ReportWire

Tag: Lifestyle

  • As an uncertain 2026 begins, virtual journeys back to 2016 become a trend

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    LONDON — The year is 2016. Somehow it feels carefree, driven by internet culture. Everyone is wearing over-the-top makeup.

    At least, that’s how Maren Nævdal, 27, remembers it — and has seen it on her social feeds in recent days.

    For Njeri Allen, also 27, the year was defined by the artists topping the charts that year, from Beyonce to Drake to Rihanna’s last music releases. She also remembers the Snapchat stories and an unforgettable summer with her loved ones. “Everything felt new, different, interesting and fun,” Allen says.

    Many people, particularly those in their 20s and 30s, are thinking about 2016 these days. Over the past few weeks, millions have been sharing throwback photos to that time on social media, kicking off one of the first viral trends of the year — the year 2026, that is.

    With it have come the memes about how various factors — the sepia hues over Instagram photos, the dog filters on Snapchat and the music — made even 2016’s worst day feel like the best of times.

    Part of the look-back trend’s popularity has come from the realization that 2016 was already a decade ago – a time when Nævdal says she felt like people were doing “fun, unserious things” before having to grow up.

    But experts point to 2016 as a year when the world was on the edge of the social, political and technological developments that make up our lives today. Those same advances — such as developments under U.S. President Donald Trump and the rise of AI — have increased a yearning for even the recent past, and made it easier to get there.

    Nostalgia is often driven by a generation coming of age — and its members realizing they miss what childhood and adolescence felt like. That’s certainly true here. But some of those indulging in the online journeys through time say something more is at play as well.

    It has to do with the state of the world — then and now.

    By the end of 2016, people would be looking ahead to moments like Trump’s first presidential term and repercussions of the United Kingdom leaving the EU after the Brexit referendum. A few years after that, the COVID-19 pandemic would send most of the world into lockdown and upend life for nearly two years.

    Janelle Wilson, a professor of sociology at the University of Minnesota-Duluth, says the world was “on the cusp of things, but not fully thrown into the dark days that were to come.”

    “The nostalgia being expressed now, for 2016, is due in large part to what has transpired since then,” she says, also referencing the rise of populism and increased polarization. “For there to be nostalgia for 2016 in the present,” she added, “I still think those kinds of transitions are significant.”

    For Nævdal, 2016 “was before a lot of the things we’re dealing with now.” She loved seeing “how embarrassing everyone was, not just me,” in the photos people have shared.

    “It felt more authentic in some ways,” she says. Today, Nævdal says, “the world is going downhill.”

    Nina van Volkinburg, a professor of strategic fashion marketing at University of the Arts, London, says 2016 marked the beginning of “a new world order” and of “fractured trust in institutions and the establishment.” She says it also represented a time of possibility — and, on social media, “the maximalism of it all.”

    This was represented in the bohemian fashion popularized in Coachella that year, the “cut crease” makeup Nævdal loved and the dance music Allen remembers.

    “People were new to platforms and online trends, so were having fun with their identity,” van Volkinburg says. “There was authenticity around that.”

    And 2016 was also the year of the “boss babe” and the popularity of millennial pink, van Volkinburg says, indications of young people coming into adulthood in a year that felt hopeful.

    Allen remembers that as the summer she and her friends came of age as high school graduates. She says they all knew then that they would remember 2016 forever.

    Ten years on, having moved again to Taiwan, she said “unprecedented things are happening” in the world. “Both of my homes are not safe,” she said of the U.S. and Taiwan, “it’s easier to go back to a time that’s more comfortable and that you felt safe in.”

    In the last few days, Nævdal decided to hide the social media apps on her phone. AI was a big part of that decision. “It freaks me out that you can’t tell what’s real anymore,” she said.

    “When I’ve come off of social media, I feel that at least now I know the things I’m seeing are real,” she added, “which is quite terrifying.”

    The revival of vinyl record collections, letter writing and a fresh focus on the aesthetics of yesterday point to nostalgia continuing to dominate trends and culture. Wilson says the feeling has increased as technology makes nostalgia more accessible.

    “We can so readily access the past or, at least, versions of it,” she said. “We’re to the point where we can say, ’Remember last week when we were doing XYZ? That was such a good time!’”

    Both Nævdal and Allen described themselves as nostalgic people. Nævdal said she enjoys looking back to old photos – especially when they show up as “On This Day” updates on her phone, She sends them to friends and family when their photos come up.

    Allen wished that she documented more of her 2016 and younger years overall, to reflect on how much she has evolved and experienced since.

    “I didn’t know what life could be,” she said of that time. “I would love to be able to capture my thought process and my feelings, just to know how much I have grown.”

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  • Some blind fans to experience Super Bowl with tactile device that tracks ball

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    Some blind and low-vision fans will have unprecedented access to the Super Bowl thanks to a tactile device that tracks the ball, vibrates on key plays and provides real-time audio.

    The NFL teamed up with OneCourt and Ticketmaster to pilot the game-enhancing experience 15 times during the regular-season during games hosted by the Seattle Seahawks, Jacksonville Jaguars, San Francisco 49ers, Atlanta Falcons and Minnesota Vikings.

    About 10 blind and low-vision fans will have an opportunity to use the same technology at the Super Bowl in Santa Clara, California, where Seattle will play the New England Patriots on Feb. 8. With hands on the device, they will feel the location of the ball and hear what’s happening throughout the game.

    Scott Thornhill can’t wait.

    Thornhill, the executive director of the American Council of the Blind, will be among the fans at Levi’s Stadium with a OneCourt tablet in their lap and Westwood One’s broadcast piped into headphones. He was diagnosed with retinitis pigmentosa when he was 8, and later lost his sight.

    “It will allow me to engage and enjoy the game as close as possible as people who can see,” Thornhill told The Associated Press. “As someone who grew up playing sports before I lost my vision, I’m getting a big part of my life back that I’ve been missing. To attend a game and not have to wait for someone to tell me what happened, it’s hard to even describe how much that means to me.

    “It’s a game-changer.”

    Clark Roberts experienced it first hand.

    The Seahawks fan was invited by the team to attend its home game against Indianapolis on Dec. 14 to experience the game with the OneCourt device that is the size of a thick iPad with raised lines outlining a football field.

    “The device does two wonderful things,” said Roberts, who lost his sight when he was 24 due to retinitis pigmentosa. “It vibrates in different ways for different plays and through headphones, I was able to hear Seattle’s amazing announcer, Steve Raible. Real-time audio is the real beauty of the device because usually when I’m listening to a game, there can be a delay of up to a minute or more and that can be challenging to constantly ask family and friends what happened.

    “Can you imagine how this can open up everything, not just football?”

    OneCourt is working on it.

    It has partnered with NBA and Major League Baseball teams to provide its devices at games and is in talks to make them available with the NHL, along with other leagues and sports organizations all over the world.

    OneCourt launched in 2023 after founder Jerred Mace saw a blind person attending a soccer match while he was a junior at the University of Washington.

    The startup with headquarters in Seattle uses the NFL’s tracking data from Genius Sports and translates it into feedback for the device to create unique vibrations for plays such as tackles and touchdowns.

    The data is generated from cameras and chips embedded in balls, jerseys and elsewhere. The same technology is used by the NFL’s NextGen Stats for health and player safety, statistics and gambling.

    “It’s a testament to the maturity of the product and our company that we have gone from delivering this to a handful of teams throughout the last year or two to having it at the largest event in American sports,” OneCourt co-founder Antyush Bollini said. “The Super Bowl is such an amazing event and now blind and low-vision fans can use our technology in a way they deserve.”

    Ticketmaster’s funding for the NFL pilot went toward underwriting the device to make it available to fans for free, according to senior client development director Scott Aller.

    “This is a very, very big social impact win,” Aller said. “We hope that we can make an investment like this in every single one of our markets.”

    After some teams approached the league about improving access for all, the NFL has spent the past few months piloting the program and ultimately decided to have the device make its Super Bowl debut.

    “It’s not lost on us that we have blind to low-vision fans and we want to do right by them,” said Belynda Gardner, senior director of diversity equity and inclusion for the NFL.

    Gardner said the league has been very encouraged by the pilot and potential of this technology.

    “We’re reviewing what we learned and evaluating how it can be implemented going forward,” Gardner said. “There aren’t any definitive next steps and we will use the offseason to determine where this technology sits in the NFL’s suite of offerings.”

    Thomas Rice, a Jaguars fans, who is blind, said he had a seamless experience with the OneCourt device at a game in Jacksonville. Rice picked up the tablet at guest services at EverBank Stadium and after settling in at his seat, he felt and heard football in a new way.

