ReportWire

Tag: John Major

  • John Major Fast Facts | CNN

    John Major Fast Facts | CNN



    CNN
     — 

    Here’s a look at the life of Sir John Major, former prime minister of the United Kingdom.

    Birth date: March 29, 1943

    Birth place: Carshalton, Surrey

    Birth name: John Major

    Father: Abraham Thomas Ball, stage name – Tom Major, performer

    Mother: Gwen (Coates) Major, dancer

    Marriage: Norma (Johnson) Major (1970-present)

    Children: James and Elizabeth

    Left school at age 16.

    Worked at a bank prior to entering politics.

    Was appointed financial guardian of Prince William and Prince Harry after Princess Diana’s death.

    1968-1971 – Member of the Lambeth Borough Council.

    1974 – Unsuccessfully runs for a seat in Parliament.

    1979 – Wins a seat in Parliament, representing Huntingdonshire.

    1983 – Becomes assistant government whip.

    1984 – Becomes treasury whip.

    1985-1986 – Serves as undersecretary state for social security.

    1986 – Is appointed minister of state for social security.

    1987-1989 – Serves as chief secretary to the Treasury.

    July 1989 – Is appointed foreign secretary.

    October 1989 – Is appointed chancellor of the exchequer.

    November 28, 1990-1997 – Serves as prime minister of the United Kingdom.

    June 1995 – Resigns as the head of the Conservative Party and calls for a parliamentary election to establish leadership of the party. He wins the election.

    May 1, 1997 – Loses the election to the Labor Party and Tony Blair.

    1999 – “John Major: The Autobiography” is published.

    2001 – Retires from Parliament.

    2002 – Admits to having a four-year affair with Edwina Currie, a fellow member of Parliament, during the 1980s.

    2005 – Is made a Knight of the Garter by Queen Elizabeth II.

    2007 – Major’s book, “More Than A Game: The Story of Cricket’s Early Years,” is published.

    2012 – Major’s book, “My Old Man: A Personal History of Music Hall,” is published.

    August 30, 2019 – Announces that he intends to join the legal action brought by anti-Brexit campaigner Gina Miller, who wants to stop Boris Johnson from closing down Parliament for five weeks. The following month Major submits written testimony outlining his opposition, In October, the Supreme Court unanimously rules that Johnson’s decision to suspend Parliament for five weeks was unlawful.

    October 17, 2022 – In a statement to CNN, Major slams the fifth season of Netflix’s “The Crown” for its depictions of his time in office as “damaging and malicious fiction” and “a barrel-load of nonsense peddled for no other reason than to provide maximum – and entirely false – dramatic impact.” Netflix defends the show as a “fictional dramatisation.”

    Source link

  • Rishi Sunak is haunted by ghosts of prime ministers past

    Rishi Sunak is haunted by ghosts of prime ministers past

    LONDON — “Back to her old self again” was how one erstwhile colleague described Liz Truss, who made her return to the U.K.’s front pages at the weekend. 

    That’s exactly what Rishi Sunak and his allies were afraid of. 

    Truss, who spent 49 turbulent days in No. 10 Downing Street last year, is back. After a respectful period of 13 weeks’ silence, the U.K.’s shortest-serving prime minister exploded back onto the scene with a 4,000-word essay in the Sunday Telegraph complaining that her radical economic agenda was never given a “realistic chance.”

    In her first interview since stepping down, broadcast Monday evening, she expanded on this, saying she encountered “system resistance” to her plans as PM and did not get “the level of political support required” to change prevailing attitudes.

    While the reception for Truss’s relaunch has not been exactly rapturous — with much of the grumbling coming from within her own party — it still presents a genuine headache for her successor, Sunak, who must now deal with not one but two unruly former prime ministers jostling from the sidelines. 

    Boris Johnson is also out of a job, but is never far from the headlines. Recent engagements with the U.S. media and high-profile excursions to Kyiv have ensured his strident views on the situation in Ukraine remain well-aired, even as he racks up hundreds of thousands in fees from private speaking engagements around the world.

    Wasting no time

    Truss and Johnson have, typically, both opted for swifter and more vocal returns to frontline politics than many of their forerunners in the role. 

    “Most post-war prime ministers have been relatively lucky with their predecessors,” says Tim Bale, professor of politics at Queen Mary, University of London. “They have tended to follow the lead of [interwar Conservative PM] Stanley Baldwin, who in 1937 promised: ‘Once I leave, I leave. I am not going to speak to the man on the bridge, and I am not going to spit on the deck.’”

