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Tag: Limp Bizkit

  • That Time LIMP BIZKIT Got Booed Off The Stage Thanks To A Feud With A Chicago Radio DJ – Metal Injection

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    One of the most notorious moments in Limp Bizkit‘s already turbulent history took place on July 26, 2003, during the Summer Sanitarium tour stop at Hawthorne Racetrack in Chicago, IL. Half an hour into their set, frontman Fred Durst walked off stage amid boos, flying bottles, and coins from a hostile crowd – namely Metallica fans who couldn’t wait for the headliners.

    According to the Chicago Tribune, the animosity started early, with audience members waving “Fred Sucks” banners and booing whenever Limp Bizkit was mentioned by earlier acts.

    The Chicago Sun-Times reported that Durst initially met the hostility with bravado: “Bring it on!” But the situation quickly escalated. He reportedly called fans “fucking pussies,” insulted their throwing skills, and launched a profanity-laden, homophobic tirade.

    It’s worth noting that at one point, Durst even pretended to be Kermit The Frog while antagonizing the crowd.

    Anders Smith Lindall of the Sun-Times described the scene as a “self-destruct” moment for Durst. According to his report, the band performed six songs before leaving the stage. Durst continued his invective from the wings until he was removed from the microphone. The crowd’s anger forced a 90-minute delay before Metallica took the stage.

    Media outlets at the time noted that part of the Chicago crowd’s hostility was fueled by radio personality Matthew Erich “Mancow” Muller‘s ongoing criticism of Durst in the days leading up to the concert. Namely that the guy was telling people to attend the show and throw shit at Limp Bizkit. Which wasn’t exactly cool.

    Mancow elaborated on why he hated Durst so much in a 2025 interview, saying in part: “Fred Durst was a record executive, and he was a suit. They did a research study: kids wear their hats backwards. What do young men like to do? They like to break stuff. BREAK STUFF! And it was all… I’m not kidding you — it was all fake. It was all record [labels], just like the Monkees or any other manufactured band.

    “So it was engineered for angry 15-year-olds, and it was fake. It wasn’t a real thing. It wasn’t organic. The Offspring, of that same ilk, were real — those were real guys. Limp Bizkit was a fake deal.”

    Even worse, Limp Bizkit then faced a class breach-of-contract lawsuit over the performance. Chicago lawyer Michael Young filed the action on behalf of 40,000 attendees, claiming the band incited an “uprising” during the set.

    According to Young, the group displayed “obscene and profane messages to the crowd via four giant monitors,” shouted “disgusting homophobic and anti-gay statements,” and left the stage after only 17 minutes of a scheduled 90-minute performance. Young sought a $25 refund for each $75 ticket.

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    Greg Kennelty

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  • Sam Rivers Dies: Limp Bizkit Bassist Was 48

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    Sam Rivers, who served as the bassist of and provided backing vocals for nu metal band Limp Bizkit, has died at the age of 48, the group announced on social media.

    The Instagram tribute — from members Fred Durst (lead vocals), John Otto (drums), Wes Borland (guitar) and DJ Lethal (turntables) — mourns “our brother, our bandmate, our heartbeat.”

    “Sam Rivers wasn’t just our bass player — he was pure magic,” the statement continued. “The pulse beneath every song, the calm in the chaos, the soul in the sound. From the first note we ever played together, Sam brought a light and a rhythm that could never be replaced. His talent was effortless, his presence unforgettable, his heart enormous.”

    The homage read: “We shared so many moments — wild ones, quiet ones, beautiful ones — and every one of them meant more because Sam was there. He was a once-in-a-lifetime kind of human. A true legend of legends. And his spirit will live forever in every groove, every stage, every memory.”

    Concluding the statement, Limp Bizkit said, “We love you, Sam. We’ll carry you with us, always. Rest easy, brother. Your music never ends.”

    The hard-rock/rap group was formed in 1994 in Jacksonville, Fla., becoming popular in its hometown’s underground music scene near the turn of the millennium. As a founding member of the three-time Grammy-nominated band, Rivers got into music while growing up alongside Otto and later met Durst when the two were working at fast food chain Chick-fil-A. Limp Bizkit’s permanent lineup was established two years later in 1996, when Borland and DJ Lethal were brought into the fold.