    “When Trevor Lawrence threw a touchdown pass to Brian Thomas Jr., I felt the ball travel through the air,” Rice said. “When Travis Etienne ran the ball, I could feel it happen along the sideline.”

    “It was like giving me my own pair of eyes.”

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    AP NFL: https://apnews.com/hub/nfl

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  • One Tech Tip: Fed up with AI slop? A few platforms will let you dial it down

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    AI slop seems to be everywhere. Low-quality digital content made with artificial intelligence has flooded our feeds, screens and speakers. Is there anything we can do about it?

    If you want fewer cartoonish videos of dead celebrities, creepy or absurd images or fake bands playing synthetic tunes, a few platforms have rolled out settings and features to help minimize AI-generated content.

    Here is a guide on how to use them. But first, a caveat from Henry Ajder, who advises businesses and governments on AI and has been studying deepfakes since 2018. He warned that it’s “incredibly difficult” to entirely remove AI slop content entirely from all your feeds.

    He compared AI slop to the smog generated from the industrial revolution, when there weren’t any pollution controls in place.

    “It’s going to be very, very hard for people to avoid inhaling, in this analogy.”

    Pinterest’s move to lean into the AI boom made it something of a poster child for the AI slop problem, as user complained that the online moodboard for pinning inspirational material by themes has become overrun with AI content.

    So Pinterest recently rolled out a “tuner” that lets users adjust the amount of AI content they see in their feeds.

    It rolled out first on Android and desktop operating systems, before starting on a more gradual roll out on iOS.

    “Now, users can dial down the AI and add more of a human touch,” Pinterest said, adding that it would initially cover some categories that are “highly prone to AI modification or generation” such as beauty, art, fashion and home decor.

    More categories have since been added, including architecture, art, beauty, entertainment, men’s, women’s and children’s fashion, health, home décor, and sport, food and drink.

    To use the tuner, go to Settings and then to “refine your recommendations.” and then tap on GenAI interests, where you can use toggles to indicate the categories you’d like to see less AI-content.

    It’s no surprise that AI-generated videos proliferate on TikTok, the short-video sharing app. The company says there are at least 1.3 billion video clips on its platform it has labeled as AI-generated.

    TikTok said in November it was testing an update to give users more control of the AI-generated content in their For You feeds. It’s not clear when it will be widely available. TikTok did not respond to requests for comment.

    To see if you have it on the TikTok mobile app, go to Settings, then Content Preferences, then to Manage Topics where you’ll see a set of sliders to control various types of content, such as dance, humor, lifestyle and nature.

    You can also access the controls from the For You feed, by tapping the Share button on the side of a post, then tap Why this Video, then Adjust your For You, and then Manage topics.

    There should be a new slider that allows you to dial down — or turn up — the amount of AI-generated content that you receive. If you don’t see it yet, it might be because you haven’t received the update yet. TikTok said late last year that it would start testing the feature in coming weeks.

    These controls are not available on the desktop browser interface.

    You won’t be able to get red of AI content altogether — TikTok says the controls are used to tailor the content rather than removing or replacing it entirely from feeds.

    “This means that people who love AI-generated history content can see more of this content, while those who’d rather see less can choose to dial things down,” it said.

    Song generation tools like Suno and Udio let users create music merely by typing some ideas into a chatbot window. Anyone can use them to spit out polished pop songs, but it also means streaming services have been flooded with AI tunes, often by accounts masquerading as real artists.

    Among the music streaming platforms, only Deezer, a smaller European-based player, gives listeners a way to tell them apart by labeling songs as AI.

    “Deezer has been really, really pushing the anti-AI generation music narrative,” said Henry Ajder.

    Deezer says 60,000 fully AI-generated tracks, or more than 39% of the daily total, are uploaded to its platform every day and last year it detected and labeled more than 13.4 million AI tracks. The company says the people doing it are trying to make money by fraudulent streams.

    If you can tear yourself away from Big Tech platforms, there are a new generation of apps targeting users who want to avoid AI.

    Cara is a portfolio-sharing platform for artists that bans AI-generated work. Pixelfed is an ad-free Instagram rival where users can join different servers, or communities, including one for art that does not allow AI-generated content. Spread is a new social media platform with content for people who want to “access human ideas” and “escape the flood of AI slop.”

    Watch out for the upcoming launch of diVine, a reboot of Twitter founder Jack Dorsey’s defunct short form video app Vine. The app has only been available as a limited prerelease for Apple iOS. It promises “No AI Slop” and uses multiple approaches to detect AI. An Android beta app is expected soon. The company plans to launch it in app stores soon but needs more time to get ready for unexpectedly high demand.

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    Is there a tech topic that you think needs explaining? Write to us at onetechtip@ap.org with your suggestions for future editions of One Tech Tip.

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  • Head-Smashed-In Buffalo Jump heritage site enjoys boost after shout out on ‘The Pitt’ | Globalnews.ca

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    A UNESCO World Heritage Site in Alberta is enjoying a recent uptick in interest spurred by a shout out on a popular American television show — and its head of marketing hopes that curiosity translates into a bustling summer season.

    The site Head-Smashed-In Buffalo Jump was mentioned in a recent episode of the Golden Globe-winning TV medical drama The Pitt.

    In it, Dr. Michael (Robby) Robinavitch, played by actor Noah Wyle, announces he’s going on sabbatical to the landmark in the foothills of the Canadian Rocky Mountains.

    “I’ve never seen the badlands,” he says in the episode that aired Jan. 8.

    Head-Smashed-In Buffalo Jump is about 185 kilometres south of Calgary. It was used for thousands of years by Indigenous people to channel bison herds and send the animals stampeding over an 11-metre-high cliff to be killed and harvested.

    Story continues below advertisement

    The interpretive centre of cascading floors built into the sandstone cliff explores Blackfoot culture, local ecology, and archeological finds, and leads visitors to a cliff top trail.

    Quinton Crow Shoe, who leads marketing at Head-Smashed-In Buffalo Jump, said staff are hearing some visitors say the show triggered their curiosity.

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    “As a result of that mention, they decided to take the trek off the beaten path,” he said in an interview.


    Click to play video: 'Digging up the past in southern Alberta'


    Digging up the past in southern Alberta


    With the show, he said their social media and email inboxes lit up.

    “I didn’t realize the magnitude of that show. And, the mention itself brings a lot of awareness and curiosity,” Crow Shoe said. “So, we appreciate it, and we’re having some fun with it.”

    Although it was designated a World Heritage Site in 1981, the interpretive centre will celebrate its 40th anniversary next year. It sees about 60,000 visitors a year.

    Story continues below advertisement

    Crow Shoe said the buzz around the buffalo jump isn’t fading away, and he hopes the modest bump in recent interest translates into an increase in crowds and motor coach tours once the peak season hits, from about May through to September.

    Other promotions — such as discounts through the national Canada Strong Pass — have also had a positive effect on the gate, he said.

    Crow Shoe noted that Head-Smashed-In is part of a cluster of attractions in southern Alberta — from Writing-on-Stone Provincial Park in the badlands to Waterton Lakes National Park where the mountains begin — that draw visitors to explore as much of the area as possible.

    “We always look at being successful in terms of supporting one another.”

    Provincial marketing agency Travel Alberta took advantage by releasing a promotional video with the TV show’s characters superimposed on the background of Head-Smashed-In Buffalo Jump’s cliffs.

    And Alberta Culture Minister Tanya Fir posted the TV clip to social media, adding “Dr. Robby is Alberta bound!”

    “We are proud to see how Alberta’s history, stories and cultural landmarks continue to leave a lasting impression on audiences around the world,” Fir wrote.


    Click to play video: 'Crews knock down fire at Head-Smashed-In Buffalo Jump'


    Crews knock down fire at Head-Smashed-In Buffalo Jump


    © 2026 The Canadian Press

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    Globalnews Digital

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  • Google adds AI image generation to Chrome, side panel option for virtual assistant

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    Google is empowering its Chrome browser with the ability to alter imagery and a virtual assistant to help with online tasks as part of its push to turbocharge its digital services with more artificial intelligence technology.

    The features rolling out include making Google’s AI image generator and editing tool, Nano Banana, available to Chrome’s logged-in users on desktop computers in the United States. The expanded access to Nano Banana through the leading web browser may further blur the lines between real-life pictures and fabricated images.

    The browser’s expansion will also offer an option for Chrome’s U.S. users to open a side panel so an AI-powered assistant can help with an assortment of chores while a user remains engaged with other online tasks.

    Subscribers to Google’s AI Pro and Ultra services will also be able to activate an “auto browse” function that will log into websites, shop for merchandise on command and prepare posts on social media. Users will still have to manually complete purchases from the shopping carts prepared by AI and approve drafted social media posts.

