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Tag: Karol G

  • Bad Bunny Super Bowl halftime show: ‘Party’ and Puerto Rican culture highlights in performance

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    Following a relatively uneventful first half of Super Bowl 60, megastar Bad Bunny delivered a love letter to Puerto Rican culture that also included a handful of celebrity cameos.Bad Bunny, whose real name is Benito Antonio Martínez Ocasio, teased days ahead of Sunday that his 13-minute performance was going to be a “big party,” and his first song of choice began in that direction.Standing amid a field of farmworkers, Bad Bunny began with “Tití Me Preguntó.” As he kept walking through the field, other various facets of Puerto Rican culture were featured.The songs that followedBad Bunny kept most of his setlist to party music, playing some of his well-known hits that include “Yo Perreo Sola,” “Safaera,” and “Party” before he sampled Daddy Yankee’s “Gasolina,” an anthem that is one of the most famous reggaeton songs in the entire genre.The singer’s back half of the show included more recent songs, such as “Monaco, “EoO” and “DtMF,” with the last two songs being part of the album that won him the Album of the Year Grammy last week.Bad Bunny has mentioned in recent interviews that his DeBÍ TiRAR MáS FOToS album was his effort of trying to connect more to his cultural roots. Celebrities featured in Bad Bunny’s halftime showThere were a handful of featured guests, some widely speculated ahead of the Big Game, who made an appearance during the show.Among those featured were Pedro Pascal, Cardi B, Karol G, Young Miko, and Jessica Alba.Lady Gaga was one of two — the other being Ricky Martin later on — guests to actually sing. She performed a Latin rendition of “Die With a Smile,” a song released in 2025 by both her and Bruno Mars. She appeared right after what appeared to be a mid-show wedding.According to The Associated Press, that wedding was real. Bad Bunny served as their witness and signed their certificate before he transitioned to perform “Baile Inolvidable” and “NuevaYol.”When Martin performed, he sang Bad Bunny’s “Lo Que Le Pasó a Hawaii,” which translates to “What Happened to Hawaii.” That song echoes sentiment from Puerto Ricans pushing for cultural autonomy.Martin himself is from Puerto Rico.Transitioning the themeOne of the final songs Bad Bunny performed was “El Apagón,” which makes reference to others wanting to be Latino, but who lacked seasoning, drums and reggaeton. Bad Bunny performed this song while standing on top of a telephone pole; the song translates to “the blackout.”The latter part of the song, not played in the halftime show, has lyrics that roughly translate to, “I don’t want to leave here. Let them leave.”Also toward the end of the performance was a moment where a child was watching a clip from Bad Bunny during the Grammys. Seconds later, Bad Bunny handed the child a Grammy.Visible on the Levi’s Stadium scoreboard was the same message he shared during the Grammys: “The only thing more powerful than hate is love.”To close, Bad Bunny named every country and territory from South America to Canada, with every flag being carried out across the field. He also carried a football that read, “Together, we are America.” -The Associated Press contributed to this reporting.

    Following a relatively uneventful first half of Super Bowl 60, megastar Bad Bunny delivered a love letter to Puerto Rican culture that also included a handful of celebrity cameos.

    Bad Bunny, whose real name is Benito Antonio Martínez Ocasio, teased days ahead of Sunday that his 13-minute performance was going to be a “big party,” and his first song of choice began in that direction.

    Standing amid a field of farmworkers, Bad Bunny began with “Tití Me Preguntó.” As he kept walking through the field, other various facets of Puerto Rican culture were featured.

    The songs that followed

    Bad Bunny kept most of his setlist to party music, playing some of his well-known hits that include “Yo Perreo Sola,” “Safaera,” and “Party” before he sampled Daddy Yankee’s “Gasolina,” an anthem that is one of the most famous reggaeton songs in the entire genre.

    The singer’s back half of the show included more recent songs, such as “Monaco, “EoO” and “DtMF,” with the last two songs being part of the album that won him the Album of the Year Grammy last week.

    Bad Bunny has mentioned in recent interviews that his DeBÍ TiRAR MáS FOToS album was his effort of trying to connect more to his cultural roots.

    There were a handful of featured guests, some widely speculated ahead of the Big Game, who made an appearance during the show.

    Among those featured were Pedro Pascal, Cardi B, Karol G, Young Miko, and Jessica Alba.

    Lady Gaga was one of two — the other being Ricky Martin later on — guests to actually sing. She performed a Latin rendition of “Die With a Smile,” a song released in 2025 by both her and Bruno Mars. She appeared right after what appeared to be a mid-show wedding.

    According to The Associated Press, that wedding was real. Bad Bunny served as their witness and signed their certificate before he transitioned to perform “Baile Inolvidable” and “NuevaYol.”

    SANTA CLARA, CALIFORNIA - FEBRUARY 08: Bad Bunny and Lady Gaga perform onstage during the Apple Music Super Bowl LX Halftime Show at Levi's Stadium on February 08, 2026 in Santa Clara, California. (Photo by Kevin C. Cox/Getty Images)

    SANTA CLARA, CALIFORNIA - FEBRUARY 08: Ricky Martin performs with Bad Bunny onstage during the Apple Music Super Bowl LX Halftime Show at Levi's Stadium on February 08, 2026 in Santa Clara, California. (Photo by Ronald Martinez/Getty Images)

    When Martin performed, he sang Bad Bunny’s “Lo Que Le Pasó a Hawaii,” which translates to “What Happened to Hawaii.” That song echoes sentiment from Puerto Ricans pushing for cultural autonomy.

    Martin himself is from Puerto Rico.

    Transitioning the theme

    One of the final songs Bad Bunny performed was “El Apagón,” which makes reference to others wanting to be Latino, but who lacked seasoning, drums and reggaeton.

    Bad Bunny performed this song while standing on top of a telephone pole; the song translates to “the blackout.”

    The latter part of the song, not played in the halftime show, has lyrics that roughly translate to, “I don’t want to leave here. Let them leave.”

    Also toward the end of the performance was a moment where a child was watching a clip from Bad Bunny during the Grammys. Seconds later, Bad Bunny handed the child a Grammy.

    Visible on the Levi’s Stadium scoreboard was the same message he shared during the Grammys: “The only thing more powerful than hate is love.”

    To close, Bad Bunny named every country and territory from South America to Canada, with every flag being carried out across the field. He also carried a football that read, “Together, we are America.”

    -The Associated Press contributed to this reporting.

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  • The Best Red Carpet Fashion Moments at the 2026 Grammy Awards

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    Tonight, the Grammy Awards return to the Crypto.com Arena in Los Angeles, as the music industry’s biggest stars gather to celebrate the best records and performances of the year. Comedian Trevor Noah is taking on hosting duties for the sixth year in a row.

    The 68th annual Grammy Awards are sure to be a star-studded evening, with performances from Sabrina Carpenter, Post Malone, Reba McEntire, Justin Bieber, Lauryn Hill, Duff McKagan, Brandy Clark, Andrew Wyatt, Lukas Nelson, Slash, Clipse and Pharrell Williams, as well as a Best New Artist production with all of the category’s eight nominees: Addison Rae, Alex Warren, Katseye, Leon Thomas, Lola Young, Olivia Dean, Sombr and The Marías.

    Carole King, Chappell Roan, Charli XCX, Doechii, Harry Styles, Jeff Goldblum, Karol G, Lainey Wilson, Marcello Hernández, Nikki Glaser, Q-Tip, Queen Latifah and Teyana Taylor are among the presenters announced thus far.

    Aside from a bevy of musical talent, the night also always includes a very exciting red carpet. At the Grammys, attendees aren’t scared to try something new when it comes to fashion—or something so fantastically outrageous that style commentators are sure to discuss for years to come. Below, see all the best and most thrilling fashion moments from the 2026 Grammy Awards show in Los Angeles.