    Such an approach has never been universal. Ted Heath, PM from 1970-74, made no secret of his disdain for his successor as Tory leader Margaret Thatcher. Thatcher in turn “behaved appallingly” — in Bale’s words — to John Major, who replaced her in Downing Street in 1990 after she was forced from office.

    But more recent Tory PMs have kept a respectful distance.

    David Cameron quit parliament entirely after losing the EU referendum in 2016, and waited three years before publishing a memoir — reportedly in order to avoid “rocking the boat” during the ongoing Brexit negotiations. 

    And while Theresa May became an occasional liberal-centrist thorn in Boris Johnson’s side, she did so only after a series of careful, low-profile contributions in the House of Commons on subjects close to her heart, such as domestic abuse and rail services in her hometown of Maidenhead.

    “You might expect to see former prime ministers be a tad more circumspect in the way they re-enter the political debate,” says Paul Harrison, former press secretary to May. “But then she [Truss] wasn’t a conventional prime minister in any sense of the word, so perhaps we shouldn’t be surprised that she’s done something very unconventional.”

    Truss’s rapid refresh has not met with rave reviews.

    Paul Goodman, editor of influential grassroots website ConservativeHome, writes that “rather than concede, move on, and focus on the future, she denies, digs in and reimagines the past,” while Tory MP Richard Graham told Times Radio that Truss’ time in office “was a period that [people] would rather not really remember too clearly.”

    One long-serving Conservative MP said “she only had herself to blame for her demise, and we are still clearing up some of the mess.” Another appraised her latest intervention simply with an exploding-head emoji.

    Trussites forever

    But despite Tory appeals for calm, the refusal of Truss and Johnson to lie low remains a serious worry for the man eventually chosen to lead the party after Truss crashed and burned and Johnson thought better of trying to stage a comeback.

    Between them, the two ex-PMs have the ability to highlight two of Sunak’s big weaknesses. 

    While Truss may never live down the disastrous “mini-budget” of last September which sent the U.K. economy off the rails, her wider policy agenda still has a hold over a number of Conservative MPs who believe they have no hope of winning the election without it. 

    This was the rationale behind the formation last month of the Conservative Growth Group, a caucus of MPs who will carry the torch for the low-tax, deregulatory approach to government favored by Truss and who continue to complain Sunak has little imagination when it comes to supply-side reforms. 

    Simon Clarke, who was a Cabinet minister under Truss, insisted “she has thought long and hard” about why her approach failed and “posed important questions” about how the U.K. models economic growth in her Telegraph piece.

    Other Conservatives have been advocating a reappraisal of the actions of the Bank of England in the period surrounding the mini-budget, arguing that Truss was unfairly blamed for a collapse in the bond market.

    But Harrison doubts whether she may be the best advocate for the causes she represents. “There’s a question about whether it actually best serves her interests in pushing back against a strong prevailing understanding of what happened so soon after leaving office.”

    Johnson, meanwhile — to his fans, at least — continues to symbolize the star quality and ballot box appeal which they fear Sunak lacks. 

    One government aide who has worked with both men said Johnson’s strength lay in his “undeniable charisma” and persuasive power, while Sunak, more prosaically, “was all about hard work.”

    These apparent deficiencies feed into a fear among Sunak’s MPs that he is governing too tentatively and, as one ally put it recently, needs to rip off the “cashmere jumper.”

    It’s been posited that British prime ministers swing back and forth between “jocks” and “nerds” — and nothing is more likely to underline Sunak’s nerdiness than a pair of recently-deposed jocks refusing to shut up. 

    Trouble ahead 

    Unluckily for Sunak, there are at least three big-ticket items coming up which will provide ample ground on which his nemeses can cause trouble. 

    One is the forthcoming budget — the government’s annual public spending plan, due March 15. Truss and Johnson are unlikely to get personally involved, but Truss loyalists will make a nuisance of themselves if Sunak’s approach is judged to offer the paucity of answers on growth they already fear.

    Before that, Truss is expected to make her first public appearance outside the U.K. with a speech on Taiwan which could turn up the heat on Sunak over his approach to relations with China. 

    One person close to her confirmed China would be “a big thing” for her, and is expected to be a theme of her future parliamentary interventions.

