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Tag: Martin Luther King Jr.

  • Children of the late Rev. Jesse Jackson honor his legacy as memorial services set for next week

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    Jesse Jackson’s life was defined by *** relentless fight for justice and equality. I was born in Greenville, South Carolina, uh, in rampant radical racial segregation. Had to be taught to go to the back of the bus or be arrested. In 1965, he began working for Reverend Martin Luther King Jr. I learned so much from him, such *** great source of inspiration. Both men were in Memphis in April 1968 to support striking sanitation workers. King and other civil rights leaders were staying at the Lorraine Motel. He said, Jesse, you know, you don’t even have on *** shirt and tie. You don’t even have on *** tie. We’re going to dinner. I said, Doc, you know it does not require *** tie. Just an appetite and we laughed. I said, Doc, and the bullet hit. With King gone, his movement was adrift. Years later, Jackson formed Operation Push, pressuring businesses to open up to black workers and customers and adding more focus on black responsibility, championed in the 1972 concert Watt Stacks. Watts. The Reverend set his sights on the White House in 1984. 1st thought of as *** marginal candidate, Jackson finished third in the primary race with 18% of the vote. He ran again in 1988, doubling his vote count and finishing in 2nd in the Democratic race. At the time, it was the farthest any black candidate had gone in *** presidential contest. But 20 years later when President Barack ran, we were laying the groundwork for that season. In 2017, Jackson had *** new battle to fight, Parkinson’s disease, but it did. It stop him. Late in life, he was still fighting. He was arrested in Washington while demonstrating for voting rights. His silent presence at the trial of Ahmaud Arbery’s killers prompted defense lawyers to ask that he leave the courtroom. Jackson stayed from the Jim Crow South through the turbulent 60s and into the Black Lives Matter movement. Jesse Jackson was *** constant, unyielding voice for justice.

    Children of the late Rev. Jesse Jackson honor his legacy as memorial services set for next week

    Updated: 8:30 PM PST Feb 18, 2026

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    From jokes about his well-known stubbornness to tears grieving the loss of a parent, the adult children of the Rev. Jesse L. Jackson Sr. gave an emotional tribute Wednesday honoring the legacy of the late civil rights icon, a day after his death.Jackson died Tuesday at his home in Chicago after battling a rare neurological disorder that affected his ability to move and speak. Standing on the steps outside his longtime Chicago home, five of his children, including U.S. Rep. Jonathan Jackson, remembered him not only for his decades-long work in civil rights but also for his role as spiritual leader and father.“Our father is a man who dedicated his life to public service to gain, protect and defend civil rights and human rights to make our nation better, to make the world more just, our people better neighbors with each other,” said his youngest son, Yusef Jackson, fighting back tears at times.Memorial services were set for next week, with two days of him lying in repose at the Chicago headquarters of the Rainbow PUSH Coalition, the organization he founded. A public memorial dubbed “The People’s Celebration” was planned for Feb. 27 at the House of Hope, a South Side church with a 10,000-person arena. Homegoing services were set for the following day at Rainbow PUSH, according to the organization.Jackson rose to prominence six decades ago as a protege of the Rev. Martin Luther King Jr., joining the voting rights march King led from Selma to Montgomery, Alabama. King later dispatched Jackson to Chicago to launch Operation Breadbasket, a Southern Christian Leadership Conference effort to pressure companies to hire Black workers.Jackson was with King on April 4, 1968, when the civil rights leader was killed.Remembrances have poured in worldwide for Jackson, including flowers left outside the home where large portraits of a smiling Jackson had been placed. But his children said he was a family man first.“Our father took fatherhood very seriously,” his eldest child, Santita Jackson, said. “It was his charge to keep.”His children’s reflections were poetic in the style of the late civil rights icon — filled with prayer, tears and a few chuckles, including about disagreements that occur when growing up in a large, lively family.His eldest son, Jesse Jackson Jr., a former congressman, said his father’s funeral services would welcome all, “Democrat, Republican, liberal and conservative, right wing, left wing — because his life is broad enough to cover the full spectrum of what it means to be an American.”The family asked only that those attending be respectful.“If his life becomes a turning point in our national political discourse, amen,” he said. “His last breath is not his last breath.”

    From jokes about his well-known stubbornness to tears grieving the loss of a parent, the adult children of the Rev. Jesse L. Jackson Sr. gave an emotional tribute Wednesday honoring the legacy of the late civil rights icon, a day after his death.

    Jackson died Tuesday at his home in Chicago after battling a rare neurological disorder that affected his ability to move and speak. Standing on the steps outside his longtime Chicago home, five of his children, including U.S. Rep. Jonathan Jackson, remembered him not only for his decades-long work in civil rights but also for his role as spiritual leader and father.

    “Our father is a man who dedicated his life to public service to gain, protect and defend civil rights and human rights to make our nation better, to make the world more just, our people better neighbors with each other,” said his youngest son, Yusef Jackson, fighting back tears at times.

    Memorial services were set for next week, with two days of him lying in repose at the Chicago headquarters of the Rainbow PUSH Coalition, the organization he founded. A public memorial dubbed “The People’s Celebration” was planned for Feb. 27 at the House of Hope, a South Side church with a 10,000-person arena. Homegoing services were set for the following day at Rainbow PUSH, according to the organization.

    Jackson rose to prominence six decades ago as a protege of the Rev. Martin Luther King Jr., joining the voting rights march King led from Selma to Montgomery, Alabama. King later dispatched Jackson to Chicago to launch Operation Breadbasket, a Southern Christian Leadership Conference effort to pressure companies to hire Black workers.

    Jackson was with King on April 4, 1968, when the civil rights leader was killed.

    Remembrances have poured in worldwide for Jackson, including flowers left outside the home where large portraits of a smiling Jackson had been placed. But his children said he was a family man first.

    “Our father took fatherhood very seriously,” his eldest child, Santita Jackson, said. “It was his charge to keep.”

    His children’s reflections were poetic in the style of the late civil rights icon — filled with prayer, tears and a few chuckles, including about disagreements that occur when growing up in a large, lively family.

    CHICAGO, ILLINOIS - FEBRUARY 18: (L-R) The children of civil rights leader Jesse Jackson Sr., Jesse Jackson Jr., Rep. Jonathan Jackson (D-IL), Sanita Jackson, Ashley Jackson, and Yusef Jackson speak about their father outside their parents' home on February 18, 2026 in Chicago, Illinois. Jesse Jackson Sr. died early yesterday morning. (Photo by Scott Olson/Getty Images)

    Scott Olson

    The children of civil rights leader Jesse Jackson Sr., Jesse Jackson Jr., Rep. Jonathan Jackson (D-IL), Sanita Jackson, Ashley Jackson, and Yusef Jackson speak about their father outside their parents’ home on February 18, 2026, in Chicago, Illinois. Jesse Jackson Sr. died early yesterday morning. (Photo by Scott Olson/Getty Images)

    His eldest son, Jesse Jackson Jr., a former congressman, said his father’s funeral services would welcome all, “Democrat, Republican, liberal and conservative, right wing, left wing — because his life is broad enough to cover the full spectrum of what it means to be an American.”

    The family asked only that those attending be respectful.

    “If his life becomes a turning point in our national political discourse, amen,” he said. “His last breath is not his last breath.”

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  • Danvers MLK Day celebration celebrates community members becoming forces for change

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    DANVERS — Community members gathered in the Danvers High School atrium on Monday for the town’s annual “Move Like King” celebration, not just to reflect on the legacy of MLK Jr., but to consider how each individual can work to fight injustice and be a force for change.

    Attendees of the event, hosted by the Danvers Human Rights & Inclusion Committee and Danvers Public Schools, were able to view a showcase of student artwork using a variety of mediums to foster dialogue about what MLK Jr.’s message of peace means today, and how his dream of unity and justice is being continually worked toward.

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  • MLK’s dreams are still unfulfilled, Salem State professor shares in Gloucester

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    GLOUCESTER — Many of Martin Luther King Jr.’s dreams for America are still just that, a biographer of the Civil Rights leader explained to a crowd at the Gloucester Universalist Unitarian Church on Monday afternoon.

    “Over a half century after his death, King matters because his social and political agenda has largely been unfulfilled,” said Salem State University Professor Jamie Wilson, the author of “Martin Luther King Jr.: A Life in American History.”

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  • Marchers honor King’s mission

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    Former Denver Mayor Wellington Webb and former State Rep. Wilma Webb stand in a crowd at City Park as the annual Martin Luther King Jr. Day Marade begins. Jan. 19, 2026.

    Becky Duffyhill for CPR News

    Part demonstration, part celebration — Denver’s Marade brought hundreds of people out to mark the birthday of Martin Luther King Jr., walking from the MLK memorial statue in City Park, along Colfax Avenue before ending at the State Capitol.

