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Tag: marty supreme

  • Box Office: ‘Avatar 3’ Dominates Christmas With $88M for $760M Global Crown, ‘Marty Surpreme’ Another Win for Timothée Chalamet

    James Cameron’s Avatar: Fire and Ash dominated the long Christmas weekend with a four-day earnings of $88 million, including $64 million for the three-day weekend proper.

    While it’s lagging behind the last film at the same point its run, Fire & Ash is still a monster, grossing another $181.2 million overseas for a global tally of $760.4 million through Sunday, including $217.7 million domestically and $542.7 million overseas. And with a week to go before the holidays are officially wrapped, it should be at $1 billion by the end of next weekend.

    That would give Disney dominion over the only three 2025 movies that crossed $1 billion at the 2025 worldwide box office behind Zootopia 2, which — no joke — placed No. 2 over for the three-day weekend proper with $20 million all the way in its fifth outing and Lilo & Stitch. While this is all great news for Disney, it’s a sobering reminder as to why domestic box office revenue for 2025, which came in behind 2024 at $8.8 billion.

    It wasn’t for a lack of trying. There were too few events pics, although the eclectic mix of presents under the Christmas Day tree resulted in the best holiday in terms of overall revenue since the pandemic.

    A24’s high-profile period pic Marty Supreme — starring Timothée Chalamet as a 1950s table tennis champion — was the biggest surprise in grabbing second place over the four-day weekend $27.1 million, the best opening in the history of the indie studio.

    In a surprise upset, Chalamet’s film easily came in ahead of Sony’s Anaconda, which also opened on Dec. 25. The Jack Black-Paul Rudd film, skewered by critics, opened to $23.6 million domestically over the four-day holiday weekend for a global start of $43.7 million, in line with expectations.

    Marty Supreme began made headlines the weekend before Christmas with a record-breaking per-location average of $145,913 across six locations in New York City and L.A., the best in A24’s history and the best of any film since 2016’s La La Land. Sporting a pricey budget of $60 million to $70 million, it is reportedly the most expensive movie ever made by the indie studio. (Period pics are expensive!)

    In his review for THR, chief critic David Rooney says Marty Supreme reinvents the sports comedy. “Marking the first time since his 2008 solo debut that Josh Safdie has directed a feature without his brother and longtime collaborator Benny, Marty Supreme turns out, paradoxically, to be his most Safdian movie to date. Propelled by a hot-wired Timothée Chalamet as a cocky operator aiming for global table tennis glory, this genre-defying original is an exhilarating sports comedy, a scrappy character study, a thrumming evocation of early ‘50s New York City — plus a reimagining of all those things. Think of it as Uncut Gems meets Catch Me If You Can and maybe you’re halfway there.”

    Gwyneth Paltrow, Odessa A’zion and Tyler, the Creator also star in this tale of an aspiring table tennis champion angling to ping pong his way out of 1950s Lower East Side Manhattan.

    Chalamet has stopped at nothing to help market the movie — including becoming the first person to stand atop The Sphere in Las Vegas — and it appears to be paying off. In the weeks leading up to the film’s release, he wrote and directed a staged Zoom call with A24’s marketing team in which he presented increasingly ridiculous ideas to promote Marty Supreme. One of the ideas presented actually became reality: fly a bright orange rented blimp with the movie’s title imprinted on each side. While there was talk of a cross-country tour, the blimp is based in the Los Angeles area. The Zoom also resulted in the idea for Safdie and the cast to light the Empire State Building orange ahead of the New York premiere.

    The big question facing Marty Supreme is whether it can break out and play to mainstream audiences, versus the more traditional specialty crowd.

    Other Christmas victors included Lionsgate’s The Housemaid, starring Sydney Sweeney and Amanda Seyfried, and Angel Studios’ faith-based David is headed for an impressive fifth-place finish after posting an opening-day gross of $4.6 million on Dec. 25.

    Christmas Day falling on a Thursday is a dream scenario for theater owners, since the long holiday weekend will be free and clear. And the week between Christmas and New Year’s is one of the most lucrative for moviegoing, considering that schools and colleges are closed, with many adults off from work as well.

    More to come.

