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Tag: michael cera

  • Poker’s NBA-and-Mafia betting scandal echoes movie games, and cheats, from ‘Ocean’s’ to ‘Rounders’

    LOS ANGELES (AP) — The stakes. The famous faces. The posh private rooms. The clever cheating schemes.

    The federal indictment of a big-money poker ring involving NBA figures on Thursday, in which unsuspecting rich players were allegedly enticed to join then cheated of their money, echoed decades of movies and television, and not just because of the alleged Mafia involvement.

    Fictional and actual poker have long been in sort of a pop-cultural feedback loop. When authorities described the supposed circumstances of the games, they might’ve evoked a run of screen moments from recent decades.

    Poker in ‘Ocean’s Eleven,’ ‘Molly’s Game’ and ‘The Sopranos’

    A 2004 episode of “ The Sopranos ” showed a very similar mix of celebrities and mobsters in a New York game whose players included Van Halen singer David Lee Roth and football Hall-of-Famer Lawrence Taylor, both playing themselves.

    In 2001’s “Ocean’s Eleven,” George Clooney finds his old heist buddy Brad Pitt running a poker game for “Teen Beat” cover boys including Topher Grace and Joshua Jackson, also playing themselves. Clooney spontaneously teams with Pitt to con them. And the plot of the 2007 sequel “Ocean’s Thirteen” centers on the high-tech rigging of casino games.

    Asked about the relevance of the films to the NBA scandal, which came soon after a story out of Paris that could’ve come straight out of “Ocean’s Twelve,” Clooney told The Associated Press with a laugh that “we get blamed for everything now.”

    “‘Cause we also got compared to the Louvre heist. Which, I think, you gotta CGI me into that basket coming out of the Louvre,” Clooney said Thursday night at the Los Angeles premiere of his new film, “Jay Kelly.” He was referring to thieves using a basket lift to steal priceless Napoleonic jewels from the museum.

    2017’s “Molly’s Game,” and the real-life memoir from Molly Bloom that it was based on, could almost serve as manuals for how to build a poker game’s allure for desirable “fish” in the same ways and with the same terminology that the organizers indicted Thursday allegedly used.

    The draw of Bloom’s games at hip Los Angeles club The Viper Room were not NBA players, but Hollywood players like Leonardo DiCaprio, Tobey Maguire and “The Hangover” director Todd Phillips. (None of them were accused of any wrongdoing.)

    In the movie written and directed by Aaron Sorkin, Bloom, played by Jessica Chastain, describes the way a famous actor acts as an attractor for other players, the same way officials said Thursday that NBA “face cards” did for the newly indicted organizers.

    The unnamed actor, played by Michael Cera, was at least partly based on the “Spider-Man” star Maguire.

    “People wanted to say they played with him,” Chastain says. “The same way they wanted to say they rode on Air Force One. My job security was gonna depend on bringing him his fish.”

    In her book, Bloom described the allure for the players she drew.

    “The formula of keeping pros out, inviting in celebrities and other interesting and important people, and even the mystique of playing in the private room of the Viper Room added up to one of the most coveted invitations in town,” she writes, later adding that “I just needed to continue feeding it new, rich blood; and to be strategic about how to fill those ten precious seats.”

    Bloom would get caught up in a broad 2013 nationwide crackdown on high-stakes private poker games, probably the highest profile poker bust in years before this week. She got a year’s probation, a $1,000 fine, and community service.

    There were no accusations of rigging at her game, but that didn’t make it legal.

    The legality of private-space poker games has been disputed for decades and widely varies among U.S. states. But in general, they tend to bring attention and prosecution when the host is profiting the way that a casino would.

    A brief history of movies making poker cool

    Poker — and cheating at it — has run through movies, especially Westerns, from their silent beginnings.

    Prominent poker scenes feature in 1944’s “Tall in the Saddle” with John Wayne and 1950’s “The Gunfighter” with Gregory Peck.

    “The Cincinnati Kid” in 1965 was dedicated entirely to poker — with Steve McQueen bringing his unmatched cool to the title character.

