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  • Finding a star for ‘Wednesday’ who embodies ‘Family’ values with her own kooky twist | CNN

    Finding a star for ‘Wednesday’ who embodies ‘Family’ values with her own kooky twist | CNN

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    CNN
     — 

    There was a lot riding on the casting choice for the titular character of the new Netfilx series “Wednesday.” In addition to someone who could pull off creepy, kooky, mysterious and spooky, the role of raven-haired, pigtail-braided Wednesday Addams needed to go to a young actress who could rise to the occasion of playing a character from such an iconic property.

    “It’s always a little bit daunting when you start a process with such legacy and storied roles around it,” casting director John Papsidera said in a chat with CNN.

    The show marks a return to the Addams Family world, based on the cartoons by Charles Addams and first presented on screen in the iconic 1960s black-and-white sitcom and later in the much-loved early 90s films by Barry Sonnenfeld. In the new series, Wednesday finds herself at a boarding school called the Nevermore Academy where all manner of outcast and freak can roam free.

    For those expecting a tongue-in-cheek rehash of “The Addams Family” – complete with the double-snap theme song – think again. This “teen-centric dark comedy,” as described by showrunners Al Gough and Miles Millar, is not a reboot, but rather a closer examination and celebration of the majorly macabre and sharp-as-a-razor older sister of the Addams clan.

    In searching for their perfect Wednesday, Gough and Millar worked with casting directors Papsidera and Sophie Holland, among others, and said in an email to CNN that it “was always our intention to cast a Latina actress” for the role, because they wanted to honor Gomez Addams’s heritage. While the character of family patriarch Gomez was portrayed by White actor John Astin in the “Addams Family” sitcom from the 1960s, he was portrayed by Puerto Rican actor Raul Julia in the Sonnenfeld movies. In “Wednesday,” Gomez is played by veteran performer Luis Guzmán, also from Puerto Rico.

    The role of daughter Wednesday eventually went to teen it-girl Jenna Ortega (“Scream,” “You,” “X”), an actress of Mexican and Puerto Rican descent. Gough and Millar knew they had found their Wednesday as soon as they met Ortega, they said.

    “I had talked about Jenna a lot in going into (the casting process),” Papsidera said of Ortega. “It’s also a thin world of girls that can be number one on the call sheet and handle the pressure of that, and also is accomplished in her own right. When you start to talk about a young Latina actress, she rises to the top of the heap.”

    Millar and Gough said the show employed a Mexican creative consultant to “help ensure that the scripts reflected Jenna’s specific heritage.”

    “This generation is all about authenticity. We were very intentional in every aspect of the casting process,” the showrunners added. “We wanted to ensure the students at Nevermore Academy were truly reflective of modern American society. It’s not only about series regulars, it is about the depth of casting across the entire series, including background extras.”

    Another coup scored by the casting team on “Wednesday” was to snag actress Christina Ricci, who timelessly portrayed the character in Sonnenfeld’s movies, in the smaller role of Marilyn Thornhill. It almost didn’t happen, due to Ricci’s schedule and commitment to her hit Showtime series “Yellowjackets.”

    “It was really a lovely long game with Christina,” Papsidera said. “We had always talked about her from the beginning. And it wasn’t until almost the very end that her schedule opened up, and then we pivoted there and Tim (Burton, director of “Wednesday”) got on the phone with her and it all worked out.”

    Ricci and Burton, who marks his first foray into directing a television series with the new series, had previously worked together on the 1999 film “Sleepy Hollow.”

    “I think the idea of working with Tim again was probably the biggest bonus in our camp,” Papsidera said of landing the veteran actress. “I also think that she got the idea of participating in something that she loves too, that it was really special for everybody involved.”

    “Wednesday” certainly wastes no time in surreptitiously honoring Ricci’s contributions to the character. Without spoiling too much, the pilot episode features a group of people dressed as pilgrims who meet with an unfortunate fate, calling to mind Ricci’s more-than-memorable Thanksgiving scene in 1993’s “Addams Family Values.”

    “There’s a certain serendipity to the whole series in that way,” Holland added of nabbing Ricci. “It’s like things came together sometimes very last minute, sometimes when we were pulling our hair thinking, ‘We can’t find this, we can’t find this.’ And then something would lock into place. And the whole series, you’ll see once you watch the whole thing, is that it all sort of works together almost like a Rubik’s cube.”

    “Wednesday” also stars Gwendoline Christie, Catherine Zeta-Jones and Joy Sunday, among others.

    The casting team operated under the direction of Burton, who Papsidera said had a clear vision for the show and characters.

    “If anything, that’s where we all kind of started and ended our discussions – with what Tim saw and who he felt he was drawn to as these characters,” Papsidera said.

    Venturing into such an established world, the goal was to “try and reinvent what it is without throwing away the spirit of it,” he added.

    “There’s a certain amount of pressure because also…we are fans,” echoed Holland.

    Holland said she wanted to “fulfill everybody’s needs and wants” and give “proper care to what we do” with regard to the franchise.

    “You want the essence of what those original characters were, but you want it in a new way. So that’s always the challenge, and the reward when you get it,” Papsidera said.

    “Wednesday” is streaming now on Netflix.

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  • ‘Glass Onion’ sharpens the ‘Knives Out’ formula in a polished Netflix sequel | CNN

    ‘Glass Onion’ sharpens the ‘Knives Out’ formula in a polished Netflix sequel | CNN

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    CNN
     — 

    Rising to the challenge of matching its successful predecessor, “Glass Onion: A Knives Out Mystery” maintains the razor-sharp formula, with a setup that feels even more conspicuously like an Agatha Christie homage before an extremely clever series of twists kick in. Writer-director Rian Johnson again assembles a solid cast behind Daniel Craig, but it’s his use of language – where nary a word is wasted – that finally gives the sequel its edge.

    Netflix opportunistically stepped up to acquire the “Knives Out” franchise and, departing from its usual “Stroke the filmmakers’ egos” approach to theatrical distribution, will actually give the movie a wide one-week-only release before it hits the streaming service in late December. Most people will probably still wait to consume it in the comfort of their homes, but for those who do take the plunge, it certainly plays well with an appreciative audience.

    After the family dynamics in “Knives Out,” which gave everyone a motive to kill off the patriarch, Johnson tries his hand in a different setting, with an eccentric billionaire, Miles Bron (Edward Norton), inviting his old posse of pals to a murder-mystery getaway (during Covid, no less) on his secluded Greek isle, where they’ll be tasked with solving his “murder.”

    The game, however, takes an unexpected turn, starting with the invitation to Craig’s master detective Benoit Blanc, who remains brilliant and odd in near-equal measure.

    As for the eclectic roster of guests/potential killers (and/or victims), they include a fashion designer/social-media loose cannon (Kate Hudson) and her partner (Jessica Henwick), a fitness influencer (Dave Bautista) and his girlfriend/sidekick (Madelyn Cline), a scientist (Leslie Odom Jr.), a politician (Kathryn Hahn), and most intriguingly, Miles’ estranged former business partner (Janelle Monáe).

    Although the latest movie obviously lacks the sense of discovery that greeted the original – and even turned Chris Evans’ sweater into a must-have item (Chris Evans not included), Johnson is smart enough to recognize that while this is about reloading, not reinventing, the change in venues can still refresh the formula.

    Craig, moreover, is clearly having a ball with this new signature role, trading in his tuxedos and physicality for a more cerebral form of crimefighting, with a Hercule Poirot-like gift for eavesdropping and a Foghorn Leghorn Southern twang.

    In one of those “Kneel before Zod!” flexes, Netflix reportedly paid a fortune to acquire these sequels, which is frankly just the kind of deal that threatens to take a fun little movie and screw it up by creating unreasonable expectations.

    Happily, “Glass Onion” finds new layers to explore, in a way that makes the prospect of a new “Knives Out Mystery” every few years sound like a perfectly reasonable idea, wherever and however one chooses to consume it.

    “Glass Onion: A Knives Out Mystery” premieres November 23 in US theaters and December 23 on Netflix. It’s rated PG-13.

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  • ‘Shang-Chi’ star Simu Liu pushes back on Quentin Tarantino’s anti-Marvel comments | CNN

    ‘Shang-Chi’ star Simu Liu pushes back on Quentin Tarantino’s anti-Marvel comments | CNN

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    CNN
     — 

    Quentin Tarantino has made it clear that Marvel movies are not his cup of tea, but actor Simu Liu has kindly reminded the director that the films and the studio behind them have provided underrepresented communities a chance to be seen on the big screen unlike ever before.

    “If the only gatekeepers to movie stardom came from Tarantino and Scorsese, I would never have had the opportunity to lead a $400 million plus movie,” Liu, the star of Marvel’s “Shang-Chi and the Legend of the Ten Rings,” wrote on Twitter. “I am in awe of their filmmaking genius. They are transcendent auteurs. But they don’t get to point their nose at me or anyone.”

