Tag: Kathy Bates

CBS News: Rob Reiner – Scenes from a Life

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CBS News celebrates the life and legacy of Hollywood legend Rob Reiner in a one-hour special featuring emotional new interviews with Kathy Bates, Annette Bening, Albert Brooks, Michael Douglas, Jerry O’Connell, Mandy Patinkin and Kiefer Sutherland. Plus, hear from Reiner in his own words as CBS News draws on its vast archive of interviews with the iconic filmmaker through the years.

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December 21, 2025
Kathy Bates says Rob Reiner

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In a one-hour special airing Sunday, actress Kathy Bates opened up to CBS News about the death of Rob Reiner, saying the director “changed the course of my life.”

Bates rose to prominence with her breakout Oscar-winning role in Reiner’s adaptation of Stephen King’s “Misery” in 1990. In “CBS News: Rob Reiner – Scenes from a Life,” Bates said that if it weren’t for Reiner, her dreams of being an actress would not have come true “in such a dramatic and incredible way.”

“If I hadn’t done ‘Misery,’ it would be like George Bailey going back and seeing what his life would have been like if he had never been there,” she said. “I wouldn’t have had some of the friends that I have now. I wouldn’t have had the richness in my life. I quite frankly probably would have stayed in the theater and I doubt I would have had a movie career. I might have dropped out altogether.”

Reiner and his wife, Michele Singer Reiner, were found fatally stabbed in their Los Angeles home on Dec. 14, authorities said. Their son, Nick Reiner, has been arrested on murder charges in connection with their deaths.

“Rob changed the course of my life, and if he hadn’t, I wouldn’t be sitting here in front of you now,” Bates said.

The one-hour special “CBS News: Rob Reiner – Scenes from a Life” will be broadcast Sunday at 8:30 p.m. ET/8 p.m. PT on CBS, and will stream on Paramount+.

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December 18, 2025
Sally Kirkland, stage and screen star who earned an Oscar nomination in ‘Anna,’ dies at age 84

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NEW YORK (AP) — Sally Kirkland, a one-time model who became a regular on stage, film and TV, best known for sharing the screen with Paul Newman and Robert Redford in “The Sting” and her Oscar-nominated title role in the 1987 movie “Anna,” has died. She was 84.

Her representative, Michael Greene, said Kirkland died Tuesday morning at a hospice in Palm Springs, California.

Friends established a GoFundMe account this fall for her medical care. They said she had fractured four bones in her neck, right wrist and left hip. While recovering, she also developed infections, requiring hospitalization and rehab.

“She was funny, feisty, vulnerable and self deprecating,” actor Jennifer Tilly, who co-starred with Kirkland in “Sallywood,” wrote on X. “She never wanted anyone to say she was gone. ‘Don’t say Sally died, say Sally passed on into the spirits.’ Safe passage beautiful lady.”

Kirkland acted in such films as “The Way We Were” with Barbra Streisand, “Revenge” with Kevin Costner, “Cold Feet” with Keith Carradine and Tom Waits, Ron Howard’s “EDtv,” Oliver Stone’s “JFK,” “Heatwave” with Cicely Tyson, “High Stakes” with Kathy Bates, “Bruce Almighty” with Jim Carrey and the 1991 TV movie “The Haunted,” about a family dealing with paranormal activity. She had a cameo in Mel Brooks’ “Blazing Saddles.”

Michael Douglas, left, and Sally Kirkland appear with their awards for best actor for “Wall Street” and best actress for “Anna,” at the 45th Annual Golden Globe Awards in Beverly Hills, Calif., on Jan. 24, 1988. (AP Photo/Reed Saxon, File)

Her biggest role was in 1987’s “Anna” as a fading Czech movie star remaking her life in the United States and mentoring to a younger actor, Paulina Porizkova. Kirkland won a Golden Globe and earned an Oscar nomination along with Cher in “Moonstruck,” Glenn Close in “Fatal Attraction, Holly Hunter in “Broadcast News” and Meryl Streep in “Ironweed.”

“Kirkland is one of those performers whose talent has been an open secret to her fellow actors but something of a mystery to the general public,” The Los Angeles Times critic wrote in her review. “There should be no confusion about her identity after this blazing comet of a performance.”

Kirkland’s small-screen acting credits include stints on “Criminal Minds,” “Roseanne,” “Head Case” and she was a series regular on the TV shows “Valley of the Dolls” and “Charlie’s Angels.”

Born in New York City, Kirkland’s mother was a fashion editor at Vogue and Life magazine who encouraged her daughter to start modeling at age 5. Kirkland graduated from the American Academy of Dramatic Arts and studied with Philip Burton, Richard Burton’s mentor, and Lee Strasberg, the master of the Method school of acting. An early breakout was appearing in Andy Warhol’s “13 Most Beautiful Women” in 1964. She appeared naked as a kidnapped rape victim in Terrence McNally’s off-Broadway “Sweet Eros.”

Sally Kirkland arrives at the Multicultural Motion Picture Association annual Oscar week luncheon in Beverly Hills, Calif., on Feb. 22, 2008. (AP Photo/Matt Sayles, File)

Some of her early roles were Shakespeare, including the lovesick Helena in “A Midsummer Night’s Dream” for New York Shakespeare Festival producer Joseph Papp and Miranda in an off-Broadway production of “The Tempest.”

