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  • Inside the battle to save Mountain High ski resort from a monster California wildfire

    Inside the battle to save Mountain High ski resort from a monster California wildfire

    It was early in the morning when Ben Smith drove his SUV to the top of Mountain High ski resort and looked south. Miles away and across a valley, he could see the ominous red glow of the Bridge fire amid the dark green pines of the Angeles National Forest.

    By Smith’s estimate, the fire wouldn’t reach the resort for at least another day.

    Then, the fire exploded.

    By 6:30 that evening, the resort’s general manager would be racing east down Highway 2 past the town of Wrightwood as flames closed in on the road from both sides.

    Smith had done everything he could to save the resort. He was the last to flee after his staff activated a battery of snow cannons to douse the ski area in water.

    Now, there was just one thought running through his head: “Hopefully I make it out of here,” Smith recalled as he leaned against a wooden post at the resort’s Big Pines Lodge recently.

    The fact the lodge and most of the nearby resort escaped the hellish firestorm is a testament to the work of Smith’s team and firefighters.

    “When I left out of here … I expected to come back to everything gone,” he said.

    Now, roughly one month later, tree removal crews and electrical trucks crisscross the property. Mountain High operators are optimistic that the resort will open by Thanksgiving.

    “Come wintertime — when the snow comes — you won’t even know there was a fire here,” said Damaris Cand, guest services manager.

    The Mount Baldy ski lifts are shrouded in smoke from the Bridge fire in Mount Baldy on Sept. 12.

    (Genaro Molina / Los Angeles Times)

    The Bridge fire began Sunday, Sept. 8, in the early afternoon, 11 miles south of the resort. By Monday, the fire was on Smith’s radar as it slowly inched closer.

    On Tuesday, the fire would “explode” — engulfing tens of thousands of acres in a matter of hours, increasing in size tenfold.

    At the resort’s staff meeting that early Tuesday morning, the mood was calm. The sky still was clear, and painted with the pinks and oranges of sunrise.

    But Smith, who is the vice president and treasurer of the Wrightwood Fire Safe Council, saw potential for calamity, as winds were forecast to pick up.

    He directed the team to start placing snowmaking guns strategically along the perimeter of the resort. Some 50 employees — enlisted from a wide range of departments — moved around the resort as the skies grew increasingly dark with smoke.

    Fire-blackened trees on a hillside.

    Trees around Mountain High ski resort were left scorched by the Bridge fire.

    (Michael Blackshire / Los Angeles Times)

    By early afternoon, Smith could no longer see more than 100 feet in front of him. There was no way to directly monitor the fire anymore.

    Ash and debris — still on fire — started falling from the sky. At one point, a burning stick about a foot long hit the ground.

    Employees started leaving, worried about safety and air quality.

    “I got out of here about 2 o’clock, and the sky was black,” said John McColly, vice president of sales and marketing at the resort. “A lot of smoke was being whipped up, and it had this reddish hue to it. … Just for the sake of my lungs, I probably need to get out of here,” he recalled thinking.

    Then, around 4:30 p.m., the nightmare scenario that was unfathomable just a few hours earlier became reality. A wall of flames over 300 feet tall by Smith’s estimate crested the ridge, roaring with the sound of a jet engine and blasting the resort with superheated wind and debris.

    What had started as cautious fire protection preparations had suddenly became a fight for survival.

    A handful of snowmaking machines stand on a hillside.

    Workers at Mountain High ski resort used snow fan guns to battle the flames of the Bridge fire.

    (Michael Blackshire / Los Angeles Times)

    Smith directed staff to evacuate nearby campers. The team started pulling time sheets to make sure every employee was accounted for.

    Smith sent another team member racing toward the snowmaking control center to activate the giant water system.

    The team had stationed about 100 of their roughly 500 snow guns to defend the resort. While they could start about three quarters of them with the push of a button, the rest had to be turned on by hand.

    As the majority of the staff evacuated, Smith and a handful of employees remained and raced around the property activating snow guns.

    McColly monitored the fire’s progress via the resort’s live camera feed — which is intended to provide skiers a look at snow and weather conditions. He and countless others who had tuned in via social media beheld the flames with awe as they silhouetted a seemingly doomed ski lift terminal.

    Smith had alerted fire crews, whom he knows personally through his role with the fire safety council and past wildfires, but they wouldn’t arrive for hours still.

    Dylan looks up as ski resort workers Justin Gaylord and Derrick Cordov work on steel wire for the chairlifts.

    A Mountain High ski resort crew works on a chairlift recently.

    (Michael Blackshire / Los Angeles Times)

    At multiple points, massive explosions shook the ground, accenting the roar of the fire.

