The first teaser for the upcoming second season of the critically acclaimed Showtime thriller “Yellowjackets” has just dropped.
In the new teaser, Lottie (new series regular Simone Kessell) is instructing Natalie (Juliette Lewis) through a guided meditation. “Listen to my voice and watch the light,” she tells her. “Allow yourself to go back, no matter how difficult it gets. What do you see?”
As Natalie closes her eyes and focuses, she replies, “Darkness. We brought it back with us.”
Also joining the cast as a series regular for the second season is Lauren Ambrose (“Six Feet Under”, “Servant”), with Elijah Wood (“The Lord of the Rings” trilogy) appearing in a season-long guest arc.
“Equal parts survival epic, psychological horror story and coming-of-age drama, ‘Yellowjackets’ is the saga of a team of wildly talented high school girls soccer players who become the (un)lucky survivors of a plane crash deep in the remote northern wilderness,” reads the synopsis. “The series chronicles their descent from a complicated but thriving team to savage clans, while also tracking the lives they’ve attempted to piece back together nearly 25 years later, proving that the past is never really past and what began out in the wilderness is far from over.”
In addition to stars Lewis, Christina Ricci, Melanie Lynskey and Tawny Cypress, season two also stars Sophie Nélisse (“The Book Thief”), Jasmin Savoy Brown (“The Leftovers”), Sophie Thatcher (“Prospect”), Samantha Hanratty (“Shameless”), Courtney Eaton (“Mad Max: Fury Road”), Liv Hewson (“Santa Clarita Diet”), Steven Krueger (“The Originals”), Warren Kole (“Shades of Blue”) and Kevin Alves.
“Yellowjackets” just scored an early season 3 renewal. Announced on Thursday, the news comes months ahead of the Showtime hit series’ anticipated return with season 2 on March 26, 2023.
“With ‘Yellowjacket”s runaway success in season 1 and the pent-up anticipation for season 2, we wanted to maximize the momentum by fast tracking season 3 now,” said Chris McCarthy, President/CEO, Showtime and Paramount Media Networks.
He added, “The show’s ambition is only exceeded by its execution, and I thank the incredible creative team behind it, including Ashley [Lyle], Bart [Nickerson], Jonathan [Lisco], eOne and the Showtime team, for turning this into such a success.”
Season 2, meanwhile, is set to pick up as winter settles in the remote northern wilderness where a group of teenage soccer players have survived a harrowing plane crash and are struggling to stay alive as the elements and deep divides within the group start to challenge them.
The series also follows a smaller group of adults who were eventually rescued and are the only ones who know exactly what happened out in the woods and how they eventually got out.
“Yellowjackets” stars Melanie Lynskey, Juliette Lewis, Christina Ricci and Tawny Cypress among the adult cast, with Lauren Ambrose and Simone Kessell joining as series regulars and Elijah Wood recurring in season 2. The younger stars include Sophie Nélisse, Jasmin Savoy Brown, Sophie Thatcher, Samantha Hanratty, Courtney Eaton and Liv Hewson.
“Yellowjackets” season 2 premieres Sunday, March 26 at 9 p.m. ET/PT on Showtime, with new episodes available to stream on the Friday before on the Showtime app.
Warning: Mild spoilers through episode four of “Welcome to Chippendales.”
In addition to ripped-from-the headlines murder, scandal and lots of bulges and butts, “Welcome to Chippendales” includes a dramatization of a key player in the famous nightclub’s story: the talent behind the male stripper troupe’s iconic looks.
“I’m a vision facilitator, a costume designer — especially costume designer. I’m a receptionist by trade, but fashion is my passion,” says Denise (Juliette Lewis), eagerly pitching her skills to Chippendales choreographer Nick De Noia (Murray Bartlett). Of course, she’s wearing the most fabulous animal-print jumpsuit as an endorsement.
While Denise is a fictionalized composite character, the real De Noia was close friends with Candace Mayeron, an associate producer for Chippendales who referred to herself as the dancers’ “den mother.”
“It’s part fantasy, part reality — part based on truth, part based on fiction,” says Peggy A. Schnitzer, the actual costume designer of “Welcome to Chippendales,” currently airing on Hulu.
