ReportWire

Tag: longform

  • The Best Black List Movies Ever Made

    [ad_1]

    Every year, The Black List publishes a list of the most notable unproduced screenplays in Hollywood. (They take pains to note their picks should not be looked at as the “best” screenplays; instead, they describe them as the “most liked” scripts, based on a survey of various executives from throughout the world of movies.)

    2025 marks the 20th anniversary of the first Black List, which was assembled by development executive Franklin Leonard. In the decades since, the Black List has become an annual event anticipated by the entire movie business. Literally hundreds of screenplays that have appeared on the Black List has been made into movies (and, to a lesser extent, TV shows).

    Some of those films didn’t quite pan out — sometimes a script went unproduced because it was too challenging or too bold, and when it was finally adapted, those appealing edges were sanded down. But a large percentage of Black List screenplays that became films turned out pretty darn well. Four Black List scripts have even won the Academy Award for Best Picture.

    A couple of those movies appear on the list below, my picks for the 15 best movies made from Black List scripts. (There are ten more honorable mentions below that — like I said, a lot of good Black List movies had been made in 20+ years.)

    The Best Black List Movies

    The best films made from scripts that appeared in the annual “Black List” survey up unproduced screenplays.

    Honorable Mentions (In Alphabetical Order): Arrival, Blockers, Booksmart, Burn After ReadingEasy A, Edge of Tomorrow, Michael ClaytonSlumdog Millionaire, Take This Waltz, Whip It

    READ MORE: The Most Shocking Disneyland Incidents Ever

    The New York Times Picks for the Best Movies of the 21st Century

    Critics and filmmakers voted and chose the top films of the century so far.

    [ad_2]

    Matt Singer

    Source link

  • The Best Movie of Every Year for the Last 100 Years (According to Letterboxd)

    [ad_1]

    If you find me using my phone at any random point in the day and ask “What are you looking at?” odds are pretty good the answer is Letterboxd. Part social media, part movie database, Letterboxd lets you log, rate, and review movies you watch, and follow your friends to keep tabs on what they’re logging, rating, and watching. I check it multiple times every single day.

    One of the coolest parts about Letterboxd is the fact that it gives users the ability to sort its massive film database in countless ways. Want to see every movie available on a certain streaming service? No problem. Or scroll through all the films made in 1963, listed in order of length? Easy peasy!

    You can also sort their database according to user ratings, either your own or the average score compiled from the millions of Letterboxd users around the globe. And you can do that for every single year since the invention of cinema — meaning it’s very simple, with just a couple of clicks, to see the top-rated movie on Letterboxd from every dating back to the earliest days of movies, when audiences supposedly ran screaming out of the theater at the sight of a train barreling towards the camera.

    That’s how I assembled the list below, which contains the #1 movie of every single year going back 100 years. Note that I excluded the occasional TV miniseries or anime or concert specials that sometimes popped up; this is a list of films and films only.

    Also note now many titles, especially in the early decades of the list, are available on Criterion Collection Blu-rays and 4Ks. I s that because the Criterion Collection has impeccable taste? Or because the Collection (and the Criterion Channel streaming service) are the only access many people have to works of classic cinema?

    It could be a bit of both. Like the chicken and the egg we may never get to the bottom of this question. But if you start scrolling now, you will get to the bottom of this list … eventually. (Fair warning, it’s pretty long.)

    The Best Movie of Every Year for the Last 100 Years (According to Letterboxd)

    According to the users of the movie website Letterboxd, here is the single best movie of every year dating all the way back to 1925.

    READ MORE: The Best Movies of Summer 2025

    The New York Times Picks for the Best Movies of the 21st Century

    Critics and filmmakers voted and chose the top films of the century so far.

    [ad_2]

    Matt Singer

    Source link

  • I Ate ‘Only Murders in the Building’ Mystery Dip

    [ad_1]

    It’s not every day that someone mails you a briefcase full of dip.

    But earlier this week a package arrived at my doorstep with a metal box inside. It contained dip. And not just any dip … streaming TV show branded dip.

    It is officially called “Oliver’s Dip,” and it is inspired by the TV series Only Murders in the Building which, coincidence of coincidences, just returned for its fifth season on Hulu. If you’re a fan of the show (and I am), you know that Oliver Putnam, the character played by Martin Short, loves dips. They’re basically all he eats. To him, a dip is a meal unto itself; a bold stance that I, for one, wholly endorse. So a dip in Oliver’s honor makes a lot of sense.

    But the folks at Tostitos took things even further. They not only gave Oliver his own dip, in keeping with Only Murders in the Building’s subject matter, they also kept the flavor of said dip a secret. Yes, this is mystery dip for a mystery television show.

    The only thing that’s not a mystery here is why they sent some to me. It’s because I have, through no fault of my own, become a connoisseur of foods based on movies and television shows. Just a few days ago I guzzled Child’s Play soda. Today I’m gonna eat Only Murders in the Building dip. What a life I lead. My children are confused by my job on a daily basis. (To be honest, so am I.)

    In another curious twist, Oliver’s Dip is not available in stores at this point. The only way to get some is through Tostos’ Instagram account.

    READ MORE: I Drank All of Fanta’s Slasher Movie Sodas

    Let’s go in for a closer look.

    Tostitos’ Only Murders in the Building Mystery Dip

    In honor of the hit mystery series on Hulu — where Martin Short’s character loves dips — Tostitos has created “Oliver’s Dip.” Its flavor is a mystery.

    Now I have eaten mystery themed food before; a couple years ago, Netflix and Van Leeuwen made a mystery ice cream flavor in honor of Glass Onion. That was, well, disgusting. (It was onion ice cream. Onion!!) So no matter what this mystery dip is, it couldn’t possibly be that bad, right? Right?

    Let’s find out. You can see (and hear!) inside the case, and watch my reaction to sampling Oliver’s Dip for the first time, below.

    I tip my cap to the Tostitos folks for going way above and beyond on theming here. I can’t say the flavor set my heart aflame (or, more importantly, given its jalapeño contentmy mouth on fire), but a mystery dip for Only Murders in the Building is precisely the sort of deranged idea that I would suggest if someone slapped the show’s logo on a bag of plain old pretzels and called it a day.

    Now if only someone would create some Brazzos peanut brittle, I’d be really happy.

    The Most Ridiculous Movie Tie-In Food Ever Made

    Our intrepid gastrocinematic reporter ranks the wildest foods inspired by movies.

    [ad_2]

    Matt Singer

    Source link

  • The Story of Netflix’s ‘Unknown Number’ Is Shocking. So Are the Film’s Choices.

    [ad_1]

    The following post contains spoilers for Unknown Number: The High School Catfish.

    The #1 movie on Netflix today isn’t Kpop Demon Hunters or the streaming service’s glossy new adaptation of the best-seller The Thursday Murder Club, or even Shrek. (Shrek is currently the #3 movie on all of Netflix right now, by the way. That damn ogre really is an all-star.)

    No, the #1 Netflix movie right now is a little true-crime documentary called Unknown Number: The High School Catfish. Once you hear the premise, which sounds like a horror movie come to life, it’s not hard to understand why.

    A teen couple from a tiny town in Michigan are targeted by an anonymous cyber stalker, who sends hundreds of harassing, vulgar, and even threatening text messages over the course of several years. The person sending the text appears to be intimately familiar with private details of the couple’s life, suggesting the criminal is someone they know or even love, but every obvious suspect has an alibi. Blocking the offending number doesn’t work because the perpetrator is using a messaging app that disguise their identity. The local police are baffled. The texts go on and on, even after the couple breaks up.

    READ MORE: Netflix’s Titan Documentary Is a Disturbing Cautionary Tale

    The facts of the case are already compelling even before you consider the specifics of the film, which was directed by Skye Borgman. The production gained access to essentially every major player in this tawdry drama, including the young man and woman who were cyber stalked, both their sets of parents, all of the other young people they associated with, the principal and superintendent of their school, the law enforcement officials who investigated the crime, and even a classmate who was suspected of being the culprit when initial evidence pointed in her direction. (It turned out she was framed by the actual catfisher.)

    The real-life participants in these events not only sat down for interviews with Borgman, they reenacted a lot of what took place for her camera. Unknown Number is filled with slow-mo sequences in moodily lit bedrooms and high school hallways where teens and parents look warily at their phones.

    Reenactments are nothing new in documentary films, and while they are typically performed by actors, it’s not unheard of for a doc’s subjects to play themselves on camera. But I am not sure I have ever seen a doc take the additional step that Unknown Number did, which was to have the person who ultimately confessed to the crimes and pled guilty to two counts of stalking a minor — who (again, spoiler alert) turned out to be Kendra Licari, the mother of the female victim — actively participate in the creation of the film, not only as an interview subject but as one of the performers in the reenactments. 

    That’s Licari in the image above and the one at the top of this article, lounging on a sofa in the dark, apparently recreating one of the moments where she allegedly sent her own daughter one of these texts — messages which ranged from insulting her physical appearance to telling her to kill herself. Licari’s actions are unfathomable, but the decision to have her literally perform them for the camera in the movie is almost as shocking.

    From a storytelling perspective, it’s not difficult to understand why Licari was included. If every single person in this story appeared except for her, she would emerge as a glaring suspect almost immediately. Instead, the fact that we see her in early scenes speaking lovingly about her daughter and their relationship makes it seem like she couldn’t possible have been involved. That, in turn, makes even more mind-boggling when it’s revealed that she was the one who eventually went to prison. (Licari was released in August of 2024.)

    Unknown Number: The High School Catfish. Cr. Courtesy of Netflix © 2025

    Netflix

    Speaking with Netflix’s own news outlet Tudum, Borgman had this to say about Licari’s role in the doc….

    ‘It was a long process with Kendra,’ Borgman recalls of the efforts it took to get her on board, adding that she eventually agreed to the opportunity to directly speak to questions circling around the case. ‘That was appealing to her, [to] sit down and tell her story from her perspective and that Lauryn [could] see her do that. She wanted to do it, I think, for her daughter.’

    It may be worth noting here that according to Unknown Number, Licari is not permitted to meet with her daughter following her release from prison, where, again, she served time for the crime of stalking her own child.

    I suppose it’s only fair to let Licari give her side of the story. In interviews, she offers a variety of defenses and excuses for her actions. At one point, she argues that “a lot of us have probably broken the law at some point or another and not gotten caught,” and gives the example of a person who drives drunk but never gets pulled over. In another, she states that she was “in an awful place mentally” at the time. She also insists that someone else sent the initial text messages that began the whole episode and that she only started sending more of them herself at a later date, a claim others in the documentary treat with skepticism. Right before the doc ends, she also reveals she was abused as a teenager herself, and that parenting a high-school-age daughter dredged up painful memories of her own trauma.

    Unknown Number: The High School Catfish. Cr. Courtesy of Netflix © 2025

    Netflix

    But I am not sure any of her explanations show any true remorse, and the scenes showing Licari recreating illegal acts add nothing to the film, certainly not enough to justify the thorny ethical issues raised by doing so. Nothing is clarified by watching Licari peering down at a cell phone from the shadows — or, for that matter, by having the victims of these crimes relive them on camera for a mass streaming audience. The line between education and exploitation gets awfully murky at times.

    The widespread attention Unknown Number is getting has prompted a debate around kids’ access to cell phones, and the ease with which those tools can be used as weapons. That’s an important conversation, but I hope at some point there’s also a discussion around how this movie uses these people as well, mostly in the service of a cheap twist and creating “good television.” I think this documentary needs a documentary of its own. How did this movie get made in this way?

    12 Great Netflix Movies You Never Watched

    There are so many movies on Netflix a lot of them fall through the cracks. Don’t miss out on these films.

    [ad_2]

    Matt Singer

    Source link

  • The Most Dated Disneyland Rides

    [ad_1]

    When I took my kids to Disneyland for the first time earlier this year, they immediately understood why it’s known as The Happiest Place on Earth. We had a great day at the park — but what they loved and what I loved when I went there as a kid did not always sync up.

    In fact, some of my childhood favorites elicited some of the biggest shrugs from my own children. (Don’t worry; I grounded both of them for the unforgivable sin of daring to disagree with me about the merits of various Disneyland rides.) Several iconic Disneyland attractions delighted them; they adored Pirates of the Caribbean and they still talk about how we loved Space Mountain so much we went on it twice. (Then we had Dole Whip at midnight, because I am incredible father.)

    Meanwhile, other supposed Disneyland classics did nothingc for them, and it wasn’t until I saw those rides through their eyes that I could recognize just how dated some parts of Disneyland have become.

    Keep in mind: Dated doesn’t necessarily mean bad. Part of the reason people (and by people I mean me) return to Disney’s parks is to revisit the attractions of their youth, and to get back in touch with the way those rides made them feel. A state-of-the-art technical marvel will never be able to do that.

    So I can acknowledge that the rides and attractions listed below might be a bit past their sell-by date. But that doesn’t make me like them any less — and in some cases, it only makes me love them more. Nostalgia is funny like that sometimes. With that in mind, here are the 12 most dated Disneyland rides and attractions, listed in the order they opened at the park.

    Jungle Cruise
    Debuted: July 17, 1955

    Our very first stop during that recent family trip to Disneyland was the Jungle Cruise. To me, it’s quintessential Disney: Elaborate theming, tons of animatronics, and non-stop Dad jokes provided by a quippy boat captain. Despite various refurbishments, the ride was basically as I remembered it, and I had a great time reliving my childhood Jungle Cruise memories. My kids, on the other hand, were mostly baffled. This is Disneyland? A slow-moving boat ride through an endless river sparsely populated by some unconvincing robotic critters? Why not real animals? Why not some thrills? To a kid who wasn’t raised on the Jungle Cruise (and who does not get the references to the 75-year-old movie The African Queen) it does look pretty old fashioned — and that’s despite the fact that Disney already removed the attraction’s dated cultural stereotypes.

    Mr. Toad’s Wild Ride
    Debuted: July 17, 1955

    Likewise, I dragged my kids onto my favorite old school Disneyland attraction, Mr. Toad’s Wild Ride. As we waited in line, I explained its history and appeal: How it is one of the few remaining attractions from Disneyland’s opening day, how it contains a shockingly dark sense of humor for the family-friendly park, how it ends with you literally getting struck by an oncoming train and sent to Hell. The nodded politely, hopped aboard the ride, and walked away asking how any of what they had experienced qualified as “wild.” And even I have to admit: As amusingly bleak as its story remains, the ride itself — an animatronic-free tour through a bunch of painted flats — is not exactly cutting edge.

    READ MORE: 15 Once-Beloved Disney Rides That No Longer Exist

    Main Street Cinema
    Debuted: July 17, 1955

    A movie theater has been a fixture on Disneyland’s main thoroughfare since the day Disneyland opened its doors in 1955. Originally the theater played all sorts of silent films, but eventually it settled into the attraction that remains today: A large room with screens lining the walls that cycle through a selection of classic Disney cartoons. For the vast majority of visitors, a trip to Main Street Cinema is the lowest of priorities; I’m not sure anyone cares about these vintage animated shorts anymore, which is why I’m a little surprised Disney hasn’t closed the theater to make room for another store or restaurant. Still, the programming does help to create the nostalgic mood that Main Street is meant to evoke and if you need a few minutes to decompress, it’s a nice place to chill out.

    Frontierland Shootin’ Exposition
    Debuted: July 17, 1955

    It’s hard to conceive of a more old-fashioned theme park attraction than a shooting gallery — and a little hard to believe that Disneyland still has one 70 years after the park opened. But while Walt Disney World’s version of the Frontierland Shootin’ Arcade shut down for good in 2024, Disneyland (and Tokyo Disneyland and Disneyland Paris) still maintain theirs. Although the guns now fire infra-red light instead of the lead pellets of yesteryear, the very idea of giving kiddies a big ol’ rifle and letting them blast away at a bunch of old timey Western targets would immediately get shot down today. (Every possible pun intended.)

    Storybook Land Canal Boats
    Debuted: July 17, 1955

    Another leisurely boat ride from Disneyland’s earliest days, back when the big selling point for attraction could be something as benign as “What if we made something that was … extremely small?” The Storybook Land Canal Boats take around five minutes to glide past a series of iconic Disney locations in miniature like the palace from Aladdin and the dwarfs’ house from Snow White, all while a guide describes the pastoral scenes. The very idea that the attraction, like the Jungle Cruise, is hosted by a flesh-and-blood human and not an audio recording, feels like something lifted from a bygone era — because that’s exactly what it is. (Even the marketing copy on the official Disneyland website describes the ride as a “gentle” boat tour, a word it’s hard to imagine the company using as a selling point for a new attraction today.)

    Casey Jr. Circus Train
    Debuted: July 31, 1955

    Actually, looking at a bunch of miniatures was a big enough selling point for two O.G. attractions. The Casey Jr. Circus Train tours the exact same Storybook Land area as the Canal Boats, albeit in about three or four minutes instead of five or six, and with its own soundtrack of music and effects from its cinematic inspiration, 1941’s Dumbo. The ride was already dated enough in the 1990s that when Disney transported it to Europe for the Fantasyland of Disneyland Paris, they turned the basic concept into a kid-friendly roller coaster. And that was 30 years ago.

    Davy Crockett Explorer Canoes
    Debuted: July 4, 1956

    Davy Crockett was basically the Marvel Cinematic Universe of the 1950s. Disney’s Davy Crockett TV miniseries was so popular it sparked a merchandizing bonanza, including rabid sales of Crockett’s signature coonskin cap, and inspired multiple Disneyland attractions based on various episodes. While the Mike Fink Keel Boats closed up shop in the late ’90s, Disneyland guests today can still (seasonally) ride the Davy Crockett Explorer Canoes, which are not powered by electricity or gas but by guests’ arms, as a pair of guides order their riders to row their little guts out as they circle the Rivers of America (and dodge the lumbering Mark Twain Riverboat, which shares the same waterway).

    Every single aspect of this attraction is hopelessly dated – from the lack of a track you have to follow, to the small but persistent threat of falling into the water, to the 70-year-old theming inspired by a man who lived 250 years ago, to the snarky guides who do more yelling at you than rowing. And I have to tell you: That is why I adore it. If you want to actually get a feel for what Disneyland was like 70 years ago, grab an oar and head out on an Explorer Canoe. It’s kind of an unforgettable experience.

    Disneyland Monorail
    Debuted: June 14, 1959

    In the 1950s, Disneyland’s monorail seemed like a preview of a bright future of clean public transportation. Today, the monorail, with its sleek design and solid safety record, serves more as a reminder of how crappy (and dirty) that future turned out to be. While the Monorail at Walt Disney World and even Tokyo Disney Resort both play a vital transportation function, shuttling guests between the various parks and hotels, the one in Disneyland is largely ornamental, circling between a station inside the park and one in the Downtown Disney shopping district. Even the endless track loop feel like a dated but very fitting summation of where all that hopeful optimism of the past got us.

    Adventureland Treehouse
    Debuted: November 18, 1962

    When I was a kid, this was known as the Swiss Family Treehouse, based on the central location from the 1960 Disney movie Swiss Family Robinson. It was literally a treehouse. That’s it. 

    In 1999, Disney rethemed the walkthrough attraction to their new Tarzan animated movie. A few decades later, Tarzan was just as musty as the Swiss Family Robinson so it was time for a new theme. But while the house now has a new name “Adventureland Treehouse — Inspired by Walt Disney’s Swiss Family Robinson” the idea remains the same as the original from 60+ years ago, and guests still just wander up and through the elaborate structure. Like Davy Crockett Explorer Canoes, the combination of old theme, old source material, and the sheer number of stairs (“You mean I have to walk? Like, with my own legs?!?”) all make the Treehouse seem like a charmingly quaint throwback.