“I don’t think any actor can really call him or herself an actor unless he or she puts in time with Shakespeare,” she told the Los Angeles Times in 1991. “It shows up, it always shows up in the work, at some point, whether it’s just not being able to have breath control, or not being able to appreciate language as poetry and music, or not having the power that Shakespeare automatically instills you with when you take on one of his characters.”

Kirkland was a member of several New Age groups, taught Insight Transformational Seminars and was a longtime member of the affiliated Church of the Movement of Spiritual Inner Awareness, whose followers believe in soul transcendence.

She reached a career nadir while riding nude on a pig in the 1969 film “Futz,” which a Guardian reviewer dubbed the worst film he had ever seen. “It was about a man who fell in love with a pig, and even by the dismal standards of the era, it was dismal,” he wrote.

Kirkland was also known for disrobing for so many other roles and social causes that Time magazine dubbed her “the latter-day Isadora Duncan of nudothespianism.”

Kirkland volunteered for people with AIDS, cancer and heart disease, fed homeless people via the American Red Cross, participated in telethons for hospices and was an advocate for prisoners, especially young people.

The actors union SAG-AFTRA called her “a fearless performer whose artistry and advocacy spanned more than six decades,” adding that as “a true mentor and champion for actors, her generosity and spirit will continue to inspire.”

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November 11, 2025
‘The Studio’ breaks record for comedy Emmys as ‘Adolescence’ and ‘Severance’ also score big wins

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“The Studio” made Emmy history Sunday night with its 12th trophy as the AppleTV+ movie-business romp became the winningest comedy series ever in a season.“Studio” co-creator Seth Rogen won for acting, directing and writing. Along with nine wins claimed at last weekend’s Creative Arts Emmys, it broke a record set last year by “The Bear” with 11.“I could not wrap my head around this happening,” said Rogen after winning best comedy actor at the beginning of the CBS telecast. “I’ve never won anything in my life.”Rogen shared the directing Emmy with longtime collaborator and “Studio” co-creator Evan Goldberg, shared the writing Emmy with Goldberg and others. He’ll get his fourth if “The Studio” wins best comedy. The show rode blockbuster buzz into the Emmys for its breakout first season.Netflix’s acclaimed “Adolescence,” the story of a 13-year-old in Britain accused of a killing, won four Emmys in the limited series categories. Owen Cooper, who played the teen, became the youngest Emmy winner in more than 40 years with a win for best supporting actor.Cooper said in his acceptance that he was “nothing three years ago.”“It’s just so surreal,” Cooper said. “Honestly, when I started these drama classes a couple years back, I didn’t expect to be even in the United States, never mind here. So I think tonight proves that if you, if you listen and you focus and you step out your comfort zone, you can achieve anything in life.”Best supporting actress went to Erin Doherty, who played a therapist opposite Cooper in a riveting episode that like all four “Adolescence” episodes was filmed in a single shot.Cristin Milioti won best actress in a limited series for “The Penguin.” It was the first win of the night for the HBO series from the Batman universe after it won eight at the Creative Arts ceremony.Britt Lower and Tramell Tillman each won their first Emmy for “Severance,” the Apple TV+ Orwellian workplace satire that is considered the favorite for best drama. Lower won best actress in a drama and Tillman won best supporting actor in a drama.“My first acting coach was tough, y’all,” Tillman, wearing an all-white tuxedo, said from the stage. “But all great mothers are.”He looked out to his mother in the audience and told her, “You were there for me where no one else was, and no one else would show up.”His win had been widely expected but Lower’s was a surprise in a category where Kathy Bates was considered a heavy favorite, for “Matlock.”Jean Smart won best actress in a comedy for “Hacks” for the fourth time, at 73 extending her own record for the oldest woman ever to win the category.Every acting winner other than Smart was a first timer.A night of surprise winnersSmart’s castmate and constant scene partner Hannah Einbinder, who had also been nominated for all four seasons but unlike Smart had never won, took best supporting actress in a comedy.She said she had become committed to a bit where “it was cooler to lose.”“But this is cool too!” she shouted, then ended her speech by cursing the U.S. Immigration and Customs Enforcement agency and saying “Free Palestine!”Katherine LaNasa won best supporting actress in a drama for the “The Pitt,” a surprise in a category where most expected one of the three nominees from “The White Lotus” to win.“I am so proud and honored,” LaNasa, looking emotional and shocked, said.In perhaps the biggest upset in a night full of them, Jeff Hiller won best supporting actor in a comedy for “Somebody Somewhere,” over Ike Barinholtz of “The Studio” and others.How the 2025 Emmys openedStephen Colbert was the first person to take the stage to present the award during the CBS telecast at the Peacock Theater in Los Angeles despite the recent controversial cancellation of his show by the network. He was greeted by a rousing and lengthy standing ovation.“While I have your attention, is anyone hiring?” Colbert said.In an unusual show order, host Nate Bargatze delivered his opening monologue only after the first award was handed out.The show opened with a sketch where “Saturday Night Live” stars Mikey Day, Bowen Yang and James Austin Johnson joined Bargatze, who played television inventor Philo T. Farnsworth opining on what the future of TV will be like.Bargatze-as-Farnsworth mentions that there will be a Black Entertainment Television. When asked if there will be a network for white people, he replied, “Why, CBS of course.”

