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Tag: Kurt Cobain

  • This Day in Rock History: February 20

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    On Feb. 20, we saw the birth of a rock legend along with Jimi Hendrix’s first concert. Continue reading to get more facts and trivia about what happened on this day in rock music history.

    Breakthrough Hits and Milestones

    Feb. 20 saw these breakthrough hits and milestones that made waves in rock music:

    • 1971: The soundtrack to the rock opera Jesus Christ Superstar went to No. 1 on the Billboard Top LPs chart. After the album’s success, there were many Broadway productions of the controversial musical.
    • 1993: Though it was over 34 years since his fatal plane crash, Buddy Holly and The Crickets made it to No. 1 in the U.K. with a posthumous compilation album, Words of Love. It was certified Gold in the U.S.

    Cultural Milestones

    Your favorite music genre wouldn’t sound the same if not for these Feb. 20 cultural milestones:

    • 1967: Kurt Cobain, founder of Nirvana, was born in Aberdeen, Washington. He’s considered one of the most iconic rock musicians in the industry thanks to pioneering the grunge style that bridged hard rock, heavy metal, and punk styles.
    • 1976: The four members of KISS left their footprints in the cement outside Grauman’s Chinese Theatre in Hollywood, California. Celebrities have been leaving their mark outside the building since 1927. 

    Notable Recordings and Performances

    The most notable recordings and performances in rock music that happened on Feb. 20 were:

    • 1958: Buddy Holly released his self-titled debut album on Coral Records. It features the Crickets as his backing band and includes hit singles like “Words of Love” and “Peggy Sue.”
    • 1959: At the age of 16, Jimi Hendrix played his first concert at the Temple De Hirsch Sinai synagogue in his hometown of Seattle. He was fired from the unnamed band immediately following the show, as the other members thought he was showing off.
    • 1970: The Plastic Ono Band released the “Instant Karma!” single in the US. Written by John Lennon, it went from conception to release in just 10 days, making it one of the fastest-released singles in music history.
    • 1974: Steely Dan released their third studio album, Pretzel Logic, via ABC Records. It featured the massive hit “Rikki Don’t Lose That Number,” the band’s most successful-ever single, which peaked at No. 4 on the Billboard Hot 100 singles charts later that summer.
    • 1979: George Harrison released his self-titled eighth studio album in the US via Dark Horse Records. It featured guest appearances from Eric Clapton and Steve Winwood, and was certified Gold by the RIAA.
    • 1984: The Smiths released their self-titled debut album through Rough Trade Records. Despite initially getting mixed reviews, it set the band on their way to becoming one of the most influential British bands of the 1980s.
    • 2017: Following a performance in which David Cassidy stumbled and slurred his words, he reported to People magazine that he had dementia. He died a few months later of liver failure at the age of 67.

    Industry Changes and Challenges

    The rock music industry changed forever after these Feb. 20 challenges:

    • 2003: Pyrotechnics ignited soundproofing material during a Great White concert at The Station nightclub in West Warwick, Rhode Island. The result was a massive blaze that caused 100 deaths and more than 200 injuries, making it the fourth-deadliest nightclub fire in the nation.
    • 2009: Performing for the last time together in public, the White Stripes played “We’re Going To Be Friends” on the Late Night With Conan O’Brien show. The band officially broke up in February 2011.

    These breakthrough hits, cultural milestones, major recordings and performances, and changes and challenges in the music industry continue to influence the rock music landscape. They’re just a tiny part of what makes rock music the genre it is today.

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    Dan Teodorescu

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  • Someone wants Kurt Cobain’s death investigated as a homicide. This has to stop – National | Globalnews.ca

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    When something bad happens, we want to know why. The weirder and worse the event, the more we need to know. Such things can’t possibly be random and spontaneous. Someone or something needs to be responsible and held accountable.

    Blame has to be assigned. And there had better not be any loose ends. If there are, that just opens the door wide open to conspiracy theories.

    Along with flat-earth nutters, moon landing deniers, those who believe COVID-19 vaccines contain tracking nanochips, and people trying to tell us that 5G is killing the population, there’s a dedicated group who refuse to believe that Kurt Cobain took his own life on April 5, 1994. Every once in a while, another bunch pop up claiming that they know the truth about Kurt’s death. And it’s happening again.

    Kurt’s body was found on the morning of Friday, April 8. An electrician who had been hired to do some work on the house Kurt shared with his wife, Courtney Love, at 171 Lake Washington Blvd. East, thought he saw something through the window of the backyard greenhouse. It appeared to be a body sprawled on the floor. When police arrived, they discovered Kurt dead of a self-inflicted shotgun blast to the head.

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    I was on the air that day.

    alancross · Kurt Cobain’s Death: Minute-by-minute announcements from April 8, 1994

    In short order, his death was ruled a suicide. But even all these years later, there are still those who refuse to believe that.