Nick De Noia (Murray Bartlett) has a chat with Otis (Quentin Plair) in the Chippendales club.
Photo: Erin Simkin/Courtesy of Hulu
Schnitzer grew up in Los Angeles in the late ’70s and ’80s, and later worked in New York for a stylist connected with Richard Avedon, Patrick Demarchelier and Helmut Newton. So, the “Welcome to Chippendales” setting is a “period after my own heart,” she says.
Schnitzer pulled from her own fashion experiences for the series,like taking inspiration from the work of famed Vogue photographer Guy Bourdin to outfit hedonistic party-goers in the Chippendales Los Angeles club scenes. “The use of his color was so perfect, like those reds and those greens — the teals,” she says. “It was just so luxe and so rich.”
Ahead, Schnitzer takes us through key costume highlights in the series — including those breakaway pants.
Steve Bannerjee’s Suits
Steve (Kumail Nanjiani) chats with new handyman, Ray (Robin de Jesus).
Photo: Erin Simkin/Courtesy of Hulu
Somen “Steve” Bannerjee (Kumail Nanjiani) has extreme tunnel vision in chasing his American dream: He forgoes managing a family-run gas station chain in favor of capitalizing on a hole he sees in the entertainment market with Chippendales. He’s ambitiously — and consistently — dressed the part in a full suit-and-tie.
“His idol was Hugh Hefner,” says Schnitzer, also referring to the show’s re-creation of Steve’s late-’70s mood board, if you will, featuring the Playboy founder and aspirational scenes of Hollywood glamour. “For me, with the suits and his clothes, the arc was really important.”
Schnitzer began Steve’s early days with ’70s vintage or costume house-rented suits, and transitioned him into bespoke as his bank account grew with Chippendales popularity.
“All these really beautiful, luxurious, double-breasted suits, single-breasted suits, textured fabric, non-texture… were all stuff I had made for him,” explains Schnitzer, who also custom-designed his crisp shirting and most of his ties. “I have a huge collection of vintage tie pins and tie bars, so we matched all that up. It was super exciting to start from one thing and really dig to the max.”
Denise’s Amazing Jumpsuits
Denise (Juliette Lewis, center) unveils her ‘gamechanging’ breakaway pants idea to Nick, with dancer Richie (Michael Graceffa, left) as guinea pig.
Photo: Erin Simkin/Courtesy of Hulu
As a self-proclaimed “fucking magician with a sewing machine,” Denise nails her pitch to join the Chippendales team after demonstrating her costume invention: the breakaway pant. (Tearaway pants actually originated in the athletic realm, through a 1967 collaboration between Adidas and German soccer player Franz Beckenbauer. But storytelling, right?)
The “medical receptionist and FIT dropout” (as Denise also describes herself) needs to dress to reflect her talents, like inventively tucking the hems of her aforementioned leopard-print jumpsuit into flashy gold ankle boots.
“Her clothes were glitzy from the beginning, because she was going out clubbing,” Schnitzer says. “That’s what her MO was in the first place.”
Denise’s stellar jumpsuit game.
Photo: Erin Simkin/Courtesy of Hulu
The real costume designer enjoyed shopping exclusively vintage across the U.S. and Europe for Lewis-as-Denise, but actually found Denise’s leopard jumpsuit and satin-y raspberry one-piece (pictured above) at “swap meets in L.A.”
Irene’s Party-Girl Evolution
Irene (Annaleigh Ashford, right) matches the sweets and spices.
Photo: Erin Simkin/Courtesy of Hulu
A reluctant member of a bachelorette party, Irene (Annaleigh Ashford) piques Steve’s interests at the Chippendales bar with her lightning-fast volume-to-dollars calculation skills and accounting acumen. The two get to know each other and trade business tips over Diet Coke à deux. Appropriately, Schnitzer begins the accountant’s journey with ’70s “secretarial” ensembles, like “little vests and stripes” and A-line skirts.
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“There was nothing sexy about her stuff at all,” says Schnitzer, pointing to her favorite ensemble (above) and the muted tones that dominate her wardrobe.