“The Studio” made Emmy history Sunday night with its 12th trophy, becoming the winningest comedy series ever in a season.

With victories for comedy acting, directing and writing Seth Rogen’s Apple TV+ movie-business romp eclipses the record of 11 set last year by “The Bear.”

“The Studio” came into the night with nine Emmys from last weekend’s Creative Arts ceremony, making it a virtual lock to break the record. And it could keep adding to its total before the evening’s done.

It was the third straight year the record was broken. Last year, “The Bear” – whose dramatic presence in the comedy category irked some competitors – broke its own record of 10 set the year before.

“I could not wrap my head around this happening,” said Rogen after his win for best comedy actor, the first award of the night. “I’ve never won anything in my life.”

Rogen shared the directing Emmy with his longtime collaborator and “Studio” co-creator Evan Goldberg, and he can still win two more before the night’s done.

Britt Lower and Tramell Tillman took trophies for “Severance.” Lower won best actress in a drama for “Severance” and Tillman won best supporting actor in a drama. It was the first career Emmy for each.

“My first acting coach was tough, y’all,” Tillman, wearing an all-white tuxedo, said from the stage. “But all great mothers are.”

He looked out to his mother in the audience and told her, “You were there for me where no one else was, and no one else would show up.”

His win had been widely expected but Lower’s was a surprise in a category where Kathy Bates was considered a heavy favorite, for “Matlock.”

A night of surprise winners

Jean Smart won best actress in a comedy for “Hacks” for the fourth time, at 73 extending her own record for the oldest woman ever to win the category.

Her castmate and constant scene partner Hannah Einbinder, who had also been nominated for all four seasons but unlike Smart had never won, took best supporting actress in a comedy.

She said she had become committed to a bit where “it was cooler to lose.”

“But this is cool too!” she shouted, then ended her speech by cursing the U.S. Immigration and Customs Enforcement agency and saying “Free Palestine!”

Katherine LaNasa won best supporting actress in a drama for the “The Pitt,” a surprise in a category where most expected one of the three nominees from “The White Lotus” to win.

“I am so proud and honored,” LaNasa, looking emotional and shocked, said.

In perhaps the biggest upset in a night full of them, Jeff Hiller won best supporting actor in a comedy for “Somebody Somewhere,” over Ike Barinholtz of “The Studio” and others.

How the 2025 Emmys opened

Stephen Colbert was the first person to take the stage to present the award during the CBS telecast at the Peacock Theater in Los Angeles despite the recent controversial cancellation of his show by the network. He was greeted by a rousing and lengthy standing ovation.

“While I have your attention, is anyone hiring?” Colbert said.

In an unusual show order, host Nate Bargatze delivered his opening monologue only after the first award was handed out.

The show opened with a sketch where “Saturday Night Live” stars Mikey Day, Bowen Yang and James Austin Johnson joined Bargatze, who played television inventor Philo T. Farnsworth opining on what the future of TV will be like.

Bargatze-as-Farnsworth mentions that there will be a Black Entertainment Television. When asked if there will be a network for white people, he replied, “Why, CBS of course.”

Apple TV+ is poised to have a breakout Emmy year with the two most nominated shows, “Severance” and “The Studio,” which are the favorites to win the two biggest awards.

What to expect from the 2025 Emmy Awards

“The Studio,” with co-creator Rogen starring as the new head of a movie studio, came into the evening the top comedy nominee with 23 and blockbuster buzz for its breakout first season.

“Severance,” the Orwellian office drama about people who surgically split their psyches into workplace “innies” and home “outies,” was the top overall nominee with 27 nominations for its second season. It won six at the Creative Arts ceremony and now stands at eight.

Along with best drama — which would be a first for Apple — star Adam Scott could win his first Emmy, for best actor.

Its top competition for best drama could be “The Pitt,” HBO’s acclaimed drama about one shift in the life of an emergency room.

Its star Noah Wyle could be both the sentimental favorite and the actual favorite for best actor. He was nominated five times without a win for playing a young doctor on “ER” in the 1990s, and now could finally take his trophy for what is in many ways a reprise of the role.

Later in the show, could give “The Late Show With Stephen Colbert” the Emmy for best talk series for the first time as a sort of protest vote and tribute to its host.

Many perceived the end of the show as punishment of Colbert and placation of President Donald Trump after Colbert was harshly critical of a legal settlement between the president and Paramount, which needed administration approval for a sale to Skydance Media. Executives called the decision strictly financial.

How to watch and stream the Emmys and its red carpet

The Emmys are airing live on CBS at 8 p.m. Eastern and 5 p.m. Pacific time.

Paramount+ with Showtime subscribers may stream the show live. Standard Paramount+ subscribers can stream it Monday through Sept. 21.

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September 14, 2025
Kathy Bates shocked to learn she did thank her mother in her Oscar speech for

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Kathy Bates won an Oscar in 1991 for her magnificent performance in the Stephen King thriller “Misery” – but it wasn’t until recently that she realized she’d thanked her mother in her acceptance speech.