    A group of “unofficial private sector team of forensic scientists” — in other words, they’ve “done their own research” over the course of a whopping three days — say they have gathered enough evidence to prove that Kurt was murdered. They went through Kurt’s autopsy report, looked at records of crime scene materials, and consulted a specialist who knows something about gunshot deaths and drug use.

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    Their conclusion? His death is not consistent with an “instantaneous” gunshot.

    So what happened? According to Michelle Wilkins and Brian Burnett, one or more people confronted Kurt and forced him to overdose on heroin so that he would be incapacitated. After that, they shot him in the head with the shotgun and placed the gun in his hands.

    They then wrote a fake suicide note and left it in a potted plant. The motive? Unclear, but let’s not let that get in the way of good conspiracy.


    Wilkins: “There are things in the autopsy that go, well, wait, this person didn’t die very quickly of a gunshot blast. The necrosis of the brain and liver happens in an overdose. It doesn’t happen in a shotgun death.” She says there were signs of oxygen deprivation.

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    “To me, it looks like someone staged a movie and wanted you to be absolutely certain this was a suicide,” she says. ““The receipt for the gun is in his pocket. The receipt for the shells is in his pocket. The shells are lined up at his feet.” She and her people want the case reopened.

    Oh, dear. Where to begin?

    First, let’s review what was going on with Kurt at the time of his death.

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    Despite his musical intensity, Kurt was extremely emotionally fragile. He was an enthusiastic user of heroin, which he used to combat depression and his conflicted feelings about fame. Some of this came out in songs like I Hate Myself and I Want to Die. He was plagued by painful stomach issues that hadn’t been properly diagnosed.

    Kurt also became combative and paranoid. Police were called to the home he shared with Courtney Love in Seattle several times. On at least one occasion, he’d locked himself in a room with his gun collection and was threatening to do harm to himself.

    On March 4, 1994, there was a botched suicide attempt at the Westin Excelsior in Rome. After writing a suicide note, he wolfed down a bottle of Rohypnol chased with a bottle of Champagne. Only quick action by Courtney saved his life. Family, friends, business associates, and bandmates then held an intervention in late March, convincing Kurt that he needed to go to rehab. He reluctantly agreed.

    Cobain’s paranoia had been increasing for weeks. Because his gun collection had been seized by police, on the day he was to leave for rehab in California, he had his best friend, Dylan Carlson, legally purchase a new 20-gauge Remington C-11 shotgun and a box of shells at Stan’s Gun Shop for $303.17.

    Kurt lasted two days in rehab before walking away. On the flight home, he encountered Duff McKagan of Guns N’ Roses who noted that Kurt seemed to be in really bad shape. He then dropped out of sight, invisible to even a private detective who was hired to find him. Meanwhile, there were reports of being seen at various locations around Seattle.

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    Then came the morning of April 8, 1994.

    The Kurt-was-murdered theories erupted immediately. He needed to die because he was about to break up Nirvana. A divorce from Courtney was imminent, so he had to be killed. Hadn’t Courtney asked around for a hitman who would do the deed? Who was supposedly using his credit card after he died? The handwriting on the suicide note was inconsistent and therefore fake. The toxicology report showed that he had lethal amounts of drugs in his system, making him incapable of shooting up, putting away his syringe kit, loading the gun, and pulling the trigger. Didn’t it look like someone had combed his hair when the cops found him? Where were his fingerprints on the gun? And so forth.

    Super-suspicious, right? Not really. A lot of these theories have been embellished in the telling and re-telling.

    • Kurt was worth more to everyone alive than dead. Calling an end to Nirvana might have been annoying to his bandmates and record label, but groups break up all the time. Nirvana had been in a precarious position for years. A breakup was inevitable.
    • If Courtney wanted him dead, why did she do everything she could to keep him alive? She called the cops when he threatened to shoot himself. She called an ambulance when he overdosed in Rome. She was the prime organizer of the intervention. If she was looking to make off with Kurt’s fortune (as some insist), she had a funny way of showing it.
    • The credit card? Couldn’t Kurt have given his MasterCard to some sketchy friend? It’s interesting that whoever used it tried to get some cash advances, all of which were refused for security reasons.
    • The suicide note was written when Kurt was extremely high, which accounts for the change in handwriting. And why in different colours of ink? Kurt was also a visual artist. Perhaps he wanted his final work to look pretty.
    • The toxicology report has been misinterpreted by non-medical people. Yes, if you read the numbers one way, something known as a “free morphine count,” it looks like Kurt had 12 times the lethal amount of drugs in his system at the moment he died. But the numbers represent “total morphine count,” which describes how much morphine had cumulatively built up in his system through months and months of heroin use. Guess which one is cheaper and quicker to administer by a coroner, as is typical in drug overdose adjacent deaths like this? Yep: the free morphine count. Kurt was high but not so high that he couldn’t shoot up, put away his drug paraphernalia, load the gun, and then shoot himself.

