Williams Institute at UCLA has released its latest report, highlighting the intersection between LGBTQ and immigration issues and the impact of the U.S. Customs and Immigration Enforcement (ICE) raids across Los Angeles on LGBTQ people.
According to the brief, LGBTQ immigrants who hold legal status, but who are not naturalized citizens may also face challenges to their legal right to reside in the U.S.
Recent reports indicate that non-citizens with legal status are being swept up in immigration operations and several forms of legal status which were granted at the end of the Biden administration are being revoked. Those include: Temporary Protected Status (TPS) for some Venezuelan immigrants, as well as those from Afghanistan and Cameroon, while Haitian nationals are now facing shortened protection periods, by up to six months.
The Justice Department has proposed a new rule which grants the government border authority to revoke green card holders’ permanent residency status at any time. This rule is currently under review by the Third Circuit Court of Appeals, which could significantly affect non-citizens who are currently documented to reside in the county legally.
Supervisorial District 1, under Supervisor Hilda L. Solis, and Supervisorial District 2, under Supervisor Holly J. Mitchell would particularly be affected as it contains the city center of Los Angeles and nearly 29,000 LGBTQ, noncitizens would face the harshest impact. Those two districts contain many of the county’s historically Black, Latin American and Asian, Pacific Islander neighborhoods.
For transgender, nonbinary and intersex immigrants arrested or detained by ICE, there are additional impacts regarding how federal law defines biological sex and gender identity. The Trump administration has signed an executive order which redefines “sex” under federal law to exclude TGI individuals. This adds an extra thick layer of possible violence when TGI individuals are placed in detention centers or in holding that does not correspond to their identity.
According to the report, ‘transgender, non-binary, and intersex immigrants must navigate an
immigration and asylum system without information about how federal agents will respond to their gender identity and with the risk of greater violence if placed in detention centers, given the effects of this executive order.’
The brief estimates the number or foreign-born adults in Los Angeles County who will be potentially affected by the Trump administration’s executive orders on mass deportations.
Graphic courtesy of Williams Institute at UCLA.
Using previous data from other Williams Institute Studies and reports from the University of Southern California Dornsife Equity Research Institute and data from the Pew Research Center, the latest brief states that there are over 1.35 million LGBTQ-identifying people across the U.S., with 30% of them residing in California.
The report further points to 122,000 LGBTQ immigrants who reside within LA County specifically, making Los Angeles County home to about 10% of all LGBTQ adult immigrants in the U.S.
While 18% of those Angelenos are foreign-born, only around 7%, or 49,000 of them do not hold legal status.
Using research from the Pew Center and applying an estimate, that means that there are approximately 23,000 undocumented LGBTQ across LA County and the remaining 26,000 LGBTQ immigrants in the county have some form of legal status.
Among the LGBTQ population of adult immigrants in California, approximately 41,000 are transgender or nonbinary. That figure also points toward approximately 5,200 of them residing in LA County. According to the proportions applied for this estimate, the Williams Institute approximates that around 3,100 transgender and nonbinary immigrants in LA County are naturalized citizens, over 1,100 have legal status and just under 1,000 are undocumented.
According to a brief released in February by the Williams Institute, ‘mass deportations could impact 288,000 LGBTQ undocumented immigrants across the U.S.
Picture it, West Hollywood, the tension is high in the air as this year’s Project Drag contestants battled each other, one act after the other. Los Angeles Blade was on hand as guest judge for this particular evening, with TV show characters being the theme of the night. Project Drag, created in 2013 by nightlife personality Tony Moore, is THE drag competition when it comes to representing local drag queens. Even though this evening’s edition marked just a few weeks into the competition, it was clear these queens wanted to win…badly.
LØRELEI, no stranger to a spotlight, took the stage dressed as Smurfette and launched into a frenzy of dancing (backup dancers in tow). Halfway through her act with a dizzying array of jumps and jazz hands, she leapt into the air and smack dab into the DJ! The audience gasped as she teetered on the edge of the DJ’s station. Would she crash into the DJ, taking the whole setup with her? Or would she fall back and crash into the audience? Gravity had its way, and she crashed into the floor in a blurred mess of yellow hair and red high heels. Was this the end of LØRELEI’s time with Project Drag? Like the showperson she is, she turned the moment into a bit, not knowing that weeks later, she would take home the crown.
Even though LØRELEI wanted the win so much, she came to the competition a consummate performer, mixing her theatre world with her drag skills to put on truly unique acts. She is a true drag queen in the sense that she’s not just about looks. She can command an audience, she is a successful podcast co-host of SHABLAM!, and she co-founded and runs Dionysia, a non-profit organization dedicated to developing long-form theatrical works by drag artists. Oh, and did we mention she’s been touring around the nation with the Taylor Swift Eras Tour: Drag Brunch? When did she even have time to do the competition? It’s what she does, she makes the show go on.
We chatted with this fabulous queen after her win, in between cities on her current tour.
What was your first exposure to drag?
I was always a theatre kid since I was 10, and I was introduced to drag in small doses through Musical Theater. A Chorus Line, La Cage Aux Folles, Kinky Boots – seeing queer representation in this particular medium was formative to my understanding of drag, and knowing that one day I wanted to be a famous drag queen. Through high school, I would dress in drag for Halloween, and by the time I got to college, I started to hit club nights that were 18+ in drag.
What was your first professional drag gig? How did it go?
I remember my first “big-time” professional gig was at Queen Kong with the Boulet Brothers back when they produced parties at Precinct in 2018. I competed in their star-search competition, placing 2nd in the Top 3 alongside Kornbread Jete (RPDR S14) and Charles Galin (King of Drag S1). After that, I was added to the rotation as a performer at Queen Kong until they finished producing the party in 2019. My very first booking with them after the competition was a “Satanic Lady Gaga” night, and I performed “Applause” as Charles Manson. I was so nervous, and I was corseting so tight, I think at that age I was corseting down to 21 inches – so I hate to say this, but I threw up onstage during my performance. The audience was shocked – and I was shocked too. But I kept performing and made it work. Around this time, Dragula was picking up speed, and we had seen the likes of Vander Von Odd vomiting on screen as part of the performance, so many thought that what I did was incredibly punk, and I just kinda ran with it. It’s one of my cringiest memories in drag – but I remember after my number, the Boulets came to check in with me and make sure I was okay, and they told me that I did a great job and that they loved the number. The show must go on, I guess!
What sets your drag apart from other Queens?
What sets me apart the most from other queens are my inventive performance ideas. I am a conceptual performer with a sense of humor that I express through writing and staging, and many of my performances feel like short-form theatre shows. My palette of references steers away from conventional drag pageantry, and gears more toward the avant-garde, the meta-theatrical and the bizarre. Every performance has a new character, so you never know what to expect from a Lorelei show – but I guarantee that no matter what you will be entertained.
You are the winner of Project Drag! What did going through this competition teach you most about yourself?
That no matter how cunty you think you are, there is always room to grow. It taught me not to be afraid to try things that might make you uncomfortable. Being in a competition like Project Drag requires you to be vulnerable and receptive to critique, it requires you to risk failing despite your best efforts. There were plenty of times that I fumbled in the competition – literally. One week I fell clear off of the DJ stand (shoutout to my Smurfette performance). But there were also many successes – I won two challenges before hitting the finale, and those were celebratory moments that demonstrated the best of what my drag could be. You have to take the good with the bad, and if you don’t ever swing big, you’ll never get that pay off to celebrate your drag. You have always be a student of the world, and look for ways to constantly improve your craft.
What were your biggest challenges in making it through the competition?
I would say the schedule of the competition was probably the hardest part – this was an 11-week competition, with challenges that are comparable to Drag Race, including group challenges and design challenges. Our weeks were spent crafting, rehearsing, spending, working incredibly hard to stay on top of our game every week, while still balancing life obligations like work or our health.
Personally, I was competing in Project Drag while also traveling out of town every weekend as a cast member in the Taylor Swift Eras Tour: Drag Version brunch show. During the competition, I traveled to cities like Albuquerque, El Paso, Oklahoma City, Dallas, San Antonio, Houston, and Austin. Every week, I’d fly out after work on Friday, perform brunch shows on Saturday and Sunday, fly back home Monday morning, and then compete in Project Drag that same night. From Tuesday to Thursday, I balanced my day job, other drag gigs, and prepped as much as I could for the next week’s challenge—before hopping on another flight Friday and doing it all over again.
It was incredibly challenging, but that’s how badly I wanted to win. Looking back, I’m truly grateful for the experience. With everything I managed to juggle, I can honestly say this was the most drag I’ve ever done in my life—and I love living a life that’s so deeply connected to my craft.
What do you plan to do with your title?
I will probably leverage this title as rage bait against my haters for the rest of my life! And also — of course, I want to use this title to platform my own personal creative journey of making drag performance pieces, but also I would like to use it to platform other artists I work with. There are so many drag artists who helped me win Project Drag because they believed in my vision, and I want to give back to those friends and the community at large. With this title, I hope I can be a beacon for drag artists who may feel limited by the artistic scope of doing drag in a club or bar and are looking to bring their artistry to new arenas, like stages, art galleries, and alternative performance spaces. I hope to create new avenues for drag artists to incubate their ideas and develop performances that push the limits of our industry.
Theater and drag are two major components of your life. How do your drag and theatre aesthetics complement each other?
I’ve always considered myself a theatre artist, using drag as my medium. Drag has an important role in theatre traditions all around the world, and I think it is the chosen responsibility of a handful of drag artists to continue that performance tradition and innovate upon it as time passes. I’m inspired by artists like Taylor Mac, John Cameron Mitchell, Hibiscus – who use drag and playwriting as a means of distilling their ideas and insights about the world. In the future, I hope I can produce more theatrical work that uses drag as a means of storytelling, and infiltrate the theatre industry with new works that feature drag artists onstage.
What is your biggest mission in running Dionysia?
My biggest mission in running Dionysia is to create a collective of theatre artists and drag artists who help each other in producing more long-form theatrical works that feature queer voices. I would say most theatre queens are known for impersonating or re-creating famous theatre productions onstage, like doing Liza Minnelli or Wicked-themed drag brunch. However, my goal with Dionysia was to make an incubator for drag artists to bring in their own original material and collaborate with others to bring it to life onstage. It’s all about innovating new works to then perform onstage, submit to festivals or grants, and hopefully grow the skill set of each individual artist.
How can the queer community best support the drag community?
The queer community can help support the drag community by joining us at our events, and thus helping us promote our work of creating safe spaces at a time when being queer in public is becoming politicized once again. As drag artists, we do more than just perform onstage: we offer our image and our visibility as a means of indicating to others that we are creating a space that is sacred for our community. As drag artists, we share stories, we contribute to local culture, we help to preserve community and tradition, and we always appreciate audiences who at minimum come to enjoy the show because it motivates us to continue our work. Tipping helps too!
How has being a drag queen changed your life the most?
Being a drag queen has changed my life for the better because it has galvanized my life behind the guiding principle of liberation for obviously queer people, but really of all marginalized people. To me, being able to do drag feels like a proclamation of my freedom – my ability to be whoever I want, when I want. Everyone should have that freedom. I think of that age-old adage “no one is free until we are all free” – and it makes me realize that while I have the liberty to express myself, there are people around the world who don’t have that privilege. I think drag queens in general are especially attuned to the pursuit of justice, and that has helped to guide my life in the direction of being in service to others. Freedom for me means freedom for all – from the USA, to Palestine, no matter who you are or where you’re from.
We also love your podcast SHABLAM! What do you love most about the podcast?
Of course I love the opportunity on SHABLAM! to discuss my thoughts and opinions, but the best part is being able to do it with my co-host Annie Biotixx. Annie and I have been friends and collaborators for a long while now, and she always keeps me motivated to produce my best work. She competed in Project Drag 5, and although she didn’t make it as the winner of her season, she was a rock for me in my season of Project Drag, providing her support and guidance through all the challenges. She was even featured in my winning finale number! She’s an incredible host and drag queen here in Los Angeles, and a high-value theatre aesthete. Collaborating with her is effortless, and makes my job of showing up each week to record very easy.
What do you want listeners to walk away with after listening to SHABLAM?
At the end of the day, I want listeners to walk away feeling like they belong to an online community that supports them. Ultimately it’s a comedy podcast, so I always want people to laugh – but humor is such a great tool for building community. I feel through recording SHABLAM!, we are sharing our jokes, our vocal stims, whatever makes us laugh to build a shared language that we can use to identify who is part of this online community, and who share our values and principles. We create a space for people to find each other!
What are your biggest challenges in being a drag queen in SoCal?
Compared to other cities, I think the SoCal drag scene, particularly in Los Angeles, is uniquely suited to support many different types of drag, thanks to our sprawling geography. From West Hollywood to Downtown, from the Valley to the Inland Empire, there are countless pockets around LA that each celebrate a distinct style of drag. This diversity makes it possible for many people to pursue and succeed in drag.
However, that same strength also presents a challenge: everyone is looking to succeed, and the scene is highly competitive. The geography that fosters diversity also makes it difficult to make a name for yourself across all these different drag communities. Successful drag queens in SoCal know how to navigate between these various pockets. They show up professional, prepared, and with a strong point of view that sustains them over time. It takes patience, tenacity, and a commitment to continually growing your skill set and network.
You are touring with Taylor Swift Eras Tour: Drag Brunch Version! What Taylor Swift song most speaks to you presently and why?
Yes! I’ve been listening to a lot of her music for our show, and I would say that the song that speaks to me the most… on tough days, it’s “Anti-Hero” from Midnights. I think any artist can relate to the feeling of self-sabotage, and as I get older, I realize I have a lot of learning to do. But on good days – I believe in “Karma” from Midnights. I feel at ease in knowing that the universe is working for me, and what is meant for me will not pass me by. Winning Project Drag has amplified both of those feelings, and I know in my heart that this title was meant for me.
Do you get up to any shenanigans (wink, wink) while on tour?
My PARENTS are going to want to read this article, you FREAK! Lol, I’m kidding – yes, of course, there are plenty of shenanigans, and if you are interested, might I direct you to Season 2 of my podcast SHABLAM! Where, in addition to dissecting Project Drag week-to-week in real time, we discuss my escapades while on the road. Last thing I’ll say is get tested, get on PrEP, remember that undetectable = untransmittable! Mwah!
What kind of legacy do you want to create with your theatre and drag? I’d like to leave a legacy as a thought leader in the school of theatre and drag. I want to hybridize performance theory, queer history and drag performance to create innovative works that push the limits of how drag can be used in storytelling. I want to be added to the canon of drag artists who are lauded by the global theatre community, and leave in my legacy a collection of dramaturgically astute, advanced works of drag theatre.
What is your message to the community this Pride season?
Where do I even begin with all the chaos that has ensued in Los Angeles since the election of our current administration? ICE raids terrorizing our communities and kidnapping our neighbors is a crime beyond comprehension. It has rightfully left many of us feeling scared and hopeless, but I encourage the community to remain firm in our pursuit of justice and to fight back against Facism! Donate, Protest, Educate, Engage – do whatever you can to make it clear to any authoritative power that Los Angeles will not be fucked with! Especially the queer community! Today, we stand on the shoulders of queer ancestors who have endured similar treatment of threats and intimidation, and we have persevered. We will always be here! And no human is illegal on stolen land!