In an interview with “CBS Sunday Morning,” Bates told Turner Classic Movies host Ben Mankiewicz that her parents had sacrificed a lot for her to study to become an actress. But she also noted that – despite receiving a Tony Award nomination for “‘Night, Mother,” and then an Academy Award – her mother’s reaction to her success was less than charitable.

“When I won the Oscar for ‘Misery,’ she said, ‘I don’t know what all the excitement’s about. You didn’t discover the cure for cancer,’” she told “Sunday Morning.”

Bates said that she had neglected to mention her mother in her acceptance speech, suggesting that was possibly the reason for the slight. “I forgot to thank her that night,” Bates said.

“You know, you did thank her at the end of your speech,” Mankiewicz said. “You thanked her.”

“No, I did not. I did not,” Bates replied. “You go back and look at it. I didn’t.”

It was then that Mankiewicz played back for Bates a recording of her acceptance speech, at the 63rd Academy Awards ceremony from March 25, 1991.

Watching the recording, Bates froze, then stared at Mankiewicz in disbelief. Her hands came up to her mouth as she heard herself say: “I would like to thank my family, my friends, my mom at home, and my dad, who I hope is watching somewhere.”

Kathy Bates watches her Oscar acceptance speech.

CBS News

“Thank you! Why did I think I didn’t thank her?” said Bates after watching the video.

“Why does that mean so much to you?” asked Mankiewicz.

“‘Cause she should have had my life,” Bates said. “When she died, I remember I said, ‘Come into me.’ I wanted her spirit to come into me, even though we had so many difficulties. I wanted her spirit to come into me and enjoy everything I was enjoying, because of what she’d given up.

“Wow! Thank you so much for that,” she added.

In addition to winning an Oscar for “Misery,” Bates has appeared in such films as “Straight Time,” “Dolores Claiborne,” “Titanic,” “Primary Colors,” “About Schmidt” “The Waterboy,” “Midnight in Paris,” “Richard Jewell,” “Are You There God? It’s Me Margaret,” and the TV series “American Horror Story.” Now 76 and a two-time cancer survivor, Bates had recently suggested she would retire from acting, and in the interview talked about how women of a certain age are in a sense invisible in society, and on screen. But now, she is starring in the new CBS series “Matlock,” in a role that plays off that notion of invisibility.

“It’s fantastic. I think it’s one of the most wonderful roles I’ve ever had to play,” she said.

Asked if she had given up the plans on retiring, she affirmed: “Not retiring. I want to stay for this show for as long as it runs, and I hope it runs for a very long time.”

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David Morgan

David Morgan is senior producer for CBSNews.com and the Emmy Award-winning “CBS News Sunday Morning.” He writes about film, music and the arts. He is author of the books “Monty Python Speaks” and “Knowing the Score,” and editor of “Sundancing,” about the Sundance Film Festival.

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October 7, 2024
Hollywood icon Kathy Bates looks ‘unrecognisable’ as she shows off seven-stone weight loss

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Hollywood legend Kathy Bates has showed off her seven-stone weight loss as she attended the Emmys 2024.

The Misery and Titanic actress, 76, wowed on the red carpet at the event at Peacock Theater in Los Angeles on Sunday (September 15) after revealing she’s lost a whopping seven stone over the last several years.

Kathy wore a sparkling blue gown which featured long sleeves and hugged her figure.

Hollywood star Kathy Bates looked incredible at the Emmys (Credit: Shutterstock)

Kathy Bates weight loss at the Emmys 2024

The star wore her hair in a neat updo and opted for a simple and elegant makeup look.

Fans gushed over Kathy’s new look as one person said online: “Kathy Bates lost 100 lbs. She looks great.”

Another wrote: “Idk if anyone else is watching the #Emmys but Kathy Bates looks amazing. Just incredible.”

Someone else added: “Wow. She looks unrecognisable.”

Another gushed: “Kathy Bates looks fantastic. Wow. ”

Kathy, pictured here in 2011, said she’s lost 100 lbs over the last seven years (Credit: SplashNews.com)

Kathy recently opened up about the pounds she’s shed over the past seven years.

She told Variety this month: “It’s helped me tremendously that, over the last six or seven years, I’ve lost 100 pounds. I don’t think I’ve been this slim since I was in college.”

Kathy Bates lost 100 lbs. She looks great.

Kathy said she was at her heaviest while starring in the 2011 drama series Harry’s Law. She said: “I had to sit down every moment that I could. It was hard for me to walk. I’m ashamed I let myself get so out of shape, but now I have a tremendous amount of energy.”

During the interview, the American Horror Story star also addressed retirement plans.

Kathy pictured in May 2024 (Credit: Cover Images)

Before landing her latest role as Madeline “Matty” Matlock in drama series Matlock, Kathy said she was “contemplating semi-retirement”.

However, now, she said: “This has been so much of a challenge and a delight. Matty is certainly my magic carpet right now, and I want her to go sailing on for quite a long time.”

Read more: Strictly star Sam Quek’s ‘nerves’ could lead to a ‘wobble’ in partnership with Nikita Kuzmin

What do you think of Kathy’s appearance? Leave us a comment on our Facebook page @EntertainmentDailyFix and let us know what you think!