    Great Moments With Mr. Lincoln
    Debuted: July 18, 1965

    After dazzling audiences at the 1964 New York World’s Fair, Walt Disney packed up his Great Moments With Mr. Lincoln attraction — and its cutting-edge (for 1964) audio-animatronic of Abraham Lincoln that could stand from a seated position — and brought it out to Disneyland. It’s remained there, off and on, since 1965 in various shows and formats.

    When I saw it a few years ago, the whole Great Moments With Mr. Lincoln performance was as creaky as a 60-year-old robot. Me and a handful of guests who wandered into the Main Street Opera House were subjected to a lengthy history lesson about Lincoln and the United States, followed by an appearance from an updated Lincoln Audio-Animatronic, who still stood from his chair to deliver a rousing speech about freedom and patriotism. While Great Moments With Mr. Lincoln is currently closed to make room for the debut of the new Walt Disney — A Magical Life show (featuring an Audio-Animatronic Walt Disney, which doesn’t look all that much more convincing than the Lincoln one), the old show is expected to return “on a rotating basis” in the Main Street Opera House at some point in the future.

    Roger Rabbit’s Car Toon Spin
    Debuted: January 26, 1994

    Who Framed Roger Rabbit became a true pop cultural phenomenon in the late 1980s, and its blend of live-action and animation still looks magnificent almost 40 years later. But the movie itself never became a full-blown franchise; Disney produced no sequels and only made this one theme park attraction based on the film. That alone makes Roger Rabbit’s Car Toon Spin feel like a little bit of a relic. The actual ride itself doesn’t help in this area either, as it’s a basic Disney dark ride with the added twist that starting midway through the attraction, guests can spin their ride vehicle.

    It’s a fabulous idea, but the execution is really underwhelming. If the cars ever spun properly, they don’t anymore. Every time I ride Car Toon Spin, I practically break my arms off trying to turn that big wheel and make my Benny the Cab spin. (Watch the video below and you’ll see the riders struggling yourself.) Take a decades-old property and a ride mechanic that never seems to do what it’s supposed to, and you’ve got a Disneyland attraction whose best days appear to be behind it.

    The Bakery Tour
    Debuted: February 8, 2001

    When it opened in 2001, Disney California Adventure was heavily themed around the various regions and sights of California. The Bakery Tour was part of an area called “Pacific Wharf” which was inspired by San Francisco — and where an attraction about sourdough bread made a little sense. But a few years ago, the Pacific Wharf area was redesigned to make it look like a location from Disney’s sci-fi animated movie Big Hero 6.  

    It’s been a little while since I’ve seen Big Hero 6; is there a scene where Baymax gives a monologue about how much he loves gluten? Regardless, the Bakery Tour isn’t even much of a tour. Guests walk past a couple windows and peek into one of Disney’s kitchens. At the end of the brief stroll, a cast member hands out free samples of sourdough. Baymax would be thrilled.

    Amazing Theme Park Rides Based on Movies That Were Never Built

    [ad_2]

    Matt Singer

    Source link

  • I Ate Everything on P.F. Chang’s ‘Freakier Friday’ Menu

    [ad_1]

    It appears that my large intestine is about to get freaky.

    In 2003’s Freaky Friday, the central body swap occurs after mom Tess (Jamie Lee Curtis) and daughter Anna (Lindsay Lohan) simultaneously open a pair of mystical fortune cookies at a fictional Chinese restaurant called House of Chang.

    That‘s kinda sorta close to the name of actual Chinese restaurant P.F. Chang’s. And so, in honor of Freaky Friday’s sequel Freakier Friday (whose four-way body swap is caused by a psychic rather than a fortune cookie, but whatever), the fast-casual chain introduced a special limited-time Freakier Friday menu.

    If you have followed this website at all for the last 10 years, you don’t have to be a body-swapping psychic to know what happens next: I’m going to eat it.

    That is what I do every single time a restaurant offers a large quantity of food inspired by a standard quantity of motion picture. When Little Caesars unveils a four-in-one Fantastic Four pizza, or McDonald’s debuts an ultra-spicy dipping sauce in honor of the spiciest film ever made (AKA A Minecraft Movie), you will find me manning the intersection of film criticism and food criticism with my laptop and my bottle of Pepto-Bismol. (Actually, I prefer chewable Pepto. Is it weird that I sort of like the taste? It can’t be any weirder than eating Minecraft hot sauce for a living.)

    The Freakier Friday movie tie-in meal is a little different, though. For the very first time, I’ve brought my kids to the challenge. No, I’m not forcing them eat all the food; in fact, I’m not forcing them to eat anything on the Freakier Friday menu. (I don’t need Child Protective Services called on me.) But because this film is about generational strife (and in order to properly test whether P.F. Chang’s Freakier Friday food will swap my brain into my seven-year-old daughter’s body), I decided to drag my two daughters to the restaurant with me.

    We’ll see how that goes over. Wait, did anyone else feel that earthquake??? Or was that just my galbladder exploding. Let’s eat some Freakier Friday food and find out.

    I Ate Everything on P.F. Chang’s Freaker Friday Menu

    A whole menu inspired by the body-swapping hijinks of Freakier Friday? Let’s try it and see what happens.

    READ MORE: I Also Ate Everything on Wendy’s Wednesday Menu

    Once-Beloved Fast Food Items That No Longer Exist

    These defunct fast food items have gone down in history. Wouldn’t you love to eat them again?

    [ad_2]

    Matt Singer

    Source link

  • Netflix 2025 Fall Movie Preview: All the New Movies on Streaming

    [ad_1]

    Over the next four months, Netflix has more than 20 films slated for release on streaming (and even a few that will premiere first in theaters, can you even imagine?).

    The most intriguing titles: Jay Kelly, from writer director Noah Baumbach and starring the oddball pairing of George Clooney and Adam Sandler, Kathryn Bigelow’s new espionage thriller A House of Dynamite about a mysterious missile attack on the United states, and the return of Rian Johnson’s master sleuth Benoit Blanc in a new film, Wake Up Dead Man(The supporting cast this time includes Glenn Close, Josh Brolin, Mila Kunis, Josh O’Connor, Kerry Washington, and Jeremy Renner.)

    And, of course, Guillermo del Toro finally gets to unleash his dream (nightmare?) project on the world: His personal adaptation of Mary Shelley’s Frankenstein, starring Oscar Isaac as Victor Frankenstein and Jacob Elordi as his monster. Del Toro has spent decades trying to make the film; Netflix finally gave him the budget to bring his monster to life.

    But that’s just four of the most interesting titles; Netflix has already announced almost two dozen more that are coming this fall, including several new Christmas movies — because every streaming service just needs a bunch of new Christmas movies every November. It‘s a rule.

    Here’s everything headed to streaming on the service in the months ahead. (By the way: This doesn’t include the company’s undated titles, like their upcoming documentary about the life and career of Eddie Murphy.)

    All the New Movies Coming to Netflix in Fall 2025

    Netflix has more than 20 new movies coming to streaming this fall.

    READ MORE: The Best Movies of 2025 So Far

    10 Great Netflix Miniseries You Totally Forgot About

    Here’s your next mini-binge watch. 

    Gallery Credit: Emma Stefansky

    [ad_2]

    Matt Singer

    Source link

  • Ice Cube’s ‘War of the Worlds’ Is Not As Bad As You’ve Heard. It’s Worse.

    [ad_1]

    While Ice Cube is the top-billed star of the latest adaptation of H.G. Wells’ The War of the Worlds, he is not the film’s hero. Nor are any of the other human characters. The true savior in this alien invasion story is Amazon, the global conglomerate whose products and services become the only means to repel an extraterrestrial menace.

    For instance: The only way to get an all-important MacGuffin to Cube’s Department of Homeland Security hacker is for another character (who just so happens to be an Amazon deliveryman) to utilize Amazon’s drone delivery service to ship him the crucial gadget. While said character is racing to stop the total obliteration of the planet, he pauses long enough to explain that Amazon’s drone service is called Prime Air and that it is “the future of delivery!” Duly noted!

    (Not only does the climax involve placing an official order for an item through Amazon’s website, the human resistance actually saves the day by bribing someone with a $1,000 Amazon gift card. So just remember: The next time you need something for that special someone in your life, think of an Amazon gift card. You might just save the world while you do it.)

    I’ve seen some egregious product placement in my day, but the last time I can recall a film that felt less like an actual movie and more like a feature-length commercial was 2013’s The Internship, starring Owen Wilson and Vince Vaughn as out-of-work, middle-aged salesmen who managed to land a pair of exclusive internships at Google headquarters. In 2013, I wrote that The Internship “is not so much product placement in a movie as movie placement in a product.” War of the Worlds is the first film I can recall since then that matched that description — right down to the fact that the only place to watch this shockingly, hilariously bad movie right now is on Amazon’s Prime Video service. (It’s the future of streaming!)

    READ MORE: The Best Sci-Fi Horror Movies That Aren’t in the Alien Franchise

    That does at least mean you can actually experience this disastrous screenlife disaster movie on a handheld screen, as was surely intended. Cube’s character, Will Radford, is largely seen as an extreme closeup from his webcam. Holed up in his office at DHS (a green screen background he never interacts with in any way), Will mostly ignores his actual job responsibilities while he casually uses invasive surveillance technology to spy on his two children.

    Will’s so distracted, in fact, he almost misses the first stages of a full-scale invasion from those classic War of the Worlds tripods. Working with the head of DHS (Clark Gregg) and an intrepid NASA scientist (Eva Longoria), Will must figure out how to stop the aliens while helping his rebellious son (Henry Hunter Hall) and pregnant daughter (Iman Benson) stay out of danger.

    That’s actually not the worst idea for a sci-fi movie. Some filmmakers have made clever use of the so-called “screenlife’ format, where an entire movie takes place on a computer screen and its various apps, to tell stories about the isolating terrors of modern technology. War of the Worlds’ execution of that concept, however, really may be the worst I’ve seen from a major studio in any genre (Universal, in this case) in a decade or more. I would not have been surprised to see Tommy Wiseau’s name in the end credits.

    Even with every digital editing and cinematography trick in the book, this War of the Worlds’ tripods and their global attack look egregiously phony. Some moments are impossibly amateurish; at one point Will saves his injured daughter by guiding her to a Tesla he remotely pilots to a medical facility. Using his unstoppable hacker skills, Will drives the car from his desk back at DHS headquarters. He even watches where the car is going through the Tesla’s front windshield — where the other cars on the road move slowly with the normal flow of traffic even though they are supposed to be running from their lives from a rampaging Martian craft shooting death beams at everything its path.

    The only thing worse than the visuals are the performances, especially from Cube, whose array of reactions to whatever is happening on the screen in front of his feels so random and disconnected from the flow of the story it’s like he was given a series of generic prompts to perform instead of an actual script. In one moment he might be devastated by the near-death of someone he cares about, and literally 15 seconds later he’ll click a few keystrokes, pump his fist, and scream “Take your intergalactic asses back home!” as if he’s playing a video game and not fighting for the survival of the entire human race.

    Still, none of Cube’s dialogue is as bad as the stuff the writers give to the President of the United States, who actually goes on a Zoom call and declares that the alien attack represents “a war of the worlds.” Then they repeat that phrase on a CNN chryon.

    Supposedly, War of the Worlds was shot during the worst of the Covid pandemic, which explains its conception as a series of disconnected faces on screens working together remotely to disrupt a massive threat. The fact that it was shot half a decade ago and only got released now tells you everything you need to know about its quality.

    It looks bad, sounds worse, and appears to exist solely to promote Amazon as the solution to all of life’s problems — everything from a father’s estrangement from his children up to and including an incursion from the stars by ultra-advanced war machines. The tripods may appear to be futuristic with their laser weapons and robo-tentacles. But they could never stop the future of delivery.

    The Worst Movies of 2025 So Far

    There have been a lot of good movies so far this year — and more than a handful of clunkers.

    [ad_2]

    Matt Singer

    Source link

  • 25 Commercials You Know By Heart If You Grew Up in the ’90s

    25 Commercials You Know By Heart If You Grew Up in the ’90s

    [ad_1]

    Nostalgia is a strange and complex emotion. I never would have predicted decades ago that when I was an adult, I would get strangely wistful for the days when TV shows would stop every 15 minutes to sell you sodas and cars and toys.

    But back then no one knew that in 30 years time, television advertising would feel like an archaic relic of a bygone era. Streaming TV didn’t exist; hell, the internet barely existed back then! Neither did DVRs, for that matter. If you were watching TV, odds are you were doing it live — with no way to pause, rewind, or fast forward through those commercials. So you wound up watching a lot of advertisements. Some played so endlessly that they became permanently etched in the corners of your mind, waiting to burst forth the next time someone passes a jar of Grey Poupon mustard.

    If that sensation sounds familiar, then this list is for you. It contains 25 ads that you probably have memorized if you grew up in the 1990s. And yes, you can watch them all below — but be warned. Revisiting them may jar something loose in your brain next. Next thing you know, you’ll be singing about fresh goes better in life with Mentos.

    Got Milk?

    In this iconic commercial of the ’90s, a history expert is unable to answer a trivia question and win an easy $10,000 because his mouth is full of peanut butter and he just ran out of milk. He tries in vain to spit out the name “Aaron Burr!” but without milk, all is lost. Then, the famous kicker: “Got milk?” This ad, which played endlessly through the ‘90s, was directed by none other than future Transformers filmmaker Michael Bay.

    Wasssaaaaaap?

    Wasssaaaaaap?” In the late 1990s and into the early 2000s everyone was saying it, and all for one reason — and no, not because people at that time were just very curious what was up with other people. It’s because in this Budweiser spot, everyone was saying “Wasssaaaaaap?” That was the whole thing! A huge pop culture moment, all from dudes in a beer ad saying one word over and over.

    The Budweiser Frogs

    Speaking of Budweiser, a few years earlier they took the ad world by storm with a Super Bowl commercial about three frogs endlessly croaking the company’s name. This commercial had its own future A-list director — Gore Verbinski, who went on to make the Pirates of the Caribbean franchise. The first Bud frog ad proved so popular it led to a whole series of commercials where the frogs met other creatures like chameleons and a ferret.

    Mentos: The Freshmaker

    In the 1990s, there was only one mint allowed if you were a hip teenager type looking to get the upper hand one some stuffy, snoody grownups. Mentos! It was the Freshmaker! In a famous series of ’90s commercials, assorted good-looking youths would brainstorm clever solutions to adult-related problems while popping Mentos into their mouths. They never did figure out how not to make Mentos explode in soda though.

    Grey Poupon

    If you’ve ever been driving along in your Rolls-Royce and had a starchy British dude pull up alongside and ask “Pardon me, do you have any Grey Poupon?” this commercial is why. (If that’s never happened to you, just take my word for it; these commercials were hugely popular. And if you owned a bottle of Grey Poupon back then, and you didn’t ask “Pardon me, do you have any Grey Poupon?” before you poured some on your hot dog, they put you in jail.)

    “Riiiiiicolaaaaaaa”

    One lozenge loomed over the rest in the 1990s, and it was the one advertised by dudes in the Alps screaming “Riiiiiicolaaaaaaa!” and blowing an oversized horn. What does that have to do with soothing your throat? You know, I never thought about it before. I guess maybe if you’re yelling  “Riiiiiicolaaaaaaa!” at full volume all day, you probably have a pretty scratchy voice? If a Ricola is good enough for these guys, it’d be good enough for you too, right?

    Chia Pet

    It’s the pottery that grows! Just soak your Chia overnight, then spread your seeds. Keep it watered and watch it grow!.I’ve never owned a Chia Pet in my life, but I’ve seen so many Chia Pet commercials throughout my lifetime that I know how they work anyway. Ch-ch-ch-chia!

    READ MORE: 25 Commercials You Know By Heart If You Grew Up in the ’80s

    Tombstone Pizza

    To this day, when someone asks me “What do you want on your pizza?” I have a very hard time not instinctively responding (in a haughty British accent) “Pepperoni and cheese!” That’s because of this ubiquitous Tombstone frozen pizza commercial from the 1990s, in which a man awaiting a firing squad turns down a blindfold and a cigarette, but demands a pepperoni and cheese Tombstone when asked. I must have watched this ad at least 2,000 times.

    Miss Cleo

    This commercial advertising the psychic services of one Miss Cleo became so legendary it got its own documentary on HBO Max a few years ago titled Call Me Miss Cleo, which unraveled the story of the woman behind the character. (Her real name was Youree Dell Harris.)

    Robert Loggia for Minute Maid

    This might get my vote for the best commercial of the ’90s. A kid refuses to drink a new kind of Minute Maid OJ. He doesn’t trust his parents when they tell him he’d like it. Okay, so who would he trust? “I don’t know, Robert Loggia?” the boy quips, naming the old school character actor. Of course, Loggia himself then walks in and grumbles “Billy! Minute Maid Orange Tangerine tastes great!” (“If you say so, Mr. Loggia!” the kid responds.) So bizarre.

    The Taco Bell Chihuahua

    The ’80s had Spuds MacKenzie. The ’90s had the Taco Bell Chihuahua (played by a cute little critter named Gidget) who appeared in a series of ads that all ended the same way: With Gidget (through the use of CGI) declaring “Yo quiero Taco Bell.” Although the ads were eventually protested in some quarters for promoting negative stereotypes, they were initially so popular that talking Taco Bell Chihuahua plush dolls were produced in 1998.

    Crossfire

    The board game Crossfire had already been on toy-store shelves for decades by the 1990s. But it got a major bump in profile at that time by a very eye-catching TV commercial that featured kids playing Crossfire in a vaguely dystopian setting. “It’s some time in the future! The ultimate challenge: Crossfire!” an agitated narrator screamed, before a hair metal band launched into a theme song that concluded on a hilariously high note (“Cross-fiyaaaaaaaa!”) This commercial makes this game look incredible. Having played it (surely as a result of this ad’s successful brainwashing) I can say with authority: It wasn’t nearly as exciting as this trailer made it look.

    Creepy Crawlers

    Another popular ’90s kids toy with an unforgettable jingle, Creepy Crawlers is (I just learned doing a little online research) a toy that dates back decades, and was originally known as the “Thingmaker.” It used colorful goop heated inside moulds to produce rubbery creatures of assorted shapes and styles. After fading from popularity (in part because some government groups had concerns over children cooking chemicals with heat in their basements, those killjoys), the Thingmaker returned in the early 1990s with new branding and that unforgettable “Creepy Crawlers” jingle.

    Bubble Tape

    Gum innovations of the 1990s brought us Bubble Tape, a six-foot long roll of bubble gum sold in a coil that unfurled from a dispenser. And I know it was six-feet long because the commercials for Bubble Tape all ended the same way: With the announcer declaring it was “Six feet of bubble gum. For you! Not them!” (Them being squares like parents, lunch ladies, and assorted other Olds.)

    Ring Pop

    It was a ring around your finger, Ring Pop. It was a juicy jewel of flavor, Ring Pop. A lollipop without a stick, a ring of flavor you could lick. Reader, I recalled all of that information from memory; I didn’t need to rewatch the old Ring Pop TV commercial, because it’s lodged in my brain for all of eternity. I forgot to take a chicken out of the oven last week and burned it to a crisp, but I will never forget the Ring Pop song.