    And don’t you think that if Kurt had been murdered, everyone close to him, his mother and father, his sister, friends, bandmates, management — everyone — would want the King County Police Department to get to the bottom of the case? Wouldn’t a cop love to be the one who cracked the case no one else could? Funny how they’ve all accepted the obvious.

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    Other people have tried to find a crime here. In April 2014, a detective on the Seattle police force specializing in cold cases named Mike Ciesynkski reviewed the file and even released new information and photos, including of the position of Kurt’s body. Consulting with a firearms expert determined that there was nothing weird about were the spent shell landed or the position of the gun relative to the body.

    The conclusion delivered by this 20-year vet? “The investigation on the death of Kurt Cobain, which was conducted 20 years ago, reached the correct conclusion that the manner of death was suicide.”

    In 2021, the FBI made their file on Kurt available. It was all of 10 pages long and revealed… exactly nothing new. And following these new allegations, the Medical Examiner’s Office for King County released a statement.

    “King County Medical Examiner’s Office worked with the local law enforcement agency, conducted a full autopsy, and followed all of its procedures in coming to the determination of the manner of death as a suicide,” the statement read. “Our office is always open to revisiting its conclusions if new evidence comes to light, but we’ve seen nothing to date that would warrant re-opening of this case and our previous determination of death.”

    As for the Seattle PD, they say “Our detective concluded that he died by suicide, and this continues to be the position held by this department.”

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    And let me add this: In addition to researching everything about Kurt’s death since that day, I’ve had plenty of personal dealings with Courtney over the years. I’ve been over to her house for a Sunday morning visit. There were pictures of Kurt everywhere. She loved him and he loved her. And as for unfounded ridiculous rumours that she was somehow involved in being trafficked by the CIA, all I can say is get a life. That’s so out on the fringe that it exists in the Oort Cloud.

    Kurt Cobain died tragically at his own hand. No amount of insane conspiracy talk is going to changed that.

    For my full examination of Kurt’s death where I debunk every single conspiracy theory, check out this episode of my podcast, Uncharted: Crime and Mayhem in the Music Industry. Save your complaints, too. You won’t change my mind.

     

     

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    Alan Cross

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  • ‘Antiheroine’ Review: Courtney Love Comes Clean About Highs, Lows and Needing to Be Heard in a Rock Doc Both Raucous and Intimate

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    Of the many insights into turbulent genius Courtney Love in Brit filmmakers Edward Lovelace and James Hall’s adoring biographical doc Antiheroine, the most captivating is the alt rock queen’s sense of humor about her reputation as a wild-child wrecking ball with an endless catalogue of messy transgressions. “Everyone has a Courtney story,” she says early on with a shrug. “She fucked my boyfriend. She stole my grandmother’s wedding ring. She ate my muesli.” Love is not interested in denying or confirming any of these claims, and it’s her unapologetic, unfiltered candor that makes her a great hang.

    If you’ve ever screamed along or jumped around in your underwear to “Violet” or “Olympia” — no, that’s not a confession — you are sure to find this exploratory step back into the spotlight thrilling. It’s an overdue reaffirmation of Love’s place in rock history with an intimate glimpse into her creative process, especially as a lyricist, while she works on her first album of new material in more than a decade.

    Antiheroine

    The Bottom Line

    An unholy icon sheds her celebrity skin.

    Venue: Sundance Film Festival (Premieres)
    With: Courtney Love, Michael Stipe, Melissa Auf der Maur, Eric Erlandson, Patty Schemel, Billie Joe Armstrong, Butch Walker
    Directors: Edward Lovelace, James Hall

    1 hour 38 minutes

    “I’m a household name stuck in 1994,” Love says, referring to the year that, within the same week, her husband Kurt Cobain died from a self-inflicted gunshot wound to the head, and her band, Hole, released the angry howl Live Through This, one of the best and most ageless albums of the ‘90s. Vilified by the press and detested by Nirvana fans, Love says that when the jokes started about her having killed Cobain, she knew that was going to be her whole life from then on.

    In allowing their subject to tell her own story, Lovelace and Hall make it clear that Love refuses to see herself as a victim. She owns the charges of being abrasive, rude, scrappy, ferociously ambitious and a complicated figure in music history. But the fearlessness and determination with which she pulled herself back up from the depths make her a survivor, one whose music served as her armor through drug addiction, illness, controversy and everything else the world could throw at her.

    Even when defending her talent, so often unfairly written off, Love seems unconcerned about being liked. Of the artistic intent behind Hole’s 1991 debut album Pretty on the Inside, she says: “It was me announcing that I was a great fucking poet, and me announcing my persona as a cunt.” Her longtime friend Michael Stipe puts her in the Marianne Faithfull school of women in music: “Fuck you, this is who I am.”