    68th GRAMMY Awards - Arrivals
    Justin Bieber and Hailey Bieber. Getty Images

    Justin Bieber and Hailey Bieber

    Justin Bieber in Balenciaga, Hailey Bieber in Alaïa

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    Tate McRae. Getty Images for The Recording A

    Tate McRae

    in Balenciaga

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    Jon Batiste. Getty Images

    Jon Batiste

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    Kesha. Getty Images for The Recording A

    Kesha

    68th GRAMMY Awards - Arrivals68th GRAMMY Awards - Arrivals
    Don Lemon. Getty Images

    Don Lemon

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    Paris Hilton. WireImage

    Paris Hilton

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    Halle Bailey. Getty Images

    Halle Bailey

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    Pharrell Williams and Angélique Kidjo. Getty Images for The Recording A

    Pharrell Williams and Angélique Kidjo

    in Louis Vuitton 

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    Chrissy Teigen and John Legend. Getty Images

    Chrissy Teigen and John Legend

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    Lady Gaga. Getty Images

    Lady Gaga

    in Matières Fécales

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    Grace Potter. Getty Images for The Recording A

    Grace Potter

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    Carole King. Getty Images for The Recording A

    Carole King

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    Noah Kahan. Getty Images for The Recording A

    Noah Kahan

    in Armani 

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    Bad Bunny. Billboard via Getty Images

    Bad Bunny

    in Schiaparelli

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    Karol G. Getty Images

    Karol G

    in Paolo Sebastian 

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    Miley Cyrus. Getty Images

    Miley Cyrus

    in Celine

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    Billie Eilish. Getty Images

    Billie Eilish

    in Hodakova

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    Claudia Sulewski and Finneas O’Connell. Getty Images

    Claudia Sulewski and Finneas O’Connell

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    Jelly Roll and Bunnie Xo. WireImage

    Jelly Roll and Bunnie Xo

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    Laufey. Getty Images

    Laufey

    in Miu Miu 

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    Doechii. WireImage

    Doechii

    in Robert Cavalli 

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    Madison Beer. WireImage

    Madison Beer

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    Lainey Wilson. Getty Images

    Lainey Wilson

    in Gaurav Gupta

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    Addison Rae. Getty Images

    Addison Rae

    in Alaïa

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    Este Haim, Danielle Haim and Alana Haim. WireImage

    Este Haim, Danielle Haim and Alana Haim

    in Louis Vuitton

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    Nikki Glaser. Getty Images

    Nikki Glaser

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    Trevor Noah. WireImage

    Trevor Noah

    in Ralph Lauren 

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    Kelsea Ballerini. Getty Images

    Kelsea Ballerini

    in Etro 

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    Chappell Roan. Getty Images

    Chappell Roan

    in Mugler

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    Sombr. Getty Images

    Sombr

    in Valentino 

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    Olivia Dean. Getty Images

    Olivia Dean

    in Chanel 

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    Heidi Klum. Getty Images for The Recording A

    Heidi Klum

    68th GRAMMY Awards - Red Carpet68th GRAMMY Awards - Red Carpet
    Ejae. Kevin Mazur/Getty Images for The

    Ejae

    in Dior 

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    Queen Latifah. Getty Images

    Queen Latifah

    in Stéphane Rolland

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    Coco Jones. Getty Images for The Recording A

    Coco Jones

    in Kristina K

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    Madeleine White. AFP via Getty Images

    Madeleine White

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    Rosé. Getty Images

    Rosé

    in Giambattista Valli

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    Sabrina Carpenter. Getty Images

    Sabrina Carpenter

    in Valentino 

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    Kelsey Merritt. Getty Images

    Kelsey Merritt

    68th GRAMMY Awards - Arrivals68th GRAMMY Awards - Arrivals
    Tyla. Getty Images

    Tyla

    in Dsquared2

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    Michelle Williams. Getty Images

    Michelle Williams

    in Jean-Louis Sabaji Couture

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    Reba McEntire. Kevin Mazur/Getty Images for The

    Reba McEntire

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    Samara Joy. Billboard via Getty Images

    Samara Joy

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    Zara Larsson. Getty Images for The Recording A

    Zara Larsson

    in Germanier

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    Rita Wilson. Getty Images

    Rita Wilson

    in Jenny Packham 

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    Leah Kateb. Getty Images for The Recording A

    Leah Kateb

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    Ali Wong Getty Images for The Recording A

    Ali Wong

    in Vivienne Westwood 

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    Anna Shumate. Getty Images for The Recording A

    Anna Shumate

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    Shaboozey. Getty Images for The Recording A

    Shaboozey

    in Bode 

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    Margo Price. WireImage

    Margo Price

    68th GRAMMY Awards - Arrivals68th GRAMMY Awards - Arrivals
    Lola Clark. WireImage

    Lola Clark

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    Ciara Miller. Getty Images for The Recording A

    Ciara Miller

    68th GRAMMY Awards - Arrivals68th GRAMMY Awards - Arrivals
    PinkPantheress. Billboard via Getty Images

    PinkPantheress

    in Vivienne Westwood 

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    Kehlani. Getty Images for The Recording A

    Kehlani

    in Valdrin Sahiti

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    FKA Twigs. Getty Images

    FKA Twigs

    in Paolo Carzana

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    Lola Young. FilmMagic

    Lola Young

    in Vivienne Westwood 

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    Jesse Jo Stark and Yungblud. Getty Images for The Recording A

    Jesse Jo Stark and Yungblud

    in Chrome Hearts

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    Chris Redding and Serena Redding. AFP via Getty Images

    Chris Redding and Serena Redding

    68th GRAMMY Awards - Arrivals68th GRAMMY Awards - Arrivals
    Joni Mitchell. Billboard via Getty Images

    Joni Mitchell

    The Best Red Carpet Fashion Moments at the 2026 Grammy Awards

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    Morgan Halberg

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  • Bad Bunny wins album of the year at the 2025 Latin Grammys, capping an electric night

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    It should come as a shock to no one: The 2025 Latin Grammy Awards were all about Bad Bunny. The Puerto Rican superstar won album of the year for his landmark release “Debí Tirar Más Fotos.” After thanking his family and all those who worked on the album, he ended his speech with “Puerto Rico, I love you, thank you.”

    Those are powerful words honoring a record that doubles as a love letter for his island.

    “I want to dedicate this award to all the children and young people of Latin America, especially those of Puerto Rico. Never stop dreaming, never stop being yourselves, no matter where you come from. Never forget where you come from, but never forget where you are going,” he said. “There are many ways to show patriotism and defend our land: we choose music.”

    The artist born Benito Antonio Martínez Ocasio was destined to dominate from the jump. He also won the first award of the night, for música urbana album. Halfway through the show, the singer found himself back on stage accepting the música urbana song trophy for “DTmF.” “I never practice my speeches,” he said in Spanish. And then he showed up for a third time: to perform “Weltita” with Chuwi.

    He wasn’t the only one with reason to celebrate: Song of the year went to Karol G, Andrés Jael Correa Ríos and Édgar Barrera for “Si Antes Te Hubiera Conocido.” And Alejandro Sanz took home record of the year for “¿Y Ahora Qué?”

    Live from Sin City, the 26th annual Latin Grammys were both energetic and eclectic. Take Raphael, the 2025 Person of the Year, who launched into an emotive rendition of “Qué Sabe Nadie” and “Mi Gran Noche,” inviting the crowd to sing along.

    That was after Santana kicked things off — specifically, Maluma singing Santana’s 1970 hit “Oye Como Va” with the guitar legend himself.

    It was just the beginning of a memorable medley, talents of today celebrating Santana — Christian Nodal joining in for “Corazón Espinoza” and Grupo Frontera for their 2025 collaboration with the virtuosic musician, “Me Retiro.”

    Performances hit hard and fast: Aitana brought her dreamy electro-pop, Sanz delivered a medley of “El Vino De Tu Boca” and “Las Guapas,” Rauw Alejandro channeled Puerto Rico in Vegas with “Khé?,” the bachata “Silencio,” “Falsedad” and “Carita Linda.” Then: Danny Lux, Kakalo and Ivan Cornejo brought contemporary Mexicana sounds. Pepe Aguilar followed, with his life-affirming mariachi — “El Cihualteco” into “El Fuereño.”

    Elena Rose slowed things down with “Me Lo Merezco.” Karol G and the legendary Mexican singer Marco Antonio Solís dueted the romantic ballad “Coleccionando Heridas.”

    Two of the biggest groups in regional Mexican music – Grupo Frontera and Fuerza Regida – launched into their joint hit, “Me Jalo,” before the latter took over for “Marlboro Rojo.” That’s a cut from their record-breaking 2025 album “111xpantia.” Carín León’s lovely raspy vocal tone carried throughout “Ahí Estabas Tú”; then he was joined by Kacey Musgraves for “Lost in Translation.” Not long after, León took home the trophy in competitive contemporary Mexican album category for “Palabra De To’s (Seca).”

    Morat brought the pop-rock with “Faltas Tú” and Ca7riel and Paco Amoroso brought a kind of outsider, artistic spirit. Joaquina delivered a full-bodied “Quise Quererte.” Any aspiring artists watching would be wise to take a page out of the Brazilian singer Liniker’s book; “Negona Dos Olhos Terríveis” was one of the night’s most joyful. The same, of course, should be said about norteño band Los Tigres del Norte.

    The coveted best new artist trophy was handed out to Paloma Morphy.

    Traditional tropical album went to Gloria Estefan for “Raíces.” Not long afterward, she hit the stage for “La Vecina” and “Chirriqui Chirri,” joined by Nathy Peluso for the latter.