    A pair of movies co-starring Robert Redford and Paul Newman really raised the game’s profile, though.

    In the opening scene of 1969’s “Butch Cassidy and the Sundance Kid,’ a hyper-cool Redford is playing poker and refuses to leave until another player takes back a cheating accusation.

    In 1973’s Best Picture Oscar winner “The Sting,” 1930s con-men Newman and Redford seek revenge against a big fish and run a series of increasingly bold gambling scams that could’ve come from Thursday’s indictments. Newman out-cheats the man at poker to set him up for the big con, a phony radio horse race.

    The 1980s saw a dip in screen poker, with the subject largely relegated to the TV “Gambler” movies, starring Kenny Rogers, based on his hit song.

    But the end of the decade brought a poker boomlet from the increased legalization of commercial games.

    Then, at possibly the perfect moment, came “Rounders.” The 1998 Matt Damon film did for Texas Hold ’em what “Sideways” did for pinot noir and “Pitch Perfect” did for a cappella: it took an old and popular phenomenon and made them widespread crazes.

    Soon after came explosive growth in online poker, whose players often sought out big face-to-face games. And the development of cameras that showed players’ cards — very similar to the tech allegedly used to cheat players, according to the new indictments — made poker a TV spectator sport.

    The “Ocean’s” films and the general mystique they brought piled on too.

    Clooney, talking about the broader set of busts Thursday that included alleged gambling on basketball itself, pointed out that his Cincinnati Reds were the beneficiaries of sport’s most infamous gambling scandal, the 1919 “Black Sox” and the fixing of the World Series, “so I have great guilt for that.”

    “But you know there — we’ve never had a moment in our history that we didn’t have some dumb scandal or something crazy,” he said. “I feel very bad for the gambling scandal ’cause this was on the night that, you know, we had some amazing basketball happen.”

    —-

    Associated Press writer Leslie Ambriz contributed to this report.

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  • Edgar Wright and Michael Cera are working together in ‘The Running Man’. We are so back | The Mary Sue

    Edgar Wright and Michael Cera are working together in ‘The Running Man’. We are so back | The Mary Sue

    Scott Pilgrim vs. The World fans, get HYPE. Michael Cera, who played the titular Scott Pilgrim in the Edgar Wright film, is working with the filmmaker again. This time, they’re tackling Stephen King together with The Running Man.

    News broke in an exclusive from The Hollywood Reporter that Cera would be joining the Glen Powell led movie along with Coda and Cat Person actress, Emilia Jones. Cera is set to play a rebel who is attempting to help Powell’s Ben Richards survive the game he has put himself in and take on those in charge. Jones will play a wealthy woman who does not grasp the reality of the world she’s living in.

    The Running Man was originally published under King’s pen name Richard Bachman. It was then turned into a 1987 film starring Arnold Schwarzenegger. Wright, who is directing the film and co-writing it with Michael Bacall, is hopefully bringing us a more truth adaptation of King’s work. The cast continues to fill up with some brilliant actors we know and love. Josh Brolin is set to be the film’s villain as a producer on the show. Lee Pace is another villain, the game hunter hunting down Ben Richards in the game show. Katy O’Brian will play another contestant.

    Recently, Jayme Lawson was announced as Shelia Richards, playing Powell’s wife and the mother of his sick daughter. Ben decides to put himself on the game show network because his family could not afford medicine for his sick child. Ben gets put into “The Running Man” where a hunter seeks to capture and kill contestants.

    Wright reuniting with Cera is exciting though. Recently, the two worked together again on Scott Pilgrim Takes Off. Wright was an EP on the project and Cera returned to voice Scott in the anime series.

    A reunion we’ve been waiting for

    Since the release of Scott Pilgrim Vs. the World back in 2010, fans have fallen in love with Wright and Cera’s work. As a fan of the Three Flavours Cornetto Trilogy myself, it was nice to have another Wright project to connect with. While Wright worked with Simon Pegg and Nick Frost often, he didn’t work repeatedly with Cera. That’s why this is so exciting!