    The upper elevations of the resort lost power first. By 5:30 p.m., the base area went dark as well. Without electricity, the water pumps for the snow guns fell silent. Now, the guns were powered only by gravity, which sent water rushing downhill from the 500,000-gallon reservoirs and out the guns’ nozzles.

    As the fire burned through telephone poles, phone service went down.

    The number of employees left at the resort dwindled to three. Then, two. Then, one: Smith.

    At this point — 6:30 p.m. — fire flanked both sides of the resort. Realizing there was nothing left he could do, Smith made his escape.

    “I wasn’t trying to be a hero,” he said. “I’ve got a wife and family.”

    It wasn’t until night that firefighters were able to get to the scene.

    Burnt trees from the Bridge fire dot the landscape in Wrightwood.

    Burnt trees from the Bridge fire dot the landscape in Wrightwood.

    (Michael Blackshire / Los Angeles Times)

    Smith arrived back at Mountain High the next morning to assess the damage and assist firefighters. The fire continued to rage on — still with hundred-foot flames, just not fanned by violent winds.

    “I came up through Wrightwood, and before you get up to our East Resort, … you’re like, ‘hey, everything’s gone,’” Smith said. “But then you hit the East Resort and start seeing green trees, and you see buildings, and you’re like, ‘Well, damn, that ain’t so bad.’”

    Not only was the majority of the resort standing, but the snowmaking guns were still pouring water onto the edge of the resort.

    In all, the resort had one, unessential ski lift damaged, while a few ski patrol and maintenance shacks burned down.

    “I’m very proud of my team,” Smith said. “A lot of what’s still standing here is because of them.”

    When the resort isn’t a victim of the fires in Angeles National Forest, it frequently provides firefighters with an invaluable operations hub. Its buildings serve as a command center, its parking lot becomes a helipad, and its water reservoirs are essential resupply stations.

    “Through the years, through the fires, through the fire safe council — just having the partnerships with all those groups and to be able to have all those contacts at your fingertips is amazing,” said Smith.

    It took nearly a month to secure the resort and restore power, allowing the full team of employees to safely return.

    By early October, crews worked to repave Highway 2, which was left cracked and scarred from the fire and the efforts to fight it.

    A hand painted sign on a plywood board reads "Thank You FD-PD."

    A sign in Wrightwood thanks emergency crews in the wake of the Bridge fire.

    (Michael Blackshire / Los Angeles Times)

    In Wrightwood, residents have adorned the city with homemade signs.

    A piece of plywood, fixed to the Wrightwood city line sign, with black spray-painted letters read “Thank you for saving us.” A colorful hand-painted sign with a firetruck cartoon hung next to the fire station. “We [heart sign] you,” it read.

    McColly had returned to his office in a historic cabin, which now smelled like wet rags and old cigarettes.

    He turned his computer screen to show a season pass special offer for the resort’s 100th anniversary. Customers would receive a special hat and pin commemorating the season. And the resort would donate $25 to the American Red Cross Disaster Relief.

    The Red Cross was onsite after the fire, supporting relief efforts, McColly said. Partnering with the Red Cross is a way to say thank you and pass the help forward.

    “They were great to work with,” said McColly. “They really helped us out a lot.”

    Noah Haggerty

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  • Photos: Los Angeles Times Festival of Books

    Photos: Los Angeles Times Festival of Books

    Each year, the Los Angeles Times Festival of Books draws authors representing diverse genres, from established figures to emerging talents, and attendees who engage with panels and discussions, storytelling sessions, book signings and interactive exhibits. A wealth of experiences awaited readers of all ages at this year’s event over the weekend at USC.

    Mary Lara adds to the “Tell us what you’re reading” board, alongside daughters Aria Cook, 4, and Selena Cook, 8.

    (Michael Blackshire / Los Angeles Times)

    Couple Julian Obobo and Ani Kelemdjian roam during the LA Times Book Festival.

    Julian Obobo and Ani Kelemdjian roam the festival.

    (Michael Blackshire / Los Angeles Times)

    USC cheerleaders and band members perform during the LA Times Book Festival.

    USC cheerleaders and band members perform during the festival.

    (Michael Blackshire / Los Angeles Times)

    People wait in line during the LA Times Book Festival.

    Readers wait for the next event.

    (Michael Blackshire / Los Angeles Times)

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    Karlie, 11, reads "The Summer She Went Missing" by Chelsea Ichaso.

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    Susan Olson's sticker made a big statement.

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    Tiffany Haddish sings after her panel.

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    Jeezy speaks with L.A. Times editor Jevon Phillips about his memoir "Adversity for Sale: Ya Gotta Believe."