    Pamela McClintock

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  • ‘Avatar: Fire & Ash’ Heads To $214M Cume, ‘Marty Supreme’ $25M+, ‘Anaconda’ $22M, ‘Song Sung Blue’ $12M In Final B.O. Weekend Of 2025

    FRIDAY PM UPDATE: Rainstorms in Los Angeles aren’t getting in the way of moviegoing, nor is two-to-five inches of snow in NYC as 20th Century Studios’ James Cameron Avatar: Fire and Ash will of course lead the final weekend of 2025 with a second frame around $60M over Friday-Sunday, -33%.

    That’s a better second weekend hold than 2022’s Avatar: Way of Water (-52%) which encountered fierce ice storms at the time, but nothing beats the second weekend ease of the original Avatar back in 2009, which dipped -1.8%

    With Christmas, the 4-day on Fire and Ash stands at $84M after a second Friday that stands at $22M at 3,800 theaters. Running cume by Sunday gets to $213.7M.

    By the way, we’re coming off of the best Christmas week ever post Covid with an estimated $342.3M, +10% from last year’s previous high of $311.4M (per Box Office Mojo). We’re still down greatly from 2019, -29%, which was $485.5M, but that’s when we had Star Wars: Episode IX: The Rise of Skywalker on marquees.

    Disney has bragging rights for second place with Zootopia 2, which a month after its release refuses to be penned up at 3,370 theaters. Weekend 5 is $19M, +28% for a running cume by Sunday of $320.3M. That will be $20.9M away from besting the original 2016’s stateside gross of $341.2M. As we reported earlier this week, Disney is the only major studio to click past $6 billion at the global box office.

    A24’s Josh Safdie directed Marty Supreme in 4-days will make more than Timothee Chalamet’s Christmas movie from last year, A Complete Unknown did in 5 days, $25.7M to $23.2M. Today is $6M, -37% from Christmas Day’s $9.5M for a 3-day that stands at $15M at 2,668 theaters. Don’t be shocked if it’s higher. Comp this to the previous Safdie Brothers movie, the zany gangster drama, Uncut Gems, which went wide over a 2019 5-day Christmas stretch with $18.8M. The Adam Sandler movie finaled at $50M. We already told you that the social media universe for Marty Supreme stood at 197M before opening across TikTok, X, Instagram, Facebook and YouTube; that’s with Chalamet standing atop The Sphere in Las Vegas. There was also a Marty Supreme blimp flying over Beverly Hills in further stunts.

    Fourth is a bit of a fight with Lionsgate’s The Housemaid holding in with a 3-day of $12.5M-$15M (4-day of $16M-$18M), after a Friday in the $4.8 – $5.2M range. On the high-end that second weekend would rep a -21% hold. Angel Studios’ David might ward off Amanda Seyfried and Sydney Sweeney with a $14M second weekend, -36%, after a second Friday of $5M. Sony’s Anaconda is sneaking up behind with a 3-day of $13M, 4-day of $22M, after a $5M Friday as well at 3,509 theaters. The 4-day start on the year’s previous most prolific comedy Naked Gun was $18.4M. Very good start here for Anaconda especially in regards to its budget of net $45M (Marty Supreme cost $65M before P&A).

    Anaconda‘s social media was propelled by Jack Black’s 48.7M fans along with Selton Melo’s 9.9M, however, Paul Rudd is off the grid. Social media analytics corp RelishMix says, “Convo runs positive for Anaconda when the crowd leans into self-awareness and comedy as the point, not the apology. There’s a clear pocket of viewers clocking the film as a deliberate tonal pivot, closer to Tropic Thunder, Jumanji, or Be Kind Rewind than creature-feature horror. These comments frame the cast as a feature, not a flaw, treating Black and Rudd as genre translators rather than sacred-cow desecrators. Nostalgia works when it’s playful, not reverent, and that’s where enthusiasm clusters. Humor-forward fans applaud the meta energy, soundtrack drops, and Christmas counter-programming angle. ‘Anaconda meets Tropic Thunder!!! I love it!’ and ‘Whoever thought of making Anaconda comedy action genius move!’ anchor this side of the conversation, often comparing it favorably to the original’s camp reputation rather than its scares.”

    Paramount’s SpongeBob Movie: Search for SquarePants at 3,570 sites is seeing $3.4M in its second Friday, 3-day of $10M, -36%, for a running total of $36.9M.

    Focus Features’ Song Sung Blue at 2,587 theaters is seeing $2.6M today, $7.6M for the 3-day and $12M for the 4-day. Rotten Tomatoes audience score is super at 98% certified fresh. Net production cost for the Craig Brewer directed title is $30M. The social media universe for the Kate Hudson and Hugh Jackman movie counts 128M, which is under A Complete Unknown‘s 187.4M. Still, there’s Jackman pushing the pic to his 80.5M followers and Hudson to her 23.1M.