In a sweet moment, Steve takes Irene to an Indian sweets and spices restaurant for an impromptu date. She wears a “corduroy-velvet suit,” says Schnitzer, explaining, “The rust [color] was much more vibrant than you can see in the episode, but all the colors were like spices in [the cafe]. “
Schnitzer sourced mostly vintage for Irene.
Photo: Erin Simkin/Courtesy of Hulu
Later, with Steve in India for his father’s funeral, Denise and Nick take Irene clubbing to unwind after a long Chippendales work evening. Thanks to Denise, Irene closes out the long night on the dancefloor screaming, “I love cocaine!”
“She started going out and then she just went full ‘Dallas,’” says Schnitzer, who transitioned Irene into more metallics and shimmer. “I found amazing [vintage] dresses that had lurex running through them and gold lamé. She was so fun to dress.”
Nick De Noia’s Stellar Shirt Collection
Nick De Noia (Murray Bartlett) in one of his signature suits and shirts.
Photo: Erin Simkin/Courtesy of Hulu
In a case of perfect casting, “The White Lotus” season-one breakout Murray Bartlett embodies choreographer (and Steve’s ultimate rival) Nick De Noia. It’s like he was born to wear those circa-’80s, elaborately-printed wide-collar shirts, tight trouser suits and slick leather jackets.
Flanked by two women in slinky disco dresses, Nick makes his initial entrance into a less polished, early-era Chippendales in a light-wash denim suit with wide lapels and a brown-and-white floral shirt.
“Talk about a flaming pile of trash,” says the Emmy-winning choreographer, dismissing the strippers’ crude freestyle routines and amateur costumes.
“His clothes are very tonal,” says Schnitzer, who custom-made many of Nick’s suits and shirts in vibrant ’80s prints and gleaming fabrics. “It was just so fun finding enamel vintage belts for him.”
As Nick breaks off on his own to set up shop in New York City, he savvily adopts the Big Apple’s all-black uniform.
“There was a lot of leather, a lot of black pants,” says Schnitzer, noting the fashion turn into the ’90s with Calvin Klein minimalism. “[Bartlett] was just game to go completely full tilt — no matter what it was.”
The Chippendales ‘Game-Changer’ Breakaway Pants
The bellhop fantasy scenario.
Photo: Erin Simkin/Courtesy of Hulu
Prior to Denise’s introduction of breakaway pants, the dancers needed to pause and awkwardly remove their trousers — or have an overzealous fan rip them off, as Otis (Quentin Plair) experiences. After studying the evolution of Chippendales costumes, Schnitzer noticed that the real dancers were gyrating sans shoes (also re-enacted in top photo), “because they realized when you’re taking off pants, you’re getting tripped up in shoes. It’s not sexy at all.”
But while the script called for Nick et al to be ecstatic about the dramatic tearaways, Schnitzer felt a tad trepidatious behind the scenes.
“I had never done them, and when you look at it, it looks completely effortless,” she says. So, she called a friend for advice: “Magic Mike” franchise costume designer Christopher Peterson.
“He goes, ‘Oh, my God, I’m going to save you a bucket of tears and years and hours of frustration,’” she says, with a laugh.
Peterson “guided” her through sourcing the optimal fabrics for the pant multiples needed to actually film a spicy bellhop or matador routine. The dance performances required a stretch material, while the g-string reveal — with a dramatic breakaway flourish — needed a more structured fabric with equal parts “tension.”
Most popular dancer Otis (Quentin Plair) as a matador.
Photo: Erin Simkin/Courtesy of Hulu
“This is very technical, but there are stress points on the body that we have to measure when we’re making the pants,” she says. “Those are the ones that, if you move around, they’re gonna pop open.”
While Salvador Perez used hidden mini-magnets for tearaway clothes in “Pitch Perfect 2,” Schnitzer relied on snap tape. But the trick is to end the tape before it hits the pants hem.
“Because people would get tripped up on their feet,” says Schnitzer, who custom-made all the stripper costumes, pants and g-strings. “It was really interesting. It was completely nail biting. Every time they would do it, you’re like, ‘Oh my god, it’s got to work.’ And it did.”