    Then ranchero/mariachi album went to Christian Nodal for “¿Quién + Como Yo?”

    Most of the evening’s awards were handed out during a pre-televised Premiere Ceremony. That included: Bad Bunny’s “Voy A Llevarte Pa Pr” winning for reggaeton performance. Argentinian duo Ca7riel and Paco Amoroso cleaned house then, too: taking home their first Latin Grammys for short and long form music video, alternative song, as well as alternative music album for “Papota,” and pop song for “El dia del amigo.” That’s five wins, making them the most awarded act at the 2025 show.

    The three-hour award show aired live from Las Vegas’ MGM Grand Garden Arena. It was hosted by the dynamic duo of Maluma and actor, producer and musician Roselyn Sánchez.

    ___

    This story has been updated to correct that Maluma helped open the Latin Grammys, not Miguel.

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  • Bad Bunny didn’t miss the Billboard Latin Music Awards, he was the top winner

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    MIAMI (AP) — His presence had remained a mystery, but Bad Bunny was there in person Thursday night to receive all the 2025 Billboard Latin Music Awards that were given to him, including the special Billboard Top Latin Artist of the 21st Century Award.

    Puerto Rican star Rita Moreno presented him with the accolade, and flirtatiously noted that the reggaeton singer is “good” and “whole.” Then, in a more serious tone, she told him that she identified with him.

    “Today I see an artist who takes the whole world,” Moreno said of Bad Bunny. “That same strength, that same passion, that helped me to never give up.”

    Taking the stage to his song “BAILE INoLVIDABLE,” Bad Bunny, 31, danced a bit of salsa with Moreno, 93.

    “Thank you very much, you are whole too,” he told the Oscar- and Tony-winning actress. “It is an honor for me to receive this award from her hands.”

    “Every time I hear other artists express themselves in that way of me, it gives me the security of being me and doing the things I do with my heart,” he added.

    Bad Bunny was announced as winner of the Billboard Top Latin Artist of the 21st Century Award but didn’t show up at the red carpet. He had previously skipped other major ceremonies so this presence remained a mystery that ended when he showed up at the beginning of the night to pick up the Top Latin Album of the Year.

    Bad Bunny had broken a record by being a finalist for 27 categories of the Latin Billboards 2025, and became the top winner of the night with 11 awards, including artist of the year; Global 200 Latin Artist of the Year, and “Hot Latin Songs” Male Artist of the Year.

    “I am grateful for these awards, but at the same time I recognize that, just as I deserve it, Rauw, Fuerza Regida, Peso, Karol could win it. I think we are all doing something incredible in music; our music is reaching more and more places,” he said upon receiving the artist of the year award from Olga Tañón. “I think it’s a job that we’re all doing, and that we’re continuing what other artists have been doing for years.”

    Bad Bunny’s hit “DtMF” won three awards, including streaming song of the year. His album “DeBÍ TiRAR MáS FOToS” was recognized as Top Latin Album of the year.

    Laura Pausini and Karol G shine

    Karol G was the biggest female winner of the awards broadcast live on Telemundo from the James L. Knight Center in Miami, receiving six awards, including Hot Latin Songs female artist of the year. Her song “Si antes te hubiera conocido” swept for four awards: Global 200 Latin Song of the Year; Latin Airplay Song of the Year; Sales Song of the Year and Tropical Song of the Year.

    “We had an incredible time when we made this song in the studio; That day there was magic, energy. God was in that place,” said Karol G upon receiving the Global 200 Latin Song of the Year award.

    Fuerza Regida won five awards, including Regional Mexican Artist of the Year, Duo or Group. Their hit “Tu boda” with Óscar Maydon was recognized as Regional Mexican Song of the Year, and Hot Latin Song of the Year, Vocal Event. Netón Vega was awarded as the debut artist of the year.

    Laura Pausini received the Billboard Icon Award for her outstanding international career and performed a moving version of “Mi historia entre tus dedos”, originally released in 1995 by Gianluca Grignani.

    “It’s amazing for me to be a part of the history of Latin music,” Pausini said. “I’m going to do something I’ve never done, I’m going to thank this Laura, the hard-working one, the one who is rude, who hasn’t given up when they’ve said no — which have been many times, by the way — who has followed my path honestly,” added pointing towards herself.

    Daddy Yankee returns

    In his long-awaited return to the stage, Daddy Yankee premiered “Sonríele” worldwide. At the end of his presentation, he said that he had a new mission.

    “To tell the world that Jesus is the way, the truth and the life,” he said.

    Peso Pluma was surprised to see that his girlfriend, Kenia Os, would present him with the Billboard Vanguard Award for his innovation and contribution to the growth of Mexican music globally. As soon as she went on stage, the couple gave each other a passionate kiss.

    “This is a crossroads; I didn’t know she was going to give it to me,” he said. “I’m so glad you gave it to me love… this beautiful woman who has made me a better human being, a better boyfriend, a better boss; a better everything.”

    Later, Peso Pluma performed “Apaga la Luz” live.

    Elvis Crespo dedicated his Billboard Hall of Fame Award to his “first female manager.”

    “It was my mother, Irene, who gave me 5 dollars to take my singing lessons every Friday in Río Piedras,” he said. “Irene, this is for you.”

    The Puerto Rican star also thanked his father and his children and ended with an emotional message about music: “I heard somewhere that in the music industry you don’t make friends. That’s a lie, you make friends for life.”

    Shakira won three awards: Tour of the Year; Latin Pop Artist of the Year, Solo, and Latin Pop Song of the Year “Soltera.”

    Óscar Maydon, Netón Vega, Aventura, Baby Rasta & Gringo, Benny Blanco, Elvis Crespo, Kapo, Maná, Romeo Santos, Rubby Pérez and Tito Double P were other winners of the night.

    Olga Tañón kicked off the ceremony with an energetic interpretation of “El Jolgorio”. There were also memorable performances by Beéle, Danny Ocean, Grupo Frontera, Juan Duque, La Arrolladora Banda El Limón de René Camacho, NXNNI and Ozuna.

    Carlos Vives, Emilia, Wisin and Xavi performed “Somos más”, Telemundo’s official anthem for the 2026 FIFA World Cup.

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  • Coachella 2026 Reveals Lineup Early: Bieber, Karol G & Carpenter to Headline

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    The Coachella Valley Music and Arts Festival dropped their 2026 Lineup on Monday, months before their usual schedule

    Coachella
    Credit: Courtesy of Coachella / Calder Wilson

    The Coachella Valley Music and Arts Festival is pulling out all the stops for its 25th anniversary, starting with unveiling its 2026 lineup months earlier than usual. On Monday, September 15, organizers surprised fans with the full roster of artists for the double-weekend celebration in Indio, California, announcing on Instagram: “Hard launch. Passes on sale Friday, September 19 at 11 a.m. PT. Register now for access.”

    Traditionally, Coachella reveals its lineup in January, with tickets following shortly after. This year, however, passes go on sale Friday, September 19, giving fans extra time to secure their spots for the April 10–12 and April 17–19 weekends at the iconic Empire Polo Club.

    The 2026 edition is being hailed as the most indie-forward lineup since the pandemic, featuring acts like The Strokes, Ethel Cain, Blood Orange, and Foster the People as a possible nod to the festival’s roots in 1999.

    Headlining the milestone year are three global superstars. Sabrina Carpenter kicks things off on Friday, marking her return to Coachella after a breakout debut in 2024. She released her seventh studio album at the end of August, Man’s Best Friend, which debuted at No. 1 on the Billboard 200, earning the biggest female debut of the year.

    Saturday, Justin Bieber is scheduled to deliver his first full-length Coachella set fresh off the release of his new album Swag. The stacked day-two lineup also boasts The Strokes, Giveon, Addison Rae, Sombr, Royal Otis, PinkPantheress, and more.

    Closing out the festival on Sunday is Colombian powerhouse Karol G, returning after her electric 2022 performance that featured Becky G and J Balvin. This time, she’ll be headlining, followed by an eclectic mix of artists including Young Thug, Kaskade, Laufey, Iggy Pop, and FKA Twigs.

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    Anastasia Van Batenburg

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  • Coachella 2026: Sabrina Carpenter, Justin Bieber, Karol G and Anyma to headline music festival, know full lineup

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    Coachella 2026 has announced the lineup of artists performing at the upcoming year’s event in April. Among the tens of artists participating, Sabrina Carpenter, Justin Bieber, Karol G, and Anyma have been announced as the headliners for the show. All have previously performed at the music festival; however, this time, they’ll be returning as headliners, marking a significant moment in their careers. 