    Observes RelishMix: “Convo on Song Sung Blue lands strongest with audiences craving warmth, nostalgia, and communal musical comfort. The positive thread treats this less as prestige cinema and more as a feel-good jukebox experience, repeatedly framing schmaltz as intentional and welcome. Jackman’s musical credibility is defended through comparisons to The Greatest Showman and earlier stage-forward performances, while Neil Diamond’s catalog is viewed as emotional shorthand that does the heavy lifting. Fans lean into sing-along energy, cross-generational memory, and sincerity over subtlety, positioning the film as counter-programming to darker or more ironic releases. The tone here is knowingly corny but emotionally confident. ‘I think we all need a movie like this right now,’ and ‘Cheesy but also brilliant and heartfelt, perfect for Neil Diamond,’ neatly capture the pro argument.”

    Anthonypauldalessandro

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  • From Actor to Athlete: Inside Timothée Chalamet’s Table Tennis Training for ‘Marty Supreme’

    For his breakout role in 2017’s Call Me by Your Name, Timothée Chalamet learned Italian and how to play piano and guitar. To portray Bob Dylan in A Complete Unknown last year, he picked up the guitar again, learned harmonica and took vocal lessons. Both roles earned Chalamet Oscar nominations.

    Now, in addition to rapping, he’s seeking his third Oscar nod for A24’s Marty Supreme, in which he plays a ping-pong hustler dreaming big. This time, Chalamet’s preparation — training to perform the sport at its highest level — was once again extensive.

    “He was singularly dedicated to getting this to be the same quality as the rest of the movie,” says Diego Schaaf, the film’s table tennis instructor. Schaaf grew up playing the sport in Switzerland but never competed professionally.

    Chalamet’s preparation began long before Schaaf entered the picture. He secretly trained for years while working on projects like The French Dispatch, Wonka, and Dune: Part Two. So when he arrived for rehearsals for Marty Supreme, his skill level impressed Schaaf, an expert who previously worked on Forrest Gump (1994), Balls of Fury (2007) and an episode of NBC’s Friends. Schaaf’s wife, Wei Wang — a U.S. Olympian — also helped elevate Chalamet’s performance.

    “We really dove into it last summer,” Schaaf says. “We had to bring the mechanics of the strokes to a world-class level from the 1950s, which is distinctly different from how the sport is played today.”

    Because the film, directed by Josh Safdie, is set in that era, Chalamet had to unlearn modern technique. “Timothée being a dancer, he understood immediately how he needed to move,” Schaaf explains. “But we had to make that work within the context of relatively fast play.”

    Wang worked closely with Chalamet to nail the period-specific techniques. “Different styles have very different strokes, and he understood all of it,” Schaaf says. “He wasn’t interested in doing the minimum. Even when he got it right, he’d say, ‘Let’s do it again.’”

    Timothée Chalamet in Marty Supreme.

    A24

    That commitment came with challenges — especially since, as Schaaf notes, Chalamet performed all of his table tennis sequences himself, instead of using a stunt double.

    “We considered finding a double,” Schaaf admits, “but it was hard to find someone who matched his physique and could play. From the beginning, I told Josh we needed the best possible players, because they can perform under pressure.”

    Most Olympic-level table tennis players start training between the ages of 4 and 8, Schaaf explains. “So we knew there was a limit to how far we could go,” he says. “But Timothée understood the sport well enough to know how difficult a shot would be — and then how it should look if you actually made it.” Some of the difficult trick shots were missed but fixed in post-production.

    That understanding was crucial when choreographing matches. “In recreational table tennis, you barely move,” Schaaf says. “This was very athletically demanding. He memorized every point, every movement, every shot. Timing was critical — some shots float, others travel fast — and he understood that immediately. He performed unbelievably well.”

    Another high-profile name in the film, Tyler, the Creator, also trained with Schaaf and Wang at their club in Los Angeles, the Westside Table Tennis Center. Unlike Chalamet, Tyler had never played table tennis before.

    “It’s rare to find someone who’s literally never hit a ball,” Schaaf says. “He loved it. One time he came straight from the airport, ran into the club and said, ‘I’m going to buy myself a table!’”

