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Editor’s note: An untold number of unheralded artists live in Colorado, those creators who can’t (or don’t want to) get into galleries and rely on word of mouth, luck or social media to make a living. You’ve likely seen them on Instagram, at festivals or at small-town art fairs. This occasional series, Through the Lens, will introduce you to some of these artists.
The last time you saw a concert at Red Rocks Amphitheatre, there’s a good chance that live-music artist Keith “Scramble” Campbell was there, painting a 3-by-4-foot abstract acrylic artwork of the very band you came to see.
A fixture at the venue, Campbell has created more than 630 live paintings since his debut there in 2000, when he painted the band Widespread Panic. Immersed in the rhythm of the music, the artist moves with the beat, using his paintbrush like an instrument to capture the vibrant spirit and energy of the performance onto his canvas.
Inspired from a young age by New York graffiti artists Keith Haring and Jean-Michel Basquiat, as well as the Spanish surrealist Salvador Dalí, he found his calling in emulating American speed painter Denny Dent, known for creating large-scale, 8-foot canvases of musicians in just 10 minutes, often at the Cherry Creek Arts Festival. Discovering live music painting, he says, transformed his life and solidified his path as an artist.
“It seems easier to tell you which artists I haven’t painted versus the ones that I have,” he said recently. “I’ve painted over 1,000 live shows and 4,000 canvases in my career. It is a lifetime of going to shows all over the world. It isn’t just Red Rocks. If it’s live music, I will paint it.”
Q: Where does your name come from?
A: I was a speed roller skater in the 1970s and ’80s. I had a friend who called me Scramble because of the way I scrambled around the rink. Early on, I was heavily influenced by artists Andy Warhol, Bob Ross, LeRoy Neiman and Dalí. When I decided to make art my career, I felt like all of the influences from these artists were like an alphabet soup of names, a scramble of influences on me. I decided that Scramble would be a fitting name for me. (I also felt that it sounded a lot more creative than Keith and it rhymed with Campbell.)
Q: Could you give us a brief history of how you became an artist?
A: When I was in the seventh grade, I wanted to quit school because I knew I wanted to be an artist. My mother luckily convinced me it was wise to stay in school.
In the late ’80s, New York City was deep in the rave culture and the graffiti scene with rising artists like Haring, Warhol and Basquiat. They showed their work through nightclubs and public art. They were doing paintings on walls, in the subways and on the streets directly bringing art to the people. I was entranced by their work.
In 1991, I answered an ad looking for a visual artist to paint live during a music festival. The man who placed the ad was Perry Farrell, of Jane’s Addiction. The music festival was Lollapalooza.
When I got the job, it felt like the beginning of my career. I had had so many rejections over the years of trying to get into galleries and art shows. It was when I made the crossover from the art world into the music world that I really discovered my path as an artist.
Throughout the ’90s, I did music festivals such as the New Orleans Jazz Festival, Lollapalooza, the HOARD festival, Bonnaroo, Woodstock ’94, the Lilith Fair and even the 1996 Summer Olympics in Atlanta. I have painted Widespread Panic 170 times.
Q: What kind of artist are you?
A: At heart, I am really a musician with a paintbrush. My instruments are my canvases, paintbrushes and paints.
I like to think of myself as a conduit of music, transcribing their energy and their music into a dance on canvas.
As a live artist, my paintings reflect the concert. I let the music and the environment dictate how I paint. If it’s windy and the music is hardcore, my paintings will reflect that. I’ll paint fast and furiously, the work looking abstract and impressionistic. I dance and move with the music as I paint. If there is a slower song in between, that is the time I take to fill in the details. The musicians, the weather, the people all play a role in the painting I create. I am trying to tell a story of that night. If it rains or is windy, I add that in my paintings. If there is a rainbow I will put that in there. I am capturing the entire night into one canvas.
Q: What kind of music do you like to paint to, and do you specifically stay within a specific genre?
A: I don’t stick to any one genre. I have painted over 1,000 different bands and 4,000 canvases that include jam bands like Widespread Panic and Leftover Salmon to up-and-coming Christian rock bands. Next month, I’ll be painting King Gizzard and the Lizard Wizard, an Australian rock band. I’ve had the opportunity to paint jazz legends Fats Domino, B.B. King, Chuck Berry, Little Richard and Jerry Lee Lewis. I’ve painted Pete Seeger, Bob Dylan, Prince and other legends like Diana Ross, Melissa Etheridge, Carlos Santana, Blues Traveler, Lady Gaga with Tony Bennett, Johnny Winter and Tom Petty.
It seems easier to tell you which artists I haven’t painted versus the ones that I have.
Q: How did you end up becoming what seems like the artist-in-residence at Red Rocks?
A: After a show in Florida, Todd Nance, the drummer for Widespread Panic, traded a summer tour pass for a painting I had done of the band. I ended up at my first Red Rocks show where the band played in June 2000. It was love at first sight when I did that show.
Since then, I have done over 630 paintings at Red Rocks. I buy my own tickets and pay for every single concert that I go to. Red Rocks does not pay me to be there but they do allow me the space in which to paint.
Q: Do you remember the first piece of art you ever got paid for?
A: It was 1987 at one of my first group shows at a shopping mall where I sold a drawing of Joey Ramone. It was a studio piece before I was a live-music artist. I guess I have always been a music artist. even from the start.
Q: Where can we see your art?
A: On my website (scramblecampbell.com), but I invite people to come see me live at Row 23 at Red Rocks. I also have small paintings, postcards, magnets and other items for sale at the Red Rocks Trading Post.
Q: Do you have a favorite art piece?
A: I did a painting of Lou Reed in 1998 in Bethel, N.Y., on the original Woodstock grounds for the 29th anniversary of the original Woodstock. I got to talk to him and meet him afterwards and he signed the back of my painting. There are also paintings I’ve done of legendary musicians, like B.B. King and Fats Domino, who have since died. All of these paintings I love and will never sell.
Q: What memorable responses have you had to your work?
A: I showed David Crosby a painting I had just done of him and he said, “Not bad for speed painting.” Another time when I showed my painting to James Brown, he said, “Son, I’d like to thank you for coming out and painting my portrait.” He signed the entire back of the painting and said “I feel good. James Brown.”
Q: What’s the best piece of advice you’ve ever been given?
A: In my mid-20s, I wrote a letter to well-known graffiti artist Keith Haring asking for advice. He was a big influence for me back then. He actually wrote me back and said: “I’m not good at giving advice. All I can say is do what you want to do and find a way to do it as much as you want to. There is no ’answer’ that is the same for everyone. You have to find your own direction.” I’ve followed that advice ever since.
Q: What advice would you offer to beginning artists?
A: Try to make your own way and make your own art. Don’t do art for somebody else, do it for yourself.
Q: Describe your dream project.
A: Next season is my 25th at Red Rocks. I’d really like to do a book that talks more about my experiences at the hundreds of concerts and of the thousands of artists I have painted. I feel like I already have the book illustrated with my paintings. It just hasn’t been written down yet. There are so many stories that go along with the artists that I have painted. I want to be able to tell those stories. It’s 25 years of jazz fest, 25 years of Red Rocks, 35 years of live painting. I’d like to tell those stories.
Originally Published:
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Helen H. Richardson
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