    Coachella 2026 brings pop, rock, EDM, alternative music, and much more for another spin around the desert
    Across the span of two weekends, thousands of music fans are expected to head to the Colorado Desert, where the next edition of the famed Coachella Valley Music and Arts Festival will take place from Friday, April 10 to Sunday, April 19, 2026. Returning to the Empire Polo Club in Indio, California, in the Coachella Valley, the festival is likely to attract a massive footfall thanks to the impressive lineup of artists. 

    Among the most awaited are Justin Bieber, who recently dropped not one but two surprise albums, SWAG and SWAG II. On the other hand, Sabrina Carpenter has had an immensely successful couple of years thanks to the fame of her recent releases and tour, which have taken over music charts and cities around the world. Karol G and Anyma (multimedia project) are expected to present some banger gigs following their own popularity, observing a boost in recent days. 

    Other notable performers in the upcoming edition include Young Thug, Addison Rae, FKA Twigs, BIGBANG, KATSEYE, SHINee’s Taemin, BINI, Sombr, Swae Lee, Iggy Pop, Major Lazer, Green Velvet, PinkPantheress, Central Cee, Armand Van Buuren x Adam Beyer, Giveon, Labrinth, Dijon, and many more, bringing forth another exciting list.

    Check out the full performing lineup for 2026 Coachella:

    Last year, Lady Gaga, Green Day, and Post Malone, as well as Travis Scott, headlined the 2025 Coachella music festival.

    ALSO READ: BIGBANG to reunite for 2026 Coachella celebrating 20th anniversary, SHINee’s Taemin and KATSEYE to perform

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  • Coachella Headliners 2026: Justin Bieber, Sabrina Carpenter, Karol G and Anyma

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    Justin Bieber, Sabrina Carpenter, Karol G and Anyma are slated to headline Coachella 2026, taking place on April 10-12 and April 17-19 in Indio, CA.

    All of the headliners have graced the Coachella stage in the past. Carpenter performed at last year’s festival, while Karol G brought out Becky G and J Balvin during her 2022 appearance and Bieber popped up as a guest at four separate Coachellas.

    Anyma, who made a special guest appearance earlier this year during Yeat’s set and performed in 2024, is slated for a similar slot to last year’s Travis Scott performance, which was billed as a “Designs the Desert” experience. Anyma, the multimedia project from Matteo Milleri, recently became the first electronic artist to stage a residency at Las Vegas’ Sphere, which he followed with the release of his album “The End of Genesys.”

    Additional performers include Disclosure, Katseye, Ethel Cain, the XX, the Strokes, Addison Rae, Young Thug, FKA Twigs, Clipse, Sombr, David Byrne, Interpol, Laufey, Kaskade, Wet Leg, Iggy Pop, Major Lazer, Green Velvet, PinkPantheress, Moby, Central Cee, Lykke Li, Royel Otis, Boys Noize, Davido, Duke Dumont, Armand Van Buuren, Suicidal Tendencies, Giveon, Labrinth, Dijon, Groove Armada, Little Simz, the Rapture, Oklou, Royksopp and many more.

    Coachella 2025 featured headlining performances from Lady Gaga, Green Day and Post Malone, as well as Travis Scott. Artists including Missy Elliott, Charli xcx, Benson Boone, Megan Thee Stallion and more descended upon the desert for both weekends, which took place on April 11-13 and April 18-20.

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    Steven J. Horowitz

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  • Karol G, Feid, J Balvin, Maluma and More Proudly Rep Colombia With New Single ‘+57’

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    A new anthem from Karol G, Feid, J Balvin, Maluma, Blessd and Ryan Castro arrived Thursday under the name “+57″ — Colombia’s telephone code. All of the featured artists hail from Medellín, the capital of the Antioquia province in Colombia.

    Produced by Karol’s longtime and go-to producer, Ovy on the Drums, “+57” was co-written by all of the artists alongside Latin Grammy-winning songwriter Keityn, and newcomer DFZM. All of the featured vocalists get a turn spitting their verse over a sticky reggaeton beat. “Because in Medellín, I’m like Drake in Toronto,” sings Blessd.

    The single arrived alongside a music video that reveals the song was recorded in February earlier this year in Los Angeles. It features all of the artists partying and recording in the studio.

    Karol, Balvin and Feid are each nominated for awards at the 25th Annual Latin Grammy Awards, which will take place on Nov. 14 at the Kaseya Center in Miami. The former is nominated for a total of eight awards while the latter two have each earned four and one nomination, respectively. Karol took home the golden gramophone for album of the year at the Latin Grammys this past year for “Mañana Será Bonito.”

    Balvin released his sixth studio album “Rayo” on Aug. 9, which featured a 15-song series of reggaeton, pop and EDM music. The “Prince of Reggaeton” will make his acting debut in the upcoming feature “Little Lorrain,” which is directed by Grammy nominee Andy Hines.

    The release of “+57” marks a major moment of representation for Colombia, which has a rich musical history of genres such as salsa, cumbia, vallenato, champeta and more. The country has produced stars such as Shakira, Carlos Vives, Sebastián Yatra, Fonseca, Juanes and Andrés Cepeda.

    Watch the video for “+57” below.

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    Andrés Buenahora

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  • Your 2023 Spotify Wrapped Is Ready

    Your 2023 Spotify Wrapped Is Ready

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    Every year around December, excitement grows for reasons other than the holiday season. Yes, we all come together to celebrate the release of our
    Spotify Wrapped– and what a glorious, joyous time it is for many. Plus, it’s a great opportunity to expose which type of person you are: an Apple Music user or a Spotify user.


    Spotify Wrapped can teach you a lot about yourself and others. It reveals the top artists, albums, and songs both globally and in the United States, as well as your own individualized playlist filled with your top songs of the year. Mine, unsurprisingly is
    Noah Kahan (and he occupies four of my five top songs).

    It can remind you of songs you swore you only listened to once, and exposes you for the kind of listener you truly are. Somehow, One Direction was my top artist for years beyond their indefinite hiatus…some people never change!

    At the
    Spotify Wrapped 2023 event yesterday, we got the chance to answer all of your questions for this year’s Wrapped! Let’s dive in.

    When Can I See My Spotify Wrapped 2023?

    In one of the greatest rivalries of all time, Apple Music released their Wrapped dupe called Replay a day earlier than Spotify…but today, November 29, is when your
    2023 Spotify Wrapped graces the app.

    @trendpr Spotify Wrapped is trying some new things this year 👀 #2023spotifywrapped #spotifywrapped #2023wrapped ♬ My Love Mine All Mine – Mitski

    What’s New To Spotify Wrapped This Year?

    This year’s theme was “Wrapped, Or It Didn’t Happen.” In a world of
    AI, Spotify wanted to celebrate what’s real: embracing the real moments you experience through music. They wanted to encapsulate the year we’ve had as listeners, so we can appreciate the different cultures and sounds that have been brought to us.

    You’ll see more moving parts during the campaign, with bolder colors, bigger digital productions across the world. But there’s more to your Wrapped than just a special playlist based on your listening data. For the first time, you’ll be able to view it on your computer as well.

    One of the newest feature is Me, In 2023, where you’re assigned one of twelve listening personalities to tell you a bit more about yourself. For example, I’m an Alchemist, which means I create more playlists and listen to them more than the average user. This, obviously, is not shocking as I curate a
    Weekend Playlist for this website.

    There’s also SoundTown, which matches you to a city where you’ll likely meet people who have similar music taste to you. The excitement doesn’t stop there, you’ll be able to see which month you listened to your Top 5 Artists the most and use the Blend feature to see how you and your friends match up.

    Who Were The Top Artists and Albums In 2023?

    Global:

    Artists:

    1. Taylor Swift
    2. Bad Bunny
    3. The Weeknd
    4. Drake
    5. Peso Pluma

    Songs:

    1. “Flowers” by Miley Cyrus
    2. “Kill Bill” by SZA
    3. “As It Was” by Harry Styles
    4. “Seven” by Jungkook and Latto
    5. “Ella Baila Sola” by Peso Pluma

    United States:

    Artists:

    1. Taylor Swift
    2. Drake
    3. Morgan Wallen
    4. The Weekend
    5. Bad Bunny

    Songs:

    1. “Last Night” by Morgan Wallen
    2. “Kill Bill” by SZA
    3. “Flowers” by Miley Cyrus
    4. “Eslabon Armado” by Peso Pluma
    5. “Boys A Liar Pt. 2” by PinkPantheress and Ice Spice

    What Were The Top Albums Of 2023?

