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Tag: London

  • Europe stocks close 2.2% lower amid global downturn as volatility index spikes to Covid-era high

    Europe stocks close 2.2% lower amid global downturn as volatility index spikes to Covid-era high

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    LONDON — European markets fell sharply at the start of the new trading week, though pared losses towards the end of the session amid a global stock sell-off.

    The regional Stoxx 600 index closed 2.17% lower, pulling back from declines of more than 3% as the technology sector clawed back some ground to end 0.9% lower.

    All sectors and major bourses nonetheless finished in the red, with utilities and oil and gas stocks both losing over 3%.

    Strategists pointed to several causes for the downturn across Europe, Asia and the U.S. which began last week, including fears of a U.S. recession and rapid Federal Reserve Rate cuts, the recent hawkish pivot by the Bank of Japan and crash in the yen “carry trade,” and an ongoing re-rating of the tech sector.

    The VIX, a measure of expected market volatility, jumped more than 100% to 64.06 during Monday trade before cooling to around 35, still its highest level since 2020.

    U.S. stocks saw steep losses through the morning, with the Dow Jones Industrial Average losing nearly 1,000 points, or 2.5%, as the tech-heavy Nasdaq Composite fell 2.6%.

    Asia-Pacific markets had led the sell-off on Monday. Japan stocks entered a bear market, with the Nikkei 225 losing 12.4% to log its worst day since 1987.

    The broad-based Topix also saw a rout, tumbling 12.23%, while heavyweight trading houses such as MitsubishiMitsui and Co., Sumitomo and Marubeni all plunged more than 14%.

    The yen, meanwhile, rose to its highest level against the dollar since January as U.S. Treasurys gained.

    On the data front, demand for U.K. services rose in July, increasing to 52.5 from 52.1 the previous month, fresh purchasing managers’ index data showed Monday. Corresponding data for Italy and Spain also pointed to sustained growth in the sector but at a slower pace than previous months.

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  • Spend Your Vacation With Noué Kirwan’s Frequent Fliers

    Spend Your Vacation With Noué Kirwan’s Frequent Fliers

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    The adult romances this summer have been checking all our boxes! We at THP love to explore rich stories and characters, and today’s no different. We’re excited to review Noué Kirwan’s latest novel, Frequent Fliers.

    Frequent Fliers by Noué Kirwan follows Melanie “Lanie” Turner, a woman who somehow becomes the best mate/maid of honor at her cousin Gemma’s wedding. Oh, and Gemma’s marrying Lanie’s lifelong crush Jonah. As Lanie travels between New York City and London to plan the wedding, she repeatedly runs into a handsome, no-nonsense seatmate named Dr. Ridley Aronsen.

    Can Lanie make things work with Ridley? Or will they just barely miss the right timing? We won’t keep you waiting too long. Here are three things we love about Frequent Fliers by Noué Kirwan!

    Cover: Frequent Fliers by Noué Kirwan
    Image Source: HarperCollins Publishers

    Book Overview: Frequent Fliers

    Content Warnings: parental abandonment, parental neglect, anxiety, and panic attacks, mention of partner death, mention of terminal disease, divorce, mention of cheating

    Summary: Lanie Turner has some loose ends:
    – A 
    nearly complete PhD.
    – A job she 
    basically enjoys.
    – And a lifelong crush…that she’s 
    almost gotten over.

    On a trip to reunite with her family in England—and said crush, Jonah—Lanie intends to take care of one of those items. Her favorite cousin, Gemma, is engaged…to Jonah. And they want Lanie to be both their maid of honor and best “mate” at the wedding. It’s the perfect opportunity to prove the pitying gazes wrong: she’s over Jonah. Really.

    As Lanie travels between New York City and London to help with wedding prep, she befriends her handsome seatmate. Dr. Ridley Aronsen—a widower and single father—is prickly at first, but feisty Lanie reminds him of a more carefree time in his life. And after a steamy layover in Iceland, the pair take a direct flight from seatmates to lovers. Ridley even agrees to be her plus-one for the wedding. For once, everything seems to be falling into place.

    But Lanie’s used to getting hurt, and Ridley finds opening up difficult. How will a long-distance relationship even work once Lanie’s back in NYC permanently? It’s easy enough to let one more loose thread unravel…after all, life’s problems seem tiny from thirty-five thousand feet in the air.

    Tough Conversations

    We absolutely love Frequent Fliers for the way it addresses finding love after loss. It’s been almost three years since Ridley lost his wife, Thyra. Then, when he meets Lanie, he hesitates to open up about his family and reveal the truth about his late wife and 14-year-old daughter, Beatrix. But Ridley starts to care for and love Lanie faster than he can tell Bea. And the reality is this: introducing a new partner to his daughter takes a lot more difficult conversations, parenting, and breakdowns than he could’ve expected.

    Lanie’s Development

    The main character’s development is our next reason for loving Noué Kirwan’s Frequent Fliers. Lanie’s past relationships have taught her not to expect the good in people. She’s gotten used to people finding any reason not to be with her anymore. But Lanie learns that she needs to love and value herself and be the most important person in her life before committing to someone else. Lanie’s romance with Ridley shows that someone loves her enough to stay and find her no matter where she goes.

    The Wedding

    Are we suckers for big wedding celebrations in books? Yes, and we have no shame in admitting that! Gemma and Jonah’s wedding in Frequent Fliers comes and goes with minimal issues, thanks to Lanie being at the helm. But the whole time, she’s anxiously awaiting Ridley’s response after she confessed her love in a drunken voicemail. We love that the author didn’t skip to the end immediately after the wedding and actually took more time to develop Lanie and Ridley’s relationship and find its true happy ending.

    Noué Kirwan’s Frequent Fliers offers us a unique, emotional, and relatable story about showing up for loved ones and finding love after loss.

    Frequent Fliers by Noué Kirwan is out August 13th, and you can preorder a copy of it here!

    What do you think about Noué Kirwan’s Frequent Fliers? Do you have it on your TBR? Let us know on Twitter, Facebook, and Instagram!

    Want to hear some of our audiobook recommendations? Here’s the latest!

    TO LEARN MORE ABOUT NOUÉ KIRWAN:
    INSTAGRAM | TIKTOK | TWITTER | WEBSITE

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    Julie Dam

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  • Sinéad O’Connor’s Exact Cause Of Death Finally Revealed One Year After Devastating Passing – Perez Hilton

    Sinéad O’Connor’s Exact Cause Of Death Finally Revealed One Year After Devastating Passing – Perez Hilton

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    Nearly one year to the day after her shocking passing, we finally know exactly what took Sinéad O’Connor’s life.

    After the beloved Irish singer was tragically found unresponsive in her London home last July, police opened an investigation but declared that her death was “not being treated as suspicious.” Updates were slim, but six months later in January, a representative for London’s Southwark Coroner’s Court confirmed to TMZ that the late activist died of “natural causes.” There weren’t many other details, but the coroner “ceased their investigation in her death” after coming to the conclusion.

    But we now know exactly what those “natural causes” were.

    Related: Shannen Doherty Thought She Had ‘More Time’ — And Planned To Do THIS Before Passing!

    On Sunday, multiple outlets cited her death certificate, which reveals the late 56-year-old passed away as the result of chronic obstructive pulmonary disease (COPD) and asthma. According to the certificate, she was also battling a respiratory tract infection at the time of her death. The certificate officially declares her death as:

    “Exacerbation of chronic obstructive pulmonary disease and bronchial asthma together with low grade lower respiratory tract infection.”

    So sad.

    According to the Irish Independent, Sinéad’s death was officially registered by her ex-husband John Reynolds on Wednesday in Lambeth, London. The activist’s death was certified by Julian Morris, senior coroner for Inner South London.

    Our hearts are with all of Sinéad’s loved ones.

    [Images via Sinéad O’Connor & Dr. Phil/YouTube]

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    Perez Hilton

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  • Kevin Spacey’s waterfront Baltimore condo sold at auction after foreclosure

    Kevin Spacey’s waterfront Baltimore condo sold at auction after foreclosure

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    BALTIMORE (AP) — Kevin Spacey’s $5.6 million waterfront condominium in Baltimore has been sold at auction amid the disgraced actor’s financial struggles following a slew of sexual misconduct allegations.

    Last summer, a London jury acquitted Spacey on sexual assault charges stemming from allegations by four men dating back 20 years. That was his second court victory since he saw off a $40 million lawsuit in 2022 in New York brought by “Star Trek: Discovery” actor Anthony Rapp.

