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Maul is one of the best and most famous cosplayers on the planet, a man whose work we’ve featured here for everything from God of War to Assassin’s Creed to, repeatedly, The Witcher. His latest shoot, however, might well be his best yet.
To commemorate the anniversary of Superman’s comics debut back in 1938, Maul took to the skies above Cologne/Köln (home of GamesCom!) to pay tribute to a character who “is my absolute hero”. With a crane, some cables, harnesses and no small amount of bravery, Maul and Emilija Wellrock—playing Lois Lane—were hoisted above the city to hold up a van, a helicopter and each other.
To pull it off of course required a whole team of folks working behind the scenes. Firstly, it should be noted, Maul—who has stuntman training—didn’t just wake up one day and bankroll this whole thing from his billionaire cosplay holdings; the shoot was sponsored by Pringles, as many big-budget cosplay features are these days.
He had to work with Warner Bros. and DC as well, along with Production Concept, a film and effects studio that specialises in these kind of vehicular stunts. Parallel Life, a company that works with TV and movie studios to create top-shelf costumes, made Maul’s suit (it’s black in keeping with his favourite Superman comic). Jun Kim took the photos, with eosAndy—another person we’ve featured here a lot—on editing duties.
All that organisation and work was more than worth it, though, when you see the results. Maul and Wellrock ended up getting hoisted 70 metres (230 feet) into the air above the city for most of the shots:
With the exception being this one taken on the ground, with Maul (and a crane) holding up a van:
And yes, OK, there had to be a little bit of editing required to get rid of the wires, but that doesn’t count.
You can see the full gallery of shots at Maul’s Facebook page, and below is the first of two short videos showing some of the preparation work that went into it all:
And here’s a clip uploaded by Wellrock showing the pair taking off:
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Luke Plunkett
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We’ve featured German cosplayer Maul a ton of times on Kotaku, maybe more than any other individual cosplayer, and there’s a very good reason for that: just look at these photos.
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While he’s best known for his recurring takes on Geralt of Rivia, ranging from “being Geralt” to “being Geralt skateboarding in LA”, Maul has also done a ton of work—both paid (like this, this one’s an ad for PlayStation) and personal—on series like Dishonored, Cyberpunk and Metal Gear Solid as well.
Today, though, we’re looking at his latest shoot, an incredible take on God of War’s Kratos for the release of Ragnarok that sees Maul (and his team) nailing just about everything, from the costume to the weathered leather to the bodypaint to the muscles to the beard to…more muscles (which, despite Maul’s considerable size IRL, are in this case a suit)
He’s joined by Korriban Cosplay, as Kratos’ son Atreus, and together they make about as good an inspiration for Amazon’s live-action TV adaptation as you’re ever going to get.
Also working on the costumes and shoot were Maja Felicitas, Lenora Costumes, hair specialists Bakka Cosplay, Tingilya Cosplay, Bucky Props & Cosplay, Flying Illustration, while all photos were taken by one of the best in the business, eosAndy.
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Ragnarok is out today, but we reviewed it last week, where Zack had this to say:
Yes, the axe is cool. Sure, the fights are tons of fun. And I definitely enjoyed exploring every nook and cranny of the large worlds you get to visit. But what kept me glued to my PS5 for nearly 40 hours was the story of a son becoming a man and a father trying to figure out how he feels about that. I probably could have enjoyed this story a tad more with about half as many puzzles and skill menus, but even so, I found myself smiling, feeling satisfied, as the credits rolled. As I said at the start, God of War Ragnarök is very good.
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Luke Plunkett
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