    Gushers

    While the 1980s were the prime decade of fruit snack innovation, the ’90s had its share of bold new fruit-adjacent treats. The one that made the biggest impression was Gushers; jewel-shaped snacks with fruity gunk inside that “gushed” when you bit into them. Their distinctive ads throughout the 1990s featured kids’ heads bursting with gunky goodness. They were all vaguely nightmarish — why would a kid want to eat something that made their mouth explode? — but this particular one, where kids’ heads transformed into fruits, was especially disturbing. And guess what? It worked! Gushers broke through the crowded fruit snack market and are still sold in stores today.

    Pure Moods

    The ’90s belonged to Pure Moods, a series of new-age music compilations heavily marketed through TV commercials. You could sail away Enya, ride a chariot of fire with Vangelis, and head to Twin Peaks to Angelo Badalamenti. (The song selection is weirder than you remember.) These commercials never worked on me; I never dialed the 1-800 number or sent my $15.99 for cassette (or $17.99 for CD!) to the P.O. Box in Colorado Springs. But now that I’ve rewatched the commercial, I might have to fire this up on Spotify.

    1-800 COLLECT

    Pure Moods wasn’t the only 1-800 number in heavy ad rotation in the 1990s. There were endless commercials hyping the various options customers had for collect calls as well, including the ever-present 1-800-COLLECT. I’m still not sure why this was a superior option to a standard collect call — and I’m not about to explain the concept of collect calls to younger readers, we’d be here all day — but I can say that there were many commercials for this service. The one above features Ed O’Neill, then the star of Married… With Children, in his recurring role as the leader of the “Phone Patrol.” There were others with David Spade and even Larry “Bud” Melman from Late Night With David Letterman.

    Toys “R” Us

    The signature Toys “R” Us jingle debuted prior to the 1990s, but for a lot of kids it’s the version in this 1991 commercial — with the cool-ified “I don’t wanna grow up / Don’t wanna grow up!” intro — that made the biggest impression. (For some reason this commercial makes me think of Poochie from The Simpsons. This Geoffrey gets biz-zay!!) I know Toys “R” Us is still around in some places and in some forms, mostly as the toy section in Macy’s department stores, but the Toys “R” Us promoted in these ads was a child’s paradise — to the extreme!

    Crocodile Mile

    “You run! You slide! You hit a bump and take a dive!” Back in the day, these sort of Slip and Slide-esque backyard water toys never lived up to the excitement of their commercials. In fact, I vividly remember one painful bruise I got on my stomach from diving onto one that wasn’t adequately slippery.) But how could any slide live up to the thrill of Crocodile Mile, an Aussie-themed rubber slide with a cartoon alligator on it? Viewed today, this looks hopelessly cheesy. In the ’90s, if you had one of these friction-burn generators, you were the coolest kid on your block.

    New Trix Cereal

    Here’s one thing I’ve learned through the years: Kids are dumb. What difference does it make whether Trix are shaped like little colored balls or miniature fruits? They taste the same either way. But when Trix “upgraded” their cereal in exactly this way it drove kids wild. This commercial was the talk of elementary schools all over the country. Looking at it now, you have to wonder: Why can’t the Trix rabbit eat the cereal? Why are Trix just for kids? Is there some rule against giving rabbits sugar? The poor rabbit’s hungry and the cereal is in his name! These cruel kids are starving the poor guy.

    Pepsi’s “New Look. Same Great Taste.”

    This ad from the early ’90s introduced a redesigned Pepsi can (and the amusing slogan “New Look. Same Great Taste”) with a scantily clad Cindy Crawford, then one of the biggest supermodels on the planet. I don’t know if the ad improved Pepsi’s sales, but for some reason this commercial made quite an impression on me when I was 12 years old. I can’t figure out why…

    Gatorade’s Be Like Mike

    No athlete was as ever-present in TV commercials throughout the 1990s as Michael Jordan. The NBA legend was famous for appearing in spots for Nike, Hanes, Coca-Cola, and more. But the spot that is best remembered may be the one he did for Gatorade, which gave MJ his own theme song: “Be Like Mike,” in which a chorus of kids sing praise unto Jordan and his great basketball skill. (The implication: Drink Gatorade, and you too can someday dunk a basketball.) The ads and the slogan became so associated with Jordan that when Hollywood made a movie a few years later about a kid who gets magic basketball powers by wearing Jordan’s old sneakers, they titled it Like Mike.

    Lil Penny

    Jordan made plenty of sneaker commercials in the 1990s, but his best-known ones are probably the early Air Jordans, which were ’80s ads. The ’90s sneaker commercials that I always think of are the ones where Penny Hardaway traded quips with a miniature “Lil Penny” puppet — voiced by comedian Chris Rock. The commercials ran all through the mid-’90s and got a lot of airplay, but this one sticks out in my mind because of Rock’s final line — “Tell ’em Lil Penny from the science club says hello!” — which, for some reason, my friends and I used to quote in school ad naseum.

    Bagel Bites

    If you take one thing away from this list, it should be this: Commercial jingles in the 1990s were absolute ear worms. And here is another one, for frozen Bagel Bites. “Pizza in the morning, pizza in the evening, pizza at suppertime. When pizza’s on a bagel, you can eat pizza anytime!” The melody is so catchy I don’t think I ever considered the lyrics’ meaning. Just because you put it on a bagel, you can eat pizza any time? How does that work? Only a madman (or maybe someone desperately trying to relive their childhood) would eat pizza bagels three times a day.

    Once-Beloved Fast Food Items That No Longer Exist

    These defunct fast food items have gone down in history. Wouldn’t you love to eat them again?

    [ad_2]

    Matt Singer

    Source link

  • Why Did ‘Joker: Folie à Deux’ Flop?

    Why Did ‘Joker: Folie à Deux’ Flop?

    [ad_1]

    Joker: Folie à Deux is a bomb. And in the words of Batman, some days you just can’t get rid of a bomb.

    Right now, Warner Bros. might be wishing it could. Folie à Deux grossed less than half of the original Joker in its opening weekend in theaters; an estimated $40 million compared to the $96.2 million opening for Todd Phillips’ 2019 film. That’s below estimates from even a few days ago, when it was predicted the movie would make $50 or $60 million in its opening weekend. (A few weeks ago, that number was as high as $70 million according to some experts.) At the same time, the film received a lowly “D” score from paying customers who did fork over their hard-earned dough to see the movie.

    This is not the outcome anyone would have predicted. (Certainly Warner Bros. didn’t; they reportedly spent some $200 million on Joker: Folie à Deux.) When the movie was first announced it was greeted with a lot of excitement; Phillips, who turned the first Joker into the biggest R-rated film ever at that time, would re-team with Joaquin Phoenix, who won an Oscar for playing the title character — and they would be joined by Lady Gaga, playing a new version of fan favorite character Harley Quinn. On paper, that was a can’t-miss team.

    But then they missed — big time. So what went wrong? Here’s a few of the key reasons Joker: Folie à Deux turned into such a misfire (a deux).

    Why Did ‘Joker: Folie à Deux’ Flop So Badly?

    Joker grossed $1 billion and became a massive smash. The sequel, from many of the same creators, is looking like one of the costliest sequels ever. So what went wrong?

    READ MORE: The Worst Sequels Ever Made

    Every DC Comics Movie, Ranked From Worst to Best

    From Superman and the Mole Men to Joker: Folie à Deux, we ranked every movie based on DC comics.

    [ad_2]

    Matt Singer

    Source link

  • Detroit police buried evidence, and innocent men paid the price

    Detroit police buried evidence, and innocent men paid the price

    [ad_1]

    Last week, we looked at how an illegal document purge in Wayne County Prosecutor’s Office blocks freedom for the wrongfully convicted. This week, we explore how the missing prosecutor files have impacted cases in which police illegally withheld exculpatory evidence.

    The body of Lenny Thompson was found on the side of a road at Rouge Park in Detroit in August 1988, wrapped in layers of curtains, clothing, a bed sheet, and a blanket, and fastened with a rope and a drape.

    Thompson had been stabbed 12 times with a four-inch blade.

    Over the next week, Detroit police illegally arrested 28 potential witnesses without warrants and questioned five more, according to records obtained by Metro Times.

    What detectives gathered were numerous potential motives, contradictory eyewitness accounts, and at least six different suspects.

    Most people described Thompson as a crack dealer with a temper and a lot of enemies. A couple of weeks before he was murdered, he used a machete to chop off the hand of a drug customer who complained that he was shorted in a dope deal with Thompson, according to multiple witnesses. And about a month before Thompson’s body was found, he shot at a man named Jay whose house he had been staying at on Chapel Street on the city’s west side, according to his neighbors, friends, and associates.

    At that house less than a day before Thompson’s body was found, two witnesses told police they saw Jay and his friend carrying what appeared to be a body wrapped in blankets. One of the witnesses, known as Madonna, said she also smelled an awful stench inside the house, and one of the occupants who was “acting strangely” insisted it was from a dead dog.

    Despite these accounts, police and Wayne County prosecutors claimed that Thompson was killed at a different house by other people, including Mark McCloud, who was charged with Thompson’s murder.

    Alarmingly, neither McCloud nor his attorney were informed of the contradictory evidence, despite his constitutional right to access it. He discovered through a public records request that all witness statements challenging the allegations against him had been withheld.

    Police and prosecutors are constitutionally required to turn over exculpatory evidence, which is any information that shows that a defendant is innocent. Defendants who prove that exculpatory evidence was withheld during their trial are entitled to a new one under the U.S. Supreme Court’s Brady v. Maryland ruling. Withholding exculpatory evidence is called a “Brady violation.”

    Of the 33 witnesses questioned by police, only five of them testified at McCloud’s trial, and all of their testimony fit the prosecutor’s narrative.

    Without any physical evidence tying him to the scene, McCloud was convicted of murder and kidnapping and sentenced to life in prison without the possibility of parole.

    About two years ago, with the help of an attorney, Rachel Wolfe, and a private investigator, Scott Lewis, McCloud received a copy of his unredacted police file. It showed that police withheld a secret file that contained interviews with more than two dozen witnesses who threw his guilt into serious question.

    “I would never have come to prison if they turned this information over,” McCloud tells Metro Times from the G. Robert Cotton Correctional Facility in Jackson. “You have no recourse to fight when you have officers withholding exculpatory evidence. I wrote the judge in the case at least 20 times, same with the Detroit Police Department and the prosecutor. And I got nothing.”

    McCloud’s case has been complicated by the fact that the Wayne County Prosecutor’s Office destroyed thousands of records from 1995 and earlier in violation of a state law that requires prosecutors to retain files for at least 50 years, as reported last week by Metro Times. The records were allegedly destroyed when Detroit Mayor Mike Duggan was prosecutor between 2001 and 2004, according to the current prosecutor, Kym Worthy.

    Without those records, McCloud faces a steeper challenge convincing a judge of his innocence. For example, it’s easier for him to prove that police withheld exculpatory evidence from prosecutors if he could compare their files to the police records.

    “It matters in these old cases because we compare the prosecutor files with the police files,” Wolfe says. “As we know in the ’80 and ’90s, [police] set aside miscellaneous files that they didn’t share with the prosecutor. If I don’t have the prosecutor file, I have no idea what they had.”

    Wolfe is asking a judge to overturn the conviction based on the withheld exculpatory evidence.

    “I think the Brady violation is huge. I believe he is innocent,” Wolfe tells Metro Times. “My argument is that he didn’t get a free trial because of the Brady violation, and he couldn’t present the exculpatory information.”

    To strengthen McCloud’s case, Lewis tracked down some of the witnesses who gave statements that contradicted the official version of events. One of them, Derrick Ali, said in an affidavit that he saw two men lugging what appeared to be a heavy, rolled-up rug out of a house where Thompson sold drugs. It was not the house where police and prosecutors alleged Thompson was killed.

    Ali said he was surprised authorities didn’t call him to testify or ask him follow-up questions.

    “I never heard from the police again,” Ali said in the affidavit. “I expected to be called into court to testify but I was never contacted and asked to testify. If I had been asked to testify, I would have testified truthfully to everything that I knew and saw.”

    click to enlarge

    Steve Neavling

    This is the block of Chapel Street where witnesses say they saw two people carrying a heavy, rolled up rug that could have been the body of Lenny Thompson. The block is almost completely vacant now.

    Miscellaneous files

    McCloud is just one of many prisoners to find out that police withheld evidence that may have acquitted them. In the 1980s and 1990s, Detroit homicide detectives illegally withheld records in what they called a “miscellaneous file” that was concealed from prosecutors because it contained exculpatory evidence.

    Although not widely reported in the media, the existence of the miscellaneous files made waves in prisons and the legal system, raising hopes that innocent inmates could now prove they were wrongfully convicted.

    The misconduct was first brought to light in September 1996 when defense attorney Sarah Hunter met surreptitiously with a former FBI agent and a suspended Detroit police officer, Ritchie Harrison, in a parked car outside a Highland Park grocery store. Harrison revealed that Detroit homicide detectives maintained unlawful “miscellaneous files” used to withhold exculpatory evidence in murder cases, according to an affidavit signed by Hunter in 2004, after Harrison and the agent died.

    Harrison also described how officers were instructed to fabricate details and destroy evidence to secure convictions, often framing innocent people in the process.

    The miscellaneous files contained witness statements, alternative case theories, and the names of other suspects, along with potentially exonerating and impeaching evidence that could hurt the police department’s case. For police, the files effectively ensured that only incriminating evidence was presented when they requested that prosecutors file criminal charges.

    When information about the miscellaneous files became known to inmates, defense attorneys, and private investigators in 2004, the police department became inundated with public records requests for the miscellaneous files. And sure enough, the files existed in many cases, and they often included exculpatory evidence.

    But the full extent of the misconduct is unknown, in large part because the destruction of the files has stymied efforts to uncover what police withheld from prosecutors, depriving potentially innocent people of freedom.

    Hunter used the information to help exonerate Dwight Love, a Detroit man who was wrongfully convicted of murder in 1982. Love’s conviction was overturned, and he was granted a new trial in 1997. Although prosecutors initially sought to retry him, the charges were ultimately dismissed in 2001. Love was released but died in Detroit in 2014.

    click to enlarge The body of Lenny Thompson was found on the side of a road at Rouge Park in Detroit in August 1988. - Steve Neavling

    Steve Neavling

    The body of Lenny Thompson was found on the side of a road at Rouge Park in Detroit in August 1988.

    Rampant police misconduct

    For this story, Metro Times interviewed about a dozen inmates who say Detroit police withheld exculpatory evidence in miscellaneous files that were not turned over to the defense. All of the prisoners maintain they’re innocent and that the miscellaneous files would lead to their acquittal if they were charged today.

    Indeed, many of the miscellaneous files obtained by Metro Times contain information that contradicts the prosecutors’ cases. Much of the information is compelling and ultimately denied the young men of their constitutional right to mounting an adequate defense when they were on trial for murder.

    Without access to the prosecutor’s files, the prisoners cannot show whether or not the potentially exculpatory evidence from police was withheld from prosecutors.

    “You really need to get all the cards on the table,” Lewis, an investigative journalist-turned-private investigator, tells Metro Times. “The fact that they withheld all these files creates serious problems, especially if you can’t compare them to the prosecutor’s records.”

    Lewis adds, “The thing that is important for the prosecutor’s file is, if you’re looking for a Brady violation for withholding evidence, you’re looking to see what the prosecutor saw and what’s in the police file that wasn’t in the prosecutor file.”

    During his career as a private investigator, Lewis says he’s handled 15 to 20 cases in which prisoners “told me they got things from the miscellaneous file that they never saw before.”

    The file purge, coupled with the miscellaneous police files, is especially troubling because it involved records from a deeply problematic period in Detroit’s Homicide Division, when rampant misconduct, coerced confessions, and constitutional violations by police, particularly homicide detectives, were so widespread that the U.S. Department of Justice intervened, pressing for reforms to avoid a costly lawsuit in the early 2000s. This era of misconduct led to a significant number of wrongful convictions and false confessions, evidenced by a surge in exonerations and court settlements. Legal experts say many innocent people remain incarcerated, but the destruction of the prosecutor’s files has compromised many of their cases, leaving some prisoners without a clear path to proving their innocence.

    “It was like the Wild West in the ’80s, ’90, and early 2000s,” Lewis says of the police department. “They did whatever the hell they wanted down there. It’s a very serious problem.”

    click to enlarge Wayne County Prosecutor Kym Worthy, right, claims thousands of records from 1995 and earlier where illegally destroyed under her predecessor, now-Detroit Mayor Mike Duggan. - City of Detroit (public domain), Associated Press (Paul Sancya)

    City of Detroit (public domain), Associated Press (Paul Sancya)

    Wayne County Prosecutor Kym Worthy, right, claims thousands of records from 1995 and earlier where illegally destroyed under her predecessor, now-Detroit Mayor Mike Duggan.

    False narratives

    When Tommie Lee Seymore was convicted of first-degree murder and sentenced to life in prison in 1990, he was just 19 years old and adamant that he was innocent.

    Prosecutors built a narrative that Seymore was a drug dealer that killed 26-year-old Nathaniel “Pops” Cunningham after he demanded Seymore’s associates stop selling narcotics. Prosecutors portrayed Cunningham as a good Samaritan who was “trying to rid the community of drugs,” according to trial transcripts.

    But according to police records withheld from Seymore during his trial, Cunningham was far from a moral crusader, and plenty of people had reasons to kill him. He was a drug dealer and had previously been arrested for a jail escape and assaults, including the murder of a gang member in September 1988, the records state.

    “The deceased wasn’t a good guy like they painted,” Seymore says in an interview from the G. Robert Cotton Correctional Facility in Jackson. “Other people wanted him dead.”

    Police withheld compelling evidence that suggested a notorious gang, Best Friends, was responsible for Cunningham’s murder.

    At the time of his death, Cunningham was in the midst of a war against Best Friends, which was known for large-scale drug sales, contract killings, and drive-by shootings, according to police reports. He was previously charged with robbing and murdering one of Best Friends’s members Tommy “Peewee” Hayes, but he was acquitted after the prosecution’s star witness disappeared, according to court records.

    The murder also fit the modus operandi of Best Friends: Cunningham was ambushed and gunned down by an AK-47, and his rear tires were flattened, the hallmarks of the gang’s attacks.

    The gang’s notorious former hitman, Nathaniel “Boone” Craft, who admitted to police that he murdered at least 30 people, swore in an affidavit in January 2020 that Cunningham’s murder fit his and his partner’s operating style.

    “I also determined that this murder exactly fit the method of operation my partner and I used when we committed murders for the Best Friends gang,” Craft said in the affidavit. “We would determine the target’s routine, hide and lie in wait until the victim was leaving and arriving at the location. We always approached the victim’s car from the rear and opened fire with an AK47. The AK47 was powerful enough to go through car doors, seats or anything else that might give the intended victim protection.”

    Craft said his partner in crime, Charles Wilkes, may have murdered Cunningham “because he was in possession of the AK-47 that night.” Wilkes said a simple ballistics test could prove their weapon was used in the murder.

    According to Seymore’s request for a new trial, the miscellaneous files “show an elaborate act of suppression by the DPD to keep Mr. Cunningham’s true criminal arrest record from the defense. The deliberate suppression of evidence by the DPD denied Mr. Seymore of his right to a fair trial. … The suppressed evidence would have given Mr. Seymore an opportunity to present the complete defense.”

    Seymore received the miscellaneous files from the Detroit Police Department in 2017, and he was floored that investigators had withheld evidence that he believes would have acquitted him during his trial.