    But Spacey said in an emotional interview with British broadcast host Piers Morgan last month that he was millions of dollars in debt, largely because of unpaid legal bills, and facing foreclosure on the Baltimore property.

    Spacey moved to the Baltimore area when he started shooting the hugely popular political thriller “House of Cards” there in 2012. Speaking through tears during the interview, Spacey said he would have to go back to Baltimore and put all his things in storage. He said he nearly had to file for bankruptcy a couple times but managed to dodge it.

    His luxury condo on Baltimore’s Inner Harbor sold at auction Thursday morning for $3.24 million, according to the auctioneer’s website. It sits on a floating pier and boasts six bedrooms, seven full baths, an elevator, sauna, home theater, rooftop terrace, multiple verandas and a four-car garage.

    A small group of potential buyers gathered on the steps of the downtown Baltimore Circuit Court building and made their bids, according to local media reports. The suggested opening bid was $1.5 million.

    The winning bidder was acting as proxy for a real estate developer and local businessman whose identity hasn’t been disclosed, The Baltimore Sun reported.

    During tearful testimony in a London courtroom last summer, Spacey denied the allegations against him and told the jury how they had destroyed his acting career as the #MeToo movement gained momentum in the U.S.

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  • Watch: ECB President Christine Lagarde speaks after rate decision

    Watch: ECB President Christine Lagarde speaks after rate decision

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    [The stream is slated to start at 8:45 a.m. ET. Please refresh the page if you do not see a player above at that time.]

    European Central Bank President Christine Lagarde is giving a press conference following the bank’s latest monetary policy decision. The central bank left interest rates unchanged on Thursday, after implementing a cut in June.

    Subscribe to CNBC on YouTube. 

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  • Why a London man named Bushe is on a mission to turn his neighbors’ hedges into art

    Why a London man named Bushe is on a mission to turn his neighbors’ hedges into art

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    London — On a dead-end road in London’s Islington district, CBS News found Tim Bushe trimming his hedge. It was an ordinary scene in the neighborhood of row houses until you stepped back to take in the full scale of the neatly pruned topiary — in the form of a giant locomotive.

    “Philippa, my wife, used to sit in the living room and look out through the window here and demanded that I cut a cat,” Bushe told CBS News, briefly laying his trimmer aside. For him, it’s as much an artist’s brush as it is a gardener’s tool.

    Philippa Bushe got the train instead. That was more than 15 years ago. Soon after, Bushe decided to help his neighbor, who struggled to trim his own hedge across the road. It was Philippa’s idea, he said.

    “Then I gave her the cat that she had asked for the first time,” he said.

    london-hedge-cat.jpg
    A hedge trimmed into the form of a resting cat by architect and topiary artist Tim Bushe is seen in Islington, London, July 11, 2024.

    CBS News/Cameron Stewart


    The couple met as teenagers at art school. They were together for 47 years before Philippa died of breast cancer about seven years ago. Bushe, who works as an architect when he’s not busy with a hedge, has carried on with his topiary art in honor of his wife, who gave him the idea.

    “It is her legacy,” he said.

    The father of three has transformed hedges all around his home, into elephants, fish, a hippo, a squirrel — there’s even a recreation of the late British sculptor Henry Moore’s “Reclining Nude.” That one sits boldly in front of Polly Barker’s house. She’s in the choir with Bushe.

    “I was slightly worried whether the neighbors might be offended, because she’s quite, you know, full-on, but they haven’t complained,” said Barker, adding: “We’re a tourist attraction on Google Maps now. We’ve got a little stamp.”

    The hedges aren’t just tourist attractions, however. With each commission, Bushe raises money for various charities, many of them environmental. His first mission was to raise money for an organization that cares for his sister.

    london-hedge-fish.jpg
    A fish hedge, cut by architect and topiary artist Tim Bushe, is seen in his Islington, London neighborhood.

    Handout/Tim Bushe


    “My young sister has got Down syndrome, and the people looking after her down in Kent, I decided to raise money for them,” he said. “I raised about 10,000 (pounds, or about $13,000) for her.”  

    Bushe says when he picks up his garden tools to do an artist’s work, he lets his medium guide his hand: “I find the shape within the hedge.”

    His wife Philippa was also an artist and his muse.  

    “If she was alive now, she would be fascinated, I think, by the way it’s taken off,” he told CBS News, adding that he intends to keep going, “until I fall off my ladder.”

    london-hedge-artist.jpg
    London architect and artist Tim Bushe manicures the locomotive hedge sculpture in his front yard, in Islington, London, July 11, 2024.

    CBS News/Cameron Stewart


    Bushe said he enjoys seeing the results of his hobby making people smile, and he acknowledged the coincidence of his name so accurately referencing his passion — but he said to him, it feels less like a coincidence and more like destiny.

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  • French stocks rise 0.5% after left-wing coalition clinches surprise election win

    French stocks rise 0.5% after left-wing coalition clinches surprise election win

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    LONDON — French stocks moved higher on Monday as markets reacted to a surprise win for the left in the country’s parliamentary election.

    The CAC 40 erased earlier losses to rise 0.5% by 10:00 a.m. London time (5 a.m. ET). The euro was flat against the dollar, and trading in bond markets was also relatively muted.

    The U.K.’s FTSE 100 was steady, while Germany’s DAX was 0.43% higher and the FTSE MIB was up around 1%. The pan-European STOXX 600 was 0.3% in the green.

    France’s left-wing New Popular Front won the largest number of seats in this weekend’s parliamentary elections, scuppering an expected surge for the far-right. However, the coalition failed to secure an absolute majority, early data showed, leaving markets digesting the possibility of a hung parliament.

    François Digard, head of French equity research at Kepler Cheuvreux, said a hung parliament was what the market was expecting.

    “You have a hung parliament as expected so last week, the market has played this out … It was just expected to be more right-wing and at the end it is left-wing,” he told CNBC on Monday.

    Deutsche Bank strategists added that markets will be suspicious of the New Popular Front’s “fiscally aggressive” spending and taxation plans.

    “Last night the far-left were already talking about wealth taxes and increases on taxes on corporates which won’t be market-friendly. However trying to build a government that has any kind of stability looks a very high bar this morning. Political paralysis for the next 12 months seems the most likely outcome,” they added.

    It comes after a general election in Britain last week, in which the opposition Labour Party win a landslide victory, unseating the Conservatives after 14 years.

    In corporate news, soft drinks maker Britvic has agreed a takeover bid of £3.3 billion ($4.2 billion) from Carlsberg, at an offer of 1,290 pence per Britvic share. This was an improved bid from Carlsberg which first offered 1,200 pence per share but was rejected.

    There are no major corporate earnings due out on Monday. It’s also quiet on the data front, with just German trade data due.

    In Asia-Pacific, stocks were mixed Monday. In the United States, futures ticked lower as investors looked ahead to inflation data for hints on this year’s market rally and the next steps by the Federal Reserve. The June consumer price index is due Thursday, with producer price index data due Friday.

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  • Prince William is One of Those Scooter People Now

    Prince William is One of Those Scooter People Now

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    Once the stuff of Silicon Valley dreams and urban nightmares, the conversation around electric scooters feels like a vestige of a bygone era. Given that, the sight of Prince William on one of the reviled devices might feel oddly fitting—or just about right, given the overall kookiness of 2024.

    Back in the far simpler times of 2018, electric scooters were known for ruining San Francisco (this is before everything else ruined San Francisco—relax, I live there and am therefore entitled to a little self-mockery) and making some fairly obnoxious-seeming people at least temporarily quite rich.

    The jaw-droppingly funded market has since collapsed, with many companies booted from the stock market, bankrupt, or worse. These days, you can still find the devices for rent in tourist-heavy cities and holiday destinations in the U.S. and elsewhere, and occasionally you’ll pass a privately owned one on the road—that is, if you’re in a city that hasn’t banned them from the streets.

    In London, for example, the only electric scooters allowed on city streets are owned by rental companies participating in a tightly regulated trial. “It is still illegal to use privately-owned e-scooters or other powered transporters on public roads,” officials say.

    All bets are off when the roads you’re scooting on are ones that you and your family own, however. So when Prince William was spotted by a social media user as he zoomed around the grounds of Windsor Castle, you needn’t worry that he was breaking the law: according to regional transit officials, the scooters—which as of late 2023 had “seriously injured” 22 people, per the BBC—are use at your own risk if ridden with a landowner’s permission, as William presumably has.