    Then there is the small matter of the Northern Ireland protocol, the thorniest unresolved aspect of the Brexit deal with Brussels where tortured negotiations appear to be reaching an endgame.

    Sunak has been sitting with a draft version of a technical deal since last week, according to several people with knowledge of the matter, and is now girding his loins for the unenviable task of trying to get a compromise agreement past both his own party and hardline Northern Irish unionists.

    A Whitehall official working on the protocol said Johnson “absolutely” had the power to detonate that process, and that “he should never be underestimated as an agent of chaos.”

    One option touted by onlookers is for Sunak to attempt to assemble the former prime ministers and ask them to stand behind him on a matter of such huge national and international significance. But as things stand such a get-together is difficult to picture.

    At the heart of Johnson and Truss’ actions seems to be an essential disquiet over the explosive manner of their departures.

    They appear fated to follow in Thatcher’s footsteps, as Bale puts it — “not caring how much trouble they cause Sunak, because in their view, he should never have taken over from them in the first place.”

    Esther Webber and Annabelle Dickson

    Source link

  • Today in History: November 28, deadly Cocoanut Grove fire

    Today in History: November 28, deadly Cocoanut Grove fire

    Today in History

    Today is Monday, Nov. 28, the 332nd day of 2022. There are 33 days left in the year.

    Today’s Highlight in History:

    On Nov. 28, 1942, fire engulfed the Cocoanut Grove nightclub in Boston, killing 492 people in the deadliest nightclub blaze ever. (The cause of the rapidly spreading fire, which began in the basement, is in dispute; one theory is that a busboy accidentally ignited an artificial palm tree while using a lighted match to fix a light bulb.)

    On this date:

    In 1520, Portuguese navigator Ferdinand Magellan reached the Pacific Ocean after passing through the South American strait that now bears his name.

    In 1919, American-born Lady Astor was elected the first female member of the British Parliament.

    In 1943, President Franklin D. Roosevelt, British Prime Minister Winston Churchill and Soviet leader Josef Stalin began conferring in Tehran during World War II.

    In 1961, Ernie Davis of Syracuse University became the first African-American to be named winner of the Heisman Trophy.

    In 1964, the United States launched the space probe Mariner 4 on a course toward Mars, which it flew past in July 1965, sending back pictures of the red planet.

    In 1979, an Air New Zealand DC-10 en route to the South Pole crashed into a mountain in Antarctica, killing all 257 people aboard.

    In 1990, Margaret Thatcher resigned as British prime minister during an audience with Queen Elizabeth II, who then conferred the premiership on John Major.

    In 1994, serial killer Jeffrey Dahmer was slain in a Wisconsin prison by a fellow inmate. Sixties war protester Jerry Rubin died in Los Angeles, two weeks after being hit by a car; he was 56.

    In 2001, Enron Corp., once the world’s largest energy trader, collapsed after would-be rescuer Dynegy Inc. backed out of an $8.4 billion takeover deal. (Enron filed for bankruptcy protection four days later.)

    In 2016, the first commercial flight from the United States to Havana in more than 50 years arrived in Cuba as the island began week-long memorial services for Fidel Castro.

    In 2018, Democrats overwhelmingly nominated Nancy Pelosi to become House speaker when Democrats took control of the House in January.

    In 2020, Pennsylvania’s highest court threw out a lower court’s order preventing the state from certifying dozens of contests on its Nov. 3 election ballot; it was the latest lawsuit filed by Republicans attempting to undo President-elect Joe Biden’s victory in the battleground state. Sarah Fuller became the first woman to participate in a Power Five conference football game when she kicked off for Vanderbilt to start the second half at Missouri.

    Ten years ago: New Jersey Gov. Chris Christie said his state would need nearly $37 billion to recover and rebuild from Superstorm Sandy and that the state would seek federal aid to cover most of the expenses.

    Five years ago: A Libyan militant was convicted in federal court in Washington of terrorism charges stemming from the 2012 Benghazi attacks that killed the U.S. ambassador and three other Americans, but the jury found Ahmed Abu Khattala not guilty of murder. (Khattala was sentenced the following June to 22 years in prison.) Jay-Z led the 2018 Grammy Award nominations as the top four categories were heavily dominated by rap and R&B artists.