    Best known for tracks such as “Rollin’ (Air Raid Vehicle),” “Take A Look Around” and “My Way,” off of their third studio album Chocolate Starfish and the Hot Dog Flavored Water, the group’s most recognized track “Break Stuff” has been streamed nearly a billion times on Spotify. Since its formation, it has released six studio albums, the majority of which have been platinum-certified. Its latest release was “Battlefield: The After-party” for video game Battlefield 6.

    Rivers briefly left the group in 2015 due to liver disease developed from excessive drinking. He subsequently received a liver transplant and rejoined the band three years later, playing with the group until his death.

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    Natalie Oganesyan

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  • Houston Concert Watch 8/28: Charley Crockett, Squeeze and More

    Houston Concert Watch 8/28: Charley Crockett, Squeeze and More

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    Ah, the bliss of youthful ignorance, a totally misplaced sense of confidence and an unswerving conviction that “it will be fine.” This thought crossed my mind when I read about an amusement park ride at Six Flags Mexico that ceased operation for ten minutes during a storm this past weekend, leaving stranded passenger hanging about 250 feet in the air. For the record, the name of the ride is “The Sky Screamer.” I’ll bet!

    I’m pretty sure that none of the kids on the ride worried for an instant about such an incident prior to boarding the ride. When it comes to rides, kids don’t think twice before jumping on the Nausea Whirl in a shopping center parking lot, unconcerned by the fact that the ride was assembled by a bunch of toothless carny tweakers just hours before. But I was one of those kids in the early days of Astroworld. The only thing I ever really worried about was some yahoo next to me in the Barrel of Fun throwing up and, thanks to centrifugal force, having the effluvia hit me in the face. For more cheap thrills, please see below.

    Ticket Alert


    The Rev. Horton Heat, a true Texas treasure, will play at Main Street Crossing on Wednesday, January 8. Tickets are on sale now, so snag them quickly if you are looking for a serious psychobilly fix.

    Iconic metal band Judas Priest will be on tour this fall, performing in support of its latest album, Invincible Shield. Incredible as it seems, lead vocalist Rob Halford (“The Metal God”) can still hit all of the high notes, or at least most of them. The Houston show is on Tuesday, October 22, at the Smart Financial Centre, and good seats are still available.

    Concerts This Week

    It has been said that most rock stars would like to be actors (e.g. Mick Jagger in Freejack) and most actors would like to be rock stars (e.g. Corey Feldman opening for Limp Bizkit on the band’s current tour). Add to the latter category Jared Leto, who will perform with his band Thirty Seconds to Mars on Thursday at the Cynthia Woods Mitchell Pavilion.

    To be fair, Leto and his crew have been at it for over 20 years, releasing their debut album, produced by industry legend Bob Ezrin (Alice Cooper, Kiss, Pink Floyd), in 2001. Considering that Leto’s mega-bummer film Requiem for a Dream was released just before work on the album began, it makes sense that Leto would have been looking for a rock and roll distraction at that point.

    The early ‘80s music scene will be represented on Thursday at the 713 Music Hall by beloved British band Squeeze (“Tempted,” “Black Coffee in Bed’) and Boy George, formerly of Culture Club (“Do You Really Want to Hurt Me,” “Karma Chameleon”). Both acts were leaders of the new wave movement and seen often in the early days of MTV, so the billing makes sense. Squeeze and Boy George are alternating opening and closing the evening on this tour, so if you have a particular favorite of the two, get there early and don’t miss out.

    America doesn’t usually get mentioned in the first breath when “bands of the ‘70s” are discussed, but that isn’t necessarily fair. Sure, the group’s first single, “Horse with No Name,” was viewed by some as a crass Neil Young rip off. Even Young’s father thought that America was Neil and called to complement his son when he heard the song on the radio.

    Nevertheless, a hit-filled career followed, helped in no small part by the fact that Beatles producer George Martin was behind the board for singles like “Tin Man,” “Sister Golden Hair” and “Lonely People.” America will perform at the Smart Financial Centre on Sunday, with Al Stewart (“Year of the Cat”) opening. Gotta love a guy like Stewart, who name checks Peter Lorre in a pop song.
    https://www.youtube.com/watch?v=KC81z_tZ-E8
    Charley Crockett could be viewed as a savior of country music. These days, few artists are able to capture the sound and the heart of classic country better than Crockett. For an example, check out the performance of the title track from his latest album, $10 Cowboy. But Crockett is more than a latter-day Ernest Tubb. He’s one hell of a bluesman, making him a favorite of those who dig a rootsy sound. Crockett performs on Tuesday at the 713 Music Hall.

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    Tom Richards

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