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Rebecca Carter

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September 16, 2024
‘The Great Lillian Hall’ Review: Jessica Lange Is Grand as a Legendary Stage Actress Confronting Dementia

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In “The Great Lillian Hall,” Jessica Lange plays a veteran theater actress — a legend of the Broadway stage — who is always putting on airs, reciting bits from her favorite roles, and carrying on in the tradition of fabled actresses who get known for playing characters like Blanche DuBois because they’ve actually got a lot of Blanche in them. (They believe their own illusions.) Yet just because Lillian Hall is a flamboyant grand dame doesn’t mean that she’s not showing you who she is. Lange, a beauty at 75, has a face that has only grown more expressive with the years. In “The Great Lillian Hall,” that face is a map of emotion we read. Even when Lillian is being deceptive (even when she’s deceiving herself), the majesty of her feelings shines through.

There’s a moving scene in which Lillian is seated on a porch with her adult daughter, Margaret (Lily Rabe), who she never had time for when she was raising her; she was always acting, doing eight performances a week. At night, though, she would come home in time to sing the young Margaret to sleep, and now, on the porch, she gently sings that same song — “Hush little darling don’t you cry…” Her voice is old now, and it cracks, and what we see and hear in Jessica Lange, expressed in emotions as delicate as parchment, are three levels of awareness: an ache of nostalgia; the regret Lillian now feels over what an absent mother she was; and something new — a quiet chasm of sadness about the fact that she’s now going away, to a place from which she’ll never return. For what no one else knows is that she’s been diagnosed with dementia.

There have now been a fair number of movie dramas that deal with dementia, and I’ve been on the record as sometimes finding them touching yet dramatically frustrating. As the main character recedes, there’s a way that he or she can also recede from the audience. “The Great Lillian Hall” solves that problem in a simple way. The film takes place during the early onset of Lillian’s symptoms, so that even though she’s in rehearsal for a major new Broadway production of Chekhov’s “The Cherry Orchard,” where she has to contend with memory issues, the movie isn’t some gothic medical soap opera in which she suddenly starts to forget who she is. Rather, it’s about how Lillian, saddled with this devastating diagnosis, makes a peace with where she’s going by taking stock of who she’s been.

Her symptoms do cause some drama in the rehearsal process. She flubs her lines, screws up the blocking, forgets what act she’s in, and at one point literally falls on her face. Her most dramatic symptom, however, remains offstage: She keeps hallucinating that she’s seeing her beloved late husband, Carson (Michael Rose), a theater director who for some reason looks like an elegant European drug trafficker. David (Jesse Williams), the director of “The Cherry Orchard,” is a downtown star making his move to Broadway, and he hasn’t lost his faith in Lillian. But his tough-nut producer (Cindy Hogan) has. She keeps talking about bringing in the understudy to replace her.

The movie, written by Elisabeth Seldes Annacone and directed by Michael Cristofer, is a contraption that (mostly) works. It’s stitched together out of devices, like having Lillian’s neighbor, whom she flirts with on their stately adjoining Central Park South balconies, be a cornball Lothario played with jaded affection by Pierce Brosnan, or Lillian’s daughter saying a line like, “You never really wanted to be my mother. You just wanted to play the part!,” or the black-and-white faux-documentary-interview snippets that play like Bob Fosse Gone Cable Lite. The whole suspense about whether Lillian will make it through the rehearsal process and succeed on opening night — she’s the play’s box-office draw — carries you along, even as you realize it’s built around a major tinge of unreality. Is someone who’s struggling the way Lillian is really going to be able to perform this show all week long, for months on end?

Yet Lange’s performance is so good that she gives this therapy-corn version of The Show Must Go On a worldly center you can roll with and almost believe in. Lillian relies on her veteran assistant, Edith (Kathy Bates), for just about everything, and these two actors have a cruelly intimate and feisty interplay you could listen to for hours. There are a couple of scenes that tap into the agony of dementia (and Lange, at those moments, is powerful), but “The Great Lillian Hall” is mostly a feel-good movie about using acting to turn the lemons life hands you into a grand illusion of lemonade.

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Owen Gleiberman

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May 31, 2024
Summer movie season is in full swing. Here’s what’s coming through Labor Day

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The summer movie season goes into high-gear in July, with the arrival of the seventh “Mission: Impossible” movie followed by the “Oppenheimer” and “Barbie” showdown on July 21.

Not that you have to choose one or the other — as Tom Cruise said on Twitter, “I love a double feature, and it doesn’t get more explosive (or more pink) than the one with Oppenheimer and Barbie.”

August also promises a new take on the Teenage Mutant Ninja Turtles and introduces a new DC superhero, Blue Beetle.

Moviegoers were only moderately interested in going to the theater to say goodbye to Harrison Ford’s archaeologist character in “Indiana Jones and the Dial of Destiny.”

Indiana Jones. Karen Allen always knew he’d come walking back through her door. Since 1981’s “Raiders of the Lost Ark,” Allen’s Marion Ravenwood has been only a sporadic presence in the subsequent sequels.

An international film festival in the Czech spa town of Karlovy Vary has kicked off its 57th edition with an award planned for Oscar-winning actor Russell Crowe.

A London prosecutor says Oscar-winning actor Kevin Spacey is a “sexual bully” who assaults other men and doesn’t respect personal boundaries.