    Scott Pilgrim Vs. the World is beloved by fans. Based on the series of graphic novels, the film has become a cult classic. With fans constantly wanting more from the cast, it was only a matter of time before we got this reunion. Getting to see Cera tackle a role in a Stephen King story? That’s just an added bonus.

    I’m also extremely excited for Jones’ role in the film. She has always been brilliant in whatever she does but this role does seem like a departure for her. Whatever Edgar Wright has in store for us with The Running Man, I’m excited. This is the film I have been the most excited about recently and each new casting announcement rules. What next? Mary Elizabeth Winstead and Simon Pegg are going to show up?!


    The Mary Sue is supported by our audience. When you purchase through links on our site, we may earn a small affiliate commission. Learn more about our Affiliate Policy

    Rachel Leishman

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  • Edgar Wright’s The Running Man Adds Michael Cera to Cast

    Edgar Wright’s The Running Man Adds Michael Cera to Cast

    Throughout the year, Paramount’s upcoming Running Man reboot from Edgar Wright has been picking up stars. First it was Glen Powell and Katy O’Brian as the leads, then it expanded to include Josh Brolin and Lee Pace as the main villains. Now you can add another pair of actors to its supporting cast, including an old slacker friend of Wright’s.

    Per the Hollywood Reporter, Michael Cera (Scott Pilgrim) and Emilia Jones (Locke & Key) are joining the cast of the upcoming film. Cera’s said to be playing an unnamed “naïve rebel” trying his best to help Powell’s Ben Richards, while Jones will portray a privileged woman said to be “blind to the oppression of the government” Richards is fighting against. Filming will take place in London at the start of 2025 before its release later in the year.

    Based on Stephen King’s 1982 sci-fi novel, The Running Man is set in a dystopian 2025 where a totalitarian regime has ruled over America and uses a violent game show to keep citizens happy. The titular show sees ruthless killers hunt down contestants, and Richards signs up to get money for his sick daughter. Contestants get more money the longer they survive, and as he stays alive, he also draws more attention to himself from the show’s producers and the killers, who would rather he lose.

    Running Man was previously adapted into a 1987 film starring Arnold Schwarzenegger by Paul Michael Glaser, and back in June, Powell teased what would make this new version different from its predecessor. Wright’s film, he said, is “more grounded” in King’s book, which made the hunt for Richards into a global one rather than just the US. We’ll find out how the two films differ when Wright’s The Running Man hits theaters on November 21, 2025.

    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

    Justin Carter

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  • What to Watch on Streaming This Week: February 16-22

    What to Watch on Streaming This Week: February 16-22

    Cillian Murphy as J. Robert Oppenheimer in Oppenheimer. Universal Pictures

    From major Oscar nominees to a massive new Netflix series, this week boasts some exciting new titles across streaming. Action, thriller, musical and more—it’s all available to watch this week, so make the most out of your streaming subscriptions.

    What to watch on Netflix

    Warrior

    A gripping historical crime drama that mixes martial arts with gangsters, Warrior is an excellent blend of genres that’s worth watching for its fight scenes alone. The show comes from a long lost pitch from the late Bruce Lee, and it’s brought to life by his daughter Shannon Lee and a dedicated team. The series takes place in 1870s San Francisco, where the burgeoning Chinatown sees brewing gang wars. Meanwhile, Chinese immigrants in the city are facing threats from a white establishment that’s growing increasingly hostile. All three seasons of Warrior will begin streaming Friday, February 16th. Read Observer’s review.

    Avatar: The Last Airbender

    One of the most anticipated live-action television adaptations in recent memory, Avatar: The Last Airbender is a new fantastical adventure series based on the mid-’00s cartoon of the same name. The show takes place in a world where nations tied to the elements (water, earth, fire, and air) are at war. The Fire Nation is on a path of conquest, helped by those who can wield and bend the element, and only the mystical figure known as the Avatar (who can control all four elements) can stop it. The problem? The Avatar, Aang, is only a child, but he’s been hiding from his responsibilities for years. Avatar: The Last Airbender premieres Thursday, February 22nd.