    The AI in Chrome relies on the Gemini 3 model that Google released late last year and is now being baked into many of the services that helped its corporate parent, Alphabet, recently surpass a market value of $4 trillion.

    Earlier this month, Google tapped into Gemini to bring more AI features to Gmail as part of an effort to make that service behave more like a personal assistant and then funneled more of the technology into its search engine. in hopes of providing more relevant answers tailored to users’ individual tastes and habits.

    The upgrades to Google’s search engine plug into the company’s “Personal Intelligence” technology that leverages AI to learn more about people’s lives. Google is promising to roll out a Personal Intelligence option in Chrome at some point later this year.

    Chrome’s AI makeover is rolling out just a few months after a federal judge rejected the U.S. Department of Justice’s push to force Google to sell the browser as part of the penalty for running an illegal monopoly in search. The judge rebuffed the proposed breakup partly because he believes AI already is reshaping the competitive landscape as smaller rivals such as OpenAI and Perplexity deploy the technology in chatbots and their own web browsers.

    Before releasing its AI browser Atlas last October, OpenAI had expressed interest in buying Chrome if the breakup had been ordered. Perplexity, which offers an AI browser called Comet, even submitted a $34.5 billion bid for Chrome before the judge opted against a sale mandate.

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  • Olympic Mode, Activated: The Best Winter Games Inspired Menswear

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    Every four years, the Winter Olympics remind us that athletic competition transcends the physical. It becomes a theater of national identity, where what athletes wear as they process into the stadium carries nearly as much symbolic weight as the medals they hope to bring home. The opening ceremony transforms some 3,000 competitors into walking embodiments of their countries, each delegation dressed by designers tasked with distilling centuries of cultural heritage into garments that must perform under scrutiny from billions of viewers worldwide.

    The results have ranged from the triumphant to the peculiar. Lithuania’s 1992 appearance in Barcelona in Issey Miyake‘s radical pleated capes, donated free by the designer to the newly independent nation, remains among the most audacious statements ever made on Olympic grounds. Canada’s 1988 Calgary delegation arrived in fringed red trench coats and white cowboy hats, leaning hard into the host city’s Cowtown reputation. Then there’s the eternal question of how much nationalism is too much—how literally a flag should be rendered across a lapel or intarsia knit.

    For Team USA, that question has had a consistent answer since 2008, when Ralph Lauren first partnered with the U.S. Olympic Committee for the Beijing Games. The brand’s preppy aesthetic, with navy blazers, white trousers, newsboy caps and rowing-club sensibilities, has become inextricably linked to American Olympic identity. The process begins roughly two and a half years before each Games, with the design team meeting athletes, researching host cities and building garments intended, as David Lauren puts it, to “become timeless.” 

    Milano Cortina 2026 presents what is perhaps the ultimate test: staging American athletes in one of the world’s undisputed fashion capitals, where sartorial scrutiny reaches its apex. The good news for spectators: many of these official outfitters—Ralph Lauren, Emporio Armani, Le Coq Sportif and others—make civilian versions of their Olympic gear available to the public. What follows is the best of it, from ceremony sweaters to alpine-ready puffers, for anyone who wants to channel the Winter Games from the stands or the sofa.

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    Paul Jebara

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  • Not ready for robots at home? Friendly new humanoid maker thinks it may change minds

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    NEW YORK — As the new robot called Sprout walks around a Manhattan office, nodding its rectangular head, lifting its windshield wiper-like “eyebrows” and offering to shake your hand with its grippers, it looks nothing like the sleek and intimidating humanoids built by companies like Tesla.

    Sprout’s charm is the point. A 5-year-old child could comfortably talk at eye level with this humanoid, which stands 3.5 feet (1 meter) tall and wears a soft, padded exterior of sage-green foam.

    Forged by stealth startup Fauna Robotics over two years of secret research and development, Sprout’s public debut on Tuesday aims to jump-start a whole new industry of building “approachable” robots for homes, schools and social spaces.

    The robot is in many ways the first of its kind, at least in the United States, even as rapid advances in artificial intelligence and robot engineering have finally made it possible to start building such machines. If its emotive expressions and blinking lights seem vaguely familiar, it might be from generations of Star Wars droids and other endearingly clunky robotic sidekicks dreamed up in animation studios and children’s literature.

    “Most people in this industry take inspiration from the science fiction that we grew up with,” said Fauna Robotics co-founder and CEO Rob Cochran. “I think some do so from ‘Westworld’ and ‘Terminator.’ We do from WALL-E and Baymax and Rosie Jetson.”

    The usual hypothesis for the commercialization of humanoid robots is that they will get their first jobs in warehouses or factories long before they are ready for homes. That’s the path proposed for two of today’s best-known prototypes: Tesla’s Optimus, which CEO Elon Musk sees as the carmaker’s future, and Boston Dynamics’ Atlas, which parent company Hyundai plans to deploy in car manufacturing by 2028.

    Fauna looks to skip that step for an entirely different clientele: other robot tinkerers. Much as early personal computers and, later, smartphones sparked a culture of developers designing new games and applications, Sprout is a software developer platform more than just a robot. It’s also a mechanically complex one that will cost buyers $50,000.

    That’s a price some university research labs and technology entrepreneurs are already spending on China’s Unitree, which sells a lightweight humanoid often seen at robotics conferences and competitions. Others have avoided Chinese hardware due to tariffs and broader security concerns.

    Cochran believes Fauna is “the first American company to be actively shipping robots as a developer platform” and has been hand-delivering the first models. Early customers include Disney and Boston Dynamics.

    “You take it out of the box and you can start walking it around immediately,” said Marc Theermann, chief strategy officer at Boston Dynamics, in a recent interview. “Seeing their robot for the first time really lets you see the future a little bit. And if you squint, you can see how a robot like that would be welcomed into people’s homes.”

    Sprout can’t lift heavy objects, but it can dance the Twist or the Floss, grab a toy block or teddy bear, or hoist itself from a chair to take a long stroll along the wood floors of Fauna’s headquarters in New York City’s Flatiron District.

    Cochran and co-founder Josh Merel, the company’s chief technology officer, demonstrated the robot to The Associated Press in mid-January ahead of its public launch. Fauna employees and an AP reporter piloted the robot, using a video game controller, a phone application and a virtual-reality headset. Sprout also knows the office layout enough to be sent on a planned mission, such as to check out the inventory of the break room refrigerator.

    It walks slowly but steadily on uneven ground. Only once it came close to tripping, taking a sharp turn to avoid a person and instead hitting its foot on a protruding table wheel too low to the ground to be seen by Sprout’s camera eyes. But the robot, built to handle what engineers call perturbation, quickly recovered its balance and kept walking, much like a clumsy person might.

    “If you step in front of it, it won’t crash into you, it’ll plan a new path around you,” said Ana Pervan, a Fauna research scientist who works on the robot’s mapping and navigation. Among the first batch of Fauna’s 50 employees, and a fan of science fiction writer Isaac Asimov, she previously worked on self-driving cars but was excited about joining a startup building something that might one day serve as a robot butler.

    “It’s cute, and it’s not too humanoid, and I think that actually makes it a lot more fun,” Pervan said. “It’s not verging on creepy or trying to be too human. It’s like your buddy, your pal, that’s a different thing than you.”

    Starting a robot company can be unforgiving, especially one designing personal robots. One of the few successes, Roomba vacuum maker iRobot, had a decades-long run before filing for bankruptcy protection last month.

    Most others didn’t last that long, like Anki, maker of the playful toy robot Cozmo, or Jibo, which went out of business less than a year after its dynamic talking speaker made the cover of Time Magazine’s 2017 “best inventions” edition.

    “There were a lot of really brilliant attempts. I think the technology wasn’t quite there,” Cochran said. “I do think we’re right on the precipice now where you could build a companion that is present, engaging, delightful to be around, and can also move around a space in a way that nothing ever has before.”

    Merel, an expert in robot locomotion, previously worked for Google’s DeepMind, where he focused on teaching robots using AI learning techniques in simulated environments, a controversial approach but now increasingly how robots are built. The science journal Nature published his study on an AI-powered virtual rat, co-authored with another of Fauna’s research scientists, Diego Aldarondo.

    Cochran and Merel later worked together at CTRL-labs, a wearable neurotech company sold to Facebook in 2019. Cochran jokes that he then “spent a misguided four years at Goldman Sachs” before they decided to team up again.

    Improvements in AI, motors and batteries have accelerated humanoid development. But Fauna’s founders agreed that the dystopian aesthetic of many prototypes — what Cochran calls “industrial automotive machismo” — conveyed strength and confidence but wouldn’t work for intimate human spaces.