Healing and uplifting communities through music and unity is the foundation of this event space created by Zacil “DJ Sizzle Fantastic” Pech and Norma “Normz La Oaxaqueña” Fajardo.
For nearly a decade DJ Sizzle has built a reputation in the queer POC and Spanish-speaking undocumented communities for making the space for them to come together to celebrate their culture and partake in the ultimate act of resistance — joy.
Couples, companions, comadres all dance together on the dancefloor at Cumbiatón. (Photo courtesy of Cumbiatón).
Cumbiatón was created during the first Trump administration as a direct response to the erasure, racism, homophobia and xenophobia that was engrained into the administration’s mission for those first four years. Now that the second Trump administration is upon us, the racism, homophobia, transphobia and xenophobia are tenfold.
This event space is a ‘party for the hood, by the hood.’ It is led by women, queer and trans people of color in every aspect of the production process.
The recent fires that burned through Altadena and Pacific Palisades made DJ Sizzle decide to step back from marketing the event in Los Angeles, an area where people had just lost their businesses, homes and where their lives were completely thrown for a loop.
Now they’re back, doubling-down on their mission to bring cumbias, corridos and all the music many of us grew up listening to, to places that are accessible and safe for our communities.
“I started Cumbiatón back in 2016, right after the election — which was weirdly similar because we’re going through it again. And a lot of us come from the Deferred Action for Childhood Arrivals (DACA) movement. We were the ones to really push for that to happen along with the DREAM Act.”
DJ Sizzle says that she wanted to create a space out on the streets to celebrate life and come together, because of how mentally and physically taxing it is to be a part of the marginalized communities that were and still are, a major target for ongoing political attacks.
Edwin Soto and Julio Salgado pose for a photo at a Cumbiaton event in 2024. (Photo courtesy of Cumbiatón).
“We need these spaces so that we can kind of refuel and rejoice in each other’s existence,” said DJ Sizzle. “Because we saw each other out on the street a lot, but never did we really have time to sit down, have a drink, talk, laugh. So I found that music was the way to bring people together and that’s how Cumbiatón got started. It was honestly like a movement of political resistance through music.”
DJ Sizzle is an undocumented community organizer who aims to not only bring awareness to the issues that her communities face, but also to make space to celebrate the wins and bond over the music that brings people in Latin America, East L.A., Boyle Heights and the Bay area together.
Julio Salgado, a queer, visionary artist and migrant rights activist from Ensenada, Baja California with roots in Long Beach and the Bay Area, connected with DJ Sizzle over their shared passion in advocating for immigrant rights.
“Cumbiatón was created during the first [Trump] administration, where you know, a lot of people were really bummed out and so what Sizzle wanted to create was a place where people could come together and celebrate ourselves,” said Salgado. “Fast-forward to the second [Trump] administration and we’re here and feel a little bit more like: ‘oh shit, things are bad again.’ But, things have always been bad.”
Salgado is involved with Cumbiatón through his art. He is a mixed-media artist who creates cartoons using his lived experience with his sobriety journey, undocumented status and queer identity.
With a background in journalism from California State University, Long Beach, Salgado documents what activists do in the undocumented spaces he has been a part of throughout his life.
In 2017, Salgado moved back to Long Beach from the Bay Area, and at the time he started doing political artwork and posters for protests against the first Trump administration, but because the nature of that work can be very tiring, he says that he turned to a more uplifting version of his art where he also draws the joy and unity in his communities.
When he and Sizzle linked up to collaborate during that time, he thought he could use his skills to help uplift this brand and bring it to the forefront of the many events that saturate the party landscape.
DJ Sizzle doing her thing on stage, giving the crowd the music they went looking for. (Photo courtesy of Cumbiatón).
“We are familiar with using the dance floor as a way to kind of put the trauma a little bit away just for one night, get together and completely forget,” said Salgado.
Coming from an undocumented background, Salgado and Sizzle say that their experience with their legal status has made them very aware of how to go about the ID-check process at the door for their events.
“When you’re undocumented, you have something called a [High Security Consular Registration (HSCR)] and it’s kind of like your ID and many of these heterosexual clubs would see that and say it was fake,” said Salgado. “But at the gay club, they didn’t care.”
Just being conscious of what that form of ID looks like and knowing that it’s not fake, helps many of the hundreds of people who come through for Cumbiatón, feel just slightly more at ease.
Edwin Soto, who is another community activist and leader in the undocu-queer community, is also involved in the planning and organizing of the event.
In the long journey of making Cumbiatón what it is now, they say that they have all been very intentional about who they bring in, making sure that whoever they are, they also understand the experience of being undocumented and accepted anyway.
“Something that Sizzle and the team have been very intentional about is making sure that [the security at the door] knows that someone might be using their consulate card,” said Soto.
Bringing together this event space is no easy task, considering the fact that their events are deeply thought out, intentional and inclusive of not just people of color, but also people with differing abilities and people who do not reflect the norm in West Hollywood clubs.
“We created the space that we were longing for that we did not see in West Hollywood,” he said. “[Cumbiatón] is what life could really be like. Where women are not harassed by men. Where people are not body-shamed for what they’re wearing.”
When it comes to their lives outside of Cumbiatón and partying, Sizzle says that it does get exhausting and planning the event gets overwhelming.
“It is really difficult, I’m not going to lie,” said DJ Sizzle. “We are at a disadvantage being queer and being undocumented because this administration triggers us to a point that, anyone who is not a part of those identities or marginalized communities would ever be able to understand,” said Sizzle. “There are times where I’m just like: ‘I’m going to cocoon for a little bit’ and then that affects the marketing and the communication.”
Usually, the events bring in hundreds of people who are looking for community, safety and inclusion. (Photo courtesy of Cumbiatón).
That’s a little bit about what goes on behind the scenes — which really shouldn’t come as a surprise for anyone who is out there fighting for basic human rights, while also making the space to party and enjoy themselves.
“I’m really trying to find balance and honestly my life raft are my friends and my community,” she said. “Like, being able to share, being able to have this plática, and be like ‘bitch, I see you and I know its fucked up, but we got each other.’”
Cumbiatón was made with the purpose of making space to include and invite the many different people in these communities who are otherwise sidelined in broader conversations and in party scenes where they are not as inclusive or thoughtful about their attendees.
“How beautiful is it to be queer and listen to rancheras and to norteñas and cumbia, and to just own it,” said Soto.
To join Cumbiatón at their next party, visit their Instagram page.
Alyssa Edwards is a drag icon who needs no introduction — but we’ll do it anyway.
Edwards’ star-studded career accolades span over two decades, earning her a spot on the RuPaul’s Drag Race: Hall of Fame and building an unmistakable legacy on charisma, uniqueness, nerve and undeniable talent.
From the dance studios of Mesquite, Texas, to gracing television screens around the world, Edwards has captivated audiences with her hypnotic wit, larger-than-life persona and unapologetic authenticity. Now, Edwards is bringing all of that and more to the OUTLOUD Music Festival this upcoming Pride month.
In my conversation with this queen among queens, Edwards opens up about the meaning of Pride, the honor of being named the first winner of Drag Race Global All Stars‘ first and what it truly means to live and perform out loud.
Whether she’s coaching young dancers at Beyond Belief Dance Company, laughing over their recollection of awkward first dates, or reflecting on the kinder-queer she once was, Edwards brings heart, honesty and hope to everything she touches. If nothing else, one thing is sure: Edwards is not just part of queer and drag history — she’s writing it.
Let’s get into it.
You’re performing at the OUTLOUD Music Festival. What do you do to prepare and what does it mean to you?
Well, first I wanna start off by saying this is a mega huge honor for me. This is a big year, being the very first Global All Star queen. She’s made it officially into the Hall of Fame. Getting the opportunity to be alongside all of these incredibly iconic performers. I can only say that I’m so honored.
As far as getting — well, right now I’m on tour. So, you know, It’s been a little bit of a juggling act these days. That said, I feel like since I’ve manifested this opportunity, it would only make sense that I bring the Texas size performance that everybody is expecting. This is a huge, huge moment, not only in my career, but also in time. I want to make a statement, I want to be proud, I want to be bold, and I definitely want to be out loud.
And of course [also] wrangling up the dancers and getting the idea of what the choreography is going to be. Right now we’re seeing so many artists come through. I mean, Lady Gaga reminded us this year with “Abracadabra” and its choreography that art is still alive and it is thriving. To me, this takes me back to a time when I would watch MTV and see these videos with this really fierce, synchronized choreography, hand gestures and elaborate costuming. All of this has just inspired me, motivated me and fueled me for this performance. You can expect me to deliver the best of Alyssa Edwards.
You mentioned having been a Global Queen. Did you anticipate returning after season 5 of RPDR:All Stars S2 and then eventually RPDR:Global?
This show really catapulted the Art of Dragon to mainstream television, but we just didn’t know if it was gonna continue on. So when I got the call to go on All Stars 2, four years later, after season 5, I was truly honored. And what a legendary season with a cast of genuine all-stars. After I left the show that year, I was very, very proud of what I presented. You know, something that I teach students over at my dance school, Beyond Belief Dance, is winning isn’t everything but the desire to [win] is. You’ve got to work hard and give it your all.
I didn’t really anticipate all of this. Back then, it just felt like a great opportunity. When Global was announced, with 12 queens from 12 countries and I found out I’d be representing — oh my gosh, good ol’ America — I had to pause. It felt like a huge responsibility. Drag in the U.S., especially through RuPaul’s Drag Race, has become the blueprint for so many franchises worldwide. So yes, I felt the pressure. But I reminded myself, just like I tell my students, show up as the best version of yourself and embrace the moment. Stand proud. Stand proud. Stand proud.
The night of the Global crowning, I stayed home with my partner. No big party, just a quiet moment to reflect. I wanted to honor the 24 years I’ve put into Alyssa Edwards. This wasn’t about validation or vindication. It was a victory lap. A celebration. And sometimes, when you’re having fun and doing what you love… look what comes from it. Now I’m in the Hall of Fame. So take that, and rewind it back.
When you’re preparing for a show like OUTLOUD, how do you plan to connect with your current supporters as well as the folks who might be new to you?
That’s a great question, and one I actually wrote about in my journal while preparing for this. I kept thinking: ‘how can I make this 15 minute performance reflect everything I’ve shared since first stepping onto television 12 years ago?’
I’ve had the chance to travel the world, and I wanted this set to be an accumulation of all those years, all those experiences, all the queerness, artistry and inspiration that shaped me. I wanted to pour it all into this one moment.
For new fans too, like you said, it’s been incredible. [During my last] meet and greet, I saw just how wide the range is. I was recently in Knoxville with my one-woman show, Crowned, and I met everyone from young queens who said: ‘I started watching you when I was 12,’ — which, made me feel a little old but also very proud — to a 70-year-old woman who came with her son and daughter-in-law. She told me she first saw me on Dancing Queen on Netflix, then found my America’s Got Talent performances and finally discovered Drag Race. She had followed my whole journey. She told me: ‘You deserve this. You made us all proud.’
As I walked away, I thought: ‘Wow. I used to be that kid in Mesquite, Texas, waiting on the world to change.’
And now? I’m part of that change. Talk about a plot twist and a trick of fate.
What was it like, kind of giving people a peak behind the curtain for Dancing Queen? What was it like to show people the version of yourself apart from your stage persona?
I mean, I’m not gonna lie, I’m being very candid when I say it was nerve wracking. You know, when you’re having to be unfiltered in every aspect of your life, you know, I am a man that wears many hats. If I am not wearing a wig and performing on stage, I have my teacher’s hat on or my coach’s hat on at the competition.
I have a very full life, and it is very fulfilling in the same aspect, but it is very busy. You’re seeing me in so many different settings and situations, and I really have to give myself credit for being vulnerable. I wasn’t sure I wanted to be that open because, believe it or not, I’m actually a pretty private person.
Looking back, I can laugh now. But at the time? I was embarrassed, just completely socially awkward. I mean, talking about potato salad? It was all kinds of wrong. But sometimes, you have to look back and just giggle. Like: ‘Queen, look at you now.’ Compared to where I was then, I’m in a happy relationship with my partner of four years and love is very much alive in my life. I’m proud of that awkward guy on that date. I’m proud I gave myself grace and permission to be fully, unapologetically me.
I want to go back to the fan of yours who started following your career when they were 12. How would you like to be perceived by the younger generation? What kind of message do you wanna provide them during today’s political climate?
A message of hope. That’s something I can answer quickly, because hope is one of the most powerful things we have. Sometimes it’s all we have. And I truly hope I can be a beacon of light and hope for others.
Growing up, I didn’t see anyone like me on TV. There was no RuPaul’s Drag Race, no Instagram to help me find my people or show me where I belonged. At 18, I had a pager and the Yellow Pages, and that’s how I stumbled across the gay clubs in Dallas. I’ll never forget walking into the cabaret drag room for the first time. It was like falling down the rabbit hole. I was Alice in Wonderland. I saw these bold, unapologetic entertainers, and I was captivated. But deep down, I thought, ‘There’s no way I could ever do that.’
Now, I think about today’s generation, how they can open their phones and instantly connect with their tribe, be inspired, and see themselves reflected in the world. I love that. Because drag gave me a voice. It gave me purpose. And I hope that through my journey, someone else finds theirs.
Whatever you’re going through right now, please, stay tuned. It gets better. At 18 and 19, life was just starting for me. I was shy, I didn’t have many friends, and I wasn’t sure where I fit in. I went to West Mesquite High – home of the Fighting Wranglers – and I mostly kept to myself. But thank God for dance. Those classes were my outlet, my way to express who I was.
I grew up in a home with a southern father who believed boys wore blue and girls wore pink. He valued hyper-masculinity, and there I was, painting my nails with my four sisters, wondering why I couldn’t just be me.
So yes, I’m proud to represent both the past and the present. Proud to be someone who made it through, who found their light, and who now shines it for others. That’s my message of hope: keep going. Your story is just beginning.
How do you celebrate your Pride off the page?
I celebrate Pride all year long. I’m 45, and every time I look in the mirror, I’m proud. I am proud of the man I’ve become, and proud of the storms I’ve weathered. There were times I didn’t have an umbrella. I just danced in the rain. I’m proud to love openly now, something I once felt I had to hide. Back then, I didn’t think the world would understand. But how can it, if we don’t share, teach, and live our truth?
To me, Pride means being fully authentic, transparent, joyful, dancing, singing, even if I’m off-key. It means not hiding anymore. There were years I stayed quiet, only dancing behind closed doors, afraid of what others might think. I didn’t want to make people uncomfortable. But sometimes, growth comes from getting comfortable with being uncomfortable. So yes, I celebrate Pride by living out loud, every single day.
All right. I don’t wanna keep it too long, but one last question, and this is kind of a fun one, but, uh, how does it feel to be honored by Jules and ti um, in season 17 with your iconic back rolls moment?
Oh my gosh, it was hysterical. And look, I didn’t know that was coming up. So I’m sitting at home with my partner and we’re watching it, and I was literally on the floor laughing. I messaged them, and I just was like, Bravo, great job. I think it’s incredible. That’s like the greatest honor, right? It’s like the standing ovation, you know, a good callback.