    One year ago: The Netherlands confirmed 13 cases of the new omicron variant of the coronavirus, while Australia and Canada each found two. Israel barred entry to all foreign nationals as countries around the world scrambled to slow the spread of the new variant. Lee Elder, who broke down racial barriers as the first Black golfer to play in the Masters, died in Escondido, California; he was 87. Carrie Meek, one of the first Black Floridians elected to Congress since Reconstruction, died at her Miami home at 95. Virgil Abloh, a leading designer whose groundbreaking fusions of streetwear and high couture made him one of the most celebrated tastemakers in fashion and beyond, died of cancer at 41.

    Today’s Birthdays: Recording executive Berry Gordy Jr. is 93. Former Democratic Sen. Gary Hart of Colorado is 86. Former U.S. Commerce Secretary Wilbur Ross is 85. Singer-songwriter Bruce Channel is 82. Singer Randy Newman is 79. CBS News correspondent Susan Spencer is 76. Movie director Joe Dante is 75. Former “Late Show” orchestra leader Paul Shaffer is 73. Actor Ed Harris is 72. Former NASA astronaut Barbara Morgan is 71. Actor S. Epatha (eh-PAY’-thah) Merkerson is 70. Former Homeland Security Secretary Michael Chertoff is 69. Country singer Kristine Arnold (Sweethearts of the Rodeo) is 66. Actor Judd Nelson is 63. Movie director Alfonso Cuaron (kwahr-OHN’) is 61. Rock musician Matt Cameron is 60. Actor Jane Sibbett is 60. Comedian Jon Stewart is 60. Actor Garcelle Beauvais (gar-SEHL’ boh-VAY’) is 56. Actor/comedian Stephnie (cq) Weir is 55. R&B singer Dawn Robinson is 54. Actor Gina Tognoni is 49. Hip-hop musician apl.de.ap (Black Eyed Peas) is 48. Actor Malcolm Goodwin is 47. Actor Ryan Kwanten is 46. Actor Aimee Garcia is 44. Rapper Chamillionaire is 43. Actor Daniel Henney is 43. Rock musician Rostam Batmanglij (baht-man-GLEESH’) is 39. Rock singer-keyboardist Tyler Glenn (Neon Trees) is 39. Actor Mary Elizabeth Winstead is 38. R&B singer Trey Songz is 38. NHL goalie Marc-Andre Fleury (marhk-ahn-dray FLOOR’-ee) is 38. Actor Scarlett Pomers is 34. Actor-rapper Bryshere Gray is 29.

    Source link

  • Diana Is Saintly No More After Some Pronounced Charles Ass-Licking in The Crown Season 5

    Diana Is Saintly No More After Some Pronounced Charles Ass-Licking in The Crown Season 5

    The unspoken norm, especially when it involves the martyrdom that comes with being dead, is that no one should speak ill of Princess Diana. Who later became just “plain” Lady Diana in the wake of her very public and very tumultuous divorce with Prince Charles. The Crown’s fifth season explores the final breakdown of the doomed-from-the-start marriage, this time with Elizabeth Debicki in the role. Admittedly, her forebear, Emma Corrin, was slightly more likable—and, to be frank, Debicki looks better suited to play Paris Hilton than Diana Spencer. But that’s nothing compared to the physical upgrade Prince Charles gets in the form of Dominic West (whose real-life son, Senan West, plays Prince William). This being just one of many initial telltale signs that the series’ creator, Peter Morgan (who wrote every episode of this season), is determined to present Charles in a more favorable light than he’s ever been accustomed to.

    But before Morgan paints his pretty picture of a rather hideous man, the requisite “metaphor” is established for the season. Specifically, the four-thousand-ton yacht created for Queen Elizabeth (shown as Claire Foy in the flashback scenes). Appearing at the launch of the yacht, dubbed Britannia, in 1953, the queen declared to a public in Scotland that was still under the trance of worshipping her, “I hope that this brand-new vessel, like your brand-new queen, will prove to be dependable and constant.” If by that she meant “stoic and rigid,” she fulfilled her promise.  