    Globally:

    1. Un Verano Sin Ti by Bad Bunny (4.5 billion streams)
    2. Midnights by Taylor Swift
    3. S.O.S. by SZA
    4. Starboy by The Weeknd
    5. Mañana Sera Bonito by Karol G

    U.S.:

    1. One Thing At A Time by Morgan Wallen
    2. S.O.S. by SZA
    3. Midnights by Taylor Swift
    4. Heroes and Villains by Metro Boomin
    5. Dangerous by Morgan Wallen

    What Were The Top Podcasts?

    1. The Joe Rogan Experience
    2. Call Her Daddy
    3. Huberman Lab
    4. Anything Goes With Emma Chamberlain
    5. On Purpose With Jay Shetty

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    Jai Phillips

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  • No Dick Allowed: Kali Uchis and Karol G’s “Labios Mordidos” Video

    No Dick Allowed: Kali Uchis and Karol G’s “Labios Mordidos” Video

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    After releasing her third album, Red Moon in Venus, earlier this year, Kali Uchis is already moving on to her next “era” (since that’s the language “the culture” wants to use now whenever a musician releases new music). Set to put out her fourth record, Orquídeas, in January, Uchis has been on a music-releasing blitzkrieg since August, when the album’s first single, “Muñekita,” featuring JT from City Girls and El Alfa, was unleashed. The Rosalía-esque track (with its title that translates to “Little Doll”) signals Uchis’ shift back to cockier, more danceable ditties (à la “Tyrant” and “Dead to Me”). But that doesn’t mean Uchis hasn’t indicated her continued commitment to the sultry slow jam, as evidenced by the second single from Orquídeas, “Te Mata,” which arrived on the scene with a dramatic, seemingly telenovela-inspired video in October. 

    With the suggestively-titled “Labios Mordidos” (“Bitten Lips”—a phrase also used in another Kali and Karol collaboration from earlier this year, “Me Tengo Que Ir”), however, Uchis is back to her hip-shaking ways with some help from Karol G, whose last single was “Mi Ex Tenía Razón.” Considering both women’s “I’m too much of a bad bitch for inferior men” vibe, their decision to team up again was only natural. And oh how they do “join forces.” Not just in their singing together, but also in how they choose to visually present “Labios Mordidos,” which majorly one-ups the “girlie party” Uchis was having at the outset of the video for “Moonlight.”

    But, unlike the premise for that video, the one for “Labios Mordidos” involves going to Uchis’ abode rather than leaving it. What’s more, right from the beginning, there’s no shame about wielding product placement. Indeed, YouTube includes a disclaimer about the “paid promotion” involved at the top left corner. And the first thing Uchis wants to promote is Corona (which miraculously didn’t suffer all that much as a brand after coronavirus) as her tricked-out bus rolls up to the property. Bedecked in blue and pink wigs respectively, Uchis and Karol G then storm the palatial property with their bevy of “bitches.”

    In the next scene, Uchis is shown on a staircase at the center of the group of women she’s gathered for this party—a celebration filled with writhing, a pink glittery half-pipe and general drunken, dancing revelry. In point of fact, Uchis seems to be majorly one-upping the far more hetero visual concepts behind Ariana Grande’s “34+35 (Remix)” and Billie Eilish’s “Lost Cause”—both of which promote a, let’s say, “femme positive” lifestyle. In other words, men are superfluous and shouldn’t be involved in any attempts at merrymaking. In fact, they’ll probably just drag the whole mood down with their judgments and their testosterone-driven antics. And yes, this is Uchis embracing the bisexual part of her that favors women as she sings lyrics (translated from Spanish) that go, “Look, I’m soft like honey and coconut/Always rich and sweet like corn arepas/And just with my look, she got all wet up/Your girlfriend goes crazy when I arrive (I arrive)/Maria, Jenny, Catalina and Sonia/I love my Brazilians and my Colombians (prr)/Dominicans, Puerto Ricans, I love my Mexicans/And tonight, I’m a lesbian, you make me feel like it.” 

    And her intent is clearly to make the women watching the video feel like it too as she showcases a variety of scantily-clad “dames” engaging in everything from boxing to frolicking in the pool that’s in the backyard. Karol G adds to the lesbian lechery with her verse, “Her ass leaves everyone on mute/Strawberry gloss [another product placement opportunity] to bring it down/Quietly so that no one knows/Show me what you have there for me to try it/I’m already feeling hot, come and join me/Strawberry gloss to bring it down/Quietly so that no one knows/She undressed, and I couldn’t stop looking at her/That tattoo on her back leaves me breathless.” Although Karol G isn’t known for her bisexuality like Uchis, perhaps she was enthusiastic about participating in this particular collaboration when taking into account her track record with men (*cough cough* Anuel AA). To boot, she’s known for having an LGBTQIA+ following, so why not cater a bit more to that facet of her fanbase with a number like this? 

    Produced by Manuel Lara, Albert Hype and Austen Jux-Chandler, there’s also a brief moment when the song samples from Chaka Demus & Pliers’ 1992 hit, “Murder She Wrote,” a sonic nod that reveals Uchis’ love of reggaetón. And as the video segues out of the house party location and onto a studio backlot-looking set where Kali and Karol strut down the pavement in black vinyl ensembles, fiery explosions start to go off behind them (it’s sort of “Bad Blood”-esque in this instant). A visual that emphasizes the connection they want their viewers to make: wherever they go, they can spontaneously ignite “explosions” (read: orgasms) with just their mere presence.

    If a man is lucky, he might be privy to it, but Kali and Karol are more concerned with a woman’s pleasure in this particular narrative. And that much was immediately established when Uchis did a sendup of the WB logo at the start of the video with her initials “KU” (featuring vaginal flowers surrounding it, obviously) punctuated by the words below: “A Kuchi Entertainment Company.” 

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    Genna Rivieccio

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  • Karol G Joins NewJeans, Peso Pluma, Bebe Rexha and More as Performer for Billboard Music Awards

    Karol G Joins NewJeans, Peso Pluma, Bebe Rexha and More as Performer for Billboard Music Awards

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    Karol G is set to take center stage, under the creative direction of Parris Goebel, at the upcoming Billboard Music Awards on Nov. 19. She joins the global lineup consisting of Peso Pluma from Mexico and NewJeans from South Korea, along with Bebe Rexha and David Guetta.

    Karol has had a big look this awards show season with her latest full-length “Mañana Será Bonito,” which is up for five trophies including top Latin artist, top Latin female artist, top Latin touring artist, top Latin album, and top Latin song. Choreographer Goebel (who famously arranged Rihanna’s Superbowl Halftime Show earlier this year) reunites with Karol following the Colombian singer’s MTV Video Music Awards appearance.

    The show, produced by Dick Clark Productions, recently transitioned so the awards and performances will be rolled out on the social channels for Billboard and the BBMAs. Karol and others’ performances are set to take place in uniquely customized global locations and venues with the audience consisting of participants from the Spotify Fans First program, which uses Spotify listener data to find and reward the performer’s most dedicated fans.

    Taylor Swift leads the nominations list with 20 recognitions followed by SZA and Morgan Wallen, who each have 17 nominations in a total of 16 categories. Other stars with a big look include the Weeknd, a finalist for 16 awards with 17 entries; Drake, who’s up for 14 awards; and first-time finalist Zach Bryan, who’s contending with 14 nominations in 13 categories.

    Winners for the BBMAs are determined using “year-end performance metrics on the Billboard charts,” for a period that began Nov. 19, 2022 and ended Oct. 21, 2023.

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  • “El Flow No Está a la Venta”: Karol G’s “S91”

    “El Flow No Está a la Venta”: Karol G’s “S91”

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    Having previously worked with Pedro Artola on videos like “Cairo” and “Provenza,” Karol G reteams with the director to bring us the surreal stylings of the “S91” video. Starting from the image of Karol G sitting in the desert next to a cross formed by speakers in lieu of pinewood, it’s clear that the singer wants to establish a religious motif from the outset. And considering that the title of the song is a reference to “Psalm 91,” that should come as no surprise.

    Sporting pink hair (perhaps a residual look from her “Watati” video for the Barbie Soundtrack) as she stares with a knowing glance into the camera, things are serene enough until the tension starts to mount as a crowd of people in the desert begin to approach her. They then abruptly run toward her in a manner that suggests a threat is at play, until we see another scene of an animated panther also about to pounce on her…or so we’re led to believe. In the next moment, the crowd has gone from ostensibly chasing her down to following right behind her as she leads the pack—even if being hotly pursued by it. That said, the people behind her suddenly turn into animated wolves that still happen to be out for Karol G’s blood.