This was a really fun season and a fun batch of queens to watch on television. I’ll tell you, watching Jules do the makeup on her father really touched me so much. When their dad walks in and is like, Hey queen! That really hit me hard because it just was like, wow! This is the world changing right here. And these queens know who I am. And, once again celebrating pride!
I’m actually a huge fan of Onya Nurve as we’re both Cleveland natives. I’m proud of her. Talk about charisma…
Oh, I messaged Onya! I was like, you are a bright star. Keep shining. The story of Onya Nurve, and then that whole scene with the fathers, it was just like, so, I mean, empowering. It really, really, really touched me deeply. Hearing Onya Nurve share her story and how she can do everything – can sing, can dance, can act, is funny, has a look, knows how to do makeup, do makeovers. It’s like, wow, that’s the power of drag.
This whole group, this whole cast has a special place in my heart. I’m so proud of them. And I’m, I’m proud of myself that I’ve been a part of this legacy and I’m proud of everyone at World of Wonder and RuPaul, who championed this show for years and then got the opportunity to go on Logo 18 years ago. We’re on the 18th season now.
Onya is also in the lineup for the Outloud Festival…
She sure is. And I can’t wait to have the opportunity to kiki with her. I’m gonna get my photo too. I’m gonna have my little fangirl moment. So y’all get ready for that! This is going to be such a fun festival. I mean this lineup. And I just love celebrating every color of the rainbow and all the queerness that is going to be. You know, live loud and lit. We are going to be there. And, just seeing my name on the flyer, I still get a little giddy.
Anything that we should expect from your performance coming up?
You all already know what it’s gonna be. I mean, it’s showtime folks! I’m just truly honored, and I’m grateful that people are still living for the Alyssa Edwards shenanigans. And remember this Pride too. It’s important for us. Visibility is key. I love that this lineup is stacked on stacked. So thank you so much for the opportunity, and I’ll see you all there.
Troy Masters was a cheerleader. When my name was called as the Los Angeles Press Club’s Print Journalist of the Year for 2020, Troy leapt out of his seat with a whoop and an almost jazz-hand enthusiasm, thrilled that the mainstream audience attending the Southern California Journalism Awards gala that October night in 2021 recognized the value of the LGBTQ community’s Los Angeles Blade.
That joy has been extinguished. On Wednesday, Dec. 11, after frantic unanswered calls from his sister Tammy late Monday and Tuesday, Troy’s longtime friend and former partner Arturo Jiminez did a wellness check at Troy’s L.A. apartment and found him dead, with his beloved dog Cody quietly alive by his side. The L.A. Coroner determined Troy Masters died by suicide. No note was recovered. He was 63.
Considered smart, charming, committed to LGBTQ people and the LGBTQ press, Troy’s inexplicable suicide shook everyone, even those with whom he sometimes clashed.
Troy’s sister and mother – to whom he was absolutely devoted – are devastated. “We are still trying to navigate our lives without our precious brother/son. I want the world to know that Troy was loved and we always tried to let him know that,” says younger sister Tammy Masters.
Tammy was 16 when she discovered Troy was gay and outed him to their mother. A “busy-body sister,” Tammy picked up the phone at their Tennessee home and heard Troy talking with his college boyfriend. She confronted him and he begged her not to tell.
“Of course, I ran and told Mom,” Tammy says, chuckling during the phone call. “But she – like all mothers – knew it. She knew it from an early age but loved him unconditionally; 1979 was a time [in the Deep South] when this just was not spoken of. But that didn’t stop Mom from being in his corner.”
Mom even marched with Troy in his first Gay Pride Parade in New York City. “Mom said to him, ‘Oh, my! All these handsome men and not one of them has given me a second look! They are too busy checking each other out!” Tammy says, bursting into laughter. “Troy and my mother had that kind of understanding that she would always be there and always have his back!
“As for me,” she continues, “I have lost the brother that I used to fight for in any given situation. And I will continue to honor his cause and lifetime commitment to the rights and freedom for the LGBTQ community!”
Tammy adds: “The outpouring of love has been comforting at this difficult time and we thank all of you!”
Troy Masters and his beloved dog Cody.
No one yet knows why Troy took his life. We may never know. But Troy and I often shared our deeply disturbing bouts with drowning depression. Waves would inexplicitly come upon us, triggered by sadness or an image or a thought we’d let get mangled in our unresolved, inescapable past trauma.
We survived because we shared our pain without judgment or shame. We may have argued – but in this, we trusted each other. We set everything else aside and respectfully, actively listened to the words and the pain within the words.
Listening, Indian philosopher Krishnamurti once said, is an act of love. And we practiced listening. We sought stories that led to laughter. That was the rope ladder out of the dark rabbit hole with its bottomless pit of bullying and endless suffering. Rung by rung, we’d talk and laugh and gripe about our beloved dogs.
I shared my 12 Step mantra when I got clean and sober: I will not drink, use or kill myself one minute at a time. A suicide survivor, I sought help and I urged him to seek help, too, since I was only a loving friend – and sometimes that’s not enough.
(If you need help, please reach out to talk with someone: call or text 988 Suicide and Crisis Lifeline. They also have services in Spanish and for the deaf.)
In 2015, Troy wrote a personal essay for Gay City News about his idyllic childhood in the 1960s with his sister in Nashville, where his stepfather was a prominent musician. The people he met “taught me a lot about having a mission in life.”
During summers, they went to Dothan, Ala., to hang out with his stepfather’s mother, Granny Alabama. But Troy learned about “adult conversation — often filled with derogatory expletives about Blacks and Jews” and felt “my safety there was fragile.”
It was a harsh revelation. “‘Troy is a queer,’ I overheard my stepfather say with energetic disgust to another family member,” Troy wrote. “Even at 13, I understood that my feelings for other boys were supposed to be secret. Now I knew terror. What my stepfather said humiliated me, sending an icy panic through my body that changed my demeanor and ruined my confidence. For the first time in my life, I felt depression and I became painfully shy. Alabama became a place, not of love, not of shelter, not of the magic of family, but of fear.”
At the public pool, “kids would scream, ‘faggot,’ ‘queer,’ ‘chicken,’ ‘homo,’ as they tried to dunk my head under the water. At one point, a big crowd joined in –– including kids I had known all my life –– and I was terrified they were trying to drown me.
“My depression became dangerous and I remember thinking of ways to hurt myself,” Troy wrote.
But Troy Masters — who left home at 17 and graduated from the University of Tennessee at Knoxville — focused on creating a life that prioritized being of service to his own intersectional LGBTQ people. He also practiced compassion and last August, Troy reached out to his dying stepfather. A 45-minute Facetime farewell turned into a lovefest of forgiveness and reconciliation.
Troy discovered his advocacy chops as an ad representative at the daring gay and lesbian activist publication Outweek from 1989 to 1991.
“We had no idea that hiring him would change someone’s life, its trajectory and create a lifelong commitment” to the LGBTQ press, says Outweek’s co-founder and former editor-in-chief Gabriel Rotello, now a TV producer. “He was great – always a pleasure to work with. He had very little drama – and there was a lot of drama at Outweek. It was a tumultuous time and I tended to hire people because of their activism,” including Michelangelo Signorile, Masha Gessen, and Sarah Pettit.
Rotello speculates that because Troy “knew what he was doing” in a difficult profession, he was determined to launch his own publication when Outweek folded. “I’ve always been very happy it happened that way for Troy,” Rotello says. “It was a cool thing.”
Troy and friends launched NYQ, renamed QW, funded by record producer and ACT UP supporter Bill Chafin. QW (QueerWeek) was the first glossy gay and lesbian magazine published in New York City featuring news, culture, and events. It lasted for 18 months until Chafin died of AIDS in 1992 at age 35.
The horrific Second Wave of AIDS was peaking in 1992 but New Yorkers had no gay news source to provide reliable information at the epicenter of the epidemic.
“When my business partner died of AIDS and I had to close shop, I was left hopeless and severely depressed while the epidemic raged around me. I was barely functioning,” Troy told VoyageLA in 2018. “But one day, a friend in Moscow, Masha Gessen, urged me to get off my back and get busy; New York’s LGBT community was suffering an urgent health care crisis, fighting for basic legal rights and against an increase in violence. That, she said, was not nothing and I needed to get back in the game.”
Staff of Gay News City in New York City, which Troy Masters founded in 2002.
“We were always in total agreement that the work we were doing was important and that any story we delved into had to be done right,” Schindler wrote in Gay City News.
Though the two “sometimes famously crossed swords,” Troy’s sudden death has special meaning for Schindler. “I will always remember Troy’s sweetness and gentleness. Five days before his death, he texted me birthday wishes with the tag, ‘I hope you get a meaningful spanking today.’ That devilishness stays with me.”
Troy had “very high EI (Emotional Intelligence), Schindler says in a phone call. “He had so much insight into me. It was something he had about a lot of people – what kind of person they were; what they were really saying.”
Troy was also very mischievous. Schindler recounts a time when the two met a very important person in the newspaper business and Troy said something provocative. “I held my breath,” Schindler says. “But it worked. It was an icebreaker. He had the ability to connect quickly.”
The journalistic standard at LGNY and Gay City News was not a question of “objectivity” but fairness. “We’re pro-gay,” Schindler says, quoting Andy Humm. “Our reporting is clear advocacy yet I think we were viewed in New York as an honest broker.”
Schindler thinks Troy’s move to Los Angeles to jump-start his entrepreneurial spirit and reconnect with Arturo, who was already in L.A., was risky. “He was over 50,” Schindler says. “I was surprised and disappointed to lose a colleague – but he was always surprising.”
“In many ways, crossing the continent and starting a print newspaper venture in this digitally obsessed era was a high-wire, counter-intuitive decision,” Troy told VoyageLA. “But I have been relentlessly determined and absolutely confident that my decades of experience make me uniquely positioned to do this.”
Troy launched The Pride L.A. as part of the Mirror Media Group, which publishes the Santa Monica Mirror and other Westside community papers. But on June 12, 2016, the day of the Pulse Nightclub shooting in Orlando, Fla., Troy said he found MAGA paraphernalia in a partner’s office. He immediately plotted his exit. On March 10, 2017, Troy and the “internationally respected” Washington Blade announced the launch of the Los Angeles Blade.
Troy Masters and then-Rep. Adam Schiff. (Photo courtesy of Karen Ocamb)
In a March 23, 2017 commentary promising a commitment to journalistic excellence, Troy wrote: “We are living in a paradigm shifting moment in real time. You can feel it. Sometimes it’s overwhelming. Sometimes it’s toxic. Sometimes it’s perplexing, even terrifying. On the other hand, sometimes it’s just downright exhilarating. This moment is a profound opportunity to reexamine our roots and jumpstart our passion for full equality.”
Troy tried hard to keep that commitment, including writing a personal essay to illustrate that LGBTQ people are part of the #MeToo movement. In “Ending a Long Silence,” Troy wrote about being raped at 14 or 15 by an Amtrak employee on “The Floridian” traveling from Dothan, Ala., to Nashville.
“What I thought was innocent and flirtatious affection quickly turned sexual and into a full-fledged rape,” Troy wrote. “I panicked as he undressed me, unable to yell out and frozen by fear. I was falling into a deepening shame that was almost like a dissociation, something I found myself doing in moments of childhood stress from that moment on. Occasionally, even now.”
From the personal to the political, Troy Masters tried to inform and inspire LGBTQ people.
“Just recently he invited us to participate with the LA Blade and other partners to support the LGBTQ forum on Asylum Seekers and Immigrants. He cared about underserved community. He explored LGBTQ who were ignored and forgotten. He wanted to end HIV; help support people living with HIV but most of all, he fought for justice,” Zaldivar says. “I am saddened by his loss. His voice will never be forgotten. We will remember him as an unsung hero. May he rest in peace in the hands of God.”
“It pains me to know that my dear, beautiful and amazing friend Troy is no longer with us … He always gave me and many people light,” Salcedo says. “I know that we are living in dark times right now and we need to understand that our ancestors and transcestors are the one who are going to walk us through these dark times… See you on the other side, my dear and beautiful sibling in the struggle, Troy Masters.”
“Troy was immensely committed to covering stories from the LGBTQ community. Following his move to Los Angeles from New York, he became dedicated to featuring news from the City of West Hollywood in the Los Angeles Blade and we worked with him for many years,” says Joshua Schare, director of Communications for the City of West Hollywood, who knew Troy for 30 years, starting in 1994 as a college intern at OUT Magazine.
“Like so many of us at the City of West Hollywood and in the region’s LGBTQ community, I will miss him and his day-to-day impact on our community.”
Troy Masters accepting a proclamation from the City of West Hollywood. (Photo by Richard Settle for the City of West Hollywood)
“Troy Masters was a visionary, mentor, and advocate; however, the title I most associated with him was friend,” says West Hollywood Mayor John Erickson. “Troy was always a sense of light and working to bring awareness to issues and causes larger than himself. He was an advocate for so many and for me personally, not having him in the world makes it a little less bright. Rest in Power, Troy. We will continue to cause good trouble on your behalf.”
Erickson adjourned the WeHo City Council meeting on Monday in his memory.
Masters launched the Los Angeles Blade with his partners from the Washington Blade, Lynne Brown, Kevin Naff, and Brian Pitts, in 2017.
Cover of the election issue of the Los Angeles Blade.
“Troy’s reputation in New York was well known and respected and we were so excited to start this new venture with him,” says Naff. “His passion and dedication to queer LA will be missed by so many. We will carry on the important work of the Los Angeles Blade — it’s part of his legacy and what he would want.”
AIDS Healthcare Foundation President Michael Weinstein, who collaborated with Troy on many projects, says he was “a champion of many things that are near and dear to our heart,” including “being in the forefront of alerting the community to the dangers of Mpox.”
“All of who he was creates a void that we all must try to fill,” Weinstein says. “His death by suicide reminds us that despite the many gains we have made, we’re not all right a lot of the time. The wounds that LGBT people have experienced throughout our lives are yet to be healed even as we face the political storm clouds ahead that will place even greater burdens on our psyches.”
May the memory and legacy of Troy Masters be a blessing.
Veteran LGBTQ journalist Karen Ocamb served as the news editor and reporter for the Los Angeles Blade.
The rallying call urges all the Spanish-speaking and corrido-loving sapphics, butchonas, jotas and vaqueeras, to grab their boots and meet up at Little Joy Cocktails for a carne asada-style, family party every fourth Sunday of the month, featuring spins by DJ Lady Soul, DJ French and DJ Killed By Synth.
In Los Angeles, these three disc jockeys have embraced the word buchona, adding the ‘t’ as a play on the word butch.
The free event, now locally known as Butchona, is a safe space for all the Mexican and Spanish music-loving lesbians to gather on the last Sunday of every month.
Buchona is usually a term used in Mexico and other Spanish-speaking countries to describe a woman who is a boss– someone who exudes dominant energy or marries into a powerful position.
“I didn’t know how well [the idea for Butchona] was going to be received and my favorite part of all that, has been the looks everyone has been bringing,” said Rocio Flores, who goes by DJ Lady Soul.