    This year is the 40th anniversary of the first Marade in Denver. The term “Marade” is unique to the city, a combination of march and parade — blending a celebration of civil rights successes while acknowledging the work is not finished. 

    “It is not just about celebrating King, it’s having direct action like King,” said Wellington Webb, the first Black mayor of Denver, and one of the first speakers. “We need to be on the forefront of the issues of today.”

    He said protest and action should be focused on opposing President Donald Trump’s agenda and he called on local lawmakers to “demask ICE” in Colorado, and he led a chant of Renee Good’s name — Good was shot and killed by an ICE agent in Minneapolis this month. 

    Marchers in Denver’s annual Martin Luther King Jr. Day Marade head down Colfax Avenue towards the Capitol. Jan. 19, 2026.
    Becky Duffyhill for CPR News

    Webb has a long history with the Marade, he was the first to introduce legislation when he was in the Colorado state house in the 1970s to recognize MLK day as a state holiday. But it was his wife, former State Rep. Wilma Webb, who sponsored and helped secure final passage of the law in Colorado.

    “So we have to get busy, and vote for righteous people to be in leadership,” she said with her husband Wellington at her side. 

    Colorado was among a handful of early states to create an official state holiday for King, years before others.

    In 1983, President Ronald Reagan signed the federal MLK holiday into law following years of lobbying by King’s wife, Coretta Scott King, and celebrities like Stevie Wonder, who added a song about the lack of a holiday honoring King to his 1980 album Hotter than July. The first official observance of the federal holiday was 1986.

    But the law only applied to federal workers. It took another decade for all 50 states to create a holiday on the third Monday of January, around King’s birthday of Jan. 15. Colorado passed its law in 1984, but states like Arizona wouldn’t create a holiday until 1992 by voter referendum. 

    The first Black congressman from Colorado, Joe Neguse, gave a rousing speech before the Marade, noting that King and the Webbs didn’t make excuses, they acted. There are still issues affecting the Black community, he said, particularly around issues of health equity.

    “The challenge for us is to do something about it,” said Neguse. “To stand up, to be a voice for the voiceless, to speak out, to speak up, for those who don’t have the means to do so, because we have work to do.”

    U.S. Rep. Joe Neguse speaks during the opening ceremony for Denver’s annual Martin Luther King Jr. Day Marade at City Park. Jan. 19, 2026.
    Becky Duffyhill for CPR News

    The march moved peacefully along Colfax Avenue, around the construction, towards the State Capitol.

    “I think showing up makes a difference, it’s good to be involved,” said May Salem, a Denver resident, who grew up attending the Marade, and brought her 1-year-old daughter and husband. She was disappointed to see that the crowd was not as big as other years.

    Arianna Butler, 21, came from Aurora to march in the Marade. She held a sign that said “All Power to the People,” and she said the Trump Administration’s immigration crackdowns helped to inspire her to come out.

    “The militarization of a federal body of police — none of that, no more. The vicious deportations that are happening, it’s kidnapping. None of that. I can’t. I will not,” said Butler, who added that the fight for civil rights continues. 
    “It’s like a giant circle, that’s why we’re out here, that’s why it happens every year cause it never really stops and probably never will, but that’s why we come out.”

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  • Hundreds ‘come together’ in Fort Worth for parade honoring Martin Luther King Jr.

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    Special to the Star-Telegram

    Hundreds of people lined the sides of Houston Street in downtown Fort Worth midday Monday for the city’s annual parade honoring Dr. Martin Luther King Jr.

    The parade included dozens of floats, color guards, city leaders, politicians and shiny sports cars.

    Benbrook High School and its marching band were among the first floats in the parade, accompanied by a group of student dancers . Arlington Heights High School’s ROTC club followed as a student leader shouted “Left, left. Left, right, left” as his classmates marched down Houston Street.

    Debbie Trotman, 63, of Fort Worth was with her grandchildren and said it was important for them to learn about MLK’s legacy.

    “I came because I like to see the community together,” Trotman said . “Especially with all that’s going on in the world right now, I think it’s good for everyone to have this parade and come together as a community.”

    The streets filled with bands, fraternities and sororities in the parade during the 2026 Martin Luther King day celebration in Fort Worth, Texas, Monday Jan. 19, 2026
    The streets fill with bands, fraternities and sororities during the 2026 Martin Luther King day celebration in Fort Worth on Monday Jan. 19, 2026. Bob Booth Special to the Star-Telegram

    O.D. Wyatt honor guard prepares to lead the parade during the 2026 Martin Luther King day celebration in Fort Worth, Texas, Monday Jan. 19, 2026
    O.D. Wyatt honor guard prepares to lead the parade during the 2026 Martin Luther King day celebration in Fort Worth, Texas on Monday, Jan. 19, 2026. Bob Booth Special to the Star-Telegram

    The parade was attended by a number of local politicians or their representatives. Several dozen people holding up signs supporting Texas U.S. Rep. Jasmine Crockett’s campaign for a U.S. Senate seat threw out candy as they followed behind sports cars in the parade.

    Fort Worth City Council members represented in the parade included Mia Long, Elizabeth Beck and Chris Nettles. Ramon Romero, a member of the Texas House of Representatives, drove through the parade in a bright blue 1960 Chevy Impala, waving to attendees while driving by.

    People sat in folding chairs along Houston Street, waving at people in parade floats as they drove by and threw candy at children. The parade started at the Fort Worth Convention Center and ended at Sundance Square.

    Some attendees showed up to claim their spot along Houston Street well over 45 minutes before the parade started at 11 a.m.

    Junior Miss Juneteenth of North Texas 2025, Bailey Howell waves to the crowd during the 2026 Martin Luther King day celebration in Fort Worth, Texas, Monday Jan. 19, 2026
    Junior Miss Juneteenth of North Texas 2025, Bailey Howell, waves to the crowd during the 2026 Martin Luther King day celebration in Fort Worth on Monday, Jan. 19, 2026. Bob Booth Special to the Star-Telegram

    The parade started with police officers and color guard members raising the U.S. and Texas flags. Shortly after, a number of sports cars made their way down Houston Street. Each group of cars were divided by make: first several Mercedes-Benz, then BMWs and finally Corvettes and Ford trucks.

    Vendors carrying huge bags of cotton candy walked up and down Houston Street selling the pink and blue treats to children who toughed out the frigid temperature to take in the parade.

    The Lancaster High School band drum majors dance during the 2026 Martin Luther King day celebration.
    The Lancaster High School band drum majors dance during the 2026 Martin Luther King day celebration. Bob Booth Special to the Star-Telegram

    Police officers on motorcycles also high-fived children sitting on the sidewalk down Houston Street as they drove by.

    After the parade, a rally continued at Sundance Square that featured music, dancing, snacks, vendors and other celebrations.

    “It’s all about turning up! It’s all about turning up today!” a man with a microphone yelled during the rally.

    Monday’s celebration in downtown Fort Worth was the 41st annual MLK parade, hosted by the Greater Fort Worth Martin Luther King Jr. Holiday Committee.

    The event aims to highlight unity in Fort Worth, the living hope of King’s dream and a lasting commitment to justice.

    Several area bands filled Sundance Square for celebrations during the 2026 Martin Luther King day celebration in Fort Worth, Texas, Monday Jan. 19, 2026
    Several area bands filled Sundance Square for celebrations during the 2026 Martin Luther King day celebration in Fort Worth. Bob Booth Special to the Star-Telegram

    Samuel O’Neal

    Fort Worth Star-Telegram

    Samuel O’Neal is a local news reporter at the Fort Worth Star-Telegram covering higher education and local news in Fort Worth. He joined the team in December 2025 after previously working as a staff writer at the Philadelphia Inquirer. He graduated from Temple University, where he served as the Editor-in-Chief of the school’s student paper, The Temple News.

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  • What’s Open And Closed On Martin Luther King Jr. Day – KXL

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    (Associated Press) – Government offices, the stock market and many schools are closed Monday in observance of the Martin Luther King Jr. Day, but most businesses are open.

    National Parks are still open on MLK Day although they are no longer free this year after President Donald Trump made a change in which two days will be free this year.

    California state parks are still free on the holiday.

    When in doubt, call ahead or look up more specific schedules online for stores in your neighborhood.

    More about:

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    Grant McHill

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  • Charlotte-area filmmaker produces ‘anthem for an American hero’ MLK tribute song

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    Tim Greene sees the Martin Luther King Jr. tribute song he recently produced as “more than music.”

    “It is a reflection, a remembrance and a renewed commitment to the values Dr. King championed,” the longtime Charlotte-area filmmaker and record producer said.

    “M.L. King Anthem For An American Hero” is available at Walmart.com for $9.98, on YouTube as free streaming and in MP3 format here.

    The four-minute, 15-second song was written and sung by Dr. A.L. Bradford and Paul Murphy of Southern Pines and recorded in a Fayetteville studio, Greene said.