    According to a report in the Sun from last year, William purchased the scooter in 2023 in an effort to make the 10-minute trip from Adelaide Cottage (where William lives with wife Kate Middleton and children Prince Louis, Prince George, and Princess Charlotte) to Windsor Castle less of a trek. The scooter, which reportedly can hit 10 miles per hour, “just makes sense,” an unnamed source told the Sun. “He whizzes up to the castle” when he needs to see his father, King Charles III.

    “It’s a two or three-mile round trip from his family home at Adelaide Cottage to Windsor Castle, so it’s easier by scooter than car or walking,” the source reportedly said.

    It’s unclear when the William on a scooter video was taken, and it’s equally unknown what make and model of scooter the prince has. What we do know is that Middleton likely prefers a scooter over his previous mode of solo travel, a high-powered motorcycle.

    In 2015, the princess told well-wishers that “it always fills me with horror when” William would hop on his beloved bike. “I’m terrified,” she said of his easy-riding habit. Given Middleton’s challenging year, trading a hog for a scooter seems like a kind concession, regardless of the device’s brand or its past role as a hot-button issue.

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    Eve Batey

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  • UK Labour Party sweeps to power in historic election win with Keir Starmer

    UK Labour Party sweeps to power in historic election win with Keir Starmer

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    LONDON — Labour leader Keir Starmer officially became British prime minister on Friday hours after his Labour Party swept to power in a landslide victory after more than a decade in opposition.

    Starmer was elevated to the nation’s leader after a private ceremony with King Charles III in Buckingham Palace.

    In the merciless choreography of British politics, Starmer is taking charge in 10 Downing St. shortly after Conservative leader Rishi Sunak and his family left the official residence and King Charles III accepted his resignation at Buckingham Palace.

    “This is a difficult day, but I leave this job honored to have been prime minister of the best country in the world,” Sunak said in his farewell address.

    Sunak had conceded defeat earlier in the morning, saying the voters had delivered a “sobering verdict.”

    In a reflective farewell speech in the same place where he had called for the snap election six weeks earlier, Sunak wished Starmer all the best but also acknowledged his missteps.

    “I have heard your anger, your disappointment, and I take responsibility for this loss,” Sunak said. “To all the Conservative candidates and campaigners who worked tirelessly but without success, I’m sorry that we could not deliver what your efforts deserved.”

    Labour’s triumph and challenges

    With almost all the results in, Labour had won 410 seats in the 650-seat House of Commons and the Conservatives 118.

    “A mandate like this comes with a great responsibility,” Starmer acknowledged in a speech to supporters, saying the fight to regain people’s trust after years of disillusionment “is the battle that defines our age.”

    Speaking as dawn broke in London, he said Labour would offer “the sunlight of hope, pale at first but getting stronger through the day.”

    For Starmer, it’s a massive triumph that will bring huge challenges, as he faces a weary electorate impatient for change against a gloomy backdrop of economic malaise, mounting distrust in institutions and a fraying social fabric.

    “Nothing has gone well in the last 14 years,” said London voter James Erskine, who was optimistic for change in the hours before polls closed. “I just see this as the potential for a seismic shift, and that’s what I’m hoping for.”

    And that’s what Starmer promised, saying “change begins now.”

    Anand Menon, professor of European Politics and Foreign Affairs at King’s College London, said British voters were about to see a marked change in political atmosphere from the tumultuous “politics as pantomime” of the last few years.

    “I think we’re going to have to get used again to relatively stable government, with ministers staying in power for quite a long time, and with government being able to think beyond the very short term to medium-term objectives,” he said.

    Britain has experienced a run of turbulent years – some of it of the Conservatives’ own making and some of it not – that has left many voters pessimistic about their country’s future. The U.K. divorce from the European Union followed by the COVID-19 pandemic and Russia’s invasion of Ukraine battered the economy, while lockdown-breaching parties held by then-Prime Minister Boris Johnson and his staff caused widespread anger.

    Rising poverty, crumbling infrastructure and overstretched National Health Service have led to gripes about “Broken Britain.”

    Johnson’s successor, Liz Truss, rocked the economy further with a package of drastic tax cuts and lasted just 49 days in office. Truss, who lost her seat to Labour, was one of a slew of senior Tories kicked out in a stark electoral reckoning.

    While the result appears to buck recent rightward electoral shifts in Europe, including in France and Italy, many of those same populist undercurrents flow in Britain. Reform UK leader Nigel Farage roiled the race with his party’s anti-immigrant “take our country back” sentiment and undercut support for the Conservatives and even grabbed some voters from Labour.

    Conservative vote collapses as smaller parties surge

    The result is a catastrophe for the Conservatives as voters punished them for 14 years of presiding over austerity, Brexit, a pandemic, political scandals and internecine conflict.

    The historic defeat – the smallest number of seats in the party’s two-century history – leaves it depleted and in disarray and will spark an immediate contest to replace Sunak, who said he would step down as leader.

    In a sign of the volatile public mood and anger at the system, the incoming Parliament will be more fractured and ideologically diverse than any for years. Smaller parties picked up millions of votes, including the centrist Liberal Democrats and Farage’s Reform UK. It won four seats, including one for Farage in the seaside town of Clacton-on-Sea, securing a place in Parliament on his eighth attempt.

    The Liberal Democrats won about 70 seats, on a slightly lower share of the vote than Reform because its votes were more efficiently distributed. In Britain’s first-past-the-post system, the candidate with the most votes in each constituency wins.

    The Green Party won four seats, up from just one before the election.

    One of the biggest losers was the Scottish National Party, which held most of Scotland’s 57 seats before the election but looked set to lose all but handful, mostly to Labour.

    Labour was cautious but reliable

    Labour did not set pulses racing with its pledges to get the sluggish economy growing, invest in infrastructure and make Britain a “clean energy superpower.”

    But the party’s cautious, safety-first campaign delivered the desired result. The party won the support of large chunks of the business community and endorsements from traditionally conservative newspapers, including the Rupert Murdoch-owned Sun tabloid, which praised Starmer for “dragging his party back to the center ground of British politics.”

    Conservative missteps

    The Conservative campaign, meanwhile, was plagued by gaffes. The campaign got off to an inauspicious start when rain drenched Sunak as he made the announcement outside 10 Downing St. Then, Sunak went home early from commemorations in France marking the 80th anniversary of the D-Day invasion.

    Several Conservatives close to Sunak are being investigated over suspicions they used inside information to place bets on the date of the election before it was announced.

    In Henley-on-Thames, about 40 miles (65 kilometers) west of London, voters like Patricia Mulcahy, who is retired, sensed the nation was looking for something different. The community, which has long voted Conservative, flipped to the Liberal Democrats this time.

    “The younger generation are far more interested in change,” Mulcahy said ahead of the results. “But whoever gets in, they’ve got a heck of a job ahead of them. It’s not going to be easy.”

    Copyright © 2024 by The Associated Press. All Rights Reserved.

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  • UK Labour Party sweeps to power in historic election win with Keir Starmer

    UK Labour Party sweeps to power in historic election win with Keir Starmer

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    LONDON — Labour leader Keir Starmer officially became British prime minister on Friday hours after his Labour Party swept to power in a landslide victory after more than a decade in opposition.

    Starmer was elevated to the nation’s leader after a private ceremony with King Charles III in Buckingham Palace.

    In the merciless choreography of British politics, Starmer is taking charge in 10 Downing St. shortly after Conservative leader Rishi Sunak and his family left the official residence and King Charles III accepted his resignation at Buckingham Palace.

    “This is a difficult day, but I leave this job honored to have been prime minister of the best country in the world,” Sunak said in his farewell address.

    Sunak had conceded defeat earlier in the morning, saying the voters had delivered a “sobering verdict.”

    In a reflective farewell speech in the same place where he had called for the snap election six weeks earlier, Sunak wished Starmer all the best but also acknowledged his missteps.

    “I have heard your anger, your disappointment, and I take responsibility for this loss,” Sunak said. “To all the Conservative candidates and campaigners who worked tirelessly but without success, I’m sorry that we could not deliver what your efforts deserved.”

    Labour’s triumph and challenges

    With almost all the results in, Labour had won 410 seats in the 650-seat House of Commons and the Conservatives 118.