    He continued: “No movie studio is or ever will be perfect. But I’m proud to work with one that has made sustained efforts to improve diversity onscreen by creating heroes that empower and inspire people of all communities everywhere. I loved the ‘Golden Age’ too.. but it was white as hell.”

    Liu seemingly made his comments on social media in response to a podcast interview Tarantino gave in which he criticized the “Marvel-ization of Hollywood.”

    The films, Tarantino said on the “2 Bears, 1 Cave” podcast, are “the only things that seem to generate any kind of excitement amongst a fanbase or even for the studio making them.”

    He also said that the actors who appear in those films are “not movie stars” because its “franchise characters that become a star.”

    Tarantino clarified before making his comments that he didn’t “hate” Marvel movies but said that he didn’t “love them.”

    This is not the first time the “Once Upon a Time…in Hollywood” director has had harsh words for the behemoth studio’s films – and he hasn’t been alone.

    As Liu referenced, Martin Scorsese is among the other legendary filmmakers who have publicly taken issue with the box office dominance of Marvel movies.

    Both filmmakers, meanwhile, have found themselves on the receiving end of criticism of their own – Scorsese for dismissing questions about the lack of female actors in his films and Tarantino for his lack of diversity in the cast of “Once Upon a Time…In Hollywood” and the violence against women often featured in his films.

    “Shang-Chi and the Legend of the Ten Rings” made more than $432 million worldwide during the course of its box office run. As of last year, director Destin Daniel Cretton was set to develop a sequel.

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  • Twitter is the world’s digital public square. What happens if it dies? | CNN Business

    Twitter is the world’s digital public square. What happens if it dies? | CNN Business

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    New York
    CNN Business
     — 

    What if Twitter were to die?

    That question would have been mostly unthinkable just weeks ago, but a cascade of events precipitated by the company’s erratic new owner, Elon Musk, has thrown the future of the platform into uncertainty.

    And if Twitter

    (TWTR)
    were to suddenly cease to exist, the consequences would be enormous, given how integral the platform is to global communications.

    The platform has often been compared to a digital town square — and for good reason. It is much more than simply a social media website.

    World leaders use Twitter to communicate, journalists use Twitter to newsgather, dissidents in repressive countries use Twitter to organize, celebrities and major brands use Twitter to make important announcements, and the public uses Twitter to often monitor all of it in real-time.

    If the platform were to die off, or to become unusable because of instability issues, no single space would likely replace it.

    “Twitter vs not Twitter isn’t a simple binary, particularly not for news journalism. The 24 hour global connectivity has changed almost everything about workflows in newsrooms and even for freelance journalists,” said Emily Bell, founding director of the Tow Center for Digital Journalism at Columbia Journalism School, a series of tweets Friday. “What replaces it, or what Twitter becomes now with an owner expressly hostile to and ignorant of the business of daily reporting, is really unsure.”

    Instead, communications would become fractured across multiple social media websites, leading to a seismic disruption and slowdown in the flow of information.

    Some users would probably head to one of the Twitter clones.

    One Twitter-like microblogging platform that has gained some traction in recent weeks is Mastodon. But that explosion in popularity is relative: Mastodon is still far smaller than Twitter in scale and lacks the usability for mass appeal to the public.

    Most other Twitter clones have largely been designed to target conservatives who have for years, and usually baselessly, accused Twitter of harboring an anti-conservative bias. Those websites include former President Donald Trump’s Truth Social, Gettr, and others.

    And, of course, social media platforms like Facebook, Instagram, TikTok, and others are options.

    But none of these apps seem destined to inherit all of Twitter’s users — or perhaps more importantly, become the central place for public conversation and debate as Twitter has been for years and years.

    A US senator, for instance, expressed to CNN Thursday night — via Twitter direct messages — that they would miss the platform.

    “My main concern is that I do think some people want to hear directly from me,” the senator said, “and it’s a very efficient way to curate a news feed.”

    “So I’m just figuring out what comes next.”

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  • In ‘Wednesday,’ Jenna Ortega makes Netflix’s Addams Family series look like a snap | CNN

    In ‘Wednesday,’ Jenna Ortega makes Netflix’s Addams Family series look like a snap | CNN

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    CNN
     — 

    Although the main character’s name was inspired by the poetic line “Wednesday’s child is full of woe,” “Wednesday” is generally a delight, thanks almost entirely to Jenna Ortega. Having outgrown her Disney Channel days, Ortega makes the Addams Family’s now-high-school-age daughter the coolest humorless goth sociopath you’ll ever meet, in a Netflix series that’s more kooky than spooky or ooky.

    Director Tim Burton sets just the right visual tone – a mix of the comedic and macabre that resembles “Edward Scissorhands” – while teaming up with “Smallville” producers Alfred Gough and Miles Millar, who know something about building a TV show around an extraordinary teen. Indeed, when Wednesday gets enrolled in a new private school, Nevermore Academy, she tells the headmistress (“Game of Thrones’” Gwendoline Christie) about her frequent moves from school to school, “They haven’t built one strong enough to hold me.”

    That might change at Nevermore, a Poe-etic name for this haven for the weird and witchy, with a supernatural vibe that’s as much Hogwarts (or X-Men) as Charles Addams’ signature comic strip.

    Not only does Wednesday have to deal with dawning psychic abilities and the strange visions that go with them, but a mystery emerges that turns the suspicious lass into an ill-tempered, ebon-clad Nancy Drew, trying to ascertain who’s responsible as the clues begin to circle back to her own family tree.

    It’s obviously a fairly derivative mashup of genre elements, but the mix works in part because even the smaller ingredients are tasty, from Catherine Zeta-Jones and Luis Guzman as Wednesday’s parents, Morticia and Gomez, to her sidekick Thing, who obtains a dress she wants by employing – what else? – a “five-fingered discount.” The writers extract a great deal of comedic mileage from that extremity, so give them a hand.

    What separates “Wednesday” from similar efforts (Netflix’s “The Chilling Adventures of Sabrina” comes to mind), ultimately, is Ortega, who somehow manages to be relentlessly strange, a portrait in unblinking intensity and oddly endearing all at once. When the character description includes never raising one’s voice or cracking even the hint of a smile, that’s no small feat.

    Throw in nifty touches like having Christina Ricci, who played Wednesday in the 1990s movies, as part of the school staff, and the local sheriff (Jamie McShane) dismissing Wednesday and her classmates as “the Scooby gang,” and the series operates on multiple levels.

    Perhaps inevitably, “Wednesday” can’t sustain its initial kick as the serialized story unfolds over eight episodes, and the ending becomes too chaotic. Then again, that’s hardly a surprise given the nature of source material designed more for little jokes than a big sweeping story.

    Seeking to bring something new a property like the Addams Family, which has been done so many times before, isn’t easy without altering its DNA. To its credit, “Wednesday” rises to the challenge and mostly manages to make it look like a snap.

    “Wednesday” premieres November 23 on Netflix.

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  • Brandy is back as Cinderella in new ‘Descendants’ movie for Disney+ | CNN

    Brandy is back as Cinderella in new ‘Descendants’ movie for Disney+ | CNN

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    CNN
     — 

    Twenty-five years after she first played the role of Cinderella, Brandy is stepping into her glass slippers again.

    The singer and actress will reprise her role as the fairytale heroine, first seen in the 1997 television movie “Cinderella,” in a new installment of the “Descendants” franchise for Disney+, the Mouse House announced Monday.

    Also joining the project, called “The Pocketwatch,” is Rita Ora as the Queen of Hearts from the “Alice in Wonderland” story.

    “The Pocketwatch” follows “Descendants 3” from 2019. The first film in the series, 2015’s “Descendants,” told the story of the teenaged children of some of the most well-known villains from Disney’s animated classics.

    The first three films, which included “Descendants 2” from 2017, starred Dove Cameron, Booboo Stewart and the late Cameron Boyce.

    The new story will explore characters Red and Chloe (Kylie Cantrall and Malia Baker, respectively), the daughters of the Queen of Hearts and Cinderella, as they navigate the balance of power between good and evil with a little time travel mixed in by way of a magic pocketwatch.

    Brandy starred in the Emmy Award-winning late-90s retelling of Rodgers and Hammerstein’s “Cinderella,” opposite Whitney Houston as the Fairy Godmother, for ABC’s Wonderful World of Disney.

    Disney also announced Monday that “Descendants” fan favorite Melanie Paxson will reprise her role as the Fairy Godmother from the previous “Descendants” movies for “The Pocketwatch.”

    A release date for the film has not yet been announced.

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  • See who won at the American Music Awards | CNN

    See who won at the American Music Awards | CNN

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    CNN
     — 

    The 50th American Music Awards are taking place on Sunday night at the Microsoft Theater in Los Angeles.