    A pan over from the young queen of yore to the queen of the present-day (set in 1991)—played by Imelda Staunton—as she gets a check-up from her doctor finds her being asked a “personal” question. That being: is Balmoral her favorite home? The queen coyly answers, “There is another that’s even more special to me.” Obviously, it’s the royal yacht, the only “dwelling” ever created expressly for her tastes, whereas everyplace else she inhabits is haunted by the tastes of other rulers. Just another case of the laughable amount of sympathy we’re supposed to feel for her when this is expressed. “Oh you poor thing, the various castles you live in don’t suit your personality? How badly we should feel for you!” But anyway, Morgan does his best to evoke “empathy” not only for the monarchy as an institution, but for Charles in particular. Not just because he’s so “full of potential” and such an educated man (as anyone given his education could be) who can never make his mark in any real way while he waits for the role he was “destined” for. But also because he’s been “saddled with” Diana. She with her “middle-class” interests like shopping and pop culture. This divide is drilled further into the viewer’s mind as the episode, called “Queen Victoria Syndrome,” shows Charles and Diana on their “second honeymoon” in Italy. Namely, off the coast near Naples, where Charles’ own yacht, the Alexandra is enlisted.

    As Charles’ sole motive for agreeing to the so-called second honeymoon is to benefit from the goodwill of a new poll that posits most would be in favor of the queen abdicating early to give up her crown to someone younger and more “modern,” Diana is once again led down the primrose path of believing her marriage might have a chance. Moreover, when she expresses an interest in beaches and water sports and shopping as Charles goes over a historical value-oriented itinerary, Morgan makes his message clear: neither he nor Charles saw Diana as an intellectual equal. Coming to her defense on the shopping desire is William (Timothée Sambor) and Harry (Teddy Hawley), the latter barely seen in this season (perhaps some kind of undercutting shade at his current overall absence). And yet, he being the first to raise his hand to defend Diana in her desire to shop feels like a poignant moment for showing their deeper affinity.

    The continued displays of their lack of similar interests are further made manifest by Diana riding away on a boat with William and Harry to the mainland as she blasts “Emotions” by Mariah Carey and calls out, “Bye Charles! We’ll miss you while we’re having all the fun!” Unable to handle his “petulant” wife any longer, Charles exits the friend-filled “honeymoon” early under a pretense, then angles for favor with Prime Minister John Major (Johnny Lee Miller) by using the poll as a launching point to poison him against his mother—the first of many instances in this season. Which, no, doesn’t make Charles come across as noble, so much as a backstabbing little twat who can’t handle a woman in power. Even a superfluous one who does repeatedly show herself to be out of touch. And, after telling Major she welcomes any comparison to the long-reigning Queen Victoria intended to be an insult, she then requests the funds necessary to refit her royal yacht—again, the “grand metaphor” of the season meant to hit us over the head with the analogy that she, like it, has become a liability that few people have use for. Least of all “common” people. “We’re in the middle of a global recession,” Major has to remind her before suggesting the royal family bears the cost of repairing the yacht themselves. Needless to say, the queen is scandalized by such a response.

    The next episode, “The System,” veers away from the queen and Charles to give us a requisite glimpse into the goings-on of Prince Philip’s (Jonathan Pryce) life at the time. It was comprised mainly of carriage driving and forming a close bond with Penny Knatchbull (Natascha McElhone), the wife of Lord Romsey a.k.a. Philip’s godson, Norton Knatchbull (Elliot Cowan). When Penny is brought closer to Philip in the wake of her daughter Leonora’s death at the age of five, it gives him more clout in terms of suggesting she take up his same invigorating hobby of carriage driving.

    But while the senior royals are having their fun and frivolity, Diana’s resentment is gathering—prompting her to take up an offer presented by her close friend, Dr. James Colthurst (Oliver Chris), in being interviewed secretly by journalist Andrew Morton (Andrew Steele). The eventual biography that results, Diana: Her True Story, is released in 1992—the queen’s self-declared “annus horribilis” (also the title of episode four, in which Princess Margaret [Lesley Manville] is given her biggest storyline of the season with the reemergence of her one true love, Peter Townsend [Timothy Dalton]). Notably, the illustriously terrible (mainly for Diana) Christmas of ’91 is only glossed over (even in the finale of season four), with primary emphasis on Penny being seen publicly with the queen (per Philip’s request, lest the media “get the wrong idea” about his increasingly close relationship with her) in episode six, “Ipatiev House.” Perhaps because Kristen Stewart in Spencer already got to cover that ground from Diana’s perspective so thoroughly.

    In any case, the Andrew Morton biography of ’92 would be nothing compared to the bomb set off by her infamous Panorama interview for the BBC in 1995, which episodes seven through nine, “No Woman’s Land,” “Gunpowder” and “Couple 31” all address in a three-act format. “Couple 31” serving to show the “fallout” of what Diana “hath wrought,” even though many responded favorably to the interview (regardless of it being obtained via extremely nefarious methods). Especially with regard to her frank discussion of her eating disorder, exhibiting a candor that undoubtedly gave many others the courage to come forward about their own.