    “A mandate like this comes with a great responsibility,” Starmer acknowledged in a speech to supporters, saying the fight to regain people’s trust after years of disillusionment “is the battle that defines our age.”

    Speaking as dawn broke in London, he said Labour would offer “the sunlight of hope, pale at first but getting stronger through the day.”

    For Starmer, it’s a massive triumph that will bring huge challenges, as he faces a weary electorate impatient for change against a gloomy backdrop of economic malaise, mounting distrust in institutions and a fraying social fabric.

    “Nothing has gone well in the last 14 years,” said London voter James Erskine, who was optimistic for change in the hours before polls closed. “I just see this as the potential for a seismic shift, and that’s what I’m hoping for.”

    And that’s what Starmer promised, saying “change begins now.”

    Anand Menon, professor of European Politics and Foreign Affairs at King’s College London, said British voters were about to see a marked change in political atmosphere from the tumultuous “politics as pantomime” of the last few years.

    “I think we’re going to have to get used again to relatively stable government, with ministers staying in power for quite a long time, and with government being able to think beyond the very short term to medium-term objectives,” he said.

    Britain has experienced a run of turbulent years – some of it of the Conservatives’ own making and some of it not – that has left many voters pessimistic about their country’s future. The U.K. divorce from the European Union followed by the COVID-19 pandemic and Russia’s invasion of Ukraine battered the economy, while lockdown-breaching parties held by then-Prime Minister Boris Johnson and his staff caused widespread anger.

    Rising poverty, crumbling infrastructure and overstretched National Health Service have led to gripes about “Broken Britain.”

    Johnson’s successor, Liz Truss, rocked the economy further with a package of drastic tax cuts and lasted just 49 days in office. Truss, who lost her seat to Labour, was one of a slew of senior Tories kicked out in a stark electoral reckoning.

    While the result appears to buck recent rightward electoral shifts in Europe, including in France and Italy, many of those same populist undercurrents flow in Britain. Reform UK leader Nigel Farage roiled the race with his party’s anti-immigrant “take our country back” sentiment and undercut support for the Conservatives and even grabbed some voters from Labour.

    Conservative vote collapses as smaller parties surge

    The result is a catastrophe for the Conservatives as voters punished them for 14 years of presiding over austerity, Brexit, a pandemic, political scandals and internecine conflict.

    The historic defeat – the smallest number of seats in the party’s two-century history – leaves it depleted and in disarray and will spark an immediate contest to replace Sunak, who said he would step down as leader.

    In a sign of the volatile public mood and anger at the system, the incoming Parliament will be more fractured and ideologically diverse than any for years. Smaller parties picked up millions of votes, including the centrist Liberal Democrats and Farage’s Reform UK. It won four seats, including one for Farage in the seaside town of Clacton-on-Sea, securing a place in Parliament on his eighth attempt.

    The Liberal Democrats won about 70 seats, on a slightly lower share of the vote than Reform because its votes were more efficiently distributed. In Britain’s first-past-the-post system, the candidate with the most votes in each constituency wins.

    The Green Party won four seats, up from just one before the election.

    One of the biggest losers was the Scottish National Party, which held most of Scotland’s 57 seats before the election but looked set to lose all but handful, mostly to Labour.

    Labour was cautious but reliable

    Labour did not set pulses racing with its pledges to get the sluggish economy growing, invest in infrastructure and make Britain a “clean energy superpower.”

    But the party’s cautious, safety-first campaign delivered the desired result. The party won the support of large chunks of the business community and endorsements from traditionally conservative newspapers, including the Rupert Murdoch-owned Sun tabloid, which praised Starmer for “dragging his party back to the center ground of British politics.”

    Conservative missteps

    The Conservative campaign, meanwhile, was plagued by gaffes. The campaign got off to an inauspicious start when rain drenched Sunak as he made the announcement outside 10 Downing St. Then, Sunak went home early from commemorations in France marking the 80th anniversary of the D-Day invasion.

    Several Conservatives close to Sunak are being investigated over suspicions they used inside information to place bets on the date of the election before it was announced.

    In Henley-on-Thames, about 40 miles (65 kilometers) west of London, voters like Patricia Mulcahy, who is retired, sensed the nation was looking for something different. The community, which has long voted Conservative, flipped to the Liberal Democrats this time.

    “The younger generation are far more interested in change,” Mulcahy said ahead of the results. “But whoever gets in, they’ve got a heck of a job ahead of them. It’s not going to be easy.”

    Copyright © 2024 by The Associated Press. All Rights Reserved.

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    AP

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  • ‘SUPACELL’ Exclusive: Rapman Reveals Inspiration For Netflix Series, “If I Get Powers I Don’t Want To Wear Spandex”

    ‘SUPACELL’ Exclusive: Rapman Reveals Inspiration For Netflix Series, “If I Get Powers I Don’t Want To Wear Spandex”

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    One of the best watches on streaming this month has to be the new Netflix superpowered series Supacell.

    Source: Ana Blumenkron / Netflix

    Rapman Says ‘Supacell’ Reflects How Normal People Would Behave With Powers

    If you haven’t seen it yet, the series follows a group of seemingly ordinary people from South London who unexpectedly develop super powers. As they deal with the impact on their daily lives, one man has to bring them together to protect the woman he loves, all while avoiding the powerful and nefarious agents who have noticed their special abilities.

    BOSSIP caught up with Supacell’s writer and director Rapman about the series and what inspired him.

    “I love the sci-fi genre, in the sense of the superpower genre,” Rapman told BOSSIP. “I loved ‘Heroes,’ I liked a lot of the Marvel and DC stuff, but I never saw a show I felt fit someone like myself. If I get powers I don’t want to wear spandex and a mask and stop a bridge from falling. I want to sort out my life and my families life first, and then maybe later we can cure world hunger and the rest of it. So it’s just about normal people, because if normal people get powers they’re not thinking about saving the world first. They’re trying to sort out their situation and there was never a show like that. I got tired of waiting. I’m in a position where I can get this done and then next thing you know we’ve got Supacell.

    Supacell key art and production stills

    Source: Courtesy / Netflix

    ‘SUPACELL’ Creator Rapman Says For Every Story He Writes, The Motivation Has To Make Sense

    Michael Lasaki and his fiancé Dionne’s love story is central to the plot of Supacell, but the other people with power, Andre, Rodney, Tazer and Sabrina, are all motivated by their love for their friends and family as well. It’s no surprise that Rapman told us that love was a vital part of the fabric that made Supacell.

    “The one factor that drives all of us is love,” Rapman told BOSSIP. “It doesn’t have to be love for your partner, it could be love for your child, it could be love for your sibling, it could even be love for your work. Honestly it sounds so cheesy but I think love does make the world go around, because I think every decision we make is based on the love of something or someone. Every time I write any story the motivation has to make sense. No one is going to go to all of them lengths for something that they’re not completely passionate about, so I had to put in things that I knew – love of a father for his son, sister for sister partner for his fiancé, things like that. I had to make sense and I just believe it when I watch it, even though I created it. I believe all of their reasons for doing what they’re doing and I think that’s important, because it doesn’t matter if you’re in the States, I’m in the UK, I’m sure you can resonate with everything that they’re fighting for individually.”

    Supacell key art and production stills

    Source: Kevin Baker / Netflix

    Rapman Says ‘SUPACELL’ Reflects The Real South London

    Considering the global impact of films like Marvel’s Black Panther and Wakanda Forever and the international reach of Netflix, we had to ask Rapman about potentially making South London the new Wakanda.

    “I’ve been watching superhero stuff since I was a kid and it’s always set in New York, it’s always a big drama in New York, and I love New York but London is a crazy city as well,” Rapman told BOSSIP. “It’s like why are we not portraying that more? So for me I want people from the States, I want people in Africa, I want people in other parts of Europe, to really be like, ‘Oh that’s what it’s like in London! That’s the Black experience in London.’ That’s what London is really like, because how you see the parties, the music they listen to [in Supacell], that is literally South London. The only thing that you see made-up there is the powers, but everything else is the British experience as a Black person in the United Kingdom. So I’m hoping that it’s like an education for people that don’t know what it’s like. I’m really excited. A Wakanda moment? I would love that, so here’s to hoping!