    Tim Greene, a Charlotte-area actor, film director and writer, record producer and motivational speaker, recently recorded the song, “M.L. King Anthem For An American Hero,” in a Fayetteville studio.
    Tim Greene, a Charlotte-area actor, film director and writer, record producer and motivational speaker, recently recorded the song, “M.L. King Anthem For An American Hero,” in a Fayetteville studio. Tim Greene

    Greene crosses the country as an actor, film director and writer, and motivational speaker. Charlotte is among the cities where he’s based his Tim Greene Films company for 25 years.

    Years ago, he was a personality on the former Kiss 102 in Charlotte. He later was a morning radio personality, music director and assistant program director at Gaston College radio station WSGE 91.7 FM.

    “I have been in Charlotte back and forth since there was only one tall building in uptown, so I have seen how Charlotte has grown,” he told The Charlotte Observer at a benefit with Santa Claus that he organized at Mighty Dollar in Gastonia in December.

    “Everybody can be great”

    Greene said he hopes the song inspires listeners “to pause, reflect and carry” King’s message forward.

    The civil rights icon “reminded us that everybody can be great, because everybody can serve,” Greene said.

    Greene said he descended from enslaved people from Atlanta. His personal connection to King’s legacy and longtime community service inspired him to produce the song, he said.

    A former grand marshal of the Martin Luther King Kingdom Day Parade in Los Angeles, Greene described the anthem as “a tribute intended to resonate across generations for many years to come.”

    “As we approach his birthday, this tribute invites us all to serve — through unity, compassion and action,” Greene said.

    The song aims to “spark conversation, encourage hope and honor a legacy that continues to shape generations,” he said.

    Follow More of Our Reporting on Uniquely Charlotte

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    Joe Marusak

    The Charlotte Observer

    Joe Marusak has been a reporter for The Charlotte Observer since 1989 covering the people, municipalities and major news events of the region, and was a news bureau editor for the paper. He currently reports on breaking news.
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  • MLK’s Legacy of Nonviolent Protest Is More Urgent Than Ever

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    Armed agents of “law and order” in Mississippi confront MLK in 1966.
    Photo: AP Photo

    During the 30 years since the United States began observing the Martin Luther King Jr. federal holiday, the commemoration of the life and work of this remarkable man has mostly seemed like a backward look at a struggle that largely succeeded. Yes, there have been regular reminders of the unfinished business of the civil-rights movement and the dangers of backsliding on the country’s commitment to equality and justice. But the sense that we urgently needed to relearn the lessons King once taught us was often lacking — until now.

    In 2026, the country is governed by a regime as aggressive in its reactionary demands to obstruct and reverse social change as the southern local and state governments that fought and jailed MLK were. White-supremacist sentiment is being proclaimed again after decades of being too disreputable to say out loud. Perversion of the Christian Gospel to justify hatred and violence is as widespread as it was when white churches defended racial segregation as holy. And now, as then, advocates for “law and order” regard protest as insurrection and protesters as terrorists (or as George Wallace used to call them, anarchists).

    Millions of Americans seeking a way to cope with the Donald Trump administration and its excesses need to rediscover the legacy of nonviolent protest MLK embodied. Like his role model Mahatma Gandhi, King taught that firm but civil disobedience in the face of injustice is both powerful and difficult to defeat, in part because it denies oppressors the excuse of personal or institutional self-defense and exposes the brutality of those who seek to provoke violence. Although MLK was not present on the Edmund Pettus Bridge in Selma, Alabama, on March 7, 1965, many of his disciples were, and televised images of their being clubbed to the pavement and attacked by police dogs that day probably did more to advance the cause of civil-rights legislation than anything that happened during the many decades of Jim Crow. Today’s protesters need not be willing to make such sacrifices to learn that exchanges of blows with law enforcement mostly benefit those who equate dissent with civil war, rather than civil rights.

    Aside from the strategy and tactics King adopted to move a long-complacent nation toward at least a semblance of racial equality (and had he not been murdered, perhaps economic equality), he also stood tall for universal values against the moral relativism of nationalists and nativists, who — then as now — show no respect for people outside their cult of blood and soil. In this he followed the teachings of Jesus Christ, who commanded love for the stranger, the prisoner, the despised outcast, even one’s enemies. King also understood that both the professed religious beliefs of most Americans and the civic creed of Americanism rely on a commitment to equality and a healthy disrespect for the idols of wealth and power. Most of all, MLK was firm in his conviction that true patriotism is aspirational, rather than a celebration of current or past “greatness.” He deeply believed in his country as a dream, rather than as a perfected society where criticism is treason.

    Perhaps the future of this country isn’t as dark and forbidding as it can seem at the beginning of 2026. It’s possible the drift into police-state authoritarianism can be reversed. Maybe the wars and rumors of war breaking out almost daily won’t burst into an orgy of killing or plans for a new American empire. But for the time being, King’s example of courage and conviction remains very useful, particularly for those whose peaceful protests are met with armed repression.

    It’s not a coincidence that one of MLK’s most important essays was titled “Letter From a Birmingham Jail.” From behind bars, he argued that “injustice anywhere is a threat to justice everywhere,” upbraided Christian ministers for their hypocritical demands for unjust peace, and expressed faith in his ultimate vindication. It’s a good time to reread his words and emulate his example. Keep in mind that the people now running the country have officially turned the civil-rights movement on its head by pretending the only victims of injustice worth defending are white men and the only refugees worth rescuing are white South Africans. Like Sisyphus in the Greek myths, Americans have watched the rock roll back down the hill during the long struggle for equality. MLK’s legacy inspires us to reject despair and keep up the fight.


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    Ed Kilgore

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  • Ways to honor Dr. Martin Luther King Jr. across DC on Monday – WTOP News

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    For the last 40 years, the third Monday in January has been a national holiday honoring the life of Dr. Martin Luther King Jr.

    For the last 40 years, the third Monday in January has been a national holiday honoring the life of Dr. Martin Luther King Jr.

    King’s connection to the nation’s capital runs deep. On Aug. 28, 1963, a quarter of a million people gathered at the Lincoln Memorial to hear him deliver his “I Have a Dream” during the March on Washington. The speech is believed to have been written in the lobby of the historic Willard Hotel.

    Less than two years later, King was back in D.C., sitting in the East Room of the White House as President Lyndon B. Johnson signed the Civil Rights Act of 1964. Johnson presented King with one of the ceremonial pens used in the signing.

    Today, a short walk Lincoln Memorial stands the Martin Luther King Jr. Memorial on the Tidal Basin. It is the first memorial honoring an African American on the National Mall. The 30-foot-tall granite sculpture of King at 1964 Independence Avenue in Southwest sits among other influential U.S. figures: George Washington, Thomas Jefferson and Franklin Delano Roosevelt.

    Monday will offer several ways to honor the slain civil rights leader in the District.

    The 21st annual MLK Holiday D.C. Peace Walk and Parade starts at 11 a.m. at Firth Sterling Avenue and Sumner Road in Southeast and goes to Martin Luther King Jr. Avenue, ending on Marion Barry Avenue. Organizers said this year’s parade theme, which is also a wellness fair, is “The Struggle is Real! The Fight is Still!”

    If you would rather celebrate inside, the National Museum of African American History and Culture will host a birthday party at 11 a.m. with creative crafts, balloon art, and a sing-along to Stevie Wonder’s “Happy Birthday” song. There will be live musical performances by Rex Carnegie and the House Band at 11:15 a.m. and 1:15 p.m. in Heritage Hall. While the event is free, you’ll need to RSVP.

    The singing continues later in the day, starting at 6 p.m. at the Let Freedom Ring! Celebration at the Howard Theater, featuring rapper/actor Common.

    Get breaking news and daily headlines delivered to your email inbox by signing up here.

    © 2026 WTOP. All Rights Reserved. This website is not intended for users located within the European Economic Area.

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    Jimmy Alexander

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  • The King Center hosts the King Holiday Observance Press Conference

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    We are in need of the beloved community, now more than ever.

    That message marked the start of the 2026 King Holiday Observance, as The King Center hosted a press conference outlining a series of events honoring what would have been the 97th birthday of Martin Luther King Jr. and renewing a call to nonviolence amid a deeply divided moment in history.

    The observance, running from Jan. 8 to 19, is guided by the theme “Mission Possible II: Building Community, Uniting a Nation the Nonviolent Way.” Organizers described the theme as both a response to present-day challenges and a continuation of the King’s unfinished work, a framework for action rather than remembrance alone.

    “People are anxious. People are weary,” said Bernice A. King, CEO of The King Center (above).
    Photo by Noah Washington/The Atlanta Voice

    “People are anxious. People are weary,” said Bernice A. King, CEO of The King Center and daughter of Martin Luther King Jr, during remarks that directly addressed global conflict, domestic polarization, and rising social isolation. She emphasized that the holiday is not about nostalgia, but about equipping people to meet today’s realities with moral clarity and courage.