    1. Karlie, 11, reads “The Summer She Went Missing” by Chelsea Ichaso. (Michael Blackshire / Los Angeles Times) 2. Susan Olson’s sticker made a big statement. (Michael Blackshire / Los Angeles Times) 3. Tiffany Haddish sings after her panel. (Michael Blackshire / Los Angeles Times) 4. Jeezy speaks with L.A. Times editor Jevon Phillips about his memoir “Adversity for Sale: Ya Gotta Believe.” (Michael Blackshire / Los Angeles Times)

    RuPaul laughs while being surrounded by his three sisters while discussing his memoir.

    RuPaul, onstage with his sisters, discusses his memoir “The House of Hidden Meanings.”

    (Michael Blackshire / Los Angeles Times)

    Panelists Sharon Levin, Kim Johnson, Paula Yoo, and Jennifer Baker speak during the Do the Right Thing.

    From left, Sharon Levin, Kim Johnson, Paula Yoo, and Jennifer Baker speak at the “Do the Right Thing: Social Justice and Dystopias in Young Adult Fiction” panel on the Young Adult Stage.

    (Michael Blackshire / Los Angeles Times)

    People look through an array of books to purchase during the LA Times Book Festival.

    Books are available for purchase.

    (Michael Blackshire / Los Angeles Times)

    Michael Blackshire

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  • Compton honors late N.W.A rapper Eazy-E by naming a street after him

    Compton honors late N.W.A rapper Eazy-E by naming a street after him

    Eric Darnell Wright Jr. remembers his father driving down Muriel Avenue in Compton for Thanksgiving dinner.

    It was there that his now 86-year old grandmother, Katie Wright, would prepare large meals for all her kin, including her son Eric Lynn Wright — better known as the late N.W.A rapper Eazy-E.

    “It wasn’t no entertainment,” Eric Darnell Wright, the rapper’s son who goes by Lil Eazy-E, recalled. Only family existed in these moments. “It was just kind of like the hip-hop world was out of it.”

    Erica Wright, the artist’s oldest daughter, never really cared for the rapper Eazy-E. “I cared about Eric,” she said of her father.

    The siblings said they were heartbroken they weren’t able to spend enough of those moments with their dad, who died in 1995 at the age of 31.

    On the day of Wright’s funeral, cars rolled down Harvard Boulevard near the First African Methodist Episcopal Church. His gold coffin was wheeled into the church as thousands of people — including fans, family, gang members, mothers and children — watched.

    A horseman, Sam Jones, rides past as lowriders cruise during a ceremony renaming Towne Center Drive in Compton as “Eazy Street” on Wednesday.

    (Michael Blackshire/Los Angeles Times)

    More than a quarter-century later, Wright’s son still remember his father cruising in his “six-four” through the streets of Compton to N.W.A classics like “Straight Outta Compton.”

    Decades after Wright and N.W.A helped put the city on the map with the chart-topping single “Boyz N the Hood,” Eazy-E was celebrated Wednesday with an honor befitting someone who loved to cruise down the avenues of his famous and sometimes infamous hometown.

    Compton officially renamed Towne Center Drive as “Eazy Street.”

    “It’s about time,” a man in the crowd yelled as officials raised the lime green sign for the public to see.

     Family, friends, and politicians hold the new Eazy St. sign while some sing along to the song Boyz N The Hood.

    Family, friends and community leaders pose with the new Eazy St. sign during Wednesday’s ceremony.

    (Michael Blackshire/Los Angeles Times)

    The happy disruption and ceremony featuring lowriders, musical performances and original gangsters in a Best Buy parking lot perfectly encapsulated Wright’s rugged personality, his loved ones said on stage.

    Eazy-E’s graphic lyrics from old albums blared from the stage where former N.W.A member DJ Yella exchanged greetings with Wright’s loved ones. Members of Bone Thugs-N-Harmony showed up for the event to pay respects to Wright, who appeared on their track “Foe tha Love of $” the year he died.

    Black hats embroidered with “Compton” in bold white letters poked above the hundreds of attendees who danced in the crowd.

    1

    An attendee at Wednesday's ceremony shows his N.W.A tattoo.

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    Another attendee wears a 'We Want Eazy' chain.

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    A woman shows her Eazy-E tattoo and N.W.A T-shirt

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    MC Benyad, a member of the group Blood of Abraham that recorded for Eazy-E's Ruthless Records label, signs N.W.A's second album for a fan.