    What to watch on Hulu

    https://www.youtube.com/watch?v=DPKIlB8qhow

    Life & Beth 

    Amy Schumer returns with Season 2 of Life & Beth, a dramedy about grappling with love, loss, and buried trauma. Schumer stars as Beth, a woman who ditched her fairly comfortable (but fairly boring) life to deal with the death of her mother and all of the feelings that it stirred up. Along the way, she discovered a charming farmer (Michael Cera) and decided to really try to live her life rather than just exist in it. Now, they’re a happy couple, but personal realizations and rushed proposals threaten to derail that relationship. Season 2 of Life & Beth premieres Friday, February 16th.

    What to watch on Amazon Prime

    Teenage Mutant Ninja Turtles: Mutant Mayhem 

    The Teenage Mutant Ninja Turtles have long been sources for middling movies, so it’s a good thing that Teenage Mutant Ninja Turtles: Mutant Mayhem finally realized the fun that could be had with these characters. The animated film takes the kind of creative visual swings that made the two Spider-Verse movies such hits, oozing with bright, clever animation. Mutant Mayhem follows the heroes in a half shell as they work to bust a mysterious mutant crime syndicate and get some good press (with the help of Ayo Edebiri’s April O’Neil) for mutants at large. Teenage Mutant Ninja Turtles: Mutant Mayhem streams Wednesday, February 21st.

    What to watch on Max

    The Color Purple 

    A new take on an American classic, The Color Purple puts Alice Walker’s riveting story of self-discovery and empowerment (and, more specifically, its Tony Award-winning Broadway musical adaptation) on the big screen. American Idol winner Fantasia Barrino stars as Celie, who suffers abuses of all kinds as she struggles to find her voice. The rest of the cast is overflowing with musical and acting talent, with Taraji P. Henson, Danielle Brooks, Colman Domingo, Corey Hawkins, H.E.R., Halle Bailey, and Ciara making up the sprawling ensemble. The Color Purple premieres on streaming Friday, February 16th.

    What to watch on Apple TV+

    Constellation 

    From Invasion to For All Mankind, no platform loves a space show as much as Apple. Constellation is the newest space-set series from the streamer, though it leans a bit more into psychological thriller than sci-fi or drama. Noomi Rapace stars as Jo, an astronaut whose mission goes awry. When she returns to Earth, she discovers that key parts of her life are different, from an inexplicable new ability to play the piano to Jo’s altered relationship with her daughter. Jonathan Banks and James D’Arcy also star. The first three episodes of Constellation premiere Wednesday, February 21st.

    What to watch on Peacock

    Oppenheimer 

    The biggest addition to streaming this week comes in the form of one of 2023’s biggest and best movies. Christopher Nolan’s Oppenheimer made a massive splash in theaters last summer, combining the director’s affinity for richly realized filmmaking and an intricate story about one of history’s most notorious figures. It’s a heavy favorite to walk away with plenty of Oscars come March 10th, given that it’s the most-nominated film of the year. With stellar performances from Cillian Murphy, Emily Blunt, and Robert Downey Jr., this period piece about the science and politics of war is near-perfect. Oppenheimer premieres Friday, February 16th. Read Observer’s review.


    What to Watch is a regular endorsement of movies and TV worth your streaming time.

    What to Watch on Streaming This Week: February 16-22

    Laura Babiak

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  • Scott Pilgrim Takes Off: The Kotaku Review

    Scott Pilgrim Takes Off: The Kotaku Review

    Let’s get it out of the way: This is not a spoiler-free review of Scott Pilgrim Takes Off. Netflix’s anime take on Brian Lee O’Malley’s video game reference-ridden romantic comedy graphic novels and their subsequent live-action movie adaptation is impossible to talk about while tiptoeing around specifics. I’m not going to tell you how it all ends, but I do have to set the stage in a way that will give away a great moment in the first episode if I’m going to talk about this show with any sort of conviction.