    From politics to the arts, technology to grassroots service, this year’s observance includes in-person, virtual, and hybrid events designed to engage participants of all ages. Programming intentionally highlights both Dr. King’s leadership and the role of Coretta Scott King, whose efforts to institutionalize her husband’s legacy transformed the movement into a global force for education, training, and social change.

    Among the cornerstone events is the Beloved Community Global Summit, scheduled for Jan. 15–16 at the National Center for Civil and Human Rights. The summit will convene leaders across sectors to explore how nonviolence can be applied to public policy, education, civic engagement, and conflict resolution. Youth-focused programming, including a global youth summit, book readings, and teach-ins, will further extend the observance’s reach.

    Complementary events across the Sweet Auburn Historic District will connect the holiday to the physical spaces that shaped Dr. King’s life. Reggie Chapple, superintendent of the Martin Luther King Jr. National Historical Park, announced a series of activities designed to deepen public engagement with that history, including a birthday observance at Ebenezer Baptist Church, a volunteer day of service in the park, and a Beloved Community gospel tribute on Jan. 18.

    Chapple also highlighted plans for a block party at the birth home along Auburn Avenue, where streets will be closed to allow visitors to learn more about the preservation district and the broader history of the area. While King’s birth home remains closed due to construction expected to conclude in mid-2026, visitors will be able to experience narrated virtual tours through QR codes, offering a room-by-room walkthrough of the site.

    Other speakers at the press conference included Jill Savitt, president & CEO of the National Center for Civil and Human Rights; Helen Butler, executive director of the Georgia Coalition for the People’s Agenda; and state Rep. Billy Mitchell, who represents Georgia’s 88th District, to name a few.

    Throughout the press conference, speakers stressed that the King Holiday Observance is not merely ceremonial. The programming centers Nonviolence365, The King Center’s year-round training initiative that frames nonviolence as a daily practice rather than a one-day commemoration. Organizers said the approach is especially critical as communities confront inequality, political extremism, and dehumanization at home and abroad.

    “My father also said on many occasions that we are caught in an inescapable network of mutuality tied in a single garment of destiny,” she said. “That means our survival, our flourishing, our future are all collective, and when any community is pushed down, the whole nation sinks.”

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    Noah Washington

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  • Morehouse Chapel Dean to Retire After Nearly Five Decades of Service

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    Carter Sr. (above) was the founding dean of the Martin Luther King Jr. International Chapel and a professor of religion since 1979.
    Photo by Tabius McCoy/The Atlanta Voice

    For nearly half a century, the Rev. Dr. Lawrence Edward Carter Sr. has stood at the heart of Morehouse College’s spiritual and intellectual life. Now, the founding dean of the Martin Luther King Jr. International Chapel & professor is preparing to close one chapter of his storied career.

    Carter, 76, announced he will retire from his deanship on June 30, 2026, after 47 years at the historically Black men’s college. His tenure, which began on July 1, 1979, when he was appointed by then-President Hugh Gloster, makes him one of the longest-serving leaders in Morehouse history.

    “This is my 46th year, and I will retire from the deanship June 30, 2026,” Carter said in an interview with The Atlanta Voice. “I will maintain my professorship and go on sabbatical for one year, which will complete 47 years with Morehouse College.”

    Carter (above) was selected unanimously from a pool of 500 candidates. Photo by Tabius McCoy/The Atlanta Voice

    From Dawson to Morehouse: Transforming the Chapel

    Born in Dawson, Georgia, Carter’s journey to the ministry started early. His mother later told him that his grandmother had prayed over him as an infant, asking God to “make this boy a preacher.” Carter didn’t learn of that prayer until after earning his doctorate at Boston University School of Theology.

    “I was wrestling with my calling from ninth through twelfth grade, and finally announcing it publicly my senior year, as something just between me and God,” he recalled. “So when I heard my mother say that, it stunned me.”

    Before coming to Morehouse, Carter served as acting director of the Martin Luther King Jr. African American Cultural Center at Boston University while completing his doctorate. Though some doubted he could lead the Morehouse chapel without being an alumnus, Carter was selected unanimously from a pool of 500 candidates.

    One of his earliest acts was persuading the Board of Trustees to rename Memorial Chapel as the Martin Luther King Jr. International Chapel. Carter said he didn’t want to preside over “a museum for battles that are no longer being fought.” The board eventually approved the change unanimously.

    Over the next four decades, Carter led the chapel’s evolution into a hub for global ethics, peacebuilding, and interfaith dialogue. He launched the Chapel Assistants Pre-Seminarians Program, widely regarded as a top feeder program for divinity schools nationwide. He also introduced initiatives like the Gandhi–King–Ikeda awards and the Community Builders Prizes, which brought international leaders to Morehouse’s campus.

    Photo by Tabius McCoy/The Atlanta Voice

    The chapel itself transformed under Carter’s leadership, both physically and philosophically. Beyond renaming the building for Martin Luther King Jr., he oversaw the installation of historic stone tablets on its facade, salvaged from a King monument at Boston University. Carter recalled being present when the monument was first dedicated: “The President himself dedicated it, and I was in the crowd. When he finished delivering his speech, he stepped from behind the podium, and walked three rows back, and handed me his speech, and said, ‘You’re the only one here who will appreciate this.’” 

    Years later, when Boston University renovated the monument with marble and gold lettering, the original stones were offered to Morehouse. Carter accepted them, seeing their arrival as divine confirmation of his calling to remain at the college. The chapel’s Thurman Tower also houses a time capsule with artifacts spanning thousands of years of African and world history, further grounding the space in a global legacy.

    Praise from Morehouse Leadership: A Lasting Legacy

    Carter’s influence has stretched well beyond the campus gates. Generations of Morehouse students trained under his mentorship have gone on to leadership in churches, seminaries, and public life. Recruiters from divinity schools, he said, often prefer Morehouse graduates because they “rise to the top of the class all over the nation.”

    In moments of national crisis, major media outlets have sought out Morehouse pastors and alumni, a testament to the chapel’s reach under his stewardship.

    Still, Carter’s path was not without challenges. In his 19th year, he nearly resigned, facing a crisis of faith, telling his wife Marva that he felt “burnt out” and “lonely.” A weeklong trip that included preaching in Los Angeles restored his sense of purpose. 

    “When I landed in Atlanta, everything said, you’re home,” he remembered.

    Preparing for the Next Chapter: A Scholar’s Passion

    Away from the pulpit, Carter is known as a voracious reader and collector of books, boasting what he believes to be the largest personal library of any Morehouse faculty member. His love of knowledge began as a child, flipping through books he couldn’t yet read but sensed contained “secrets, answers to the problems of the world.”

    His passion for education also connects him to the roots of Morehouse. Carter has written about the college’s founder, William Jefferson White, a journalist who risked his life by opening clandestine schools for enslaved people before establishing what became Morehouse in 1867.

    “There’s a reason why during slavery there were laws on the books against teaching enslaved Africans to read,” Carter said. “And there’s a reason why the founder of Morehouse College was considered the greatest Black journalist of his era.”

    Morehouse College plans an international search for Carter’s successor, chaired by trustee and alumnus Rev. Dr. Delman Coates, Class of 1995. Photo by Tabius McCoy/The Atlanta Voice

    Carter’s career has spanned multiple eras in Morehouse history, from Gloster to the present. His work helped redefine the chapel not only as a place of worship but as a platform for leadership, service, and global vision.

    As the college begins its search for a new chapel dean, Carter is looking ahead to a sabbatical and a slower pace. But he said the affirmation he has received since announcing his retirement has been both humbling and reassuring.

    The college plans an international search for his successor, chaired by trustee and alumnus Rev. Dr. Delman Coates, Class of 1995.

    Since announcing his retirement, Carter said his life has changed. Visitors from around the world have come to see him, offering thanks and reflections on his legacy.

    “Since July 1, my life has not been the same,” he said. “They’ve been telling me that I did it. And then the strange thing is, they’re saying nobody else could have done this, but you’ve done it.”

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    Noah Washington

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  • Celebrating local Pride Heroes: Peter Rosenstein was inspired by MLK to become an impactful activist – WTOP News

    Celebrating local Pride Heroes: Peter Rosenstein was inspired by MLK to become an impactful activist – WTOP News

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    Peter Rosenstein was inspired to lead a life of activism, and ultimately come out as gay, after Martin Luther King Jr. told him he could “make a difference in the world.”

    Every week, WTOP is celebrating a Pride Hero who has made a difference in the LGBTQ+ community in the D.C. area as part of our Pride Month coverage. Check back all throughout June as we share these stories on air and online.

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    Celebrating local Pride Heroes: Peter Rosenstein

    On the cover of Peter Rosenstein’s memoir, “Born This Gay: My Life of Activism, Politics, Travel, and Coming Out,” is a picture of the moment that influenced the rest of his life.

    The picture shows a 16-year-old Rosenstein presenting an award to Dr. Martin Luther King Jr.