    Seymore hoped to prove that prosecutors never received the exculpatory evidence but their records have been destroyed. He also wanted to know if prosecutors had additional suspects and motives.

    “Did the prosecutor have that information? Did they withhold that information from me?” Seymore asks.

    In May 2017, Barbara Brown, a public records officer for the prosecutor’s office, revealed in a letter to Lewis, his private investigator, that Seymore’s file was likely “included in the confidential destruction” of records from 1995 and earlier.

    When he first learned about the file purge, Seymore says, “I was devastated, but I wasn’t deterred. I remained vigilant because I still have the miscellaneous files.”

    The Wayne County Prosecutor’s Office recently moved to the Wayne County Criminal Justice Center in Detroit. - Steve Neavling

    Steve Neavling

    The Wayne County Prosecutor’s Office recently moved to the Wayne County Criminal Justice Center in Detroit.

    ‘Moe did it!’

    On Christmas afternoon in 1991, Donald Elliott was engulfed in flames, and his dying words to Detroit firefighters and medics were, “Moe did it, Moe did it,” according to police records.

    Moe is Mario Lee Brown, one of two men eventually convicted of murdering Elliott.

    According to prosecutors, Brown and James Goodman attacked Elliott because he owed them money and wasn’t paying them back. Goodman was allegedly armed with a handgun, beat Elliot, and doused him in charcoal lighter fluid.

    “Light that motherfucker up,” Brown allegedly commanded.

    Using a butane lighter, Goodman set Elliott on fire, prosecutors alleged. Elliott ran to the rear of the house engulfed in flames, which spread to the house and caused significant damage. He was pronounced dead at the hospital.

    After Goodman and Brown were convicted and sentenced to prison, one of the prosecution’s key witnesses cast doubt about his trial testimony, saying in an affidavit that detectives bombarded him with so many lies that he eventually began to believe them. Also, three of the prosecution’s witnesses were “heavy drug users,” Goodman says.

    That’s important, he explains, because there was no physical evidence tying him to the scene.

    According to firefighters and medics who talked to Elliott before his death, he never mentioned Goodman’s name.

    Goodman says he has three witnesses who can confirm he was nowhere near the scene when Elliott was killed.

    But building a case for his innocence has been especially difficult since both the prosecutor’s office and the 36th District Court told him his records were destroyed.

    He wants to prove that prosecutors violated his constitutional rights by denying him a probable cause hearing and that exculpatory evidence was withheld. He has other questions: Whom did Detroit police interview? Were any of the witnesses promised anything in return for their testimony? Were there alternative suspects and motives? Was he offered a plea deal he wasn’t told about?

    “The destroying of my prosecutor’s file has left me with no way to prove my factual innocence,” Goodman says from the G. Robert Cotton Correctional Facility.

    “Since the 36th District Court file and my Wayne County prosecutor’s file have been destroyed, why am I in prison [when] there’s no factual documentation of me being involved with any crime?”

    ‘Why?’

    Even when inmates have compelling evidence that they were wrongfully convicted, they often spend years waiting for a court to take up their case.

    After 30 years in prison, McCloud may finally get his chance to prove his innocence. In April, Wolfe filed a motion requesting the 3rd Circuit Court in Detroit to overturn McCloud’s conviction, citing, among other things, the new evidence discovered in the police department’s miscellaneous files.

    In a hopeful move for McCloud, Wayne County prosecutors conceded that he should receive an evidentiary hearing so a judge can consider the new evidence, Wolfe says.

    McCloud has been waiting for this day since the prison door clicked behind him in February 1989. He says he has pleaded his case in letters to judges, prosecutor, and police “at least 20 times each” for many years, but to no avail.

    Describing the challenges he faced in trying to access his records, McCloud said, “it’s easier to chew nails” than to obtain the police and prosecutor files.

    Now, all he has is time to wait.

    “I just sit in the yard and look up at the sky and just say, ‘Why?’” McCloud somberly adds, “My family wants me home.”

    [ad_2]

    Steve Neavling

    Source link

  • Illegal document purge in Wayne County Prosecutor’s Office blocks freedom for the wrongfully convicted

    Illegal document purge in Wayne County Prosecutor’s Office blocks freedom for the wrongfully convicted

    [ad_1]

    Wayne County illegally destroyed troves of criminal files allegedly when Mayor Mike Duggan was the elected prosecutor, creating a staggering obstacle for wrongfully convicted inmates seeking to prove their innocence, Metro Times has learned.

    Between 2001 and 2004, while Duggan was prosecutor, most if not all misdemeanor and felony records from 1995 and earlier were allegedly removed from an off-site warehouse and destroyed in violation of state law.

    In Michigan, prosecutors are required to retain the files of defendants serving life sentences for at least 50 years or until the inmate dies. Violating the law carries a maximum penalty of two years in prison.

    The records contained a wealth of vital information, including police and forensic reports, lab results, transcripts, video recordings, and witness statements, all of which are essential for mounting a defense against wrongful convictions.

    The file purge was not previously reported. Metro Times learned about it recently in interviews for an ongoing series about wrongful convictions.

    What makes the file purge especially concerning is that it involved records from a deeply troubling era in Detroit’s Homicide Division, a time plagued by rampant misconduct, false confessions, constitutional abuses of witnesses and suspects, and a widespread federal investigation. In the 1980s and 1990s, the misconduct among police, especially homicide detectives, was so pervasive and egregious that the U.S. Department of Justice demanded reforms to avoid a costly lawsuit while Duggan was the county prosecutor.

    The two decades of misconduct produced an alarming number of wrongful convictions and false confessions, as illustrated by a spike in exonerations and court settlements stemming from that era. However, legal experts say many more innocent people are still behind bars, but the destruction of the prosecutor’s records has compromised the integrity of countless convictions, leaving some inmates without a viable path to freedom.

    The purge has also impeded the work of Wayne County Prosecutor Kym Worthy’s Conviction Integrity Unit, which she created in 2018 to investigate claims of wrongful imprisonment.

    Prosecutor points finger at mayor

    How the records came to be destroyed remains somewhat of a mystery, but there are indications of a coverup. A county logbook that registers the destruction of public records appears to have been tampered with, which would also be a crime.

    “There is a logbook that had sections that recorded the numbers of purged files,” the Wayne County Prosecutor’s Office said in a statement to Metro Times. “The record book had the pages 1995 and older removed from the book. We don’t know how that occurred.”

    Worthy, who replaced Duggan as prosecutor in 2004, is pointing the finger at Duggan’s administration. During Duggan’s tenure as prosecutor, employees for his office “were enlisted to locate and purge the files that were on site and located in the off-site storage,” ostensibly to make room for newer records, according to the current prosecutor’s office.

    While Duggan was prosecutor, his staff warned “that purging felony files was extremely ill advised,” according to Worthy’s office.

    When Worthy became prosecutor in July 2004, she said she was notified of the purge and was “astounded.”

    “One of the first issues I had to deal with was the concern that under my predecessor’s administration all files were ordered destroyed that were pre-1995,” Worthy told Metro Times. “I must have had at least 20 people report this to me. It was very well known throughout the office. I was astounded that this even included homicide files! I could not believe it and even to this day, we cannot locate files pre 1995.”

    Worthy added, “This has caused massive problems for us, especially for our Appellate Division and now our Conviction Integrity Unit.”

    In statements to Metro Times, Duggan, who has been mayor since 2014, repeatedly denied involvement in the destruction of files and claimed he had no idea there was even a purge, even though prosecutors routinely rely on those records for appeals, post-trial motions, public records requests, and other routine tasks.

    Some of the destroyed records would have been less than a decade old.

    Asked why she didn’t publicly reveal the file purge when she first took office, Worthy declined to comment.

    If the files were purged during his administration, Duggan suggested, it could have been done without his knowledge by the Wayne County Building Department, which he said exclusively “managed and controlled” the documents at an off-site warehouse.

    “When Prosecutors wanted older files, they filled out a request form and the files were retrieved by the records management staff of the Buildings Department,” Duggan’s spokesman John Roach tells Metro Times. “The Prosecutor’s Office otherwise had no access to, or responsibility for, the management or storage of those files.”

    Worthy’s office took issue with that characterization and said prosecutors are ultimately responsible for safeguarding the files.

    “WCPO had custody, management, and control over the files stored in the warehouse,” according to the statement from the prosecutor’s office. “When assistant prosecutors needed old files it was common for them to search the on-site files and also to go to the actual warehouse with the person who was the administrator of the files to physically search for the files themselves. WCPO’s appellate unit had a vested interest in keeping the files because they were routinely needed to respond to post-trial motions and appeals in state and federal court.”

    Wayne County Executive Warren Evans’s Office, which runs the Building Department, told Metro Times it would look into the claims by Duggan and Worthy but didn’t respond by deadline.

    In a follow-up statement last week, Duggan stood by his contention that he was unaware of the purge and said there’s no credible evidence that he was involved.

    “It is inconceivable that any member of the prosecutor’s office would ever have condoned any destruction of documents in violation of the Michigan Records Retention Act,” Roach said. “If there is a claim that the prosecutor’s staff at some point approved an improper purging, name the staff involved, the date they are claiming it was done, and the process they followed. Absent that, it is impossible to respond to vague memories of unidentified people making claims about actions of unnamed staff more than 20 years ago.”

    It isn’t the only time records vanished in a Duggan administration. In October 2019, the Detroit Office of the Inspector General (OIG) said top officials in Duggan’s administration ordered the deletion of emails related to the nonprofit Make Your Date, which was run by the mayor’s now-wife. Duggan’s administration dodged charges after Michigan Attorney General Dana Nessel said in April 2021 that the “facts and evidence in this case simply did not substantiate criminal activity.”

    In September 2020, Duggan and the city won the annual Golden Padlock Award, which recognizes the most secretive U.S. agency or individual every year, for the intentional destruction of emails.

    click to enlarge

    Steve Neavling

    The Wayne County Prosecutor’s Office recently moved to the Wayne County Criminal Justice Center in Detroit.

    The immeasurable impact

    Whatever the case, the impact of the file purge is far-reaching and profound. Tens of thousands of people, some of them juveniles, have been convicted of felony crimes in Wayne County since the 1980s, when a rise in homicides coincided with alarming reports of widespread police misconduct. Investigations and lawsuits uncovered staggering corruption — from framing suspects and withholding exculpatory evidence to rounding up witnesses and suspects for long periods without a warrant. Over the past two decades, lawsuits filed against the city and its police department for wrongful convictions have cost taxpayers tens of millions of dollars.

    It was a bad time to be accused of a crime, and the police tactics led to a rise in false confessions and exonerations.

    Steve Crane, a private investigator who works on behalf of prisoners who maintain their innocence, says the purge is inexcusable and detrimental to countless prisoners.

    “Wayne County not only failed to protect the public records from destruction, they intentionally destroyed the records, knowing the records contained evidence involving a person’s life imprisonment,” says Crane, who has helped win the release of three wrongfully convicted inmates.

    Without the prosecutor’s files, Crane worries that innocent people are going to remain behind bars.

    “They might spend the rest of their lives in prison because of this,” Crane says. “The last guy we got out, we had prosecutor files. These files are crucial to understanding whether a person is innocent or not.”

    Fighting for freedom

    For inmates like Carl Hubbard, the loss of those files has been devastating. He was convicted of fatally shooting 19-year-old Rodnell Penn in a violence-prone area of Detroit’s east side in 1992, largely based on the prosecution’s key witness, 19-year-old Curtis Collins. On the first day of his trial, Collins recanted and said he incriminated Hubbard because police threatened to jail him for murder and other crimes if he didn’t testify against Hubbard.

    Collins was thrown in jail for two days for perjury, and on the third day of the trial, he returned to the stand and changed his story, saying he saw Hubbard shoot Penn.

    At the age of 28, Hubbard was sentenced to life in prison in September 1992 without any physical evidence tying him to the shooting. He has been fighting for his freedom since and has compiled evidence that he’s innocent: Collins recanted again in a sworn affidavit and said he wasn’t anywhere near the murder scene. Other people signed affidavits saying they saw Collins at another location that night. And a witness to the shooting said he saw someone else pull the trigger.

    The owners of a nearby store, where Collins initially said he saw Hubbard moments before the shooting, said Collins was not in their business that night. They were familiar with Collins because he was banned from the store for previous behavior.

    Hubbard believes he can prove Collins was lying during his testimony, which would be significant because the case hinged on his account. Collins testified that he left the area in a taxi cab after witnessing the shooting.

    Through police records, Hubbard discovered the authorities subpoenaed the cab company to determine if Collins had, in fact, been picked up. But findings from the subpoena were never turned over to his lawyer, Hubbard says, which would constitute a Brady violation, giving him grounds for a new trial. Brady violations occur when prosecutors fail to disclose evidence that could benefit the defense.

    Late last year, Hubbard enlisted a private investigator, Chris VanCompernolle, to retrieve the prosecutor’s files to find out what the subpoena uncovered. But to his dismay, the prosecutor’s office said in a letter in November that the file could not be found.

    “I was hurt,” Hubbard recalls in an interview from Macomb Correctional Facility. “It was a harsh reality, like I was going to die in prison. There was no justice going to be served. I could no longer prove my innocence.”

    Hubbard has been in prison for 32 years, and he’s only seen his daughter once. He has never met his grandson. In January, his mother died.

    “I just want the truth to come out,” Hubbard says. “It’s all I ever wanted.”

    VanCompernolle says the significance of the purged records cannot be overstated.

    “This is a big deal because Carl could spend the rest of his life in prison if he can’t get this information,” VanCompernolle tells Metro Times.

    click to enlarge Clockwise, from upper left: Carl Hubbard, Eugene McKinney, Michon Houston, and Mack Tiggart. - Michigan Department of Corrections

    Michigan Department of Corrections

    Clockwise, from upper left: Carl Hubbard, Eugene McKinney, Michon Houston, and Mack Tiggart.

    Innocence denied

    Attorneys advocating for wrongfully imprisoned clients say the loss of the prosecutor files has created significant challenges. The Michigan Innocence Project, which won the release of 42 falsely convicted people since it was founded at the University of Michigan in 2009, has been unable to acquire Wayne County prosecutor files for dozens of prisoners because the records were destroyed.

    “We’ve had dozens of cases impacted by this,” David A. Moran, co-founder of the Michigan Innocence Clinic, tells Metro Times. “You don’t know what is in them that could help. It’s a serious problem.”

    Without the files, Moran says attorneys try to get as much information as they can from courts, police, and previous defense counsel. But they’ll never know what they’ve missed in the prosecutor’s files, Moran says.

    Worthy’s Conviction Integrity Unit, which is tasked with freeing innocent inmates, is also encountering setbacks. Since the unit was created in 2018, 38 inmates have been either exonerated or their cases have been dismissed. But the CIU is facing a staffing shortage, and the lack of prosecutor records has posed a significant challenge.

    The CIU has received more than 2,300 requests to review cases since it was created. Of those, the unit has examined a little more than half so far.

    Without the prosecutor’s files, the task is even more daunting and is detracting from other cases, according to the prosecutor’s office.

    “It should be acknowledged that it takes time to reconstruct files that could be spent doing other work,” the office said in its statement.

    Valerie Newman, the CIU director, says that her team has been able to find some documents using other avenues, but overall the file purge has made the unit’s work more difficult and time-consuming.

    Mack Tiggart, who has been in prison since 1989 for a first-degree murder conviction, will never forget when he found out the prosecutor’s files in his case were destroyed. He’d believed he was closer to proving he was innocent and just needed the prosecutor’s file.

    Then in May 2015, he received a letter from the prosecutor’s office, saying the county’s previous version of the CIU “was unable to obtain sufficient materials to make a complete evaluation of your case,” and without the prosecutor files, “no further action … will occur at this time.”

    “I almost had a heart attack,” he recalls in an interview from Muskegon Correctional Facility. “It hurt my mother. She was so upset. It took two or three years for her just to come around. She said Kym Worthy promised my mother and my family that they would pull my files and reexamine them.”

    Tiggart had reasons to be optimistic. In court filings, two firearm experts discredited the ballistic evidence.

    “The examiner’s testimony fell far short of what is scientifically reliable in the field of ballistics technology,” Tiggart’s attorney Roberto Guzman said in a letter to Worthy in September 2013. “His opinion was garbage, particularly since no laboratory analysis was done on the confiscated evidence to support that opinion.”

    Police also lost evidence. The contested ballistic analysis went missing, and the prosecutor’s records had been destroyed, making it virtually impossible for Tiggart to prove his gun was not used in the murder, despite expert witnesses saying it almost certainly wasn’t.

    One of the primary reasons Tiggart’s records are so important is because Michigan State Police exposed an alarming amount of botched ballistic testing at Detroit’s crime lab. The lab was forced to close in 2008, and Worthy’s office pledged to reexamine numerous cases after an MSP audit of 200 cases found that 10% of the ballistic test results were erroneous.

    In cases that were botched, the prosecutor’s files could contain evidence that shows erroneous data was used for a conviction, defense attorneys say.

    In June 2005, Tiggart’s co-defendant Cornelius Stanley was dying and swore in an affidavit that he had “framed” Tiggart because police had “coerced” him and threatened to charge his sister with murder if he didn’t implicate Tiggart.

    “I shot Eric Wheeler and framed Mack Tiggart to protect myself, my sister and her two children,” Stanley wrote. “But now I am at death’s door. I am afraid to face GOD knowing that lies condemn Mack Tiggart to life in jail and he and my sister did nothing but help me when I was down on my luck.”

    During a 2009 city council meeting, Worthy said she planned to reexamine many of the cases built on ballistic testing and assured one of Tiggart’s daughters that prosecutors would review his case.

    Tiggart, who is now 68, has been waiting ever since.

    On Memorial Day in 2022, Tiggart’s first daughter, Amanda, died from a massive seizure at the age of 44. Three months later, he says his mother died from a “broken heart.”

    Before she died, Tiggart says his mother told him, “Don’t ever stop fighting for your freedom. The day will come when God will send the right person to help you get out of there. Mama have to go and lay down next to Amanda.”

    Mark Craighead, who was exonerated of murder in 2022 and has been an advocate for innocent prisoners since then, says the illegal destruction of records shines a brighter light on the systematic suppression of evidence that contributed to wrongful convictions.

    “They destroyed these records so you can’t fight them,” Craighead tells Metro Times.” If you have the cards stacked up against you like that, there’s no way you can win your freedom. This shows that there’s corruption from the top to the bottom — from the mayor to the prosecutor’s office, judges, and police department.”

    More than wrongful convictions

    The impact of the destroyed files goes beyond the wrongfully convicted. Prosecutors rely on archived records to glean insight into long-running criminal enterprises, to weigh in on prisoners’ requests for parole, and to file sentencing motions on convicted felons who have committed new crimes.

    When the U.S. Supreme Court ruled in 2016 that mandatory life sentences for children were unconstitutional, the files were used by defendants and prosecutors during resentencing hearings.

    Those files could become paramount again for people convicted at young ages. The Michigan Supreme Court is considering whether to extend its ban on automatic life sentences for 18-year-olds to include 19- and 20-year-olds.

    “In those cases, we still have to look at the circumstances of the offense, the evidence, and the victims have to be contacted,” says Rachel Wolfe, a defense attorney for prisoners who claim they are innocent. “There is so much important information in those files.”