    The show, produced by dick clark productions and ABC, is being hosted by Wayne Brady.

    The star-studded event celebrates the year’s best music and performances, as voted on by fans.

    Puerto Rican performer Bad Bunny topped the list of nominees this year with the most nods, earning eight, including his first-ever for artist of the year.

    Beyoncé, Drake and Taylor Swift followed, each earning six nominations. Adele, Harry Styles and The Weeknd came in with five a piece.

    First-time nominees include Jack Hawlow, Latto and BLACKPINK.

    Performers set to take the stage include Pink, who opened the show, as well as Dove Cameron, Lil Baby, Bebe Rexha, Carrie Underwood, Imagine Dragons and others.

    Lionel Richie, a 17-time AMA winner, will be honored with the Icon Award for his career contributions to the music industry. Charlie Puth, Stevie Wonder and other artists will take the stage in tribute performances for Richie.

    The show announced some of the winners prior to the broadcast.

    Elton John, first nominated for an AMA in 1974, is now regarded as the longest-recognized artist in the awards show’s history. He took home his first AMA win since 1988, for best collaboration with Dua Lipa.

    Taylor Swift led the pack with three AMA wins ahead of broadcast, including best female country artist.

    Below is a list of nominees for this year’s American Music Awards. The list will be updated with winners in bold throughout the broadcast, along with the winners from non-televised categories.

    Adele

    Bad Bunny

    Beyoncé

    Drake

    Harry Styles

    Taylor Swift *WINNER

    The Weeknd

    Dove Cameron *WINNER

    GAYLE

    Latto

    Måneskin

    Steve Lacy

    Carolina Gaitán, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz & Encanto Cast, “We Don’t Talk About Bruno”

    Elton John & Dua Lipa, “Cold Heart – PNAU Remix” *WINNER

    Future ft. Drake & Tems, “Wait For U”

    Lil Nas X ft. Jack Harlow. “Industry Baby”

    The Kid LAROI & Justin Bieber, “Stay”

    Bad Bunny

    Drake

    Ed Sheeran

    Harry Styles *WINNER

    The Weeknd

    Adele

    Beyoncé

    Doja Cat

    Lizzo

    Taylor Swift *WINNER

    BTS *WINNER

    Coldplay

    Imagine Dragons

    Måneskin

    OneRepublic

    Adele, “30”

    Bad Bunny, “Un Verano Sin Ti”

    Beyoncé, “Renaissance”

    Harry Styles, “Harry’s House”

    Taylor Swift, “Red (Taylor’s Version)” *WINNER

    The Weeknd, “Dawn FM”

    Adele, “Easy on Me”

    Carolina Gaitán, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz & Encanto Cast, “We Don’t Talk About Bruno”

    Harry Styles, “As It Was” *WINNER

    Lizzo, “About Damn Time”

    The Kid LAROI & Justin Bieber, “Stay”

    Adele, “Easy on Me”

    Bad Bunny ft. Chencho Corleone, “Me Porto Bonito”

    Harry Styles, “As It Was”

    Lil Nas X ft. Jack Harlow, “Industry Baby”

    Taylor Swift, “All Too Well (Taylor’s Version)” *WINNER

    Chris Stapleton

    Cody Johnson

    Luke Combs

    Morgan Wallen *WINNER

    Walker Hayes

    Carrie Underwood

    Lainey Wilson

    Maren Morris

    Miranda Lambert

    Taylor Swift *WINNER

    Dan & Shay *WINNER

    Lady A

    Old Dominion

    Parmalee

    Zac Brown Band

    Drake

    Future

    Kendrick Lamar *WINNER

    Lil Baby

    Lil Durk

    Cardi B

    GloRilla

    Latto

    Megan Thee Stallion

    Nicki Minaj *WINNER

    Future ft. Drake & Tems, “Wait For U” *WINNER

    Jack Harlow, “First Class”

    Kodak Black, “Super Gremlin”

    Latto, “Big Energy”

    Lil Nas X ft. Jack Harlow, “Industry Baby”

    Brent Faiyaz

    Chris Brown *WINNER

    GIVĒON

    Lucky Daye

    The Weeknd

    Beyoncé *WINNER

    Doja Cat

    Muni Long

    Summer Walker

    SZA

    Machine Gun Kelly *WINNER

    Imagine Dragons

    Måneskin

    Red Hot Chili Peppers

    The Lumineers

    Foo Fighters, “Love Dies Young”

    Imagine Dragons x JID, “Enemy”h

    Kate Bush, “Running Up That Hill (A Deal With God)”

    Måneskin, “Beggin’” *WINNER

    Red Hot Chili Peppers, “Black Summer”

    Bad Bunny *WINNER

    Farruko

    J Balvin

    Jhayco

    Rauw Alejandro

    Anitta *WINNER

    Becky G

    Kali Uchis

    Karol G

    Rosalía

    Burna Boy

    CKay

    Fireboy DML

    TEMS

    Wizkid *WINNER

    BLACKPINK

    BTS *WINNER

    Seventeen

    Tomorrow X Together

    Twice

    Favorite dance/electronic artist: Marshmello

    Favorite gospel artist: Tamela Mann

    Favorite inspirational artist: for KING & COUNTRY

    Favorite Latin duo or group: Yahritza Y Su Esencia

    Favorite touring artist: Coldplay

    Favorite country album: Taylor Swift “Red (Taylor’s Version)”

    Favorite hip-hop album: Kendrick Lamar “Mr. Morale & The Big Steppers”

    Favorite Latin album: Bad Bunny “Un Verano Sin Ti”

    Favorite R&B album: Beyoncé “Renaissance”

    Favorite rock album: Ghost “Impera”

    Favorite soundtrack: “ELVIS”

    Favorite country song: Morgan Wallen “Wasted On You”

    Favorite Latin song: Sebastián Yatra “Dos Oruguitas”

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  • How to watch the 2022 American Music Awards | CNN

    How to watch the 2022 American Music Awards | CNN

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    CNN
     — 

    The 50th American Music Awards will take place Sunday night.

    The event celebrates some of the year’s best music and performances, and the winners are voted on by fans.

    Actor, producer and musician Wayne Brady will bring his talents to the stage to helm the event.

    Viewers can tune into to watch performances by Pink, Dove Cameron, Lil Baby, Bebe Rexha, Carrie Underwood, Imagine Dragons and more.

    Meanwhile, Lionel Richie, a 17-time AMA winner, will be honored with the Icon Award, marking his career contributions to the music industry. Charlie Puth, Stevie Wonder and other artists will take the stage in tribute performances for Richie.

    Look for appearances by Dan & Shay, Dustin Lynch, Ellie Goulding, Jimmie Allen, Karrueche Tran, Kelly Rowland, Latto, Meghan Trainor, Melissa Etheridge, Niecy Nash-Betts, Roselyn Sanchez, Sheryl Lee Ralph, Smokey Robinson and others.

    Bad Bunny leads in nominations going into the event. The show – which is produced by dick clark productions and ABC – pointed out in a press release that Bad Bunny would tie Michael Jackson and Whitney Houston for the most awards in a single year if he ended up winning in all his nominated categories.

    Beyoncé, Drake and Taylor Swift each have six nominations, while Adele, Harry Styles and The Weeknd have five each.

    A pre-show red carpet special will stream on OnTheRedCarpet.com beginning at 6:30 p.m. ET, with the show airing live on ABC at 8 p.m. ET.

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  • Nickelback will be inducted into the Canadian Music Hall of Fame | CNN

    Nickelback will be inducted into the Canadian Music Hall of Fame | CNN

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    CNN
     — 

    Nickelback’s dream to be “big rockstars” might just be coming true with the band’s induction to the Canadian Music Hall of Fame.

    The much-memed Canadian band will be officially added to the Hall of Fame in March 2023, according to a news release.

    The band follows singer-songwriter Deborah Cox, who was inducted in 2022, and Jann Arden, inducted in 2021.

    Nickelback has been a frequent subject of memes, but has also been consistently commercially successful, according to the news release. The band counts more than 10 billion streams, 50 million albums sold worldwide, and 12 consecutive sold-out tours among its accomplishments.

    The Canadian rock band formed in 1995 in Hanna, Alberta, the release noted. In 1996, they migrated to Vancouver, British Columbia, where they continue to live and work today.

    Many of their most iconic songs – like “Rockstar” and “Photograph” – come from their fifth studio album, “All the Right Reasons,” released in 2005. The album was the first release with the band’s current configuration, consisting of Chad Kroeger, Ryan Peake, Mike Kroeger, and Daniel Adair.

    And after decades of making music, the group shows no signs of slowing down any time soon. They released their tenth studio album, “Get Rollin’ ” on Friday.

    The Canadian Music Hall of Fame, launched in 1978 to recognize the success of Canadian artists, is located in Calgary, Alberta.