    As she approaches the aforementioned panther—her apparent protector/“guardian angel”—it launches into attack mode against the lead wolf, both of them jumping into the air to give their best shot at taking the other down. And, just when you think the wolf might have the upper hand in the fight, the panther bitch slaps him across the cheek, leading us instantly to the next scene, wherein Karol G reminds us it’s always Bichota Season, with that phrase displayed on the black car she’s now driving. Gripping the wheel tightly, Karol G proceeds to drag race against the yellow car next to her. As the two go mano a mano in the desert, a random smattering of onlookers (including one tit flasher) cheers her on. But really, there’s no need. For, soon after starting the race, Karol G is coasting easily. So easily, in fact, that she’s riding on top of her car, straight chillin’ as she makes her way through the desert without a care in the world. A look that makes sense when taking into account how “S91” is a rumination on how she’s cut out the proverbial haters from her life. As such, Karol G assures, “I no longer have people who envy me/What I have is apprentices.” A polite word, perhaps, for “minions.” But surely Karol G is less diabolical than Blair Waldorf, so we’ll give her the benefit of the doubt on the kindness of a word like “apprentice” (which needed to be “reappropriated” from Donald Trump anyway).

    In the next scenario, Karol G is floating peacefully in a body of water, a close-up on her tattoo reading, “HOPE.” Something she might want to hold on to as animated sharks circle her in the water. All while she remains tranquilly in her lifebuoy at the center. For, as she’s already noted of the “sharks” out there thirsting for her blood, “From afar you can see that they want to be like me, I already saw them/But the flow is not for sale I’m sorry, but the flow is not for sale.” Would that Britney Spears told a few people that before it was too late. And in the concluding moment to this scene, a massive shark just barely visible beneath her suddenly shows not only the extent of its largeness, but how its entire mouth might just be about to swallow her whole.

    Before we can see if it actually does, Artola cuts to Karol G safely walking through a field before a barrage of religious imagery inside a church appears to emphasize the spiritual overtones of a song that speaks to how Karol G has reached a point in her life where she feels protected by some sort of “higher power.” Maybe that’s “arrogance,” or maybe it’s simply what the L.A. girls call “manifesting”—finding the confidence one needs to battle outside malignant forces by using “the strength within” (or “the voice within,” as Christina Aguilera would call it).

    Karol G’s confidence and self-assurance on this single ties into the psalm she refers to in the title via the lyrics, “Pues mil caerán a tu derecha, y diez mil a tu izquierda, pero a ti nada te pasará.” A.k.a.: “For a thousand shall fall at thy right hand, and ten thousand at thy left, but nothing shall befall thee.” In other words, she knows how to stay calm amid the noise and the flaccid attempts at “taking her down.” After all, how can any girl be taken down once she’s collaborated with Shakira? The concluding part of that psalm (“Only with thine eyes shalt thou behold and see the reward of the wicked”) alludes to how all one needs to do is sit back and let “karma” do its job.

    That’s the tip Karol G seems to be on as she makes the sign of the cross inside the church before another cut takes us to Paris at nighttime, where Karol G lets her inner basic bitch run wild as she poses and cavorts in front of the sparkling Eiffel Tower as though possessed by a jubilance she can’t control. For that’s what it is to give no credence to negativity or one’s detractors.

    After already releasing the optimistically titled album Mañana Será Bonito earlier this year, a title card at the end of the video promises “Mañana Será Bonito (Bichota Season) Coming Soon” before one last scene of Karol G relaxing with the protective animated panther we saw earlier in the narrative. Whether that means Karol G is releasing some kind of deluxe edition of the record (à la Tove Lo with Dirt Femme) is left up to the viewer. But, either way, it’s clear that Karol G is not about suffering fools or letting her happiness be affected by others any longer.

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    Genna Rivieccio

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  • Standing Ground Is the Emerging Label Cutting Through the Noise

    Standing Ground Is the Emerging Label Cutting Through the Noise

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    Style Points is a weekly column about how fashion intersects with the wider world.

    It was a comet that first fired Michael Stewart’s imagination. He grew up in Ireland, in a house tucked into a hill. Above it loomed an ancient ringfort, or fortified settlement built into the earth. (He calls them “timestamps in the land.”)

    “I used to stargaze a lot,” Stewart remembers. When the Hale-Bopp comet shot across the sky in 1997, “I have distinct memories of [seeing it] and my mom telling me the last time it was here, or visible, was about four and a half thousand years ago.” The idea of coming into contact with something only the ancients had seen fascinated the young Stewart. “If you strip it away and you just look up at the stars, you think, ‘Okay, I can almost imagine what this land was back then if I squint right,’” he says. “I love that idea of mentally transporting yourself to a different time.”

    standing ground fall 2023

    Standing Ground fall 2023.

    Noah Reicansky

    When Stewart became a design student, enrolling at London’s Royal College of Art, he drew on that fascination with the timelessness of his childhood landscape. Unlike his Irish cohorts Simone Rocha or Roísin Pierce, his work doesn’t touch on traditional craft motifs from the Emerald Isle. “I don’t engage with modern Ireland, or even relatively modern Ireland,” he says. “My interest is the land, the first people who came to Ireland, and the traces that they left behind.” He likes imagining the ancients through “a science fiction lens,” collapsing time frames so that the futuristic and primordial converge. “I wouldn’t say my work is super futuristic, and I wouldn’t say it’s super ancient,” he says, but you can almost imagine it in either space.”

    standing ground fall 2023

    Standing Ground fall 2023.

    Noah Reicansky

    Stewart has shown collections for his brand, Standing Ground, for the past two seasons as part of Fashion East—the London Fashion Week group show that counts Grace Wales Bonner, Craig Green, and Jonathan Anderson as alums.It’s a real stamp of approval on people’s work,” he says. But despite showing in the capital, Stewart doesn’t really identify with the punk-New Romantic-maximalist aesthetic salad that has come to define London style. He’s more apt to make references to the classic silhouettes of Geoffrey Beene and Charles James than to more recent fare. It’s most important to him to have a purity in the work and to focus on fit and cut. There’s a reality to my work, because I drape on the stand and fit on the body.”

    imaan hammam standing ground met gala

    Imaan Hammam wears Standing Ground at this year’s Met Gala.

    Dimitrios Kambouris//Getty Images

    Stewart goes against the grain in another way: he doesn’t use mood boards or sketch. He sees his process as more akin to sculpting with fabric. It might also be compared to improvisation. I have a vision in mind,” he explains, but I allow the fabric to tell me what it wants to do, and I’m playful with it.”

    For spring 2023, he showed brightly-colored column gowns that dripped with ease and featured tube-shaped structures snaking over the body-like vines. Fall brought gently molded hips and a stripped-down take on midcentury silhouettes. Some dresses were corseted, but not in an obvious, costumey way. Stewart was aiming for this soft, marshmallowy, modern take on a bustier dress…I don’t want to see the boning of the corset poking through or leaving an impression on the fabric.”

    A lot of people don’t even know that they’re corsets underneath,” he adds. They think they’re much simpler than they are. I quite like that. It’s nice to be able to achieve a really pure look, but with all of those intricate workings internally.”

    karol g elle standing ground

    Karol G wears Standing Ground in the June/July 2023 issue of ELLE.

    ZOEY GROSSMAN

    Stewart’s unfussy approach to eveningwear has been a hit with celebrities: Naomie Harris, Imaan Hammam, and Jourdan Dunn have all worn his designs on the red carpet, and our June/July cover star Karol G sports his bodysuit and sweeping hot-pink skirt in her shoot.

    Fashion has found a minimalist equilibrium lately. And while Stewart is averse to trends, there’s no denying that his work falls within that rubric. Personally, Stewart believes the return of spare silhouettes came about because people are jaded from looking at noise. I know I certainly am. I find the social media thing quite difficult, to be constantly bombarded with so much information. People do crave purity; it’s almost like a stillness, a break for your eyes.” But getting a pared-back design right can be more challenging, he thinks. It can be less impressive, if not done correctly.” And its appeal is quieter: If you look at a jersey dress on a hanger, it doesn’t have much presence, but when you put it on a body, it’s a really different story.”

    jourdan dunn standing ground

    Jourdan Dunn wears a look from Standing Ground.

    Gareth Cattermole//Getty Images

    Stewart isn’t just taking the road less traveled when it comes to design, but with his business as well. Thus far, he’s eschewed selling to wholesale accounts in favor of a small, almost Luddite made-to-measure operation where he works directly with private clients. For him, it’s a way of slowing down a system that can feel like it’s careening out of control. So many young designers, he says, get chewed up and spat out, and six seasons later they’re never to be seen again…I just want to take a bit of power from that a little bit.”

    Headshot of Véronique Hyland

    ELLE Fashion Features Director

    Véronique Hyland is ELLE’s Fashion Features Director and the author of the book Dress Code, which was selected as one of The New Yorker’s Best Books of the Year. Her writing has previously appeared in The New York Times Magazine, The New Yorker, W, New York magazine, Harper’s Bazaar, and Condé Nast Traveler. 