Here’s a month-by-month guide of this summer’s new movies. Keep scrolling for more info and review links for May and June’s releases.

July 7

” Insidious: The Red Door ” (Sony, theaters): Patrick Wilson and Rose Byrne are back to scare everyone in the fifth edition.

“ Joy Ride ” (Lionsgate, theaters): Adele Lim directs this raucous comedy about a friends trip to China to find someone’s birth mother, starring Ashley Park, Stephanie Hsu, Sherry Cola and Sabrina Wu.

“ The Lesson ” (Bleecker Street, theaters): A young novelist helps an acclaimed author in this thriller with Richard E. Grant.

“ Biosphere ” (IFC, theaters and VOD): Mark Duplass and Sterling K. Brown are the last two men on Earth.

“ Earth Mama ” (A24, theaters): This acclaimed debut from Savannah Leaf focuses on a woman, single and pregnant with two kids in foster care, trying to reclaim her family in the Bay Area.

July 14

“ Mission: Impossible-Dead Reckoning Part I” (Paramount, theaters, on July 12): Tom Cruise? Death-defying stunts in Venice? The return of Kittridge? What more do you need?

“ Theater Camp ”(Searchlight, theaters): Musical theater nerds (and comedy fans) will delight in this loving satire of a childhood institution, with Ben Platt and Molly Gordon.

“ The Miracle Club ” (Sony Pictures Classics, theaters): Lifetime friends (Kathy Bates, Maggie Smith, Agnes O’Casey) in a small Dublin community in 1967 dream of a trip to Lourdes, a town in France where miracles are supposed to happen. Laura Linney co-stars.

“ 20 Days in Mariupol ” (in theaters in New York): AP’s Mstyslav Chernov directs this documentary, a joint project between The Associated Press and PBS “Frontline,” about the first weeks of the Russian invasion of Ukraine, in which Chernov, photographer Evgeniy Maloletka, and field producer Vasilisa Stepanenko, became the only international journalists operating in the city. Their coverage won the Pulitzer Prize for Public Service.

“ Afire ” (Janus Films, theaters): This drama from German director Christian Petzold is set at a vacation home by the Baltic Sea where tensions rise between a writer, a photographer and a mysterious guest (Paula Beer) as a wildfire looms.

“ They Cloned Tyrone ” (Netflix): John Boyega, Teyonah Parris and Jamie Foxx lead this mystery caper.

July 21

“ Oppenheimer ” (Universal, theaters): Christopher Nolan takes audiences into the mind of the “father of the atomic bomb,” J. Robert Oppenheimer ( Cillian Murphy ) as he and his peers build up to the trinity test at Los Alamos.

“ Barbie ” (Warner Bros., theaters): Margot Robbie plays the world’s most famous doll (as do many others) opposite Ryan Gosling’s Ken in Greta Gerwig’s comedic look at their perfect world.

“ Stephen Curry: Underrated ” (Apple TV+): Peter Nicks directs a documentary about the four-time NBA champion.

“ The Beanie Bubble ” (in select theaters; on Apple TV+ on July 28): Zach Galifianakis stars as the man behind Beanie Babies in this comedic drama, co-starring Elizabeth Banks, Sarah Snook and Geraldine Viswanathan.

July 28

“ Haunted Mansion ” (Disney, theaters): A Disney ride comes to life in with the help of Rosario Dawson, Tiffany Haddish, Owen Wilson and Danny DeVito.

“ Talk to Me ” (A24, theaters): A group of friends conjure spirits in this horror starring Sophie Wilde and Joe Bird.

“ Happiness for Beginners ” (Netflix, on July 27): Ellie Kemper is a newly divorced woman looking to shake things up.

“ Sympathy for the Devil ” (RLJE Films): Joel Kinnaman is forced to drive a mysterious gunman (Nicolas Cage) in this thriller.

“ Kokomo City ” (Magnolia): A documentary following four Black transgender sex workers. One of the subjects, Koko Da Doll, was shot and killed in April.

August 4

“ Teenage Mutant Ninja Turtles: Mutant Mayhem ” (Paramount, theaters): This animated movie puts the teenage back in the equation with a very funny voice cast including Seth Rogen and John Cena as Bebop and Rocksteady.

“ Shortcomings ” (Sony Pictures Classics, theaters): Randall Park directs this adaptation of Adrian Tomine’s graphic novel about Asian American friends in the Bay Area starring Sherry Cola as Alice, Ally Maki as Miko and Justin H. Min as Ben.

“ Meg 2: The Trench ” (Warner Bros., theaters): Jason Statham is back fighting sharks.

“ Passages ” (Mubi): The relationship of a longtime couple (Franz Rogowski, Ben Whishaw) is thrown when one begins an affair with a woman (Adèle Exarchopoulos).

“ A Compassionate Spy ” (Magnolia): Steve James’ documentary about the youngest physicist on the Manhattan Project who fed information to the Soviets.

“Dreamin’ Wild” (Roadside Attractions): Casey Affleck stars in this film about musical duo Donnie and Joe Emerson.

“ Problemista ” (A24, theaters): Julio Torres plays an aspiring toy designer in this surreal comedy co-starring Tilda Swinton that he also wrote, directed and produced.