    But Tyler’s skill level in the film was intentionally much lower than Chalamet’s. “In the bowling alley scene, he’s not supposed to be a high-level player,” Schaaf explains. “But after just one or two sessions, he was already returning 10 or 12 balls, which isn’t easy. He was an absolute sweetheart — smiling the whole time.”

    Tyler, the Creator and Timothée Chalamet in Marty Supreme.

    A24

    While the training took place in Los Angeles, Marty Supreme is set in 1950s Lower East Side Manhattan. Since both Safdie and Chalamet are from New York, capturing the city’s ping-pong culture was another priority.

    “I don’t play in New York, but I’ve met a lot of New York players,” Schaaf says. “It felt very accurate. There’s more gambling, more of an underground vibe. When New York players come out West, it’s a different kind of energy.”

    Though the film follows Marty’s hunger for success in table tennis, the fast-paced, anxiety-fueled intensity that the Safdie brothers’ films like Good Time (2017) and Uncut Gems (2019) are known for, remains front and center — even as Marty Supreme marks Safdie’s first solo feature without his brother Benny.

    “I watched the movie and almost forgot there was table tennis in it,” Schaaf says with a laugh. “It was so enthralling. Then the first tournament scene comes up and I thought, ‘Oh right — here we go.’ Josh did a great job cutting it so you really feel the tension.”

    Schaaf also makes a cameo in the film as the final match’s umpire — a last-minute surprise. “The night before, I get a text asking if I want to do it,” he says. “I figured I’d be there anyway. I had no idea that was going to happen.”

    Chalamet’s dedication to the role didn’t come without risk. At the film’s New York City premiere earlier this month, Safdie said that the actor “almost lost an eye” during filming. While details weren’t shared, Chalamet has previously said he wore contacts to “mess up” his vision so he could wear real glasses for Marty’s signature look — which ultimately led to an “nasty” eye infection.

    That same all-in mentality has led to the wildest press run of Chalamet’s career, which has included a satirical A24 marketing meeting, an orange blimp in the sky and becoming the first person to appear atop the Las Vegas Sphere, which lit up like an orange ping-pong ball with the film’s motto, “Dream Big.” He’s also sold exclusive Marty Supreme jackets, that have had fans waiting 24 hours in line, lit the Empire State Building orange and crashed a table tennis tournament in New York.

    Chalamet mirroring Marty’s high ambition has put a spotlight on table tennis.

    “I really hope this gives the sport the breakthrough it’s deserved,” Schaaf says. “People don’t realize how many levels there are. You think you’re close to the top, and there are 30 levels in between. The better you get, the more you realize how little you know.”

    He pauses, then laughs. “It takes a specific person — like Marty. Someone who says, ‘No matter how hard this is, I’m going to do this.’ Hopefully we’ll get more of those.”

    Lexi Carson

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  • Box Office: ‘Marty Supreme’ Almost Beats ‘Anaconda’ in Christmas Eve Surprise; ‘Avatar 3’ Jumps $500M Globally

    A second batch of holiday movies is opening nationwide on Christmas Day in North America, including A24’s high-profile period pic Marty Supreme — starring Timothée Chalamet as a 1950s table tennis champion who will do whatever it takes — and Sony’s Jack Black-Paul Rudd campy monster reboot Anaconda.

    Marty Supreme made headlines last weekend with a record-breaking per-location average of $145,913 across six locations in New York City and L.A., the best in A24’s history and the best of any film since 2016’s La La Land. Sporting a pricey budget of $60 million to $70 million, it is reportedly the most expensive movie ever made by the esteemed indie studio.

    Both films launched in previews on Christmas Eve before expanding everywhere on Thursday, with Anaconda earning an estimated $2.1 million, versus $2.01 million for Marty Supreme. Anaconda is arguably the more commercial offering and is projecting a four-day Christmas weekend north of $20 million. However, the reboot has been skewered by critics. Its ranking on Rotten Tomatoes is presently a rotten 44 percent, compared to a 95 percent fresh rating for Chalamet film (audience scores won’t be posted until tonight or tomorrow.

    In his review for THR, chief critic David Rooney says Marty Supreme reinvents the sports comedy. “Marking the first time since his 2008 solo debut that Josh Safdie has directed a feature without his brother and longtime collaborator Benny, Marty Supreme turns out, paradoxically, to be his most Safdian movie to date. Propelled by a hot-wired Timothée Chalamet as a cocky operator aiming for global table tennis glory, this genre-defying original is an exhilarating sports comedy, a scrappy character study, a thrumming evocation of early ‘50s New York City — plus a reimagining of all those things. Think of it as Uncut Gems meets Catch Me If You Can and maybe you’re halfway there.