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  • Tosca Musk, Elon’s sister, has a business venture of her own — and it’s all about romance and female sexuality | CNN

    Tosca Musk, Elon’s sister, has a business venture of her own — and it’s all about romance and female sexuality | CNN

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    Atlanta, Georgia
    CNN
     — 

    Tosca Musk strides onto the red carpet at a Regal Cinemas, statuesque in a white pant suit and glistening burgundy silk top.

    A hush comes over a group gathered outside the theater’s doors. Some whip out cell phones and start recording her every move.

    It’s a chilly October night in Atlanta, and the fans are here for the premiere of “Torn,” the second in a trilogy of romantic fantasy movies based on books by author Jennifer Armentrout. The group of mostly female fans range in age from their twenties to their seventies, and some flew in from Boston, Detroit and other cities.

    This is a big night for Musk and her five-year-old streaming service Passionflix, the backer of the movie. It’s their first public film premiere since the pandemic started.

    She floats from one group to another, chatting effortlessly with Passionflix’s superfans, known as Passionistas. Her older brother, Elon Musk, may be the most famous sibling in the family, but he’s not the only one who’s founded a company.

    Musk, 48, is the force behind Passionflix, which adapts romance novels into movies and streams them to a devoted niche audience. Romance novels are the most popular genre of books in the United States, and Musk is tapping into that market with stories about sultry, powerful female leads and handsome men with chiseled abs. She directs some of the films herself.

    “Passionflix focuses on adapting romance novels exactly as the fan and the author envision it,” Musk says in a separate CNN interview. “We focus on connection, communication and compromise – and remove the shame from sexuality, specifically for women, because it empowers women to both acknowledge and ask for pleasure.”

    Days earlier, on the set of a Passionflix movie, “The Secret Life of Amy Bensen,” Musk provides a few glimpses into life with her famous family.

    Perched on a navy blue couch in a room tucked inside a warehouse in suburban Atlanta, she chooses her words carefully when asked about her older brother, who was on the verge of his Twitter acquisition.

    The Musk children – Elon, Tosca and another brother, middle child Kimbal – were born in South Africa and spent time in Canada before coming to the United States. Their father, Errol, is an engineer and property developer, while their glamorous mother, Maye, is a model.

    From left to right: Tosca Musk, Kimbal Musk, mother Maye Musk and Elon Musk at Maye's 50th birthday party in 1998.

    Tosca Musk attended film school at the University of British Columbia in Vancouver and moved to California after graduation. For three months, she worked for one of Elon Musk’s companies, Zip2.

    “I realized every time I stepped out of the film world, I was just not happy,” she says. “It just wasn’t my thing.”

    After a brief stint at the Los Angeles office of Canadian media company Alliance Atlantis, she began directing and producing films while still in her twenties.

    Musk produced romance films for the Lifetime and Hallmark channels and in 2005 launched a comic web series, Tiki Bar TV, which was hailed by Apple CEO Steve Jobs as ahead of its time in the emerging field of vodcasts – or video podcasting.

    Then came Passionflix. Its origin story is a classic tale of when one door closes, another one opens.

    About five years ago, Musk got an email from a woman who wanted her to turn her script into a movie. Musk loved the script, but there wasn’t much interest from production companies.

    “People weren’t really that interested because it was too risque … It was an adult movie with a little bit of reincarnation, things like that,” she says. “It just wasn’t one of those things that regular network television wanted to do.”

    But Musk met the woman, Joany Kane, in Los Angeles, and they bonded over their shared passion for romance novels. During that conversation, Kane brought up the idea of turning romance novels into movies and creating a streaming platform for them.

    And with that, Passionflix was born – with Musk at the helm and Kane as a co-founder.

    “We had no investors. We had to go out and find every investor. So it was a matter of going out and pitching every single person,” Musk says. “We pitched every friend, every family member, everybody just for that small bit of angel investment. It was hard. The first money in is always the hardest money.”

    Kevin Joy on the red carpet at the premiere of Passionflix's

    Musk declines to say whether her brother Elon was one of her original investors. But she says she can always count on her two brothers, including restaurateur Kimbal Musk, to give her advice on her business ventures. She tries not to ask unless she really needs to.

    “I get advice from them to a certain degree when I ask for it. But no unsolicited advice,” she says. “If I ask for advice, I have no doubt that he (Elon) will give it to me. And then I have to take it, because he’s going to be right. So you have to really want to know what you want to ask. But most of the time when I’m with my family, we talk about family things.”

    So what does she think about her brother’s new role as CEO of Twitter – and the flurry of headlines surrounding it?

    No comment.

    Passionflix’s first film was “Hollywood Dirt,” based on a best-selling novel by Alessandra Torre about a Southern woman who finds romance with a Hollywood star when he comes to her small town to film a movie.

    “During that shooting of that movie, we were struggling,” Musk says. “Are we going to get money? Are we going to be able to finish it? We were not really sure. We basically were just sort of piecing the dollars together.”

    In May 2017, Musk played a trailer of the movie at a romance novel convention and asked attendees to prepay $100, as founding members, for a two-year Passionflix subscription. About 4,000 people signed up, Musk says, and she and Kane used that to show potential investors they were onto something.

    “Trying to raise money for a female-driven platform on romance was just not high on anybody’s priority list at the time,” she says. “But as soon as we showed there was that many people that would come on board, the investors just started flying in.”

    Fans take photos of people on the red carpet at the premiere of Passionflix's

    Passionflix has since produced more than two dozen feature-length and short films, according to the Internet Movie Database.

    The company remains lean – it has a core team of seven people who each wear a lot of hats. In addition to producing its own content, Passionflix also licenses films for its platform.

    “I think the biggest challenge for Passionflix is we can’t produce enough content to satiate the fans,” Musk says. “It’s a struggle with so many streaming platforms, when people want original content all the time.”

    With more than 200 streaming services now competing for viewers, such niche markets face a myriad of challenges, says Dan Rayburn, a streaming media expert and consultant.

    Creating, licensing and marketing content is very costly, he said. And while romance is the biggest-selling genre of books in the US, that doesn’t necessarily mean its popularity translates to movies.

    “That’s comparing apples to oranges. Books are different,” Rayburn says. “This business is beyond tough. It’s highly competitive and requires an absolute large sum of money.”

    Passionflix charges a subscription fee of $5.99 a month. The company does not disclose its subscriber numbers. Musk says subscribers are in the “six figures,” but declines to offer specifics.

    Rayburn says it’s hard to determine the company’s profitability without knowing its expenses, including production and licensing costs.

    “OK, if you don’t have subscriber numbers, what’s the usage? How many hours per month do people watch it? How much are you spending on content licensing?”

    A deep dive into Passionflix’s online movie catalog reveals a mix of contemporary romance, fantasy romance, paranormal romance, erotic fan fiction and related sub-genres.

    The films, which stream on the Passionflix site and on Amazon Prime Video, are rated on an escalating steaminess scale Musk calls a “barometer of naughtiness.”

    The five categories: Oh So Vanilla, for wholesome romcoms; Mildly Titillating; Passion and Romance; Toe Curling Yumminess; and NSFW (Not Safe for Work). The latter category has risque plot lines and more sex – think “Fifty Shades of Grey.”

    But Musk says that even the naughtiest Passionflix movies don’t reach the soft-core porn threshold.

    “When we first started Passionflix, somebody asked us if we’re going to rate using MPAA,” she says, referring to the Motion Picture Association of America’s movie ratings such as PG-13, R, etc. “I don’t actually like any of those ratings. They’re not specific to women. I wanted something that could rate our shows and create more of a tongue-in-cheek conversation.”

    Attendees watch the premiere of Passionflix's

    Musk says she’s a romantic at heart and is a big fan of the genre.

    “Love is amazing, it’s incredibly powerful. I love to tell stories of love, all kinds of love,” she says. “So parental love, friend love, family love, and love between any kind of couple.”

    That broad range of romantic genres, and its sexy content, are what sets Passionflix apart from channels such as Hallmark and Lifetime Movie Network, says romance novelist Tamara Lush. She believes the romance genre has been especially popular during the pandemic because people seek comfort in stories with happy-ever-after endings.

    “Hallmark is romance-centered but the stories are very, very sweet. Passionflix tells a wider range of stories, and the ones romance readers want to watch,” Lush says.

    “The popularity of ‘Bridgerton,’ ‘After’ and ’365 Days’ on Netflix should tell streaming services all they need to know: that romance is a lucrative and sure bet for viewers.”

    Passionflix’s original subscribers, known as founding members, get access to movie premieres and filming sets.

    Last month in Atlanta, about four dozen of them piled into the Regal theater for the premiere of “Torn.” Following the movie, Musk hosted a question-and-answer session with the lead actors, followed by an after-party at a bar across the street. Fans and actors mingled over drinks.