    “They were generally quite big and physically dangerous to be around,” Cochran said. “Strong, heavy. If they fell on you, it’d be a real problem.”

    The duo brought in Anthony Moschella, who helped design Peloton’s exercise bikes, treadmills and rowers and is an admirer of the abstract designs of Star Wars robots like R2-D2 and BB-8.

    “Let’s build a system that human beings actually want to be around,” said Moschella, now Fauna’s vice president of hardware. “I think it’s incredible that so many robotics companies are not versed in the cultural context of what it means to be around a robot.”

    Moschella said what happens next with Sprout will depend on how developers play around with it and what they learn. For Cochran, some of the most important judges have already approved. In a home video he keeps on his phone, his 2-year-old twins excitedly jump up and down as Sprout greets them.

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  • IShowSpeed wraps up Africa tour highlighting the continent’s cultural diversity

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    DAKAR, Senegal — The American streamer and YouTuber IShowSpeed is on the final leg of a 28-day tour of Africa aimed at showcasing the continent’s cultural diversity, which is often overshadowed by images of poverty and violence.

    “I’ve done so many incredible things in my life,” he said during a stop in Botswana. “But this trip is different. It opened my eyes. Africa is not what I thought.”

    The 20-nation tour across southern, eastern and North Africa began in Angola in late December. He attended the Africa Cup of Nations final in Morocco on Jan. 18, then visited Senegal, celebrating the national soccer team’s victory with fans, and Nigeria, where he passed 50 million YouTube subscribers and marked his 21st birthday.

    On Monday, he visited Ghana, trying jollof rice, meeting a traditional ruler and receiving a massage at the shea butter museum.

    “I am back home, there ain’t no better feeling,” the content creator, whose real name is Darren Watkins Jr., said upon arriving in Ghana, revealing that his ancestry traces to the West African country. He arrived on Tuesday in Namibia, likely the tour’s final stop.

    For his “Speed Does Africa” series, Watkins streamed live on YouTube. In videos lasting up to nine hours, he sampled local dishes, learned traditional dances and challenged athletes, often shouting in excitement. Large crowds of his followers swarmed him at many of his destinations.

    Pape Seye, a 40-year-old resident of Senegal’s capital, Dakar, highlighted Watkins’ visit to the House of Slaves on Gorée Island, a symbol of the Atlantic slave trade that sent millions of Africans into bondage.

    “Americans, especially Black Americans, need to know that our histories are tied, that many of our ancestors might have been deported from Gorée,” he said.

    Souleymane Ba, a 24-year-old literature student from Senegal, told The Associated Press: “I hope that as Americans learn more about Africa and see its rich cultures, they will realize it is not made up of ‘shithole countries.’”

    For some Americans, the message appears to be resonating.

    “IShowSpeed is single-handedly changing our view of Africa,” GrowYourEther, another American streamer, said in a TikTok video.

    “We had been told Africa is primitive, that it’s dangerous,” said American influencer Caroline Jones in tears on Instagram, adding she was moved by the warm welcome the streamer received on the continent.

    Others have been more skeptical. Beninese influencer Nelly Mbaa, known online as Afro Chronik, said that Watkins embodies a Western expectation that young Black men be valued for spectacle rather than intellect. She said he’s followed not for subtle humor, but for performing “an absurd, exaggerated and grotesque character.”

    “If he were to abandon this persona — the constant grimacing, shouting and controversial remarks — his audience would likely disappear,” Mbaa said.

    IShowSpeed has more than 50 million YouTube subscribers, 45 million Instagram followers and 47 million on TikTok.

    He has built his brand on loud, exaggerated and sometimes aggressive reactions that became his online persona, but also sparked controversy. In 2022, he was banned from a professional online gaming competition after a sexist outburst against a female player and briefly suspended from YouTube for showing sexual content in a video game.

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  • London’s Most Romantic Restaurants for Date Night

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    Although London’s romantic side is often overshadowed by its bistro- and brasserie-filled Parisian neighbor, the British city is full of ways to woo a significant other. A walk along the Thames. Following in Hugh Grant and Julia Roberts’ footsteps in Notting Hill. Recreating the opening of Love, Actually as you land at Heathrow. But the restaurant scene, in particular, is replete with enticing romantic opportunities of all price points and cuisines. Whether you’re looking to wow someone with a Michelin-starred meal or to cuddle up in the corner of a neighborhood spot, London has a culinary offering for every type of date night.   

    Classics like Clos Maggiore and Andrew Edmunds draw crowds of two for good reason, thanks in part to their amorously inclined atmospheres. New London restaurants, like Noisy Oyster and One Club Row, are more contemporary and hip, but no less suited to a night out with your partner. Some places are best for first or second dates, while others are ideal for long-time lovers. And it doesn’t have to be Valentine’s Day or an anniversary to make these meals worthwhile—many are perfect for any random evening you happen to have free. Wherever you go, be sure to make plans in advance, as Londoners tend to book early and frantically. 

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    Emily Zemler

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  • How do animals know it’s safe to eat mushrooms in Sunnyvale yard? 

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    DEAR JOAN: Recently I noticed mushrooms growing at the base of one of the juniper trees in the backyard. It was interesting, so I took a picture.

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    Joan Morris, Correspondent

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  • What to Stream: ‘Bridgerton,’ the Grammys, Chevy Chase, Rose Byrne and ‘The Wrecking Crew’

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    Kendrick Lamar and Bad Bunny live at the Grammy Awards and Rose Byrne’s Oscar-nominated performance in “If I Had Legs I’d Kick You” are some of the new television, films, music and games headed to a device near you.

    Also among the streaming offerings worth your time this week, as selected by The Associated Press’ entertainment journalists: Highguard is the latest entry in the ever-growing field of multiplayer shooters, Jason Momoa and Dave Bautista star in “The Wrecking Crew” and the third season of “Shrinking” checks in on Apple TV.

    — If you haven’t seen Rose Byrne’s Oscar-nominated performance in “If I Had Legs I’d Kick You,” Mary Bronstein’s psychological drama arrives Friday, Jan. 30 on HBO Max. Byrne plays the stressed-out mother of a young, unseen child who’s struggling with a mystery illness. In her review, the AP’s Jocelyn Noveck wrote that the film “has given Byrne, an actor of effortless appeal in lighter films, a chance to display versatility and grit in surely the toughest dramatic role of her career.”

    — Jason Momoa and Dave Bautista star in “The Wrecking Crew” (Prime Video, Wednesday) as estranged half brothers who reunite after their father’s mysterious death. The action comedy is directed by Angel Manuel Soto, who made 2023’s “Blue Beetle.”

    — Ira Sachs’ “Peter Hujar’s Day,” the lead nominee to the Independent Film Spirit Awards, is a marvel of historical yet intimate dramatic resurrection. The film (Criterion Channel, Tuesday) is based on a transcript from a 1974 interview by the writer Linda Rosenkrantz (Rebecca Hall) and her friend, the photographer Peter Hujar (Ben Whishaw). Rosenkrantz had planned a book about how artists spend their time. But the book never happened, and Sachs, after coming across the transcripts, dramatizes their dialogue.

    — In “I’m Chevy Chase and You’re Not,” the filmmaker Marina Zenovich profiles the irascible “Saturday Night Live” and “Fletch” star. For the film (HBO Max, Saturday, Jan. 31), Zenovich interviews the complicated and sometimes combative comedian about his career, with glimpses of his daily life. Perspectives are offered by Dan Aykroyd, Beverly D’Angelo, Goldie Hawn, Lorne Michaels, Ryan Reynolds and Martin Short.

    AP Film Writer Jake Coyle

    — ’Tis the season — the 2026 Grammy Awards season, that is. On Sunday Feb. 1, the 68th annual award show will air live on CBS. Watch as Kendrick Lamar, Bad Bunny, Lady Gaga and many more go head-to-head in the top prize categories. Plus, the show doubles as a kind of bespoke live concert viewing experience — and who doesn’t like that? The 2026 Grammys can also be watched through live TV streaming services that include CBS in their lineup, like Hulu + Live TV, YouTube TV and FuboTV. Paramount+ premium plan subscribers will be able to stream the Grammys live; Paramount+ essential subscribers will have on-demand access the next day.

    — California power pop-punk bands Joyce Manor return with their seventh full-length album Friday, the all-too-appropriately titled “I Used to Go to This Bar.” Spoken like a gently aging band whose penchant for hooks knows no bounds.