    Rosenstein was the awards commissioner for his school’s student government and was responsible for selecting the recipient of George Washington High School’s 1963 Citizenship Award.

    No one was as surprised as Rosenstein that MLK agreed to travel to New York and accept the school’s award in person.

    On Feb. 26, 1963, six months before he delivered his iconic “I Have a Dream” speech at the Lincoln Memorial, King was on stage being presented the award by Rosenstein.

    “He was so generous with his time,” Rosenstein recalled. “We talked for close to an hour.”

    During their time together, the civil rights leader looked Rosenstein in the eyes and said something that would become his guiding light.

    “He said to me, ‘Peter, every person can make a difference in the world, if you care about things. Fight for them, work for them,’” Rosenstein said. “That is how I’ve led my life from that time on.”

    Rosenstein took those words to heart, including during his time as a schoolteacher and his tenure working for the mayor of New York City.

    When he was a staff member of the late U.S. Rep. Bella Abzug, he worked for women’s rights.

    While serving in the White House during the Carter Administration, Rosenstein fought for the rights of the disabled community as deputy commissioner of the Rehabilitation Services Administration.

    While he fought to improve the lives of people in different communities, he dealt with an inner struggle. Rosenstein was gay and living in the closet.

    “I didn’t come out at a young age because I wanted to go into politics,” he said. “Back in those years, you couldn’t go into politics if you were an out gay man.”

    Even though he didn’t come out until he was 35, moving to D.C. in 1978 was a big part of Rosenstein’s journey to living out of the closet.

    “It was a time when you could go to gay bars and you could get there and bump into a congressperson, a member of the media, all of them closeted like I was,” Rosenstein said. “There was no fear that they would out me or I would out them. This was before social media and iPhones.”

    In 1981, only six years after D.C.’s first annual Pride Day, Rosenstein decided to attend that year’s Pride Festival in Dupont Circle.

    “I hid behind a tree so no one would take my picture,” Rosenstein said. “Back then, you had to worry about your job. There were no laws to protect you, for apartments or anything else.”

    Rosenstein admits that it did take a long time to come out and to accept himself, but once he did, he became a champion for LGBTQ+ rights.

    The HIV-AIDS crisis led Rosenstein to be more public about his sexuality.

    He got involved with the Whitman-Walker Health nonprofit and helped fight the disease by taking the advice from Dr. King, and the knowledge he gained from working for the New York mayor, Congresswomen Abzug and the White House. He raised money and planned events to help spread awareness and find a cure for AIDS.

    Marriage equality was also a passion project for Rosenstein. He was involved with getting a same-sex marriage law passed in the District five years before it was passed by the Supreme Count in 2015.

    Rosenstein also played a role in the Mayor’s Office of LGBTQ Affairs taking over the 17th Street High Heel Races, which is D.C.’s second biggest LGBTQ+ event behind Capital Pride weekend.

    While Rosenstein is well past retirement age, his appearance and drive leads you to believe he is much younger. The longtime columnist for The Washington Blade has been a trusted advisor to every D.C. mayor in this century.

    “I wish I would have kept a journal,” Rosenstein said of the things he wishes he could go back and tell his younger self. “It would have helped with the writing of my book.”

    Rosenstein said he hopes young people read his book.

    “Part of my book is to say to young people, ‘you can come out, you can be yourself,’” Rosenstein said. “It really does make a difference once you do. You live more freely. You live openly and you live your truth.”

    Who would know better than the man who, 25 years after hiding behind a tree at the Pride Festival, rode in the front of the Capital Pride Parade in 2016 with a sign declaring him a Pride hero.

    In Peter Rosenstein’s memoir, Born The Gay: My Life of Activism, Politics, Travel, and Coming Out, he shares the advice Dr. King gave him that changed the direction of his life.
    (Courtesy Peter Rosenstein)

    Courtesy Peter Rosenstein

    In 2016 Peter Rosenstein rode in the front of The Capital Pride Parade as an honored Pride Hero.
    (Courtesy Peter Rosenstein)

    Courtesy Peter Rosenstein

    Peter Rosenstein and his former boss, the late Rep. Bella Abzug.
    (Courtesy Peter Rosenstein)

    Courtesy Peter Rosenstein

    Peter Rosenstein visiting The MLK Memorial. Rosenstein was 16 years old when he met Dr. Martin Luther King Jr.
    (Courtesy Peter Rosenstein)

    Courtesy Peter Rosenstein

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    Ciara Wells

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  • Northbound I-25 reopens after closing for crash in Colorado Springs

    Northbound I-25 reopens after closing for crash in Colorado Springs

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    Northbound Interstate 25 has reopened after closing because of a crash in Colorado Springs, according to the Colorado Department of Transportation.

    The interstate closed between exit 139, Martin Luther King Jr. Bypass, and U.S. 24 at mile point 139 around 5 a.m. and reopened around 9:45 a.m., according to CDOT.

    The Colorado Springs Fire Department was on scene at the crash around 5:20 a.m. Sunday, according to a post on X.

    Get more Colorado news by signing up for our daily Your Morning Dozen email newsletter.

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    Julianna O&#039;Clair

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  • Katherine Fleming On the Getty’s Role in the 21st Century

    Katherine Fleming On the Getty’s Role in the 21st Century

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    Katherine Fleming. Julie Skarratt Photography Inc

    Though a noted scholar of Mediterranean culture, history and religion, Katherine Fleming’s love affair with the region was initially less than academic. “I could try and hook up a highfalutin’ academic answer,” she told Observer. “But the real bottom line is that when I was a teenager, I dropped out of college and took a job as a waitress at a Taverna in Crete.”

    Fleming, who grew up in Princeton, New Jersey, picked up modern Greek during her “wild, well-spent youth” on the island—a skill that in subsequent years came in handy in her studies of the humanities. “Since I had Greek, I wound up following a course of study that made it possible for me to make use of and deploy it,” she said. But for all the hinted-at shenanigans, the scholarly path she eventually followed didn’t come out of left field for Fleming, the daughter of a literary critic and Episcopal priest. After her adventures in Greece, she earned degrees at Barnard University, the University of Chicago and UC Berkeley before going on to work as a lecturer at several California universities and eventually becoming provost of New York University in 2016.

    Today, however, Fleming works in an entirely different field. Since 2022, she has been president and CEO of the J. Paul Getty Trust, the world’s wealthiest arts institution with an $8.6 billion endowment as of last year. She oversees the Los Angeles-based organization’s Getty Foundation, Getty Research Institute, Getty Conservation Institute and its two museums—alongside the 1,400 employees employed by them. Fleming was hired as a strategist to help unify the Getty’s various entities. “I spent a lot of time thinking about what it means to be a public-facing cultural institution in the 21st Century because it can mean something pretty different from what it meant even twenty-five years ago,” she said.

    A new definition of access for art institutions

    One of those shifts includes evolved ways of thinking about who should have access to fine art museums. Located in Brentwood and Malibu, the Getty Center and Getty Villa respectively showcase pre-20th-century European art and Greek and Roman antiquities from the Getty’s more than 125,000-piece collection. “The organization is going through the process of trying to think really carefully and creatively about what it means to be wealthy, on top of a hill made of marble, in one of the most expensive neighborhoods in L.A.,” says Fleming. “We have to make that place as welcoming as possible to as many people as possible and to really make the people of the city of L.A. aware of it as theirs.”

    Large white buildings pictured atop green hillLarge white buildings pictured atop green hill
    A view of the Getty Center in Los Angeles. Shane Gritzinger/FilmMagic

    By emphasizing both physical and online visitor experiences, Fleming hopes the Getty will become representative of the kinds of institutionally neutral places that one can visit for a moment of reflection. This is especially important “in an increasingly chaotic world,” says Fleming, when “people are trying to tell people what to think and how to think about things.” In addition to ensuring visitors can interpret holdings in their own ways, without an assumption that one must have attained a certain level of education or have a particular knowledge base to truly appreciate artwork, Fleming wants the Getty museums to be “a kind of public square” where people can gather to enjoy the architecture and ocean views.

    Other priorities include investing in the Getty’s public resource features, such as educational programs and teacher curriculums, and continuing major cataloguing and digitization initiatives like its work on the Johnson Publishing Company Archive. The producer of magazines including Ebony and Jet, the publishing company’s trove of images is co-owned by the Getty and the Smithsonian National Museum of African American History and stands as one of the most significant depictions of Black culture in the 20th Century, with pivotal snapshots of famous figures like Muhammad Ali, Martin Luther King Jr. and Billie Holiday. “I’m very proud to be at an organization that owns that archive and is actively working to make it as widely accessible as possible—and effectively saving that archive from going into private hands,” Fleming said.