    Prosecutor files are also used by inmates requesting gubernatorial pardons or commutations. Gov. Gretchen Whitmer commuted the sentences of 35 inmates and granted four pardons since becoming governor in 2019. Since 1969, Michigan governors have commuted the sentences of 379 prisoners, including 162 who were convicted of first-degree murder, according to the Michigan Department of Corrections.

    Additional files missing

    Records from 1995 and earlier aren’t the only ones missing. Metro Times interviewed four prisoners whose files were never found for convictions between 1997 and 2003.

    In 2003, when Duggan was prosecutor, Michon Houston was convicted of first-degree murder for the fatal shooting of Carlton Thomas on Detroit’s west side. The conviction was based on the testimonies of two witnesses, but their accounts differed. One of the witnesses, Jovan Antonio Johnson, later recanted, claiming he had been threatened by both the police and the real killer, Lavero Crooks, known on the streets as “Country.” The second witness was Crooks himself.

    In a 2013 affidavit, Johnson said his testimony was false, explaining that Crooks had threatened him into implicating Houston. He also claimed that Crooks orchestrated his arrest in a drug deal shortly after the murder to pressure him into naming Houston as the shooter. Johnson said detectives further coerced him by threatening to charge him with murder if he didn’t comply.

    In 2014, another witness, Tony Miller, came forward with a sworn affidavit, stating he was “completely sure” that Crooks was the shooter, as he had witnessed the crime. However, no one had ever interviewed him about what he saw. Additional testimony in 2021 from another person described Crooks as “wild and violent” and noted that it was common knowledge in the neighborhood that “Country” was responsible for the murder.

    Houston and Crooks had clashed before the killing. According to the 2021 affidavit, Houston believed Crooks’s violent behavior was bringing unnecessary police attention to the neighborhood. Despite these developments, Houston’s attempts to prove his innocence have been hampered by missing records.

    In 2020, Houston sought to obtain his police and prosecutor records but was told they couldn’t be found. The CIU informed him that the recanted testimony alone was insufficient to overturn his conviction without the records.

    Houston, now 44, remains in prison, asking, “How can I prove my innocence without those files?”

    Eugene McKinney is a 54-year-old Detroiter who has been in prison since he was convicted of arson and first-degree murder in 1997.

    McKinney claims he was falsely convicted and that police coerced witnesses to incriminate him in exchange for leniency. He says he had ineffective counsel and that prosecutors violated his constitutional rights by denying him a probable cause hearing.

    But prosecutors have lost his records.

    “Without that file, there’s no evidence that a probable cause hearing was held, even though I know one wasn’t held,” McKinney tells Metro Times. “The prosecutor’s file is really important to me, and I need to get it. Where do I turn to?”

    He added, “There were other witnesses that came forward that said someone else did it. I’m entitled to a new trial because of new evidence from the police department because there was a witness who said the suspects weren’t me.”

    Despite the promising evidence, McKinney feels stuck without the prosecutor’s file. He says someone needs to be held accountable.

    “They need to be prosecuted because they are withholding some important evidence that could exonerate me,” McKinney says.

    Since Worthy became prosecutor, she says she has made it a priority to preserve and safeguard homicide records and “ultimately convinced the county to provide us space to efficiently store files” at a building in Livonia. She says she would never destroy “a homicide file or a violent felony or capital case.”

    Her office is also working on a project to digitize records to make them more accessible.

    Worthy says she knows the importance of retaining the files. In her final six years as an assistant prosecutor, she focused almost entirely on homicide trials.

    “The way I put together cases and trial files were my bread and butter,” Worthy said. “After a case was over, our trial files were to be forever preserved. These files were sacrosanct and trial prosecutors were always concerned when they turned them in that they be kept.”

    Next week: Metro Times explores how the missing prosecutor files have impacted cases in which police illegally withheld exculpatory evidence.

    [ad_2]

    Steve Neavling

    Source link

  • Hugh Jackman Is the Best Superhero Actor Ever

    Hugh Jackman Is the Best Superhero Actor Ever

    [ad_1]

    The following post contains SPOILERS for Deadpool & Wolverine. The movie came out more than two months ago, guys. 

    Deadpool & Wolverine might be the first movie I have seen in my entire life that made less sense on a second viewing.

    The first time through, I was so busy keeping track of the endless parade of cameos and nonstop Ryan Reynolds one-liners, that I didn’t fully register just how nonsensical the plot is from top to bottom. Deadpool quits being a superhero because he wanted to be an Avenger, and they rejected him — but the Avengers don’t even exist in his reality, so why should he even care? The Fox X-Men universe is in danger of collapsing because its “anchor being” died — but if that’s the case how did it exist for the billions of years before that being was born? Cassandra Nova creates a portal out of the Void because the heroes tell her that her brother, Charles Xavier, loved her and would have saved her if he knew about her — but Cassandra already told them Xavier tried to kill her in the womb. Did he love her or hate her? And on and on and on.

    There really is just one thing holding this film together, and it ain’t Ryan Reynolds calling himself Marvel Jesus over and over. It’s Hugh Jackman, giving an incredibly emotional performance that is all the more impressive because it comes in Deadpool & Wolverine, a film that otherwise exists to mock superhero movies in general and itself specifically.

    Then again, maybe I shouldn’t be surprised Jackman is so good in this movie. For a quarter of a century, Fox put this man in movies that, with very few exceptions, ranged from so-so to absolute garbage. Time and again, he elevated the material he was handed with conspicuous dedication and fiery intensity. He brought authenticity to one X-Men sequel after another. At this point, I think it can be stated as fact: No one has been a better actor in superhero movies for longer than Hugh Jackman.

    DEADPOOL & WOLVERINE
    Marvel

    READ MORE: Deadpool Was Actually the Perfect Marvel Hero

    Jackman has appeared in a couple good X-Men films through the years. The first two X-Men from the early 2000s were really the first Marvel movies in history to capture even a fraction of the flavor of their popular source material. Jackman was also the lynchpin of X-Men: Days of Future Past, the solid crossover sequel that united the two X-Men movie franchises. And he was sensational in his first swan song to Wolverine, 2017’s Logan, where he was finally given an R-rated venue to showcase the character’s full range of emotions and penchant for bloody violence.

    But more often than not Jackman was the highlight of otherwise disappointing movies, like X-Men: The Last Stand, an ugly and muddled adaptation of the classic “Dark Phoenix Saga” that’s occasionally kind of watchable because Jackman is so locked in on Logan’s doomed relationship with Famke Janssen’s Jean Grey. Jackman somehow kept a straight face marching through one of the worst Marvel movies in history; his grizzled gravitas is the only thing that disaster has going for it.

    He even brightened up maybe the worst of the main X-Men movies, X-Men: Apocalypse, in an unannounced cameo where he recreated Wolverine’s famous “Weapon X” origin story from Marvel Comics. Jackman had already attempted one version of this story in X-Men Origins: Wolverine. (That would be the aforementioned Marvel movie that was maybe the worst ever made.) Given a second chance to adapt this popular storyline, Jackman made the most of it.

    Wearing a goofy hi-tech headband and wolfish wig while stripped to the waist and covered in cables, Jackman is somehow absolutely terrifying as this savage animal of a man who tears apart a whole legion of goons with his bare hands (and claws). Jackman appears in X-Men: Apocalypse for about three minutes, never says a single word, and is still the only memorable part of the movie.

    Jackman’s Marvel filmography is all the more admirable because his movies were so often disappointing; he was as impervious to bad material as his signature character is to bullets and stab wounds. He always brought his A game, even in B (or, let’s be honest, C or D) material. He’s the movie equivalent of Walter Johnson, the Hall of Fame pitcher who repeatedly led the Major Leagues in strikeouts despite pitching for the hapless Washington Senators. (Johnson’s plaque in the Baseball Hall of Fame notes that he “won 414 games with losing team behind him many years.” Way to roast the Washington Senators, Baseball Hall of Fame plaque writer.)

    To be clear, Deadpool & Wolverine is a much more entertaining movie than X-Men: Apocalypse or X-Men Origins: Wolverine. But on a rewatch, with the novelty of its slew of unpredictable cameos thoroughly worn off, its first 35 minutes are awfully slow-going — until the exact moment Jackman’s Wolverine joins the story.

    Even after Jackman shows up, Deadpool & Wolverine is still about characters who cannot be killed; the title heroes both possess mutant healing abilities, and they have several extended fight scenes where they hack and shoot each other repeatedly with zero long-term effects. Thanks to the concept of the multiverse, which contains infinite variations of every Marvel character, death is also utterly meaningless. After all, the fundamental premise of Deadpool & Wolverine is that Wolverine is dead and Deadpool must find another Wolverine to take his place.

    DEADPOOL & WOLVERINE
    Marvel

    Deadpool & Wolverine asks a ton of Jackman: Most centrally, it needs to make us care about a character who already got one heroic death and ending to his story. The script (credited to five writers, including Reynolds) tells us — but never shows us — this new Wolverine’s tragic backstory: Humans stormed the Xavier School and killed all of the other X-Men while he wasn’t there, in response to Wolverine going on an unexplained human killing spree of his own. (Wait, human were so angry at Wolverine that they killed all the X-Men except Wolverine? This is yet another part of the movie that gets more confusing the longer you think about it. Anyway, we’re getting off track.)

    The film wants us to feel something about the murders of characters who never appear onscreen — and who exist in countless other variants all throughout the Marvel multiverse. And yet, in a movie where there are essentially no stakes because the heroes can be reborn or plucked from alternate timelines as long as Marvel is willing to pay a popular actor their quote, we do come to care about this “worst” Wolverine and his pain. The only reason is Jackman, who injects so much pathos into this tortured man’s broken soul. Death should be irrelevant in Deadpool & Wolverine, but Jackman makes us feel the scar this loss left on this man.

    DEADPOOL & WOLVERINE

    Marvel

    Jackman’s work in Deadpool & Wolverine makes it the perfect coda for and tribute to the Fox X-Men universe. So many of those films were silly, yet Jackman remained devoutly committed to the reality of Wolverine’s arduous psychological journey. (He also remained devoutly committed to eating nothing but brown rice and chicken for years on end to maintain the reality of Wolverine’s swole physique.) Deadpool & Wolverine is maybe the silliest of all the X-Men movies — intentionally so — and yet Jackman gives maybe his single best performance as Wolverine in it.

    Deadpool & Wolverine’s box office proves how excited audiences were to see Jackman back in this role, and he generally got solid reviews. I still don’t think he’s gotten enough credit for how great he is in this and all these movies. He’s never treated any of them like a paycheck. He’s never phoned in a moment. The guy truly is the best there is at what he does.

    Every Marvel Cinematic Universe Movie, Ranked From Worst to Best

    It started with Iron Man and it’s continued and expanded ever since. It’s the Marvel Cinematic Universe, with 34 movies and counting. But what’s the best and the worst? We ranked them all.

    [ad_2]

    Matt Singer

    Source link

  • The Coolest ‘Star Trek’ Movies That Were Never Made

    The Coolest ‘Star Trek’ Movies That Were Never Made

    [ad_1]

    To date, the many Starships Enterprise have been featured in a total of 13 movies: Six featuring the cast of the original Star Trek television series, four starring the men and women (and androids) of Star Trek: The Next Generation, and three so-called “Kelvin Timeline” films featuring the Captain Kirk and Mr. Spock played by Chris Pine and Zachary Quinto.

    All 13 of those Treks made it to theaters. In the course of developing those films, though, Paramount and the stewards of the Star Trek universe have considered at least that many other Star Trek projects that, for one reason or another, fell apart before they could arrive at their final destination — the multiplexes of our planet circa Stardate 78161.8.

    Some of these unmade Star Trek films sound as doomed as the SS Botany Bay’s journey to Ceti Alpha V. Others, though, sound pretty fabulous on paper, and had the potential to rival or surpass many of the 13 Star Trek films Paramount produced over the last 40+ years. They’re a bit like Ceti eels; once they crawl into your brain, they’re almost impossible to get out.

    That’s what this list is about. These are the unmade voyages of the Starship Enterprise. Our mission: To explore this space of unmade Trek films, to seek out new scripts and new motion pictures. To boldly go where no one has gone before: Into Hollywood development hell and back.

    The Coolest ‘Star Trek’ Movies That Were Never Made

    The Star Trek galaxy has almost visited some exciting places — until the plans for the 11 movie projects were canceled or drastically changed.

    READ MORE: William Shatner Never Watched an Episode of The Next Generation

    Every ‘Star Trek’ Movie Ranked From Worst to Best

    Every Star Trek movie, from The Motion Picture to Beyond, ranked. Did we get them right?

    [ad_2]

    Matt Singer

    Source link

  • Why Aren’t Alec Baldwin and Geena Davis in ‘Beetlejuice 2’?

    Why Aren’t Alec Baldwin and Geena Davis in ‘Beetlejuice 2’?

    [ad_1]

    Tim Burton didn’t want to “tick any boxes” by re-casting Alec Baldwin and Geena Davis in the Beetlejuice sequel.

    The pair played ghost couple Adam and Barbara Maitland from the original 1988 flick, but the filmmaker didn’t feel their presence was necessary for the story he wanted to tell in Beetlejuice Beetlejuice, which focuses on the Deetz family.

    He told People Magazine: “I think the thing was for me I didn’t want to just tick any boxes. So even though they were such an amazing integral part of the first one, I was focusing on something else.”

    READ MORE: We Ate Every Single Thing on Denny’s Beetlejuice Menu

    Adam and Barbara summoned the titular trickster ghoul, who is played by Michael Keaton, after they drowned in a river and became ghosts. They get Beetlejuice to scare away the new family that moved into their home. Charlie and Delia Deetz can’t see them, but their death-obsessed daughter Lydia can.

    Winona Ryder and Catherine O’Hara reprise their roles as Lydia and Delia, while Jenna Ortega plays the former’s daughter Astrid Deetz.

    Burton added: “A sequel like this, it really had to do with the time. That was my hook into it, the three generations of mother, daughter, granddaughter. And that [would] be the nucleus of it. I couldn’t have made this personally back in 1989 or whatever.”

    Time has moved on with Lydia now a mother herself, and Ryder recently admitted she initially struggled to see Lydia move beyond her gothic phase to become a parent.

    She told /Film: “I think certainly, I never pictured Lydia either having children or in any type of relationship. I just always thought she was just probably in her own world as she got older. Just sort of in the attic and happy, but alone.”

    The Stranger Things actress added that as soon as she started working with Jenna and Justin Theroux — who plays Lydia’s husband Rory — on the project, she was able to get a better grasp of this new version of the character.

    She explained: “I think once we got there and once Jenna and I bonded and once Justin came on board … I mean, I think everyone who’s as old as I am now, we’ve all been in those things where you’re just like, ‘What was I thinking, in terms of the relationship I have?’”

    “But I don’t know with young Lydia, I don’t think she would ever have expected to be in front of a camera.”

    Beetlejuice Beetlejuice opens in theaters on September 6.

    Jokes In the Original Beetlejuice That Won’t Fly in the Sequel

    These gags made Beetlejuice into a comedy classic. But times have changed since the original movie came out…

    [ad_2]

    BANG Showbiz

    Source link

  • Jim Henson’s Final Muppet Project May Soon Be Gone Forever

    Jim Henson’s Final Muppet Project May Soon Be Gone Forever

    [ad_1]

    The very last Muppets project Jim Henson worked on before his death could soon close for good.

    The project in question is called Muppet*Vision 3D, an attraction located in Orlando, Florida at Disney Hollywood Studios. The show — a 3D movie with additional in-theater effects — opened at the park in 1991. Although Henson died in 1990, before the attraction officially opened, he directed the film as well as puppeteered Kermit the Frog and several other Muppet characters in it.

    The film also screened at Disney’s California Adventure park for over a decade, but that version of Muppet*Vision closed in 2014. And now it looks as though the Florida attraction may close as well to make way for new rides at Hollywood Studios.

    According to TheWrap, Disney has “only a few weeks to decide whether to keep Muppet*Vision 3D or to shut it down.” One of Disney’s recently announced additions to Hollywood Studios is an entire area of attractions themed around Pixar’s Monsters Inc. franchise. The trade’s sources claim that the original plan for the announcement would have included “alternate artwork … that would have more directly pinpointed that Muppet*Vision is on the chopping block.”

    Instead, that concept art “was swapped for something more nebulous.”

    READ MORE: 10 Fictional Amusement Parks We Wish We Could Visit

    Though Disney has not confirmed plans for Muppet*Vision, “eagle-eyed fans still spotted a telltale water tower that gave away the location [of the new Monsters Inc. area], taking to social media to express their outrage.”

    TheWrap’s report claims there is the potential to build the Monsters Inc. land in another area of the park — the Animation Courtyard, which once housed a functional animation studio, but in recent years has served as the home to an attraction where fans can take pictures with Star Wars costumed characters. But the area where Muppet*Vision sits is reportedly “more ideal” to the new plan, because the surrounding area already has buildings that could be repurposed for restaurants and shopping.

    The nature of theme parks makes them cyclical; to build exciting new things that draw guests back, you sometimes need to shutter the old ones that, while still enjoyable, are no longer seen as draws. Most of the attractions that were around at Disney Hollywood Studios when Muppet*Vision first opened are long gone, including a backlot tour, that animation studio, and The Great Movie Ride, which shuttered a few years ago to make way for a new Mickey Mouse train ride.

    The issue is that the more old attractions close, the more nostalgic people feel for the few vintage ones that remain — like Muppet*Visionˆ, which also holds that extra special place in Muppets history because of Henson’s work on it. So if that plan to replace it with Monsters Inc. holds, there could be quite a Statler and Waldorf-esque ruckus from the internet.

    Amazing Theme Park Rides Based on Movies That Were Never Built

    [ad_2]

    Matt Singer

    Source link

  • ‘Batman: Caped Crusader’ Is a Must-Watch

    ‘Batman: Caped Crusader’ Is a Must-Watch

    [ad_1]

    More than 30 years after its debut, Batman: The Animated Series remains the gold standard for comic-book cartoon series — not just for Batman himself, but really any superhero. While the original show ceased production in the mid-90s, it spawned continuations, spinoffs, sister shows, expansions, and then a whole DC Animated Universe that borrowed from Batman in ways big and small.

    So Batman: Caped Crusader — which has been sold as something of a spiritual sequel (or maybe a spiritual prequel, since it follows a Batman at the start of his career) to Batman: The Animated Series, and was made by some of the same creative team, including artist and animator Bruce Timm — comes not only with huge expectations, but with a lot of competition as well. When Batman debuted on Fox Kids in 1992, it looked like nothing else on children’s television. In 2024, a lot of superhero animation mimics its gritty tone and moody style. Plus the original series is still available on home video and streaming on Max. It seems fair, then, to be a bit skeptical about the whole endeavor. Does the world really need yet another dark Batman cartoon?

    “Need” might be a bit strong. But that doesn’t mean Batman: Caped Crusader isn’t a worthy successor anyway. In fact, the first episodes of the new series are as good or better than the strongest installments of the old Animated Series. If you do like the original show, I find it hard to believe you won’t also enjoy the new one.

    Batman: Caped Crusader – First Look
    Prime Video

    READ MORE: The 20 Best Animated Superhero Shows Ever Made

    While Caped Crusader doesn’t share a continuity or voice cast with The Animated Series, it bears plenty of stylistic similarities — including that distinctive Bruce Timm, art-deco design sense. Its Batman lives in a Gotham City that exists out of time; the televisions are all in black-and-white, yet Batman himself still has his endless array of advanced gadgets and technology. And the series’ characters, costumes, and architecture all fit the show’s retro noir vibes.

