ReportWire

Tag: lee isaac chung

  • Glen Powell Is Taking the ‘Twisters’ Missing Kiss Backlash “Very Personally”

    Glen Powell Is Taking the ‘Twisters’ Missing Kiss Backlash “Very Personally”

    [ad_1]

    Kiss or no kiss, Glen Powell is just happy fans care enough about Twisters to start discourse online.

    In an interview with Screenrant, the actor, who stars opposite Daisy Edgar-Jones in the sequel to 1996’s Twister, recently shared his reaction to the surprising uproar over a kiss between the two leads being omitted from the film.

    “I’m taking it very personally!” he said. “I’m sure you’ve seen the behind-the-scenes, where I did get to kiss Daisy Edgar-Jones, which really is all that counts. [Laughs] We had a great time, and I’m really proud of the movie.”

    Throughout the movie, romantic tension builds between Powell’s Tyler, a hotshot storm chaser, and Edgar-Jones’ Kate, a retired tornado-chaser, as they team up to take on a massive tornado. However, an on-screen kiss never made it into the final cut, and footage only later emerged on social media of the two stars filming an alternate ending where they do kiss (leaving some fans disappointed).

    “I really think that even that [backlash] shows that people care, which is really great,” Powell added. “I just love how excited people have gotten about that movie, and Daisy and I send each other the TikToks and the gifs. There’s so much funny stuff coming out of it. It’s fun. That’s what summer movies are about. It creates this conversation and cultural moment, and people dress up and do the thing. It’s been really awesome. So, kiss or no kiss, everybody’s a winner.”

    Director Lee Isaac Chung has previously shared why he chose the no-kiss ending, standing by his final decision.

    “I actually tried the kiss, and it was very polarizing — and it’s not because of their performance of the kiss,” the filmmaker said. “This [no-kiss shot] was the other option that I had filmed on the day, and I got to say, I like it better. I think it’s a better ending. And I think that people who want a kiss within it, they can probably assume that these guys will kiss someday. And maybe we can give them privacy for that.”

    He continued at the time, “In a way, this ending is a means to make sure that we really wrap things up with it in a celebratory, good way. If it ends on the kiss, then it makes it seem as though that’s what Kate’s journey was all about, to end up with a kiss. But instead, it’s better that it ends with her being able to continue doing what she’s doing with a smile on her face.”

    Edgar-Jones has also described the ending that made the final cut as “nice and refreshing.”

    [ad_2]

    Carly Thomas

    Source link

  • ‘Twisters’ tears through Oklahoma on the big screen. Moviegoers in the state are buying up tickets

    ‘Twisters’ tears through Oklahoma on the big screen. Moviegoers in the state are buying up tickets

    [ad_1]

    MOORE, Okla. (AP) — Grace Evans lived through one of the most powerful and deadly twisters in Oklahoma history: a roaring top-of-the-scale terror in 2013 that plowed through homes, tore through a school and killed 24 people in the small suburb of Moore.

    A hospital and bowling alley were also destroyed. But not the movie theater next door — where almost a decade later, Evans and her teenage daughter this week felt no pause buying two tickets to a showing of the blockbuster “Twisters.”

    “I was looking for that element of excitement and I guess drama and danger,” Evans said.

    Her daughter also walked out a fan. “It was very realistic. I was definitely frightened,” said Charis Evans, 15.

    The smash success of “Twisters” has whipped up moviegoers in Oklahoma who are embracing the summer hit, including in towns scarred by deadly real-life tornadoes. Even long before it hit theaters, Oklahoma officials had rolled out the red carpet for makers of the film, authorizing what is likely to wind up being millions of dollars in incentives to film in the state.

    In its opening weekend, the action-packed film starring Daisy Edgar-Jones and Glen Powell generated $80.5 million from more than 4,150 theaters in North America. Some of the largest audiences have been in the tornado-prone Midwest.

    The top-performing theater in the country on opening weekend was the Regal Warren in Moore, which screened the film in 10 of its 17 auditoriums on opening weekend from 9 a.m. to midnight. John Stephens, the theater’s general manager, said many moviegoers mentioned wanting to see the film in a theater that survived a massive tornado.

    “The people who live in Tornado Alley have a certain defiance towards mother nature,” he said, “almost like a passion to fight storms, which was depicted by the characters in ‘Twisters.’”

    Lee Isaac Chung, who directed the film, considered placing the movie in Oklahoma to be critically important.

    “I told everyone this is something that we have to do. We can’t just have blue screens,” Chung told the AP earlier this year. “We’ve got to be out there on the roads with our pickup trucks and in the green environments where this story actually takes place.”

    The film was shot at locations across Oklahoma, with the studio taking advantage of a rebate incentive in which the state directly reimburses production companies for up to 30% of qualifying expenditures, including labor.

    State officials said the exact amount of money Oklahoma spent on “Twisters” is still being calculated. But the film is exactly the kind of blockbuster Sooner State policymakers envisioned when they increased the amount available for the program in 2021 from $8 million annually to $30 million, said Jeanette Stanton, director of Oklahoma’s Film and Music Office.

    Among the major films and television series that took advantage of Oklahoma’s film incentives in recent years were “Reagan” ($6.1 million), “Killers of the Flower Moon” ($12.4 million), and the television shows “Reservoir Dogs” ($13 million) and “Tulsa King” ($14.1 million).