    AP Music Writer Maria Sherman

    — Benedict, the second eldest Bridgerton, takes center stage in season 4 of the Netflix romance series, It’s about the love stories of a large family in London during the Regency Era. Season 4 has “Cinderella” vibes with Luke Thompson’s Benedict looking for an enchanting “woman in silver” who is actually Sophie, a housemaid (Yerin Ha) working for his family. Part 1 drops Thursday with the remaining episodes arriving in February.

    — The third season of “Shrinking” checks in Wednesday on Apple TV. The series follows Jason Segel as a therapist named Jimmy, a widowed dad to a teenage girl, who shares a practice with characters played by Harrison Ford and Jessica Williams. Between Jimmy’s colleagues, neighbors and friends, he forms a new kind of family. Season 3 features guest stars Michael J. Fox, Jeff Daniels, Sherry Cola, Isabella Gomez, and Candice Bergen.

    — School’s back in session. “School Spirits” starring Peyton List, that is. The Paramount+ series also returns for a third season on Wednesday. List stars as a teen trapped in the afterlife which happens to be her high school. She’s there with other ghosts who are also former students that help Maddie to investigate the circumstances surrounding her death.

    — Kaley Cuoco and Sam Claflin star in a new mystery for MGM+ called “Vanished.” Cuoco plays a woman whose boyfriend (Claflin) goes missing on a train to France. The four-part limited-series premieres Sunday, Feb. 1.

    Alicia Rancilio

    Highguard is the latest entry in the ever-growing field of multiplayer shooters, offering yet another way to get online with your friends and blow stuff up. In this case, you are Wardens — “arcane gunslingers sent to battle for control of a mythical continent.” Judging by the trailer, you’ll be able to ride mythical beasts and wield magical powers along with the typical arsenal of weapons. It comes from a new studio called Wildlight Entertainment, whose founders have worked on hits like Call of Duty, Apex Legends and Titanfall. And it’s free-to-play, so you might as well give it a shot Monday on PlayStation 5, Xbox X/S on PC.

    — Bandai Namco’s Code Vein, from 2019, tried to answer the question: What if you took the demanding combat of Dark Souls and added vampires? The bloodsuckers — known here as Revenants — are back in Code Vein II, but a mysterious force is turning them into mindless monstrosities. Your job is to travel back in time and prevent the damage before all the Revenants get stupid. The good news is that you can still drain blood from your enemies and use it to upgrade your own fighting skills. Quench your thirst Friday, Jan. 30, on PlayStation 5, Xbox X/S or PC.

    Lou Kesten

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  • Paris men’s fashion week in 5 trends: rebuilt tailoring, quiet craft and clothes built to last

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    PARIS — Paris men’s Fashion Week ended Sunday with two messages that kept coming up on runways: dress sharply, and build clothes to last.

    Japanese powerhouse Sacai pushed new shapes by breaking up the usual top-and-bottom silhouette.

    Hermès, in an emotional farewell show for longtime designer Véronique Nichanian, made a case for simple lines and long life.

    Here are five trends that stood out in the final days of shows, with a nod to each of the big collections.

    The season’s key item was the coat — long, tailored and meant to be noticed.

    At Hermès, Nichanian closed her last men’s show after 37 years with a dark coat in glossy crocodile leather.

    Earlier looks included aviator-style pieces like shearling bombers, earflap caps and stand-up buckle collars, plus shearling dyed a coral-pink.

    Accessories stayed strong: boxy overnight bags and boots with bright orange soles.

    Junya Watanabe also made coats the center of his show, sending out classic camel and navy styles, then mixing them with sportier parts — like bomber backs, leather jacket fronts and down-jacket quilting — to make formal outerwear feel tougher and more modern.

    Many designers worked with classic suits and jackets, but changed how they sit on the body.

    At Sacai, Chitose Abe added new sections to jackets, trousers and outerwear — extra panels, pockets and quilted inserts — often built around a triangle theme.

    The show moved through tailored looks, workwear and strong denim, including collaborations with Levi’s and A.P.C., but the big idea stayed clear: reshape the silhouette without losing wearability.

    Comme des Garçons Homme Plus did the opposite with more shock.

    Rei Kawakubo cut into black suits and coats — altering lapels and hems — then later sent out white versions of her shapes as the mood shifted from dark to bright.

    The styling was intense (wigs and masks), but the clothes still pointed to tailoring as the base.

    Another trend was restraint on the surface, with the craft happening in the cut.

    Kiko Kostadinov stripped away decoration and focused on construction: clean coats and jackets with folded panels, curved collars and careful drape, often in black and mineral tones.

    Even details were hidden — buttons behind plackets, no obvious hardware — so the shape and movement did the talking.

    A lot of the week leaned formal, but not sweet.

    Watanabe’s show felt serious — café-table set, Miles Davis soundtrack, a somber cast — and his black, sharply tailored denim pieces (from an ongoing Levi’s collaboration) were styled like a modern uniform.

    Jacquemus took the same “dress up” impulse in a lighter direction, riffing on black-tie codes with playful tuxedo twists and a knowingly retro party mood.

    The show, staged at the Picasso Museum, drew a celebrity crowd including Elton John, Sophie Marceau and Josh Hartnett, underlining how much the week now treats men’s tailoring as both product and spectacle.

    Louis Gabriel Nouchi pushed the idea further in an underground car park with loud techno and an “Alien” theme.

    He mixed sharp coats and dark tailoring with provocative body-hugging pieces and graphic references, aiming for clothes that can pass in daily life while still carrying a charge.

    In a fashion world that moves fast, several moments pointed the other way.

    At Hermès, Nichanian said she included designs she first made decades ago to show they still work — and she offered a simple goodbye message: “Slow down.”

    White Mountaineering’s Aizawa also treated his final show as a long-view statement: technical outerwear, strong color and careful pattern work, framed as the end of a 20-year chapter rather than a quick trend.

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  • Across the forgotten walls of a Hong Kong island, a flock of bird murals rises

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    HONG KONG — They perch gently on concrete ledges. They nestle into peeling stucco. Occasionally, they soar across a stone house’s rooftop.

    A flock has landed in Wang Tong Village, a peaceful corner of Lantau Island on Hong Kong’s southwestern edge. But this flock is unlike others: Its birds are made of paint.

    They exist on murals designed for a larger purpose — not merely to draw attention to forgotten places but to tell the story of the extraordinary journeys birds undertake.

    Dominic Johnson-Hill, who envisioned the flock, was captivated by an account from his ornithologist neighbor about the Amur falcon, a bird that travels from Manchuria, pauses in Lantau, then continues its migration across Myanmar, India and Madagascar to South Africa.

    “I just assumed these birds lived on the island,” Johnson-Hill recalls. “But they’re not. They’re passing guests.”

    That sense of wonder became the seed for what became the Flock Project. Johnson-Hill looked at the abandoned house next to his own and imagined a red-billed blue magpie painted across the wall. “They just seemed to belong there,” he says.

    To bring the vision to life, Johnson-Hill sought out someone who could paint birds not just accurately but with soul. He found British artist Rob Aspire, known as “The Birdman” for his intricate, expressive murals of birds.

    One bird led to another. A year later, Johnson-Hill invited Aspire back and commissioned seven more murals.

    Each bird was chosen for its ecological presence, visual harmony or symbolic resonance with place. A kingfisher keeps watch over a stream where fishing is no longer allowed. A Swinhoe’s white-eye blends into the walls near trees where its bright, fluting call still echoes.

    All the murals are painted on abandoned homes except one. High on Sunset Peak, 868 meters (nearly 3,000 feet) above sea level, a long-tailed shrike perches naturally on the rooftop of a 90-year-old stone house, watching the mountains unfold below.

    The goal is to gradually bring more of Hong Kong’s native and migratory birds into view, nestling them into forgotten corners of the island as if they had always lived there.

    The murals draw hundreds of people, many from Hong Kong’s concrete heart. They wander the trails and alleys of Lantau’s quiet corners. On weekends, some bring chalk and mark out arrows, turning village paths into treasure maps for the next bird hunter. Sometimes noticing beauty is the first step toward wanting to protect it.

    Johnson-Hill has created an online map for visitors and is planning the next phase. What comes next depends on what reveals itself — a derelict house brought to his attention, or the conditions that make another bird possible.

    Birds migrate. They disappear. Sometimes they return, sometimes not. People are the same way. Villages empty, but the walls remain — with a painted bird, or the memory of one.

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  • Elizabeth Hurley describes ‘monstrous’ privacy invasion by Daily Mail in British media hacking case

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    LONDON — Elizabeth Hurley accused the publisher of the Daily Mail on Thursday of tapping her phones, putting microphones outside her windows and stealing her medical records among “other monstrous, staggering things” during testimony in a celebrity-studded privacy invasion lawsuit.