    Supacell key art and production stills

    Source: Courtesy / Netflix

    One thing about movies with superpowers is that special effects are a must! Supacell does a great job of delivering believable stunts and Rapman said

    “One of the main things I said when I signed on to do this Netflix show with them, I remember saying to the commissioners, ‘The VFX need to be good,’ and it was like a funny thing, like everything sounds good, ‘Like look I’m down, but the VFX — if the VFX look bad, the show gets pulled down with it,’” Rapman recalled. “They were like, ‘Don’t worry you’re going to get everything you want.’ I asked that so early on so when we were going back and forth for the VFX there was always a lot of leeway, because that’s all they remember me saying four years ago. The show probably looks a lot more expensive than the budget we actually had. So they tried their best to let me do as good as I could do it. It’s a hard process because you gotta tell the head of VFX, ‘I want it to look like this — mad lasers…’ and it’s like, ‘How do they describe that?’ It’s in your head, but you don’t know how to get it down to them, so that was actually a tough process. People are really big critics on VFX nowadays and I just hope people will be gentle with us. We tried our best.”

    SUPACELL is streaming on Netflix now.

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    Janeé Bolden

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  • Frieze London and Frieze Masters Announce 2024’s Participating Galleries and Programming

    Frieze London and Frieze Masters Announce 2024’s Participating Galleries and Programming

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    Visitors at Frieze London in 2023. Photo courtesy of Linda Nylind/Frieze

    As the art world copes with what feels like an abbreviated summer break and a crowded fall calendar looming, Frieze announced details for its upcoming London fairs, coming up on October 9-12 in The Regent’s Park. The 2024 Frieze fair in London will feature more than 160 galleries from forty-three countries, including some of the leading spaces in London’s gallery scene, with established names like Stephen Friedman Gallery, Alison Jacques, Lisson Gallery, Victoria Miro, Modern Art, White Cube and Thomas Dane Gallery plus spaces devoted to pioneering research on the latest contemporary art expressions, including Arcadia Missa, Carlos/Ishikawa, Leopold Thun’s Emalin and Maureen Paley. Among the international galleries returning to Frieze London are Gagosian, Goodman Gallery, Hauser & Wirth, Gallery Hyundai, Tina Kim Gallery, Lehmann Maupin, Pace Gallery, Perrotin, Almine Rech, Thaddaeus Ropac, Esther Schipper, Sprüth Magers and David Zwirner.

    What to expect at Frieze London 2024

    Frieze London’s newly announced big change is the fresh floorplan by design practice A Studio Between. The new layout will give prominence to the fair’s curated sections, placing more emphasis on artists and discoveries.

    Among those sections, “Focus” will feature thirty-four solo and dual presentations from artists and galleries spanning five continents. In the list of participating galleries and artists, we find that 56 Henry (New York) showcases powerful paintings by Jo Messer; El Apartamento (Havana, Madrid) brings Julia Fuentesal; Madragoa (Lisbon) takes the work of Jaime Welsh; and Gallery Vacancy (Shanghai) the work of Korean artist Sun Woo, among others. Meant to offer a platform especially to the young gallery community, the section is presented this year in collaboration with the brand Stone Island, which will help fund the participation of these emerging galleries.

    Another interesting curated selection that will return this year is “Artist-to-artist,” which mounts six solo presentations chosen by world-renowned artists. This year’s edition will feature Appau Jnr Boakye-Yiadom, chosen by Glenn Ligon (Champ Lacombe, Biarritz); Rob Davis, selected by Rashid Johnson (Broadway, New York); Nengi Omuku selected by Yinka Shonibare (Pippy Houldsworth Gallery, London); Massinissa Selmani chosen by Zineb Sedira (Selma Feriani Gallery, Tunis); Magda Stawarska chosen by Lubaina Himid (Yamamoto Keiko Rochaix, London); and Peter Uka chosen by Hurvin Anderson (Mariane Ibrahim, Chicago, Paris, Mexico City).

    SEE ALSO: Observer’s Guide to 2024’s Must-Visit July Art Fairs

    Finally, connecting material and some narratives that have become increasingly present in the contemporary art scene in recent years, Frieeze created a new themed section, “Smoke,” curated by Pablo José Ramírez (Curator, Hammer Museum, Los Angeles) and dedicated to ceramic works that explore diasporic and Indigenous histories. The section draws its title from El Animal Humo (the Smoke Animal), Humberto Ak’abal’s story of an enigmatic creature made of smoke that emanates from the soil as a sublime and disturbing manifestation of nature. Featured artists include Manuel Chavajay (Pedro Cera, Madrid, Lisbon), Lucía Pizzani (Cecilia Brunson Projects, London), Christine Howard Sandoval (parrasch heijnen, Los Angeles), Ayla Tavares (Galeria Athena, Rio De Janeiro and Hatch, Paris) and Linda Vallejo (parrasch heijnen, Los Angeles), who explore counter-archaeology, the continuum of ancestry and how materials bear witness to diasporic movements.

    Two men at Frieze Mastrs 2023 in London are contemplating a old master painting featuring a Saint moving a wooden wheel and a dog.Two men at Frieze Mastrs 2023 in London are contemplating a old master painting featuring a Saint moving a wooden wheel and a dog.
    Koetser Gallery at Frieze Masters in 2023. Courtesy of Frieze and Michael Adair

    What to expect at Frieze Masters 2024

    This year’s Frieze Masters will feature 130 galleries from twenty-six countries mounting booths focusing on modern and classic masterpieces. Led by Nathan Clements-Gillespie, the fair will similarly try to be more artist-centered, with an expanded “Studio” section and a redefined floor plan designed to encourage creative connections across art history.

    The fair will present long-time exhibitors such as Galerie Chenel, Richard Green, Hauser & Wirth, Lehmann Maupin, Skarstedt and Axel Vervoordt, as well as leading Korean dealers such as Arario Gallery, Gana Art, Hakgojae Gallery and Johyun Gallery. This year, there’s a solid contingent of galleries dealing in ancient Asian art on the roster including Gisèle Croës s.a, Rasti Fine Art, Carlton Rochell Asian Art, Rossi & Rossi, Tenzing Asian Art and Thomsen Gallery. First-time participants include Afridi (London), Bijl-Van Urk Masterpaintings (Alkmaar), Galatea (Salvador, São Paolo), Galerie Léage (Paris), Tilton Gallery (New York) and Trias Art Experts (Munich).

    In terms of thematic sections, Frieze Masters will continue with the “Studio” section curated by British art historian and curator Sheena Wagstaff. This section focuses on practices that illuminate the interconnections between our civilization’s past and future. The line-up includes Isabella Ducrot, Nathalie Du Pasquier, Shirazeh Houshiary and Doris Salcedo

    The other curated section, “Spotlight,” is curated by Valerie Cassel Oliver, curator of modern and contemporary art at the Virginia Museum of Fine Arts and previously senior curator at the Contemporary Arts Museum in Houston, Texas. The section will focus on solo presentations by 20th-century artists, particularly overlooked artists and lesser-known works by established figures from the 1950s to the 1970s. Featured artists include Judy Chicago, Kulim Kim, Balraj Khanna, Donald Locke, Nabil Nahas, Nil Yalter and more.

    Woman observing closely a colorful sculpture by artist Yinka Shonibare at Frieze London 2023Woman observing closely a colorful sculpture by artist Yinka Shonibare at Frieze London 2023
    Visitors at Frieze London in 2023. Photo courtesy of Linda Nylind/Frieze

    Must-see Frieze Week shows

    During Frieze Week in October, the vibrant London art scene will showcase a series of major institutional exhibitions that you’ll want to make sure to put on your art week itinerary. Those include: “Francis Bacon: Human Presenc” at the National Portrait Gallery; Lygia Clark and Sonia Boyce at Whitechapel Gallery; Michael Craig-Martin at the Royal Academy of Arts; “Van Gogh: Poets and Lovers” at the National Gallery London; “Mike Kelley: Ghost and Spirit” and the majestic Mire Lee’s Turbine Hall Commission at Tate Modern; Hew Locke at the British Museum and “Haegue Yang: Leap Year” at the Hayward Gallery.

    A complete list of exhibitors and more information about 2024 programming can be found on the fair’s website.

    Frieze London and Frieze Masters Announce 2024’s Participating Galleries and Programming

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    Elisa Carollo

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  • Air So Polluted It Can Kill Isn’t Being Taken Seriously Enough

    Air So Polluted It Can Kill Isn’t Being Taken Seriously Enough

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    In 2010, three months before her seventh birthday, Ella Roberta suddenly developed a chest infection and a severe cough. Her mother, Rosamund Adoo-Kissi-Debrah, took her to the local hospital in Lewisham, South East London, where she was initially diagnosed with asthma.