(Photo Courtesy of Adelyna Tirado) DJ Lady Soul poses outside of Little Joy Cocktails in her butchona outfit.
The event that started only a few months ago, brings in dozens of dressed-up jotas. The ‘looks’ that the crowds bring are reminiscent of how dad’s, tíos, and their friends dressed at Mexican family parties: a tejana, cowboy boots, giant belt buckle and a beer in hand.
Dressing up in these looks is a way to show wealth and status to earn the respect of other males in a male-dominated and -centered culture– that is until now.
This traditionally male, Mexican, cultural identity, is something that has never been embraced or accessible to women or gender non-conforming people. The giant belt buckles that are traditionally custom-made and specific to male identities like head of household, ‘only rooster in the chicken coop’ and lone wolf, are only part of the strictly cis-gendered male clothes that dominate the culture.
The embroidered button-ups, belt buckles and unique cowboy hats –all come together to create the masculine looks that are now being reclaimed by women and gender nonconforming people at the event curated by three queer, Mexican DJs, who once had a little idea that could.
Flores, 37, (she/her), Gemini, says that to her the term butchona describes a woman who is a little ‘chunti,’ a little cheap in the way she dresses– but in a queer way.
“That title also means that you’re a badass,” she said. “I want to look like that señor, I want to look like that dude and now I feel like I could, so why not?”
Flores says that now she feels like she can embrace and reclaim that cultural identity, but it wasn’t always that easy.
At first, her family upheld the traditional cisgender roles that forced her to dress more feminine, but she always wanted to dress like her cousins and her tíos.
“Now, I’m like: ‘Fuck that!’ I’m going to wear the chalecos and the Chalino suits,” she said in Span-glish.
The Chalino suits are traditional, Mexican, suits that were worn and popularized by Chalino Sanchez, known as the King of corridos—a genre of music that is said to have originated on the border region of Texas, Tamaulipas and Nuevo León, Mexico.
“It felt good to break into the DJ scene, but what I always noticed was that the lesbian culture was always lacking,” said DJ Lady Soul. “I would mainly see gay males at parties and a lot of male DJs.”
According to Zippia–a career site that sources their information from the U.S. Bureau of Labor and Statistics and the U.S. Census–23.5 percent of disc jockeys are women, 16 percent are LGBTQ+ and only 12.7 percent are Hispanic or Latin American.
What has always been a traditionally machista music genre and scene, is now being embraced by a growing number of queer women and non-male DJs in Los Angeles.
For Fran Fregoso, who goes by DJ French, 33, (they/she), Taurus– embracing their cultural identity came a lot easier because of their late uncle who sort of paved the way for them to come out as queer and be more accepted than he was as the first openly out queer person in their family.
(Photo by Adelyna Tirado)Dj French poses in their vaquero-style outfit.
Their music journey began listening to the 90s grunge, alternative, hip-hop and metal music played by their older siblings at home.
“Then I met Vanessa [DJ Killed By Synth], and she introduced me to the industry,” said DJ French.
DJ French felt the acceptance and support to enter this music space and decided to embrace their cultural roots by playing music that they grew up listening to at family parties. They booked their first gig with Cumbiatón LA, a collective of DJs and organizers who host Latin American parties across Los Angeles, often centering queer DJs and other performers.
“When [Lady Soul and Killed By Synth], brought this idea up to create Butchona, I was like: ‘Oh, I’m in 100 percent’,” they said. “Because I love playing corridos and banda music because that’s a core memory from my childhood and family parties.”
Banda, corridos, cumbias and other traditional music is a big part of Mexican culture, even as gendered and male-centered as it has been, it is embraced by all.
“I know a lot of people in our queer, Latino, community love that music too, but they also want to be in a safe space,” they said. “That’s where we decided to make an environment for our community to dance and be themselves.”
Vanessa Bueno, 40, (she/her), Libra, who goes by DJ Killed By Synth, says her journey started about 20 years ago when she started DJing for backyard parties in East L.A. and across L.A. County.
(Photo by Adelyna Tirado)DJ Killed By Synth playing her set.
Her family is from Guadalajara, so she says that growing up she also had a lot of family parties with corridos and banda blaring in the background of memories with the many cousins she says she lost count of.
“A lot of the music we heard was bachata, banda, cumbia and even some 80s freestyle,” said Bueno.
Even while she had a ‘little punk rocker phase,’ she says she couldn’t escape that Spanish music her family played ritualistically at family get-togethers.
When they began their music journey–back in the AOL, Instant Messenger days, they played a lot more electronic music, hence the name Killed by Synth. At first, it was just a username, but then it became her DJ name.
“Later down the line, comes [the idea for] Butchona came about, and me, Rocio and French collaborated,” she said. “It’s kind of always been my goal to create these safe spaces for women and queer people, and I had been in the scene long enough to where people were willing to answer my calls to work with them to make it happen.”
For Bueno, it was natural for her to build community and embrace this part of their culture later on in her career when she saw a need for queer, Latin American-centered club spaces with family party vibes.
She started hosting Latin American-style parties, blending music, culture, and food and attracting the exact audience she envisioned. With these events, Bueno aimed to reclaim her Mexican identity and foster a sense of family and community at these events.
“We’re here to build a safe space to embrace the music and kind of not think about the machismo that is tied to it and celebrate who we are,” said Bueno.
According to the U.S. Department of Labor and Statistics, California, Texas, New York, Arizona and Washington rank the highest in employment rates for disc jockeys in 2023. There is also a recent trend in more women DJs–the study does not include gender nonconforming DJs–booking twice as many gigs as men in event spaces and concerts that host DJ sets.
“It feels like we’re barely cracking into these safe spaces and expanding our horizons a little bit,” said DJ French. “I hope this inspires other people to also create safe spaces like Butchona.”
The next Butchona event will be on Sunday, Oct. 27 and will feature all three DJs playing corridos, banda, cumbia and all the classics, for a chunti Halloween party.
Los Angeles Council District 14 (CD-14) candidates Ysabel Jurado and Kevin de León sparred over their qualifications in what could have been their last in-person debate before the November election.
Wednesday’s CD-14 debate, a district home to approximately 265,000 people, 70% of them Latin American, offered the public a chance to hear from both candidates and their stand on issues such as homelessness, public safety and affordable housing, among other things.
CALÓ News was one of the media outlets that were present inside Dolores Mission Catholic Church in Boyle Heights, where the debate was held. Below are our reporter’s main takeaways.
People showed up and showed out. More than 300 people attended the debate, which was organized by Boyle Heights Beat and Proyecto Pastoral. More than 260 people gathered inside the church and the rest watched via a livestream projected on the church’s patio.
The debate was bilingual, with translation services available for all, honoring the many Spanish speakers that live in the district, as Brendan P. Busse, pastor of the church, said in the opening statement.
As part of the event guidelines, Busse also shared that no applause or booing was to be permitted, a rule that was broken within the first ten minutes of the forum. “Where you are tonight is a sacred place. People who are in need of shelter sleep here and have for the last 40 years,” he said when referring to the church transforming into a homeless shelter at night for over 30 adults. “Power and peace can live in the same place.”
That was the most peaceful and serene moment throughout the two-hour forum.
What followed was traded insults and competing visions from both candidates.
One of the first stabs occurred when De León accused Jurado of wanting to “abolish the police” and when Jurado reminded the public of De Leon’s “racist rhetoric,” referring to the 2022 scandal over the secretly recorded conversation with Gil Cedillo and Nury Martínez where they talked about indigenous Mexicans, Oaxacans, the Black and LGBTQ+ communities and councilman Mike Bonin’s adopted son.
“I made a mistake, and I took responsibility. I have been apologizing for two years,” De León said. “Just as in the traditions of the Jesuits, love, reconciliation [and] peace, one must choose if we are going to be clinging to the past or move forward. I choose to move forward.”
When Jurado was asked about her stance on police, she said she had never said she wanted to abolish the police. “Don’t put words in my mouth,” she told De León. “I have never said that,” she said. “We put so much money into public safety into the LAPD yet street business owners and residents in these communities do not feel safer. The safest cities invest in communities, in recreation and parks, in libraries [and] youth development.”
De León and Jurado also discussed their plan to work with the homeless population, specifically during the 2028 Olympic and Paralympic Games in Los Angeles. In Los Angeles County, an estimated 75,312 people were experiencing homelessness, as stated in the 2024 homeless count. For CD-14 the issue of homelessness takes a higher level as it is home to Skid Row, which has one of the largest homeless populations in the U.S.
“We should continue to house our unhoused,” De León said.
He followed this by saying that under his leadership, CD-14 has built the most interim housing than “in any other place in the entire city of L.A.” He made a reference to the Boyle Heights Tiny Home Village and 1904 Bailey, both housing projects in CD-14.
“We need safety when the Olympics come,” he added.
Jurado said De León’s leadership has fallen short in his years in office, specifically when it comes to the homeless population and said that housing like the tiny homes is not sufficient for people in the district to live comfortably.
“My opponent has governed this district, Skid Row, for over 20 years. Has homelessness in this district gotten better? We can all agree that it hasn’t,” she said. “County Supervisor Hilda Solís put up 200 units that are not just sheds; they have bathrooms, they have places and they have support services. Why hasn’t [CD-14] gotten something better than these tiny homes?”
One of De León’s repeating arguments in various of his answers was the fact that Jurado has never held public office before. “I’ve dedicated my whole life to public service, to the benefit of our people. My opponent, to this day, has not done one single thing,” De León said in the first few minutes of the debate.
In one of the questions about low-income elders in the district, he listed some of his achievements when helping this population, including bringing free vaccines for pets of seniors of this district and food distributions, which, as De León noted, help people with basic food needs, including beans, rice and chicken. “The same chicken sold in Whole Foods,” he said.
Jurado defended herself against the reality of never holding public office and said her work as a housing rights attorney and affordable housing activist have given her the tools and experience to lead the district in a different direction than the incumbent, De León. “We can’t keep doing the same thing and expect different results,” Jurado said. ‘We need long-term solutions,” she said.
Last month, The L.A. Times also reported on Jurado’s past political experience, including working on John Choi’s unsuccessful 2013 run for City Council, as well as her work as a scheduler in Mayor Eric Garcetti’s office and how she was appointed by Garcetti to the Human Relations Commission in 2021.
She later added that she was proud to already have the support of some of the L.A. City Council members, such as Eunisses Hernández, Nithya Raman and Hugo Soto-Martínez, which De León later referred to as the “socialist council members.”
After the debate, CALÓ News talked to both candidates and asked how they thought the debate went.
“It was a spirited debate, no question about it,” De León said. “Sometimes elections can take a real ugly twist that is very similar to Trump-ian characteristics. Like Donald Trump just says whatever he wants to say, no matter how outlandish [or] inaccurate it is.”
When asked the same question, Jurado said, “ I think my opponent said a bunch of lies and said that he has plans for this district when he’s had four years to execute all of them. It’s really disappointing that only now he suddenly has all these ideas and plans for this district.”
Both candidates told CALÓ News they will continue working until election day and making sure CD-14 residents show up to vote.
“But I think past the debate[s], it’s just [about] keeping your nose to [the] grindstone, working hard, and taking nothing for granted, knocking on those doors and talking directly to voters,” De León said.
Jurado said she still has a couple other events that she and her team are hosting before election day. “I’m out here talking to voters. We want to make sure that people know who I am and that they have other options. People are disappointed. We’re going to keep folks engaged and make sure that [they] turn out to the polls,” she said.
Jorge Ramírez, 63, from Lincoln Heights, said he has been supporting De León since his time in the State Senate and said he will continue to vote for him because he doesn’t know much about his opponent. “He is the type of person we need. He’s done a lot for immigrants,” he said. “The other person, we don’t know much about her and she’s not very well known. She doesn’t have much experience in this field.”
Alejandra Sánchez, whose daughter goes to school in Boyle Heights and lives in El Sereno, said she believes CD-14 has been in desperate need of new leadership and worries that many people will vote for De Leon just because he is who they have known for so long. “It’s very powerful to see a woman leader step in… It’s been an incredible year to see a woman president elected in Mexico, a woman running for president in the U.S. and a woman also running for leadership here in our community,’ she said. “That’s part of the problem… we are afraid to think about something new, about the new leadership of someone doing things differently.”
General election day will take place on Tuesday, November 5, 2024. Early voting began on October 7. You can register to vote or check your registration status online on the California Online Voter Registration page.
Four months after seeking asylum in the U.S., Fernando Hermida began coughing and feeling tired. He thought it was a cold. Then sores appeared in his groin and he would soak his bed with sweat. He took a test.
On New Year’s Day 2022, at age 31, Hermida learned he had HIV.
“I thought I was going to die,” he said, recalling how a chill washed over him as he reviewed his results. He struggled to navigate a new, convoluted health care system. Through an HIV organization he found online, he received a list of medical providers to call in D.C., where he was at the time, but they didn’t return his calls for weeks. Hermida, who speaks only Spanish, didn’t know where to turn.
By the time of Hermida’s diagnosis, the U.S. Department of Health and Human Services was about three years into a federal initiative to end the nation’s HIV epidemic by pumping hundreds of millions of dollars annually into certain states, counties, and U.S. territories with the highest infection rates. The goal was to reach the estimated 1.2 million people living with HIV, including some who don’t know they have the disease.
Overall, estimated new HIV infection rates declined 23 percent from 2012 to 2022. But a KFF Health News-Associated Press analysis found the rate has not fallen for Latinos as much as it has for other racial and ethnic groups.
While African Americans continue to have the highest HIV rates in the U.S. overall, Latinos made up the largest share of new HIV diagnoses and infections among gay and bisexual men in 2022, per the most recent data available, compared with other racial and ethnic groups. Latinos, who make up about 19 percent of the U.S. population, accounted for about 33 percent of new HIV infections, according to the Centers for Disease Control and Prevention.
The analysis found Latinos are experiencing a disproportionate number of new infections and diagnoses across the U.S., with diagnosis rates highest in the Southeast. Public health officials in Mecklenburg County, North Carolina, and Shelby County, Tennessee, where data shows diagnosis rates have gone up among Latinos, told KFF Health News and the AP that they either don’t have specific plans to address HIV in this population or that plans are still in the works. Even in well-resourced places like San Francisco, HIV diagnosis rates grew among Latinos in the last few years while falling among other racial and ethnic groups despite the county’s goals to reduce infections among Latinos.
“HIV disparities are not inevitable,” Robyn Neblett Fanfair, director of the CDC’s Division of HIV Prevention, said in a statement. She noted the systemic, cultural, and economic inequities — such as racism, language differences, and medical mistrust.
And though the CDC provides some funds for minority groups, Latino health policy advocates want HHS to declare a public health emergency in hopes of directing more money to Latino communities, saying current efforts aren’t enough.
“Our invisibility is no longer tolerable,” said Vincent Guilamo-Ramos, co-chair of the Presidential Advisory Council on HIV/AIDS.
Lost without an interpreter
Hermida suspects he contracted the virus while he was in an open relationship with a male partner before he came to the U.S. In late January 2022, months after his symptoms started, he went to a clinic in New York City that a friend had helped him find to finally get treatment for HIV.