August 11

“ Gran Turismo ” (Sony, theaters): A gamer gets a chance to drive a professional course in this video game adaptation starring David Harbour and Orlando Bloom.

“ The Last Voyage of the Demeter ” (Universal, theaters): This supernatural horror film draws from a chapter of “Dracula.”

“ Heart of Stone ” (Netflix): Gal Gadot played an intelligence operative in this action thriller, with Jamie Dornan.

“The Eternal Memory” (MTV Documentary Films): This documentary explores a marriage and Alzheimer’s disease.

“The Pod Generation” (Vertical, theaters): Emilia Clarke and Chiwetel Ejiofor star in this sci-fi comedy about a new path to parenthood.

“Jules” (Bleecker Street, theaters): Ben Kingsley stars in this film about a UFO that crashes in his backyard in rural Pennsylvania.

August 18

“ Blue Beetle ” (Warner Bros., theaters): Xolo Maridueña plays the DC superhero Jaime Reyes / Blue Beetle in this origin story.

“ Strays ” (Universal, theaters): Will Ferrell and Jamie Foxx voice dogs in this not-animated, R-rated comedy.

“birth/rebirth” (IFC, theaters): A woman and a morgue technician bring a little girl back to life in this horror.

“ White Bird ” (Lionsgate, theaters): Helen Mirren tells her grandson, expelled from school for bullying, a story about herself in Nazi-occupied France.

“Landscape with Invisible Hand” (MGM, theaters): Teens come up with a unique moneymaking scheme in a world taken over by aliens.

“The Hill” (Briarcliff Entertainment): This baseball drama starring Dennis Quaid is based on the true story of Rickey Hill.

August 25

“They Listen” (Sony, theaters): John Cho and Katherine Waterston lead this secretive Blumhouse horror.

“Golda” (Bleecker Street): Helen Mirren stars in this drama about Golda Meir, the Prime Minister of Israel during the Yom Kippur War.

“ Bottoms ” (MGM, theaters): Two unpopular teenage girls (Rachel Sennott and Ayo Edebiri) start a fight club to impress the cheerleaders they want to lose their virginity to in this parody of the teen sex comedy.

“The Dive” (RLJE Films): In this suspense pic about two sisters out for a dive, one gets hurt and is trapped underwater.

“Scrapper” (Kino Lorber, theaters): A 12-year-old girl (Lola Campbell) is living alone in a London flat until her estranged father (Harris Dickinson) shows up.

“Fremont” (Music Box Films, theaters): A former army translator in Afghanistan (Anaita Wali Zada) relocates to Fremont, California and gets a job at a fortune cookie factory. “The Bear’s” Jeremy Allen White co-stars.

September 1

“ The Equalizer 3 ” (Sony, theaters): Denzel Washington is back as Robert McCall, who is supposed to be retired from the assassin business but things get complicated in Southern Italy.

ALREADY IN THEATERS AND STREAMING

“ Guardians of the Galaxy Vol. 3 ” (Disney/Marvel): Nine years after the non-comic obsessed world was introduced to Peter Quill, Rocket, Groot and the rest of the Guardians of the Galaxy, the misfits are closing out the trilogy and saying goodbye to director James Gunn, who is now leading rival DC. ( AP’s review.)

“ What’s Love Got to Do with It? ” (Shout! Studios): Lily James plays a documentary filmmaker whose next project follows her neighbor (Shazad Latif) on his road to an arranged marriage in this charming romantic comedy.

“ Book Club: The Next Chapter ” (Focus Features): Jane Fonda, Diane Keaton, Candice Bergen and Mary Steenburgen travel to Italy to celebrate an engagement.

“ The Mother,” ( Netflix ): Jennifer Lopez is an assassin and a mother in this action pic timed to Mother’s Day. (AP’s review here.)

“ Love Again ” (Sony): Priyanka Chopra Jonas plays a woman mourning the death of her boyfriend who texts his old number not knowing it belongs to someone new (Sam Heughan). Celine Dion (and her music) co-star in this romantic drama.

“ STILL: A Michael J. Fox Movie ” ( AppleTV+ ): Davis Guggenheim helps Michael J. Fox tell his story, from his rise in Hollywood to his Parkinson’s diagnosis and beyond.

“ Monica ” (IFC): A transgender woman, estranged from her family, goes home to visit her dying mother in this film starring Tracee Lysette and Patricia Clarkson.

“ The Starling Girl ” (Bleecker Street): Eliza Scanlen plays a 17-year-old girl living in a fundamentalist Christian community in Kentucky whose life changes with the arrival of Lewis Pullman’s charismatic youth pastor.

“ Fool’s Paradise ” (Roadside Attractions): Charlie Day writes, directs and plays dual roles in this comedic Hollywood satire.

“ Hypnotic ” (Ketchup Entertainment): Ben Affleck plays a detective whose daughter goes missing in this Robert Rodriguez movie.

“ It Ain’t Over ” (Sony Pictures Classics): A documentary about Lawrence Peter ‘Yogi’ Berra.

“Blackberry” (IFC): Jay Baruchel and Glenn Howerton star in this movie about the rise of the Blackberry. ( AP’s review.)