    In the following months, she got worse and began suffering from coughing syncope—coughing episodes so violent that they caused her to black out due to a lack of blood supply to the brain. “She had one of the worst cases of asthma ever recorded,” Kissi-Debrah recalls. “They didn’t really know what was wrong as she didn’t present as a normal asthmatic. They tested her for everything, from epilepsy to cystic fibrosis. Her condition was extremely rare.” So rare, in fact, that Kissi-Debrah couldn’t find a single case of a child suffering a cough from coughing syncope in the scientific literature. “It was only common in long-distance lorry drivers,” she says.

    In the next three years, Ella was admitted to hospital about 30 times. On February 15, 2013, shortly after her ninth birthday, she suffered a fatal asthma attack.

    Her original death certificate stated that she had died from acute respiratory failure. “At the inquest, it was established that some of it might be due to ‘something in the air,’” Kissi-Debrah says. None of the medical experts consulted had mentioned the possibility that air pollution could have triggered Ella’s syncope. That possibility came to light only after Kissi-Debrah was contacted by a reader of the local newspaper who had read about her story and suggested that she check the air pollution levels on the day Ella died. Indeed, that day the levels of nitrogen dioxide caused by the traffic on heavily congested South Circular Road, near where they lived, had far exceeded set limits.

    With the assistance of her lawyer, Kissi-Debrah applied to the High Court to quash the verdict of the first inquest and request a second one, which was one granted. “My lawyer, Jocelyn, outlined on a graph all the times Ella had been admitted to the hospital, and then she got the data from the monitors near the house,” Kissi-Debrah recalls. The pattern was clear: There was a spike in air pollution prior to Ella experiencing coughing syncope. “Twenty-seven out of 28 times. As far as I’m concerned, that’s scientifically significant.” Furthermore, they showed that, on average, dioxide emissions and particulate matter levels in Lewisham far exceeded World Health Organization (WHO) guidelines.

    After nine days of deliberation, the inquest concluded that “Ella died of asthma contributed to by exposure to excessive air pollution.” It added: “Ella’s mother was not given information about the health risks of air pollution and its potential to exacerbate asthma. If she had been given this information she would have taken steps which might have prevented Ella’s death.” The cause of death on Ella’s death certificate was amended. To this date, she remains the only person in the world to have air pollution on her death certificate.

    Given the evidence at the inquest, the coroner also issued a Prevention of Future Deaths Report, which had a series of recommendations, such as ensuring that national air pollution levels be in line with WHO guidelines, that the public in England and Wales be made aware of the risks of air pollution, and that health professionals be educated on the health impacts of air pollution and inform patients accordingly.

    “The coroner felt that other children were at risk of dying,” Kissi-Debrah says. “He made it very clear, actually, that unless the air was cleaned up, more children would die.”

    Currently, 600,000 children worldwide die every year from breathing polluted air. In London alone, a quarter of a million children suffer from asthma. “The only time in this country no child has died from asthma was during the first lockdown,” Kissi-Debrah says. Ten years on from the death of her daughter, she continues to campaign for the legal right to clean air. As part of her campaign, she is lobbying for the approval of the Clean Air Bill in the UK, also known as Ella’s law: a parliamentary bill that establishes the right to breathe clean air.

    “It is our right to breathe clean air, and it is the government’s duty to clean up the air and ensure that the UK targets are in line with WHO targets, as currently, they are not,” she says. “This isn’t a party political issue. It’s about our health. It’s about our future.”

    This article appears in the July/August 2024 issue of WIRED UK magazine.

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    João Medeiros

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  • Another big marijuana bust at Boston Logan airport involving passenger flying to the United Kingdom: Police – The Cannabist

    Another big marijuana bust at Boston Logan airport involving passenger flying to the United Kingdom: Police – The Cannabist

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    While marijuana is legal in the Bay State, it’s still illegal to move massive amounts across state or international lines.

    That’s the message from police after yet another person has been busted for allegedly trying to transport a huge amount of weed through Boston Logan International Airport to the United Kingdom.

    A 19-year-old London woman was arrested after U.S. Customs and Border agents seized about 70 pounds of marijuana before her flight back to the U.K., the Suffolk DA’s office announced on Tuesday. The 70 pounds of pot is worth about $350,000 in the U.K., where marijuana is illegal.

    Read the rest of this story on BostonHerald.com.

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    The Cannabist Network

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  • China Miéville Writes a Secret Novel With the Internet’s Boyfriend (It’s Keanu Reeves)

    China Miéville Writes a Secret Novel With the Internet’s Boyfriend (It’s Keanu Reeves)

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    **SPOILERS AHEAD**!!!!!!

    As the fictional Freud writes of his own approaching death, he foresees the death of his sister Dolfi (who will die three years later in historical time, on the way to the camps). To put it mildly, death is everywhere. “Pain will be with me until I take my final leave,” Freud/Miéville/Reeves writes. He is ready to take it, to be clear. Freud then offers us a case study of a patient he met only three times, the last time when the world was at war. This patient offers Freud a riddle, not unlike the one the Sphinx offers Oedipus, and from which psychoanalysis in part sprang:

    “I kill and kill and kill again,” he said. “And the truth is, I would like to rest … And sometimes, not frequently but many times over the course of my life, I die. And it hurts.

    And then I come back.

    I return, and I kill and kill and kill again, and eventually I die again, and the whole merry-go-round continues. So please—​Herr Doktor … What sort of man am I?”

    This is, of course, B., the immortal warrior hero. He wants to be able to die, to become mortal, but can’t quite, for he cannot die his own death. Freud seeks to redescribe this in psychic terms for B. And that is the nature of their analytic work together. It is possible to read much of the intervening book, which opens and closes in Freud’s voice, as a lost case study. Freud declares to B.: “You’ve told me you don’t wish to be a metaphor. But you don’t get to choose.” What kills us and dies and is reborn? B., like it or not, is a metaphor for the death drive.

    The death drive is not some science fiction weapon or engine, exactly, but a theory introduced by (the real) Freud as a corrective to his idea of the pleasure principle—the idea that we all try to minimize pain and strive for pleasure all the time. War-torn Europe had shown him there was something else to account for—that we don’t just go for what’s good, but also for what’s bad, for “unpleasure.” Thus he conceived of the death drive at the end of World War I and during the Spanish flu, wherein his beloved daughter Sophie died suddenly. Freud would deny until he died that Sophie was the inspiration for it, and here, Miéville grants Freud’s wish. B., in Miéville’s hands, embodies the death drive—and he has come to Freud, like many have gone to their analysts, seeking cure. Freud then does what analysts do best—extrapolate from one patient toward a universal theory. The immortal B., in this alternate universe, showed Freud what sort of men we all are. When I asked Miéville about it, he said, “I think you could argue that that’s B. saying, ‘I want to be a human, I want to be a real boy.’ I mean, it’s a Pinocchio story.”

    Even though it was actually Reeves who introduced Freud to the original BRZRKR comic, it’s easy to see why Miéville latched onto it. All of this was written while China was reckoning, deeply, with whether or not he could imagine going on. “Depression, for me, was the realization of what has been the case rather than something happening,” he told me. “These books”—he means not just The Book of Elsewhere but also his upcoming magnum opus/white whale/albatross, which I’m still not allowed to talk about except to say it’s just been shipped off to the publisher—“are being brought to a close in what I tentatively and hopefully believe is out the other side of the worst of that.”

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    Hannah Zeavin

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  • Luxury homebuyers can now get an art collection as part of the deal

    Luxury homebuyers can now get an art collection as part of the deal

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    Los Angeles real estate company The Agency is selling homes complete with artwork and furniture. The piece shown is called “The McCoys II” (2019) and is by artist Shaina McCoy.

    The Agency | Nils Timm

    When Paul Lester joined a luxury real estate agency in Los Angeles, he decided to organize a Beverly Hills property viewing with a difference: he effectively turned it into an art opening, inviting prospective buyers of the home — and those who might be interested in purchasing the artwork he displayed in it.

    Individual artworks sold, and so did the property — for a premium. “We were successful in selling the house I would say for a more of a valued number than you might expect, because the entire package was seen as elevated,” Lester told CNBC by phone. The buyer also purchased some of the art displayed.

