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Tag: Meduza

  • Your Weekend Playlist: New Music To Listen To This Friday

    Your Weekend Playlist: New Music To Listen To This Friday

    Happy Friday, everyone! Not gonna lie, this week felt about a billion years long — and as I’m looking forward to Sea.Hear.Now, I’m ready to listen to a bunch of music. The good news: each week a ton of artists release new music each Friday…so we have a lot to look forward to.

    This week, like every week, I made a fresh playlist filled with fresher new tracks for you to show your friends. Now that we’ve all settled in for the fall, there’s nothing better than new music to listen to while you hang out and watch football with you friends and family, or while you’re getting ready to go to brunch with the girls, or really any plans you have.

    Every week, I search through every playlist, press release, and email alike to find the best new music released. That way, you don’t have to struggle to find a good playlist when your friends put you on aux duty. And, it won’t be the same old playlist you listen to every weekend…because everything on this one is brand new!

    If you’re as excited as I am to hear what we have in store for this weekend’s playlist…let’s get listening!

    MEDUZA, HAYLA- “Another World”

    HAYLA is quickly emerging as one of the biggest voices in house music right now. With tracks alongside John Summit like “Where You Are” and “Shiver,” and now this collab with MEDUZA, she’s established her vocal prowess and shown the world she’s a force to be reckoned with.

    “Another World” has all the makings of the perfect dance track: a great, catchy beat by MEDUZA and a dance-worthy hook and chorus from HAYLA. “Another World” was definitely made to be performed live, for audiences and crowds coming together and having the time of their lives.

    Dayglow- “Mindless Creatures” 

    Dayglow has released his “debut” album, DAYGLOW, and with it comes lead single “Mindless Creatures.” The song itself captures Dayglow as an artist perfectly: with elements of surf rock, indie touches, and captivating choruses. “Mindless Creatures” is saturated in fun, a true sign that Dayglow knows who he is as a singer-songwriter-producer extraordinaire.

    The album itself deserves its own listen, but “Mindless Creatures” is a great start for those who want to get to know Dayglow. It’s feel good, introspective, and nostalgic music. A great response to his mega-hits like “Can I Call You Tonight” and “Hot Rod.”

    INJI, Nile Rodgers- “SEXY 4EVER”

    Breakout star INJI is here to make hit songs that combine pop and dance with her sassy lyricism and hard-hitting vocals. Her real vocal power is like her secret weapon to those who may not know she can belt it out with the best of them. In her new EP, WE GOOD, INJI produces five flawless records that build off her success from TikTok viral hit, “GASLIGHT.”

    Not only does “SEXY 4EVER” highlight how important it is to let loose no matter what your age is, icon Nile Rodgers hopped on the track to work with INJI. From current icon Rodgers to budding icon INJI, “SEXY 4EVER” shows INJI is ready to take a step into superstardom.

    Tate McRae- “It’s ok I’m ok”

    If you were missing old school pop princess vibes, then Tate McRae is here to save you. Think Danity Kane, The Pussycat Dolls, Britney Spears…that’s what we’re talking: big dance numbers, Y2K nostalgia, and sexy lyrics. It’s about female empowerment, ear-wormy radio hits that will continue to catapult McRae into the popstar category she so deserves.

    Whether it’s her viral live performances, insane dance routines, or pure pop songs, Tate McRae is at the forefront of our minds for a reason. She may have been snubbed by the Grammy’s, but she will get her flowers soon enough. Especially with “It’s ok I’m ok” and it’s already viral accompanying video.

    Suki Waterhouse- “Model, Actress, Whatever”


    One of my favorite crooning indie artists out there is actually well-known model, actress, whatever Suki Waterhouse. She perfectly embodies the moody, yearning, pining starlet we all need in the music industry. Similar to what Lana Del Rey provides, Suki Waterhouse is equally serving.

    In new album, Memoir of a Sparklemuffin, her single “Model, Actress, Whatever” is a commentary on her life right now. As a new mother alongside Robert Pattinson, a talented actress, model, and singer, Waterhouse seems to have it all going on. But she warns you to F*** what you heard.