    “The best way I can describe it is like there is someone peeping into your life and into your home,” the model and actor said. It “makes me feel as if my private life had been violated by violent intruders — that there had been sinister thieves in my home all along and that I had been living with them completely unaware.”

    Hurley testified the day after Prince Harry choked up as he spoke of the emotional toll his battle against the British media had taken on him and his family. Harry showed up in the High Court on Thursday to show his support during much of Hurley’s testimony.

    Harry, Hurley and Elton John are among a group of seven claimants who allege that Associated Newspapers Ltd. hired private investigators to unlawfully snoop on them over two decades.

    The publisher denies the claims and has called them preposterous. It said that the articles were reported on with legitimate sources and many will be named by employees at the Daily Mail and Mail on Sunday in the company’s defense during the nine-week trial in London’s High Court.

    Hurley, who like the prince brought similar phone hacking lawsuits against the publishers of the Daily Mirror and The Sun, said that she was unaware of similar allegations against the Mail until she was told in 2020 that Gavin Burrows, a former private eye, purportedly said that he had stolen her information at the behest of the newspapers.

    Burrows has since disavowed that sworn statement and said he never worked for the Mail.

    Hurley claims 15 articles about her between 2002 and 2011 relied on unlawful information-gathering. Several were about the 2002 birth of her son, Damian, and the paternity fight with his father, the late film producer Steve Bing.

    “The Mail’s unlawful acts against me involve landline tapping my phones and recording my live telephone conversations, placing surreptitious mics on my home windows, stealing my medical information when I was pregnant with Damian, and other monstrous, staggering things,” Hurley said.

    She said she had hoped her son, now a model and actor himself who sat in the courtroom, would never see those articles.

    “I felt really mortified that my son would be able to read all this stuff one day, and I feel really bad that that day is today when all this stuff is being regurgitated,” she said as she became upset when shown some of those articles in court. “Yet again, everyone’s privacy is being invaded in this terrible way, and I feel very helpless about that.”

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  • Google offers users option to plug AI mode into their photos, email for more personalized answers

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    SAN FRANCISCO — Google is leveraging its artificial intelligence technology to open a new peephole for its dominant search engine to tailor answers that draw upon people’s interests, habits, travel itineraries and photo libraries.

    The new option rolling out Thursday will give millions of people the option of turning on a recently introduced tool called “Personal Intelligence” within the AI mode that has been available on Google’s search engine since last year. The technology will be first offered in the U.S. to Google AI Pro and Ultra subscribers, as well as an option within its experimental Labs division for anyone with a personal Google account.

    If turned on, the new tool will plug Google’s AI Mode into Gmail and the Google Photos app so the technology can learn more about each user’s life and deliver more relevant answers tailored to personal tastes.

    For instance, someone might ask for suggestions for a weekend getaway and get a quick recommendation based on past trips and experiences. Or, when in AI mode, the search engine might automatically know a person’s favorite restaurants or recognize preferred clothing styles by reviewing old pictures stored in Google Photos.

    “Personal Intelligence transforms Search into an experience that feels uniquely yours by connecting the dots across your Google apps,” Robby Stein, a vice president in Google Search, wrote in a blog post. Stein also warned Personal Intelligence won’t always deliver the best answers, a pitfall that he said users can help correct by telling AI mode with words or a thumbs-down symbol.

    Turning on the option will require users to trust Google’s search engine to protect the details that it is fed about their lives. But millions of people already have been doing that implicitly for decades while entering sometimes intimate queries into the search engine or sharing personal information within Gmail and the Photos app.

    Bringing Personal Intelligence to Google search is the latest sign of the company’s ambitions to make its arsenal of digital services even more powerful with a boost from the latest AI model, Gemini 3i, that came out in November.

    Earlier this month, Google took its first steps toward turning Gmail into a personal assistant powered by AI and now it’s getting a chance to play a bigger role in a search engine that remains the foundation of its internet empire.

    Gemini’s tentacles will even be extending into the iPhone, iPad and Mac after Apple decided last week to team up with Google to bring more AI tools to those products. The partnership will focus on a long-delayed effort to turn Apple’s often-bumbling digital assistant, Siri, into a more conversational and versatile aide.

    Although Google’s search engine was condemned as an illegal monopoly in 2024 by a U.S. federal judge, it remains the internet’s main gateway while trying to fend off competitive threats from AI-powered answer engines offered by up-and-coming innovators such as ChatGPT and Perplexity.

    The potentially revolutionary changes being wrought by AI helped persuade the judge who branded Google a monopoly to reject a proposal by the U.S. Justice Department that would have forced the company to sell its Chrome web browser to curb future abuses in the market.

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  • Alex Honnold is climbing Taipei 101 with no ropes, live on TV

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    TAIPEI, Taiwan — Towering high above Taiwan’s capital city at 1,667 feet (508 meters), Taipei 101 dominates the skyline.

    The earthquake-proof skyscraper of steel and glass has captured the imagination of professional rock climber Alex Honnold for more than a decade. On Saturday morning, he will climb it in his signature free solo style — without ropes or protective equipment. And Netflix will broadcast it — live.

    The event’s announcement has drawn both excitement and trepidation, as well as some concerns over the ethical implications of attempting such a high-risk endeavor on live broadcast. Many have questioned Honnold’s desire to continues his free-solo climbs now that he’s a married father of two young girls.

    Known for his legendary ropeless ascent up Yosemite National Park’s El Capitan, documented in “Free Solo,” Honnold is intent on pushing the limits of climbing around the world.

    “When you look at climbing objectives, you look for things that are singular,” Honnold told The Associated Press late last year. “Something like El Capitan where it’s way bigger and way prouder than all the things around it.”

    Something like Taipei 101.

    Honnold won’t be the first climber to ascend the skyscraper, but he will be the first to do so without a rope. French rock climber Alain Robert scaled the building on Christmas Day in 2004, as part of the grand opening of what was then the world’s tallest building. He took nearly four hours to finish, almost twice as long as what he anticipated, all while nursing an injured elbow and battered by wind and rain.

    Honnold, who has been training for months, doesn’t think his climb will be hard. He’s practiced the moves on the building and spoke with Robert on his climbing podcast.

    “I don’t think it’ll be that extreme,” Honnold said. “We’ll see. I think it’s the perfect sweet spot where it’s hard enough to be engaging for me and obviously an interesting climb.”

    The building has 101 floors, with the hardest part being the 64 floors comprising the middle section — the “bamboo boxes” that give the building its signature look. Divided into eight, each segment will have eight floors of steep, overhanging climbing followed by a balcony that Honnold would be able to rest on.

    The “Skyscraper Live” broadcast will be on a 10-second delay and begin Friday evening for viewers in the U.S.

    James Smith, an executive with event producer Plimsoll Productions, said he consulted safety advisers almost immediately after he first spoke with Honnold about attempting the climb. Smith works with a risk management group for film and TV called Secret Compass, which has supported productions in filming penguins in Antarctica and helping Chris Hemsworth walk across a crane projecting from an Australian skyscraper’s roof, alike.

    Smith and Honnold will be able to communicate throughout the event. They’ll have cameramen positioned inside the building, various hatches and places to bail during the climb and four high-angle camera operators suspended on ropes.

    “These people all know Alex. They trust Alex. They’re going to be close to him throughout the whole climb,” Smith said. “They’re going to get us kind of amazing shots, but they’re also there just to keep an eye on him, and if there’s any problems, they can kind of help.”

    The production has also commissioned professional weather forecasters to provide updates leading up to climb day. There’s currently a small chance of light rain in the morning, Smith said. Ultimately, if conditions are bad, Honnold won’t climb.

    At his local gym, Taiwanese rock climber Chin Tzu-hsiang said he’s grown up always looking up at the Taipei 101 and wondering if he could climb it. Honnold is a household name among rock climbers even in Taiwan, and Chin said he has students who have only been climbing for a year or two who are excited to watch. Based on watching Honnold in his other climbs, Chin said he trusts him to prepare for the challenge and not to recklessly take risks.

    “For Alex Honnold to finish the climb, it’s like he’s helping us fulfill our dream,” Chin said.

    The novelty and risk involved in the climb are almost built for television.

    “This will be the highest, the biggest urban free solo ever,” Smith said. “So we’re kind of writing history and those events, I think, have to be broadcast and watched live.”

    Those same factors are crucial when discussing the ethics of the climb, according to Subbu Vincent, director of media and journalism ethics at Santa Clara University.

    It’s important that Honnold has a “back-off clause” and the production aspect of the event doesn’t increase the risk he’s already taking, Vincent said. One action that Vincent believes is crucial is using a delay in the live broadcast so it can be stopped immediately if something goes wrong.