    The recap of Love’s early life is brisk but illuminating. Born in San Francisco in 1964, she grew up in what she describes as a countercultural household. Her father lost custody for giving her LSD at age four. She had her first drink at age 10, when a stepfather she calls “evil” deliberately got her smashed and made her sick for days.

    Her narcissistic mother moved the family to New Zealand in 1973, but Love was sent back to live in Portland with family friends after being expelled from school for bad behavior. At age 14 she was arrested for shoplifting a Kiss T-shirt and sent to a juvenile hall for a spell, where a counsellor gave her a copy of Patti Smith’s seminal Horses album, which Love says changed her life.

    All this is related first-hand by Love, and an occasional detail here and there gives the vague impression that too many fried brain cells have made her an unreliable narrator. It’s unclear at times if it’s the punchy edit (Jinx Godfrey, Dan Setford and Daniel Lapira are credited in that role) or Love’s attention span that keeps the conversation bouncing around.

    But the trajectory is raw and real, at times making you wonder how Love even made it into her 20s. And irrespective of how much her mind pings from one thing to another, often sparked by journal entries that bring the past to life, the doc leaves no doubt that her intelligence, humor and drive are what have kept her going.

    She shares youthful memories of hanging out with and learning from post-punk bands in Liverpool like Echo & the Bunnymen and The Teardrop Explodes, whose frontman Julian Cope Love says taught her how to walk into a room and behave like a rock star.

    She started playing guitar in 1980 and moved back to San Francisco, already knowing how to get famous, in her own words, and just needing money and discipline to get there. The movie makes a cogent case that being a rock star was wired into her metabolism rather than something she methodically set out to do.

    Even brutal experiences became fodder for her creativity, like a near rape from which she ran in a ripped dress with one shoe back to her Hollywood Blvd. apartment, then picked up her guitar and wrote Hole’s 1990 debut single, “Retard Girl.” Hole has long been acknowledged as an important feminist band, which is validated by a back catalogue of unflinching songs about sexual politics, exploitation, misogyny and objectification. Love is the composer of “Doll Parts,” after all.

    She is forthright about her drug use and addiction, whether to heroin or fame, and credits Milos Forman with saving her life when he fought to cast her in The People vs, Larry Flynt and later in Man on the Moon, sending her to rehab to get clean before the first movie.

    The real meat of the doc, for many, will be Love’s thoughts looking back on her relationship and marriage with Cobain, captured in affecting archival images and home movies. Music, talent and mutual admiration were their magnet, and Stipe describes the couple as “these two intelligent, raw people riffing off each other in a beautiful way.”

    Love talks about the common experience of parental rejection that drew them closer; about the dream of their wedding in Hawaii like “being on acid;” and she tenderly recalls a tranquil period after the birth of their daughter, Frances Bean Cobain, when they retreated to Washington state and found a bubble of happiness out of the public eye.

    This idyll occurred because the family was forced to leave California — when custody of Frances was at risk after allegations emerged in a Vanity Fair profile that Love was doing drugs while pregnant. (Love points out that she took weekly drug tests throughout her pregnancy.) But that contradiction between public vilification and private peace is part of the mystique surrounding their marriage.

    There’s clearly still a lot of pain as Love speaks ruefully about how she ultimately was better equipped for fame than Kurt, who craved oblivion and found it too easily. Hole bassist Melissa Auf der Maur recalls heroin being everywhere when the alternative grunge scene was cresting, and the sight of people shooting up backstage was not uncommon. Cobain overdosed on Rohypnol and spent three days in a coma in Rome the year he died, while Nirvana was touring Europe.

    The torture of knowing Kurt tried to call her at the Peninsula Beverly Hills, and the desk staff failed to connect him despite Love’s instructions to put him through at any time, obviously still haunts her. She considers that the moment he died.

    Self-pity is not in Love’s vocabulary, but band members and friends talk about how the Hole touring schedule, right after Cobain’s suicide, gave her no time to grieve. There are moving accounts of her delivering 100 percent onstage and then crumpling backstage, “a broken, tortured person trying to overcome the pain of her entire life.” The lack of humanity from people determined to make her the villain left scars.

    The film drifts over much of the past two decades except to say that Love stayed clean, turned to Buddhism and rediscovered her need to write music after decamping to London. There’s a brief discussion of Frances obtaining legal emancipation from her mother in 2009, when she was 17, and the daughter’s absence among interviewees is conspicuous. Love volunteers that she was no picnic as a parent, though her joy at one point when she’s flying off to California to see her grandson hints that there’s been at least some degree of repair to the relationship.

    There are other notable absences, including collaborators like the Smashing Pumpkins’ Billy Corgan, who co-wrote several songs on the 1998 Hole album Celebrity Skin, including the hits “Malibu” and the title track, and helped smooth the band’s transition into a more commercial pop-punk sound. (Love amusingly calls it “my dark Fleetwood Mac record.”)