    Alas, that wouldn’t be in keeping with season five’s overall determination to portray Diana as a very insecure and unstable woman. And Charles as an intelligent man dealt an unfortunate hand for wanting to actually use that intelligence. Enter a flashback to 1989 in the most pandering-to-Charles episode, “The Way Ahead.” Opening on a scene during Christmas as Charles sits at a table of close friends, he complains, “Previous princes of Wales have been happy to spend their life in idle dissipation, but my problem is, I can’t bear idleness… In any other professional sphere, I’d be at the peak of my powers. Instead, what am I? I’m just a useless ornament stuck in a waiting room, gathering dust.” Here, too, the amount of “empathy” we’re supposed to feel for this person is perhaps overshot by Morgan.

    Morgan’s subsequent attempt at making Charles seem “with it”—of the people and among the people—isn’t very successful either. This occurring in the final scene of “The Way Ahead” that features him attempting to breakdance with non-white youths to the tune of Eric B. & Rakin’s “Don’t Sweat the Technique.” A moment meant to spotlight his triumph in overcoming the scandal of his Tampongate conversation with Camilla being released to the public (thankfully, for there was a moment there when one was led to believe The Crown might never bring it up).

    Almost as though fearing Charles in his new current role as King of England, this midpoint episode is also the only one to offer the kowtowing written-out epilogue, “Prince Charles founded the Prince’s Trust in 1976 to improve the lives of disadvantaged young people. Since then, the Prince’s Trust has assisted one million young people to fulfill their potential.” That last phrase sounding vague enough to make the prince seem very charitable indeed. The last title card concludes, “And returned nearly £1.4 billion in value to society.” If Morgan says so…

    With the finale, “Decommissioned,” we’re brought back to the most unique episode of the season, “Mou Mou,” in which it is gradually revealed how Diana came to be in Dodi Fayed’s (Khalid Abdalla) orbit. The answer being, according to Morgan, a result of Dodi’s father, Mohamed “Mou Mou” Al-Fayed (Salim Daw), being some sort of sycophantic Anglophile. This prompting him to do everything in his financial power to get the queen to notice him—even buying Harrods. Unfortunately, the queen’s inherent racism and elitism appears to have made her averse to sitting next to Mou Mou at the Harrods Cup Polo Match. Per The Crown, this led the queen to send Diana in her place while she sat with Margaret.

    In “Decommissioned,” it is Mou Mou who suggests that Diana bring William and Harry to St. Tropez for the summer on his new yacht, the Jonikal. This being yet another symbolic moment in which, as the queen’s own Britannia is put into retirement, Diana appears to be getting a shot of life via this new yacht. As we all know, that life would be cut tragically short after her vacation, the one that featured the iconic telephoto lens-procured image of Diana in a blue bathing suit perched at the edge of a diving board—so much about that being a type of foreshadowing and a summation of her entire life. Something Morgan wants to stretch out into a final season that will focus on her death and its aftermath.

    Hence, the anticlimactic ending of the season… even if meant to be a cliffhanger, of sorts, as it offers scenes of Diana as she gets ready for her summer in the South of France with the boys and Dodi as he proposes to model Kelly Fisher (Erin Richards). The last scene then shows Diana and the queen looking in a mirror, as the latter says goodbye to her precious royal yacht (invoking nothing except the reaction of “oh boo-hoo, you don’t get a massive boat paid for by the British people anymore”).

    Charles, meanwhile, is given another moment of “grace” and “sagacity” when he forewarns his mother, “If we continue to hold on to these Victorian notions of how the monarchy should look, how it should feel, then the world will move on. And those who come after you will be…left with nothing.” A.k.a. he will be left with nothing. And it remains to be seen if Charles truly will practice what he once preached when it comes to “rallying” for a more “progressive” monarchy.

    Incidentally, “A house divided” is the tagline for the season. And yet, it applies not only (even now) to the House of Windsor, but to those who can see the monarchy for what it is—parasitic and long outmoded—and those who would cling to it as the crux of British identity.