    Gwyneth Paltrow, Odessa A’zion and Tyler, the Creator also star in this tale of an aspiring table tennis champion angling to ping pong his way out of 1950s Lower East Side Manhattan

    Chalamet has stopped at nothing to help market the movie — culminating with becoming the first person to stand atop The Sphere in Las Vegas on Dec. 22 — and it appears to be paying off. In the weeks leading up to the film’s release, he wrote and directed a staged Zoom call with A24’s marketing team in which he presented increasingly ridiculous ideas to promote Marty Supreme. One of the ideas presented actually became reality: fly a bright orange rented blimp with the movie’s title imprinted on each side. While there was talk of a cross-country tour, the blimp is based in the Los Angeles area. And the idea for Safdie and the cast to light the Empire State Building orange ahead of the New York premiere also emerged from something said in the staged Zoom call.

    The big question facing Marty Supreme is whether it can break out and play to mainstream audiences, versus the more traditional specialty crowd.

    And, according to Angie Han’s Anaconda review for THR, “An action-comedy starring Jack Black, Paul Rudd and a giant CG snake should be way more fun. Director Tom Gormican’s meta-take on the previous Anaconda films follows a director (Black) and his crew as they travel to the Amazon to make the defining movie about the storied monster. Thandiwe Newton and Steve Zahn co-star.

    Of course, the overall winner of the holiday box office contest will be Avatar 3, which is crossing the $500 million mark on Christmas Day after topping Wednesday’s domestic chart with another $10.7 million for a North American tally of $129.2 million. Overseas, it added $11 million for a foreign tally of $353.6 million — including $71 million from China— for a worldwide haul of $483.3 million through Wednesday. And Disney Animation’s Zootopia 2 is still going strong after opening at Thanksgiving, helping to propel the studio past the $6 billion mark in global ticket sales for the first time since 2019, prior to the pandemic.

    Elsewhere on Wednesday’s domestic chart, Angel Studio’s faith-based David placed third with $2.6 million, followed by Paramount’s The SpongeBob Movie: Search for SquarePants ($1.8 million) and Lionsgate’s femme-skewing thriller The Housemaid ($1.8 million), starring Sydney Sweeney and Amanda Seyfried. All three films opened opposite Avatar on the 19th, followed by the Dec. 25 entries.

    Christmas Day falling on a Thursday is a dream scenario for theater owners, since the long holiday weekend will be free and clear. And the final two weeks of the year are the most lucrative for moviegoing, considering that schools and colleges are closed, with many adults off from work as well.

    .

    Pamela McClintock

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  • Josh Safdie’s New York: A Guide to All the Cameos in ‘Marty Supreme’

    Timothée Chalamet is famous. Gwyneth Paltrow is too; so are Fran Drescher, Odessa A’zion, and Tyler, the Creator. They’re all spectacular in Marty Supreme, Josh Safdie’s high-octane table tennis picture that has a place on most critics’ lists of the best movies this year.

    There’s a lot that makes Marty sing, but a big part of this movie, as in Safdie’s previous work—films like Uncut Gems, Good Time, and Heaven Knows What—is its ensemble of unusual faces and unique voices. In working with one of Hollywood’s finest casting directors, Jennifer Venditti, Safdie has built a constellation of loud, aggressive New Yorkers—largely played by people who are not film stars. One gets the impression that these people would be carrying on the same way even if Safdie’s camera weren’t rolling.

    Here, Safdie explains his rationale for populating this celebration of tenement dwellers and junkyard Jews with authors, fellow film directors, and personalities he discovered in viral videos—starting with a voice likely only known to those who really know.

    Howard Stern superfan Mariann From Brooklyn (as the Shoe Shopper)

    Josh Safdie: Mariann From Brooklyn, she’s the first person who speaks in the movie [as the shoe shopper]. The great Howard Stern caller. Not a Jew, but an Italian; we’ll claim her. I called her up, and she couldn’t believe it. I chased her down [and] I said, “You need to be in the movie.”