    But Lovelace and Hall make no claim of presenting an exhaustive chronology, mostly leaving it to their subject to go where her reflections take her. That predominantly becomes the new album, which is still in the works, with no news of completion or a release date. Stipe, who co-wrote some of the new songs, confidently calls the album a classic: “We’ll see how the world responds to it.”

    After years of sitting it out as other people told her story, at times with gross misrepresentations, Love just wants to get the album right and have her say in music, which she points out is the only way anyone will listen to her. The fragments of the new songs we hear — either tinkering away on them at home or laying down vocals in the studio, at one point with Auf der Maur in a gorgeous reunion moment — sound promising.

    Says Love: “I got kicked out of the party and now I’m coming back after a very long time.” I won’t be the only one rooting for her renaissance.

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    David Rooney

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  • Rare Unreleased Nirvana Concert Footage from 1990 Up for Auction, Expected to Reach $150,000

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    A never-before-seen 45-minute video of Nirvana’s performance from February 17, 1990, will be auctioned at Bonhams Los Angeles. Bids might reach $150,000 for this rare footage of the band at Iguanas in Tijuana, Mexico. The show took place more than a year before their breakthrough album, Nevermind, came out.

    Film students Peter Tackaberry and Elizabeth Voss caught the wild set on two Sony Video8 cameras. “Kurt let me set up on the stage to capture the energy and spirit of the performance up close,” Tackaberry said, per PetaPixel.

    The sale includes two master tapes, Camera A and Camera B, plus digital copies on MiniDV. A portable drive holds uncut footage, edited versions, and snapshots from that night.

    The buyer will also get a tour poster from the band’s February 15 show at Raji’s in Los Angeles. There’s a white vinyl first pressing of “Bleach” too, one of just 1,000 made.

    This show featured Nirvana with Chad Channing on drums, before being replaced by Dave Grohl. The tapes stayed locked away for 35 years. The winner gets full U.S. rights to the footage.

    Bidding ended at 12 p.m. PDT  on September 25.

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    Dan Teodorescu

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  • After Almost 40 Years, the Pixies Can Still Conjure Up Some Fairy Dust

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    Musician / producer / conceptualist Brian Eno once said, “The first Velvet Underground album only sold 10,000 copies, but everyone who bought it formed a band.”

    The Pixies have sold a few more albums than the Velvet Underground, but, in a similar fashion, the band’s influence is perhaps larger than its fame. The Pixies have been credited with giving rise to alternative rock and grunge in the early ‘90s, and Kurt Cobain famously tipped his hat by acknowledging that he was guilty of “ripping off” the band’s use of dramatic dynamics along with the soft verse / loud chorus formula.

    Many of the acts who were inspired by the Pixies have fallen by the wayside, but the genuine article is still active, with a new album, The Night the Zombies Came, released late last year and a current tour that will stop at the White Oak Music Hall on Saturday, September 6.

    click to enlarge

    The Pixies (l-r Joey Santiago, David Lovering, Black Francis and Emma Richardson) have been called “The Fathers of Alternative Rock.”

    Photo by Travis Shinn

    Guitarist Joey Santiago, an original Pixie along with vocalist / guitarist Black Francis (aka Charles Michael Kittridge Thompson IV) and drummer David Lovering, hasn’t had his morning coffee yet, but he is nevertheless enthusiastic about discussing the band that he cofounded in 1986. Like most trailblazers, the Pixies have never sounded quite like anyone else. There is certainly a punk rock vibe present, but surf music influences also show up, along with periodic hints of a pop-ish sensibility.

    Speaking via Zoom, Santiago reflects on The Night the Zombies Came and how it differs from previous Pixies efforts. “It is different,” Santiago allows. “To me, it seems moodier. It still has the DNA of the Pixies in there, which is very important, but we can’t help that.” So what exactly is in the Pixies’ DNA? “Charles’ voice, obviously. We can’t run away from that. Just speaking for myself, I try to retain the guitar style, sound, stuff like that.”

    Santiago and Black Francis met while attending the University of Massachusetts, Amherst. Many bands who formed during the members’ formative years and continue playing together into middle age find that the initial kinship can fade over time. Almost 40 years later, how has the relationship between the two musicians changed?

    “We’re still friends. We’re friends, colleagues. We switch hats. We still joke around.”

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    “We’re still friends,” Santiago says. “We’re friends, colleagues. We switch hats. We still joke around. You know, we live 3000 miles away. I live on the other side. I live on the west coast, he lives on the east coast. We’ve got family and all that stuff.

    “David and I have gotten closer over the past year. But when we go into the studio, it’s just the same. We have the work ahead of us, which is ‘How can we make these songs good?’ And that’s how it’s always been, ever since we started. I would like to have more of a rapport — like we have had — before recording another album. Just to see where we’re at. We are kind of like being a bit of strangers at the moment.”

