, the band’s “songbird,” died after a brief illness at age 79. Below, revisit McVie’s and Nicks’ years-long relationship as bandmates, best friends and “sisters.”

    The story of Nicks joining Fleetwood Mac is legend now: Band founder and drummer Mick Fleetwood wanted to recruit guitarist Lindsey Buckingham, who stipulated that he would only join if his girlfriend and musician Nicks could join, too. McVie cast the deciding vote, and the rest is history.

    “It was critical that I got on with her because I’d never played with another girl,” McVie told the Guardian in 2013. “But I liked her instantly. She was funny and nice but also there was no competition. We were completely different on the stage to each other and we wrote differently too.”

    Throughout the band’s many personal complications – McVie married and divorced Fleetwood Mac bassist John McVie and had an affair with the band’s lighting director, while Nicks had rollercoaster romances with Buckingham and Fleetwood – they were each other’s center.

    “To be in a band with another girl who was this amazing musician – (McVie) kind of instantly became my best friend,” Nicks told the New Yorker earlier this year. “Christine was a whole other ballgame. She liked hanging out with the guys. She was just more comfortable with men than I had ever been.”

    The two protected each other, Nicks said, in a male-dominated industry: “We made a pact, in the very beginning, that we would never be treated with disrespect by all the male musicians in the community.

    “I would say to her, ‘Together, we are a serious force of nature, and it will give us the strength to maneuver the waters that are ahead of us,’” Nicks told the New Yorker.

    “Rumours” was the band’s greatest success to date when it was released in 1977. But the band’s relationships with each other were deteriorating, save for the one between McVie and Nicks. While the pair were enduring breakups with their significant others, Nicks and McVie spent their time offstage together.

    The Guardian asked McVie if she was trying to offset the band’s tumult with her songs on “Rumours,” including the lighthearted “You Make Lovin’ Fun” and optimistic “Don’t Stop.” She said she likely had been.

    As multiple members’ drug use intensified, the band’s dynamic grew tense. McVie distanced herself from the group in 1984 amid her bandmates’ addictions, telling the Guardian she was “just sick of it.” Nicks, meanwhile, was becoming dependent on cocaine.

    After Fleetwood Mac was inducted into the Rock & Roll Hall of Fame in 1998, Christine McVie (third from left) quit the band.

    McVie told Rolling Stone that year that she’d grown apart from Nicks: “She seems to have developed her own fantasy world, somehow, which I’m not part of. We don’t socialize much.”

    In 1986, Nicks checked into the Betty Ford Center to treat her addiction, though she later became addicted to Klonopin, which she said claimed years of her life. She quit the prescription drug in the 1990s.

    After recording some solo works, McVie returned to Fleetwood Mac for their 1987 album “Tango in the Night,” and two of her songs on that record – “Little Lies” and “Everywhere” – became major hits. But Nicks departed the band soon after, and the band’s best-known lineup wouldn’t officially reunite until 1997 for “The Dance” tour and subsequent live album.

    The reunion was short-lived: After the band was inducted into the Rock & Roll Hall of Fame in 1998, McVie officially quit Fleetwood Mac, citing a fear of flying and exhaustion of life on the road.

    In the 2010s, after more than a decade of retirement, McVie toyed with returning to performing. She officially rejoined Fleetwood Mac after calling Fleetwood himself and gauging what her return would mean for the group.

    “Fortunately Stevie was dying for me to come back, as were the rest of the band,” she told the Arts Desk.

    In 2015, a year after she’d rejoined Fleetwood Mac, McVie hit the road with her bandmates. Touring with the group was tiring but fun, the first time they’d performed together in years.

    “I’m only here for Stevie,” she told the New Yorker that year.

    Christine McVie (left) and Stevie Nicks perform together at Radio City Music Hall in 2018.

    Nicks concurred: “When we went on the road, I realized what an amazing friend she’d been of mine that I had lost and didn’t realize the whole consequences of it till now,” she told the Minneapolis Star-Tribune in 2015.

    During that tour, McVie wore a silver chain that Nicks had given her – a “metaphor,” McVie told the New Yorker, “that the chain of the band will never be broken. Not by me, anyways. Not again by me.”

    McVie told the Arts Desk in 2016 that she and Nicks were “better friends now than (they) were 16 years ago.”

    Touring with Buckingham and Fleetwood could quickly get tumultuous for Nicks, McVie said, due to their shared history. “But with me in there, it gave Stevie the chance to get her breath back and not have this constant thing going on with Lindsey: her sister was back,” she said.

    Their mutual praise continued: In 2019, McVie said Nicks was “just unbelievable” onstage: “The more I see her perform on stage the better I think she is. She holds the fort.”

    When their 2018-2019 tour ended, though – without Buckingham, who was fired – the band “kind of broke up,” McVie told Rolling Stone earlier this year. She added that she didn’t speak with Nicks as often as she did when they toured together.

    As for a reunion, McVie told Rolling Stone that while it wasn’t off the table, she wasn’t feeling “physically up for it.”

    “I’m getting a bit long in the teeth here,” she said. “I’m quite happy being at home. I don’t know if I ever want to tour again. It’s bloody hard work.”

    News of McVie’s death rattled Nicks, who wrote that she had only found out McVie was sick days earlier. She called McVie her “best friend in the whole world since the first day of 1975.”

    On her social media accounts, Nicks shared a handwritten note containing lyrics from the Haim song “Hallelujah,” some of which discusses grief and the loss of a best friend.

    “See you on the other side, my love,” Nicks wrote. “Don’t forget me – Always, Stevie.”

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