    Exploring new models of ownership

    The Getty CEO is also proud of her decision to commit $17 million to Pacific Standard Time, an arts initiative that brings together institutions across Southern California on a five-year cycle. Renamed PST, its next edition will kick off this September with an emphasis on interactions between art and science. Another major move made under Fleming’s leadership occurred in 2023 when the Getty and London’s National Portrait Gallery jointly purchased the 18th-century Joshua Reynolds painting Portrait of Mai (Omai), which depicts the first Polynesian to visit Britain. “We are in a world in which increasingly we have shared services, we have things that rest on the premise that lots of people should have access to the same goods,” said Fleming. Acquired for $62 million, the work will travel between the two institutions for exhibitions, research and conservation.

    Large blue pool placed in the middle of courtyard surrounded by red buildings and treesLarge blue pool placed in the middle of courtyard surrounded by red buildings and trees
    The courtyard of the Getty Villa in Malibu. Nick Wheeler/Corbis via Getty Images

    Fleming’s enthusiasm for experimenting with ownership models extends beyond collaborative purchases. She cited fractional ownership platforms such as Masterworks and Artex, which offer the opportunity to acquire portions or shares of fine art, as key evolutions in an art market increasingly populated by investors and rising prices. “I don’t know yet what I think of them—it’s too early for me to make a judgment,” she says. “But I find it really, really interesting.”

    Her own artistic inclinations reflect her commitment to culture in Los Angeles. Fleming is particularly excited about the rise of L.A.-based artists, like Getty Prize winner Mark Bradford, who are playing a role in shaping the city’s artistic evolution. Other influential creators include Lauren Halsey, whose installations in the South Central neighborhood of Los Angeles address local issues and offer critiques of gentrification, and Catherine Opie, whose photography documents Californian subcultures and queer communities. It’s the artists who are driving the region’s thriving cultural growth, said Fleming, as opposed to “the ecosystems of institutions that sell or curate or present their art.”

    Amid an especially dynamic time for the Los Angeles arts community, Fleming believes the Getty needs to continue evolving and strengthening its commitment to the city it has long invested in. Fostering collaboration across the region and expanding its open-access resources are key elements of that mission—as are its plans to turn its physical campuses into more inclusive and welcoming sites. “In a place like L.A., which is so atomized and internal, people are in real need of it.”

    Katherine Fleming On the Getty’s Role in the 21st Century

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    Alexandra Tremayne-Pengelly

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  • SAG-AFTRA Members Give Near-Unanimous Approval to New TV Animation Contract

    SAG-AFTRA Members Give Near-Unanimous Approval to New TV Animation Contract

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    2023 was a labor-heavy year for the entertainment industry thanks to the Hollywood strikes. While actors, writers, and directors now have new deals, other parts of the industry are still working to ensure better conditions and AI safeguards.

    Late Friday night, it was revealed SAG-AFTRA members have fully ratified a new three-year contract for TV animation. It appears to have been a pretty high voter turnout, with 95.52% of those who voted in favor of the conditions. According to SAG, parts of this contract were boosted by the TV/Theatrical contract struck last year, such as AI protections. It’ll go into effect starting July 1 and run through June 30, 2026.

    Key AI points include performers having to give their consent when prompting a genAI system with a specific voice actor’s name. Producers will also have to notify and negotiate with SAG-AFTRA if a synthetic voice is used instead of a voice actor’s, and the previous contract’s “major facial feature” requirement has now been removed. If a performer’s voice has been digitally altered into a foreign language and that performance is used, the actor will be eligible for “all applicable residuals.”

    Outside of AI, minimum wage will increase by 7% (retroactively applied to July 1, 2023), followed by 4% in year two and 3.5% in year three. Changes to SVOD high-budget residuals (both domestic and foreign) have been fully implemented after they were previously secured in SAG-AFTRA’s TV/theatrical agreement last year, and both Martin Luther King Jr. Day and Juneteenth have been recognized as contractual holidays. Finally, the union can request up to two meetings per year with the AMPTP and studios to discuss paying performers on time.

    “The foundation of this agreement was based on the feedback we got from members who work these contracts, and that remained the negotiating committee’s focus throughout bargaining. We are proud to have delivered an agreement that offers big wins in those areas,” said TV Animation negotiating co-chairs Bob Bergen and David Jolliffe. “This is the first SAG-AFTRA animation voiceover contract with protections against the misuse of artificial intelligence.”

    Added chief negotiator Duncan Crabtree-Ireland, “This contract represents a meaningful step forward in expanding our A.I. protections. The contract provides important new terms in the areas of foreign residuals, high-budget SVOD productions, late payments and much more. I am gratified we were able to achieve these significant gains without the need for a work stoppage.”

    The labor negotiations in entertainment aren’t done yet. SAG-AFTRA is still in talks with video game studios over an agreement for video game voice actors, and organzations like local IATSE groups and the Animation Guild are expected (or currently are) having talks with the AMPTP and studios in the near future.

    You can read the full four-page breakdown of SAG-AFTRA’s new contract here.

    [via The Hollywood Reporter]


    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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    Justin Carter

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  • Barbra As Ultimate Useless White Woman in Night of the Living Dead

    Barbra As Ultimate Useless White Woman in Night of the Living Dead

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    As far as politically charged early innovators of the horror genre go, Night of the Living Dead takes the cake. Not only the template for the many zombie movies that would come after it, George A. Romero’s debut feature would set the tone for embedding political commentary in such “gory trash.” In fact, although not a zombie movie, it was only six years later that Tobe Hooper’s The Texas Chain Saw Massacre would be released. Yet another scathing commentary on the Vietnam War lying just beneath the surface. 

    With Night of the Living Dead, though, it was about more than just accenting the fact that carnage had become nothing but “titillating” news to report on. It was about the apex that the civil rights movement had reached in the late 1960s, culminating not only in numerous constitutional gains (so they said) for Black Americans, but also the assassination of Martin Luther King Jr. on April 4, 1968. This, “coincidentally,” was the year that Night of the Living Dead was released. Amid the most volatile of racial tensions, the Cold War and the U.S. government’s open slaughtering of its citizens whether at home or abroad (where many were sent to fight a losing, inane war). Romero’s decision to cast a Black actor, Duane Jones, in the lead role of a horror film was also considered groundbreaking. But who knew better than the American Black man what it was to live a 24/7 horror movie? More “scandalous” still, Jones as Ben was placed in the hero role among the rest of the all-white cast. This including Judith O’Dea, who played the part of Barbra. A part that would have, in later years, framed her as the final girl (instead, that inaugural trope would be helmed by Sally Hardesty [Elena Sanchez] in The Texas Chain Saw Massacre). But in Night of the Living Dead, the trope she instead embodies is one that has endured over many decades: the useless white woman. Not to be confused with the frivolous white woman (e.g., Betty Draper from Mad Men). 

    The film starts out in such a way as to naturally lead the viewer to believe that this is going to be a movie centered on Barbra, with the first almost fourteen minutes focused on what happens after her brother, Johnny (Russell Streiner), is attacked in the cemetery by the first “ghoul” a.k.a. zombie (played by Bill Hinzman) and Barbra must flee to some kind of safety. This turns out to be an empty (sort of) house not far from the cemetery (itself located in a rural area three hours from Pittsburgh, per Johnny’s complaints about having to travel all the way there just to place a wreath on their dead father’s grave and satisfy their mother [who got to stay home] and her quaint notions of “remembrance”). Upon encountering the mangled, eaten body of the original homeowner, Barbra starts to run outside the house again, only to encounter not only the same zombie following her, but Ben as well, himself seeking refuge from these horrifying “things,” as he calls them. No longer human. And this is an important word to distinguish the “living dead” (a phrase that also describes how the U.S. treats its minorities) from the humans. Because it’s the underlying language white people have used for centuries in their classification of Black people. What James Baldwin once referred to as the “thingification” of Black men and women during slavery. Noting how this is the only race that has ever been viewed as entirely “unhuman,” so as to “absolve” people from any sense of wrongdoing about their treatment. And it is a deeply indoctrinated perception that remains embedded in the white psyche—and, of course, never should have been permitted to happen in the first place. But with that “thingifying” of Black people, it’s no surprise that a police officer’s mere sight of a Black man would prompt him to assume him as a “ghoul,” giving automatic “license” to shoot him. As though he doesn’t have that automatic “license” every day of the week, even when a rash of dead corpses haven’t reanimated into flesh-eating zombies. 

    Barbra is perhaps able to conceal her own racism by saying not much of anything at all throughout the narrative. Even so, when Ben notices her terrified reaction—as though it might still be lingering because she’s alone with a Black man—after he closes the door behind them, he assures, “It’s all right.” What’s more, Ben is the only person she can rely on in her state. Especially now that she’s witnessed the death of her brother (though is still in denial about him being dead). Because, yes, Barbra is traumatized, entering into a trance as a coping mechanism. But it says something that she is the one who does that over Ben, accustomed, as a Black man, to not only enduring trauma all the time but being expected to grin and bear it. To “power through.” No such expectation has ever been placed on a white girl like Barbra, allowed to indulge and wallow in the shock of her trauma in a way that Ben, quite simply, is not built to. 