    Santiago recalls, “When [Charles and I] were rooming together, in the summertime, hot summertime in Amherst, we did listen to a lot of surf music. We thought it was fun. We thought the titles were even funnier. Do they really think of the title and write about it, or do they write it and go, ‘OK, this sounds like blah blah blah.’ You don’t know which came first. We listened to that, Iggy Pop, Stooges, Bowie. I remember we went to see the Fleshtones. We loved that band.”
    Like many alt-rockers, Santiago is a self-taught guitarist. Pros and cons? “The pro is definitely having the discovery of this instrument every time you pick it up. In creating things, you’re looking for a feeling rather than a scale. That discovery is good, just going by feel and emotion,” Santiago says.

    “Even though, at times, I would [use a scale] and think, ‘God, that feels so good!’ There’s this one song on the [latest] album called “Chicken,” and I like the solo a lot. And I’m looking at it and go, ‘Fuck! I’m on the pentatonic scale, goddammit!’ Because I try not to do that.  But it just sounds so good.”  (N.B. The pentatonic scales — both major and minor — are, by far, the most frequently used in rock music.)

    After working for decades as a professional musician, does Santiago still enjoy playing the guitar and making loud noises? “I do. I was actually enjoying it very much yesterday. I really just ham it up. I’ll go on YouTube and search ‘backing track for smooth jazz.’ And then I chum around the house, trying to make my wife sick with goofy, goopy, drippy stuff. And I’m surprised I can actually do that shit. I don’t want to do it, but the exercise there was ‘OK, I’m capable of this, but fuck this shit!’”

    The Pixies will perform at 5 p.m. on Saturday, September 6, at the White Oak Music Hall, 2915 N. Main. Spoon and Fazerdaze will open. For more information, call 713-237-0370 or visit whiteoakmusichall.com. $78 and up.

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    Tom Richards

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  • Debunking the Kurt-Cobain-was-murdered conspiracy once and for all – National | Globalnews.ca

    Debunking the Kurt-Cobain-was-murdered conspiracy once and for all – National | Globalnews.ca

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    When something bad happens, our natural reaction is to ask why. It’s also natural to look for something or someone to blame for this misfortune. And this can often lead us into the world of conspiracies.

    I was on the air on Friday, April 8, 1994. In the pre-internet, pre-social media era, radio was how everyone kept up with news in real time. The afternoon went like this.

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    alancross · Kurt Cobain’s Death: Minute-by-minute announcements from April 8, 1994

    For the first few weeks, there was no question Kurt had died by suicide. But little by little, doubts began to creep in. Eventually, there was a full-blown Kurt-was-murdered narrative that extended to talk shows, books, and documentaries. There are still those who believe that Kurt could not have taken his own life and will point to an endless list of inconsistencies in the official story along with “evidence” that shows nefarious actions by shady people.

    Stop it. Just … stop.

    Having followed this story from the very beginning — and having spoken to people closest to Kurt many times over the years — I’m convinced that he did in fact kill himself. Let’s deconstruct the conspiracy theorists’ evidence. Yes, there are some loose ends, but life isn’t like a 44-minute episode of CSI. On the whole, though, the rational conclusion is inescapable.

    1. Kurt was killed because he was threatening to break up Nirvana

    THEORY: Tom Grant, a detective hired by Courtney Love to find Kurt when he bolted from rehab — and a major proponent of a murder angle — claims that Kurt was ready to break up Nirvana and join Courtney in Hole. This is a quote from an interview Kurt gave to a French TV journalist in August 1993:

    “It’s a nice thought (collaborations with Courtney). I’d like to, but to tell you the truth, I would rather just quit my band and join Hole, you know, only because when I have played music with them, there’s a level of connection that’s a little bit higher than with anyone else I ever played with. It’s amazing,” he said.

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    “It’s totally satisfying for Courtney and me, but completely unrealistic because we’re already so intertwined with each other,” he continued.

    “Most people don’t think of the band Nirvana, they think of Kurt and Courtney, and it gets in the way. People would just overlook the music and look into other things. It’s such a sad situation. I wish we could just join bands … (but) it wouldn’t be considered a real band.”

    REALITY: The insinuation is that because Kurt was going to kill off Nirvana, then he needed to be killed off, too. This is plain silly. Calling an end to Nirvana might annoy his bandmates, his management, and his record label, but bands break up all the time. Nirvana had been in a precarious situation for years, so the idea of everything exploding at any second was a way of life for everyone.

    The idea of an artist wanting to make music with their significant other isn’t unusual, either. Hello, John and Yoko. Hello, Paul and Linda.

    Breaking up the band so he could work with Courtney? I could see it. But as a motive for murdering one of the most famous rock stars in the world at the time? Hardly.