    When you cast somebody, you’re not just casting their face and their ability to be blind to themselves; you’re casting the voice. Voices are so important, and her voice is one of the most iconic. She’s the biggest Howard Stern fan, and she’s his most prevalent and prominent caller, more so than High Pitch Erik. She calls, and every time she goes, “HOWWWAD! IT’S MARIANN. I LOVE YOU SO MUCH,” and they always play a squawking crow in the background. My camera assistant was not starstruck once on the film, but that day he was.

    Larry “Ratso” Sloman.

    John Nacion/Variety/Getty Images

    Author Larry “Ratso” Sloman (as Marty’s uncle, Murray)

    Ratso was given his nickname by Bob Dylan. He was chasing an interview on the Rolling Thunder tour, and he couldn’t get the interview. I think three weeks in, he was sleeping in his car. He hadn’t shaved in a while; his hair was greasy. Dylan knocks on the glass, and he goes, “Hey, Ratso!” He goes, “Oh, you’re saying I look like Dustin Hoffman?” He goes, “No, no, no. Ratso Rizzo, the character.” It stuck from that moment on.

    He’s a huge beacon of culture. He has written so many books, sometimes getting credited, sometimes not. Most recently, [he did] the Mike Tyson autobiography. He did Howard Stern’s. He wrote a great book on [Harry] Houdini. He did a great book on the Dylan Rolling Thunder tour. He did Anthony Kiedis’s biography. Ratso actually introduced me to Penn [Jillette]; Ratso was friends with Al Goldstein. I had met him [when] I went to a talk for the National Lampoon book celebration…at the New York Public Library. It was pretty dry and not very funny until Ratso got up there. He reads from a fake TV Guide. I have it right here.

    Jordan Hoffman

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  • Box Office: ‘Avatar 3’ Rings Out Very Merry Year for Disney, Studio Hits $6 Billion in Global Revenue in a Post-Pandemic First

    While overall box office revenue won’t make any gains in 2025, the same can’t be said of Disney.

    The studios sprawling film empire on Wednesday will cross the $6 billion mark in global box office revenue for the year, having earned $5.967 billion globally through Tuesday, including $2.310 billion domestically and $3.656 billion internationally.  

    This marks the first time Disney has hit $6 billion since 2019, just before the pandemic struck and decimated moviegoing. Even before COVID, clearing $6 billion was no easy feat. No other studio has done so since 2015, while Disney is a now a five-time multiple offender (2016-2019, 2025).

    Disney’s success this year has been fueled by 16 wide releases, led by the only two titles that have crossed $1 billion at the worldwide box office: Zootopia 2, which has earned $1.311 billion to date, and Lilo & Stitch, which topped out at $1.038 billion earlier this year. Thanks to some nifty math, Disney is also reporting that three Marvel Studios’ titles have collectively grossed more than $1.3 billion worldwide, even if not one title did so on its own; The Fantastic Four: First Steps, Thunderbolts* and Captain America: Brave New World.

    Other titles helping to propel Disney past $6 billion were Predator: Badlands, Freakier Friday and Elio, albeit at much smaller numbers.

    James Cameron‘s Avatar: Fire and Ash is the icing on the cake, grossing $450.1 million at the global box office after only seven days in release, including worldwide earnings of $51 million on Tuesday. In North America, it topped Tuesday’s chart with $16.5 million for a domestic tally of $119 million. Overseas, it finished the day with a foreign tally of $331.1 million.

    Avatar 3 is easily expected to dominate the long Christmas weekend (Thursday-Sunday) with a four-day gross of $70 million to $75 million, if not more. Sony’s comedic adventure Anaconda, teaming Jack Black and Paul Rudd, opens nationwide on Dec. 25 alongside Timothée Chalamet‘s Marty Supreme and Focus Features’ music-infused Song Sing Blue, starring Hugh Jackman and Kate Hudson. They join a crop of films opening last weekend that wanted to a jump on the holiday. In addition to Avatar, these include Lionsgate’s femme-skewing The Housemaid, starring Sydney Sweeney and Amanda Seyfried; Angel Studios’ faith-based David; and Paramount’s The SpongeBob Movie: Search for SquarePants, which still hopes to hunt down families after a soft debut.

    Anaconda, Song Sing Blue, and Marty Supreme — which is expanding nationwide after opening in New York and L.A. last weekend to supremely impressive numbers after a massive marketing blitz by its leading man — will all hold Wednesday previews before opening everywhere on Christmas Day, which can be a busy day for moviegoing once presents are unwrapped.