    Thus, he enters into a fight response, proceeding to board up all the windows to the house after realizing there’s no other options for defense. Barbra, meanwhile, is still in her scared little girl trance. Something Ben is expected to accommodate by interrupting his own state of panic to soothe her. To placate her. To, at the very least, try to shake her out of her dark reverie so that he can have the benefit of a partner assisting him in trying to survive. Foolishly, he does try to get Barbra to help out a bit with arming the place against the indefatigably hungry zombies amassing outside, smelling live people the way bears can sniff out food from miles away. As he riffles through kitchen drawers looking for something useful (since Barbra damn sure ain’t), Barbra continues to stare at him blankly, doing absolutely nothing except making the situation worse with her unapologetic uselessness. Finally, Ben gets so irritated by it that he spells out, “Why don’t you see if you can find some wood, some boards, something there by the fireplace, something we can nail this place up?” When she responds by approaching him silently, almost like a zombie herself, Ben snaps and starts to scream, “Goddam—!” stopping himself to try a gentler, more empathetic tack. He tells her, “Look, I know you’re afraid. I’m afraid too. But we have to try to board up the house together. Now, I’m going to board up the windows and the doors, do you understand? We’ll be all right here till someone comes to rescue us. But we’ll have to work together. You’ll have to help me.” Turns out, Ben forgot how much a useless white woman doesn’t have to do anything. Especially help out a Black man. 

    The rhetoric of Ben repeating his line about needing to work together comes up more than once, and it’s indicative, yet again, of the times. When leading faces of the Black civil rights movement, including King and Baldwin, were imploring white folks to recognize Black people as their fellow brothers and sisters. To, at long last, work with them rather than against them. But that didn’t happen in real life, and it certainly didn’t happen in Night of the Living Dead, where Ben is met with resistance at almost every turn. Particularly when the basement hiders in the house, led by Harry Cooper (Karl Hardman), emerge. Indeed, the fact that they heard all of the noise plus Barbra’s screaming upstairs and did nothing except continue to hide is yet another metaphor for white uselessness in a Black person’s world. At the minimum, Tom (Keith Wayne), is willing to be more helpful. And more adhering to Ben’s inherent leadership role. Something Harry obviously doesn’t feel obliged to relinquish, assuming he’s the one who should be listened to as the eldest white man. 

    Before they enter the scene, however, Ben actually does end up appearing to miss the form of Barbra’s uselessness that kept her mute because, once she starts talking lucidly, she becomes even more of a shitshow. Initially retelling the story of what happened to her brother with an air of calmness, Barbra grows gradually more frantic and, yes, hysterical. This prompts Ben to urge, “Maybe you oughta calm down.” In other words, Oh god, please go back to your fugue state. As her hysteria mounts, she insists they go find her brother, who she also insists is still alive. After enough of this, Ben socks her in the face, a look of satisfaction forming as he seems to view Barbra as the representation for all such previous demanding but useless white women he’s had to deal with in the past. 

    As for Tom’s girlfriend, Judy (Judith Ridley), she, too, proves to be the worst kind of useless in that she actually wields that uselessness as a means to bring others down. Namely, Tom…as she goes against the plan to stay inside while Tom and Ben run out to fill the car with gas so they can escape. Instead of just letting him go, Judy latches onto him. As a result, she later ends up slowing him down when her jacket gets caught in the truck—enough time for the fire that’s started around it to make the whole car go up in flames. Leaving behind the perfect “barbeque dinner” for the surrounding zombies. Still, Judy did at least watch Harry and Helen’s (Marilyn Eastman) “sick” child, Karen (Kyra Schon), in the basement when they asked her to. That was far more than the likes of “paralyzed” Barbra could ever offer. Shit, even a white girl like Marnie Edgar (Tippi Hedren) could function through her trauma so long as she wasn’t triggered by the color red. Not Barbra though. She does fuck-all to help Ben, who does the real labor to survive and, in the end, is met with a crueler fate than Barbra being swarmed by zombies and seeing her undead brother among them. 

    And yet, though it’s sad to say, no amount of Barbra’s assistance likely would have been able to prevent Ben from being met with the average American Black male death: cold-blooded murder by a white person in a position of authority.

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    Genna Rivieccio

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  • Americans Explain How They Would End The Israel-Hamas War

    Americans Explain How They Would End The Israel-Hamas War

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    “Off the top of my head? I’d probably concentrate billions of dollars into the hands of a few international defense contractors and I suppose I’d call them Raytheon, Boeing, and Lockheed Martin, and then—gosh, I don’t know—I’d let them dictate U.S. foreign policy through gratuitous lobbying, and—just spitballing here—destabilize and antagonize nearby nations to protect our oil interests while providing unconditional aid to Israel, and then I guess I’d enable those defense companies to indiscriminately bomb the shit out of Gaza, and on top of all that, I guess I’d write a $14.5 billion check to Netanyahu for good measure.”

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  • Robert F. Kennedy Jr. Promises to Spoil the Election

    Robert F. Kennedy Jr. Promises to Spoil the Election

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    Three words told the story. Robert F. Kennedy Jr.’s campaign had billed this afternoon’s event in Philadelphia as a “much-anticipated announcement.” Of course, that specific phrase may have been more true than intended.

    Ever since Kennedy entered the Democratic presidential primary race in the spring, observers had been anticipating that he’d one day announce his honest intentions as a 2024 candidate. Given Kennedy’s rhetoric, his positions, and his support from conservative operatives, was he really running as a Democrat? A couple thousand people—supporters, journalists, campaign volunteers, people with nothing to do—trekked to Philly to find out.

    The candidate was nothing if not on message. Standing in front of a backdrop that read DECLARE YOUR INDEPENDENCE, Kennedy looked out at Independence Hall as he spoke of “a new declaration of independence for our entire nation.” He rattled off a list of everything we’d soon be independent from: cynical elites, the mainstream media, wealthy donors. (Though, presumably, not the same wealthy donors who recently raised more than $2 million for him and his super PAC at a private estate in Brentwood, California, with help from his friend Eric Clapton). Onstage, Kennedy formally declared his independence “from the Democratic Party and all other political parties”—perhaps an unsubtle way to shoot down speculation that he might change his mind and run as a Libertarian, or even a Republican. As his wife, Cheryl Hines, said a bit cryptically before her husband took the stage: “Are you really ready for Bobby Kennedy?”

    Kennedy, whom many came to know as a Boomer environmentalist, was the star of this mellow show with a distinct ’60s campus vibe. At one table, attendees were invited to literally sketch their vision of the future on blank sheets of paper with colored pens. Throngs gathered on the grass in front of the National Constitution Center and were led in a Native American tribal dance, followed by the inoffensive piano stylings of Tim Hockenberry, who covered “Jersey Girl” in a Springsteen growl. Outside the entrance, enterprising vendors sold an array of Kennedy memorabilia: buttons that read RESIST INSANITY, RAGE AGAINST THE PROPAGANDA MACHINE, and FIT TO BE PRESIDENT, featuring a photo of a buff, shirtless Kennedy. One attendee waved a giant black-and-white flag with a message for their fellow Kennedy-heads: WE ARE THE CONTROL GROUP. Many people wore fedoras.

    They came from all over. Michael Schroth, 69, and his wife, Luz, had taken a 4:30 a.m. bus down from Boston. Schroth told me he voted for Barack Obama twice, but also voted for the third-party candidate Ralph Nader twice, as well as Jill Stein in 2016. “I look for the best candidate, and I don’t care if they’re going to win or not. It’s getting the idea out,” he said. Chris Devol, 56, from Phoenixville, Pennsylvania, was wearing a Philadelphia Eagles hoodie and smiling ear to ear as he awaited Kennedy’s arrival. Devol told me he had voted for the third-party candidate Ross Perot in 1992, and that although he wasn’t sure whether he’d support Kennedy next November, he “100 percent” supported the idea of him competing in the Democratic primary. An elderly woman named Barbara (last name withheld), a retired teacher from Lansdowne, Pennsylvania, told me she believed that President Joe Biden wasn’t doing anything to address the nation’s drug problem. She said a bag of fentanyl was recently found on the steps of her local church, then asked me if I was familiar with the Boxer Rebellion.

    Prior to Kennedy’s address, Rabbi Shmuley Boteach, one of the opening speakers, asked for a moment of silence to honor the violence of this past weekend. Someone in the crowd yelled out “Warmonger!” Another screamed, “Free the Palestinians!” Boteach acknowledged neither individual, and said he greatly respects Kennedy, who has been accused of anti-Semitism, as a man of faith. Later, Kennedy said he had arrived at a place where he was serving only his conscience, his creator, and “you”—the voters.