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  • Pete Davidson To Return To ‘Saturday Night Live’ As Host — A Guide To Season 48’s Hosts

    Pete Davidson To Return To ‘Saturday Night Live’ As Host — A Guide To Season 48’s Hosts

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    By Zach Seemayer‍, ETOnline.com.

    “Saturday Night Live”‘s season 48 is still going strong! The NBC mainstay recently announced the latest round of celebs they’ve tapped to host the celebrated sketch comedy series.

    “Ghosted” star Ana de Armas will be joined by musical guest Karol G as she heads up the April 15 episode.

    Pete Davidsonwho left the late-night sketch series at the end of season 47 in 2022, will make his return to Studio 8H on May 6. He’ll be promoting his new semi-autobiographical comedy series, “Bupkis”which launches on Peacock just a few days earlier.

    This season, the new cast has looked quite a bit different, with four fresh new faces after a surprising exodus of long-time cast members — including veteran cast member Cecily Strong, who departed the show mid-season during the last episode of 2022. However, the new group have been coming together for a strong series of episodes over the past few months.

    Check out the full list of the hosts and musical guests who have lent their talent to Season 48, and who are set to take the stage in the weeks to come. Check back as the season progresses, as the list will be updated regularly as new hosts and musical guests are announced.

    “SNL” Episode 1 — Oct. 1, 2022

    Musical guest Kendrick Lamar, host Miles Teller, and Bowen Yang during “SNL” Promos in Studio 8H on Friday, September 30, 2022.
    — Photo by: Will Heath/NBC via Getty Images

    “Top Gun: Maverick” star Miles Teller hosted the season 48 debut — and appeared in the “cold open” sketch, which is rare for a first-time host — while Kendrick Lamar hit the stage as a musical guest.

    “SNL” Episode 2 — Oct. 8, 2022

    Musical guest Willow, host Brendan Gleeson, and Chloe Fineman during “SNL” Promos in Studio 8H on Thursday, October 6, 2022.
    Musical guest Willow, host Brendan Gleeson, and Chloe Fineman during “SNL” Promos in Studio 8H on Thursday, October 6, 2022.
    — Photo by: Rosalind OConnor/NBC via Getty Images

    Celebrated Irish actor Brendan Gleeson made his SNL debut and was joined in his monologue by his “The Banshees of Inisherin” co-star Colin Farrell. Meanwhile, Willow served as the night’s musical guest.

    “SNL” Episode 3 — Oct. 15, 2022

    Host Megan Thee Stallion during the “SNL” Monologue on Saturday, October 15, 2022.
    Host Megan Thee Stallion during the “SNL” Monologue on Saturday, October 15, 2022.
    — Photo by: Will Heath/NBC via Getty Images

    Megan Thee Stallion pulled double duty, making her debut as an “SNL” host, and her triumphant return as a musical guest.


    READ MORE:
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    “SNL” Episode 4 — Oct. 29, 2022

    Musical guest Jack Harlow performs on “SNL” on Saturday, March 27, 2021.
    Musical guest Jack Harlow performs on “SNL” on Saturday, March 27, 2021.
    — Photo By: Will Heath/NBC/NBCU Photo Bank via Getty Images

    After previously serving as a musical guest, Jack Harlow took the stage for “SNL”‘s Halloween episode, and, like Megan Thee Stallion, also performed.

    “SNL” Episode 5 — Nov. 5, 2022

    Host Amy Schumer during a “SNL” promo in Studio 8H — Episode 1745.
    Host Amy Schumer during a “SNL” promo in Studio 8H — Episode 1745.
    — Photo by: Rosalind O’Connor/NBCU Photo Bank/NBCUniversal via Getty Images

    Comedian and Oscars co-host Amy Schumer took the reins in her third go as host. Meanwhile, she was joined by Steve Lacy as the night’s musical guest.

    “SNL” Episode 6 — Nov. 12, 2022

    Dave Chappelle during the monologue on “SNL” Episode 1710 on November 12, 2016.
    Dave Chappelle during the monologue on “SNL” Episode 1710 on November 12, 2016.
    — Photo by: Will Heath/NBCU Photo Bank/NBCUniversal via Getty Images

    Stand-up comic and returning host Dave Chappelle took the stage once again, alongside the night’s musical guest, hip hop duo Black Star.

    “SNL” Episode 7 — Dec. 3, 2022

    Host Keke Palmer during the “SNL” Monologue on Saturday, December 3, 2022.
    Host Keke Palmer during the “SNL” Monologue on Saturday, December 3, 2022.
    — Photo by: Will Heath/NBC via Getty Images

    Keke Palmer made her “Saturday Night Live” hosting debut, shocking viewers when she revealed her baby bump, announcing her first pregnancy with boyfriend Darius Jackson. She was joined by musical guest SZA.

    “SNL” Episode 8 — Dec. 10, 2022

    Hosts Steve Martin and Martin Short during the “SNL” Monologue on Saturday, December 10, 2022.
    Hosts Steve Martin and Martin Short during the “SNL” Monologue on Saturday, December 10, 2022.
    — Photo by: Will Heath/NBC via Getty Images

    “Only Murders in the Building” co-stars Steve Martin and Martin Short returned to their familiar old stomping grounds as joint co-hosts, and were joined by musical guest Brandi Carlile.


    READ MORE:
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    “SNL” Episode 9 — Dec. 17, 2022

    Host Austin Butler during the “SNL” Monologue on Saturday, December 17, 2022.
    Host Austin Butler during the “SNL” Monologue on Saturday, December 17, 2022.
    — Photo by: Will Heath/NBC via Getty Images

    “Elvis” star and Oscar nominee Austin Butler basked in the spotlight during his hosting debut. Meanwhile, the Yeah Yeah Yeahs were originally set to serve as musical guests. However, the band’s guitarist, Nick Zinner, was battling pneumonia, and they were forced to pull out. In their place, Lizzo stepped up to serve as musical guest. This marked Lizzo’s second time as musical guest in 2022, after she performed and also hosted “SNL” back in April.

    “SNL” Episode 10 — Jan. 21, 2023

    Musical guest Sam Smith, host Aubrey Plaza, and Kenan Thompson during “SNL” Promos in Studio 8H on Thursday, January 19, 2023.
    Musical guest Sam Smith, host Aubrey Plaza, and Kenan Thompson during “SNL” Promos in Studio 8H on Thursday, January 19, 2023.
    — Photo by: Rosalind OConnor/NBC via Getty Images

    For the show’s first episode of the new year, “SNL” tapped “White Lotus” star, and queen of deadpan, Aubrey Plaza to host. She was joined by musical guest Sam Smith, who returned to the Studio 8H stage for the fourth time.

    “SNL” Episode 11 — Jan. 28, 2023

    Michael B. Jordan
    Michael B. Jordan
    — Photo by: Rosalind O’Connor/NBC

    “Creed” and “Black Panther” star Michael B. Jordan made his “SNL” hosting debut, alongside first-time musical guest Lil Baby — who previously made an uncredited appearance during an episode back in 2019.

    “SNL” Episode 12 — Feb. 4, 2023

    Pedro Pascal
    Pedro Pascal
    — Photo by: Will Heath/NBC

    Pedro Pascal, who stars in the HBO drama “The Last of Us” and Disney+’s “The Mandalorian”, made his “SNL” hosting debut, alongside musical guest Coldplay. The British band performed for the seventh time.

    “SNL” Episode 13 — Feb. 25, 2023

    Musical guest Jack White, host Woody Harrelson, and special guest Scarlett Johansson during Goodnights & Credits
    Musical guest Jack White, host Woody Harrelson, and special guest Scarlett Johansson during Goodnights & Credits
    — Photo by: Will Heath/NBC

    Woody Harrelson, who next been seen as CIA officer E. Howard Hunt in the HBO limited series “White House Plumbers”, joined the five-timers club when he returned to Studio 8H. Jack White was the musical guest, with the singer also making his fifth appearance on the show — once with The White Stripes and three previous times solo. During the episode, Scarlett Johansson made a surprise appearance.


    READ MORE:
    ‘Saturday Night Live’: Megan Thee Stallion Makes Hosting Debut, Intentionally Avoids Addressing Burglary News

    “SNL” Episode 14 — Mar. 4, 2023

    Musical guest Kelsea Ballerini, host Travis Kelce, and Heidi Gardner in Studio 8H during “SNL” Promos on Thursday, March 2, 2023.
    Musical guest Kelsea Ballerini, host Travis Kelce, and Heidi Gardner in Studio 8H during “SNL” Promos on Thursday, March 2, 2023.
    — Photo by: Rosalind OConnor/NBC via Getty Images

    NFL star Travis Kelce — hot off his Super Bowl LVII victory — made his “SNL” debut, making him the first athlete to host since J.J. Watts took on the challenge in Feb. 2020. Kelce was joined by first-time musical guest Kelsea Ballerini.