    Pamela McClintock

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  • ‘Avatar 3’ to Rule Over Christmas Box Office; ‘Anaconda’ to Top Fellow New Holiday Releases ‘Marty Supreme’ and ‘Song Sung Blue’

    Theater owners are preparing for a very merry Christmas season.

    This holiday might not be one for the record books, but the lineup of films offers something important — a range of genres and styles — as exhibitors brace for what’s usually the busiest stretch of the year. That’s an important distinction in post-COVID times. Since the pandemic, cinema operators have relied on one billion-dollar behemoth (“Spider-Man: No Way Home” in 2021 and “Avatar: The Way of Water” in 2022) or struggled with none at all (“Aquaman and the Lost Kingdom” floundered in 2023 and while “Mufasa” rebounded after a soft start in 2024, “The Lion King” prequel couldn’t claw its way to the billion-dollar mark).

    This year, “Avatar: Fire and Ash” will continue to dominate but James Cameron’s sci-fi threequel won’t be alone in enticing audiences. Over the weekend, a trio of holiday releases — A24’s R-rated ping-pong adventure “Marty Supreme,” the Focus Features musical drama “Song Sung Blue” and Sony’s disaster comedy “Anaconda” — hope to cater to moviegoers young, old, or disinterested in returning to the alien planet of Pandora.

    “Avatar: Fire and Ash” is aiming for $55 million to $65 million over the traditional weekend and $75 million to $80 million through the four-day holiday frame. Those ticket sales would mark a 30% to 40% decline from its $89 million domestic debut. For context, “Avatar: The Way of Water” dropped by 52% in its sophomore outing after a significantly stronger $134 million debut. Disney and 20th Century’s “Avatar” franchise appears be experiencing diminishing returns, though it’s important to remember these films aren’t known for explosive opening weekends. Instead, “Avatar” installments enjoy exceptional staying power, sticking around at the top of the box office for weeks on end. The first two films, which each ended up grossing over $2 billion globally, were No. 1 for seven consecutive weekends. Barring a surprise, “Fire and Ash” should remain atop the charts in North America well into the new year.

    In terms of new releases, Jack Black and Paul Rudd’s “Anaconda” is expected to lead the pack with $20 million from 3,400 venues between Christmas on Thursday and Sunday. “Marty Supreme” is targeting $12 million to $20 million, while “Song Song Blue” is projected to earn $10 million to $14 million from 2,400 theaters. In general, Christmas releases don’t always deliver huge debuts but tend to play and play on the big screen into January and beyond.

    “Anaconda” cost $45 million to produce. A meta-reboot, “Anaconda” follows best friends who travel to the jungle to pursue their childhood dream of remaking their all-time favorite movie (you guessed it!) 1997’s “Anaconda.” The project starts to unravel when life imitates art and a real anaconda begins hunting them down.

    “Marty Supreme” had a rollicking start in limited release, breaking into the top 10 with $875,000 while playing on just six screens. Those initial returns are promising ahead of the nationwide expansion, which will test the $70 million-budgeted film’s commercial viability. It helps that Timothée Chalamet, who stars as the fictional table tennis champ Marty Mauser, has been rewriting the rules of movie marketing in terms of getting out the word for an original film. “Marty Supreme” has generated great reviews and encouraging word of mouth. Now the question is: Will Chalamet’s viral antics translate to ticket sales?

    “Song Sung Blue” carries a modest $30 million production budget. Craig Brewer directed the film, featuring Hugh Jackman and Kate Hudson in the true story of two down-on-their luck musicians who form a Neil Diamond tribute band. Variety’s chief film critic Owen Gleiberman praised “Song Sung Blue” as “a winning pop nostalgia trip with a dark side.”

    With just two weeks to go, overall domestic revenues are hovering at $8.37 billion, just 1.3% ahead of last year and 22.4% behind 2019, according to Comscore. It’s been a wobbly year with several hits (“Lilo & Stitch,” “Zootopia 2,” “A Minecraft Movie” and “Demon Slayer,” among others) but not enough to offset a number of big-budget flops (“Mission: Impossible – The Final Reckoning” and “Snow White,” to name a few). Projections for 2025 were already revised down to $9 billion, but after a brutal fall season, even that milestone feels like a stretch. Will these holiday offerings be able to deliver, or is the box office doomed to fall short of $9 billion for the second consecutive year?