    “I don’t think it’s ethical to proceed to livestream anything after,” Vincent said.

    Taipei 101 officials declined to comment and Secret Compass did not respond to interview requests.

    Another consideration is the influence Honnold may have on impressionable youth who may feel more emboldened to take risks after watching him climb, a debate that has existed since Evel Knievel’s televised daredevil stunts.

    Many climbers have died from free-soloing, including an 18-year-old rock climber from Texas who fell last June in Yosemite. A trend called “roof-topping” — where people gain access to the tops of skyscrapers, often illegally, to take photos of themselves dangling from the edge — has also led to several deaths.

    Jeff Smoot, who authored the book “All and Nothing: Inside Free Soloing,” shares those concerns. But what the general public might not understand is that embracing risk has always been a significant part of climbing culture, he said.

    Smoot began climbing in the 1970s watching legendary climbers like John Long and John Bachar free-solo regularly.

    “From the public’s perspective, this is thrill-seeking. From the climber’s perspective, it’s a meditative art form,” Smoot said.

    When he first heard Honnold would be ascending Taipei 101 without ropes, Smoot had questions — why do it at all, why do it without ropes, why film it live?

    But, he concluded, “If it wasn’t dangerous, would people want to watch?”

    ___

    Ding reported from Los Angeles. Associated Press journalist Simina Mistreanu contributed reporting.

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  • Meteorologists blame a stretched polar vortex, moisture, lack of sea ice for dangerous winter blast

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    WASHINGTON — Warm Arctic waters and cold continental land are combining to stretch the dreaded polar vortex in a way that will send much of the United States a devastating dose of winter later this week with swaths of painful subzero temperatures, heavy snow and powerline-toppling ice.

    Meteorologists said the eastern two-thirds of the nation is threatened with a winter storm that could rival the damage of a major hurricane and has some origins in an Arctic that is warming from climate change. They warn that the frigid weather is likely to stick around through the rest of January and into early February, meaning the snow and ice that accumulates will take a long time to melt.

    Wednesday’s forecast has the storm stretching from New Mexico to New England, threatening at least 250 million people.

    “I think people are underestimating just how bad it’s going to be,” said former National Oceanic and Atmospheric Administration chief scientist Ryan Maue, now a private meteorologist.

    The polar vortex, a patch of bitter cold air that often stays penned up in northern Canada and Alaska, is being elongated by a wave in the upper atmosphere that goes back to a relatively ice-free part of the Arctic and snow-buried Siberia. As the bone-chilling temperatures sweep through the U.S., they’ll meet with moisture from off California and the Gulf of Mexico to set up crippling ice and snow in many areas.

    The origins of the system begin in the Arctic, where relatively warmer temperatures add energy to the polar vortex and help push its cold air south.

    “The atmosphere is aligned perfectly that the pattern is locked into this warm Arctic, cold continent,” Maue said. “And it’s not just here for us in North America, but the landmass of Eastern Europe to Siberia is also exceptionally cold. The whole hemisphere has gone into the deep freeze.”

    As far back as October 2025, changes in the Arctic and low sea ice were setting up conditions for the kind of stretched polar vortex that brings severe winter weather to the U.S., said winter weather expert Judah Cohen, an MIT research scientist. Heavy Siberian snowfall added to the push-and-pull of weather that warps the shape of the normally mostly circular air pattern. Those conditions “kind of loaded the dice a bit” for a stretching of the polar vortex, he said.

    Cohen co-authored a July 2025 study that found more stretched polar vortex events linked to severe winter weather bursts in the central and eastern U.S. over the past decade. Cohen said part of the reason is that dramatically low sea ice in the Barents and Kara seas in the Arctic helps set up a pattern of waves that end up causing U.S. cold bursts. A warmer Arctic is causing sea ice in that region to shrink faster than other places, studies have found.

    Arctic sea ice is at a record low extent for this time of year, according to the National Snow and Ice Data Center.

    The center of the stretched polar vortex will be somewhere above Duluth, Minnesota, by Friday morning, ushering in “long-lasting brutal cold,” Maue said. Temperatures in the North and Midwest will get about as cold as possible, even down to minus 25 or 30 degrees Fahrenheit (minus 32 to minus 34 degrees Celsius), Maue said. The average low temperature for the Lower 48 states will dance around 11 or 12 degrees (minus 12 to minus 11 degrees Celsius) on Saturday, Sunday and Monday, Maue said.

    Two Great Lakes — Erie and Ontario — may freeze up, which would at least reduce the famed lake-effect snow a bit, Maue said.

    National Weather Service meteorologist Zack Taylor of the national Weather Prediction Center said most areas east of the Rockies will be impacted by the bitter cold, snow or ice. Treacherous freezing rain could stretch from the southern plains through the mid-South and into the Carolinas, he said.

    “We’re looking at the potential for impactful ice accumulation. So the kind of ice accumulation that could cause significant or widespread power outages or potentially significant tree damage,” he said.

    And if you don’t get ice, you could get “another significant swath of heavy snow,” Taylor said. He said it was too early to predict how many inches will fall, but “significant snowfall accumulations” could hit “the Ozarks region, Tennessee and Ohio valleys, the central Appalachians, and then into the mid-Atlantic, and perhaps into the portions of the northeast.”

    Maue said in the mid-Atlantic around the nation’s capital, there’s a possibility that “you can get two blizzards on top of each other in the next 14 days.”

    ___

    The Associated Press’ climate and environmental coverage receives financial support from multiple private foundations. AP is solely responsible for all content. Find AP’s standards for working with philanthropies, a list of supporters and funded coverage areas at AP.org.

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  • Paris mourns Valentino, the last titan of couture’s golden age

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    PARIS — PARIS (AP) — Valentino Garavani’s death cast a long shadow over the opening day of Paris Fashion Week menswear Tuesday, with front-row guests and industry figures mourning the passing of one of the last towering names of 20th-century couture — an Italian designer whose working life was closely entwined with the Paris runways.

    Valentino, 93, died at his Rome residence, the Valentino Garavani and Giancarlo Giammetti Foundation said in a statement announcing his death. While he built his house in Rome, he spent decades presenting collections in France.

    He “was one of the last big couturiers who really embodied what was fashion in the 20th century,” said Pierre Groppo, fashion editor-in-chief at Vanity Fair France.

    On a day meant to sell the future, many guests said they were thinking about what fashion has lost: the couturier as a living institution.

    Groppo pointed to the codes that made Valentino instantly legible — “the dots, the ruffles, the knots” — and to a generation of designers who, he said, “in a way, invented what is celebrity culture.”

    Valentino’s vision was built on a simple idea: make women look luminous, then make the moment unforgettable.

    He dressed Jacqueline Kennedy Onassis and Elizabeth Taylor, among others, fixed his signature “Valentino red” in the public imagination, and — through his decades-long partnership with Giancarlo Giammetti — helped turn the designer himself into part of the spectacle, as recognizable as the clients in his front row.

    Prominent fashion writer Luke Leitch framed the loss in similarly outsized terms, calling Valentino “the last of the fashion ‘leviathans of that generation’,” and saying it was “absolutely” the end of a certain class of designer: figures whose names could carry a global house, and whose authority came not from viral speed but from permanence.

    Trained in Paris before founding his maison in Rome, Valentino became a rare bridge figure: Italian by origin, but fluent in the rituals that made Paris couture an institution. His career moved between those two capitals of elegance, bringing Roman grandeur into a system that still treats fashion not only as commerce, but as ceremony.

    Even as he aged, the house’s founder kept turning up at its couture and ready-to-wear shows, as observed by one Associated Press journalist — until he eventually retreated from public life, all the while radiating quiet grandeur from his front-row seat.

    For some in Paris on Tuesday, the loss felt personal precisely because Valentino’s world was never only Italian.

    Groppo recalled the designer as “very much more than a fashion brand,” adding: “It was a lifestyle.”

    That lifestyle — couture polish, social glamour, and the conviction that elegance could be a form of power — remains a reference point even as fashion accelerates toward louder branding and faster cycles.

    “It’s quite sad as he’s so important to the fashion industry, and he contributed a lot and I cannot forget the stunning red he created,” said Lolo Zhang, a Chinese fashion influencer attending Louis Vuitton ’s show in Paris.

    “He always celebrated pure beauty, and architecture for the silhouette, and how he used color. The old era just passed by.”

    Other guests described a delayed realization — the kind that arrives only when a figure who seemed permanent is suddenly gone.

    “There are some people who want to be Yves Saint Laurent, Chanel. … There are also people who are spontaneously Valentino,” said Guy-Claude Agboton, deputy editor of Ideat magazine. “It’s a question of identity.”