    “SNL” Episode 15 — Mar. 11, 2023

    Jenna Ortega hosting "Saturday Night Live"
    Jenna Ortega hosting “Saturday Night Live”
    — Photo: Rosalind O’Connor/NBC via Getty Images

    “Wednesday” star Jenna Ortega took the Studio 8H stage as a first time host, and was joined by musical guest The 1975. This marked the band’s second turn as “SNL” musical guests.

    “SNL” Episode 16 — Apr. 1, 2023

    Quinta Brunson
    Quinta Brunson
    — Photo by: Will Heath/NBC

    “Abbott Elementary” creator and star Quinta Brunson — who has won an Emmy, a Golden Globe and a Screen Actors Guild Award just in the past few months — made her “Saturday Night Live” debut, alongside musical guest Lil Yachty.

    “SNL” Episode 17 — Apr. 8, 2023

    Kevin Jonas, Nick Jonas, and Joe Jonas of musical guest Jonas Bothers, host Molly Shannon, and Ego Nwodim
    Kevin Jonas, Nick Jonas, and Joe Jonas of musical guest Jonas Bothers, host Molly Shannon, and Ego Nwodim
    — Photo by: Rosalind O’Connor/NBC

    “SNL” alum Molly Shannon returned to Studio 8H as a first-time solo host. (She and many of her female co-stars returned for Betty White’s Mother’s Day show in 2010.) Shannon was accompanied by musical guest Jonas Brothers, who returned to the show for the first time since 2019.


    READ MORE:
    ‘Saturday Night Live’s Cold Open Pushed People to The Edge With Headlines About Kanye West, Elon Musk and more

    “SNL” Episode 17 — Apr. 15, 2023

    Ana de Armas
    Ana de Armas
    — Photo: Charley Gallay/Getty Images for Netflix

    Ana de Armas will promote her upcoming rom-com thriller, “Ghosted”, with an “SNL”hosting turn on April 15, and will be joined by another Latina performing powerhouse in musical guest Karol G.

    “SNL” Episode 18 — May 6, 2023

    Pete Davidson and anchor Colin Jost during “SNL” Weekend Update on Saturday, May 21, 2022.
    Pete Davidson and anchor Colin Jost during “SNL” Weekend Update on Saturday, May 21, 2022.
    — Photo by: Will Heath/NBC/NBCU Photo Bank via Getty Images

    Pete Davidson makes his return to Studio 8H for the May 6 episode, one year after departing “SNL” following the 47th season, ET can confirm. It will mark Davidson’s hosting debut. He will be promoting his new Peacock series, “Bupkis”. A source close to the show tells ET everyone is excited for him to come back. “SNL is my home. I’m so happy and sad about tonight’s show. For so many reasons I can’t explain,” Davidson wrote ahead of his last episode as a “SNL” cast member last year. “Can’t wait to be back next year in a Mulaney musical number.”

    “Saturday Night Live” airs lives, coast to coast, at 11:30 p.m. ET, 8:30 p.m. PT on NBC.

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    Melissa Romualdi

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  • Fire and Ice Combine For Something Nice: Karol G and Shakira’s “TQG”

    Fire and Ice Combine For Something Nice: Karol G and Shakira’s “TQG”

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    Having only freshly released her fourth album, Mañana Será Bonito, Karol G’s “TQG” featuring Shakira already marks the fifth single from the record. Granted, Karol G got a bit of a head start before the album’s official announcement was made, with singles like “Provenza” and “Gatúbela” coming out in the spring and summer of 2022. Nonetheless, “TQG” somehow feels like the first “real” single from the album. Shakira might have more than a little something to do with that, especially considering how much she’s been in the spotlight of late thanks to her Gerard Piqué-slamming track, “Shakira: BZRP Music Sessions #53.” The reemergence of Shakira’s signature “sass” (and ass) has only helped contribute to the clapback vibe of “TQG”—an acronym for “Te Quedó Grande.” This loosely translating to: “Too much for you to handle.”

    On Beyoncé’s 2016 track, “Don’t Hurt Yourself,” she similarly boasted of being “too much” for the man who jilted her (a.k.a Jay-Z), flexing, “Blindly in love, I fucks with you/‘Til I realize I’m just too much for you/I’m just too much for you.” Where once it was the ultimate curse for a woman to be called “too much” (a not so veiled code for: “too much to deal with because she actually shows her emotions and intellectual complexities”), it’s now owned as a badge of honor (hence the new adage, “If I’m too much for you, then go find less”). For no woman wants to attract the kind of man who can’t “handle” a little “emotionalism” (this being a word certain men use to describe a woman’s expression of any feeling whatsoever). This is the type of man that Carrie Bradshaw (Sarah Jessica Parker) once characterized as being averse to “Katie girls”—a The Way We Were reference to those non-gays in the audience who don’t get it. And yes, Mr. Big (Chris Noth) is just that sort of breed (though it didn’t stop Carrie from continuing to lust after him). Preferring instead the “simple girls” that Pink so often loves to talk shit about despite such rhetoric no longer being considered chic.  

    Both Shakira and Karol G are ostensible Katie girls as well. Yet, unlike Beyoncé (an undercover simple girl), neither of these women are willing to forgive their erstwhile significant other for their transgressions, with Shakira once again referring to Gerard Piqué when she sings, “Seeing you with the new girl hurt me, but I’m now set on me/I’ve forgotten what we lived together, and that’s what you’re offended by/And even my life got better, you are no longer welcome here.” As for Karol G, her poisonous ex inspiration is Anuel AA (side note: Shakira collaborated with him on 2020’s “Me Gusta” before Karol G knew how it was going to turn out…but how’s that for full-circle retribution?). Despite being engaged to Karol G for two years, he ended up marrying a fellow rapper named Yailin La Más Viral—even had a baby with her before deciding to ditch her, too. So when Karol G declares, “You left saying you got over me/And you got yourself a new girlfriend/What she doesn’t know is that you’re still looking at all my stories,” one can really tell who the “muse” behind the lyric is.

    Karol and Shakira then goad their exes in concert via the chorus, “Baby, what happened?/Thought you were very in love?/What are you doing looking for me, honey/If you know that I don’t repeat mistakes/Tell your new bae that I don’t compete for men.” A sentiment that sounds similar to when men say, “I don’t have to pay for sex.” The confident bravado of the song is mirrored by its Pedro Artola-directed video, in which, while channeling Loud-era Rihanna with her red hair, Karol G takes up the mantle for Ri in “Can’t Remember to Forget You,” which also featured Shakira. In stark contrast to the lament and yearning of that single (released almost ten years ago now), “TQG” is a sign of the times for women who are no longer naïve or trusting enough to put up with multiple affronts from men. They’d rather turn such pain into profit, as Shakira mentions on her Bizarrap session with the line, “Women no longer cry/Women get paid.”

    Karol G confirms that with her verse, “I don’t have time for something that doesn’t do anything for me/I changed my route/Making money like sport/Filling my bank account with shows, the car park, the passport/I’m harder, the press reviews say.” Or perhaps “more wizened” is the better choice of words. Therefore not so prone to buying into the usual male bullshit, featuring such greatest hits as, “You know I love you, baby,” “It was only one time,” “It didn’t mean anything,” etc.

    With the video opening on images of Karol G projected on screens throughout the globe (including the many screens present on an airplane), she does a freefall off a building as Artola cuts to Shakira in an icy blue bodycon dress amid a snowy backdrop. After all, men have such a knack for turning women “cold” with their behavior. Karol G then appears on the scene in a contrasting red number that coordinates with her hair before the two transition to the opposite environmental milieu: fire burning all around them. For that’s the trail they’ve left in their wake after being burned by the men who did them wrong, only to scorch those men’s earth in recompense.

    As Karol G takes a page from the Shakira aphorism, “Hips don’t lie,” they dance suggestively in unison (even throwing in a portion of the beloved “Anitta dance” from “Envolver”), as though taunting any and every ex who made the mistake of thinking he could do better. The setting then shifts to a snowy one again as the rage in each woman subsides in favor of a cool, calm collectedness that her ex can no longer penetrate.

    That calmness being further emphasized by the The Truman Show-inspired blue sky-painted wall they hit at the end, complete with stairs leading to an open door (the possibilities presently wide open now that the whole world is their oyster without some cloying, complaining bloke to diminish their worth and make them feel guilty for it). And yes, someone—a slavish man—is watching them on TV in their bathtub in the final scene. For what else can any man do but watch as women continue to prove their superior value over and over again?

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    Genna Rivieccio

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