    Rebecca Rubin

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  • Timothée Chalamet Lets His Inner Sports Fan Fly at the ‘Marty Supreme’ Invitational

    Chalamet would eventually join the masses on the floor for the semifinals. Koto Kawaguchi—who stars in the film as Marty’s Japanese nemesis, Endo, won his match, and then made it all the way to the finals, facing off against Kevin Lewis, a former model and real estate agent with Compass and one of the top amateur ping-pong players in New York. As hundreds watched, Lewis and Kawaguchi went toe to toe, rallying back and forth as Chalamet sipped red wine and watched from the front row.

    Tyrell Hampton.

    Before the last match, Chalamet shouted out his director, Josh Safdie, calling him “a genius” and thanking him for unlocking the secret tennis table fan in all of us. Chalamet then instructed the Marty Supreme cast members still in the rafters—specifically Luke Manley, who plays Marty’s best friend, Dion—to watch the final match on the floor. “Let’s root for our boy Koto,” said Chalamet.

    Chris Murphy

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  • Gwyneth Paltrow Had NO CLUE Timothée Chalamet Was Dating Kylie Jenner When He Said His GF Has 2 Kids! – Perez Hilton

    Gwyneth Paltrow wasn’t familiar with Timothée Chalamet’s game.

    The Hollywood A-listers are set to appear in Josh Safdie’s new film Marty Supreme — which promises some steamy scenes between the two — next month. But you may be surprised to learn how little Gwyneth really knew about her co-star when they first met!

    Related: Kim Kardashian Releases Thongs With Pubic Hair — Yes Really!

    During an interview with British Vogue published on Wednesday, the Shakespeare in Love star reflected on meeting Timmy for the first time during a costume test for their upcoming film and being in disbelief when he mentioned his girlfriend had two children:

    “Everyone makes fun of me because I don’t know anything. I was like, ‘Do you have a girlfriend?’ And he was like, ‘I do.’ He mentioned that she had kids and I was like, ‘That’s so cool. I really love to hear that [from] a young man like you.’”

    She continued:

    “I understand a 45-year-old who has his own kids going out with a woman with kids, but it’s a cool choice to go out with a young woman who has two kids. I respect it. I think it’s kind of punk rock.”

    But what she didn’t realize at the time was the Oscar nominee’s GF wasn’t just any single mom… She’s THE Kylie Jenner! Gwyn told the outlet:

    “But my point is I didn’t know [it was] Kylie Jenner…”

    LOLz!

    As we know, the makeup mogul shares Stormi, 7, and Aire, 3, with ex-boyfriend Travis Scott. But as far as single moms go, she’s not exactly some charity case! LOLz!

    Oh, Gwyn. First, she didn’t remember she was in a Spider-Man movie, now this?? At some point you’ve gotta respect how disconnected she is from pop culture while also being a huge part of it herself!

    Reactions, Perezcious readers??

    [Images via Vogue/YouTube, Kylie Jenner/TikTok, & MEGA/WENN]

    Perez Hilton

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  • Gwyneth Paltrow Didn’t Know Timothée Chalamet Was Dating Kylie Jenner

    They’re not in the same friend group.
    Photo-Illustration: Vulture; Photos: Dia Dipasupil/FilmMagic, Saira MacLeod/WWD via Getty Images

    Gwyneth Paltrow supports dating single moms whether or not they are billionaires. Cinema’s prodigal daughter, Paltrow did not bother to Google Timothée Chalamet before starring alongside him in Josh Safdie’s upcoming sports drama Marty Supreme, her first major non-Marvel movie in a decade. “Everyone makes fun of me because I don’t know anything,” she told British Vogue in an October 15 profile. When she first met him “at the costume test,” she said she was “asking him questions, trying to get to know him.” “I was like, ‘Do you have a girlfriend?’” she recalled. “And he was like, ‘I do.’” Well, Gwyneth, we have a timelinée for you.

    While his girlfriend’s identity was breaking news to some, Paltrow was more intrigued to learn that she has kids. “I was like, ‘That’s so cool. I really love to hear that [from] a young man like you,’” Paltrow remembered saying. “I understand a 45-year-old who has his own kids going out with a woman with kids, but it’s a cool choice to go out with a young woman who has two kids. I respect it. I think it’s kind of punk rock. But my point is I didn’t know [it was] Kylie Jenner.” Who other than Gwyneth Paltrow is going to claim it’s “punk” to date one of the most famous women in the world?

    Jason P. Frank

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