Too sick to care for himself alone, Hermida eventually moved to Charlotte to be closer to family and in hopes of receiving more consistent health care. He enrolled in an Amity Medical Group clinic that receives funding from the Ryan White HIV/AIDS Program, a federal safety-net plan that serves over half of those in the nation diagnosed with HIV, regardless of their citizenship status.
His HIV became undetectable after he was connected with case managers. But over time, communication with the clinic grew less frequent, he said, and he didn’t get regular interpretation help during visits with his English-speaking doctor. An Amity Medical Group representative confirmed Hermida was a client but didn’t answer questions about his experience at the clinic.
Hermida said he had a hard time filling out paperwork to stay enrolled in the Ryan White program, and when his eligibility expired in September 2023, he couldn’t get his medication.
He left the clinic and enrolled in a health plan through the Affordable Care Act marketplace. But Hermida didn’t realize the insurer required him to pay for a share of his HIV treatment.
In January, the Lyft driver received a $1,275 bill for his antiretroviral — the equivalent of 120 rides, he said. He paid the bill with a coupon he found online. In April, he got a second bill he couldn’t afford.
For two weeks, he stopped taking the medication that keeps the virus undetectable and intransmissible.
“Estoy que colapso,” he said. I’m falling apart. “Tengo que vivir para pagar la medicación.” I have to live to pay for my medication.
One way to prevent HIV is preexposure prophylaxis, or PrEP, which is regularly taken to reduce the risk of getting HIV through sex or intravenous drug use. It was approved by the federal government in 2012 but the uptake has not been even across racial and ethnic groups: CDC data show much lower rates of PrEP coverage among Latinos than among white Americans.
Epidemiologists say high PrEP use and consistent access to treatment are necessary to build community-level resistance.
Carlos Saldana, an infectious disease specialist and former medical adviser for Georgia’s health department, helped identify five clusters of rapid HIV transmission involving about 40 gay Latinos and men who have sex with men from February 2021 to June 2022. Many people in the cluster told researchers they had not taken PrEP and struggled to understand the health care system.
They experienced other barriers, too, Saldana said, including lack of transportation and fear of deportation if they sought treatment.
Latino health policy advocates want the federal government to redistribute funding for HIV prevention, including testing and access to PrEP. Of the nearly $30 billion in federal money that went toward things like HIV health care services, treatment, and prevention in 2022, only 4% went to prevention, according to a KFF analysis.
They suggest more money could help reach Latino communities through efforts like faith-based outreach at churches, testing at clubs on Latin nights, and training bilingual HIV testers.
Latino rates going up
Congress has appropriated $2.3 billion over five years to the Ending the HIV Epidemic initiative, and jurisdictions that get the money are to invest 25 percent of it in community-based organizations. But the initiative lacks requirements to target any particular groups, including Latinos, leaving it up to the cities, counties, and states to come up with specific strategies.
In 34 of the 57 areas getting the money, cases are going the wrong way: Diagnosis rates among Latinos increased from 2019 to 2022 while declining for other racial and ethnic groups, the KFF Health News-AP analysis found.
Starting Aug. 1, state and local health departments will have to provide annual spending reports on funding in places that account for 30 percent or more of HIV diagnoses, the CDC said. Previously, it had been required for only a small number of states.
In some states and counties, initiative funding has not been enough to cover the needs of Latinos.
South Carolina, which saw rates nearly double for Latinos from 2012-2022, hasn’t expanded HIV mobile testing in rural areas, where the need is high among Latinos, said Tony Price, HIV program manager in the state health department. South Carolina can pay for only four community health workers focused on HIV outreach — and not all of them are bilingual.
In Shelby County, Tennessee, home to Memphis, the Latino HIV diagnosis rate rose 86 percent from 2012 to 2022. The health department said it got $2 million in initiative funding in 2023 and while the county plan acknowledges that Latinos are a target group, department director Michelle Taylor said: “There are no specific campaigns just among Latino people.”
Up to now, Mecklenburg County, North Carolina, didn’t include specific targets to address HIV in the Latino population — where rates of new diagnoses more than doubled in a decade but fell slightly among other racial and ethnic groups. The health department has used funding for bilingual marketing campaigns and awareness about PrEP.
Moving for medicine
When it was time to pack up and move to Hermida’s third city in two years, his fiancé, who is taking PrEP, suggested seeking care in Orlando, Fla.
The couple, who were friends in high school in Venezuela, had some family and friends in Florida, and they had heard about Pineapple Healthcare, a nonprofit primary care clinic dedicated to supporting Latinos living with HIV.
The clinic is housed in a medical office south of downtown Orlando. Inside, the mostly Latino staff is dressed in pineapple-print turquoise shirts, and Spanish, not English, is most commonly heard in appointment rooms and hallways.
“At the core of it, if the organization is not led by and for people of color, then we’re just an afterthought,” said Andres Acosta Ardila, the community outreach director at Pineapple Healthcare, who was diagnosed with HIV in 2013.
“¿Te mudaste reciente, ya por fin?” asked nurse practitioner Eliza Otero. Did you finally move? She started treating Hermida while he still lived in Charlotte. “Hace un mes que no nos vemos.” It’s been a month since we last saw each other.
They still need to work on lowering his cholesterol and blood pressure, she told him. Though his viral load remains high, Otero said it should improve with regular, consistent care.
Pineapple Healthcare, which doesn’t receive initiative money, offers full-scope primary care to mostly Latino males. Hermida gets his HIV medication at no cost there because the clinic is part of a federal drug discount program.
The clinic is in many ways an oasis. The new diagnosis rate for Latinos in Orange County, Florida, which includes Orlando, rose by about a third from 2012 through 2022, while dropping by a third for others. Florida has the third-largest Latino population in the U.S., and had the seventh-highest rate of new HIV diagnoses among Latinos in the nation in 2022.
Hermida, whose asylum case is pending, never imagined getting medication would be so difficult, he said during the 500-mile drive from North Carolina to Florida. After hotel rooms, jobs lost, and family goodbyes, he is hopeful his search for consistent HIV treatment — which has come to define his life the past two years — can finally come to an end.
“Soy un nómada a la fuerza, pero bueno, como me comenta mi prometido y mis familiares, yo tengo que estar donde me den buenos servicios médicos,” he said. I’m forced to be a nomad, but like my family and my fiancé say, I have to be where I can get good medical services.
That’s the priority, he said. “Esa es la prioridad ahora.”
KFF Health News and The Associated Press analyzed data from the U.S. Centers for Disease Control and Prevention on the number of new HIV diagnoses and infections among Americans ages 13 and older at the local, state, and national levels. This story primarily uses incidence rate data — estimates of new infections — at the national level and diagnosis rate data at the state and county level.
Bose reported from Orlando, Fla.. Reese reported from Sacramento, Calif.AP video journalist Laura Bargfeld contributed to this report.
The Associated Press Health and Science Department receives support from the Robert Wood Johnson Foundation. The AP is responsible for all content.
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Ysabel Jurado, 34, a lifelong community member of Highland Park, and openly out candidate, is running against current Councilmember Kevin De Leon for Council District 14, the most powerful city council in Los Angeles County.
Her campaign slogan is ‘Ysabel For The Community.’
Earlier this year, Jurado made history in the primary, using her perspective as a historically underrepresented person in the hopes of bringing new leadership to the district after De Leon was called to resign in 2022, following a scandal.
The live voting results earlier this year highlighted Ysabel Jurado at 24.52%, with 8,618 votes, while De Leon fell behind by nearly 400 votes, with 23.39% in the primary.
Jurado is a tenants rights lawyer and housing justice advocate from Highland Park who has built her reputation in the community with support from social activist Dolores Huerta, L.A. City Councilmember Eunisses Hernandez and L.A. County Supervisor Hilda Solis.
“I’m the daughter of undocumented immigrants, a public transit rider, a former teen mom, and a working class Angeleno who has navigated the challenges of poverty. I have held the line on countless strikes and defended truck drivers against the same wage theft my father faced,” said Jurado in her candidate statement.
De Leon secured the second spot and will go head-to-head against Jurado in November. Jurado rose to the top of the polls, while her opponents spent more money on their campaigns, including De Leon. Miguel Santiago raised the most money for his campaign and also spent the most to secure support. De Leon came in second with both money spent and money raised. While Jurado came in fourth in the amount of money spent and raised for her campaign.
Jurado is running to become the first queer, Filipina to represent CD-14. Among the list of issues she aims to tackle while in office are; homelessness, climate action, safer streets and economic justice that uplifts small businesses.
“I will bring the institutional knowledge of a legal housing expert and the lived experience of a queer, immigrant-raised, working class, woman of color – a battle-tested representative for and from the community,” said Jurado.
De Leon might be facing an uphill climb after he was caught saying homophobic, racist and anti-sematic remarks in a leaked audio recording that rocked his political career. Even President Joe Biden called for his resignation.
The conversation that rocked L.A politics is said to have started because of redistricting plans and gerrymandering. According to a report by the Los Angeles Times, De Leon had his hopes set on running for mayor of Los Angeles. Since the audio was leaked, protests erupted, calling for his resignation. De Leon continued in his position after an apology tour and is now running against Jurado on the November ballot.
The recording of a conversation between De Leon, Ron Herrera, Nury Martinez and Gil Cedillo.
“Between FBI raids, backroom gerrymandering, racist rants, and corruption charges, our needs have been chronically ignored,” says the statement. “City government has failed us. We deserve better.”
If she wins, she would join a progressive bloc of leaders in city council that include Nithya Raman, Hugo Doto-Martinez and Councilmember Hernandez. The leadership would have a pendulum swing toward city affairs that has not been seen before.
CD-14 covers Eagle Rock, El Sereno, Boyle Heights and parts of Lincoln Heights and downtown L.A., which includes skid row and other points of interest.
Those points of interest make CD-14 seats particularly difficult when it comes to dealing with polarizing issues like homelessness and street safety measures.
According to the latest demographic data by L.A City Council, 61% of the population is Latin American, while the second highest population is white, at 16%, followed by Asian, at 14% and Black at 6%.
If elected, Jurado aims to tackle homelessness in a district that has one of the highest unhoused populations in the city.
Jurado is now gearing up for the November election by continuing to campaign at various events across Los Angeles, including ‘Postcarding with Ysabel,’ at DTLA Arts District Brewing and The Hermosillo.
LOS ANGELES – As the world gets a little warmer and we settle into the Spring season, the Los Angeles County Department of Parks and Recreation is proud to announce the return of our Youth Baseball and Softball Leagues for the Spring 2023 season.
BASEBALL & SOFTBALL ARE BACK!
Sign up for our Spring Sports Leagues, Coming to an LA County Parks Near You!
Baseball season is right around the corner, now’s the perfect time to sign up your young athletes for our Youth Baseball Leagues! Our Baseball Leagues will provide an emphasis on learning fundamentals of Baseball, skill development, sportsmanship, teamwork, and fun. League will run for 10 weeks and consist of one weekday practice and one game every Saturday. Game score and league standing will be kept. Rules will be enforced. Registration fee will include uniform, award, and umpire. Qualifying teams will advance and participate in the playoffs.
Girl’s Softball League will provide an emphasis on learning fundamentals of Softball, skill development, sportsmanship, teamwork, and fun. League will run for 10 weeks and consist of one weekday practice and one game every Saturday. Game score and league standing will be kept. Softball rules will be enforced. Registration fee will include uniform, award, and umpire. Qualifying teams will be advance and participate in the playoffs.
Divisions & Dates
D3 – D6: April 15 – June 12
AVAILABLE AT THE FOLLOWING PARKS DIVISIONS 3 – 6
NORTH AGENCY
George Lane Park: 5520 W. Avenue, L-8, Quartz Hill, 93534 | (661) 722 7780
Through an exciting partnership with the Dodgers Foundation, Dodgers Dreamteam (formerly Dodgers RBI) brings the sport of Baseball and Softball at a lower price! The goal of DDT is to provide an inclusive, barrier-free sports-based youth development program for communities that have historically been left out of consideration.
Divisions & Dates:
April 15 – June 12
Divisions 3 – 6
AVAILABLE AT THE FOLLOWING PARKS
EAST AGENCY
Belvedere Park: 4914 E. Cesar Chavez Ave. Los Angeles, 90022 | (323) 260 2342
Obregon Park: 4021 E. 1st St., Los Angeles, CA 90063 | (323) 260 2344
Washington State-native Travis Holp is a psychic medium with close to 300 thousand followers on Instagram and 500 thousand on Tik Tok. Known on social media as the Warrior Unicorn – a nod to his fighting spirit toward LGBTQ and mental health awareness issues, combined with his effervescent personality – Travis connects with those who have passed over and delivers messages to their loved ones in the physical world.
Through one-on-one readings and large public events, he says he does it with one aim in mind: that clients leave their time with him feeling a new sense of connection, clarity, closure and healing. He’ll make his Los Angeles debut at The Vault in the Beverly Center on Sunday, September 29, at 7pm.
Holp doesn’t recall when he discovered his psychic ability. He simply remembers being very young, maybe four-years-old, and having long conversations with what people around him assumed were his imaginary friends but, he now realizes, were his Spirit guides. “I can’t say there was one specific moment, but more like many moments throughout my life.”
It wasn’t until his early 20s when he decided to turn his skill into a profession. “Early on in my journey, I read as many books on mediumship as I could find,” he continues. He quickly found himself inundated with Spirit hoping to connect with loved ones in the physical world.
One of his biggest concerns became protecting his energy and learning to keep boundaries with the spiritual world.
“My now mentor and friend MaryAnn DiMarco wrote this great book called Medium Mentor, and she has some great exercises for spiritual protection.”
He also takes steps to nurture his special gift. “I regularly meditate and do things to raise my vibration like dancing to music.” A favorite song of his to listen to before readings and live events is Belinda Carlisle’s “Heaven is a Place on Earth”.
He believes most people have psychic abilities. Some, like himself, are born with it, and others access it later in life. “Like any other ability, it is absolutely possible for a person to learn to connect for him or herself,” he says. He often teaches people how to do it during sessions and at live classes.
The best way he has found to enhance mediumistic abilities is to actively participate in one’s own emotional healing. He says the connection we have with ourselves is the foundation for mediumship. “Like anything, it takes some training but I have gotten really adept at understanding the messages Spirit tells me,” Holp explains. He sees Spirit in his mind’s eye, and he hears and feels their communications. “Spirit uses my own frame of reference and symbols to help me convey their messages.”
His main purpose with Spirit is being a vessel. He views himself as the Guncle (gay uncle) of the Spirit world. “I always tell it like it is,” he says, “but I’m careful to deliver information with kindness, joy, and hope.”
Though both of his grandmothers “pop in” from time to time (he’ll feel their warm and loving energy and always enjoys it when they come to say hello!), he typically won’t read for close family members because he knows too much information about them. However, sometimes Spirit does present itself for a loved one.
When it does, Travis will thank the Spirit for coming but let them know that he prefers not to send a message. It’s all about keeping healthy boundaries between himself and his loved ones.
He does the same thing while on dates.