    If you’re just looking for a quick thumbs up or thumbs down, then yes, you should watch Scott Pilgrim Takes Off if you are a fan of the original story and have also seen the film. Hell, throw the very good video game in there, too. The anime is in conversation with the source material, and despite still being about the titular dopey, irresponsible fuck-up and his enigmatic delivery girl love interest Ramona Flowers, it’s still best experienced when you know what this series is all about. And here’s why:

    Scott Pilgrim Takes Off starts off similarly enough. Most of the first episode is a faithful retelling of Scott meeting Ramona, becoming infatuated with her, and then ordering a movie for her to deliver to his home so he can ask her out. Their date is sweet, their respective pasts are shrouded in mystery, and as things start to pick up between them, their budding romance is interrupted by Ramona’s ex Matthew Patel attacking Scott at a battle of the bands show. Anyone who’s seen the movie or read the books knows that Scott is supposed to win this fight. But this time, Matthew comes out victorious, seemingly killing Scott, and it becomes clear we’re on a completely different ride.

    Scott Pilgrim Takes Off is not a retelling of Scott Pilgrim or its movie adaptation. It’s a third, alternate version of the story that examines the very premise all of this was built on. Think The Rebuild of Evangelion or Final Fantasy VII Remake. While the source material focuses on Scott facing Ramona’s Seven Evil Exes in a desire to win the “right” to date her (wow, that sounds incredibly loaded all these years later just typing it out), the anime’s title is pretty apt because, for several episodes, Scott Pilgrim is barely even in the show.

    Sex Bob-Omb performs at the battle of the bands.

    Image: Netflix

    That’s because it’s not really about him this time around. Scott Pilgrim Takes Off is Ramona’s story, and after the live-action movie did her so goddamn dirty (A mind control chip? Really?) I was actually pleasantly surprised with this framing and exploration of the Scott Pilgrim story. Part of me is a little disappointed that we got all these incredible actors back from the film to voice these characters and didn’t get a chance to do better at re-telling that story, this time avoiding things like relegating Nega Scott to a bit, completely stripping Ramona’s story of nuance with the aforementioned mind control chip, and cutting out characters and relationships for time’s sake. But the second I realized what Scott Pilgrim Takes Off was actually about, I knew this was the right call and was glad to be on the ride.

    Even if it’s not a direct retelling, Scott Pilgrim Takes Off still manages to pull some story beats off with more sincerity than the live-action film did. I bought into Scott and Ramona’s relationship more here thanks to better writing, pacing, and performances from both Michael Cera and Mary Elizabeth Winstead. Because I was enjoying that relationship much more this time around, I did have a brief moment of disappointment when it became clear this show wasn’t going to be telling the story I already knew, but that was quickly replaced by a heartwarming delight as I was drawn into the anime’s own intricacies and its willingness to examine the series’ blindspots.

    The entire premise of Scott Pilgrim is that Ramona’s exes have formed a group of superpowered villains who are out to ruin her love life for the rest of eternity. As soon as a new paramour throws their hat into the ring, the exes swoop in to curb-stomp them so that Ramona will get back together with whoever wins the fight. That’s the idea, at least. It doesn’t seem like any of them actually stopped to think about whether or not Ramona would willingly go with any of them. But these exes are villains of the week who Scott and Ramona fight together and then move on from very quickly.

    Lucas turns to look at Ramona in a parking lot.

    Image: Netflix

    Even when Ramona talks about them, it’s often in a dismissive tone. Scott Pilgrim’s core conflict originates from ex-lovers who demonize each other while absolving themselves along the way. Ultimately, what makes Scott Pilgrim so great isn’t the stylized action, the witty quips, the nerdy references, but its insight into its surprisingly complex characters. And Scott Pilgrim Takes Off’s shifted perspective lets it examine characters who have often been left behind: the evil exes.