    Debbie Parziale, 67, says she flew in from Boston for the event. One of the founding members, she says she spent the pandemic years curled up on her couch, watching Passionflix movies.

    “I love Tosca’s premise of empowering women and making sex not such a taboo subject,” she says. “She’s so true to the romance novels. When you read a book and watch one of her movies, it’s the book you read.”

    Debbie Parziale, Deborah Thornton and Amanda Cromer, from left, at the premiere of

    Amanda Cromer, 32, says she signed up for Passionflix at a romance book convention. She loves the camaraderie that comes with being part of the Passionistas. The group has a virtual book club, called Passion Squad.

    As one of the original members, Cromer can visit sets and interact with the actors. Cromer, who lives in a suburb of Atlanta, says that during a visit to the set of “Torn” she became an extra in a cafe scene.

    “I love the empowerment the movies bring,” says Cromer, who attended last month’s “Torn” premiere with her mother.

    “They choose books with strong female leads. They’ve done such a good job of portraying the female persona as a strong independent female, and not a timid person.”

    Back on the set of her latest romance movie, Tosca Musk moves from one sparsely furnished room to another.

    Musk lives in suburban Atlanta with her two children, 9-year-old twins who were conceived through in vitro fertilization using an anonymous sperm donor.

    She’s getting ready to fly to Italy with the twins to film “Gabriel’s Redemption,” the third book in a series by Sylvain Reynard about a Dante scholar and his passionate affair with a younger graduate student. She says they plan to enjoy lots of gelato in Florence and visit Oxford, England, so the kids can see some of the locations where the Harry Potter movies were filmed.

    As a single mother, Musk says she marvels at the path that led her to a job she loves.

    Tosca Musk poses for a portrait in Fairburn, Georgia, on October 11, 2022.

    She hopes Passionflix will help convince the film industry’s big names that adopting romance novels into movies is a worthy investment.

    “The entertainment world is controlled mostly by men. At the end of the day, the decisions tend to sway toward the male audience as opposed to the female audience,” she says. “They also tend to be more about the victimization of women than they are about sexually free or sexually empowered stories about women.”

    And for Musk, there’s also a simpler reason for her filmmaking ventures.

    “I’m a storyteller at heart,” she says. “I just want to be able to tell stories.”

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  • ‘She Said’ covers the dogged reporting behind breaking the Harvey Weinstein story | CNN

    ‘She Said’ covers the dogged reporting behind breaking the Harvey Weinstein story | CNN

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    CNN
     — 

    The hard work of journalism doesn’t always readily translate to the screen, a problem magnified as doors slammed in faces has been supplanted by cellphone hang-ups and ignored texts. “She Said” nevertheless joins a long tradition of movies about dogged reporters exposing injustice, and in this case helping spawn a sweeping movement.

    The film is adapted from the book by New York Times reporters Megan Twohey and Jodi Kantor, which might explain why the work of Ronan Farrow is mentioned but conspicuously shortchanged. Not only did Farrow get there first, but he had to grapple with NBC News management before eventually publishing in the New Yorker. It’s a pointed reminder to remember who’s telling the story.

    Setting that aside, the heart of “She Said,” which begins with Twohey (Carey Mulligan) reporting on Donald Trump, centers on her collaboration with Kantor (Zoe Kazan) to lay bare the predatory behavior of Harvey Weinstein. While the reporters themselves don’t exhibit much personality, the movie hums with the fear and apprehension of the women who spoke up, often after much prodding, pleading and soul searching.

    The Oscar-winning “Spotlight” is the most recent example of this particular genre, but “She Said” owes a stronger debt to “All the President’s Men,” only with a female-centric point of view as opposed to editorial meetings filled with White guys in white shirts. Both reporters are also shown trying to balance their home lives with the all-consuming nature of the job, illustrating all those weekend phone calls and plane flights cutting into family time.

    Working from a screenplay by Rebecca Lenkiewicz, director Maria Schrader has opted not to show Weinstein other than a vague glimpse, but his presence is felt via actually audiotape and phone calls. The fact that his second trial currently underway in Los Angeles adds to the timeliness of the film’s release, but it’s an appropriate decision that keeps the focus squarely on the reporters and those victimized.

    The latter list notably includes Ashley Judd, who portrays herself, and flashbacks showing the aftermath of the alleged assaults without venturing inside the room. Throughout, there’s a palpable sense of the way nondisclosure agreements, settlements and other means of coercion were used to silence potential accusers, allowing the Hollywood mogul to continue to act with impunity. (The film’s producers include Brad Pitt, who has spoken of confronting Weinstein back when he was dating Gwyneth Paltrow.)

    There’s a dutiful quality to the storytelling that blunts the portrayal of the reporters, and “She Said” doesn’t bring much that’s distinctive to presenting the inner workings of the Times. Patricia Clarkson and Andre Braugher, as editors Rebecca Corbett and Dean Baquet, respectively, get mostly relegated to just telling the intrepid duo to keep reporting and trying to get someone to speak on the record over and over.

    In a sense, the movie is another one of those titles that derives an outsized portion of its resonance from the closing crawl, offering a reminder of what the #MeToo movement has accomplished since Twohey and Kantor broke the Weinstein story in 2017.

    At a time when journalism is often under siege, there’s value in displaying its noblest qualities and loftiest aspirations. Even with hiccups and quibbles, “She Said” achieves that central mission.

    “She Said” premieres in US theaters on November 18. It’s rated R.

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  • Anya Taylor-Joy had a ‘life-changing’ experience on ‘Furiosa’ | CNN

    Anya Taylor-Joy had a ‘life-changing’ experience on ‘Furiosa’ | CNN

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    CNN
     — 

    Anya Taylor-Joy is staying busy.

    “The Queen’s Gambit” star appears in the prequel to “Mad Max: Fury Road,” called “Furiosa,” and can be seen in “The Menu” alongside Nicholas Hoult.

    Taylor-Joy says she’s getting lots of offers but is selective about what she chooses.

    “All these characters were coming to me that I needed to play, and now, having done this for seven years, I’m in a position where I have to be way more picky about what I choose,” Taylor-Joy told The Hollywood Reporter. “I do think that one can spend their passion, and you want to make sure that you’re putting your passion into things that you care about so that it’s actually refueling that well rather than just taking from you. I never want to fall out of love with my art.”

    One of those roles was in “Furiosa.” She just wrapped filming a few weeks ago and said it was an experience she will never forget.

    “It will take me the full two years before the movie comes out to even begin to process what I just left 12 days ago. [‘Furiosa’] was the most life-changing experience that I’ve ever had, with such talented artists. I really felt like I grew so much, but yes, it’s wild. It’s utterly unique,” Taylor-Joy said.

    Taylor-Joy stars in the film alongside Chris Hemsworth, Tom Burke and Nathan Jones.

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  • Donald Trump faces billionaires in retreat and tabloid trolling a day after campaign announcement | CNN Politics

    Donald Trump faces billionaires in retreat and tabloid trolling a day after campaign announcement | CNN Politics

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    CNN
     — 

    A day after Donald Trump announced his third bid for the presidency, he faced public defections from billionaire backers and vicious trolling from a once-friendly New York tabloid – underscoring his early challenges in mounting a political comeback nearly two years after the end of his divisive presidency.

    Stephen Schwarzman, the CEO of the private equity firm Blackstone and a one-time Trump ally, announced Wednesday that he would not support Trump’s bid for the Republican nomination, saying it’s time “for the Republican party to turn to a new generation of leaders.”

    A spokesman for another billionaire supporter – cosmetic heir Ronald Lauder – confirmed to CNN on Wednesday that Lauder would not back Trump’s bid to become only the second US president elected to two nonconsecutive terms.

    And in another sign that the once-supportive conservative media empire controlled by Rupert Murdoch has moved on from Trump, the New York Post on Wednesday topped its story of his campaign announcement with a brutal headline, “Been there, Don That.” (By contrast, a front-page Post headline last week heralded Florida Gov. Ron DeSantis as “DeFuture,” after the Republican cruised to a second term.)

    The pullback by some donors shows that some of the party’s elite figures are open to alternatives two years out from the next presidential election. Trump, who has relied on a small-donor base to fuel his political ambitions, remains a formidable fundraising force. In an unprecedented move, he never stopped fundraising after leaving the White House, and his array of political committees has amassed more than $100 million in cash reserves.

    Trump is the first major Republican candidate to announce his candidacy. Over the weekend, DeSantis – a potential rival for the nomination – is slated to address one of the Republican Party’s most influential donor groups when he delivers a speech at the Republican Jewish Coalition’s annual gala dinner. Former US ambassador to the United Nations Nikki Haley, another Republican viewed as a possible presidential contender, also is slated to speak at the Saturday night event in Las Vegas.

    Trump remains a “big factor” in Republican politics and has earned accolades from coalition members for his staunch support of Israel, said Matthew Brooks, RJC’s executive director.