    That was more than a decade ago. Since then, Lester has made it his mandate to feature “significant” work by contemporary artists — alongside designer furniture — in the high-end properties he’s listing, which is often available to buy.

    Lester, a partner at real estate firm The Agency, is currently selling several new-build luxury homes in Beverly Hills designed by architecture firm Olson Kundig, and has a put together a “full collection” of art in a handful of them.

    Paul Lester, a partner at Los Angeles real estate firm The Agency, said he had made it his “mandate” to feature artwork in the properties the company sells. Seen here is the interior of a home that is part of a collection known as The Houses at 8899 Beverly. The artwork is “Rainbow Universe” (2015) by Lazaros.

    The Agency | Nils Timm

    The homes — known as The Houses at 8899 Beverly — start at around $5 million. Rather than simply being “staging” pieces brought in temporarily, the art and furniture is also available to purchase, Lester said. The Agency worked with consultancy Creative Art Partners on the homes, which feature work by a number of artists, including Michelle Mary Lee, an arts educator, and Irvin Pascal, a British sculptor and painter.

    Homes that are ready to move into, known as “turnkey” properties, are becoming popular with buyers. “We do see people more than not right now — especially with new construction — wanting an entire package that works well,” Lester said. “There have been circumstances where people walk in and say ‘I want this room … I’ll take the furniture and I’ll take the art. I absolutely love it this way and is that possible?’ And we’re able to say ‘yes it is’,” Lester said.

    The trick with choosing artwork for such properties is to make sure it works well with their interiors, said David Knowles, founder of art consultancy Artelier, which supplies art for real estate projects in the U.K., U.S. and the Middle East.

    “It’s hard to get a kind of uniqueness and a character across if what they’re selling is a turnkey project, because the … art has got to appeal to a wide audience,” Knowles told CNBC by phone. “The art needs to feel like it belongs there,” he said.

    To do that, Artelier might commission pieces that have a connection to the area the home is in, and has artists make pieces that will precisely fit the dimensions of the space. This tends to work better than borrowing work from a gallery to display in a home temporarily, Knowles said.

    Artelier, an art consultancy, commissions work to fit the dimensions of a wall, or panels, as seen in this living area at a home in Eaton Place, London.

    Fenton Whelan | Artelier

    Lester’s team discusses whether the art should match a home’s design or contrast with it. They might chose a colorful palette for a more monochrome property, or a mix of abstract work and portraiture, Lester said. Work is sometimes commissioned for properties; other times, Lester might ask artists whether they have pieces available in a particular color.

    Artelier has sourced artwork to hang on the walls of some of the world’s most prestigious addresses, such as London’s One Hyde Park, the residences at the Dorchester’s One at Palm development in Dubai, and for an apartment within Eighty Seven Park, an oval-shaped Miami beachfront building designed by Renzo Piano.

    London developers are keen to appeal to overseas buyers looking for vacation homes in the city, Knowles said. The consultancy is commissioned by interior decorators or real estate developers to source artwork for wealthy property buyers who “know what they like, and they have got good taste. Or they’ve got someone that works for them that has got good taste,” Knowles said.

    Artelier is often the bridge between artists and developers or property buyers, groups that “come from two different worlds,” Knowles said. He works with artists to help them understand that their work can be seen as a luxury product and that clients expect something “exceptional.” At the same time, Artelier might explain to clients that something like a bespoke ceramic piece is likely to have imperfections, such as finger marks.

    Artelier commissioned a collection of artwork for the public areas at One at Palm Jumeirah, Dorchester Collection, a residential building in Dubai. The artwork displayed is by textile artist Kristy Kun.

    Tooze Studio | Artelier

    For Lester, the artwork in The Houses at 8899 Beverly creates an additional opportunity for marketing. “We’re about to start … a campaign, which is going to highlight the artists … which I’ve found to be very effective. So in effect, you’re getting another opportunity to tell the story about the home because you’re telling the story about the art as well,” he said.

    The Houses are comparatively more affordable than other properties Lester has on his books. “I have several right now that are privately being offered … The house might be worth let’s say $60 million, $70 million, but the artwork in the house is probably worth $200 million,” he said. Buyers at that level might inquire whether the vendor would consider selling one or two of the artworks, Lester said.

    While real estate agency Savills doesn’t often sell art as part of a property deal, the company’s co-head of prime central London, Richard Gutteridge, advises clients to leave artwork on the walls during viewings.

    “It is an accessory that a lot of people do identify with. At the top of the market, it’s a layer of [that] lifestyle,” he told CNBC by phone. Gutteridge oversees sales in what he calls the city’s “golden postcode” — Belgravia, Chelsea, Knightsbridge and Mayfair. He said a home’s art collection is occasionally worth as much as the property.

    “As much as that helps the [sales] journey, it’s quite nice when [buyers] refocus on the house … The artwork often turns people’s heads,” Gutteridge said.

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  • 9 best outdoor cinemas in London to visit this summer

    9 best outdoor cinemas in London to visit this summer

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    Outdoor cinemas are undoubtedly one of the best things about British summertime. While we love nothing better than a cosy movie night in, with it finally being warm enough to tolerate venturing out in the evenings, what better way to spend a summer night than by watching a film under the stars?

    Offering cinematic escapism in its finest form, London has countless options on offer, from alfresco screens set amid lush parks and historic landmarks to unconventional venues that see London’s bustling urban spaces transformed with towering silver screens. Giving life to old classics and reinventing newer cult favourites alike, there’s nothing better than revelling in the magic of a film out in the open, surrounded by other movie fanatics.

    Whether you’re after a Mamma Mia singalong vibe with friends or a more low-key rom-com for date night, all tastes are well catered to in our round-up, with venues that promise to deliver enough ambience to transport you to another world.

    From rooftop cinemas in Peckham to open air pop-ups in Marylebone, we’re spoilt for choice when it comes to outdoor cinemas in London. We’ve got something for filmgoers of all types, from those looking for a deck chair setup complete with food pop-ups and bars to those simply wanting a free screen to lie on the grass in front of with their best supermarket picnic.

    So if you’re looking for some inspiration for your next plan this summer, these are the outdoor cinemas in the capital worth knowing about.

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    Lian Brooks

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  • Luke Hemmings Showed London It Wasn’t Just ‘A Beautiful Dream’

    Luke Hemmings Showed London It Wasn’t Just ‘A Beautiful Dream’

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    Luke Hemmings played his first two headline shows in London, for his Nostalgia For A Time That Never Existed tour the first one being at O2’s Shepherd’s Bush Empire. Did we show up in full-glam and scream every song? Absolutely we did.

    His first night was completely sold out, packed in every way you can possibly pack a place out. We made ourselves cozy and waited for the show to begin. Anticipation was high while waiting for Luke to take to the stage, and as he opened the show with ‘A Beautiful Dream’ before stepping right into ‘Close My Eyes,’ that anticipation became reality. If there’s a way to start a show, it is with high energy to get people moving, and Luke Hemmings did just that.

    The show lasted just over an hour, with non-stop entertainment from Luke Hemmings. He found the perfect balance of his biggest hits mixed with album tracks, and every person there knew every word to, Every. Single. Song. The crowd kept the energy high throughout the entire show, not only with their singing, but there was constant movement, dancing, swaying. The flashlights came out for the slower songs, while moves were being busted to the more upbeat tracks. Luke Hemmings’ crowd knew the assignment and they aced it. London welcomed Luke with open arms and cherished every moment with him.

    Luke shared his mutual love for London also. Explaining that the city was where he learned to write and learned to perform live, so it seemed to be a very reflective show for Hemmings. He even highlighted a memory from 10 years ago, where he swore to some friends that he could chug a gallon of beer… he then continued to say “there are no winners” in a challenge like that. He spent some time during the show, talking about how proud he is of his music. ‘Garden Life’ was noted as his favourite song he’s ever written, which is a bold claim, but one we wholeheartedly agree with.

    Whilst London tried to shower Luke Hemmings with as much love as a city can give, there was a small moment where he was definitely disappointed in us for not laughing at his (bad) joke about pints of Camden Helles. Maybe British humor is something he still needs to work on mastering? We’ll teach him a thing or two on his next visit. Regardless, he sung such high praises for London and we can’t wait for him to return. Let’s do it all over again… but even bigger and even better.