    Ramona spends most of the eight-episode series begrudgingly reconnecting with her exes while investigating Scott’s mysterious disappearance at the beginning of the show. Sure, it’s got all the zany action sequences and over-the-top exaggeration long-time fans know and love, but at its core is something introspective and illuminating, lending new depth to characters who previously existed largely just to gesture at Ramona’s underlying issues. For example, take Roxy Richter, the sole woman in the League of Evil Exes, who is often dismissed by Ramona as a phase. Scott Pilgrim Takes Off starts off with the two confronting each other, and after the swords and giant hammers have stopped swinging, Ramona starts to reflect on how she is just as much an Evil Ex in Roxy’s story.

    By focusing on Ramona and putting Scott on the back burner, Scott Pilgrim Takes Off critically re-examines the foundation it was built on nearly 20 years ago with the first book. Love is hard, and it’s only natural that even if we cared for someone at one point, we might start to resent them when things end. There are exceptions, of course, but more often than not the people who hurt us and the people we hurt in kind aren’t malicious; they’re flawed people just like us trying to figure it all out.

    While the anime is all about unpacking the narrative baggage Scott Pilgrim has carried all these years, the characters remain as emotionally and psychologically complex as ever. Their thorny interpersonal dynamics are still core to the story—they just manifest in new, really effective and subversive ways.Subversion is the basis of Scott Pilgrim Takes Off, after all. Even as Ramona is making things right with the people she’s wronged and who have wronged her, that same demonizing of one’s old flames is still foundational to the story, and the show’s late-season twists are some of the best realizations of everything it seeks to explore. I won’t spoil them here, but suffice it to say that this show also takes time to make up for the film’s shortcomings instead of repeating them.

    Gideon and Matthew stand talk in front of a red light.

    Image: Netflix

    I’ve spent a lot of time talking about Scott Pilgrim Takes Off’s subversive elements because that’s where it excels, but the show also still presents a delectable recreation of the series’ best elements in this new framing. It’s gorgeously animated and colorful, with some excellent choreography to its over-the-top fights. The writing is just as sharp, witty, and full of pop culture references, but doesn’t feel so beholden to that tone that it’s just constantly winking at the camera. The show brings the kind of laugh-out-loud absurdist humor that made the original’s gags so memorable but doesn’t feel like it’s just playing the hits. That refreshing newness is well married with its comfortable familiarity and comes from its knowing subversion of what we’ve come to expect, and thankfully the new material gives the voice cast a lot to work with. Characters who barely interact in the books or movie get whole arcs together, and it’s all so fresh it retroactively makes the thought of a faithful adaptation less exciting.

    But with all that newness comes trepidation. At first blush, I’m not thrilled that Scott Pilgrim Takes Off ends on a cliffhanger. Getting invested in anything Netflix does is just setting yourself up for pain because the streaming service cancels shows like I delete tweets that don’t pop off. An animated Scott Pilgrim series that brought back the entire movie cast seemed too good to be true when it was announced, and now that it seems Netflix is entertaining a second season, any unabashed glee I have toward this show feels like it’s on shakier ground.

    Netflix has been cutting jobs in its animation department while also relying on AI to do animation work due to what it calls a labor shortage. Scott Pilgrim Takes Off succeeds because the people at the heart of it love and understand it, and people loving something is what puts it on the chopping block at Netflix, it seems.

    I leave Scott Pilgrim Takes Off with a mix of emotions because its complete re-examination of Scott and Ramona’s story convinced me everyone involved would do right by a second season, but I also just felt content with the remixed story it told. I felt satisfied revisiting this tale and looking at it from a different perspective and didn’t feel like I needed a second season. But hey, if Scott and his friends do go on more adventures, maybe there will be another chance to finally see Stephen Stills and Joseph smooch on screen.

    Kenneth Shepard

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  • Here’s Our First Look At The Scott Pilgrim Anime

    Here’s Our First Look At The Scott Pilgrim Anime

    On Wednesday, Netflix released a teaser trailer for its upcoming anime adaptation of Scott Pilgrim, as well as announcing a release date for the hotly anticipated series.