    But “people are window-shopping right now,” Brooks added. “There are people who are asking if we need a new direction and a new face.”

    Brooks said Trump was invited to the RJC gathering but had a scheduling conflict.

    CNN has reached out to Trump aides for comment.

    Schwarzman’s retreat from Trump is particularly significant because he’s one of the biggest donors in Republican politics and contributed $3 million in 2020 to a super PAC supporting Trump’s unsuccessful reelection campaign.

    In the midterms alone, Schwarzman donated more than $35 million to Republican candidates and groups active in federal elections, according to OpenSecrets, a nonprofit group that tracks political money.

    “America does better when its leaders are rooted in today and tomorrow, not today and yesterday,” Schwarzman said in his statement, first reported by Axios. Schwarzman said he would support one of the GOP’s “new generation of leaders” but did not say whom he is considering backing.

    Another Republican megadonor, Citadel’s Ken Griffin, recently indicated he would back DeSantis in 2024, should the Florida governor seek the GOP nomination.

    Lauder, a long-time Trump friend and financial supporter of Republican candidates and causes, has not indicated who would win his support.

    This story has been updated with additional developments.

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  • Awards favorite Brendan Fraser says he won’t be attending the Golden Globes | CNN

    Awards favorite Brendan Fraser says he won’t be attending the Golden Globes | CNN

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    CNN
     — 

    Brendan Fraser, who has garnered considerable awards buzz for his starring turn in next month’s “The Whale,” says he does not plan on attending the next Golden Globes ceremony, citing his “history” with the organization in a new interview.

    “I have more history with the Hollywood Foreign Press Association than I have respect for the Hollywood Foreign Press Association. No, I will not participate,” the actor explained in an interview with GQ published on Wednesday.

    Fraser is seemingly referring to the 2018 allegations the actor made against the former president of the HFPA, Philip Berk, whom he alleges groped him at an event in 2003.

    Fraser added to GQ about his decision: “My mother didn’t raise a hypocrite. You can call me a lot of things, but not that.”

    In a different profile for GQ in 2018, Fraser described the encounter with Berk at a luncheon hosted by the organization at the Beverly Hills Hotel, where Fraser alleged Berk grabbed his rear end and, through his pants, touched him in the area between his genitals and his anus.

    “I felt ill. I felt like a little kid,” Fraser said at the time. “I felt like there was a ball in my throat. I thought I was going to cry.”

    Berk denied any wrongdoing, admitting that he pinched Fraser’s buttock at the event in question, but in his own interview with GQ, he said he did so in jest.

    After Fraser’s allegations, the HFPA released a statement that said it was “investigating further details surrounding the incident” and that it “stands firmly against sexual harassment.

    Behind the scenes, Fraser claimed to GQ this week, the organization ultimately came back to him and proposed issuing a joint statement that said, according to him, “Although it was concluded that Mr. Berk inappropriately touched Mr. Fraser, the evidence supports that it was intended to be taken as a joke and not as a sexual advance.”

    Fraser says he refused to cosign the alleged joint statement.

    CNN has reached out to the HFPA and Berk for comment.

    “I knew they would close ranks,” Fraser told GQ. “I knew they would kick the can down the road. I knew they would get ahead of the story. I knew that I certainly had no future with that system as it was.”

    Reflecting on why his account may not have made waves, Fraser said, “I think it was because it was too prickly or sharp-edged or icky for people to want to go first and invest emotionally in the situation.”

    After Fraser’s allegations, Berk remained an active member of the HFPA until last year, when he was expelled for disseminating an article to fellow HFPA members that referred to Black Lives Matter as a “racist hate movement.”

    The Golden Globes, long considered the lead-up to the Oscars, also came under fire last year after it was revealed by the Los Angeles Times that the association contained no Black voting members.

    Despite the organization’s attempts to address the controversy and other ethics concerns, NBC severed broadcast ties with the organization, pending the group’s efforts to enact “meaningful reform.”

    The 2022 Golden Globes were not aired on television. NBC announced in September that the show would return to air in 2023, citing the HFPA’s “commitment to ongoing change.”

    When asked if he believed whether any of the HFPA’s announced reforms translated to real progress, Fraser was skeptical.

    “At the moment, no. Maybe time will tell if they’re going to…I don’t know what they’re going to do,” he told GQ this week. “I don’t know.”

    Following an overwhelmingly positive reception during film festival season, Fraser is considered a shoe-in for a best actor Oscar nomination.

    In “The Whale,” Fraser plays a reclusive, obese teacher who is trying to reconnect with his estranged teenage daughter Ellie (Sadie Sink from “Stranger Things”).

    The film, directed by Darren Aronofsky, hits theaters on December 9.

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  • Kevin Costner’s ‘Yellowstone’ sets viewership milestones

    Kevin Costner’s ‘Yellowstone’ sets viewership milestones

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    NEW YORK — Kevin Costner’s Paramount epic “Yellowstone” reached 12.1 million viewers for the opening night of its fifth season on Sunday, the most popular scripted series episode so far in the new television season, the Nielsen company said.

    That it was a cable network series — instead of a big broadcaster like CBS, NBC or ABC — makes the achievement that much more impressive.

    The total viewership involved a little trickery: the show simultaneously aired on Viacom networks CMT, TV Land and Pop, and there were some same-day reruns. Even with that, there were 9.4 million viewers who saw the premiere episode on Paramount alone.

    “We’ve been able to create a show that didn’t start out being popular but did it on its own terms,” Costner said in a recent interview with The Associated Press.

    “Yellowstone” is one of the most appointment viewing-friendly shows on television now, in part because it appeals to an older audience more used to watching TV in a traditional way, said Josef Adalian, West Coast editor of New York magazine’s Vulture.com.

    “People want to watch it and they want to watch it now,” Adalian said. It also proves the enduring popularity of the Western as a genre and, in some respects, it’s surprising there haven’t been copycats.

    The show is overwhelmingly popular in red states. States with Republican governors — topped by Texas — watch “Yellowstone” three times as much as states with Democratic governors, according to Philo, a live TV streaming service.

    No scripted series on a broadcast network has reached more than 8 million same-day viewers this season, although audiences usually increase when delayed viewing is taken into account.

    For instance, the most popular broadcast scripted show last week, CBS’ “Young Sheldon,” was seen by 7.14 million people, Nielsen said.

    While “Yellowstone” is a huge success for Paramount, the company is also making money for a corporate rival. Streaming rights for previous seasons of the series are owned by Comcast’s Peacock service, because the Paramount+ streaming outlet did not exist when they were up for grabs.

    Among the broadcast networks, NBC had the most viewers in prime time last week, averaging 5 million. Fox had 4.6 million, ABC had 3.9 million, CBS had 3.7 million, Univision had 1.2 million, Ion Television had 950,000 and Telemundo had 750,000.

    Fox News Channel was the most popular cable network, averaging 3.15 million viewers in prime time. ESPN had 2.19 million, MSNBC had 1.66 million, Paramount had 1.58 million and Hallmark had 1.23 million.

    ABC’s “World News Tonight” led the evening news ratings race, averaging 8 million viewers. NBC’s “Nightly News” had 6.8 million and the “CBS Evening News” had 5 million.

    For the week of Nov. 7-13, the most popular prime-time programs, their networks and viewership:

    1. NFL Football: Dallas at Green Bay, Fox, 18.13 million.

    2. NFL Football: L.A. Chargers at San Francisco, NBC, 15.84 million.

    3. “NFL Pregame,” NBC, 12.37 million.

    4. “Yellowstone” (8 p.m.), Paramount, 9.41 million.

    5. NFL Football: Baltimore at New Orleans, ESPN, 9.36 million.

    6. “Yellowstone” (9:14 p.m.), Paramount, 8.44 million.

    7. Election Night Coverage (9 to 10 p.m.), Fox News, 7.81 million.

    8. “CMA Awards,” ABC, 7.45 million.

    9. Election Night Coverage (8 to 9 p.m.), Fox News, 7.27 million.

    10. Election Night Coverage (10 to 11 p.m.), Fox News, 7.19 million.

    11. “Young Sheldon,” CBS, 7.14 million.

    12. “Football Night in America,” NBC, 6.83 million.

    13. “60 Minutes,” CBS, 6.77 million.

    14. “Ghosts,” CBS, 6.61 million.

    15. “The Equalizer,” CBS, 6.45 million.

    16. “Chicago Fire,” NBC, 6.14 million.

    17. “Chicago Med,” NBC, 5.98 million.

    18. “The Voice,” NBC, 5.87 million.

    19. “NFL Pregame,” ESPN, 5.53 million.

    20. “911,” Fox, 5.09 million.