    For Paris fashion observer Benedict Epinay, the grief was bound up with memory. And with the emotional charge of Valentino’s final bow.

    “It was such a great moment. I was lucky enough to attend the last show he gave,” Epinay said. “It was so moving because we knew at that time it was the last show.”

    Fashion observer Arfan Ghani pointed to what Valentino represented to younger designers: a “classy” standard of restraint in an era that often rewards noise.

    “Because it was very classical materials,” Ghani said. “It wasn’t as loud as a lot of other of these brands are with branding.”

    Paris-based sculptor Ranti Bam described Valentino in the language of form: less trend than structure, less look than line.

    “As a sculptor I saw Valentino as an artist,” Bam said. “He transcended fashion into sculpture.”

    “He didn’t follow trends, he pursued form,” she added. “That’s why his work doesn’t date, it endures.”

    The fashion house Valentino has for years continued under a new generation of leadership and design — still showcased in Paris.

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    Corrects previous misspellings of Paris fashion observer Benedict Epinay and Guy-Claude Agboton, deputy editor of Ideat magazine.

    ___

    Associated Press writer Amy Seraphin in Paris contributed to this report.

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  • British leader says ’no option off the table’ as UK considers Australia-style teen social media ban

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    LONDON — The British government says it will consider banning young teenagers from social media as it tightens laws designed to protect children from harmful content and excessive screen time.

    The government said it would consult with parents, young people and other interested parties about the safe use of technology amid growing concern that children are being harmed by exposure to unregulated social media content.

    “As I have been clear, no option is off the table, including looking at what age children should be able to access social media and whether we need restrictions on things such as addictive features like infinite scrolling or streaks in apps,” Prime Minister Keir Starmer wrote on Substack.

    As part of their investigation, government ministers will travel to Australia to learn about the country’s recent move that requires major social media apps such as Facebook, Instagram, TikTok, and X to bar children under 16 from their platforms.

    More than 60 lawmakers from Starmer’s center-left Labour Party earlier this week wrote to the prime minister calling on the government to introduce an Australia-style ban in Britain.

    “Successive governments have done far too little to protect young people from the consequences of unregulated, addictive social media platforms,” they wrote. “We urge the government to show leadership on this issue by introducing a minimum age for social media access of 16 years old.”

    The government said Tuesday that it planned to respond to the public consultation on online safety by this summer.

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  • What to Stream: ‘The Smashing Machine,’ Louis Tomlinson, ‘The Beauty’ and Bruce Springsteen biopic

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    Dwayne Johnson transforming into MMA pioneer Mark Kerr for “The Smashing Machine” and Louis Tomlinson releasing his third solo album are some of the new television, films, music and games headed to a device near you.

    Also among the streaming offerings worth your time this week, as selected by The Associated Press’ entertainment journalists: Ryan Murphy’s new series “The Beauty” tackles beauty standards with some horror mixed in, Jeremy Allen White plays The Boss in “Springsteen: Deliver Me From Nowhere” and Megadeth going out with a bang with their final, self-titled album.

    Dwayne Johnson transformed into MMA pioneer Mark Kerr for “The Smashing Machine,” a surprisingly gentle drama about winning, addiction and self-worth, which is set to debut on HBO Max on Friday, Jan. 23. In his review, Associated Press Film Writer Jake Coyle wrote that the potency of Johnson’s performance is “let down by a movie that fails to really grapple with the violent world around Mark, resorting instead for a blander appreciation of these MMA combatants. What does resonate, though, is the portrait of a human colossus who learns to accept defeat.” Filmmaker Benny Safdie won a directing prize for his efforts at the Venice Film Festival, though the awards season spotlight has shifted to his brother, Josh, who made “Marty Supreme.”

    — HBO Max also has Judd Apatow’s “Mel Brooks: The 99-Year-Old Man!” arriving on Thursday. The two-part documentary includes interviews with Brooks himself as well as the likes of Ben Stiller, Jerry Seinfeld, Adam Sandler and Conan O’Brien.

    — The Bruce Springsteen biopic “Springsteen: Deliver Me From Nowhere” is also making its streaming debut on Hulu and Disney+ on Friday, Jan. 23. Written and directed by Scott Cooper, the film stars Jeremy Allen White as The Boss during the making of the soulful “Nebraska” album. In his review for the AP, Mark Kennedy called it “an endearing, humbling portrait of an icon,” adding that it is almost a mirror of the album itself, “unexpected, complicated and very American gothic.”

    — A few other film festival gems are coming to more niche streamers too. The documentary “Mr. Nobody Against Putin,” a 2025 Sundance selection about a Russian teacher who secretly documents his classroom’s transformation into a military recruitment center during the invasion of Ukraine, is streaming on KINO Film on Thursday. And Mubi has Paolo Sorrentino’s “La Grazia” starting on Friday, Jan. 23. Star Toni Servillo won the best actor prize at Venice for his turn as a fictional Italian president.

    AP Film Writer Lindsey Bahr

    — You’d be right to call it a symphony for dissolution. Last summer, American thrash metal giants Megadeth announced they were going out with a bang. They’ll soon embark on a farewell tour, but before that, they will release their final album, the self-titled “Megadeth.” Pressure’s on, and they’re answering the call with their characteristically complex guitar work.

    — Perhaps best known as a candid and cool force in the gargantuan boy band One Direction, the Englishman Louis Tomlinson will release his third solo album on Friday, the existential “How Did I Get Here?” His work usually pulls from his most direct influences, Britpop chiefly among them on 2020’s “Walls” and 2022’s “Faith in the Future.” The “How Did I Get Here?” singles “Lemonade” and “Palaces” seem to suggest those influences are still present, but subtle now in favor of sunny, pop-rock choruses.

    — The great Lucinda Williams has returned with a new one titled “World’s Gone Wrong.” It is, of course, uniquely Williams — at the intersection of rock, Americana, country and folk — and stacked with inspirational collaborations from Norah Jones, Brittney Spencer and more. Those, partnered with a powerful rendition of Bob Marley’s “So Much Trouble In The World” with Mavis Staples, makes for a must-listen.

    AP Music Writer Maria Sherman

    — FX’s new series cocreated by Ryan Murphy tackles beauty standards with some horror mixed in. “The Beauty” features an all-star cast including Evan Peters, Ashton Kutcher, Rebecca Hall, Jeremy Pope, Anthony Ramos and Isabella Rossellini. Bella Hadid also guest stars. Kutcher plays a tech billionaire who has created a drug that can lead to so-called physical perfection but not without dangerous consequences. “The Beauty” is based on a comic book of the same name and premieres Wednesday on Hulu and Disney+ internationally.

    “Drops of God” also returns Wednesday to Apple TV for its second season. It’s about two estranged siblings (played by Fleur Geffrier and Tomohisa Yamashita) competing to inherit their late father’s estate that comes with a massive wine collection. In Season 2, they must search for the source of an unlabelled bottle of wine believed to be the best in the world.

    — On the heels of the “Heated Rivalry” phenomenon, Netflix has its own love story to heat up the ice that premieres on Thursday. Where “Heated Rivalry” is based on a steamy romance book series, “Finding Her Edge” is adapted from a YA novel. It’s about a figure skater training for the world championships, who finds herself in a love triangle with her current and former skating partners.

    — Scott Foley and Erinn Hayes star in a new faith-based family drama called “It’s Not Like That,” coming to Prime Video on Sunday, January 25. Foley plays Malcolm, a pastor and father of three whose wife recently died and Hayes is Lori, a divorced mother of teenagers. Their families were always close but Malcolm and Lori find themselves relying on each other more and more as they navigate being single parents.

    Alicia Rancilio

    — Flynt Buckler, the hero of Escape from Ever After, lives in a storybook world. But that fantasy goes sour when a greedy corporation invades those books, turning them into cyberpunk dystopias and Lovecraftian nightmares. Can Flynt swashbuckle his way to the top, or will he settle for a crummy office cubicle? Developer Sleepy Castle Studio says it was inspired by Nintendo’s classic Paper Mario games, and the cartoonish 2D settings show off that influence. Turn the page Friday, Jan. 23, on Switch, Xbox X/S, PlayStation 5 or PC.

    MIO: Memories in Orbit is another 2D adventure rooted in a Nintendo classic — in this case, Metroid, the mother of an entire subgenre. You are a small robot in an enormous starship called the Vessel, but your AI bosses have stopped working. It’s up to you to figure out what went wrong while fighting off rogue machines, and the more you explore, the more skills you gain. The ship’s sprawling innards have a hand-drawn, pastel look that you might not expect in a sci-fi game. Blast off Tuesday on Switch, Xbox X/S, PlayStation 5 or PC.

    Lou Kesten

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