    Cloonee, Andruss- “Pegao”

    Collaborators Andruss and Cloonee hit the mark with “Pegao,” a high energy, exciting track that stays dynamic throughout its entirety. Rising star Andruss is keeping the momentum strong with another single with the potential to be a major club hit…and of course, Cloonee, with his signature ability to make any track of his an EDM hit.

    The pair make sense while working together: with Andruss’ explosive vocals and lyricism, and Cloonee’s solidified approach to making a banger. “Pegao” just continues another big year for both Andruss and Cloonee alike.

    JVKE, Nick Jonas- “this is what forever feels like”  

    The playlist needed an ethereal love song to end it on a strong note. Who better than unlikely pairing, JVKE and Nick Jonas, to deliver just what we needed? A passionate devotion to their loved ones that they want to love them for the rest of their lives.

    The production is what launches this song from just another love song to something entirely unique. A strong backing and two voices who perfectly meld together, “this is what forever feels like” transcends you into a different planet…one of love and futuristic vibes.

    Jai Phillips

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  • Introducing The Real Becky Hill

    Introducing The Real Becky Hill

    TW: This article contains mentions of sexual assault.

    A few months ago, I sat with Becky Hill backstage before her sold-out Brooklyn Steele performance. As we chatted about her collaborations and the struggle of being taken seriously as a solo artist, I could feel Hill’s passion. She’s an artist who takes her craft very seriously, someone who’s both humble and fiery all at once, with a voice that can bring an entire room together.

    Now, as I sit listening to Becky’s album a month before it’s released into the world for the critics and fans to pick apart and devour, I remember her desire to create real drum and bass music. I remember her promises of a record in the works, but I had no idea that it would be so powerful. The new album in question, Believe Me Now?, is a perfect summation of Becky Hill’s already illustrious career.

    Sure, she was discovered on season one of The Voice UK, but she’s also the only Voice contestant to score a #1 UK single. Despite mega-hit features on essential chart-topping house tracks like “Crazy What Love Can Do” with David Guetta, “Lose Control” with MEDUZA and Goodboys, “Gecko (Overdrive)” with Oliver Heldens, and “HISTORY” with Joel Corry…Becky Hill’s voice has been the main event- deserving of shining on its own, and not just because a male DJ is attached to the track.

    Which brings us to now: the release of her third and resoundingly best album, Believe Me Now? The album pushes boundaries: intertwining her classic, beloved drum-and-bass style with powerful ballads, sprinkling in her classic dance club roots with honest, vulnerable lyricism. It’s a sign of maturity and growth as a vocalist that Hill digs so deep within her songs, reflecting on heartache, love, and all the struggles she’s endured throughout her life.

    Songs like “Swim” will be instant favorites for those who love Becky’s classic upbeat dance moments…but songs like “True Colours” give us a glimpse into a darker time where Hill details her experience with being sexually assaulted and her healing process.

    Believe Me Now? proves that Becky Hill indeed is a voice of our generation. She’s left it all on the table, showing her real self with no holding back, no bull…just Becky. The album rips her away from “The Voice contestant” or “feature artist” and into a realm of her own: one where we know who the real Becky Hill is and her music alone is what matters.

    And 2024 just may be her year: with the new album coming out May 31 and a US tour looming in November…we’re ready to see what else Becky Hill has in store. It feels like she has it all figured out in terms of who she wants to be as an artist and who she is as a woman…which is why Believe Me Now? is an instantaneous classic. You can listen to the album here:

    Ahead of Becky Hill’s album release, I spoke to her about the real Becky Hill, dealing with her trauma, and more. Check it out below!

    PD: The title of the album, Believe Me Now?, seems to serve the message that you’re not messing around, you’re the real deal. Do you think your voice has finally been heard? Is this album the real Becky Hill?

    BH: Ah thank you so much! so lovely to speak to you guys again & I’m so glad you like the album!! This album has definitely felt like the coming of age of a lost girl that’s grown into a woman! I feel the most collected & comfortable in my own skin, like the hard work I’ve put into my career is finally starting to pay off & this album really reflects where I am in my life!