    We first caught wind of the anime project last January when it was reported that Bryan Lee O’Malley, writer and creator of the Scott Pilgrim comics, would write and executive produce the series with Are You Afraid of the Dark? showrunner BenDavid Grabinski. But the party didn’t stop there because we also learned that the stars of the 2010 live-action film, like Michael Cera, Mary Elizabeth Winstead, and Chris Evans, would be reprising their roles in the anime, with Edgar Wright, director of the film, on board as executive producer.

    Titled Scott Pilgrim Takes Off, the series (once again) follows the story of its titular character as he battles the seven deadly exes of a delivery girl named Ramona Flowers. Animation studio Science Saru (Keep Your Hands Off Eizouken, Devilman Crybaby) is handling animation duties. You can check out the trailer below.

    Netflix / Science Saru

    Read More: Netflix Scott Pilgrim Anime Will Reunite Entire Movie Cast

    What else can I say about the trailer other than it looks rad as hell? We’ve got Sex Bob-Omb singing what appears to be a brand new song, breathtaking shots of Ramona Flowers minding her own business while Scott looks on slack-jawed, and—most importantly—video game bleep-bloops and sound effects playing across the screen as Scott battles Flowers’ exes. Scott Pilgrim Takes Off seems poised to hit every exciting cinematic note that the 2010 film did. But what’s most exciting is that it looks like the anime will do something the film didn’t, adapting story arcs and battles Wright’s film omitted.

    Based on the trailer, it would appear that Scott’s ex-girlfriend Envy Adams (Brie Larson) will play a more prominent role in the series. We also see snippets of a battle between Scott and Ramona’s ex-girlfriend Roxie Richter in a video store. I wager it’s the same store Kim Pine works at in the comics. I’ve got my fingers crossed that we’ll get to see Lisa Miller (who appeared in Scott Pilgrim vs. The Animation on Adult Swim in 2010) and Knives Chau’s awesome samurai dad, Mr. Chau, pop up in the Netflix anime as well.

    Fans aren’t the only ones excited enough to punch a second hole in the moon over Scott Pilgrim Takes Off. In a recent interview with Decider, Cera shared his excitement about reprising his role as Scott while praising O’Malley’s script, saying “Every time I’ve recorded it, I have to send Brian an email saying, ‘I love this so much. I’m so excited about it.’”

    Scott Pilgrim Takes Off is slated to premiere on the streamer on November 17.

       

    Isaiah Colbert

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  • ‘The Adults’ Review: ‘Succession’ for Theatre Kids

    ‘The Adults’ Review: ‘Succession’ for Theatre Kids

    “Wait, is he the actor in Molly’s Game?” I ask myself as I watch Michael Cera in The Adults as he obnoxiously wins a poker game — making enemies of everyone at the table.

    But he wasn’t the actor in Molly’s Game. I’m thinking of Jesse Eisenberg, a quick Google search tells me — a different awkward white boy playing that same type. Of that set of indie film darlings, Michael Cera is best known as the one from Superbad. Or as the one who does theatre. The latter is why he is so fitting for his role as Eric in The Adults.


    In this film, Cera’s character plays the eldest — and most estranged — of three strange siblings. He’s visiting his hometown for a quick trip, he insists. He’s here to meet a good friend’s baby, he tells everyone, and hang out with a few of the old gang. Out of obligation, he stops by to see his sisters. We know their relationships are strained before we even meet Rachel (Hannah Gross) and Maggie (Sophia Lillis). One lives in their childhood home alone and the other recently dropped out of college.

    Poker? We get scenes and scenes of it — hence my Molly’s Game musings. Plot? There’s not a ton of that. Just the grappling for connection and the messy reforging of a sibling bond.

    What makes this movie different and dynamic is one key element: these siblings love to sing. Their family dynamic is like if the Succession kids went to theatre camp. The little we learn about their childhood comes through songs and skits they made up as children and then turn to as adults in order to process their trauma. Maggie, the youngest, is dying to return to a time when things were simpler and they all got along by singing. Rachel is cynical and cold to Michael, which comes to a head in a visceral fight in the third act.