    Stanton said she’s not surprised by the success of “Twisters,” particularly in Oklahoma.

    “You love seeing your state on the big screen, and I think for locals across the state, when they see that El Reno water tower falling down, they think: ‘I know where that is!’” she said.

    “It’s almost as if Oklahoma was a character in the film,” she added.

    In the northeast Oklahoma community of Barnsdall, where two people were killed and more than 80 homes were destroyed by a tornado in May, Mayor Johnny Kelley said he expects most residents will embrace the film.

    “Some will and some won’t. Things affect people differently, you know?” said Kelley, who is a firefighter in nearby Bartlesville. “I really don’t ever go to the movies or watch TV, but I might go see that one.”

    ___

    Follow Sean Murphy at www.x.com/apseanmurphy

    [ad_2]

    Source link

  • Video: ‘Twisters’ | Anatomy of a Scene

    Video: ‘Twisters’ | Anatomy of a Scene

    [ad_1]

    My name is Lee Isaac Chung and I am the director of “Twisters.” So this is a scene that happens about halfway through the film. Internally, we would always say this is T4, tornado number four, because we number each of our tornadoes. And Kate is played by Daisy Edgar-Jones. And then we have Tyler played by Glen Powell. Other interesting actors in this sequence, we have James Paxton, who is actually the son of Bill Paxton. You only see him very briefly. He’s the man in the couple who try to drive away from this tornado. No! Stop! And Lily Smith, who is the daughter of our writer Mark L. Smith. And then we have Samantha Ireland, Aila Grey, who’s the little girl. And we also had Jeff Swearingen, who plays the hapless desk clerk. I really wanted to film a night tornado because growing up around tornado alley, the night tornadoes were always the most frightening. Really, the intent of doing this was to create that feeling, that subjective feeling of what it’s like to experience a tornado in real time. We had Scott Fisher, who was our special effects person, who rigged a lot of interesting things to happen within this scene after we saw that Coke machine fall and I saw that top shell loose. We rigged that top shell to fly off into the wind. Jeff Swearingen was game to be rigged up, to be pulled back to the back of the pool. And then after he’s yanked back, that’s where we changed Jeff out with this wonderful stunt performer who we rigged up to really be pulled up into the air. I think he went up about 60 feet. And then this trailer, we slammed it against the edge of the pool. We had lots of debris falling as a result. And this was a little bit scary to film because when that trailer falls on these actors, it’s loud, it’s very loud. And I felt the actors were really great sports doing this. We were keeping them safe, of course, Because we were filming a sequence in which the background is intact, and then later when they come out of this swimming pool, everything is destroyed, we needed to destroy the set. So any time we’re filming inside of this swimming pool, there were people outside, our crew, who were destroying the set. So that was going on in the same time that we were filming all of this stuff within the pool. The swimming pool had actually never been there. We had found this motel in which there were three separate structures within the motel. And what we did was we built out the hotel into a horseshoe shape and built an office so that later we could destroy those parts of our set to make it feel like a tornado really ripped through a horseshoe motel. When we were walking out with these guys, with the crane, this was really a beautiful shot. I give so much credit to Geoff Haley, our incredible camera operator, for all of the technical expertise he did in this entire sequence to make sure our camera is level and that all of these moments somehow work in this seamless way.

    [ad_2]

    Mekado Murphy

    Source link

  • ‘Twister’ Director Says He Wasn’t Consulted About Sequel

    ‘Twister’ Director Says He Wasn’t Consulted About Sequel

    [ad_1]

    There are plans to put out a new sequel to 1996’s Twister. Unfortunately, the original film’s director didn’t quite get the memo.

    The new film, titled Twisters, has been in development since some time in 2020, and the studio eventually settled on putting Minari filmmaker Lee Isaac Chung in the director’s chair. The plot will supposedly follow the daughter of the storm chasers from the first movie, played by Helen Hunt and the late Bill Paxton. Interest in tornados apparently runs in the family, and she decides to pick up her parents’ mantle.

    Jan de Bont, the director of the original Twister, recently told Inverse that he had only heard of the sequel recently and has not been contacted or consulted about the project. (“It made so much money for the studio. Sooner or later they would do it,” de Bont said.)

    While de Bont is not involved, he was confident the new film would be very different from his, simply because of the changes in filmmaking technology since 1996. As he put it…

    When things fell from the sky, there were real things falling from a helicopter. If you film a car escaping a tornado in a hail storm, it was real ice that came at us. It’s a movie that cannot be remade… That would never, ever happen again. Every shot was a fortune. It would take three days to transfer all that information onto film.

     

    Bill Paxton and Helen Hunt in Twister
    Warner Bros., Universal, Amblin

    READ MORE: Forgotten ’90s Classics You Have to See

    The director also pointed out in the interview that the wave of big movies directed by artists like Chung who made their name on smaller films and quickly graduate to major tentpoles is because the studios and executives “want to be able to fully control them … ultimately, the studio is going to tell them what’s in the movie. I know that firsthand.”

    While de Bont seems fairly cynical about the project, only time will tell how it pans out. Twisters is currently scheduled to open in theaters on July 19, 2024.

    ’90s Movies We Can’t Believe Got Remakes

    These popular ’90s movies got remakes. And all we want to know is … why?

    [ad_2]

    Cody Mcintosh

    Source link