    Replacing the late, great Kevin Conroy as the Dark Knight is Hamish Linklater, who provides a vocal performance in a similar register: A grim and guttural Batman that serves as an aural disguise for the chipper and cheerful Bruce Wayne. (Or is it the other way around?) Batman himself is reasonably recognizable from the earlier show, and most DC comics of recent years; haunted, determined, and resolutely without humor about his work or his life.

    Batman: Caped Crusader – First Look
    Prime Video

    Where Caped Crusader differentiates itself from The Animated Series is in its treatment of the title character’s rogues gallery. An early screening of the series this week at the Alamo Drafthouse included a preview of the season’s first three episodes, each of which presented a distinct take on a classic Batman villain.

    The premiere stars a female version of the Penguin (voiced by Minnie Driver); the second offers a twist (rooted in the Golden Age comics) on Clayface; the third includes both a new Catwoman (nicely played by Christina Ricci), reconfigured as more of a kind of dark mirror image of Bruce Wayne, and a first glimpse of psychiatrist Dr. Quinzel — better known to DC fans as Harley Quinn. Lurking in the background of all these episodes is Harvey Dent, who will inevitably become the psychotic Two-Face, but at this point in the series is merely an excessively ambitious (and morally ambiguous) district attorney. (In a fun twist, he’s played by former Batman voice actor Diedrich Bader.)

    Of these three episodes, I would say the pilot was perfectly fine, the third was solidly good, and the middle episode (the one involving Clayface) was absolutely outstanding, and certainly on par — both in terms of the writing and the dynamic visuals — with anything produced in the original run of Batman: The Animated Series. 

    Batman: Caped Crusader – First Look
    Prime Video

    Without spoiling too much of its plot, this particularly stellar episode, “And Be a Villain,” finds Batman in full-on detective mode, investigating the disappearance of a famous movie star with the help of the Gotham City Police Department’s Renee Montoya (Michelle C. Bonilla). Set backstage at a Gotham movie studio, the episode pays homage to Batman’s pulpy inspirations from the Shadow to Robin Hood, and also includes nods to classic horror films like The Pit and the Pendulum — while also showcasing the series’ most striking imagery and sharpest dialogue to date. It’s a perfect 22 minute superhero story — while also clearly setting up larger plot threads (like the contentious relationship between Batman and Montoya) that will continue to play out across future episodes. (This episode’s quality might have something to do with the fact that it was written by longtime comics scribe Greg Rucka.)

    Caped Crusader had a long road to television. It was initially announced as a project for HBO Max way back in the spring of 2021, and only got released after Amazon acquired the show from Warner Bros. Discovery. Apparently Prime Video is happy with the series so far; it’s already been renewed for a second season. Watching these three early episodes, it’s easy to see why. If the show is already this good, and Amazon lets Timm and the rest of the creative team not only pay homage to old Batman shows but expand upon their promise with even more mature stories and more dramatic animation, we might someday look at Batman: The Animated Series as the predecessor to Batman: Caped Crusader, and not the other way around.

    Every Movie Batman Actor, Ranked From Worst to Best

    From Lewis G. Wilson to Robert Pattinson, we ranked them all.

    [ad_2]

    Matt Singer

    Source link

  • A Detroit detective terrorized young men into making false confessions. Some are still behind bars.

    A Detroit detective terrorized young men into making false confessions. Some are still behind bars.

    [ad_1]

    Part one of a series about wrongful convictions in Detroit.

    The day Mark Craighead lost his freedom for a murder he couldn’t have committed, he just wanted to come home and get some rest. He was tired and hungry.

    But when he arrived at his home in Detroit on that warm, sunny evening in June 2000, two detectives were waiting on his porch and demanded he come downtown for questioning about his friend’s murder three years earlier.

    Chole Pruett, 26, was found fatally shot inside his apartment in Detroit. His 1996 Chevy Tahoe was set ablaze behind an elementary school in Redford Township.

    Craighead had to work at 5 a.m. the following day at a Chrysler plant. But the detectives, despite not having an arrest warrant, insisted he had no choice.

    Craighead, who had no criminal record and coached youth football, had already been interviewed twice by Detroit police, and each time they were satisfied with his answers. But this time was different.

    Waiting at police headquarters downtown was Detective Barbara Simon, an aggressive interrogator who spent years waging psychological warfare on young Black men accused of murder. In the 1990s and early 2000s, she engaged in investigative misconduct, illegally held suspects without a warrant, denied them access to an attorney or phone call, threatened them, and made false promises of leniency, judges and prosecutors would later determine. Suspects who refused to talk without an attorney were confined to jail cells infested with cockroaches, rats, and other vermin.

    Her tactics led to false confessions and fabricated witness statements.

    As Craighead rode in the rear of a squad car wearing shorts and a tank top, he had no idea what he was up against. He wasn’t allowed to call an attorney or make a phone call, according to affidavits and a subsequent lawsuit.

    When they arrived at police headquarters at 1300 Beaubien, Craighead says he was confined for hours to a four-foot by four-foot locked room with a desk and steel grates on the window.

    He was left alone with a growing migraine headache and nothing to eat or drink. When he pounded on the door and demanded to be let out, Simon told him to “sit down and shut up,” Craighead says.

    Without a lawyer present, Craighead had no plans to answer questions.

    But Simon, who was known as “the closer” for obtaining confessions, had another plan that worked with countless other suspects: Frighten him and wear him down.

    When Craighead sat face to face with Simon, he repeatedly refused to answer questions. Simon claimed she had evidence linking him to the murder. Police took him to different rooms and left him alone for hours.

    After 1 a.m., more than seven hours after he was taken into custody without a warrant, a lawyer, or a phone call, Simon told Craighead he would be released and still make it to work for his 5 a.m. shift if he agreed to take a polygraph. If he didn’t, he would remain in custody, Simon told him, according to court records.

    Knowing the fallibility of polygraphs, Craighead took a risk and agreed. He just wanted to go home. Simon escorted him to another building, where he was strapped into a polygraph machine.

    “She gave me no choice,” Craighead said, according to the affidavit. “I would lose my job.”

    After about an hour of questions, Simon told Craighead he failed the polygraph, a conclusion that was later contradicted by another test. Falsely claiming the polygraph was admissible in court, Simon leaned in and said, “Your wife is going to find a new husband and your kids are going to call somebody else daddy if you don’t tell me what you did because you’re going to jail for the rest of your life without parole,” Craighead recalled in a deposition.

    After he refused to confess to a murder that evidence would later show he didn’t commit, Simon placed Craighead in handcuffs and fingerprinted him. When asked if he could go home as promised, Craighead says Simon laughed at him.

    After 4 a.m., Craighead was placed in a cold jail cell with no blanket or pillow. The only place to sit was a wooden bench with screws poking out. Mice and cockroaches scurried about, he says.

    At least he had a chance to use a restroom for the first time since he arrived more than eight hours earlier.

    “I was kind of scared and terrified,” Craighead recalled in a deposition.

    At 11 a.m., a detective escorted Craighead back to the tiny interrogation room where he had sat for hours alone the night before. The officer rebuffed Craighead’s request for an attorney, phone call, and medicine for his migraine, he says.

    Simon walked in and also denied his requests, according to Craighhead.

    “We got you,” Craighead recalled Simon telling him. “We know that you shot Chole, and we can prove it.”

    As Craighead would later find out, the police had no evidence linking him to the murder.

    To Craighead’s surprise, Simon presented him with a detailed narrative about what went down on the night of Pruett’s murder in July 1997: He and Craighead got into a fight. Pruett pulled out a gun, and the pair struggled for control of it. The gun went off. Pruett died.

    The alleged confession, which Simon handwrote, was contradicted by forensic evidence, which showed Pruett was shot four times in the back execution-style from a distance of at least two feet.

    In her interview with Craighead, Simon insisted the shooting was an “accident” and said, “You don’t seem like the kind of person that would kill or rob your best friend, so you must have had a reason,” according to court records.

    Simon handed him the “confession.” If he signed it, she promised the first-degree murder charges would be reduced, and he could go home, Craighhead recalled.

    Broken down, scared, and disoriented, Craighead signed the paper — a decision that would cost him seven years in prison.

    “I signed it to avoid going to prison for the rest of my life,” Craighead said during a deposition.

    He had two children, ages 2 and 4.

    Although Craighead and his attorney argued the confession was fabricated and coerced and that his rights were violated, a judge allowed prosecutors to use the written statement as the primary evidence against him, and he was convicted of manslaughter in 2002.

    As the jury read the verdict, Craighead broke down in tears.

    “I was crying,” he recalls. “I got hoodwinked. I hadn’t seen the light of day since they arrested me on my porch. It was traumatic.”

    He wouldn’t be a free man until 2009, and it would take another 12 years until he was exonerated.

    click to enlarge

    Steve Neavling

    Suspects and witnesses were rounded up and interrogated at the then-headquarters of the Detroit Police Department at 1300 Beaubien in downtown. The building was used by DPD until 2013.

    Locked up and lied to

    Craighead is among four Black men who have been exonerated of murder convictions after their attorneys showed that Simon, who is also Black, used deceptive and coercive interrogation techniques. A fifth Black man, who falsely confessed after being unlawfully imprisoned, was freed before his murder trial because DNA evidence showed he wasn’t the killer.

    All five sued Simon and the city, and three of them have been settled so far at a cost to taxpayers of more than $16 million.

    The two other lawsuits, including one by Craighead, are still wending their way through federal court and likely will cost the city millions more. Because the city is self-insured, Detroit must cover the costs of settlements and attorneys, diverting crucial resources away from essential public services.

    Simon worked in the Homicide Division for about 20 years before she retired in 2010. Shortly after, then-Attorney General Mike Cox hired Simon as an investigator. She retired in August 2021.

    A six-month Metro Times investigation, which included a review of thousands of pages of court documents and dozens of interviews with exonerees, inmates, defense attorneys, interrogation experts, private investigators, and law enforcement officials, paints a troubling picture of Simon and the prosecutors, police leaders, and judges who could have stopped her. Simon used aggressive, illegal, and sometimes violent interrogation techniques on suspects and witnesses, according to affidavits, court transcripts, and multiple lawsuits.

    Here’s what we found, according to those documents:

    • Suspects were routinely locked in small rooms for hours if they refused to talk and were denied access to attorneys and a phone call. In each of the cases, Simon had no arrest warrants to legally confine the suspects and witnesses.

    • Simon falsely promised suspects, some of whom were teenagers, that they could go home if they signed confessions that she wrote.

    • Simon illegally presented herself as a prosecutor who had authorization to file charges and falsely promised leniency if suspects signed statements admitting guilt.

    • In one case, Simon called a suspect a racial slur and told him any jury in America would convict him of killing a white woman.

    • While testifying at trial and during depositions, Simon often claimed she couldn’t recall basic information about the interrogations.

    • She threatened to frame witnesses for murder or other crimes if they didn’t incriminate suspects who turned out to be innocent. Those witnesses later recanted.

    Although the exonerations have shown that Simon resorted to psychological torment to elicit false confessions and fabricated witness statements, countless other suspects who were interrogated by the detective are still behind bars. During her career, Simon said she interrogated “hundreds” of suspects.

    Metro Times tracked down eight other inmates who emphatically claim they were falsely convicted because of Simon’s interrogation tactics. Many of them were teenagers when they were convicted.

    Attorneys and private investigators who have worked on the Simon cases believe many more innocent people are behind bars because of the detective’s interrogation tactics.

    “There certainly are still innocent people in prison because of Simon,” David Moran, co-founder and a lead counsel at the Michigan Innocence Clinic, tells Metro Times. “There are likely a bunch.”

    No accountability or justice

    Despite what defense attorneys say was a clear and alarming pattern of Simon resorting to abusive, illegal, and deceptive tactics to get guilty verdicts, the exonerees and those still in prison have faced stiff resistance from judges and the Wayne County Prosecutor’s Office. Time and time again, judges turned down appeals, and prosecutors fought to keep the men in prison, despite later admitting some of the defendants were innocent.

    “The prosecutors will file an appeal, and they drag it through the appellate court for two to four years,” Steve Crane, a private investigator who helped get three innocent prisoners released, tells Metro Times. “They don’t want to accept a loss at any cost. It’s disgusting, and it’s frustrating.”

    Those still in prison say they’re withering away behind bars because judges and prosecutors won’t consider their cases.

    Their stories are strikingly similar to those who were exonerated. For up to eight hours, they were forced to undergo aggressive interrogations or were placed in a locked room without a warrant, food, or phone calls. They were falsely — and illegally — promised freedom if they confessed. And they were told there was undeniable evidence that would lead to their convictions, a claim they would later find out was untrue.

    In each of the cases, Simon was one of the lead investigators. And she wasn’t just any detective. When Detroit police had trouble getting witnesses or suspects to talk, they often depended on Simon, who had an unusual — and many would say suspicious — record of obtaining confessions, albeit ones that had been repeatedly recanted or contradicted.

    Defense attorneys have repeatedly said Simon had a history of ignoring or withholding evidence that suggested a suspect was innocent. She also falsely testified during murder trials. In one case, Simon testified that the defendant fatally stabbed the victim, which lined up with what turned out to be a coerced, false confession. The autopsy revealed the victim was beaten to death.

    The stories behind the convictions are symptomatic of a dark, troubling, and often lawless time for Detroit’s homicide division. During a multiple-year investigation by the U.S. Department of Justice that began in December 2000, federal investigators found that homicide detectives trampled on the constitutional rights of suspects and witnesses for decades to get confessions. According to the DOJ, the department had a history of subjecting suspects and witnesses to false arrests, illegal detentions, and abusive interrogations. Despite what was at stake, the detectives weren’t properly trained, and bad cops were rarely disciplined, the DOJ concluded.

    In 2003, to avoid a massive civil rights lawsuit claiming suspects and witnesses endured false arrests, unlawful detentions, fabricated confessions, excessive force, and unconstitutional conditions of confinement, the Detroit Police Department agreed to DOJ oversight in 2003. Because of the harsh interrogation tactics, DPD agreed in 2006 to videotape interrogations of all suspects in crimes that carry a maximum penalty of life in prison.

    After 13 years of federal government scrutiny, the DOJ finally ended its oversight, but only after DPD agreed to sweeping changes in a consent decree to overhaul its arrest, interrogation, and detention policies. Detectives could no longer round up witnesses and force them to answer questions at police precincts and headquarters.

    By then, the damage done during that time is impossible to measure. But what’s clear is that lives were destroyed, and many more innocent people are likely behind bars for crimes they didn’t commit, attorneys and private investigators say.

    At no point since then have prosecutors or police tried to reexamine the cases during this troubling time.

    “The Detroit Homicide Division was a trainwreck. It was completely out of control in the 1990s and early 2000s,” Moran says. “You have a police department that for a decade or more was rogue. There’s no other way to describe it. It’s undeniable.”

    In 1997, three years before the DOJ’s investigation, the head of DPD’s Homicide Division, Joan Ghougoian, was accused of illegally obtaining murder confessions by falsely promising suspects they could go home. Monica Childs, a homicide detective at the time, blew the whistle on Ghougoian and was reassigned to another department. Childs alleged in a lawsuit against the department that Ghougoian attacked, cursed, bullied, and ignored her when she tried to prevent illegally obtained murder confessions from being used.

    At the time, Simon was working in the Homicide Division.

    Although she is by no means the only Detroit homicide detective to be accused of eliciting false confessions and witness statements during that time, the volume of allegations and the resulting exonerations make Simon stand out in a department plagued by accusations of misconduct.

    Despite the attention the whistleblower lawsuit and DOJ investigation brought to the police department, Simon continued to illegally obtain confessions, according to lawsuits, affidavits, and depositions.

    ‘A stupid [n-word]’

    On Mother’s Day in 1999, Lisa Kindred was getting inside her family van with her three children when a lone gunman rushed up and shot her in the chest on Bewick Street on the city’s east side. To save her children, the 35-year-old Roseville woman drove away and pulled into a gas station to ask for help. She fell out of the car and was later pronounced dead at a hospital. Her children huddled in the back seat, screaming and crying.

    The children, ages 1o days to 8 years old, were uninjured.

    Within hours, police rounded up two alleged witnesses, both of whom were heavily intoxicated on drugs and alcohol, according to a lawsuit that was later filed. One was a 16-year-old who was illiterate and dropped out of high school. The other had mental health issues and heard voices.

    Both interrogations “turned to physical abuse,” and Simon and another cop choked one of the alleged witnesses, according to court records. One of the interrogations lasted six hours, and Simon allegedly threatened to frame two suspects or they’d be implicated in the murder, according to court records. She wrote up the statements and told them to sign the papers.

    Afraid they’d be charged, the pair signed the statements, leading to the arrests of Justly Johnson, 24, and Kendrick Scott, 20, on the day of the shooting.

    During an interrogation, Simon called Johnson a racial slur and told him any jury in America would convict him of killing a white woman, according to Johnson. Simon added that she was under pressure from then-Mayor Dennis Archer to close the case and didn’t care if he was innocent, according to one of Johnson’s affidavits.

    He said Simon didn’t investigate his alibis and she responded that “it didn’t matter because the mayor was her boss and her boss was on them and they were going to charge me with the murder whether I was innocent or not.”

    Johnson, who had a baby on the way, said he “begged” Simon “not to do this to me.”

    “Ms. Simon then asked me how far I had gone in school,” Johnson recalled. “I told her I had gone through 1oth grade. She then called me a ‘stupid [n-word]’ and repeated that I needed to confess to this crime that I did not do.”

    click to enlarge Kendrick Scott. - Michigan Department of Corrections

    Michigan Department of Corrections

    Kendrick Scott.

    Simon repeated the slur and that a jury was going to convict a Black man of killing a white woman, even if he didn’t commit the crime.

    “At that point I broke down in tears, begged investigator Simon for my life and continued to protest my innocence,” Johnson said. “Investigator Simon then stormed out of the room.”

    In January 2000, Johnson was convicted of murder, assault with intent to commit robbery, and felony use of a firearm. He was sentenced to life in prison without the possibility of parole.

    Scott was convicted of the same charges in May 2000 and was also sentenced to life without parole.

    Johnson and Scott never gave up on getting out of prison and proving their innocence.

    In 2009, Scott Lewis, an investigative reporter in Detroit, began reviewing the case. Two years later, he sent a letter to the victim’s son, Charmous Skinner Jr., who at the time of the shooting was 8 years old. He was in the front seat when his mother was shot and said he’d never forget the shooter’s face. He described the gunman as being in his mid-30s with a heavy beard and very large nose, neither of which matched the description of Johnson or Scott. He also said the shooter was alone.

    Lewis contacted the Michigan Innocence Clinic, which had recently taken on the case. Law students and a supervising attorney from the clinic interviewed Skinner and showed him photographs of Johnson and Scott. Neither of them was the gunman, he said. Skinner said he was “a hundred percent” positive.

    Even though Skinner had seen the killer, police never interviewed him.

    Despite the new evidence, the clinic couldn’t get a judge to look at the case.

    Wayne County Circuit Judge Prentis Edwards denied a motion for relief from judgment in 2011, without even holding a hearing. In 2013, Wayne County Circuit Judge James Callahan also denied the motion without a hearing, and the Michigan Court of Appeals declined to grant the defense permission to appeal.

    Finally, in 2014, the Michigan Supreme Court ordered the cases to be remanded to circuit court for a joint hearing to determine whether Scott and Johnson were entitled to a new trial.