    Genna Rivieccio

    Source link

  • ‘The Crown’ returns to blur the line between royals, fiction

    ‘The Crown’ returns to blur the line between royals, fiction

    LOS ANGELES — When “The Crown” returns Wednesday after a two-year absence, the splintering marriage of Charles and Diana and more woes for Queen Elizabeth II are in the drama’s elegant but intrusive spotlight.

    There’s swirling off-stage drama as well for the Netflix series that began with Elizabeth’s marriage in the late 1940s and, in its fifth season, takes on the British royal family’s turbulent 1990s. The queen famously labeled one stretch her “annus horribilis” — Latin for “horrible year.”

    The safe distance of history is gone in the 10 new episodes set within recent memory for many and whose stories, sight unseen, have been denounced. The death of Queen Elizabeth, 96, in September adds an uneasy dimension: We speculate freely about the famous before and after they’re gone, but is more owed a country’s beloved and longest-serving monarch?

    Among the prominent critics is Judi Dench, an Oscar-winner for her role as Elizabeth I in “Shakespeare in Love.” In a letter to The Times of London, the actor blasted elements of the drama as “cruelly unjust to the individuals and damaging to the institution they represent.”

    She called for each episode to carry a disclaimer labeling it as fiction. It’s a demand that Netflix has heard before and continues to resist, framing the series as drama inspired by historical events. Series creator Peter Morgan was unavailable for comment, Netflix said.

    Dench is not amused by the streaming service’s intransigence.

    “The time has come for Netflix to reconsider — for the sake of a family and a nation so recently bereaved, as a mark of respect to a sovereign who served her people so dutifully for 70 years,” she wrote.

    Her plea followed a rebuke of the series from former Prime Minister John Major, shown in the new season being lobbied by Prince Charles — now King Charles III — to help maneuver the queen’s abdication. A spokesman for Major labeled the scene as false and malicious.

    Cast members including Jonathan Pryce, who plays Elizabeth’s stalwart husband Prince Philip, beg to differ with the series’ detractors.

    “The queen is in no danger from ‘The Crown,’” Pryce told The Associated Press. He said critics are lambasting the new season despite ignorance of it, reminding him of what the British once termed “the Mary Whitehouse effect.”

    Whitehouse had “a huge following and she criticized programs she’d never seen,” he said. “I think a lot of the protests this time, people haven’t seen this series. They don’t know how these issues are treated. I have to say they’re treated with a great deal of integrity and a great deal of sensitivity.”

    Imelda Staunton, stepping in as the latest actor to play Elizabeth, defended the series, its award-winning creator and its viewers.

    “I think it’s underestimating the audience,” Staunton told AP. ”There have been four seasons where people know it’s been written by Peter Morgan and his team of writers.”

    Morgan, writer of the movie “The Queen” and play “The Audience,” both starring the Oscar- and Tony-winning Helen Mirren as Elizabeth II, has made royals a specialty. The recent criticism may suggest his winter of discontent is ahead, but Morgan has it easier than another writer who feasted on the British monarchs as material: William Shakespeare, who dramatized the reigns of seven kings.

    All were in the past, with Shakespeare treading lightly around the rulers of his time, Elizabeth I and James I.

    “We all imagine it being sort of sweetness and light, and we’ve all seen ‘Shakespeare in Love’ and everyone’s sitting around drinking. Actually, it was like Stalinist Russia in many ways,” Shakespearean expert Andrew Dickson said of the rigidly controlled society in which the bard worked circa 1585 to 1613.

    Plays were approved by the master of the revels, a sort of civil servant with the power of censorship, said Dickson, author of “Worlds Elsewhere: Journeys Around Shakespeare’s Globe” and “The Globe Guide to Shakespeare.” Authors could and were imprisoned, or worse, for transgressions, he said.

    “His very few representations of royals recent to his time were pretty flattering, and and early audiences even called them patriotic,” said Harvard teacher-scholar Jeffrey R. Wilson, author of “Shakespeare and Trump” and “Richard III’s Bodies.” Theater in general was viewed as illusory and deceptive, he said.

    “He told this politicized version that was flattering to the powers that were in his time,” Wilson said. It became the “dominant framework for telling English royal history all the way through the 18th and 19th centuries. It’s now called the ‘Tudor myth,’” he said, a reference to the House of Tudor that ruled for more than a century.

    It’s problematic if people similarly begin recounting the Netflix show’s “fictionalized version of history as fact,” he said.

    Lesley Manville, who plays the queen’s sibling Princess Margaret this season, said she defers to those in charge of “The Crown” on whether a disclaimer is or isn’t warranted.