“I don’t date much, but when I do and I tell a guy how I make my living, they often worry that I’m reading them. I am not,” he insists. “I may get little nudges here and there, like one time I felt the energy of a mom in Spirit for someone I was on a date with, and a few moments later, he shared his mom had passed from cancer a few years prior, but I won’t stop a date to deliver a reading. It’s not very romantic,” he laughs.
“I believe I am meant to help others along their healing journey,” he continues. “Whether a client seeks guidance on a specific topic, wants to connect with a loved one in Spirit, or wants to deepen their own spiritual practice, I’m here to help like any great guncle who knows a lot of sh-t would.”
He admits that he often surprises himself with the accuracy of his messages. “I especially love it when the two people shared a special word or song and then Spirit reveals that word or title to me so that I can relay it back to my client. It’s validation, for sure, but it is also a fun feather in my cap.”
As far as the messages that he most often receives from Spirit, Holp says our dearly departed wish that we would let go of regret, guilt, and shame. “One of the things I have learned from Spirit is that most of what we carry isn’t necessary. In the end, all that really matters is love.”
Travis Holp appears at The Vault in the Beverly Center (8500 Beverly Blvd, Suite 860) on Sunday, Sept 29th at 7pm. For tickets, visit: www.travisholp.com
Venice Pride’s Gaywatch May 31 Baja Venice 311 Washington Blvd, Venice venicepride.org
Venice Pride Block Party presented by Aids Healthcare Foundation May 31 99 Windward Ave LA’s beloved grassroots LGBTQ+ Pride celebration returns with a *FREE* party in the street! Venice Pride Block Party
4th annual San Gabriel Valley Pride March and Festival
June 1
Boys & Girls Clubs of West San Gabriel Valley & Eastside (BGCWSGV),City of Monterey Park, and Alhambra Teachers Association are teaming up on the 4th annual San Gabriel Valley Pride March and Festival this Saturday, June 1. Hundreds of community members, including those of the LGBTQ+ group, will gather during this event to advocate for inclusivity and kindness during Pride month. The one-mile Pride march begins at Mark Keppel High School and will conclude at Barnes Memorial Park, where there will be food trucks, live music performances, art, and community resources. The festival will be hosted by Lisa Foxx from IHeart Radio and will highlight Club youth with inspiring LGBTQ+ stories, including teen member Mia Guttierez.
WHEN: Saturday, June 1 from 8:30 a.m. – 12:00 p.m.
*Pride festival begins at 10:00 a.m.
WHERE: Barnes Memorial Park |350 S Mc Pherrin Ave, Monterey Park, CA 91754
*Noting that this march will begin at Mark Keppel High School and conclude at Barnes Memorial Park, where the concert and festival will occur.
Los Angeles Angels Pride Night June 1 Angel Stadium of Anaheim Join fans in the Gate 5 Courtyard for pre-game Pride festivities. Purchase a Pride Night ticket package and receive discounted pricing along with a Pride Night-themed Angles hat. Proceeds from each ticket purchase will benefit OC Pride. angels.com/pride
AIDS/LifeCycle 2024 Ride June 2-8 The Cow Palace AIDS/LifeCycle is a fully-supported, seven-day bike ride from San Francisco to Los Angeles. It’s a life-changing 545-mile ride-not a race-through some of California’s most beautiful countryside. aidslifecycle.org
WeHo Pride Weekend May 31- June 2 WeHo Pride 2024 kicks-off on Harvey Milk Day, May 22, with a special event. wehopride.com
Friday Night @ Outloud May 31 WeHo Pride presents this free-to-attend concert in West Hollywood Park featuring headliners to be announced soon! wehopride.com
Glendale Pride in the Park June 1, 1pm-5pm Adams Square Mini Park The Glendale Pride in the Park celebration and queer family picnic is back. Glendale invites everyone in the community to join and work with love, in healing, and in creating safe space for our kids to thrive. glendaleout.org
Yappy Pride Party Returns to Just Food for Dogs West Hollywood
June 1, 2024, from 2 pm – 5 pm
The Yappy Pride Party is returning to the Just Food for Dogs West Hollywood kitchen, located at 7870 Santa Monica Boulevard, Saturday June 1, 2024, from 2 p.m. – 5 p.m. during WeHo Pride weekend. Dogs and their pet companions are welcome to attend the event at their parking lot on the corner of Santa Monica Boulevard and Fairfax Avenue
Guests will celebrate the kickoff of Pride Month with some food and refreshments. Past events have offered wraps, freshly made burgers, hot dogs, and there were plenty of dog treats for pets to munch on. This year enjoy a photo session with fur family photos (available from 3-5pm) with the purchase of toy and treat bundle. There will also be a K-9 couture contest.
Relentlessly Advocating for Pet Health Being Completely Transparent Basing Decisions on Scientific Evidence Driving Change in Our Category Honoring Pet Life Through Support of Rescue Efforts You can find them at retail kitchens, inside veterinary clinics and hospitals, at Pet Food Express stores in California, Petco locations nationwide, and on Chewy.com.
Women’s Freedom Festival June 1, 12pm – 6pm WeHo Pride Street Fair Community Stage at La Peer Dr.
Co-sponsored and produced by the L-Project, the festival will feature emerging LGBTQ and BIPOC women, non-binary musicians, comedians, poets, and activists. wehopride.com
Dyke March June 1, 6pm-10pm WeHo Pride Street Fair Community Stage at La Peer Dr. Featuring a motorcycle-led march, this annual rally will begin immediately following the Women’s Freedom Festival along Santa Monica Boulevard. wehopride.com
WeHo Pride weekend is almost upon us. It all begins this Friday, May 31, 2024 to Sunday, June 2, 2024, with the return of the Women’s Freedom Festival and Dyke March on Saturday. Women are taking over Boystown for WeHo Pride! Women’s Freedom Festival and the Dyke March returns for its 3rd year at West Hollywood Pride on Saturday, June 1, 2024 beginning at 12 noon!
This event is FREE. It is produced by The L-Project Los Angeles and co-sponsored by the City of West Hollywood.
Located at the Celebration Stage on west end of Santa Monica Blvd at LaPeer Avenue, the event will be hosted by Jackie Steele with sounds by DJ Boom Boom & DJ Sterling Victorian.
This year’s lineup of 2SLGBTQ+BIPOC artists will include live performances by: Nekeith – Madline Grace Jones – Shiah Luna – Gattison – Cheri Moon – Theia – Mariah Counts and the KingQueen Band. Poetry by Yazmin Monet Watkins + Sasha MaRi – Suri Chan and West Hollywood’s Poet Laurette, Jen Cheng.
Dyke March performance by THEIA & MEDUSA, THE GANSTA GODDESS
Biker staging for the Dyke March will begin at 5pm with an opening performance by Medusa at 5:30 p.m. The Dyke March Rally at 6 p.m. and the March will begin 6:30 p.m.
Bikers! If interested in joining Pride Riders for the Dyke March, please contact: Katrina Vinson at: [email protected]
Reserve your tickets for a chance to win free promos and other giveaways by clicking on the link here: (Link)
The Women’s Freedom Festival lineup and schedule (*subject to change) is as follows:
The L-Project is an historically lesbian non-profit 501(c)3 organization founded in 2015 by Elisabeth Sandberg, in West Hollywood, California. Their mission is to promote and support emerging LGBTQI BI+POC women and non-binary creatives through the arts and technology.
Outloud @ WeHo Pride June 1-2 An award-winning, ticketed concert highlighting LGBTQ artistry, this star-studded, high-energy line-up celebrates and advocates for queer voices in music, kicking off Pride Season! wehopride.com
WeHo Pride Street Fair June 1-2 The street fair is free and will include community group booths, exhibitors, sponsor activations, a stage with live performances, and other entertainment elements. wehopride.com
WeHo Pride Parade June 2 A colorful and entertaining event for the whole family, the parade will feature contingents such as floats, bands, drill teams, dance teams, entertainment entries, marchers and special guests. wehopride.com
LA Pride in the Park June 8, 1pm-11pm Los Angeles State Historic Park 1245 N. Spring Street, Los Angeles LA Pride in the Park is a highly anticipated music event. This year’s headliner is Latin superstar Ricky Martin. Joining him on the massive 80-foot stage will be MUNA, Tokischa and Jojo Siwa, among others. It’s also an LGBTQ+ community event organized by CSW, LA’s original 501(c)3 Pride nonprofit, established in 1970. Guests will enjoy over 20 acres of activities, glow-ups, giveaways, and more from LGBTQIA+ partners, exhibitors, and vendors. lapride.org
Photo Credit: Ricky Martin/WeHoTimes
As the first openly gay Latin artist to take center stage at the highly-anticipated Pride event of the year, this marks Martin’s first-ever headliner Pride performance.
LA Pride in the Park will return to the Los Angeles State Historic Park on Saturday, June 8. Across 20 acres and with a capacity for 25,000, LA Pride in the Park is one of the most sought-after and largest Official Pride concerts in the country. Additionally, the official theme for this year’s Pride season is “Power in Pride,” which celebrates the LGBTQIA+ community’s ability to live authentically.
General Admission and VIP Passes are now available to purchase at lapride.org.
“I am thrilled to be headlining LA Pride in the Park because it’s an incredible opportunity to celebrate love, diversity, and equality,” said Martin. “LA Pride is a testament to the power of community, the power of visibility, and the power of standing up for our rights. Being part of this vibrant community fills me with pride and purpose.”
54th ANNUAL LA PRIDE PARADE
JUNE 9, 2024:STEP OFF at 11AM
The best Parade viewing spots are along the middle of Hollywood Blvd, or on Highland, opposite the ABC7 broadcast area. Step-off is at 11AM sharp, so get there early to get a good spot.
If you can’t be with there in person, be sure to watch the parade live on ABC7, LA Pride’s Official Television & Streaming Partner.
PARADE BLOCK PARTY
June 9, 2024 ADJACENT TO PARADE ROUTE HOLLYWOOD BOULEVARD
We’re keeping the celebration going on Sunday by throwing the ultimate free Block Party adjacent to the Parade, open from mid-day and going into the evening. With a performance stage, large vendor village, food & bevs, pop-up bars, and more, it’s the place to be to after the Parade. Last year, 35,000 people enjoyed this free Parade “after-party,” don’t miss it!
The Block Party vendor booth application deadline has now passed. Stay tuned to learn more about the cool things we have in store!
The Grove will host Los Angeles’ beloved annual Pride Night celebration on Thursday, June 13, presented by Afterpay. Friends, family and members of the LGBTQIA+ community will gather in The Park for a colorful night of festive bingo, live entertainment, delectable sips and bites and more in celebration of this year’s Pride Month.
When doors open at 6PM, The Park at The Grove will shine in bright rainbow ornamentation, welcoming guests to rejoice with Pride-themed décor, upbeat tunes from a live DJ and a variety of interactive photo moments to capture the excitement. An array of bites from Rocco’s Pizza and The Grove’s dining tenants will be available to enjoy, including Häagen-Dazs, Wetzel’s Pretzels, Pressed Juicery and % Arabica, complemented by beverages from Hamptons Water, Casa Dragones, Grey Goose and Calidad.
The Grove’s acclaimed Pride Bingo will begin promptly at 7:30PM. Tickets are $55 per person and include 10 rounds of bingo hosted by LA legend ‘Bingo Boy’ (Jeffrey Bowman) and chances to win luxury prizes from some of The Grove’s renowned retailers like the newly opened David Yurman and Arhaus, along with Byredo, Backcountry, Todd Snyder and more. Caruso Signature members will also receive exclusive Pride merch and complimentary parking validation. Ticket proceeds will be donated to LA Pride.
Pride Night is sponsored by “buy now, pay later” service Afterpay. New and existing Afterpay customers who purchase Pride Bingo tickets will be reimbursed at check-in and guests are encouraged to arrive via Lyft, the official rideshare partner of Caruso. For more information and to purchase tickets, please visit https://thegrovela.com/events/pride-bingo-2/.
WHAT: Pride Night at The Grove, presented by Afterpay
*Includes 10 rounds of bingo, meal and beverage tickets, exclusive Pride merch, photo opportunitiesand chances to win complimentary prizesfrom The Grove’s stores and restaurants
Our World Series-winning Dodgers take on the Kansas City Royals with LA Pride pre-game festivities featuring DJ party, and Pride merch for special ticket holders!
Catalina Island Gears Up for an Unforgettable Pride Celebration
June 15, 2024
Catalina Pride, sponsored by US Bank, will kick off at noon with the ceremonial Pride Walk, starting from Wrigley Stage and continuing along the scenic waterfront to the famous Catalina Island Casino. Participants are encouraged to don their brightest rainbow attire as they join in this joyous march showcasing support for the LGBTQ+ community. In addition, the historic Catalina Island Casino will be lit in vibrant rainbow colors to showcase Catalina’s love and support for the LGBTQ+ community.
Wrigley Stage will be the heart of the celebration, featuring an exciting lineup of live entertainment. Highlights include:
Pulp Vixen – This all-female cover band, known for their high-energy performances, will headline the event.
DJ Asha – Returning for her third year, DJ Asha will keep the crowd dancing with her dynamic mixes.
KingQueen – The rock-pop band is back by popular demand.
Mermaid – Featuring Candace Quarrels and Brittany Campbell, this duo blends rock, pop, and R&B.
Danielle Lande – Singer-songwriter and founder of QUEERSOUND.
Patrick St. James – Irish-born, Manchester-based queer pop singer-songwriter.
DJ Jae Fusz – Former background dancer for Britney Spears, bringing his DJ skills to the stage.
Tonii and Miya King – Performing as both solo artists and their duo group Sunday.
Sister Ray – Known for their eclectic style and original songs.
DJ Hovani – Las Vegas-based DJ known for his infectious sets.
In addition to the main stage performances, an after-party will be held at the Chi Chi Club from 10 PM to close, featuring sets by DJ Hovani and DJ Fusz.
“We are delighted to welcome everyone to Catalina Island for this special celebration of love and diversity,” said Jim Luttjohann, CEO of Love Catalina. “Pride is not just an event; it’s a testament to our community’s commitment to inclusion and acceptance. Catalina is a wonderful destination for LGBTQ+ visitors year-round, offering a welcoming atmosphere, stunning scenery, and a variety of activities for all to enjoy. We look forward to a fantastic day of celebration, music, and unity.”
Pride is Universal at Universal Studios Hollywood
June 15, 2024 10pm – 2am
LA Pride’s iconic after-hours party is back at Universal Studios Hollywood, with a limited discounted GA ticket price of $139! Enjoy the magic of when the park closes to the public at 10pm and you get to stay until 2am for the Pride-only after-hours experience with multiple DJ’s, dance areas, cash bars, 14 Universal characters, and enhanced lighting throughout the park! Plus the retail stores, select restaurants, rides, and attractions remain open just for us!
The month-long SaMo Pride celebration returns this June with interactive activities and experiences that honor and celebrate the LGBTQ+ community and promote inclusivity and acceptance in Santa Monica. SaMo Pride is a citywide partnership between Santa Monica Place, Downtown Santa Monica, Inc. (DTSM, Inc.) and Santa Monica Pier, in collaboration with the City of Santa Monica and Santa Monica Travel and Tourism.
Fierce Fables: Drag Queen Pride Family-Edition
June 15 from 10 a.m. to 1 p.m.