    During the hearing, one of the alleged witnesses said he had falsely implicated Johnson and Scott and that police “whooped” him during the interrogation. A cousin of the other alleged witness, who died in 2008, said her cousin admitted to her that he lied to investigators because he was afraid of being charged.

    “At that point I broke down in tears, begged investigator Simon for my life and continued to protest my innocence,” Johnson said. “Investigator Simon then stormed out of the room.”

    tweet this

    Defense attorneys also provided reports that showed the victim’s husband, Will Kindred, had been involved in “a series of violent domestic incidents” with his wife. At one point, he even threatened to kill her whole family, according to the records. On at least two occasions, police confiscated .22-caliber weapons from the husband after two of the alleged domestic violence incidents.

    The weapon used in the murder was a .22-caliber gun.

    Nevertheless, the judge denied a motion for a new trial in August 2015, concluding that Kindred was likely murdered as part of a planned contract killing that involved Scott and Johnson.

    After the Michigan Court of Appeals upheld the ruling, the Michigan Supreme Court finally ordered new trials for Johnson and Scott in July 2018.

    On Nov. 28, 2018, the Wayne County Prosecutor’s Office dismissed the charges, and Scott and Johnson were free men for the first time in 18 years.

    Johnson and Scott filed separate lawsuits in U.S. District Court against Simon and another Detroit cop, Catherine Adams, claiming they coerced two witnesses into falsely implicating them in the murder and engaged in “deliberate and knowing fabrication of evidence.”

    In November 2022, the city of Detroit settled the lawsuits, agreeing to pay Johnson and Scott $8 million each.

    Johnson’s attorney, Wolfgang Mueller, says lawsuits and media exposure are the most effective ways to prevent police departments and prosecutors from putting innocent people in prison.

    “Publicity and lawsuits help improve the system,” Mueller tells Metro Times. “You have to hit people in the pocketbook. It’s when they get hit in the pocketbook that they make changes. When this stuff comes out of the dark, then change can be made. We as a society won’t tolerate it if we know about it. It’s just that for so long people didn’t know about it.”

    Coercive tactics

    In February 2000, Nathan Peterson found himself face to face with Simon, accused of fatally shooting a man. Moments earlier, he says, he was riding in the rear of a police car with a cameraman.

    Like the others, Peterson, who was 23 at the time, says he was isolated in a room for hours before Simon began threatening him.

    “During the interrogation, she was using this cameraman as a tool to try to threaten to expose me to the media as a murderer,” he tells Metro Times. “She says if I didn’t agree to what she said, she was going to embarrass me and portray me as a murderer. … I was thinking of my family. I didn’t want my mom to get embarrassed.”

    Simon claimed she had plenty of evidence against him to get a jury to convict him, threatened to take away his son, and promised to set him free if he confessed, he says.

    “She presented herself as a prosecutor,” Peterson says. “She said she was willing to help me if I helped myself. She said if I agree to sign a statement, I could go home and face lesser charges. She had already convinced me that she had already arrested me and charged me with murder.”

    During an interrogation, police are barred from making promises about charges since those decisions fall under the prosecutor’s authority.

    “I was ready to get out of there, and I was willing to do anything,” he recalls.

    Peterson says Simon wrote the statement and told him to sign it. According to the statement, Peterson wrestled the victim with a gun and shot him in the back twice.

    Peterson was charged with murder and immediately incarcerated.

    His first trial ended in a hung jury in July 2001.

    click to enlarge Nathan Peterson. - Michigan Department of Corrections

    Michigan Department of Corrections

    Nathan Peterson.

    Peterson says police and prosecutors changed the narrative of the shooting during the second trial, and he was convicted.

    “My thing with Simon, she knew I didn’t do what she said I did,” Peterson says.

    At a hearing before the trial, Simon initially denied there was a cameraman but changed her story when Peterson’s attorney said they had a witness. They tried to get a copy of the video footage but never got it.

    Under oath, Simon insisted she didn’t use any form of persuasion to get Peterson to sign the confession. Simon also insisted she couldn’t recall any details of the interrogation, a claim she repeatedly made under oath in other cases.

    Peterson says he doesn’t believe Simon thought he was guilty.

    “Their only concern was just closing the case,” he says. “That’s all she was concerned about. They weren’t concerned whether I was innocent or not. They virtually kidnapped me off the street and did what they wanted with me.”

    Peterson remains in prison and has been unable to convince courts or prosecutors to review his case.

    The Reid technique

    James L. Trainum, a former longtime homicide detective in Washington, D.C., and an expert and consultant on interrogations and confessions, says Simon’s tactics were psychologically coercive and could easily lead to false confessions.

    He says Simon uses a controversial method of interrogation known to create false confessions. Called the “Reid technique,” the method is aimed at increasing suspects’ anxiety by creating a high-pressure environment, such as confining them to a room for hours and saying they are going to spend the rest of their lives in prison. The interrogator then presents evidence — real or invented — to suggest that police already have proof of the suspects’ guilt. The technique was developed by former Chicago cop and polygraph expert John E. Reid in the 1950s.

    To elicit a confession, the interrogator provides explanations that frame the suspect’s actions as justifiable or excusable, even though the interrogator knows the statement will lead to charges. A prime example is getting suspects to say they killed someone by accident.

    The idea is to make the suspect believe that confessing is the easiest way out.

    The problem is, experts say, the technique is inherently manipulative and can foster confirmation bias in investigators and overwhelm suspects to such a degree that they believe lying is better than telling the truth.

    Years of research and numerous exonerations have demonstrated that the Reid technique can easily result in false confessions.

    “The suspects are presented with a situation where they feel like they are going to get screwed,” Trainum tells Metro Times. “They are being guaranteed that they are going to be convicted by an authority figure. Then they start talking about leniency and say the judge will like it much better if they confess. They’ll say, ‘If you take responsibility, they are going to go much lighter on you.’ It’s a forced choice.”

    Trainum adds, “What the interrogation process is doing is limiting your options. They are able to lie to you about the evidence. All of that puts you in a vice.”

    The method has been banned in several European countries. In Canada, Provincial Court Judge Mike Dinkel ruled in 2012 that “stripped of its bare essentials, the Reid technique is a guilt-presumptive, confrontational, psychologically manipulative procedure whose purpose is to extract a confession.”

    One of the largest police consulting firms in the U.S., Wicklander-Zulawski & Associates, announced in 2017 that it stopped training detectives in the Reid technique, which it had taught since 1984. The technique was being misused and prompting false confessions, the firm said.

    “Confrontation is not an effective way of getting truthful information,” Wicklander-Zulawski & Associates President and CEO Shane Sturman said at the time. “Rather than primarily seeking a confession, it’s an important goal for investigators to find the truth ethically through a respectful, non-confrontational approach.”

    In 2021, Illinois and Oregon barred police from lying to minors. The U.S. House is considering a bill that would render statements made during interrogations inadmissible if a court determines the officer deliberately used deceptive tactics, such as fabricating evidence or making unauthorized promises of leniency.

    To reduce false confessions, Trainum says the U.S. needs to abolish the Reid technique.

    Of the more than 3,550 exonerations nationwide, about 13% involved false confessions, according to the National Registry of Exonerations. The most famous case is known as the Central Park Five. It involved five Black and Latino teenagers wrongfully convicted of raping a jogger in New York City’s Central Park in 1989, only to be exonerated in 2002 after another individual confessed and DNA evidence confirmed his guilt.

    More than half of those exonerated are Black. In fact, innocent Black people are seven times more likely to be wrongfully convicted of murder than innocent white people, a reflection of the persistent biases in the criminal justice system, according to a 2022 report from the registry.

    To juries, confessions are highly incriminating and they alone can lead to convictions, Trainum and other experts say.

    “A false confession trumps all other evidence, and it still does in a lot of cases because people say, ‘I wouldn’t have confessed, so I don’t see why they would have,’” Trainum says. “Even today when it comes to exonerations, you can have DNA evidence and people will still fight it and say they confessed.”

    Trainum believes false confessions are more common than statistics suggest because they “are the hardest cases to get exonerated.”

    Another problem, he says, is that police departments in the U.S. don’t tend to invest enough in training detectives to interrogate suspects, leaving the accused in unqualified hands.

    In a deposition in Craighead’s lawsuit in January 2023, Simon said she went to “several classes” to learn how to take witness statements and remembered “maybe once going to an outside seminar” on interrogations. She admitted she never received training by the Michigan State Police or the FBI, two agencies that typically provide courses on interrogations.

    She also said she couldn’t remember ever talking with prosecutors about the constitutional rights of suspects.

    Nevertheless, she estimated she conducted “hundreds” of interrogations during her roughly 20 years in the Homicide Division.

    Lawsuits filed against Simon also pointed out that she failed to ensure the confessions were factual. Had she bothered to verify the statements from the exonerees and others, some of the confessions would have been thrown out and could have prevented innocent people from going to prison, according to the lawsuits.

    The confessions also omitted basic information that would verify whether the suspect was truthful about committing a crime. While questioning Craighead, for example, Simon didn’t bother to ask basic questions, like what kind of gun he used, when he arrived at the murder scene, and which part of the victim’s body he shot.

    Since it turned out that Craighead wasn’t the shooter, he wouldn’t have been able to answer the questions truthfully.

    When asked by Craighead’s attorney Mueller whether she “thought it’d be important” to ask him about the type of gun he used, Simon called the question “stupid.”

    Undeterred, Mueller asked, “Does it sound reasonable to you, that a detective investigating a homicide, and there’s a gun, would want to know what kind of gun?”

    “Yes. Yes,” Simon responded.

    Michigan has safeguards in place that are intended to protect defendants who were coerced into giving false confessions. In what is called a “Walker hearing,” judges are responsible for determining the voluntariness and admissibility of a defendant’s confession before the trial. It is a crucial safeguard meant to ensure that any confession used in court was made without coercion, undue influence, or violation of the defendant’s rights.

    However, judges have been reluctant to throw out confessions, even when there is compelling evidence that the confessions were not voluntary. That’s because judges are quick to side with prosecutors and police, even when detectives like Simon have demonstrated a pattern of eliciting false confessions and violating defendants’ constitutional rights, legal experts and defense attorneys say.

    ‘It’s akin to slavery’

    In 1996, a year before Craighead’s friend was murdered, Lamarr Monson was accused of fatally stabbing a runaway 12-year-old girl at a drug house on Detroit’s west side. Like Craighead, Monson had no criminal record, was interrogated for hours by Simon, and was denied access to a phone and a lawyer, according to court records.

    Monson, who was 24 at the time, was convicted of murder and sentenced to 30 to 50 years in prison based on a false confession that was later contradicted by evidence that should have been presented at his trial.

    Monson had a 6-year-old daughter at the time. She would be an adult by the time he was exonerated.

    “When you are innocent of a crime and put in prison, it’s the same emotional feeling of being kidnapped and taken from your family,” Monson tells Metro Times. “It’s akin to slavery.”

    After more than 20 years behind bars, Monson was finally exonerated in August 2017, in large part because Wayne County prosecutors believed the “confession” was coerced. Simon was also accused of providing prosecutors with false information about crucial physical evidence and withholding inculpatory evidence.

    At the trial, Simon testified that the girl, Christina Brown, died from multiple stab wounds, a claim that fit the narrative in the false confession but contradicted the autopsy that found the victim died of blunt force trauma to the skull and brain. Simon later said her false testimony was an “honest mistake.”

    “For her to sit there and create false narratives to convict someone of a crime, you have to be a wicked person,” Monson says. “She was destroying lives. She was sabotaging justice and has willingly done this regularly.”

    Monson still vividly recalls the afternoon of Jan. 20, 1996, the day he walked into an abandoned apartment where he had sold drugs and found Brown sprawled out on the bathroom floor, lying in a pool of blood and gasping for breath. Her head was swollen.

    “She raised her hands and tried to say my name,” Monson recalls. “I told her I was going to get help. I was banging on doors, trying to call 911. I went to my sister’s house [two blocks away] and told the operator there was a girl in need of medical attention.”

    Monson says he sprinted back to the bathroom, covered Brown in a blanket, and propped her up so she wouldn’t choke on her blood. He also began chest compressions.

    Brown was later pronounced dead at a nearby hospital.

    Two other people at the apartment did nothing to help, Monson says.

    Police ordered Monson and the two others to get into a squad car, where they were taken to police headquarters.

    Simon denied Monson his right to use a phone or contact an attorney and questioned him for more than four hours, according to court records. Simon told him he could call his parents if he signed a statement that claimed he had sex with Brown, an allegation he vehemently denies and says Simon fabricated to “dirty me up” and “make me look like a monster.”

    Monson was forced to spend the night in jail and barely slept. The next morning, without having anything to eat, he was promised he could call his parents and go home if he signed a confession, according to his lawsuit.

    Like in Craighead’s case, Monson was told he would spend the rest of his life in prison unless he signed a statement that claimed the killing was accidental and that he got into a physical confrontation with the victim. According to the alleged confession, Monson accidentally stabbed Brown in the neck with a knife she had been holding.

    Never mind that Brown actually died of blunt force trauma, presumably from being beaten with the top of a toilet tank.

    Police either failed to get fingerprints from the knife and the toilet lid or they never disclosed the findings. If they had, they would have discovered that the fingerprints didn’t belong to Monson and in fact belonged to Robert “Raymond” Lewis, who was also at the house and questioned by police.

    In 2012, Lewis’s ex-girlfriend told police that Lewis bought drugs from Brown on the morning she was killed and that he returned “covered in blood.” He said he “had to kill that bitch” because she had scratched him, according to his ex-girlfriend.

    Police didn’t focus on Lewis at the time because he had incriminated Monson.

    It would take another five years after that statement for Monson to be exonerated, in no small part because the prosecutor’s office continued to insist he was guilty.

    While he was in jail, Monson’s family spent $10,000 on an attorney who brought him no closer to getting him free. Without any money left, Monson taught himself how to file his own motions and appeals. He wanted to get fingerprints from the weapons used in the murder, but each court rebuffed him.

    Nearly 15 years after he was sentenced to prison, Monson had all but given up. He felt demoralized and helpless.

    “God blessed this circumstance,” Monson says. “I took my hands off this and said, ‘I did all I can.’”

    Finally, in about 2011, the Michigan Innocence Clinic agreed to take Monson’s case and began the arduous task of fighting to get the weapons fingerprinted. At each step, the Wayne County Prosecutor’s Office defended the handling of the case and argued Monson was guilty.

    Then in September 2016, a state court ordered police to analyze the top of the toilet tank, a basic step that should have been taken 19 years earlier. The results were eye-opening: Two of the fingerprints belonged to Lewis, and none of them matched Monson’s. The knife later went missing, making it impossible to analyze during the appeals process.

    It was also discovered that police failed to analyze fingerprint and blood samples from the victim’s clothing, the knife, and male clothing on the floor.

    With the new evidence and an affidavit from Lewis’s girlfriend, a court finally granted Monson’s motion for a new trial on Jan. 30, 2017.

    Rather than trying to convince a jury that Monson was guilty in the face of the new evidence, the prosecutor’s office dismissed the case on Aug. 25, 2017, and Monson was exonerated and finally became a free man.

    In a statement at the time, the prosecutor’s office indicated that Monson’s confession may have been coerced.

    “Due to the destruction of evidence, issues surrounding the way the police obtained Monson’s confession and the passage of time, we are unable to re-try this case,” Wayne County Prosecutor Kym Worthy said. “For similar reasons we are not able to charge anyone else in connection with the murder of Christina.”

    Worthy also admonished the police department for failing to keep evidence that could exonerate an innocent person.

    “The failure of the DPD to retain critical evidence potentially threatens the very foundation of the criminal justice system and the faith placed in it by the people we protect,” Worthy said, adding that she and others met with then-DPD Chief James Craig to raise the issue of the destruction of evidence in capital cases. The meeting resulted in Craig agreeing to a joint workgroup to develop an evidence retention policy.

    Despite evidence that Lewis may be the real killer, he was never charged. Two investigators for the prosecutor’s office traveled to Pittsburgh to interview him, and he admitted he lived in the same apartment as the victim and bought drugs from her. But, according to the prosecutor’s office, he was “in poor physical health and denied any involvement in the death of Christina Brown.”

    In February 2018, Monson filed a lawsuit against the city and Simon, along with several other officers. The case is still in court and headed for a trial in October.

    “Now the chickens are coming home to roost,” Monson says.

    All these years later, Monson is still in disbelief.

    “I still can’t believe this happened,” Monson says. “They will willingly frame an innocent person and will not accept any responsibility for doing so. It’s a slap in the face.”

    Monson says it stings even more that a Black woman played a major role in his wrongful imprisonment.

    “For a Black woman to not understand your plight as a Black man, and for her to be in a position to make things fair for you, she picked the side that abuses you and takes advantage of you, instead of seeking out the truth,” Monson says. “It’s incomprehensible that a Black woman would go to that extent to lock a young Black man in prison.”

    In a written statement, DPD declined to comment on Simon’s tactics but said it “expects every member to follow the rules and regulations of the Department.”

    Since the 1990s and early 2000s, DPD said it “has implemented measures including video recording of interrogations, audits and inspections to ensure members are acting in accordance with policy and that there is supervisory review.”

    A spokesman added, “We have high standards for every member of our Department, especially those who have sworn to protect, serve and respect the constitutional rights of all.”

    This story continues next week in part two.

    [ad_2]

    Steve Neavling

    Source link

  • Into the Dabiverse

    Into the Dabiverse

    [ad_1]

    So I’ve been writing a cannabis column for about two years now, focusing primarily on the dispensaries in Washtenaw County. My mission: to find the cleanest smoke in the Great Lakes State. Lately, I’ve been getting closer to the holy grail, but I haven’t done it all or smoked it all. When I lived in Philadelphia we used to use a gas mask, we called it the Stan Ipkiss. It got you fried for a whole day and you definitely fell out of the time-space continuum. It dawned on me that a Cali-based cannabis company called Stone Road sent me a sample of their powdery concentrate last year ahead of 7/10, known among stoners as “Dab Day,” or a celebration of cannabis oils and concentrates. I did some bong rips of it and it definitely got me way too high but Dabney Coleman (RIP), I’ve just never been that guy. It just so happened it was finally time to do an actual bloody dab ahead of all this year’s Dab Day festivities. DaBella, step right up. There was probably no need to ever do another. One dab to rule them all.

    Not sure what sorts of things dabbers get into on their holiday, I have a strong suspicion it involves dabbing their ever-loving brains out. Invariably, every dispensary in the area will have some sort of special. High Profile looks like it has some good deals and the artwork is cool and accurate. House Of Dank has a whole gang of activities, too, including some Dab Day giveaways.

    A dab is mostly a fear and loathing high for an old-head doper like me. Don’t get me wrong: I prefer to smoke a mini-bong, a high-powered cartridge, or flower that is minimum 20% THC, but the dab is simply not for everyone — THC content tends to be around a minimum of 80% for dabs. I’m glad I finally did one but a record heatwave descended with a brimstone summer storm just prior to my dab debut. It was a lot to contend with around my mild anxiety. I met with accomplished Detroit-area bartender, Andy Garris — a purveyor of high-end experiences, in terms of his attention to detail in the fading art of hospitality. Garris has been doing dabs for years so I sought him out as the ganjalier for this endeavor. He welcomed me into his Ann Arbor home while he was doing delicate knife work on produce for dinner.