    PD: From starting on The Voice to now, what have you learned about yourself as an artist and a songwriter?

    BH: I guess before The Voice I was used to writing songs on my own in my bedroom & when I joined the music industry I started writing with other people. When lockdown happened I wasn’t sure if I could even write songs on my own anymore but I absolutely could. I wrote a couple of drum & bass songs on my own (“Hold On” – Netsky & “Here For You” – Wilkinson) & when starting this next album I wasn’t sure if I still had things to say, but I definitely did, they just grew with me. This album showed me how lonely I’ve been feeling & actually, on the business side of things, how determined I am to continue & build on the success I’ve had so far.

    PD: The track “True Colours” written with Lauren Aquilina is about your experiences with sexual assault. I know it can be difficult to open up about traumatic experiences in your music, but what made you do it with Believe Me Now?

    BH: I had taken all the steps of healing that I needed. I confronted the rapist, told my old friends, reported it to the police, had my old friends validate & apologize to me & now release a song about it. It’s felt like the final piece to the puzzle, being able to talk about something I used to feel so much pain & shame around & now to have released all that & show the world there was never anything for me to feel ashamed of in the first place has been so powerful. I spoke to my therapist about it last week, I guess I didn’t realize how much it had affected me speaking about it, she called it ‘the shame hangover’ & promised me that this was going to help others. “Self Esteem” is on the record too who has been dealing & talking about her experiences of sexual assault for a while now, so it’s been incredibly useful to have another artist to guide me through publicly speaking about such a sensitive subject.

    PD: These feel like some of your most emotionally vulnerable records…and yet you balance them perfectly with dance and house elements. Growing up in the dance community, what about it inspired your career?

    BH: Thanks!! That’s exactly the angle I was trying to create when making this album! It was the stories that my brother would tell of going to raves & having the best nights. The emotions I would feel that I didn’t know I had at such a young age that dance music would give me. The community of friends I had that were all so passionate about new releases on labels & artists & festivals. I loved all of it. It felt at its most prolific at the time I was discovering myself & my own taste in music. Dance has really changed my life, soundtracked it & taught me so much

    PD: This album showcases Becky Hill alone, not just who you can be on a collaboration. What was important to you while making this album and creating more solo work?

    BH: I guess I’ve always had different battles. Being a contestant on The Voice, or being a feature artist or not being able to release a song without having a feature on my record. I wanted to create a fully deep rooted dance pop album that showed I didn’t need anyone else featuring, that I could be a dance artist in my own right & that us girls can do it just as well, if not better than the boys!

    PD: Your headline tour starts in June. What are you most looking forward to?

    BH: Playing the new stuff!! I’m so glad I get to go out with new singles that people may not have heard already & show them the new stuff! The best part is seeing streams go up after gigs which shows that people want to listen back at home too, such a great feeling & I can’t wait to see everybody having a great time, that’s what my summers all about!

    Jai Phillips

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  • Meduza Drop Exhilarating Single, “Musica” | Your EDM

    Meduza Drop Exhilarating Single, “Musica” | Your EDM

    After an incredible summer season, including the release of their self titled EP, a residency at Hi Ibiza and sold out headline shows at The Brooklyn Mirage and Studio338 London, Meduza return to AETERNA with one of the staple records of their live shows, Musica.

    The track is both hypnotic and driving with the omniscient style vocal emanating from the silent ambience of the record, only then to be coupled with winding sirens, setting the tone for the dancefloor to ready themselves for the inevitable pumping beat and percussion which follows. It is a quintessential dancefloor weapon made with the soundscape and sonics you would only expect from seasoned musicians like Meduza.

    Speaking about the record, Meduza said “Musica is one of those records that moves every dancefloor. We have played it as the start track, middle track and wherever we put it, it always sounds massive and has the crowd pumped and chanting on the dancefloor.”

    Listen below!

    Petey Mac

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