    “For my part, I can only be crystal clear that what I’m doing is a drama,” Manville said. “We’ve never supported it to be anything other than a drama about a real family, a very world famous family.”

    Staunton said she’s grateful that the season addresses a period that was “quite tumultuous, and therefore that creates quite a good drama.” She traced the recent protests about the series directly to the queen’s death.

    “There’s no doubt that if we were releasing the series two years ago there wouldn’t be this amount of sensitivity, which again is absolutely understandable,” Staunton said. She found herself deeply affected by the queen’s death, which she learned of after a day of taping on the show’s sixth season.

    “’Why am I feeling so distraught?'” she recalled asking herself. “But of course I’d been living with her for two and a half years” of preparation and production.

    For Pryce, working on the series has provided a better understanding of the royal family.

    “They’ve always been a part of society and it looks like they’re going to continue for some time,” he said. “I’m looking forward to King Charles’ reign, and seeing what he can do to change things.”

    Source link

  • Judi Dench says ‘The Crown’ is ‘cruelly unjust,’ presses Netflix for disclaimer – National | Globalnews.ca

    Judi Dench says ‘The Crown’ is ‘cruelly unjust,’ presses Netflix for disclaimer – National | Globalnews.ca

    Judi Dench has criticized Netflix for not adding a disclaimer to the popular series The Crown, which she claimed is “cruelly unjust” in its portrayal of the British Royal Family.

    In an open letter to The Times UK, the Oscar-winning actress wrote that the “fictionalised drama” presents “an inaccurate and hurtful account of history.”

    Read more:

    $500-million reno means King Charles won’t live in Buckingham Palace for 5 years

    The Crown follows the life and reign of Queen Elizabeth II, who died in September at the age of 96, having served 70 years on the throne. In the upcoming fifth season, the queen (now played by Imelda Staunton) approaches the 40th anniversary of her ascension to the throne amid troubling years for the Royal Family in the 1990s.

    Story continues below advertisement

    “Indeed, the closer the drama comes to our present times, the more freely it seems willing to blur the lines between historical accuracy and crude sensationalism,” wrote Dench, 87.

    While also praising the Netflix original as “brilliant,” Dench echoed grievances made by former British Prime Minister John Major.

    Major, represented as a character on Season 5 of The Crown, told The Mail on Sunday the series was “a barrel-load of malicious nonsense.”

    “Sir John has not co-operated in any way with The Crown. Nor has he ever been approached by them to fact-check any script material in this or any other series,” read a statement from his office.

    In the latest season of The Crown, Major (played by Jonny Lee Miller), is seen talking to Prince Charles (now King Charles) about the queen possibly abdicating.

    Story continues below advertisement

    “The Crown has always been presented as a drama based on historical events,” responded a Netflix spokesperson. “Series five is a fictional dramatisation, imagining what could have happened behind closed doors during a significant decade for the Royal Family – one that has already been scrutinised and well-documented by journalists, biographers and historians.”

    In her open letter, Dench wrote that Major is “not alone in his concerns.”

    Read more:

    Netflix delays Prince Harry and Meghan documentary as ‘The Crown’ comes under fire

    “I fear that a significant number of viewers, particularly overseas, may take (The Crown‘s) version of history as being wholly true,” she wrote.

    Dench insisted there should be a disclaimer at the beginning of every episode, despite the streaming giant’s earlier claims that they have no plan, and see no need, to add such a warning.

    “No one is a greater believer in artistic freedom than I, but this cannot go unchallenged,” Dench wrote.

    “The time has come for Netflix to reconsider – for the sake of a family and a nation so recently bereaved, as a mark of respect to a sovereign who served her people so dutifully for 70 years, and to preserve its reputation in the eyes of its British subscribers,” she concluded.

    Story continues below advertisement

    Read more:

    Why are people drawn to the Royal Family — and will it survive the queen’s death?

    Dench previously played Queen Elizabeth I in Shakespeare in Love (for which she won an Oscar for Best Supporting Actress). She also portrayed Queen Victoria in Victoria & Abdul in 2017 and Mrs. Brown in 1997.

    Season 5 of The Crown premieres on Netflix on Nov. 9. The series recently paused production “out of respect” following the queen’s death.

    &copy 2022 Global News, a division of Corus Entertainment Inc.

    Sarah Do Couto

    Source link