    This afternoon marked the culmination of what he described as a “very painful” decision. He noted his long-standing ties to the Democrats, the party of his family, which he casually referred to as a dynasty, before tearing into the tyranny of the two-party system. For weeks, Kennedy had been attacking the Democratic National Committee for “rigging” the primary process. (The DNC has refused to hold primary debates, as is custom when a party’s incumbents are running for reelection.) Kennedy has been polling in the double digits against Biden, but his support hasn’t grown meaningfully since he launched his campaign. As of last Friday, according to the FiveThirtyEight average, Kennedy was polling at 16.4 percent compared with Biden’s 61.2 percent. Four of his siblings—Kerry Kennedy, Rory Kennedy, Joseph P. Kennedy II, and Kathleen Kennedy Townsend—issued a statement today denouncing their brother’s newly independent candidacy, calling his decision “perilous for our country.” Kennedy acknowledged the challenge ahead of him. “There have been independent candidates in this country before,” he said. “But this time it’s going to be different.”

    Kennedy is the second candidate in as many weeks to go rogue. Cornel West dropped his Green Party affiliation in favor of an independent bid, telling The New York Times, “I am a jazz man in politics and the life of the mind who refuses to play only in a party band!” Though neither Democrats nor Republicans seem particularly worried about the candidacies of West or Marianne Williamson, Kennedy is different. “The Democrats are frightened that I’m going to spoil the election for President Biden, and the Republicans are frightened that I’m going to spoil the election for President Trump,” Kennedy said. He waited for a strategic beat. “The truth is, they’re both right.”

    All year long, mainstream Democrats have tried to pretend that Kennedy simply doesn’t exist, with mixed results. Both the Biden campaign and the DNC declined to comment today on Kennedy’s switch. The RNC, for its part, blasted out a list of “23 Reasons to Oppose RFK Jr.,” and reports have been circulating that Trump’s allies are preparing to pummel Kennedy with opposition research. Last week, the election analyst Nate Silver argued that Kennedy’s independent run won’t necessarily hurt Biden, and it might even help him. David Axelrod, the chief strategist of Barack Obama’s campaigns, took a different view. “I think anything that lowers the threshold for winning helps Trump, who has a high floor and low ceiling [of support,]” Axelrod told me.

    Kennedy tantalized the crowd with nuggets that purport to make the case for his electability: “I have seen the polls that they won’t show you.” He pointed out that 63 percent of Americans want an independent to run for president. Though he didn’t cite the origin of this statistic, it aligns with recent Gallup polling, which also showed that 58 percent of Republicans endorse a third U.S. political party, up from 45 percent last year.

    Kennedy has built his candidacy, and his career as a lawyer and writer more broadly, on the idea that there are lots of things “they won’t show you.” As I wrote in a profile of Kennedy this summer, he has promoted a theory that Wi-Fi radiation causes cancer and “leaky brain,” saying it “opens your blood-brain barrier.” He has suggested that antidepressants might have contributed to the rise in mass shootings. He told me he believes that Ukraine is engaged in a “proxy” war and that Russia’s invasion, although “illegal,” would not have taken place if the United States “didn’t want it to.”

    “He’s drawing from many of those Trump voters—the two-time Obama, onetime Trump—that are still disaffected, want change, and maybe haven’t found a permanent home in the Trump movement,” Steve Bannon told me as I was reporting the profile. “Populist left, populist right, and where that Venn diagram overlaps—he’s talking to those people.”

    The reality is that Kennedy will have an extremely hard time even getting his name on the ballot. The GOP “dirty trickster” Roger Stone, who earlier this year was accused of being among those propping up Kennedy’s candidacy (something he has repeatedly denied), told me in a text message that Kennedy faces a “Herculean task” with “50 different state laws written by Republicans and Democrats working together to make ballot access as difficult as possible.” Even if Kennedy is right and voters are looking for a true alternative to Trump and Biden, mathematically, Kennedy’s path to 270 electoral votes is almost incomprehensible.

    Nevertheless, he said he believes that he is at the start of a new American moment. “Something is stirring in us that says, It doesn’t have to be this way,” Kennedy said onstage. He nodded to Martin Luther King Jr.’s “I’ve Been to the Mountaintop” speech from the eve of his assassination and quoted Abraham Lincoln quoting Jesus Christ: “A house divided cannot stand.” He said that the left and the right had become “all mixed up.” He said that he was proud to count those on both sides of the abortion debate among his supporters, in addition to “climate activists” and “climate skeptics,” and, of course, the “vaccinated” and the “unvaccinated.” Perhaps saying the quiet part out loud, Kennedy said it would be very hard for people to tell “whether my administration is left or right.” He had no shortage of curious metaphors. He promised not just to “take the wheel,” but to “reboot the GPS.” The nation’s two-party system? “A two-headed monster that leads us over a cliff.” And, in case it wasn’t clear: “At the bottom of that cliff is the destruction of our country.”

    When I interviewed Kennedy for the profile, I asked him what he thought would be more dangerous for the country: four more years of Biden, or another Trump term. “I can’t answer that,” he said.

    Around that time, I asked his campaign manager, Dennis Kucinich, if Kennedy was committed to running solely as a Democratic candidate.

    “He’s running in the Democratic primary,” Kucinich responded.

    “So, no chance of a third party?”

    “He’s running in the Democratic primary.”

    “Gotcha. And nothing could change that?”

    “He’s running in the Democratic primary.”

    Today, after Kennedy finished speaking, Kucinich briefly seized the mic and led the crowd in a building, dramatic chant:

    “I declare my independence!”

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    John Hendrickson

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  • “Tell Them About The Dream, Martin!” Mahalia Jackson

    “Tell Them About The Dream, Martin!” Mahalia Jackson

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    On August 28, 1963, The March on Washington for Jobs and Freedom drew a quarter of a million people to the nation’s capital in order to protest racial discrimination and advocate for equal rights and opportunities for Black citizens. It is rightly considered a milestone in the civil rights movement of the 1960s and remains a perpetual source of inspiration and courage. It also led to the passing of the Civil Rights Act of 1964, which the U.S. Department of Labor describes as prohibiting “discrimination on the basis of race, color, religion, sex or national origin.”


    A consortium of activists, labor unions, and community leaders organized the March, which culminated at the Lincoln Memorial. Speeches were given by, among others, future Congressman John Lewis, Walter Reuther, head of the United Auto Workers, and – most memorably – the Reverend Dr. Martin Luther King, Jr.

    Dr. King’s words ring out through the decades:

    Now is the time to make real the promises of democracy. Now is

    the time to rise from the dark and desolate valley of segregation

    to the sunlit path of racial justice. Now is the time to lift our

    nation from the quicksands of racial injustice…

    In the course of Dr. King’s remarks, Gospel Singer Mahalia Jackson called out, “Tell them about the dream, Martin!” Dr. King put aside his prepared text and – speaking informally and directly from the heart – did just that.

    I have a dream that one day on the red hills of Georgia, the sons

    of former slaves and the sons of former slave owners will be

    able to sit down together at the table of brotherhood. I have a

    dream that one day even the state of Mississippi, a state

    sweltering with the heat of injustice, sweltering with the heat of

    oppression, will be transformed into an oasis of freedom and

    justice. I have a dream that my four little children will one day

    live in a nation where they will not be judged by the color of

    their skin but by the content of their character.

    America has made great strides toward realizing Dr. King’s dream – but has also signally failed to live up to its potential as a haven for all. The current state of the Body Politic, wracked with hatred and ignorance, is proof positive that his good work is not yet done.

    One very important means of continuing his work is by exercising the right to vote. If you doubt the power of voting, look at the many ways the enemies of freedom attempt to steal, subvert, or destroy it.

    Therefore, it is fitting that on November 3rd, 2023 (Election Day), Netflix will premiere Rustin at in select theatres across America. The film – Executive Producers: Barack and Michelle Obama’s Higher Ground Productions – is based on the life of Black leader and activist Bayard Rustin (1912-1987). One of the main organizers of the August 1963 March on Washington, Rustin’s story is not only about race and politics. As a gay Black man, he faced additional challenges in both white and African-American communities.

    RUSTIN | Official Teaser Trailer | Netflixwww.youtube.com

    Directed by DGA award and five-time Tony Award winner George C. Wolfe (Ma Rainey’s Black Bottom) and starring Emmy Award winner Colman Domingo, Rustin shines a long overdue spotlight on the extraordinary man who, alongside giants like the Reverend Martin Luther King Jr., Adam Clayton Powell Jr., and Ella Baker, dared to re-envision our entire world, and ignited a movement with a mighty march toward freedom. Produced by Academy Award winner Bruce Cohen, Higher Ground’s Tonia Davis, and George C. Wolfe, the film features an all-star cast including Chris Rock, Glynn Turman, Jeffrey Wright, and Audra McDonald.

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    Popdust Staff

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  • The Evolution of DEI

    The Evolution of DEI

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    By J. Brian Charles
    How the vision of a gathering of Black college administrators created a movement that is now under attack.

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    J. Brian Charles

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