    The preferred live rosin for the evening was from Information Entropy in Ann Arbor. Andy and I discussed our smoking habits and rituals before he got to torching up his dab rig for a quick demo. I generally don’t do edibles; Andy does it all. He had two kinds of live rosin on offer: Organic Mechanic was preferred for the novice over the nameless top-shelf IE jar adorned only with artwork from The Boondocks. Treading on new ground can be both exhilarating and frightening, but I felt a kindred comfort with Andy who has been serving me royally at his establishments over the years. Tailored drinks and a ticket to ride every time.

    click to enlarge

    M.F. DiBella

    Winewood in Ann Arbor is the only dispensary I’ve found to sell bubble hash in jars.

    From the outset of this “assignment,” my feeling was don’t let this interrupt your preferred consumption methods, but surely it is finally time to be intrepid enough to embrace a phenomenon (albeit over a decade late). The first I’d heard of dabbing was in 2010 when early adopters warned of its lethal punch. I heard things like, “Dude, I hit a dab and landed on the floor immediately,” or, “Yeah, it felt like the room was collapsing and I was just free-falling in a one-toke-over-the-line echo chamber.” These reports were reason enough to swerve the business altogether and I really didn’t travel in a circle that sponsored extreme marijuana thresholds. At the same time, I duly noted Action Bronson regularly firing up dabs on his impactful show, Fuck, That’s Delicious (VICE Network, unfortunately).

    Andy ignited his custom black flamethrower and thoroughly warmed the marble glass rosin housing; the rig itself was intricately bong-shaped, with several colors of pyrex and hand-blown glass. As instructed, I took a small portion of the yellow flake Organic Mechanic rosin on the tip of a scalpel-like implement. I swabbed the silver metal instrument into the bowl in a circular fashion and took a pretty long pull while the glass filled with a milky cumulus cloud. I was ambitious but I surely didn’t have the green lungs to clear all the billowing contents in one take. It took two hits. Lift off.

    The origins of international Dab Day are murky and elusive, which is pretty apropos. It doesn’t seem like the dab community can really articulate its history but at this point it doesn’t really matter. Apparently the Grateful Dead lived at 710 Ashbury in the late ’60s and a rapper from the online cannabis community named TaskRok is credited with flipping the word “OIL” over in a dab chat room in the early 2010s. A lot of the lore seems to be speculative but it’s all part of the collective cannabis consciousness now, and it is truly an egalitarian affair. Essentially, all are welcome to get epically zooted.

    click to enlarge Winewood in Ann Arbor is the only dispensary I’ve found to sell bubble hash in jars. - M.F. DiBella

    M.F. DiBella

    Winewood in Ann Arbor is the only dispensary I’ve found to sell bubble hash in jars.

    A dab has legs, perhaps tentacles that stretch in devilish directions long after the hit. For me, I was stuck on a lasting high hours after doing one. I wouldn’t recommend being too far from your comfort zone to start out with, but my dabbling safari is most likely at its end. Maybe I’d try another one if I stumble upon it again, but I’m afraid I’d never sincerely seek it out. My head space wasn’t exactly liberated at the time of this exercise but my decision is essentially final. The dab didn’t make me go dark, but it was still 90 degrees in the shade well after 8 p.m., which surely didn’t help matters as I tried to come down from the stratosphere. This didn’t feel like Aldous Huxley’s Doors of Perception, it just felt like something to endure, more Interzone than a step towards nirvana.

    Andy and I got to talking about local dispensaries and while he’s been to many in Washtenaw County, I recommended Apothecare and Winewood Organics in Ann Arbor and Planet Jane in Ypsilanti. Dispensaries that use the caregiver model and ones with their own onsite grow are the best. The only dispensaries I’ve hit in the Detroit area are the excellent Flower Bowl on Warren Avenue and the Dispo in Hazel Park, which has great prices at all their branches. I’m still learning about dab culture and supply sourcing but for Washtenaw County I highly urge you to check out Winewood Organics: they use living soil and have an onsite grow. Apothecare has certified organic cannabis and also uses living soil. Planet Jane also has its own grow house and has the best flower in the state for me. Never tried their rosin, but I’m guessing it’s bang-for-your-buck stuff. Andy recommended Herbana for rosin in Ann Arbor.

    As for flavors, there’s a bit of a consensus around the hash-based Peach Crescendo which was recently on bud menus at Quality Roots and Skymint; these are chains, so surely you can find one close to you. I’m not sure how the hash-based stuff will go over with dab connoisseurs. Hash is a tangent here and I’m a fan of the old-school chocolate Afghan, Moroccan, or Lebanese varieties. These are very hard to find now but you can get bubble hash-infused prerolls at most dispensaries. Winewood in Ann Arbor is the only dispensary I’ve found to sell bubble hash in jars.

    click to enlarge Planet Jane in Ypsilanti. - M.F. DiBella

    M.F. DiBella

    Planet Jane in Ypsilanti.

    I decided to stop into Winewood and talked briefly with owner and grower Eric Parkhurst, who said they were re-upping their rosin stock with a caregiver-driven Tropicana Cookies-based strain, but he had plenty of live resin on hand. You can get a gram of this Lemon Slushee live resin for 45 bones. Looks pretty primo.

    Peachy Hash Co. has also developed a following in the rosin ranks, probably something you need to order online but their products look tasty. Superb Cannabis Co. seems to have a bit of a strong following and does have products in Detroit-area dispensaries. Metro Times readers have awarded a Best Concentrate four times in the Best of Detroit poll; the reigning holder of the title is Concentrate Kings with previous winners being Mitten Extracts, Green River Meds, and Uncle Morty’s Extracts.

    I couldn’t tell you much about the actual flavor profile of the dab, it just tasted like a very strong bong hit. However, there is a very stonery aroma and aura from the dab; I think back to Stacy Keach’s cop character in Cheech & Chong’s Nice Dreams. It’s a rabbit hole and I’m fairly certain I don’t want to go down there again. Maybe it says something about our end-phase capitalist culture that kids want to get so fucking astronomically high to escape the terrors of the modern age. I don’t blame dabbers at all for that sentiment.

    An hour into the dab hit, I felt sorely upset having not secured a proper dinner for the evening. It wasn’t a fiendish attack of the munchies but rather a notion that a good meal would have helped balance the high. Andy wondered aloud if what we were smoking was potentially detrimental to our health since neither of us could accurately pinpoint the exact ingredients of the rosin or process used to make it. At the end of the day, “It gets you super high,” was the mantra. Winewood actually has a fairly in-depth synopsis of dabbing (including preparation methods) but not being very scientific, I still don’t fully understand how concentrate is made. Maybe the dab blew out the last scientific brain cell in my aging, blunted head.

    click to enlarge Live rosin for the evening was from Information Entropy in Ann Arbor. - M.F. DiBella

    M.F. DiBella

    Live rosin for the evening was from Information Entropy in Ann Arbor.

    When I woke up the next day from a relatively deep sleep, I still felt groggy and some of the effects of the dab lingered. After some coffee and kombucha, I was finally exiting the dabiverse. So for me, it was a high that peaked about an hour after the dab but lasted for some 17 hours in total. It’s a bit of a commitment, shall we say. The other lasting thing I’m finding is olfactory hallucinations, like out of nowhere I get a heavy aromatic essence of the dab experience. It’s actually more pleasant than the dab was itself.

    Maybe the final takeaway from this dab experiment is Andy’s notion that once you smoke something on that level, everything else you smoke doesn’t quite compare. I would tend to agree though the next day I hit my hippy stick vape pen loaded with a Sweet Tart strain from Herbal Solutions in Ypsilanti clocking 86.4% THC and it basically was a dab flashback, taking me back to that death-defying interstellar mental space.

    So I can say I was a Dabbage Patch Kid for a day. I celebrate cannabis in all its forms. Party on, dab dudes and dudettes. Enjoy your day.

    [ad_2]

    M.F. DiBella

    Source link

  • ‘Despicable Me 4’ Reviewed By Two Young Kids

    ‘Despicable Me 4’ Reviewed By Two Young Kids

    [ad_1]

    A film critic must be able to receive criticism themselves. And if you review kids movies, odds are you will hear the same criticism one or two thousand times…

    “It’s a movie for children, not for adults, much less critics. So who cares what they think?”

    Now I should say first of all: I care. A good film critic knows way more about movies, even kids movies, than a kid. For one thing, they’ve seen a lot more of them. They can put a new movie in a historical context, analyze its themes, consider its visual style, and examine its vocal performances. Even if they’re not the film’s target audience.

    That said … it is interesting to consider how a film works or doesn’t work for its target audience. And in the case of kids movies, I live with two members of that target audience every day of my life. My eight year old and six year old daughters love going to the movies, although if I’m being honest, I think that’s mostly because the theater is the only place they get to eat popcorn and chug ICEEs before dinner. Still, when the invite to a Despicable Me 4 screening came in, I was a lot more curious to know what they would think of it than what I would think of it. (I’ve reviewed several of these movies at this point; the odds my opinion of this one would differ wildly from the previous installments seemed slim.)

    Over some post-screening pizza, I grilled my kids about their reactions to the film. What follows is an edited transcript of our conversation; as you will see, it is only very lightly edited…

    READ MORE: A Kid’s Honest Review of Paw Patrol: The Mighty Movie

    Dad: So what did you guys think of the movie?

    6 Year Old: My chair is wobbly.

    Dad: You’ll be fine. So you liked the movie?

    [6 Year Old gestures thumbs up]

    Dad: You liked it?

    6 Year Old: Yup.

    Dad: What was your favorite part?

    8 Year Old: All year once I had a chair that wobbled. And a table that wobbled. But it was fine.

    6 Year Old: My favorite part was when they turned the normal Minions into super Minions.

    Dad: They were like superhero Minions. That was cute. Which was the best one?

    8 Year Old: The one that was good … uh…

    Dad: Can I guess which you liked the best? The one that was like a big rock guy who had really powerful burps that sent out giant shockwaves. Like super burps.

    8 Year Old: [laughs] Yeah. That was like Mommy.

    Dad: Did you guys like Gru’s baby?

    8 Year Old: Gru’s baby was cute.

    6 Year Old: Yeah.

    Dad: Did he remind you of anyone?

    8 Year Old: No?

    Dad: Do you remember the movie The Incredibles?

    6 Year Old: No.

    Dad: It’s been a while since we watched it. The Incredibles is about a family of superheroes instead of supervillains, but they have a baby named Jack-Jack who kind of looks like Gru’s baby and sometimes causes trouble like Gru’s baby. We’ll have to rewatch that.

    6 Year Old: [pointing at a nearby table] Someone’s smoking!

    Dad: That’s fine. They’re not bothering us. Did you have a favorite scene?

    6 Year Old: I liked when she broke her sensei’s pinky toe! [Ed. note: One of Gru’s daughters takes karate lessons from a pompous sensei; wackiness ensues.]

    Dad: You enjoyed when the children caused physical harm to the grownups, why am I not surprised?

    Dad: What did you think of the bad guy [Will Ferrell as Maxime Le Mal, a former classmates of Gru’s who wants to get revenge against him, and also has used mad science to turn himself into a human/cockroach hybrid]?

    6 Year Old: Blech.

    Dad: Blech, right? He was weird.

    8 Year Old: Cockroach Man! Weird.

    6 Year Old: He liked cockroaches.

    Dad: I admit I didn’t quite understand how he became a giant cockroach. He experimented on himself?

    8 Year Old: Yes.

    Dad: That’s how they explained it?

    8 Year Old: Probably.

    Dad: Probably. I thought he was maybe a little scary for a kids movie. Too scary or it was okay?

    6 Year Old: It was okay. It wasn’t my favorite part.

    Dad: Not your favorite part? I was going to ask you … no no no, dude you’ve got to pick up the pizza. If you try to eat it without picking it up you’re going to accidentally eat your plate. [deep sigh] Okay. Did you like this better than the other Despicable Me or Minions movies?

    6 Year Old: I don’t remember them.

    8 Year Old: I don’t remember them, but this one was really good.

    6 Year Old: I gotta say, I thought the Minions would be funnier. Although I did like when the guy got stuck in the refrigerator for the whole movie!

    Dad: You mean in the vending machine?

    6 Year Old: Yeah.

    8 Year Old: I think I liked when … when … um … when I liked… [long pause]

    Dad: … There was a part you liked?

    8 Year Old: Yeah, I can’t remember.

    6 Year Old: Was it when when they took the wrong bag? [laughs hysterically]

    8 Year Old: Oh! I know something I liked!

    Dad: Okay, what was it?

    8 Year Old: When Gru’s baby kept popping balloons.

    Dad: Oh yeah, you did laugh really loud at that.

    6 Year Old: Every time Gru calmed down, his baby kept scaring him!

    Dad: Yeah, just when you’re relaxing, that’s when babies start to cry. They don’t pop balloons, but they always find a way to freak out at the worst moment. When you were babies, I always felt like any time I would relax for even a second — like if I put you to bed, and then I would sit down put my feet up, that’s the moment you would go “WAAAAAAH!” and I would have to go help you.

    6 Year Old: [laughs] That’s funny.

    Dad: Not to me. Not to me.

    Despicable Me 4
    Universal Pictures

    6 Year Old: Do you have any water?

    8 Year Old: I’m thirsty!

    Dad: I’ve got your waters, I’ve got your waters… so did the school that Gru went to as a kid remind you of any place?

    8 Year Old: Hogwarts?

    Dad: That’s exactly what I thought! I thought they wanted it to look like Hogwarts.

    8 Year Old: I don’t think so.

    Dad: You don’t think so?

    8 Year Old: It was a school for villains.

    Dad: Sure, but the outside looked like it. We’ll agree to disagree there. So did this one make you want to go back and rewatch the other Despicable Me movies again?

    6 Year Old: You know the answer.

    Dad: No I don’t. Tell me.

    6 Year Old: [screams at full volume directly in my face] YES!

    Despicable Me 4
    Universal Pictures

    Dad: What was better: This or Harry Potter [and the Sorcerer’s Stone, which we just watched for the first time a few weeks ago]?

    8 Year Old: [in posh English accent] Harry Pott-ah.

    6 Year Old: Uhhh…

    8 Year Old: Harry Potter is longer.

    Dad: What’s better: This or Ghostbusters?

    6 Year Old: Ghostbusters!

    8 Year Old: Ghostbusters. That’s a hard question.

    6 Year Old: What about Matilda [the Musical, which we have watched countless times]?

    Dad: Okay, what about this or Matilda?

    6 Year Old and 8 Year Old Simultaneously: Matilda.

    Dad: All right, let’s keep eating our pizza guys. What about Is It Cake? or this?

    6 Year Old: Is It Cake?!

    8 Year Old: Is It Cake?, duh.

    6 Year Old: I barely drank my water during the movie!

    Dad: Well now you can drink it with your pizza.

    8 Year Old: Matilda is like the best movie ever.

    Dad: That’s the best movie ever? [To the 6 Year Old] What’s your favorite movie ever?

    6 Year Old: Hold on. I want to ask you a question.

    Dad: Wait, before you ask can you just answer—

    6 Year Old: Wait, I just want to ask her something first.

    Dad: [sighs] Go ahead.

    6 Year Old: Matilda or Pokémon?

    8 Year Old: Which Pokémon?

    Dad: Matilda or Detective Pikachu?

    [long pause]

    Dad: That’s a tough one, huh?

    6 Year Old: Wait, I have question: Would you rather meet Ash and Pikachu or meet Matilda and Miss Honey?

    8 Year Old: Ash and Pikachu.

    Dad: Wow, this is getting very elaborate. But I still want to know: What is your favorite movie?

    6 Year Old: In the whole world?

    Dad: Yeah.

    6 Year Old: I gotta say…

    8 Year Old: I actually want to meet Violet and Matilda.

    Dad: If you could rewatch any movie right now, what would you pick?

    8 Year Old: Oh I know. Hogwarts!

    Dad: You mean Harry Potter?

    8 Year Old: Harry Potter, yeah.

    6 Year Old: That’s not what I would pick.

    Dad: What would you pick?

    6 Year Old: Minions 4!

    Dad: Minions 4? You mean the movie we just saw?

    6 Year Old: Yeah. It was good.

    Dad: Really? I kept looking over at you, I didn’t see you laughing much at all.

    6 Year Old: You’re crazy.

    8 Year Old: She was probably laughing in her head. She didn’t want to disturb anyone else.

    Dad: Is that true? You found it funny, but you didn’t laugh out loud because you didn’t want to disturb anyone?

    6 Year Old: Um, that’s a good question. Is that a good answer? Dad look. Beep beep beep!

    Dad: What are you doing?

    6 Year Old: Beep beep beep!

    Dad: You guys are weird.

    Dad: When the movie first started, you both complained that the sound was too loud. Did it stay too loud the whole time or was it okay once you got used to it?

    6 Year Old: It was really loud.

    8 Year Old: It was fine once I got used to it.

    6 Year Old: Once I got used to it, I liked it. [to sister] Oh! Quick question: Would you rather meet Detective Pikachu and the person who didn’t believe in Pokémon orrrrrr would you rather meet Harry Potter —

    8 Year Old: Harry Potter! You know the answer.

    Dad: Were there any good inventions in this movie? Usually in Despicable Me movies there are all sorts of silly gadgets.

    6 Year Old: I was really impressed how they made the giant… uh…

    Dad: Cockroach?

    6 Year Old: Cockroach, yeah.

    Dad: That was kind of gross.

    8 Year Old: The guy really liked cockroaches. He said it.

    Dad: That’s true. Well, I guess he was saying that cockroaches are really tough and hard to kill.

    6 Year Old: Ants die if you step on them.

    Dad: What did you think of the villain’s reason for hating Gru?

    6 Year Old: What was the reason?

    Dad: Nevermind.

    6 Year Old: Oh! I’ll tell you my least favorite character.

    Dad: I want to hear this; who was your least favorite character?

    6 Year Old: My least favorite character was the girlfriend.

    Dad: You mean Gru’s wife [voiced by Kristen Wiig]? The woman with red hair?

    6 Year Old: Yes. No wait! I mean the enemy’s girlfriend [voiced by Sofia Vergara]?

    Dad: Oh okay, the woman with the big glasses. Why was she your least favorite?

    6 Year Old: Because she didn’t care about anything!

    Dad: You make a good point. Most of the time when they showed her she just huffed about whatever the other characters were doing.

    6 Year Old: And also when they were singing, she was just putting on lipstick. I was like “Eh.”

    Dad: You’re right. That was kind of her whole character.

    6 Year Old: She wasn’t that funny.

    8 Year Old: Oh! I remember what I was going to say!

    Dad: From like 10 minutes ago?

    8 Year Old: Yes.

    6 Year Old: I know another of my least favorite characters!

    Dad: Well, hold on, I want to hear what your sister has to say before she forgets again. Go. Tell me.

    8 Year Old: So. It was when the guy was at the cash register got turned into a cockroach.

    Dad: You liked that?

    8 Year Old: He was acting all weird! It was silly. [looking under pizzeria table] Hey! The table has pipes underneath!

    Dad: What do you think was the lesson or the message of the movie?

    8 Year Old: Um… family first.

    Dad: Family first, that’s a good message.

    6 Year Old: What does ‘Family first,’ mean?

    8 Year Old: It means family is the most important thing.

    6 Year Old: My leg is stuck!

    Dad: Your leg is stuck? I think we’re going to have to amputate it.

    6 Year Old: Oh, I got it out.

    The Worst Movies of the Decade, According to Letterboxd

    Out of 175,000+ movies released in the 2020s so far, these are the ones with the lowest average rating on Letterboxd. How many have you seen?

    [ad_2]

    Matt Singer

    Source link