“ Fast X ” (Universal): In the tenth installment of the Fast franchise, Jason Momoa joins as the vengeful son of a slain drug lord intent to take out Vin Diesel’s Dom. ( AP’s review.)

“ White Men Can’t Jump ” (20th Century Studios, streaming on Hulu): Sinqua Walls and Jack Harlow co-star in this remake of the 1992 film, co-written by Kenya Barris and featuring the late Lance Reddick. ( AP’s review.)

“ Master Gardener ” (Magnolia): Joel Edgerton is a horticulturist in this Paul Schrader drama, co-starring Sigourney Weaver as a wealthy dowager. ( AP’s review.)

“ Sanctuary ” (Neon): A dark comedy about a dominatrix (Margaret Qualley) and her wealth client (Christopher Abbott).

“ The Little Mermaid ” (Disney): Halle Bailey plays Ariel in this technically ambitious live-action remake of a recent Disney classic directed by Rob Marshall (“Chicago”) and co-starring Melissa McCarthy as Ursula. ( AP’s review.)

“ You Hurt My Feelings ” (A24): Nicole Holofcener takes a nuanced and funny look at a white lie that unsettles the marriage between a New York City writer (Julia Louis-Dreyfus) and a therapist (Tobias Menzies). ( AP’s review.)

“ About My Father ” (Lionsgate): Stand-up comic Sebastian Maniscalco co-wrote this culture clash movie in which he takes his Italian-American father (Robert De Niro) on a vacation with his wife’s WASPy family. ( AP’s review.)

“ Victim/Suspect ” ( Netflix ): This documentary explores how law enforcement sometimes indicts victims of sexual assault instead of helping.

“ The Machine,” (Sony): Stand-up comedian Bert Kreischer brings Mark Hamill into the fray for this action-comedy.

“ Kandahar ” (Open Road Films): Gerard Butler plays an undercover CIA operative in hostile territory in Afghanistan.

“ Spider-Man: Across the Spider-Verse ” (Sony): Miles Morales (Shameik Moore) is back, but with things not going so well in Brooklyn, he opts to visit the multiverse with his old pal Gwen Stacy (Hailee Steinfeld), where he encounters the Spider-Society. ( AP’s review.)

“ The Boogeyman ” (20th Century Studios): “It’s the thing that comes for your kids when you’re not paying attention,” David Dastmalchian explains to Chris Messina in this Stephen King adaptation.

“ Past Lives ” (A24): Already being hailed as one of the best of the year after its Sundance debut, Celine Song’s directorial debut is a decades and continent-spanning romance about two friends separated in childhood who meet 20 years later in New York. ( AP’s review.)

“ Transformers: Rise of the Beasts ” (Paramount): Steven Caple Jr directs the seventh Transformers movie, starring Anthony Ramos and Dominique Fishback. ( AP’s review.)

“Flamin’ Hot” ( Hulu, Disney+): Eva Longoria directs this story about Richard Montañez, a janitor at Frito-Lay who came up with the idea for Flamin’ Hot Cheetos. ( AP’s review.)

“ Blue Jean ” (Magnolia): It’s 1988 in England and hostilities are mounting towards the LGBTQ community in Georgia Oakley’s BAFTA-nominated directorial debut about a gym teacher (Rosy McEwan) and the arrival of a new student. ( AP’s review.)

“Daliland” (Magnolia): Mary Harron directs Ben Kingsley as Salvador Dalí.

“ The Flash ” (Warner Bros.): Batmans past Ben Affleck and Michael Keaton assemble for this standalone Flash movie directed by Andy Muschietti and starring Ezra Miller as the titular superhero. ( AP’s review.)

“ Elemental ” (Pixar): In Element City, residents include Air, Earth, Water and Fire in the new Pixar original, featuring the voices of Leah Lewis, Mamoudou Athie and Catherine O’Hara. ( AP’s review.)

“ Extraction 2 ” ( Netflix ): Chris Hemsworth’s mercenary Tyler Rake is back for another dangerous mission. ( AP’s review.)

“ Asteroid City ” (Focus Features): Wes Anderson assembles Tom Hanks, Scarlett Johansson, Jason Schwartzman and Jeffrey Wright for a stargazer convention in the mid-century American desert. ( AP’s review.)

“ The Blackening ” (Lionsgate): This scary movie satire sends a group of Black friends including Grace Byers, Jermaine Fowler, Melvin Gregg and X Mayo to a cabin in the woods.

“ No Hard Feelings ” (Sony): Jennifer Lawrence leads a raunchy comedy about a woman hired by a shy teen’s parents to help him get out of his shell before Princeton. ( AP’s review.)

“ Indiana Jones and the Dial of Destiny ” (Lucasfilm): Harrison Ford puts his iconic fedora back on for a fifth outing as Indy in this new adventure directed by James Mangold and co-starring Phoebe Waller-Bridge. ( AP’s review.)

“ Every Body ” (Focus Features): Oscar-nominated documentarian Julie Cohen turns her lens on three intersex individuals in her latest film. ( AP’s review.)

“ Ruby Gillman, Teenage Kraken ” (Universal): Lana Condor (“To All the Boys I’ve Loved Before”) lends her voice to this animated action-comedy about a shy teenager trying to survive high school as a part-Kraken. (AP’s review.)

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July 2, 2023