    2. The divorce threat

    THEORY: It’s no secret that Kurt and Courtney had a tumultuous relationship. There were domestic disputes requiring police visits, their drug use, and anecdotes about the couple from people who knew them. Courtney was reportedly angry that Kurt had refused an invitation for Nirvana to headline the 1994 Lollapalooza Festival.

    There is some veracity to all this. In January 1994, Kurt told Rolling Stone that he and Courtney were contemplating a split with both contacting lawyers about drawing up the necessary paperwork. There was also talk of changing wills and pre-nups. And was Kurt having an affair with an unnamed woman?

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    REALITY: Look, both Kurt and Courtney had big personalities. Put them in a relationship together, add in lots of money and plenty of drugs, and you have a recipe for drama and disaster. Things will be said in the heat of the moment. And yes, sometimes things escalate to unpleasant levels. But turning to murder? And at the time when Kurt is contemplating to break up Nirvana and join Courtney in Hole?


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    And let’s not forget that a month before his death — and hours before his suicide attempt in a Rome hotel room — Kurt had gone out and bought Courtney all kinds of expensive gifts. (He also stole some candlesticks from The Vatican for her). And about that suicide attempt: If Courtney really wanted Kurt dead, why didn’t she just let him die when he took all those pills in Rome?

    3. The unknown enemies

    THEORY: In the months leading up to his death, Kurt appeared to be very afraid of someone or something. It might have been the drugs causing paranoia, but the fear was real. Kurt had a stockpile of guns and ammo in the house. A new security system was being installed at the house at the time of his death.

    Theorists believe that someone wanted retribution for Kurt turning down Lollapalooza. And why were three shells loaded into the Remington shotgun that Kurt used? Did Kurt load the gun or did someone else?

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    REALITY: Kurt did hang around with some shady drug people, all of whom knew he was a heavy user with a lot of money. Everyone in Seattle knew where he lived, too. Having guns for protection? Not a surprise.

    The presence of extra shells in the gun has been presented as evidence that something was fishy. I’d theorize that because Kurt was extremely high at the end, he wasn’t exactly in the best state of mind. Maybe the gun had been loaded much earlier. Anything to the contrary is pure speculation.

    4. The credit card

    THEORY: Kurt used a MasterCard to book his final plane ride home from Los Angeles to Seattle. Around the same time, Courtney, who knew Kurt had gone missing, had his card cancelled. Yet someone kept trying to use the card to get cash advances. There was an attempt to get $5,000 on April 4 over the phone with a call to MasterCard. There was another request for $2,500 after Kurt died. And there was a final attempt to secure $1,000 shortly after that. And then on the morning of April 8, the day Kurt’s body was discovered, someone tried to use the card to by $43.29 worth of flowers.

    Who was doing this? Unknown. But it must have been the murderer who stole Kurt’s credit card, right?

    REALITY: There’s no proof that it was Kurt trying to get the cash advances. Remember, these were requests made over the phone and were all declined, probably because whoever was calling didn’t have the right PINs or security information. Maybe Kurt lost his card. Maybe he gave it away to a drug friend. And I’ll bet that whoever tried to buy the flowers on the day Kurt died was looking to lay them somewhere in tribute to him. This is a loose end but in no way does it point to murder.

    5. The suicide note

    THEORY: Why the difference in the handwriting throughout Kurt’s suicide note? Why the use of different coloured ink? Based on his examination of the note, detective Tom Grant believes Kurt didn’t write the whole thing (two handwriting analysts apparently agreed). To him, the note sounded like a statement of retirement, not a final note to the world. Why no mention of Frances, Kurt’s daughter? Why no proper signature? The note ends with “Kurt” spelled out in small letters.

    And what about an alleged second note? There’s a story that Courtney found another note months later in a sealed enveloped in her bedroom that apparently detailed how Kurt was going to leave both her and Seattle. More grist for the murder mill?

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    REALITY: This is admittedly another loose end, but Kurt was hardly in a good place on April 5, 1994. He may have already been quite high when he wrote the note. Kurt was a visual artist as well as a musician, so the different coloured ink might be part of that. Maybe in his altered state he just wanted the note to look pretty.

    As for the second note, its existence has never been verified.

    6. The toxicology report

    THEORY: In short, conspiracists believe that Kurt injected so much heroin into his system that there was no way he would have been able to aim the gun and pull the trigger. They point to the toxicology report —which was only partially released at the time but leaked with a little more detail in 2024 — which indicated Kurt had plenty of drugs in his system including diazepam (used for treating anxiety and alcohol withdrawal), codeine (a mild opioid painkiller), nordiazepam (a muscle relaxant and anticonvulsant), and 1.52 milligrams of morphine per litre of blood. That’s a lot. (Heroin turns into morphine once injected.)

    How could Kurt have that many drugs in his system and still manage to neatly pack up his syringe kit, aim the gun, and fire. Impossible! Someone must have either (a) helped or (b) did all this to Kurt. Murder!