    Until then, we learn about the siblings through the harmonized songs and accompanying dances from their childhood. We find out about Eric’s passion for poker — which is really his appetite for power and winning that’s reflected in his familial relationship. And we watch as Eric extends his trip day after day, breaking down wall after wall, until you wonder if he might just stay.

    Audiences will certainly relate to something in this tapestry of suburbia: house parties where everyone knows everyone, catching up with old friends or family members after far too long, and laughing at inside jokes with the people you grew up with. Theatre kids — like Cera himself — will identify with the eclectic sibling bunch and their catalog of childhood songs. And anyone with a strained family relationship will definitely see themselves in this misfit bunch.

    With The Adults, writer-director Dustin Guy Defa has created an immersive world and a nuanced family unit that sits at the heart of it. This is a film that screams “INDIE MOVIE” — and it feels like it’s made by and for audiences that are seeking just that.

    LKC

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  • Michael Cera Recalls Almost Marrying Aubrey Plaza

    Michael Cera Recalls Almost Marrying Aubrey Plaza

    It could have been Michael Cera and Aubrey Plaza versus the world.

    The “Arrested Development” actor spoke about his former romantic relationship with his “Scott Pilgrim vs. the World” co-star in a Rolling Stone interview published Friday.

    Plaza had previously revealed that she and Cera dated for about a year and a half after meeting on the set of the 2010 movie — meaning they were a lot closer than the public had realized.

    “We drove across the country after we shot that movie and almost got married in [Las] Vegas,” the “White Lotus” star told RuPaul and Michelle Visage on their “What’s the Tee?” podcast in 2016.

    Rolling Stone asked Cera about the near nuptials, and he shared his recollection.

    “We were driving through Vegas, and we almost just spontaneously took a detour and got married,” he said.

    He also shared that the two of them had a characteristically hilarious reason for wanting to be wed.

    “I think the idea was to then get a divorce right away, so we could call each other ‘my ex-husband’ and ‘my ex-wife’ at like … 20,” he said.

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  • We Are Entering Barbie’s World

    We Are Entering Barbie’s World

    Our beloved childhood friend and icon – Barbie – is coming to life. The first teaser trailer of Greta Gerwig’s Barbie was released today…and I already feel a surge of tremendous excitement


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    Expect a star-studded cast featuring Margot Robbie, Ryan Gosling, Simu Liu, Michael Cera, and Will Ferrell. From there, it’s all up to Greta – the groundbreaking director who gave us stellar films like Ladybird and Little Women.

    This romantic comedy has been years in the making. It was originally reported that a Barbie movie was in the works way back in 2009. Then a decade later, we heard that the lovely Margot Robbie would play Barbie…and it wasn’t revealed until 2022 that Ryan Gosling was playing Ken and who the rest of the cast would be. Thankfully, the movie will finally premiere on July 21, 2023 to Barbie lovers and cinema fans the world over.

    The teaser reveals a cluster of little girls – wearing old-fashioned pinafores and drab frocks. They’re having a tea party with their baby dolls in the hills and valleys of a vast orange desert. Richard Strauss’ Thus Sprach Zarathustra provides an ominous soundscape. It is one truly creepy mise-en-scène and a clear reference to 2001: Space Odyssey.

    Then the monolithic Barbie is revealed. She stands 20-feet tall, towering above the kids and winking cheekily. And the girls go insane – they smash their babydolls’ skulls in, slam themagainst an outcropping of rocks, destroying their once-cherished dollies. And then we flip to the magical, mesmerizing world of Barbie. Thus demonstrating that Gerwig will take this film far beyond our expectations.

    Rumors of Dua Lipa’s involvement in the film have started to swirl…after reports that the singer would be in the film months ago, it appears the official Barbie movie Instagram account has followed her in the recent hours. A new beau in Jack Harlow and a film debut? It really is Dua’s world.

    This movie’s already inspired the hot pink Barbie-core trend and it’s not even out yet…the cultural impact is about to shift our cosmos. Brace yourselves, it’s about to become Barbie’s world.

    Jai Phillips

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