    1. An attendee at Wednesday’s ceremony shows his N.W.A tattoo. 2. Another attendee wears a ‘We Want Eazy’ chain. 3. A woman named Bee shows her Eazy-E tattoo while wearing an N.W.A T-shirt. 4. MC Benyad, a member of the group Blood of Abraham that recorded for Eazy-E’s Ruthless Records label, signs N.W.A’s second album for a fan. (Michael Blackshire/Los Angeles Times)

    With fellow N.W.A members Dr. Dre, Ice Cube, DJ Yella, MC Ren and Arabian Prince, Wright brought notoriety to Compton with the group’s West Coast rap albums.

    Before the fame, Wright was a high school dropout who dealt drugs for a living.

    Two album releases — N.W.A’s “Straight Outta Compton” and Wright’s solo project “Eazy-Duz-It” — were considered the opening of a new era for hip-hop, a genre and industry that had primarily been lyrically defined and commercially dominated by East Coast acts until that point.

    Both albums were released under Wright’s label, Ruthless Records, which he co-founded with manager Jerry Heller.

    With iconic music videos showing Eazy-E and his group parading through the streets, Wright, a Compton native, quickly rose to the status of American pop culture icon.

    Alonzo Williams — one of Wright’s earliest collaborators — owned Compton’s Eve After Dark nightclub, which helped launch acts including Dr. Dre and Eazy-E. He now heads the Compton Entertainment Chamber of Commerce that organized the event and spearheaded the naming of Eazy Street.

    “Always putting in work,” a member of the crowd yelled in recognition of Williams during the event.

    Wright went to Williams for advice when setting up Ruthless Records. Williams introduced Wright to a graphic designer and later Heller.

    A man stands next to a banner featuring a larger-then-life-size image of rapper Eazy-E

    DJ Yella, who performed with Eazy-E in N.W.A, speaks to friends and fans during a ceremony honoring the late rapper.

    (Michael Blackshire/Los Angeles Times)

    “Eazy was one of the realest cats that I ran into back in the day,” Williams said after a cruise down Eazy Street. “I got a lot of respect for him because no matter how much money he made he stayed true to himself.”

    Even after Wright found fame, Williams said, the rapper would often visit him at his garage, where N.W.A. recorded their first songs.

    Actually, Wright never wanted to be a rapper, Williams added. But he fell into a character — a crazy 5-foot-4 trash talker — that he created and enjoyed acting out while out on the streets.

    Williams remembers asking how long Wright intended to “play the role.”

    “As long as they’re buying tickets,” Wright replied, according to Williams.

    “The character on stage was one thing, but I knew the man,” Williams said. “He was a fun-loving father.”

    “I’m glad to be a part of his entrance into the music game. I’m glad to be part of his legacy,” Williams added.

    Gerald “Bop” Payton echoed the sentiment in the parking lot with recording artist Rondevu — who was on the first Ruthless Records album with Eazy-E before he became famous for “Boyz N the Hood,”

    Payton, a childhood friend who first met Wright at the age of 10, claimed there are five versions of “Boyz N the Hood,” He’s on one, though it has never been released, he said.

    Payton said he was there to witness Eazy-E’s meteoric rise to the top of hip-hop and was at the side of Wright’s hospital bed in 1995. The artist died just days after he announced he had been diagnosed with AIDS.

    A woman stands with a hand on her cheek as she is pulled close by a man standing next to her among a group of people

    Kathie Wright and Eric Darnell Wright Jr., children of Eazy-E, listen as friends and family give speeches honoring the late rapper.

    (Michael Blackshire/Los Angeles Times)

    Wright’s parents, Katie and Richard Wright, were working class, Payton recalled. And the prominent rapper was one of the only children in the neighborhood with both parents at home during a time when Los Angeles and places like Compton were wracked with sky-high murder rates wrought by gang wars.

    Payton’s own father, a lieutenant in the Compton Police Department, was one of seven officers living on their block, “so we had to keep everything on the down low.”

    Payton said memories of his friend’s first car, first job and mischievous adventures hang in his head like they happened yesterday.

    “He used to hate [that] I could finish his sentences,” Payton said. “We always knew what each other was thinking. I might not have thought he was right, but nothing could come between us.”

    He and Wright drove around in a Chevrolet El Camino in the 1980s, and took turns playing the role of driver and chauffeur, opening doors and pretending to ask for autographs in order impress young girls in the neighborhood.

    The reason Wright was first interested in records “had nothing to do with making money,” Payton said. He was trying to impress a girl.

    Early on, Payton said he didn’t think Wright had a future behind the mic. That caused some tension.

    “I just couldn’t believe anybody was going to like it. And he didn’t take that well,” Payton recalled.

    Looking back at everything his friend accomplished, he added: “This is just another big ‘I told you so’ from him to me.”

    Brennon Dixson

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