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  • Pakistan blocks national release of ‘Joyland,’ a story of sexual liberation | CNN

    Pakistan blocks national release of ‘Joyland,’ a story of sexual liberation | CNN

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    Islamabad, Pakistan
    CNN
     — 

    Pakistan’s government has blocked the nationwide release of “Joyland,” the first Pakistani movie shown at the Cannes Film Festival, just one week before it was due to hit theaters in the South Asian country.

    “Joyland” tells a love story between the youngest son of “a happily patriarchal joint family” and a transgender starlet he meets after secretly joining an erotic dance theater, according to a synopsis on the Cannes Film Festival website.

    In August, the country’s Central Board of Film Censors (CBFC) granted a certificate allowing the movie to be released, but on Friday Pakistan’s Ministry of Information and Broadcasting issued a notice saying it was now “uncertified.”

    The official notice said written complaints had been received that the movie contains “highly objectional material” that does not conform with the “social values and moral standards of our society.”

    The ministry’s notice said cinemas that fall under the CBFC’s jurisdiction cannot show the movie.

    “Joyland” won the Un Certain Regard Jury Prize and the unofficial Queer Palm at Cannes in May. It was then submitted to the Oscars as Pakistan’s official entry for the international feature film award. However, it needs to be in theaters for at least seven days before November 30 to remain in contention for the awards.

    Despite being banned from release in Pakistan, “Joyland” could still qualify in this category if it is “theatrically exhibited outside of the U.S. and its territories for at least seven consecutive days in a commercial motion picture theater for paid admission,” according to the official Academy rules.

    On Tuesday, a close aide to Pakistan’s Prime Minister tweeted that a “high level committee” was assessing the complaints against Joyland and reviewing its ban.

    “The committee will assess the complaints as well as merits to decide on its release in Pakistan,” said adviser Salman Sufi.

    The review comes after the Human Rights Commission of Pakistan released a statement on Sunday, condemning the government’s withdrawal of certification for “Joyland” as “rabidly transphobic” and a violation of the movie producers’ right to freedom of expression.

    “Pakistan’s audiences have the right to decide what they will watch,” the statement said.

    Saim Sadiq, the movie’s director, argued in a post on Instagram that the ministry’s reversal was “absolutely unconstitutional and illegal,” and urged them to reconsider.

    “Return the right of our citizens to be able to watch the film that has made their country’s cinema proud world over,” Sadiq wrote.

    “Our film got seen and certified by all three censor boards in August 2022. The 18th amendment in the Pakistani constitution gives all of provinces the autonomy to make their own decision. Yet the Ministry suddenly caved under pressure from a few extremist factions – who have not seen the film – and made a mockery of our federal censor board by rendering their decision irrelevant.”

    The ban has sparked a public outcry and social media campaign using the hashtag #releasejoyland.

    Rasti Farooq, one of the actresses in the movie, posted on Instagram supporting efforts to have it released.

    “I stand by my film, and everything that it says, with every fibre of my being,” Farooq said.

    Pakistani actor Humayun Saeed, who stars in the fifth season of Netflix series “The Crown,” has also weighed in.

    “Joyland has made Pakistan proud by becoming the first South Asian film to win the Jury Prize at the Cannes Film Festival. It is a story of our people told by our people for our people. Hoping for it to be made accessible to these very people #ReleaseJoyland,” he tweeted.

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  • Bad Bunny scores a Grammys first with his Spanish-language album | CNN

    Bad Bunny scores a Grammys first with his Spanish-language album | CNN

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    CNN
     — 

    Bad Bunny’s Spanish-language album, “Un Verano Sin Ti,” has made Grammys history.

    The artist, who scored three nominations on Tuesday for the 65th Annual Grammy Awards, has become the first to score an album of the year nomination for an album completely in Spanish.

    “Un Verano Sin Ti,” which translates to “A Summer Without You,” is also the first album to receive an album of the year nomination at both the Grammys and the Latin Grammys, the latter of which will be held on Thursday.

    In addition to his album of the year nod, Bad Bunny scored nominations in the best pop solo performance and best música urbana album categories.

    The Puerto Rican artist has previously been nominated for six Grammys and won two of them. Last year, he won for best música urbana album for “El Último Tour Del Mundo,” and in 2020, he won best latin pop or urban album for his second solo studio album “YHLQMDLG”

    The 2023 Grammy Awards will air live on Sunday, February 5, 2023 at 8 p.m. ET/5 p.m. PT on CBS and Paramount+.

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  • Namor swims past Aquaman comparisons in ‘Black Panther: Wakanda Forever’ | CNN

    Namor swims past Aquaman comparisons in ‘Black Panther: Wakanda Forever’ | CNN

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    Editor’s Note: The following contains minor spoilers about “Black Panther: Wakanda Forever.”



    CNN
     — 

    In “Black Panther: Wakanda Forever,” the aquatic adversary known as Namor wastes no time establishing himself as one of those beguiling but strange characters that can polarize an audience: the ocean-dwelling deity uses conch shells like smartphones and has feathered wings on his ankles.

    But as portrayed by Mexican actor Tenoch Huerta Mejía in this brooding follow up to 2018’s “Black Panther,” Namor also commands considerable gravitas as the amphibious leader of an underwater tribe, and deserves more than just the inevitable comparisons he will receive to his DC counterpart, Aquaman. (CNN, DC Films and Warner Bros, which produced “Aquaman,” are part of the same parent company, Warner Bros. Discovery.)

    Historically, DC predates Marvel with almost all of its legacy characters in the pages of the comic books that made them famous: Superman (1938) came well before Iron Man (1963), Batman (1939) before Moon Knight (1975), Wonder Woman (1941) before Captain Marvel (1968), and so on. It’s the ultimate of ironies that Namor is only appearing in the Marvel Cinematic Universe now, since he is one of the few Marvel Comics characters to have come first.

    Also known as the Sub-Mariner, Namor first appeared in comics in 1939, while DC’s Aquaman debuted in 1941. Of course, on the big screen, the opposite is true: DC managed to beat Marvel to the punch in the realm of underwater superheroes, releasing “Aquaman” in 2018 and introducing the character played by Jason Momoa in “Batman v Superman: Dawn of Justice” two years before that. What’s more, “Aquaman” remains one of DC’s biggest hits: the movie has made over $1 billion globally over its lifetime, according to Box Office Mojo, with a sequel on the way next year.

    Marvel and “Wakanda Forever” director Ryan Coogler therefore had their work cut out for them to ensure Namor and his world created a wow factor, while also diverging enough from what had been done before, namely in “Aquaman.” And to the new film’s credit, it appears as though much if not all of the sequences showing the underwater kingdom of Talokan — with citizens playing waterlogged ballgames and hanging around on benches — utilizes actual underwater photography and divers, as opposed to CGI.

    In Mejía — who is billed as being “introduced” in “Wakanda Forever,” despite over 70 credits in Mexican cinema spanning 15 years as well as last year’s “The Forever Purge” — Marvel thankfully has found its own dynamic anchor to this new underwater world. The character’s menacing presence and intimidation is tempered only by the vulnerability, even torture, in his expression, adding yet another element that differs from the quirky and tongue-in-cheek nature of Momoa’s aquatic superhero.

    “Black Panther: Wakanda Forever” also had the daunting task of presenting Namor’s origins in a way that swam clear of those seen in “Aquaman,” and of doing it in a movie not meant to operate solely as an origin story.

    Both Namor and Aquaman claim the mythic Atlantis as their points of origin in their respective comic book source material — and DC already used Atlantis as their setting for “Aquaman” four years ago — so there was a ripe opportunity to change things up when it came to Namor’s backstory in “Wakanda Forever.” The change comes by way of Talokan, Namor’s home kingdom, which is inspired by Mesoamerican, Indigenous Central and South American mythology. The switch to this Mayan and Aztec-based setting allows the movie to explore histories of colonization that are much more rooted in reality, similar to how the original “Black Panther” touched on Africa’s historical struggle with colonizers, as well.

    Arguably, the most notable deviation from Namor’s comics origin comes in a reveal made in the film: the aquatic superbeing seems to be the result of a tribal ritual using a mystical herb, much like how the Black Panther is manifested. (Aquaman, meanwhile, draws his superpowers from one parent of royal Atlantean heritage.) But then, the movie goes even further — on the eve of Phase V of the MCU’s grandmaster plan, Namor utters in no uncertain terms that he is “a mutant,” a clear siren call of things to come, with the mutant X-Men — previously inhabiting a separate 20th Century Fox franchise — soon to be incorporated into the MCU fold.

    But before that happens, and thanks to Mejía’s nuanced performance in “Wakanda Forever,” Namor should be able to avoid many more comparisons to other oceanic demigods, and ride his own wave into the future.

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  • ‘Black Panther: Wakanda Forever’ notches record opening for November | CNN Business

    ‘Black Panther: Wakanda Forever’ notches record opening for November | CNN Business

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    New York
    CNN Business
     — 

    Black Panther: Wakanda Forever” had the major challenge of following “Black Panther,” one of the biggest blockbusters ever, and had to do so without star Chadwick Boseman, who passed away in 2020.