    “It’s highly unlikely that he would shoot himself up in both arms, put the needle away in his little kit, and then have the mental capacity to sit there and manipulate this shotgun and shoot himself,” Tom Grant told High Times magazine. “If he wasn’t unconscious, he was at least to the point where he wasn’t aware of what was going on. Anyone could have done anything to him.”

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    Oh, and Grant believes that the infamous photo of Kurt’s head is a fake, a stock autopsy photo of someone who had an unfortunate encounter with a lawnmower.

    REALITY: There aren’t as many loose ends here as it appears. First, Kurt was an experienced junkie with an extremely high tolerance for heroin, giving him just enough time to complete all the necessary tasks after he injected his last dose. Perhaps he injected himself in stages, looking for the right level of euphoria to accomplish what came next.

    More likely, though, is that the results of the toxicology test were misinterpreted and taken out of context.

    If you read that number — 1.52 milligrams of morphine/litre — one way, it appears that Kurt had nearly 12 times the lethal level of morphine in his blood at the time of his death. But we’re not sure if this number represents “free morphine count” or “total morphine count” — and there’s a big difference.

    A free morphine count measures the amount of drugs injected into a body at a specific moment. A total morphine count measures traces of the drug over a long period of time. As a long-time regular heroin user, it’s highly likely that the toxicology report includes a number that describes the cumulative buildup of drugs in Kurt’s system over weeks and months, not hours. (See this article from the National Library of Medicine. This article also looks at the possible discrepancies.)

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    In a case like Kurt, a known longtime drug user, it’s more common for a medical examiner to go with the total morphine count test, which is cheaper, faster, and doesn’t require the same specialized equipment as measuring a free morphine count. Was Kurt’s last injection fatal and rendered him incapable of shooting himself? Based on the toxicology methodology and results, no.

    7. The crime scene

    THEORY: No clear fingerprints on the shotgun? Someone must have wiped it clean. Who? The murderer, of course. Who had barricaded the door of the greenhouse? Why didn’t Kurt just give himself a fatal overdose and not bother with the whole messy gun thing? Who arranged the body just so and perhaps even combed Kurt’s hair after he died?

    The forensics report reads like this: “The item was processed for prints on 05/06/94 by Sr. ID Technician T. Geranimo, #4466. Four cards of latent prints were lifted. The four cards of lifted latent prints contain no legible prints.”

    REALITY: I can imagine Kurt’s palms being kind of sweaty in those last seconds, can’t you? In April 2014, Mike Ciesynksi, a retired 20-year vet of the Seattle PD with plenty of cold case experience, opened the Cobain file. He dove deep into the case and went through 35 mm film that was shot of the crime scene. This helped him reconstruct how the gun was fired. Consulting with a firearms expert, it was determined that there was nothing weird about where the spent shell landed, the position of the gun related to the body, or the body itself. His conclusion: “The investigation on the death of Kurt Cobain, which was conducted 20 years ago, reached the correct conclusion that the manner of death was [suicide].”

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    In 2021, the FBI made their Cobain case file public. It was all of 10 pages long and contained absolutely nothing new other than two highly redacted letters from a couple of fans asking them to look into Cobain’s death.

    8. The El Duce allegations

    THEORY: Eldon Hoke was the frontman of a noxiously obscene group called the Mentors, trading under the name El Duce. He claimed that Courtney Love offered him $50,000 to kill her husband during a conversation outside an Los Angeles record shop. “Off the old man before he files for divorce,” was the plan. Before El Duce could be formally commissioned, Kurt was dead. The implication is that Courtney found someone else to do the job.

    REALITY: If you know anything about El Duce and The Mentors, I’d call Eldon Hoke an unreliable narrator. Yes, he took a lie detector test on national TV and passed, but that’s not admissible in court. We’ll never get to grill El Duce any further on the matter because he was decapitated when he was hit by a train on April 18, 1997. He was very drunk walking home from a gig.

    There are a few more conspiracy angles, but I’ve covered all the important ones.

    Finally, consider this. Dave Grohl believes Kurt killed himself. Krist Novoselic believes Kurt killed himself. So does Kurt’s mother and father. So do two of Kurt’s former managers and I’ve spoken to them directly. And having spent time personal time with Courtney, I don’t believe any of the allegations against her. You may disagree, which is your right. But you’re wrong if you think Kurt’s death was anything but a depressed, desperate, drugged-up young man taking his own life.

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    Life is messy and death can be even messier. But because we have this pathological feature of the unknown, we’re always going to look for any explanation that might quiet our minds. In the case of Kurt Cobain, we have our answers.

    Alan Cross is a broadcaster with Q107 and 102.1 the Edge and a commentator for Global News.

    Subscribe to Alan’s Ongoing History of New Music Podcast now on Apple Podcast or Google Play

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