At Santa Monica Pier, the community is invited to participate in the Merry-Go-Round Building. Hosted in partnership with The Crow Comedy Club, this event welcomes all family members to enjoy a drag queen and king storytelling corner, face painting and show-stopping dance numbers by Pickle Drag Queen, Pandora Boxx and Johnny Gentleman.
Pride on the Promenade
June 22, from 2 to 8 p.m.
This lively block party transforms Third Street Promenade into a colorful celebration featuring musical performances curated by OUTLOUD, giveaways, games and a retail pop-up marketplace showcasing local LGBTQ+ businesses, creating an inclusive space for all ages to come together and celebrate diversity. Plus, local service providers and community groups will be present along the Promenade, offering support and resources for the LGBTQ+ community.
Sounds of Santa Monica: Pride Edition
June 22, from noon to 6 p.m.
Families will groove to the beats of live musical entertainment by LGBTQ+ performers in Center Plaza under Lanterns of Love, an overhead colorful lantern installation. Vibrant overhead lights will also span from Third Street Promenade to Santa Monica Place, illuminating the festive atmosphere. Also on Saturday, the Santa Monica Place Kid Zone offers kid-friendly Pride programming and activities, creating an educational and entertaining space for children to play and learn about inclusivity and acceptance. For more information about Sounds of Santa Monica: Pride Edition, visit santamonicaplace.com.
The City of Santa Monica is dedicated to increasing visibility and understanding of the broad spectrum of gender identities and experiences within the LGBTQ+ community. The City celebrates Pride with the month-long lighting of City Hall in rainbow colors and a series of educational, uplifting events during the month of June. Community events include the City’s Pride Proclamation on May 28; an AIDS LifeCycle Finish Line Festival on June 8; Rainbow Family Storytime at the Santa Monica Public Library on June 11; Family Pride Drag Queen Storytime with Pickle on June 14; Pride sunset swim at the Annenberg Community Beach House on June 21; and much more.
Hermosa Beach Pride
Friday, June 14 to Sunday June 16, 2024
Location: Hermosa Beach
About the Event: Girls, gays, theys, allies, ALL are welcome to join us for our 4th Annual Hermosa Beach PRIDE, June 14-16! For more information, please visit Hermosa Beach Chamber of Commerce and Visitors Bureau’s website.
This Pride month, Chair of the Los Angeles County Board of Supervisors Lindsey P. Horvath is supporting a wide range of Pride events throughout Los Angeles County’s Third Supervisorial District in solidarity, support, and love of our LGBTQ+ community.
“This Pride, we’re committed to making sure that our LGBTQ+ community, in all of its beautiful diversity, is welcomed, supported, and celebrated throughout Los Angeles County,” said Chair Horvath. “As we honor the progress we’ve made and continue to push for equality, we must stand strong, use our voices, and make sure that our LGBTQ+ community always feels empowered. The Third District and LA County will be loud and proud in our support for all our LGBTQ+ family, during Pride month and year-round.”
The media and community are invited to join Chair Horvath for the following Pride Month events throughout the Third District.
Venice Pride | May 31st, 5 – 11 p.m. | 99 Windward Ave. | venicepride.org
West Hollywood Pride | June 1st - June 2nd | Santa Monica Blvd. | wehopride.com
Chair Horvath will attend the West Hollywood Pride Parade, which takes place on June 2nd at 12:30 p.m.
Los Angeles Pride | June 8th - June 9th | Hollywood Blvd. | lapride.org
Chair Horvath will attend the Los Angeles Pride Parade, which takes place on June 9th at 11 a.m.
Santa Monica Pride | June 22nd, 2 – 8 p.m. | Third Street Promenade | smpride.com
San Fernando Outdoor Pride Market | June 22nd, 6-10 p.m. | San Fernando Rd. | sfoutdoormarket.com
AFA WRESTLING PRESENTS “OVER THE RAINBOW” JUNE SOCAL PRIDE SHOW
LOS ANGELES, CA — Alliance For All Wrestling (AFA) will hold its largest LGBTQI+ allied professional wrestling event in Azusa at Veterans of Foreign Wars (VFW Hall — 250 East 1st Street Azusa, CA 91702 on June 27, 2024.
The “Wizard of Oz” themed show (‘Over the Rainbow’) will be the greatest pro-wrestling Pride event in SoCal history, featuring 40+ of the hottest SoCal wrestling stars on the independent circuit.
Barbie Boi, pro-wrestler and founder of AFA, is encouraging everyone to grab their friends and family, “click their heels three times,” and head on down the yellow brick road to witness a truly magical event.
“‘Over the Rainbow’ is an event that will bring everyone together for a night of love, representation, equality and wrestling,” says Barbie Boi. “Pride Month is such a special time for people to come together and show how important love and equality is. Pro-wrestling, to me, can also bring so many different kinds of people together. This event is showcasing talent representing the community alongside our strong allies. I want everyone to come see what is at the end of our wrestling rainbow. They’re going to love it.”
Featured and confirmed talent include: Effy, Shane Haste, Wolf Zaddies (Che Cabrera & Tito Escondido), Mylo, Sandra Moone, Delilah Doom, Barbie Boi, Keita, G Sharpe, Jazmin Allure, Titus Alexander, Tyler Bateman, Ray Rosas, Maximilien Monclair, Diego Valens, Nina, Brendan Divine, Bryn Throne, Jakob Austin Young, Eli Everfly, Bryce Saturn, Moondog Murray, Hunter Gallagher, El Primohenio, Parada, Chuy Gonzalez, Joey Mayberry, Mateo Valentine, Mighty Mayra, Shelly Benson, Everly Rivera, Marina Tucker, Krusty Krew (Lucas Riley & Dom Kubrick), The Unguided (Matt Vandagriff & Damian Drake), Gypsy Mac, Dante King and Affirmative Action (Da Shade & Project Wes).
Tickets for the June 27 show are $30 for Front Row VIP and $25 for General Admission, currently available for purchase online on Eventbrite. Tickets will also be sold at the door the day of the event.
This is an all inclusive event for all ages. Bar service for alcohol purchase available, and must be 21+ with proper identification. Pride wardrobe encouraged. Merchandise table/ photo-ops with wrestlers/ talent will be held during and after the show. Parking is free next to the VFW building and street parking is also available.
CARD SUBJECT TO CHANGE For more information about AFA – please follow on Instagram: @allianceforallwrestling, Twitter: @afawrestling, or contact via email: [email protected]
San Fernando Valley Pride | June 29th, 11 a.m. – 5 p.m. | Van Nuys | sfvpride.org
March at noon at Van Nuys Blvd. and Gault St.
Important Pride Notes!
Photo courtesy of the City of West Hollywood
WeHo Pride Weekend Street and Facility Closures
WeHo Pride Weekend will Take Place fromFriday, May 31 to Sunday, June 2 in and AroundWest Hollywood Park and the City’s Rainbow District
The City of West Hollywood reminds the community and the region about WeHo Pride-related street and facility closures. Drivers and Metro riders can anticipate increased traffic and commute times; please plan to use alternate routes.
Street Closures will take place, as follows:
N. San Vicente Boulevard closed from Melrose Avenue to Santa Monica Boulevard fromThursday, May 30, at 7 p.m. through Monday, June 3, at 10 a.m.
Santa Monica Blvd (Eastbound) closed from N. La Cienega Boulevard to N. Doheny Drive from Friday, May 31, at 12 p.m. (noon) through Monday, June 3, at 7 a.m.
N. Robertson Boulevard closed from Santa Monica Boulevard to Melrose Avenue fromFriday, May 31, at 12 p.m.(noon) throughMonday, June 3 at 7 a.m.
Santa Monica Boulevard (Westbound) closed from N. La Cienega Boulevard to N. Doheny Drive from Saturday, June 1, at 6 a.m. through Monday, June 3, at 7 a.m.
N. San Vicente Boulevard closed from Santa Monica Boulevard to Cynthia Street from Saturday, June 1, at 6 a.m. through Monday, June 3, at 7 a.m.
Santa Monica Boulevard closed from N. Fairfax Avenue to N. Doheny Drive (including side streets one block north and one block south of Santa Monica Boulevard) from Sunday, June 2 at 5 a.m. through Sunday, June 2, at 5 p.m. for the WeHo Pride Parade. Santa Monica Boulevard from N. La Cienega Boulevard to N. Doheny Drive will remain closed though Monday, June 3 at 7 a.m.
Facility Closures will be, as follows:
West Hollywood Park from Monday, May 27 through Wednesday, June 5 (West Hollywood Park will reopen Thursday, June 6).
Small Dog Park at West Hollywood Park from Monday, May 27 through Wednesday, June 5 (Small Dog Park will reopen Thursday, June 6).
Large Dog Park at West Hollywood Park from Wednesday, May 29 through Tuesday, June 4 (Large Dog Park will reopen Wednesday, June 5).
Five-Story Parking Structure at West Hollywood Park from Thursday, May 30, at 7 p.m. through Monday, June 3, at 10 a.m.
West Hollywood Library Garage at West Hollywood Park from Thursday, May 30, at 7 p.m. through Monday, June 3, at 10 a.m.
Plummer Park South Lot from Thursday, May 30, at 7 p.m. through Monday, June 3, at 12 p.m.
Robertson Lot from Thursday, May 30, at 7 p.m. through Monday, June 3, at 10 a.m.
The City of West Hollywood will activate its annual Pride Ride free shuttle service during #WeHoPride Weekend. The City’s free transit services, The PickUp and Cityline, will offer combined Pride Ride services that will operate over the weekend.
Pride Ride vehicles (both PickUp and Cityline vehicles marked with route/destination) will travel through West Hollywood from N. La Brea Avenue to N. Kings Road along Santa Monica Boulevard. Select Pride Ride vehicles (marked with route/destination) will also run to the Hollywood & Highland Metro Station as follows:
Friday, May 31, 2024 – West Hollywood route will run from 4 p.m. to 3 a.m. From 4 p.m. to 11 p.m. service will run to-and-from the Hollywood & Highland Metro Station.
Saturday, June 1, 2024 – West Hollywood route will run from 11 a.m. to 3 a.m. From 11 a.m. to 8 p.m. service will run to-and-from the Hollywood & Highland Metro Station.
Sunday, June 2, 2024 – West Hollywood route will run from 11 a.m. to midnight. From 11 a.m. to 5 p.m. service will run to-and-from Hollywood & Highland Metro Station to N. Fairfax Avenue and Santa Monica Boulevard due to WeHo Pride Parade street closures. Following the Pride Parade, once streets have reopened, Pride Ride will run along Santa Monica Boulevard between N. La Brea Avenue and N. La Cienega Boulevard until midnight.
WeHo Pride Weekend (May 31 to June 2) will include a free WeHo Pride Street Fair representing a diverse array of LGBTQ community groups as part of visibility, expression, and celebration; the Women’s Freedom Festival; the annual Dyke March; free Friday Night at OUTLOUD; OUTLOUD at WeHo Pride music festival; the WeHo Pride Parade, and a wide range of community group programming throughout Pride month. The WeHo Pride Arts Festival (June 14 – June 16) will take place at various locations throughout West Hollywood.
Avoid the hassle that is parking in LA, and be good to the environment, by using one of LA Metro’s convenient train or bus lines. Wherever you live, LA Pride is accessible by public transportation.
As Pride celebrations continue, the Los Angeles County Metropolitan Authority (Metro), is supporting all the activities. As the official transit partner of LA Pride, we’re conducting station “take overs” on Saturday, June 8 – our Chinatown station that services the concert in the park will be renamed “LA Pride Nation Station” and the station pylon will be wrapped in Pride colors. For your residents headed to the park, getting there is easy, all they have to do is take the A Line to Chinatown Station – one quick stop from L.A. Union Station. Pay Metro fare of $3.50 for a round trip on a TAP card, which cost $2 and are available for purchase at TAP vending machines at all Metro rail and busway stations. Metro has many Park & Ride lots servicing the county – parking is just $3.00 per day, payable onsite.
For the LA Pride parade and block party on Sunday, June 9 stations servicing both the Pride Parade and Block Party will be renamed and wrapped in Pride colors – Hollywood/Highland will be renamed Hollywood/Pride-land and Hollywood/Vine will be renamed Hollywood/Pride. And for those residents headed to both, they just have to take the B/D Line to Hollywood/Highland for the Parade and Hollywood/Vine for the Block Party.
Pay Metro fare of $3.50 for a round trip on a TAP car, which cost $2 and are available for purchase at TAP vending machines at all Metro rail and busway stations. Metro has many Park & Ride lots servicing the county – parking is just $3.00 per day, payable onsite.
Earlier this month, Metro also launched its “Ride with Pride” campaign. You may have already seen them, but our buses and trains are beautifully adorned with vibrant Pride themed designs, showcasing its support for the LGBTQIA+ community and enhancing the festive atmosphere for riders all month long.
Photo courtesy of LA Metro
LA Metro is the proud Official Transit Partner of LA Pride. Look for future announcements about Pride TAP cards, new LA Pride wrapped buses and trains for 2024, station takeovers, parties, and more!
PBS SoCal Celebrates Pride Month With Disco, George Takei and More
Select content slated to air during Pride Month is listedas follows (*schedule subject to change):
L.A.: A QUEER HISTORY – Sat., June 1 at 9 p.m. on PBS SoCal Plus and Thurs., June 20 at 7 p.m. on PBS SoCal
The 1969 Stonewall Uprising in New York has been widely regarded as the beginning of the Gay Civil Rights Movement, but the true heart of the movement, and what we know as “Gay Culture” was born in Los Angeles. This film sheds light on historical figures who are largely unacknowledged, creating a newfound dialogue about LGBTQ history but also a better understanding of the lesbian, gay, bisexual and transgender community.
AMERICAN MASTERS: Ballerina Boys – Sat., June 1 at 11:30 p.m. on PBS SoCal Plus
The story of Les Ballets Trockadero de Monte Carlo, a company of men who dance on pointe as ballerinas.
DISCO: SOUNDTRACK OF A REVOLUTION “Rock the Boat” – Tues., June 4 at 8:30 p.m. on PBS SoCal and Tues., June 18 at 9 p.m. on PBS SoCal as well as Sat., June 8 at 5:30 p.m. and Wed, June 19 at 10 p.m. on PBS SoCal Plus
The opening episode of the series looks at the roots of disco – how it emerged from a basic desire for inclusion, visibility, and freedom among persecuted Black, gay and minority ethnic communities of New York City. It tells the remarkable story of how a global phenomenon began in the loft apartments and basement bars of New York City, where a new generation of DJs and musicians, like David Mancuso, Nicky Siano, Francis Grasso and Earl Young (The Trammps), pioneered a distinct sound and a new way of spinning records.
DISCO: SOUNDTRACK OF A REVOLUTION “Ain’t No Stoppin’ Us Now” – Tues., June 4 at 9:30 p.m. on PBS SoCal and Tues., June 25 at 9 p.m. on PBS SoCal as well as Sat., June 8 at 6:30 p.m. and Wed, June 26 at 10 p.m. on PBS SoCal Plus
Set against the backdrop of Black power and sexual liberation, the second episode takes viewers to the high watermark of disco in the mid ’70s. It was the birth of the “disco diva” from Gloria Gaynor and Candi Staton to Donna Summer and Thelma Houston. However, mainstream success by The Bee Gees’ soundtrack album “Saturday Night Fever,” The Rolling Stones’ “Miss You,” Rod Stewart’s “Do Ya Think I’m Sexy” and Studio 54 took disco further and further from its roots of inclusivity and freedom, as straight, white men started to embrace and repackage the sound.