    Covering ‘Friday I’m In Love’ by The Cure was a power move on his behalf, to sprinkle that into the set towards the end was a lovely homage to the UK. (The Cure are from West Sussex, England, in case you weren’t sure). Finishing with ‘Starting Line’ was such an incredible send-off. The crowd kept the energy going all night, and they really went out on a high. The show consistently got louder, the longer it went on. To hear everyone collectively scream those lyrics at the top of their lungs was something really special. Emotional, even… some tears may have been shed.

    ‘Baby Blue’ will hold the number one spot in our hearts. Are you going to the Nostalgia For A Time That Never Existed tour? What’s your favorite Luke Hemmings song? Tell us it all over on Twitter (X), Facebook or Instagram.

    TO LEARN MORE ABOUT LUKE HEMMINGS:
    FACEBOOK | INSTAGRAM | SPOTIFY | TWITTER (X) | WEBSITE | YOUTUBE

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    Toyah Ann

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  • Angus and Charlottte Buchanan’s Outdoor Living Room and Kitchen in London

    Angus and Charlottte Buchanan’s Outdoor Living Room and Kitchen in London

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    Angus and Charlotte Buchanan—the co-founders of London-based creative design studio, Buchanan Studio—both grew up in the English countryside. Angus has vivid memories of entire seasons spent outdoors: “My parents are quite relaxed and bohemian,” he says. “They created this entire outside world.” Charlotte is more direct: “Your mother is a die-hard romantic who is incredibly nostalgic,” she asserts. A tour of the Buchanan’s own garden reveals that the apple hasn’t fallen far from the tree …

    The Buchanans bought their home in Harlesden, north west London, in 2020. They had been hoping to leave the city, but the logistics of running their own studio and raising a young family stalled the plan. Instead, they purchased a handsome—if completely neglected—property that enabled them to tick off some of the lifestyle changes they craved. They added a dog to their family, designed their kitchen around a gleaming Aga, and set about transforming their urban garden into a whimsical outdoor world.

    Now in its third spring, their family home has settled into a highly-anticipated rhythm that effectively sees their living space expand to the far reaches of their garden. As they raised the canvas awnings on their outdoor room, we visited the Buchanan’s garden and found a heady combination of nostalgia, romance, and re-use in this unlikely urban pocket of the capital.

    Here, eight design ideas to borrow from their backyard oasis.

    Photography by Alicia Waite, courtesy of Buchanan Studio.

    1. Let mature trees guide your design.

    A pear tree separates the outdoor kitchen area from the slightly raised seating and dining area in the outdoor room. Angus has trained roses to grow up the trunk and planted pony tail grasses at the base.
    Above: A pear tree separates the outdoor kitchen area from the slightly raised seating and dining area in the outdoor room. Angus has trained roses to grow up the trunk and planted pony tail grasses at the base.

    The view from the lavender-edged lawn to the house.
    Above: The view from the lavender-edged lawn to the house.

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  • Displaying art in your home? Here are some do’s and don’ts

    Displaying art in your home? Here are some do’s and don’ts

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    Large artworks can help a space feel more homey, according to art consultant Louisa Warfield.

    Andreas Von Einsiedel | Corbis Documentary | Getty Images

    There are two common mistakes people make when hanging art in their homes, according to art consultant Louisa Warfield.

    “The first is, they hang work that is too small for the space. And often you’ll go in, and you’ll find a sofa [couch] with one tiny picture above it, and that looks lonely and bleak,” she said.

    Instead, “Hang a wall… with as big a painting as you can fit.” This helps a room feel homey, Warfield said, while at the same time making the space appear larger. Don’t be afraid to hang large artworks in smaller spaces such as hallways, Warfield said.

    The second mistake is hanging artworks too high, which makes pieces harder to “connect” with. “Whether it’s just the visual connection, you just like the look of it, or whether it’s an emotional connection, you feel something from it … if the work is hung too high it feels like it’s not really in the room,” she said.

    People sometimes make the mistake of hanging artwork too high, according to art consultant Louisa Warfield. Instead, hang the work so that its center is about 150cm above the floor, as demonstrated by the large painting on the right hand side of this dining room. The work displayed is by contemporary artist David Price and the interior designer was Rachael Harding.

    Louisa Warfield Art Consultancy

    A guideline is to hang the work so that its center is about 150cm above the floor, Warfield said. Alternatively, hang it so that your eye level is about a third of the way down from the top of the piece. “These are guides — there’s no hard and fast rule,” she said.

    The ‘gallery wall’

    Having a gallery wall, where several pieces of varying sizes are hung together, is a popular way to display art at home. Most people are not art collectors who buy work around a particular theme; instead, they might acquire pieces on vacation or receive art as gifts, Warfield said.

    “As our lives grow and get bigger, [the artworks] often don’t match. But a gallery wall … allows you to draw together lots of quite disparate bits into one quite holistic look,” she said.

    Warfield suggests giving the display cohesion. “This might be as simple as everything has a black frame. This might be simple as everything is a flower picture, or … everything is a black and white photo,” she said. She might add a quirk, such as having one picture that has a touch of red in it that stands out against a monochrome selection. 

    A “gallery wall” in art consultant Louisa Warfield’s London home. Warfield suggested laying pictures on the floor in your desired arrangement before hanging them.

    Louisa Warfield Art Consultancy

    In a large home, a gallery wall might be about 160cm in height and about the width of the couch the art will hang above, Warfield said. She said mixing larger pieces with smaller ones is acceptable and recommended laying out pictures on the floor in front of the couch to decide how to display them. Should you have the largest picture in the middle of the display? “There’s no ‘should,’” she said. “There are a million different ways of doing it.”

    Warfield charges £175 ($222) plus taxes for two hours of advice on what to buy and how to display it. When it comes to the hang itself, it’s worth hiring a professional who understands the best fittings to use for the size of the artwork and the type of wall it will go on, Warfield said. Expect to pay a professional hanger around £80 an hour, she said.

    To match or not

    You might want artwork to fit with a color scheme you have chosen for your home, but this is something that the art world — which can be elitist — might look down on, Warfield said. Her approach is more inclusive: “You must do whatever you want in your home — it’s your sanctuary,” Warfield said.

    “What I advise my clients is that you might want it to match now, but your sofa and your [color] palette is almost certainly going to change again in seven to 10 years,” Warfield said. If you are buying art and are keen on a matching approach, “be very aware of how much money are you spending, and will that picture have longevity after you have changed the color of your sitting room?”

    Work by British artist Sophie Carter in a penthouse apartment by interior designer Yoko Kloeden. Art consultant Louisa Warfield said she commissioned the piece to reflect the views from the building.

    Louisa Warfield Art Consultancy

    If you’ve recently moved home and feel your existing artworks don’t fit your new space, consider reframing pieces or hanging them unframed to give them a new look, Warfield suggested, or have them glazed in non-reflective and UV-protective glass that will display work more clearly.

    For Helen Sunderland Cohen, who collects modern and contemporary art and photography, balance is important. “I try to place works that feel good in a particular space, and that interact organically with one another. This could be through colour, style, or a motif. For example, I decided to hang black and white photography down one corridor,” she told CNBC by email.

    An art collector’s approach

    Sunderland-Cohen’s London home features an open-plan living area with large windows along its length that shed light on her collection.

    A mask by British-Nigerian artist Yinka Shonibare hangs next to a monoprint on fabric by British artist Aimee Parrott, followed by an oil on canvas by post-war British artist Prunella Clough. Meanwhile, a bright pink porcelain cone by Simon Bejer is displayed on a side table — Bejer is a graduate of the City & Guilds School of Art in London, where Sunderland Cohen is a trustee.

    Art collector Helen Sunderland Cohen said she aims for a “harmonious and balanced” environment when it comes to playing art. She is pictured here with an antique atlas, part of The Sunderland Collection.

    Helen Sunderland Cohen

    “I … try to arrange the art in a way that works with the furniture, rugs, and light, so that everything feels harmonious,” Sunderland Cohen said.

    Sunderland Cohen, who manages The Sunderland Collection, a collection of antique world maps and atlases, said she buys work for her home that she has a personal connection to, such as places she has lived. “I think a lot of displaying art comes down to confidence and intuition, rather than worrying about what other people will think or how trendy an artist is,” she said.

    “I am fascinated by design, and like living with it: even simple objects like a well-designed lamp or a beautiful cushion, or a quirky vase. These items do not have to be expensive, just engaging and fun,” she said.

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