    Despite all of the challenges, “Wakanda Forever” notched a sizable box office opening this weekend. The Marvel movie opened to an estimated $180 million in North America, according to the film’s studio, Disney.

    The opening represents one of the best premieres of the year and makes the superhero film the highest-grossing debut ever for the month of November. The original record belonged to “The Hunger Games: Catching Fire,” which made $158 million in November 2013. The box office haul comes in around where most in Hollywood were predicting.

    The film has made $330 million globally so far.

    It’s no surprise why “Wakanda Forever” did so well this weekend.

    The film, which stars Letitia Wright and Angela Bassett as the princess and queen of the African country of Wakanda, comes from Marvel Studios — the most lucrative brand in all of Hollywood — and is the sequel to one of the most popular films of all time.

    When “Black Panther” hit theaters in February 2018, it opened to a stellar $202 million weekend. It then went on to make $1.3 billion worldwide and garnered multiple Oscar nominations, including Best Picture. The film is considered to be one of the best from the comic book genre and one of the best from Marvel.

    Audiences also likely bought a ticket to “Wakanda Forever” to see how the film and director Ryan Coogler would handle the passing of Boseman. In an interview with Empire magazine in September, Marvel Studios chief Kevin Feige said “It just felt like it was much too soon” to recast the late actor. Boseman died at age 43 from colon cancer.

    As for its critical reception, “Wakanda Forever” notched an 84% score on review site Rotten Tomatoes. Audiences also gave the film an “A” on CinemaScore.

    “‘Black Panther: Wakanda Forever’ faced an inordinate degree of difficulty, addressing the tragic death of Chadwick Boseman,” Brian Lowry, CNN’s media critic, wrote in his review. “That the movie manages to strike that somber chord and still deliver as Marvel-style entertainment represents a major accomplishment.”

    The film’s solid opening comes at the good time for theaters and Disney.

    For theaters, the industry needed a blockbuster to help boost numbers since new, notable films have been hard to find in recent months.

    As for Disney, the media giant’s shares sank 13% Wednesday after the company reported its streaming business lost $1.4 billion last quarter, despite growing its subscriber base.

    The debut of “Wakanda Forever” will unlikely impact Disney’s stock since investors remain heavily focused on the company’s streaming endeavors. But the strong box office performance helps Disney end a bad week on a high note.

    It could also help build momentum for theaters with another potential Disney blockbuster on the horizon next month: “Avatar: The Way of Water.”

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  • Dave Chappelle hosts ‘SNL’ tonight. Here’s a timeline of controversies surrounding his jokes about transgender people | CNN

    Dave Chappelle hosts ‘SNL’ tonight. Here’s a timeline of controversies surrounding his jokes about transgender people | CNN

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    CNN
     — 

    Tonight Dave Chappelle will host “Saturday Night Live” for the third time – an appearance that is courting controversy before he even takes the stage.

    The comedian has drawn increasing ire in recent years for making jokes aimed at transgender people, and the outcry grew louder last fall when Netflix released a Chappelle special, “The Closer,” in which he doubled down on his comments.

    Netflix stood by Chappelle, who went on a national tour after the special and largely ignored the controversy after addressing it in his act.

    But his comments were criticized by fellow comics, fans, trans advocates and some Netflix employees, and a Minnesota venue canceled a Chappelle show this year over the controversy.

    Given that context, it was surprising to some “SNL” viewers to see him invited back to Studio 8H. Here’s a look at Chappelle’s recent history of jokes about trans people – and the resulting backlash.

    August: In a series of stand-up shows at New York City’s Radio City Music Hall, Chappelle made jokes aimed at trans people for at least 20 minutes, Vulture reported. He made explicit jokes about trans people’s bodies and referred to trans people as “transgenders,” among other comments, Vulture said.

    These weren’t the first jokes Chappelle had made at trans people’s expense. But he delivered them in New York after drawing some backlash for earlier comments.

    “That joke and others in this section suffer from the same problems as those from his specials – they are rooted in disgust and generalization,” Vulture wrote of a Chappelle joke about ISIS fighters being horrified by transgender soldiers. “They’re just not good.”

    August 26: Netflix released a stand-up special, “Sticks and Stones,” in which Chappelle performed more material about trans people, including some content from his Radio City shows. In an epilogue to the special, he brought up his friend Daphne Dorman, a trans comedian, whom he said laughed hardest at his jokes about trans people.

    October 5: Netflix released Chappelle’s special “The Closer.” In it, he goes on an extended tangent about transgender people and makes several jokes at their expense. He misgenders a trans comedian, once again makes explicit jokes about trans women’s bodies and defends TERFs, or trans-exclusionary radical feminists.

    He also referred to trans people as “transgenders,” states that “gender is a fact” and later says that Dorman died by suicide shortly after she was criticized by other trans people for defending Chappelle after “Sticks and Stones.”

    At the time Chappelle’s special was released, at least 33 states had introduced anti-transgender legislation, much of it aimed at young trans people.

    October 13: Amid calls from LGBTQ advocates, fellow comedians, Netflix employees and social justice organizations to pull the special, Netflix stood by Chappelle.

    In a letter obtained by the Verge and Variety, Netflix CEO Ted Sarandos told employees that the special will remain available to stream.

    “We don’t allow titles on Netflix that are designed to incite hate or violence, and we don’t believe ‘The Closer’ crosses that line … Some people find the art of stand-up to be mean spirited but our members enjoy it, and it’s an important part of our content offering,” Sarandos wrote.

    Netflix suspended three employees for attending a virtual meeting of directors to discuss the special without notifying the meeting organizer in advance. Among them was Terra Field, a trans senior software engineer who had publicly criticized the special and Netflix. Her suspension was later reversed.

    October 19: Sarandos told Variety he “screwed up” his communications with Netflix employees but reaffirmed he did not believe the special qualifies as “hate speech.”

    October 20: Around 65 demonstrators, including Netflix employees and trans advocates, participated in a walkout in protest of Netflix’s support of “The Closer.” The demonstrators called on Netflix to hire more trans and non-binary executives and fund more trans and non-binary talent.

    October 24: Three trans stand-up comics told CNN they were disappointed by Chappelle’s jokes, even though all three said they once considered the celebrated performer as a comedy inspiration. While all of them agreed that jokes about trans people aren’t inherently offensive, they said Chappelle’s set was infused with the same hateful rhetoric and language used by anti-transgender critics.

    “When he talks about the trans community, he’s not talking about them, he’s speaking out against them,” comedian Nat Puff told CNN. “And that’s the difference between saying something funny about the trans community and saying something offensive about the trans community.”

    A fourth comic, Flame Monroe, one of the only trans comics whose material is streaming on Netflix, told CNN she believes Chappelle should be allowed to joke about trans people, even though she initially was taken aback by some of his comments.

    October 25: Chappelle addressed critics at a show in Nashville, appearing alongside Joe Rogan, the podcast host who’s been criticized for dismissing the effectiveness of vaccines and using racial slurs, among other controversies.

    Chappelle released videos on his official Instagram account from the set, in which he seemingly addressed the trans employees at Netflix who participated in the walkout over “The Closer.”

    “It seems like I’m the only one who can’t go to the office anymore,” he said.

    “I want everyone in this audience to know that even though the media frames it as though it’s me versus that community, that’s not what it is,” Chappelle went on. “Do not blame the LBGTQ (sic) community for any of this s—. This has nothing to do with them. It’s about corporate interest and what I can say and what I cannot say.”

    “For the record – and I need you to know this – everyone I know from that community has been nothing but loving and supportive. So I don’t know what all this nonsense is about.”

    July 12: “The Closer” was nominated for two Emmys, including “outstanding variety special (pre-recorded).” Adele later won the category.

    July 21: A Minneapolis venue canceled Chappelle’s sold-out show hours before its doors were set to open, apologizing to “staff, artists and our community” after receiving criticism for hosting Chappelle.

    “We believe in diverse voices and the freedom of artistic expression, but in honoring that, we lost sight of the impact this would have,” wrote First Avenue, the venue famous for being featured in Prince’s “Purple Rain” film.

    November 5: “Saturday Night Live” announced Chappelle would be its post-midterms host. The backlash was swift.

    Field joked on Twitter: “Wait I thought I cancelled (sic) him. Is it possible cancel culture isn’t a real thing??”

    November 10: After the New York Post reported that several “SNL” writers are boycotting Saturday’s episode, Chappelle’s representatives told CNN there are no issues with writers or cast members. “SNL’s” current staff includes nonbinary cast member Molly Kearney and nonbinary writer Celeste Yim.

    Chappelle will take the stage live Saturday at 11:30 p.m. ET.

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