DISCO: SOUNDTRACK OF A REVOLUTION “Stayin’ Alive” – Tues., June 4 at 11 p.m. on PBS SoCal and Tues., July 2 at 9 p.m. on PBS SoCal as well as Sat., June 8 at 8 p.m. and Wed, July 3 at 10 p.m. on PBS SoCal Plus
The final episode documents the wellspring of resentment from white, straight, male-dominated, rock-loving middle Americans, as they targeted disco for its hedonism, femininity and queerness. A vocal “Disco Sucks” movement began to gain momentum, culminating in the “Disco Demolition Derby” at Comiskey Park Stadium in Chicago, where organizers destroyed thousands of disco records in front of a baying audience of baseball fans. In addition, the hedonism and sexual liberation embodied by disco found itself stopped in its tracks by the AIDS crisis. Pushed out of the mainstream, the pioneers of disco retreated and regrouped.
DEAR IKE: LOST LETTERS TO A TEEN IDOL – Sat., June 8 at 10 p.m. on PBS SoCal Plus
The story of a teenager’s all-consuming childhood quest to contact his boyhood idol, Ike Eisenmann, and ask him to star in an animated science-fiction epic that he was forever developing in an overstuffed three-ring binder.
UNIDAD: GAY & LESBIAN LATINOS UNIDOS – Sat., June 15 at 9 p.m. on PBS SoCal Plus
Gay and Lesbian Latinos Unidos was founded in 1981, only a few years before HIV/AIDS began to ravage LGBTQ communities. GLLU was the Los Angeles area’s first major Queer Latin@ organization, and the film chronicles events at a pivotal time in the history of LGBTQ equality, women’s rights and civil rights movements that shaped the destinies of GLLU’s communities.
TO BE TAKEI – Wed., June 19 at 8 p.m. on PBS SoCal Plus and Thurs., June 20 at 9 p.m. on PBS SoCal
This award-winning documentary features Star Trek legend, marriage equality advocate and spokesperson for racial justice; superstar George Takei.
ARTBOUND: LGBTQ Nightlife – Wed., June 19 at 9 p.m. and Sun., June 23 at 4 p.m. on PBS SoCal Plus
In this episode of ARTBOUND, see how a roving LGBTQ night club event in Los Angeles called “Mustache Mondays” became a creative incubator for today’s leading edge contemporary artists. This film examines the history of these spaces and how they shaped the Queer cultural fabric unique to Southern California.
AMERICAN EXPERIENCE “Stonewall Uprising” – Thurs., June 20 at 10 p.m. on PBS SoCal and Sat., June 22 at 9:30 p.m. on PBS SoCal Plus
When police raided the Stonewall Inn, a popular gay bar in the Greenwich Village section of New York City on June 28, 1969, the street erupted into violent protests that lasted for the next six days.
LOST LA: Coded Geographies – Sat., June 22 at 9 p.m. on PBS SoCal Plus
This episode of LOST LA explores two underground guidebooks, The Negro Travelers’ Green Book and The Address Book, that reveal the hidden geographies many Angelenos had to navigate, exposing Los Angeles as a place of coded segregation and resistance.
OUTRAGE OF DANNY SOTOMAYOR: American Stories – Sun., June 23 at 5 p.m. on PBS SoCal Plus
Danny Sotomayor was a man on a mission to address injustice. The fiery, openly gay AIDS activist, political cartoonist and organizer took to the streets of Chicago, using civil disobedience to wage war on city officials who marginalized the LGBTQ+ community and turned a blind eye to the AIDS crisis – all while fighting a losing battle with the disease himself.
CLIVE DAVIS: The Soundtrack of Our Lives – Sat., June 29 at 9 p.m. on PBS SoCal Plus
A look at the life and work of record executive and producer Clive Davis, whose five-decade career has launched many superstars, including Janis Joplin, Whitney Houston, Bruce Springsteen and Aerosmith.
JUSTLY WED: Scenes from the Marriage Equality Movement – Sun., June 30 at 5 p.m. on PBS SoCal Plus
An exploration of the experience and legacy of the 2004 gay marriages in San Francisco.
LOS ANGELES – Los Angeles Tourism will join the 54th annual LA Pride festivities this June through its support of the organization and its annual lineup of events. LA Pride stands as one of the largest Pride celebrations in the United States and the world.
Throughout LA Pride, local Angelenos and travelers can secure a nearby hotel with the best available rates and enjoy welcome amenities, discounts and more at select properties.
“LA Pride beautifully captures the spirit of our City of Angels with its focus on unity, inclusivity, and self-expression,” said Adam Burke, President & CEO of the Los Angeles Tourism & Convention Board. “We are incredibly proud to invite both our fellow Angelenos as well as travelers from around the world to join us in celebrating our LGBTQ+ community.”
LA Pride returns, promising an incredible lineup of events, including LA Pride in the Park headlined by Ricky Martin, the LA Pride Parade & Block Party on Hollywood Boulevard, LGBTQ+ Pride Night at Dodger Stadium and PRIDE is Universal
LA Pride in the Park will take place on Saturday, June 8, 2024 across more than 20 acres of lush green space at LA State Historic Park. The event will feature dozens of local and LGBTQ+ vendors, a huge variety of food & beverage, beer gardens and a special lineup. The global icon Ricky Martin will headline LA Pride in the Park, with additional artists to be unveiled. As the first openly gay Latin artist to take center stage at LA Pride, this also marks Martin’s first-ever headliner Pride performance, anywhere.
The series of events during LA Pride includes the iconic LA Pride Parade which will be held on Sunday, June 9, 2024, in Hollywood Boulevard Area. Over 150 contingents will march this year, using the theme “Power in Pride.” The route will be along Hollywood Blvd, and surrounding streets. Those who can’t make it in person are able to watch a live broadcast on ABC7.
“LA Pride radiates a vibrant tapestry of acceptance, unity, and celebration year-round,” shared Gerald Garth, Board President, LA Pride/Christopher Street West. “It’s a testament to our city’s unwavering commitment to embrace diversity and foster an inclusive spirit that transcends boundaries.”
Additional top events during LA Pride include LA Pride in The Park, Parade Block Party, LGBTQ+ Night at Dodger Stadium and Pride is Universal. Read on for details on top events and hotel deals throughout Pride.
Returning to LA State Historic Park for a talented music line-up, dozens of food trucks, sponsor giveaways and activities and much more. LA Pride in The Park takes place on Saturday, June 8th. It’s all happening on over 20 acres of lush green space with a view of the DTLA skyline. Ricky Martin will headline LA Pride in the Park, with additional artists to be unveiled. Tickets can be purchased here.
Parade Block Party – June 9th
Don’t forget the fun Parade Block Party on June 9th, a free Block Party adjacent to the Parade, open from mid-day and going into the evening. With a performance stage, large vendor village, food, pop-up bars, and more. Last year, 35,000 people enjoyed this free Parade “after-party,” don’t miss it! Talent and other announcements coming soon!
LGBTQ+ Pride Night at Dodger Stadium – June 14th
Come watch the Dodgers take on the Kansas City Royals with LA Pride pre-game festivities featuring DJ party, and Pride merch for special ticket holders, only available at dodgers.com/lapride
Pride is Universal – June 15th
Our exclusive after-hours theme park takeover is a fan favorite. Pride is Universal will feature live DJs, Universal character meet-and-greets, photo ops, and more, with musical guests, drag performers and all new elements for this year. Hours, details, and new features to be announced. Tickets go on sale soon.
LA PRIDE: STAY & SLAY
Visitors coming to Los Angeles to celebrate Pride from June 8-11 can “Stay and Slay” with a collection of hotel offers specially curated by Los Angeles Tourism to welcome revelers from around the world. Highlighted hotel offers are listed out below.
Dream Hollywood Hotel
Tucked among the scenic Hollywood Hills, Dream Hollywood boasts 178 playfully sophisticated guest rooms with subtle nods to the mid-century modern aesthetic iconic to LA. Featuring accommodations with unparalleled views, Tao, Beauty & Essex, and The Highlight Room, one of the LA’s swankiest rooftop pools. Book the best available rate here.
The Godfrey Hotel Hollywood
Exuding the energy of old Hollywood and walking distance to Sunset Blvd, the new Godfrey Hotel features one of the largest rooftops in Los Angeles, four on-site bars, various indoor-outdoor event spaces and About Last Knife, an energetic, chef-driven gastropub-meets-steakhouse. LA Pride Staycation: Celebrate love with The Godfrey and receive 15% off the best available rate here.
Hollywood Hotel – The Hotel of Hollywood
Contemporary accommodations meet quintessential Hollywood glamour at Hollywood Hotel. From a sparkling pool to the Route 66 Bistro Bar & Lounge, the historic Hollywood Hotel reflects classic movie star style in every sense. Visit hotel site for best available rate here.
The Hollywood Roosevelt
The Hollywood Roosevelt is a complete lifestyle destination, fusing entertainment, art, culture, design and music all around the property while providing a glimpse at its storied past. Visit hotel site for best available rate here.
Kimpton Everly Hollywood
Kimpton Everly Hollywood is a breath of fresh air in the midst of one of the world’s most storied neighborhoods. The sophisticated Hollywood Hills-infused residential vibe invites lingering and intimate interaction in the café, living room and skyline pool area. Book the hotel’s best available rate here.
Loews Hollywood Hotel
Loews Hollywood Hotel rises 20 floors above the famed intersection of Hollywood and Highland. Spectacular views of the iconic Hollywood sign and Los Angeles cityscape set the stage for 628 rooms including 113 spacious suites, as well as the rooftop pool. *Use CODE: PRIDE to receive 2 comp cocktails at H2 Kitchen & Bar and complimentary upgrade to a suite. Website here.
Mama Shelter
Designed by Thierry Gaugain to honor the beauty of the SoCal landscape, Mama Shelter LA features five floors of uniquely decorated rooms, each a cozy haven in itself. 70 rooms have king-size beds decked out in 5* linen – fit for a movie star! The hotel boasts one of LA’s best rooftop bars, while dining options will appeal to carnivores and vegans alike. View hotel site for best available rate here.
Sheraton Universal
Nestled below the Hollywood Hills, the Sheraton Universal Hotel is just steps away from Universal Studios Hollywood and CityWalk. Unwind at the poolside lounge or be dazzled with a 270-degree view of Hollywood from the 20-foot windows of the rooftop Starview Room. Book the hotel’s best available rate here.
Thompson Hollywood
Thompson Hollywood is a luxurious new hotel that brings elevated service, and laidback California cool to the heart of Hollywood. The hotel features 190 sophisticated guest rooms and 16 suites, a rooftop pool with sweeping views of Los Angeles, and a state-of-the-art fitness center. The world-class culinary and nightlife destinations include the rooftop lounge Bar Lis, chef Lincoln Carson’s French-inspired Mes Amis, and The Terrace, which pairs European fare with Californian views. Use CODE: STAYPROUD to receive best available rate + bottle of wine + 10% donation to Hollywood LGBT Center. Website here.
Tommie Hollywood
Get comfy in a California way, at Tommie Hollywood. There’s a stylish rooftop pool, fitness center, and a terrace bar in the heart of Los Angeles. This 4-star hotel includes the latest restaurant by award winning chef, Wes Avila, Ka’teen. Use code: STAYPROUD to book the best available rate and receive a welcome amenity and bottle of wine, plus a 10% donation to Hollywood LGBT Center here.
W Hollywood Hotel & Residences
Welcome to the new Hollywood. W Hollywood brings together the magnetic spirit of the Golden Era, infused with epic innovation, elegance and excitement. Welcome backstage, where W guests are insiders in the vivacity of the spotlight. Receive 10% off hotel stay plus welcome amenity. Website here.
When you’re not celebrating LA pride at the parade or many events around the city, celebrate by visiting one of the many LGBTQ+ owned restaurants around Los Angeles. Start off in Casita Del Campo in Silverlake for Mexican dishes, make a stop Liberation Coffee House for a latte and end the night at n/naka which was featured in Season 1 of Netflix’s Chef’s Table. n/naka is your ultimate destination for fine Japanese cuisine. View the full guide to LGBTQ owned restaurants in LA here.
LOS ANGELES, CA – Today, the TransLatin@ Coalition commemorated a significant milestone as it marked the launch of its 15th Anniversary Campaign during a press conference held in Los Angeles. The event also served as a platform to unveil the organization’s 2023 Annual Report, shedding light on its journey, accomplishments, and ongoing commitments.
Led by Bamby Salcedo, President and CEO of the TransLatin@ Coalition, the press conference highlighted the perilous situations faced by transgender and Latinx individuals in their home countries, where they often confront insurmountable violence.
Salcedo emphasized the harsh reality that many flee to cities like Los Angeles and San Francisco seeking asylum, only to encounter further violence and danger, often leading to deportation and, tragically, sending them back to potential harm or death.
A poignant moment of the event was the unveiling of a new logo commemorating the organization’s 15th anniversary, aptly dubbed their “quinceañera.” This symbolizes not only a milestone but also a renewed commitment to advocacy and support for the TransLatin@ community.
In a groundbreaking announcement, Salcedo revealed plans for a $35 million housing project aimed at providing safe and secure housing for transgender and gender nonconforming individuals. With $20 million already secured, this initiative underscores the organization’s dedication to addressing the pressing needs of the community.
The TransLatin@ Coalition, founded in 2009 by a group of transgender and gender nonconforming immigrant women in Los Angeles, has evolved into a nationally recognized organization with a presence in 10 states across the U.S. It offers direct services to transgender, gender nonconforming, and intersex individuals in Los Angeles, with a focus on empowering and improving the quality of life for its members.
Since its inception, the organization has achieved numerous milestones, including the establishment of the Center for Violence Prevention and Transgender Wellness in 2015, the opening of the first-ever TransLatin@ office in 2016, and the launch of the #TransPolicyAgenda in 2019.
The TransLatin@ Coalition’s advocacy efforts have also extended to legislative triumphs, such as the passage of AB2218 in 2020, which allocates grant funding for transgender wellness and equity programs, and supporting bills like AB1163 and AB 1487, aimed at advancing transgender rights.
With the recent expansion to include the El Monte site and the opening of a new building on Sunset, the TransLatin@ Coalition continues to broaden its reach and impact, reaffirming its commitment to serving the community and creating inclusive spaces where history is made and celebrated.
“Beautiful and amazing people, who are trans, gender non-conforming, or intersex, please know that you are beautiful and amazing and that you are valued. Do not feel alone. There is a whole movement that is fighting for you. Continue to assert your presence within the tapestry of our society. We love you, we see you, we thank you,” Salcedo told the Blade.
As the organization looks ahead to the next 15 years and beyond, its mission to advocate for the specific needs of the TransLatin@ community remains steadfast, guided by values of altruism, respect, transparency, and collaboration.
